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* Good Times *
* Any time You meet a payment *
* Good Times *
* Any time You need a friend *
* Good Times *
* Any time you're Out from under *
* Not gettin' hassled Not gettin' hustled *
* Keepin' your head Above water *
* Makin' a wave When you can *
* Temporary layoffs *
* Good Times *
* Easy credit Rip-offs *
* Good Times *
* Scratchin' And survivin' *
* Good Times *
* Hangin' in A chow line *
* Good Times *
* Ain't we lucky We got 'em *
* Good Times *
Hey, everybody.
Have I got news for you.
Oh, yeah?
What is it, Willona?
The boutique is taking on a line of men's clothes.
Oh, yeah, and they look good on you, Willona.
This ain't no man's suit.
This is what the career lady is wearing.
Well...
if that's what the career lady is wearing,
I'm looking forward to seeing John Wayne in a miniskirt.
This is for you, J.J., from the new men's line.
Go try it on. You look great in clothes.
Yeah, 'cause he's built just like a coat hanger.
Thelma...now, you know that's not true.
Thank you, Miguel.
A coat hanger has broader shoulders.
Come on and sit down, Willona,
and catch me up on what's happening.
Oh, you mean you haven't heard any of the gossip?
No.
I've been so busy,
and what with the painters coming in tomorrow,
I just haven't had time to keep up with things.
Well, get your head set for an ear trip,
and find out what's been happening to whom
and when and where and how.
Okay.
Now, first thing on the agenda...
you remember, uh, Jack Engleson?
Mm-hmm.
Well, honey, he is fooling around with--
Evelyn Harris.
And to get even, Lily has been running around--
Arthur Carr.
Now, when Jack found out about Lily and Arthur,
he left Evelyn Harris and--
And took up with Arthur Carr's wife, Sara.
Right.
Now, Lily was not going to take this lying down,
so do you know what she did?
How should I know?
You're the one with all the gossip.
[KNOCK AT DOOR]
I'll get it.
Hi, Carl.
Hi, Michael. Thelma.
Hello, Carl.
Florida.
Hi, Willona. Hi.
What brings you here in the middle of the day?
Oh, I thought, if you didn't mind,
I'd take, uh, Thelma, Michael and J.J. out
for a little lunch and for a little talk.
Uh, uh, who is minding the store, honey?
Oh, I closed it for a couple of hours.
Oh, you closed it, eh?
Oh, I just love going out for lunch.
Ma, can we go? Please?
Of course.
Carl, where are we going?
Do you know the Pump Room?
You mean, we're going to the Pump Room!
Pump Room. All right.
Almost.
You have to pass by the Pump Room
to get to the Burger Pit.
Oh, Carl!
Hey, J.J., come on out.
Carl's gonna take us out to lunch.
Coming!
[CLEARS THROAT]
From Willona's boutique, the look that is unique.
It's unique
'cause it's being worn by a freak.
J.J.
Man, you look like a giant Tootsie Roll
wrapped up in cellophane.
Michael, this is what's known
as "truth in advertising."
What you see...
is what you get.
Well, I hope I don't catch it.
Carl, you're not really
gonna take that to lunch, are you?
Thelma, hold it, honey.
This is the latest in high fashion.
Well, you've got to be high to wear something like that.
You know, J.J.,
I saw something like that once when I was stationed in Paris.
See?
It was in a very fancy part of Paris.
See, Flo? I told you, honey.
I told you.
It was on one of those streets
where all of the designers have their shops.
[FRENCH ACCENT] Nothing but the very best.
It was in "ze garbage."
Who asked you?
J.J., you better change if you're going to lunch.
I guess you're right, Ma.
If I wore this outfit,
I'd put the hamburgers to shame.
Not with those buns, you won't.
Hey, Carl, what is it you wanted to talk about?
Oh, uh...it'll keep until we're alone.
Well, you know,
since Thelma's gonna be there,
we won't be doing any man talk.
