All language subtitles for Widows s02e04.eng

(Thames Telewsion Music)

(Widows Theme Music)

(moaning)

(rustling)

- Coffee?

Would you like something to eat?

Would you like a dressing gown�

or a bath or something?

- You got an aspirin?

Thank you.

� I slept on the sofa.

You get yourself undressed.

| just laid them out.

- Mr. Morgan,

the time?

What's the time?

- Just going on nine� Mrs. Rawlins.

(solemn music)

- Are you going out?

- Yes, I've got an appointment,

There's no sign of Dolly.

Do you know where she went?

Bella?
� I don't know.

Leave it, Shirley.

Just leave it.

- Look, we don't know.

Not for sure.

- I saw her.

They put a blanket over her head,

over her face.

-Oh, god.

- [Bella] Don'l smudge your makeup.

� Bella?

- I'll wait for Dolly.

There's nothing we can do,

Linda's dead.

- Alrighl, thank you.

They've got her in lhe morgue,

I'm sorry.

- She pushed me out of the way.

It could have been me.

- Why in god's name didn't
you go to the police

in the first place?

I mean, you must have
known he'd come afteryou.

You've laken everything he had,

plus sent his girlfriend packing.

- l was frightened.

I told you. ljust wanted to
play him off, to be left alone.

- ll didn'l look thal way to me.

- It's the truth.

- When I found you last night.

what were you going to do?

- Kill him.

- Well, that wouldn't have
been very clever, would it?

- Obviously not.

He wasn�t there.

- What I meant was is
there are other ways.

Did he get any money from you?

Well, you said you were gonna pay him off.

Did he get the money?

- Not enough.

- Friend of mine. ex-CID,

he wouldn't mind getting his
hands on that husband of yours.

- He'll have moved on by now.

- There's a bit of a reward up for grabs.

from the underpass raid, 30,000.

- | see.

That's what all the questions
was for� reward money.

You're all the same,

don't know what Side you were on.

- That's not true.

- Isn't it?

That's all he ever cared
about, my husband, money.

You go and chase him,

but don't try and get to it through met

(radio plays rock music)

(rising piano trill)

� Get over to the paint shop.

I want a respray on this sharp.

� There's a bit ota prang
up front, you see it?

What'd he do, hit a dog?

- You just do as you're
told, son, understand?

And Greg, keep that buttoned.

- Yes. sir, lwill do.

Got the gear ready.

(phone rings)

(typewriter clicks)

- The governor about?

� He's in with the chief.

- Get you going, has he?

Keen little blighter, isn't he?

- Was there something you wanted?

- I might have something
of interest for him.

Damn things always leak.

He was working on the
Rawlins caper, wasn't he?

- Yep.
� With Resnick?

Got a fag?

- I don't smoke 0h, watch
what you're doing, will you?

I just typed those this morning.

� Oh, lwasyust telling
Mabel Privet here,

I might have something
that'll interest you.

- Oh, yeah?

- On the other hand, it might not.

Got a fag?

- I don't smoke.

- These come With the department, do they?

Or is it a spot of decor?

Don't have them in our office.

Sorry.

Had a stiff on Hampstead Heath last night.

Girl, Linda Perelli,

- Perelli?

- [Reynolds] Joe Perelli's old lady.

He got fried in that
underpass raid, didn't he?

Get on the details,
schlepp over to Kensington.

- Is she dead?

� As in stiff.

Could be suspicious circumstances.

My lads are looking into it.

� Like what?

- Body was found 20 yards from her car.

Hit and run, by the look of it.

- Another vehicle?

- Not likely to run over
herself, me old son?

Hey, you on for darts match Saturday?

- No way, not after last time.

- You're yella, you know that?

Lost 20 quid months ago.

He's still having sleepless nights.

Sod you then.

Ta-ra.

� 20 quid?

- Yes, he was lotting up the score.

Get my car round, will you?

Think I will schlepp over to Kensington.

(upbeat pop music)

- One more.

Neat.

Alright, sweetheart, just relax.

Let's change this reel.

You did great.

Are you alright up there?

- Yeah.

- Okay.

Now. hang on.

Hang on, hang on, hang on.

Oh, yeah.

Okay, let's go again.

Let's have a smiley one, shall we?

Let's see those pearly white teeth.

Oh, that's great.

Have that again, shall we?

Oh, wonderful.

Hey, baby, that's great.

- How did Shirley take it?

� She cried quite a lot.

ldon't think it's quite sunk in yet.

That goes for me, too.

She was sitting there.

She put her hand out to me,

asked if we were still
friends, and I didn't take it.

You know. i never meant all
the things I said to her.

(Bella sobs)

- You cry, love.

- [Bella] What are we gonna do?

- I don't know.

I don�t know.

(clocks tick)

(door slams)

- Well, 150's the best I could do.

The time has gone,

inlay on the face missing,
see here and here.

It's up to you, love.

Take it or leave it.

- lt belonged to my mother.

I�m sure it's worth more than that.

It's good, a good clock.

