Original subtitles

(Widows Theme Music)

— You wanted to see me?

- If you're senior to that Fuller, yes.

If not ihen | wouid--

-|am.

- I keep on asking him, what's the charge?

You've got no right 10 hold me here.

Itell you. it's the last time | help out the bloody law.

- According to this‘ you received a phone call

from a total stranger who gave you

a list of bank note numbers.

— Correct.

He also told me there was 100 grand up for reward money.

- Your friend was misinformed. it's only 30.

— Oh well, there you 90, can't believe what anybody says.

- And you still refuse to identify your caller?

(sighing)

-|10|d him. Fuller,

I don't know who he was.

I lost his number, and he never called agaih.

Look, you know it, I know it, anybody can get

their hands on stolen bank note numbers.

Ifyou're in busrness, you've gotta be careful.

-And you still mainlain you do not know

the man that called you?

- Look, how many more times?

I never met the bloke. he just phoned the shop.

- All righl, sir.

On your way.

- Oh. that's it. is it?

I run a legitimate business.

They found nothing at my shop, did they?

I could have told them that.

That Fuller, he could do with a flea in his ear.

- Sit around just in case.

You know the rules.

- Drag the wtfe out, put the tear of God up her.

- Someone got to you, didn't they?

Go on. sod off,

But I'll be watching you.

- Oh, that really puts the wind up rne.

You should watch yourself.

I've already put in a complaint about you,

— Get out.

(door closing)

- Chief let Chizell go?

- Yeah.

Bastard changed his story, didn't he?

I run a legitimate business.

Said it once, he musta said ita dozen times.

- He does. everything in the place is logged and timed.

Date of purchase. price, auction rooms and buyers.

That's why thls is lnterestlng.

Found it under the counter.

The only thing in the place not listed.

I'm having it run through now,

Good right-hand thumbprint on the clock face.

— Got a witness?

— Mrs. Chizell.

Watchesyust llke a hawk.

She signed for it.

But, there's no record of the purchase, or the price.

It's worth more than you think.

- Ohhh. if it's nicked. l know what

il'll be worth, all right.

lt'll open up Mr. Chizell.

He's being lent on, and by somebody with a lotta clout.

Sonny was right in line for 30 grand worth of reward money,

so he's gotta be couriering for someone who was very close

to, if not actually on, that underpass rald.

And I'm gonna get him.

(engine runnlng)

(engine runnlng)

(radio chattering)

- Good evening, Mr. Chizell, Mrs. Chizell.

- What's this, what do you know want now?

I'm in a hurry,

- Do you wanna get lnto my car, I wanna have a chat.

— Do me a favour, we're going but can’t it wait?

— Come on.

- Sonny, what's happening?

(radio chattering)

- I'll give you two minutes.

- All right. in you go.

(doors closlng)

- Torch. rat killer.

And wrap up, it was freezing last time.

You look lovely.

- All right for some, eh?

- Are you sure you don't mind me not coming with you?

- Na. we're lust gonna check over a few things.

- Kill some rats.

(door bell ringing)

He’s here.

- Go on, see you later.

Have a nice time.

Where you going?

- I wanna see him.

- Wait tlll they've gone flrst.

- Your wife signed for it, Sonny.

She saw him find it in the shop.

Go on. look at it.

- [Sonny] There must be some mlstake.

- It's yours, Sonny.

Part of a whole nick from Guildford two weeks ago.

Got you for handling, Sonny.

Some legit business you've got.

- Dld you see his face?

- Don't. you'll smudge my lipstick.

- I could eat you alive, you know that?

- I really missed you.

Where we going?

- Nightclub, Arnie Flsher‘s place, do you know it?

- N0. no I don't,

I met Tony Fisher once.

- Once ls enough, eh?

He’s in the nick.

(car starting)

- Nlce car, very fast.

(screaming)

Aw. he's lost his balls.

Never mind, we can glue Ihem back on, she'll never notlce.

Always knew you were a ball breaker, Dolly.

- They're balloons.

» You say it's legit, so who's the Wltness?

If you've got a witness to prove it, name hlm.

Who is it?

- What you take us for, Sonny?

It's got your bleeding prints all over it.

— Where's Sadle.

— Sadie's all right, Sonny, you don‘t have to worry

about her, you're the one who's up Shit Creek.

- Who's the bloke that rang you

about the underpass cash, sir?