Oh?
Now, what kind of man talk
goes on down at the shop?
Well, the usual.
You know, like basketball, football...
and sex.
Are you telling Michael about sex?
Certainly not.
Michael tells me about sex.
Well, Carl,
what are you being so mysterious about?
I'm not being "so mysterious."
There's no secret here.
I've got nothing to hide.
Okay, then what do you want to talk to the kids about?
It is none of your business.
Oh, Carl, don't be such a tease.
Okay. Okay.
You forced me.
I have no other choice but to tell you.
Now, here's what it is.
Oh, w-w-wait a second.
I'm gonna have to swear you to secrecy.
Oh, hey--
Willona, Florida, raise your hands.
Oh, that's silly. Ridiculous.
Come on, come on.
Oh, all right. Here, here, here.
Willona, knowing you,
you'd better raise both hands.
All right.
Repeat after me:
I hereby solemnly promise.
BOTH: I hereby solemnly promise.
That I will not repeat one word.
That I will not repeat one word.
[HIGH VOICE] Of what I hear today.
Of what I hear today.
Keep your hands up.
Oh, really. Come on, now.
Here's what it is.
Now, come closer.
I'm taking the kids to lunch...
Yeah.
Because...
it's lunchtime.
Time to go?
Let's split.
Okay.
See you later, Willona and Mom.
Have a good lunch.
Oh, go on.
[CHUCKLING]
Willona, I think we've been had.
Bingo.
What do you suppose
he really wants to talk to the kids about?
You mean you haven't figured that out yet?
Figured out what?
Oh, well, I'll give you a little hint.
[HUMS "HERE COMES THE BRIDE"]
Oh, that's a catchy tune.
I'll give you one more hint.
Something old, something new,
something borrowed...
Carl's gonna talk about our furniture.
Oh...
Now, you know perfectly well
what Carl is gonna talk about.
He wants to talk to the kids
about you and him, and him and you,
and marriage.
How can you say that?
The signs have been out there for weeks.
The signs? Mm-hmm.
Carl hasn't shown me any signs.
Not from him, honey. From you.
From me? Mm-hmm.
That's not so.
Then what about you inviting him
to all those candlelight ham-hock dinners?
I was just helping the president save on electricity.
Mm-hmm.
And what about you sitting through
the entire Chicago Bulls game, including overtime?
Somebody's gotta watch 'em.
And what about you raising your hemline?
Oh, I did not raise my hemline.
Then you lowered your knees.
[BOTH LAUGH]
Willona... Huh?
You think that's really what it's about?
Oh, yeah.
The way you two have been acting,
of course that's what it is.
This is just so sudden.
No, it isn't.
Flo, listen...
you're an attractive, intelligent woman.
You got a whole lot to offer Carl.
And he's a good-looking man,
owns his own business.
He'd make a fantastic catch.
And if you really don't want him, honey,
pass him over.
Oh...
Willona.
Flo, do you like the man?
Of course I do.
Do you like him a lot?
You know I do.
Flo...do you love the man?
Oh, I knew it.
Oh, Flo.
Oh, girl, you don't know how lucky you are.
You know, most of us get one shot at happiness,
and you got two.
And I can't think of a person
that deserves it more.
Oh, thank you, Willona.
Oh, Flo, what have you got your fingers crossed for?
One, that you're right.
And two, that Carl don't put any onions on his hamburger.
You know, Carl, um...
you know, you're on your third hamburger,
and you still haven't told us
what you wanted to talk to us about.
Oh, I haven't, huh?
No.
Okay, kids.
Now, here's what I have to tell you.
It's the most important thing I've ever said in my life.
Uh, Carl, could you pass the ketchup?
Now, you know how I feel about you,
and I suppose you suspect how I feel about your mother.
Uh, gotcha. Could I get some of them onions, Carl?
Thank you, bro, man.
Okay, kids, now, what I have to say
and how you accept it
can change the course of our lives forever.