- Yes. but it doesn't Wka. sweetheart.

Alright, 160, yes?

(clock chimes)

What do you want?

- Business.

- [Coach] Lift your right leg.

� Mom?

- [Coach] Hold, straighten, and

lower.

- Morn?
- Lift your left leg,

and hold,

straighten,

and lower.

Now,

both legs together.

Lift, and straighten.
- Morn?

- Hello. love.

Oh, I didn't hear you come in.

- What's all this, then?

- Nursery.

Here.

Look at this.

Isn't it lovely?

It's a crib.

- I can see that.

- Rick brought it home for me.

Give him me house keeping now.

� Bet he nicked it from Mother Care.

- if you've ]ust come over
to pick on me, you can leave.

Eh,

you seen Mickey?

- Why?

- Just to help you out.

I think your trouble is
you're not getting it.

Known to make you ratty.
� The whole world can see that

you've been getting yours, can't they?

And look where it landed you.

- If you've just come round to have a go.

- I came round to see
you, as a matter of fact.

But don't bother yourself.

I can see where I�m not wanted.

- [Coach] And now,
repeat the same exerCise

on your left side.
- Oh, shut up.

- I checked on Dolly,

Mrs. Rawlin's story.

Linda Perelli was found last
night exactly where she said.

Seems she pushed her out of the way.

Rawlins was trying to get to his wife.

- And the girl's dead.

- When they found her.

- Probably be a murder investigation.

We've better move sharpish.

You know where Rawlins is?

- He'd have moved on by now.

I�ll check.

I think she's on the level, his Wife,

- Do you?

Stay at your place last night, did she?

State of shock, was she?

Where'd you find her?

Outside Rawlins place?

Maybe she's telling the
truth, but I doubt it.

Don't let that bitch wrap
you around her fingers.

She's all we've got,

and if Rawlins wants her.

then we'll get to him through her.

Yeah, we'll get him.

We'll get him, alright,

plus 30 grand's worth of reward money.

- What do you say?

Just a couple of motors, two transit vans,

maybe a spot of driving?

- I don't know. I've been
straight a long time.

- Business not too good?

Look as if you could do a few readies.

- Who's running the show?

- I can't say, not yet,

but he's a good man, well known.

Good money, Eddie.

You wanna think about it?

- Nope.

Nope, I'm in.

- We gotta complain
about these sodden ?ies.

Keep me awake all night.

There's one fly I'd like to swat, hard.

Now, you keep your mouth shut.

Don't let him in on anything.

And you keep your eyes on
that woman, day and night,

- George.

- Two minutes.

- Well, well.

You two know each other, do you?

- Vic Morgan.

Philip Marlowe of lslington.

Meet Detective Inspector
Fuller of the Yard.

- Inspector.

l was just on my way.

- Right.

- Good seeing you, George.

- Yeah.

- Got you a few grapes.

Mind if i sit down?

Sorry that, you know,

I thought you'd be up and about by now.

� Cut the bull.

What are you about?

You're not here to
inquire after my health.

� Joe Perelli's wife was found dead

on Hampstead Heath last night.

A hit and run, 50 called.

- Who?

- Linda Perelli.

- Good god.

Suicide, you say?

- I've been going over your old ?les,

you know, your personal stuff.

There's 30 grand up for any
information on that raid.

- Which raid would that be, then?

- The second.

- Well, it wouldn't be
the first, would it?

Oh, and they wouldn't be
interested in that, would they?

They all died in that one, didn't they?

- Rawlins didn't.

You saw him.

- Must have been mistaken.

I took quite a beating.

Must have been imagining things.

Rawlins is dead.

� What about his wife?

- Very nice lady.

- Alright, have it your own way.

You always were a stubborn bastard.

Rawlins is alive, and I'm gonna find him,

with or without your help.

- Well, I hope I live long
enough to see it, sonny.

- Mr. Resnick?

l have asked you nicely.

l have told you with all my mighty force,

visiting hours are between 2:30 and four.

Please, in the future, do
not entertain during rounds.

It isn't fair to me, the
doctors, or other patients.

There's already been a complaint.

- Yeah, well, I got one.

This ward, full of flies,

At night. it's like the
bloody Malayan Jungle.

- I'll look into it.

How are you feeling today?

- Ah. terrible.

- Are you intending to keep
all these rotting grapes?

(Resnick groans)

Nursel

(light jazz music)

- Coffee, milk, sugared,

and a toasted ham and cheese.

Keep the change.

- It's 95F.

� You mind ifl sit here?

- 20 grand, used notes.

It's the best I could do.

Case under table.

- [Waiter] I'll ]ust go
and get your sandWich.

- 20?

Not bad.

- I can't do any more
business, you understand me?

Not that hot, anyway.

If you wanna see me, leave a message here.

Don't come to the shop.

- [Waiter] Toasted ham and cheese.

- Thank you.

- Are these her things?

- Yeah. I thought it
best to have a clear out.

You don't want this, do you?

Knowmg Linda, it's probably yours.