- I want my lawyer, I refuse to say another word.

- Oh, suddenly the man wants his lawyer.

Just glve us the name, Sonny, and you could be off the hook.

- Gordon Murphy.

— What?

- Gordon Murphy.

(tyres screechlng)

- Murphy?

Gordon Murphy?

— Piss off.

(groanlng)

All right.

All right!

(rock music)

- How are you doing, Kevin?

- Watch the whistle. only out here for the nlght.

- Arnie cuttlng back on the staff, is he?

- Yeah.

He gave him the bum's rush, the governor.

He's counting the bleeding peanuts.

Gordon Murphy's not shown.

— Governor?

You leaving?

- Let's just say I'm thinklng about it.

God, blimey, look at thls.

She's starting a bit early, isn't she?

— That's the Wlfe.

She's got the right needle.

- It's parked on a double yellow, and I don't give a shit.

You might at least have come Wlth me,

- Good evening.

- You can stick that anywhere,

I don't care if it gets nicked.

Who would want lt anyway, it's antique.

- You don't know Sonny Chlzell?

(door knocklng)

- Anything?

- Nah. I can't even get him to admit hls own name yet.

- Been here so many times.

he knows the ropes better than we do.

He's just a messenger boy.

— You know he works for Arnle Fisher?

- That's the reason for the penguin suit,

a big bash tonight at Arnie's Club.

I'd like you to take a look.

Keep it casual. don't throw any spanners in the works, yet.

Sonny's opening up down there.

I think the reason he clammed up was thatjust before

you pulled him in the flrst time,

he received a phone call, this tlme from a woman.

Woman said she was ringing on behalf of Harry Rawlins.

(engine runnlng)

— Come on, Bella, make it quick.

Anyone comes in through that door and we've had it.

- I told you we needed Shirley.

- Well we haven't got her. so hurry up,

(crowd chattering)

(nightclub music)

- Hey, Mlck.

- Coats over that way.

- Very tasty.

Rawlins has been looking for you, Murphy hasn't shown up.

- Where's Arnie?

- Bit ofa wobbler, run off with his hairnet.

Hey have you copped Colin Soal's old lady?

She's having a Barney, only hands me a dead cat.

- Oh, Frankie,

- Hl. Mick. - Tony.

Come on in, drinks on the house.

- Don't encourage them.

The way they knock lt back, you'll be dry by 10 o'clock.

- Yeah, and most of it'll be down your gut.

Eddie, oh, very nice, Eddie, very dapper.

You look lovely.

Coats over that way, love.

- Oh, gotta take it off have I?

I wanted to show it off a bit.

(nightclub music)

- That's a full-length mink she's got.

- Mildred!

I ain't seen her in donkey's.

Yoohoo, Mildred.

- Glad she didn't see us coming ln.

My wrap's so old, it could've walked ln itself.

- Mildred, lovely to see you.

Shirley!

Is that Shirley?

- Keep it down.

- You've met my daughter, have you?

- I didn't know you were comlng.

- Oh, Micky inVlted us.

He looks lovely.

You better watch lt. I'll be after him myself.

(giggling)

— Oh, lt's hot ln here, lsn't it? » Take your coat off.

- I haven't seen you since you were that high.

- Where did Micky go to?

- I don't know.

- Excuse me.

- Nice, lsn't it?

Ranch mink.

You watch it, wouldn't trust those cowboys

no further than I could throw them.

- Come on, love, get a move on.

You're causlng a trafllc jam here.

- My new bloke, nice lsn't he?

- Audrey?

Are you?

- Yeah, five months.

I thought it was wind at first.

Be some burp when it comes out.

(laughlng)

See my daughter?

Lovely, isn't she?

Model all natural.

More than can be said for ma. eh?

(laughlng)

(nightclub music)

- Some customers bruise easily.

Excuse me. handsome. where's the nearest--

(nightclub music)

(door knocklng)

- Thomas?

Hello, Gary.

Drink?

Sit down.

- To the dead Mr. Rawlins.

(nightclub music)

(patrons chatterlng)

- ln. ls he?

Not doing too well, are we?

That's the fourth.

- What's that whizzing noise out there?

-Arnie's new toy, Space Invader machlne.

- [Harry] What, and he's playing it?

- No, I am, just wiped out the Martians.

- Pull the plug.

- Harvey Rlntle's next, yes?

Gettlng a bit of a freeze?