Uh, Carl, could I get those pickles?
Yeah, yeah.
Now...it--
It-- It's important that you listen--
That you listen closely.
Are you gonna eat that tomato?
Ohh! Thank you, brother.
Look, now, this--
This isn't easy for me to say.
Uh, Michael, you gonna eat that lettuce?
J.J., why don't you--
Kids!
I love your mother and I want to marry her!
You want to marry...
Oh, wow.
That is great!
Hey, all right, Carl.
Hey, J.J., did you hear what Carl just said?
Yeah, I heard that.
And when I finish this hamburger,
you're gonna hear me say...
dyn-o-mite!
Dyn-o-mite!
All right! Whoa.
Look what I bought her.
This diamond is beautiful!
That is bad!
Let the appraiser check this thing out.
Mm-hmm. Let me see.
Oh, no. no, no, no.
That ain't no diamond.
That there is a ruby.
Okay.
Okay, kids.
Now, I have one stop to make,
but I'll be by the house around 7:00.
And if you dare tip anything to your mother,
I'll burn your butts.
Uh, wait a minute, Carl.
She didn't say "I do,"
and until she does, our butts belong to Mama.
We're gonna invite
Aunt Isabel, Cousin Paul,
and Great-Uncle LeMar. Hold on, J.J.
Great-Uncle LeMar's been dead for over two years.
In that case,
we won't seat him up front.
Wait a minute.
Now, we have 114 people coming to this wedding,
and Carl has not made this thing official yet, now.
FLORIDA: Children.
What time is it?
Uh, two minutes to Carl.
What? 7:00, Ma.
He means two minutes to 7:00. Oh, I better get Willona.
Hey, Ma, where you going?
Where you going?
Well, Willona and I are going to a movie.
Uh...you can't go.
And why can't we go?
Uh, 'cause, see,
you already saw the picture.
[CHUCKLES]
J.J., this is nonsense.
We're going to see King Kong.
Uh-uh, Ma. You can't go,
because you have to prepare
for the painters tomorrow.
They're coming, right? You know?
Thelma, what do I have to do to prepare for the painters?
Uh, you got to scrub the walls.
You don't want the painters to think
that you're a sloppy housekeeper.
Flo, what is keeping you?
The line's gonna be around the corner.
No, no, no, Mom. It is cold outside.
Yeah. Come on in here. Sit down. Sit down.
J.J.! Sit down, Ma. Sit down, Ma.
Oh, now, wait a second-- What is it?
Now, I'm gonna tell y'all
the story of King Kong
and save you all the $3.50 admission price.
Hey. Here's your popcorn.
Now, dig this.
Monkey meets girl, monkey loses girl,
monkey goes to America,
finds girl again.
Monkey loses girl, monkey finds girl.
Now, you see?
It's just a movie about the lost and found.
Monkey climbs to the top of building,
monkey loses girl.
Final score: helicopters 5, monkey 0.
Everybody sends flowers
except the girl, who sends a bunch of bananas.
WILLONA: And now that that's done, let's go see Rocky,honey.
But, um... [KNOCK AT DOOR]
FLORIDA: Now, who can that be?
Oh, I'll get this.
Oh, Carl,
what a surprise to see you!
Two minutes late, bro.
Carl, I wasn't expecting you.
We were just about to leave.
Florida, I'm glad I caught you before you left.
I have something important to say.
[QUIETLY HUMMING "HERE COMES THE BRIDE"]
Hey, Mom, why don't you sit down here, and, uh--
Thelma. Wait till Carl, you know,
says whatever he has to say. Yeah, Carl.
Would you like a pillow
so you won't hurt your knee
when you say whatever it is you have to say?
Uh, whatever it is Carl has to say,
it should be said in private,
so, uh, Michael, Willona, Thelma,
I want you in the room here--
Hey, hold it. Hold it!
Come on. Come on, kids!
You calling me "kid"?
That makes all the difference in the world, honey.