Don't get a team together soon, booze'll run out.

Murphy's still not shown,

Okay, I'm on me way.

(door opening and closing)

- Okay, we know how he's gonna do it,

where, Amanda's nightclub.

- Just get it all down, we've been here long enough.

Let's get next door before they get here.

- We don’t know when.

- We'll have to come back agalrl, we go now.

Fold it exactly as it was.

-|am.

Tell you one thing,

lwouldn't like to try this one.

- Well you're not, are you?

- No we're not, are we?

(train passlng)

- Where have you been?

I haven't seen you for ages.

- I gotta circulate. darling,

Drinks all rlght, are they?

Any word on Murphy yet?

- N0. 710.

ls lt alrlght ifl nip across the counter.

Get a couple of bottles.

This grape juice does nothing for my stomach at all.

- Just take lt easy.

- l lntend to. son. l intend to.

- Mum, she's knocking it back.

- Why not, lt's a party, lsn't it?

You enjoy yourself, love.

-|am.

Just a minute, I'll have one of them.

- So how's it going, Micky.

- It's going just flne.

Just fine.

- These salty things, they give you a thirst.

Where's he off to? Like a fly.

Do get us a table, love.

Woman in my condition shouldn't stand about too long.

- Or drink champagne.

- [Audrey] It's Doris Marley.

- There‘s a table.

- I ain't seen her in.

She's had something done to her face.

Iron, by the look of it.

YOOhOO. DDHS.

- Looking well, considering, isn't she?

- Yes she is, considering.

I'll grab that table.

— Cash upfront?

- You'll have it.

You be at the lockup tomorrow at eight,

Mick'll fill you in on the details,

and we go on Sunday.

- That's cutting it a bit fine, isn't it?

- That's how I like it.

There's less time for talk and no time at all for nerves.

- Cash.

My word.

— You know about Jackie and me?

Eddie's wife, yourcousin, Eddie.

- [Harry] What about her?

- Just thought you ought to know, before anyone tells you.

She's with me now.

- Fine by me, see you tomorrow.

- In?

- The woman he came in With downstairs.

send her up, will you?

- Well.

- Name's Jackie, send her up.

— What about Spidei’?

- Oh, and, fix me a sandwich, I'm starving.

- Up and down those stairs, wearing me shoe leather out.

Doing a Lionel Blairout there.

(train passing)

- [Bella] Bloody rats, i hate them.

(car starting)

(car starting)

- You don't have anything more to do With him, you hear?

- Oh I hear you. but you can mind your own damn business.

He's the first decent thing to have happened for me.

You just try it and I'll scream the place down.

- You slag.

- Huh, and what does that make you?

Eddie's in the nick, Harry.

He got five years.

You do anything for him, you do one thing for him?

I used to have listen to him bleeding on about

how you'd come forward and help him out.

He never opened his mouth about you, Harry.

Law still think you are dead.

And what did you do for him, huh?

Nothing, you left him to rot.

Look, I need Harvey.

And what's more. i want him.

I've lost Eddie's yard, everything.

The lawyers' fees have just cleaned me out.

I'm flat broke, Harry.

Harvey was the only one that came forward to help me.

- What do you want?

- I want you to leave him alone,

just leave Harvey out of it.

I know this scene.

I've seen it through before, the social get-together.

Whatever you're doing. just leave Harvey out of its

- Now, you'll get this every week.

Eddie's my cousin. just stay away from that.

—Ohl

- Jackie!

Every week.

Eddie's your husband.

- And Dolly's your wife, and look what you did to her.

- [Harry] Have you heard from Dolly?

- No, nobody has.

Do you mind?

(patrons chattering)

(nightclub music)

- Nearly tore me balls off.

Gotham and carpet now.

- Come here.

Down there on the right.

That’s the law.

— Oh now what?

(patrons chattering)

(nightclub music)

— Up there, is it?

- I'll have a look.

—Ohl

- Hold onto the rails.

- These stairs keep movtng about.

- It's not the stairs, you're pissed.

- I certainly need one.

- Downstairs, the pair of you, now.

- Is the lady's loo up there?

Micky!

- He looks pretty desperate (laughing).

- Oy, come on, love, we're going.

- Come on. Mum.

- It's Fuller, one patrol car.

They're moving out down there like rats on a ship.

— Colin Soal still downstairs?

- Yeah, yeah, they're all pissed outta their skulls.

- He's useful, make it look like he was invited.

— What?

- Got Arnie to open a bottle of champagne.

Tell Fuller it was With my compliments.

Go on.

- Didn't you hear what I said?

- Go down, there's nothing up here.

- Who does he think he is. Fred Astaire,

They should get these stairs fixed.

-Are you coming, Shirley?

- I wanna go to the toilet, all right?

Excuse me, do you know if that's the ladies' loo up there?

- No, it's on the floor below.

(mysterious music)

(patrons chattering)

- Everything's fine, he's invited.

Stick around.

(laughing)

Have a run-in with a wall, did you?

- Micky, I wanna go home.

- Get a cab, I'll call you.

- Micky.

— Tesco?

Micky Tesco, isn't it?

- Hmm.

To the late Harry Rawlins.

— What?

- Harry Rawlins.

Cheers.

J' Why was he born so beautiful I

J‘ Why was he born at all I

1' He's no bloody use to me I

1' He's no bloody use at all I

(doorbell ringing)

- Yes.

- [Bella] it's me.

- I was just getting dressed to come round.

- Shirley's up and at it again.

God knows what hour she got in.

She's not done one thing to help us out.

- Where has she gone?

- I don't know.

What I wanna know is when we gonna fence that cash?

I'm getting sick of hanging around.

- We talked it through, Bella.

We agreed to shop Harry first,

then exchange the cash.

- Yeah, well that's all right for you,

but I ain't got two coins to rub together.

That money's all We got.

- What do you mean?

- Well you're not exactly broke, are you?

How much did you get for the sale of your house,

and everything else?

- That's none of your business.

-Oh yes it is.

— If Harry fenced the money he took from us, he'd have

to go to one of those men we have listed.

We wait, as we agreed.

When we know he's been caught. then we exchange the cash.

We did agree, Bella.

- Yeah well it‘s all right for you.

- I got money at the drill hole as well.

- Difference is, you don't need it, do you?

- No, as a matter of fact. i don't.

- Why don't you just get out?

You could.

- You know why.

- Because you want Harry caught, yes, i hear you.

- Yes, you hear me and you hear me good.

Because until he's outta the way, we risk him

coming after every one of us.

- You remember, you got us into this.

and it's you he's after.

- I haven't forgotten, Bella.

(doorbell ringing)

- That'll be Shirley.

I'll go.

Yeah?

- We've got a lunch date, remember?

-Oh yeah.

Your car outside, is it?

- Double parked.

- I won't be a minute, just finish dressing.

Shit.

— Lunch date?

(rock music)

J‘ Let's dance with the moonlight in our eyes I

I See the moon, we did it right I

J‘ Let's dance like there ain't no tomorrow I

J. Let's dance. let's dance I

I Get up and dance I

(chattering)

- How's it going?

- How long you going to be?

What. I can't hear,

- This'll be along day.

- Hello, darling.

- Hey. have you had anyjoy With the dressing rooms.

i mean. it's the ladies,

Women of my calibre don't change in the toilets.

— Now now, no aggro from you, i had enough last time.

Sorry about the delay, girls.

We'll be on the ramp as soon as We are ready.

Have you had enough coffee?

- Ooh, here they came.

Oh, hope to God I'm not the bride again.

That ramp's real dodgy, be ass over tit time.

- Okay, ready for rehearsal.

Straight from the top.

And. Music.

(upbeat music)

- Okay?

That’s it.

Come on.

That's it. eh?

There you go, all safe and sound.

- It's very nice. I think we should be getting back now.

- We haven't had lunch yet.

Come on in.

There you are.

Allsetup.

You like salmon?

- You've obviously gone to a lot of trouble.

But I really must get back now.

- No, just sit down

and relax.

I'll be one second, comfortable, are you?

(motor starting)

Just a quick trip up the river. do you good.

- I wanna get off.

— Watch it, bit of a wash, just sit down and relax.

- So long as we take care of his mother,

Murphy'll keep silent.

- Did you get the vest?

- Yeah, all sorted, Murphy won't open his mouth,

and if he keeps it shut, they can't get anything on him.

- Get the changeover vehicle?

- Yeah, I've got a driver, halfway house,

the boys make the switch,

ldl’lVe ourtransit 08f. dump it,

get back here, pay me, yes?

- Good kid, is he?

- Family.

Micky said 500, is that right?

— 500.

Everything all right?