Well, now that we've gotten rid of the young ones--
THELMA: Hey, you. Get in here.
[DOOR CLOSES]
Florida...
Come over here and sit down.
No, no, I can say what I have to say standing up.
All right.
Florida...
Yes, Carl?
I...
I've been struggling with myself to be able to say this.
Yes, Carl?
I don't think we should see each other anymore.
I...
I'm sorry.
I'm sorry.
Goodbye.
* Here comes the bride Here comes the bride *
Don't act rash, honey. Don't act rash.
All right, Ma. When did you set the date?
I got to get some more handkerchiefs, 'cause, you know,
I always cry at weddings... especially when they ain't mine.
Hey, where's the bridegroom?
Let me see that ring, Ma.
Let me see, Flo.
Well, where's the ring?
Wait a minute. Where--
Where's Carl?
He left.
He left?
Uh, hold on, Ma.
Don't tell me you turned him down.
No, Michael.
He turned me down.
Turned you down.
That's a great joke, Ma.
You're always joking.
What a little joker you are.
It's no joke.
He said we...
won't be seeing each other again.
Well, Flo, he gave you some kind of explanation.
I mean, he's...
Nothing. Nothing.
Well, he's gonna have to give me
some kind of explanation.
FLORIDA: J. J., where are you going?
Ain't no man going to treat my mama like this
and walk away from it.
J.J., stop that nonsense.
Wait a minute, Ma. I don't understand this.
You see, at lunchtime today,
he said he was gonna ask you to marry him.
Yeah, Ma, and we said yes.
That's right.
I was gonna give the bride away,
Michael was gonna be the best man,
and Thelma was gonna be the maid of horror.
You know, Ma... Wait a minute, Ma,
I don't understand all this. I really don't understand this.
Maybe he's got cold feet.
Cold feet?
After what he did to your mother,
you could hang meat in here.
Ma, I'm so sorry.
It's all right, baby. It's all right.
I'm sorry too, Flo.
Here, I'm going with this "dum, dum, dum-dum."
What a dumdum I turned out to be.
Look, it really doesn't matter.
It does matter.
I'm gonna handle Carl my way.
J.J...you stay here.
Now, you're not leaving this house.
But, Ma, the Evans' family honor is on the line.
If you go after Carl,
your life's gonna be on the line.
Ma, Carl wouldn't hurt J.J.
No, but I will.
Flo, honey, let's get some coffee, okay?
Sit down.
I'll even make dinner for you.
You know, relax yourself.
I'll make some pot roast.
I'll make something for you to eat.
What do you all think you're doing?
I am not a 2-year-old child.
Just look at you.
You're all acting
as if I'm coming apart at the seams.
I can handle this.
Now, Willona, you and I,
were going to a movie.
Let's go.
Alrighty.
And Thelma, while we're gone,
I want you to make some egg salad for lunch.
And, J.J., remember what I said.
You stay here and behave yourself.
And as for you, Carl, I want you to--
Did I say "Carl"?
[CHUCKLES]
[LAUGHING]
[LAUGHS HEARTILY]
[SOBS]
Flo...
Well, that's it for me.
J.J., what are you gonna do?
I'm going out and find Carl.
When I get I get my hands on that sucker,
he's gonna know he's been in a fight.
Oh, no. No, thanks. No thanks.
Oh, come on, man, I'm buying.
No, no. No thank you.
Look, you don't want to see me drink alone,
do you?
Well, now, if you put it like that,
I'll have a little something.
One muscatel coming up.
Not this time.
Make it Scotch.
One Scotch coming up.
With muscatel chaser.
You know, this is mighty nice of you,
my friend.
Well, you bought the last one.
No, no.
You bought the last one.
In that case,
this is very nice of me.
Psst.
[SHRIEKS]
You are looking
at the Tiffany of the streets.
Gemologist by appointment to the board of alderman.
Look at my line.
It's really fine.
If you got the money, I got the time.