- Fine, it was a good night all round.

Apart from my Wife nagging me she Wants a mink coat.

- Well after this, you'll be able to get her one.

(footsteps)

(engine revving)

— Switch it off!

- I've got something for you.

- That's good.

Right, how's the uniforms?

Harvey?

- Bit on the small side.

- Here you are, ape man. try it out for size.

- Now I want you to go over the route again,

while we've stiii got daylight.

- It's not the bleeding roads I'm worried about.

- Listen. Will you be able to do that,

geezer at the main gate if you have to, will you?

Will you be able to do it, eh?

He's a cool bastard. isn't he. eh?

Right, I mean he's only got to cock it up and it's a blowout for the rest of us.

You never said it was the black and white

minstrel show, governor, did you?

- All right, let's get a move on.

Now we know the time and place to meet.

We're cutting it fine as it is.

So don't anybody be late.

Now that model girl,

get as much information out of here as possible.

— Hey, Sammy Davis, I'll see outside the van, eh?

- And don't waste time doing any other kinda pumping.

— Look, you keep them off my back, or I'll kill them.

— How's Jackie?

(train passing)

- Trouble brewing out there.

You could do with Murphy.

He's always a good bloke to keep the peace, where is he?

- He's working, what's that?

- Press office handed them out yesterday.

It's the photo call for tomorrow afternoon, what all

the little girls will have hanging round their necks.

Nice, eh?

— What time tomorrow afternoon?

-3:l5.

You owe me.

— Can't it Wait until tomorrow?

Pay you off all at once.

- Did you Wanna wait for the passport?

Gotta pay the man today, Harry.

HoW much did you have to slip Fullei’?

All right, sorry I asked.

But he didn't come cheap, eh?

- Nor do you, Colin.

— Well, he tipped the scales for me.

— That's for the passport. layout and tip-off.

You'll get paid by the rest of them, after the show.

Glad you're with us, Colin.

- You should be.

(rats squeaking)

(train passing)

- Lovely houses around here.

Some of them have got moorings alongside their gardens.

I'd love one of those places.

Always have, but they cost a fortune.

Bit of a fiasco, isn't it?

I thought you'd like it.

- I detest it.

ljust wanna go home.

(birds chirping)

- [Vic] Here, put this round your shoulders.

Still not hungry?

- [Dolly] No, Ijust wanna go back.

- Okay.

Maybe another day.

Watch out!

(screaming)

- I'm sorry, your coat.

- That's all right, We'll go back for it.

Can you see it?

- Yeah yeah yeah, slow.

Okay, slow, slow.

Right, okay.

-All right, hold on.

Look out.

This is my best coat, you know.

Hold on to my belt then.

Hold on.

- I'm holding on.

- I've got it, I've got it.

Got it.

(yelling)

- [Dolly] Oh, I'm sorry.

Are you all right?

- I'Ve had this coat 15 years, Mrs. Rawlins.

- [Dolly] i didn't do it on purpose.

I'm sorry (laughing).

- We’re on a sandbank.

20 years on this river, l have never hit a sandbank.

Don'tjust sit there. start pushing.

Come on. come on.

You are a funny woman.

You know that?

I Let's dance I

I Get up and dance I

I Remove that arrow from your heart I

- Five, six, seven, eight.

One. two. three, four, five, six.

Ready for blackout, one, two, three, four.

I Let's dance with the moonlight in our eyes I

Oh no.

Okay, okay, take a break.

Ele back in an hour.

- I'll show you up.

- No, thanks for the lunch.

I have to wash me hair.

- Sorry about that.

- Sorry about your coat.

And the boat, it'll be all right, won't it?

- Oh yes, fine.

It's just a little bit scratched.

lgo.

most weekends.

I mean, maybe, if you're not doing anything.

Maybe you'd like to, to,

I don't know what it is about you. Mrs. Rawlins,

but I seem to have developed a stammer.

I'd like to see you again.

Get you togged up in some nice Warm clothes.

What do you say,

Dolly?

- Thanks all the same, but it wouldn't work.

- You always back me, don't you?

Well I can wait.

If you want me anytime, you know where I am.

You are a very attractive woman.

Have I told you that?

Have you seem him again, Dolly?

I've got to know.

- Reward, is it?

- Damn the reward, it's you I care about.

It's obvious. isn't it?

Well isn't it?

- Thank you for the lunch.