So don't dance off to JC Penney
when you can buy great goods
from Sweet Lenny.
No thanks.
Say, brother...
you in the market for anything?
Yeah.
Twenty-five-inch TV set.
TV?
If I'd've know that, I would have worn my other coat.
J.J.!
Don't sweet-talk me, Carl.
I come to invite you to Knuckle City, brother.
Come on, have a-- Have a drink.
Why, make that another Scotch,
and thank you.
I'm telling you, Carl, get set for a hassle, brother.
J.J., uh..sit down.
No, stand up and fight like a man.
No, no, J.J.
Don't fight with him.
He's buying.
J.J., how'd you find me, anyway?
Easy.
I just said to myself,
"Self...if I had done something to my mama
"like you had done something to my mama,
where would I hide?"
So you came here.
No. First, I went to the Pussycat Theater.
Looking for me?
Well, yes and no.
I-I took my dog to the Pussycat Theater once.
J.J., if you didn't come here
to be sociable, get lost.
Not till I have my... satisfaction!
My dog was very satisfied with the Pussycat Theater.
J.J...
J.J., have a beer instead.
No, Carl.
Now, come on.
No man treats my mama like that and walks away from it.
J.J...
I'm not a fighter,
I'm a drinker.
Come on, Carl!
All right.
I don't want to have to do this,
but you are interfering with my drinking.
Just want to give you a warning, Carl:
These fists are registered with the police
as lethal weapons.
Say, say, my dog was registered with the police department.
He got busted in a raid at the Pussycat Theater.
J.J.: I am the greatest!
I float like a butterfly,
sting like a bee.
You'll be on the ground
before I can count to...three!
You had enough?
Yeah.
Well...
in that case,
now maybe you'll give me an explanation.
All right, I have to think about it.
Either that or we tangle again.
We what?
We tangle again.
I need a drink first.
Bartender, a double.
And I think you'd better have one too.
Oh, uh...
about your mama...
When I was in the basic training...
I had a very rough experience.
Yeah, I heard about the food
they serve you guys.
No, no, no. W-w-what I mean is, uh...
during the war in Korea, I-I was wounded.
I thought you said
it was still in basic training.
Well, w-w-whatever. Whatever. Uh...
I was wounded...
[QUIETLY] in a very...vital place.
Now, come on, Carl.
I mean, you got both your arms
and your legs.
You can see.
I mean, what kind of wound
could be that serious
that could affect your relationship
with my mother?
Ohh.
When I saw you kids this afternoon,
I thought I could deal with it,
but, uh...
then I decided
it wouldn't be fair to your mother.
I see what you mean.
We'll, uh--
We'll keep this to ourselves, okay?
You got it, bro.
Say, J.J...
would you do me a favor?
Yeah, Ned.
Would you walk me to the corner
and point me in the direction
of the S & B Bakery.
You see, they keep them ovens going
all night long.
Makes good, warm sleeping
in the alley.
You got it, Ned.
Uh, Carl, don't go anywhere.
I'll be right back.
Bartender, another round
for everybody.
Oh, well, now, in that case,
I'll just hang around--
Uh, not right now, Ned.
You'd better go.
Otherwise, somebody might
take your spot in the alley.
Aw, J.J...
Hey, Carl.
What kind of jive deal
were you laying on that kid?
Now, I've known you a lot of years,
and you were never wounded.
Yep.
But it sure as hell beats telling him the truth.
What truth?
Well, I...
went to the doctor this afternoon...
and he really laid one on me.
Cancer.
* Mmm *
* Just lookin' Out of the window *
* Watching the asphalt grow *
* Thinkin' how It all looks hand-me-down *
* Good Times *
* Good Times *
* Keepin' your head Above water *
* Makin' a wave when you can *
* Temporary layoffs *
* Good Times *
* Easy credit rip-offs *
* Good Times *
ANNOUNCER: Good Times is videotaped in front of a studio audience.
* Good Times *
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