(soft music)

(car starting)

(patrons chattering)

- You've got a nerve.

- Oh come on. We've been over all this.

I told you, lcouldn't help it.

I had to stick around.

Then when I came to look for you, you'd gone.

My Cinderella, cheers.

You look lovely as ever.

— Oh, stop it.

I had to get a taxi home.

You didn't even introduce me to your boss.

You've got a nerve, you know.

- Nice, though, eh?

Come on.

Having a good time really, aren't you?

- Yes, yes, lam.

I wanna ask you something.

- Anything you'd like.

What do you wanna know?

- Do you know somebody called Harry Rawlins?

- Who?

Harry who?

- Don't mess me about. Micky, do you know him or not?

Why?

- Why? - OW.

- Don't, I'm bruised. fell ofthe rostrum.

It's very narrow.

- Better?

Go on.

- It was during the blackout, the last walk down,

when the lights go out.

- Blackout, they had them in the war, didn't they?

- No, Silly, that's what they call it

when all the lights go out.

When the lights come up again.

we're all grouped round the end of the rostrum,

and different coloured spotlights come on us

to show off the jewels.

- And when does this spotlight happen?

(doorbell ringing)

-Oh, thankyou.

(soft music)

(door closing)

— Don't turn it off for me.

I'm going straight to have a bath.

- Why, had a busy day, have you?

- Knackered if you must know, feet are killing me.

Up and down that ramp.

- Have a good time last night, did you?

- Not particularly.

Harry Rawlins was there. at the party.

— What?

- Came face to face With him, at least I think it was him.

- Where the hell have you been up until now?

Why didn't you tell me?

- I've been at the club.

—What club?

- I told you about it. it's a charity show tomorrow night,

the job i Went for, ltold you.

Ow, what are you doing?

— What's this club called?

- Get off, you're hurting me.

What did you do that for?

That hurt.

- This club, called Amanda's?

Shirley, Amanda's, isn't it?

- Yes, what's the matter with you?

- Get your shoes on.

You're in trouble.

— Well what have I done?

(doorbell ringing and door knocking)

- [Dolly] Who is it?

- It's Bella and Shirley.

Go on, get in.

- Well, this is a surprise.

- And I've got another one for you.

Tell her.

— What's the matter?

- We know exactly when they're gonna do the raid.

— What?

- Go on. tell her.

- Get off me, stop pushing me around.

- Tell her.

- You haven't given me a chance yet.

— Tell me What?

— She's one of the models.

— What?

- It's true.

- Shirley?

— I'm one of the models at the club.

I'll be wearing the jewels.

— So. now we know exactly when they're gonna do it.

- It's the only time we all wear the jewels,

the only time they're all outta the safe.

The final walk down.

- What about you?

- [Shirley] I'll be there.

- She has to, Dolly.

If she doesn't, they could start asking questions.

— Let her speak for herself.

-|just said I'll do it.

But you make sure you get the police there.

- Oh we will.

But more important. we're gonna get Rawlins this time.

Right?

(dramatic music)

Dolly?

- Yeah.

We'll get him.

- We do the job in broad daylight, 3:15 or thereabouts.

Anyone not happy, now's your chance.

Speak up.

(murmuring)

At night, the place will be crawling With punters.

But in the afternoon, when the models are rehearsing,

that problem's cut by a quarter.

- Just one thing, Harry.

Where Will you be?

- I'll be here.

You wanna be paid, don't you?

- You'll be here, waiting?

- When the jewels are here and everyone is back,

I pay out 50 grand upfront, as arranged.

To each one.

- It's settled then, 3:15 it is.

("No Man's Land" by Gerard Kinney)

I Someone. somewhere I

I Left you nothing but a final demand I

I NO one. nowhere I

I Helps you make it in this no man's land I

: HungryI

I Women, trying I

I Now they're only crying out for more I

I Hungry, Widows I

I Trying, living life they've never known before I

I Hungry, widows, surviving I

I Now they know what they're surviving for I

I Memories haunt you I

I Taunt when you know that life still goes on I

I Life still goes on I

I Do you want to I

I Show you're strong enough to carry on I

I Hungry, women. trying I

I Now they're only crying out for more I

I Hungry, Widows I

I Trying. living like they've never known before I

I Hungry, Widows I

I Surviving, now they know what they're surviving for I

I Hungry, Widows I

I Surviving, now they know what they're surviving for I