Where you going?

- I don't wanna talk about it.

Please, Dolly, I can't.

- We're going to have to.

Linda's dead.

- I know.

i know.
- Put the kettle on, will you?

We won�t be a minute.

- That's all i ever seem to do,

put the kettle on, take it off.

(water trickles)

- So, you got yourself a ]ob?

- I forget, and then it all comes back.

Oh, what are we gonna do.

It's all her fault, Bella's.

She shouldn't have told
her to get the gun.

She shouldn't, she shouldn't.

- It's nobody's fault, darling.

- I can�t believe she's dead.

I can't, ljust can't.

- Well, she is.

Kettle's on.

You told Dolly about the job?

- What are we gonna do?

- I don't know,

- Well, first, we gotta change the money.

- Oh, god, the money.

I hate it, I hate it,

- We've still gotta change it, though.

It's no use to anybody as it is.

You got it worked out, Dolly?

Dolly?

� I can't find the book.

� You what?

� I said I can't find the book.

� What book?

- The book with the list of names.

fences.

I copied them down from the ledgers.

� You've lost it?

� Burnt a lot of stuff at the house.

- You burnt it?

- No.

I'm trying to remember when I last had it.

- You always had it?

- Well, I haven't got it now.

- What about that old
mac you used to wear.

- It's behind the door.

� What door?

- It's in the pocket of
my mac at the lockup.

We're just off.

Sorry, let your chap in.

- Are you sure you don't
mind me not coming with you?

- Don't need three of
us to pick up a book.

You have a nice time.

See you later.

Who's this bloke
Shirley's got a date with?

- Dunno.

Some friend of her mom's.

- She's pregnant.

� What?

She never told me.

Shirley?

- N0, her mother,

�Oh.

That's all Shirley really wants.

You know, marriage, kids.

Just to know she had enough cash.

- What about you?

- What, me, kids?

Nah. not for me.

I reckon I lost my chance.

- Maybe you'll see him again?

Go back to Rio?

- No.

It's over, finished.

(bell rings)

- What did you forget?

Oh.

- Always open the door in
your underwear, do you?

- I thought it was Mom.

You're early.

Who's the date?

- Going to ask me in?

- Yes, come ifl.

I'll go and put some clothes on.

- No, like you as you are.

I'm afraid dinners off.

Something's come up.

For you.

�Oh.

Do you want a drink?

- Hmm.

- Come through, to the lounge.

- I've not got too long.

Just popped by to say l
was sorry about tonight.

You free tomorrow?

My governor's throwing a bit of a bash.

I'd like you to meet him.

It's a dress-up do.

You on?

- Yes, that would be nice.

- So, how'd it go?

Come here.

- I got the job at the charity show.

- You did?

That's fantastic.

- I wanted to ask your advice.

- Who's a clever girl, then?

That show'll set you up a treat.

Come here.

- It's ]ust that I'm not sure I'm ready.

They'll all be top models.

I don't wanna blow it, you know?

Ruin my chances for later on?

| just don't think I'm ready.

- You're kidding.

Course you are.

There might not be another
chance like this, darling.

You don't wanna rub Marion
up the wrong way, now do you?

If she thinks you can do it, then you can.

She's a professional.

Woman's got a reputation.

You're lovely, you know that?
- You think I could do it?

- You can do it.

It's been a long time since
I came, shaking like a leaf,

to a young girl's door,
arms full of roses.

Look what you're doing to me.

- Oh, Mickey.

(light romantic music)

- Oh, Shirley.

You're seducing me, you know that?

- I never thought I'd
come back to this place.

- Nor did I.

(ominous music)

- Gloria?

� She's not here.

- I've been looking for you.

I had a right old day.

I had to schlepp out to see Tony.

He�s in a bad state.

Gonna see if the prison
authorities can move him.

Smell of the place sticks to your clothes.

That slag takes off more
time off than you do.

Between the pair of you,

it's a wonder there's
still a bleeding business.

Where the hell were you this morning?

- Sit down, Arnie.

Get him a drink.

This man looks as though
he's seen a ghost.

I'm taking over the club.

]ust for one night.

- One night's about all we could stand

in this of?ce. Arnie.

Who'd you get to do the
decor, Barbara Cartland?

There you are.

- Just a small, private party.

]ust to see a few old friends.

- l ]ust had the place done up.

- All the better.

Be a swank do, dinner
]ackets. evening dresses.

You can slip into that
nice little backless number

you've got tucked away.
- Alright.

What do you say, Arnie?

- Don't have a lot of choice, do I?

� I appreciate the offer, Arnie.

(ominous music)

- Someone's using this place.

- I can't ?nd it.

What about the cabinet?

In the bottom drawer,

where we kept the shotguns?
- No.

lwouldn't have put it there.

(train rumbles)

I'd forgotten about the trains.

- Is this it?

- It�s black.

It's in my mac pocket.

I don't like it.

We should get out of here.

- Hang on.

(papers rustling)

It's your mac.

I've got it.

Dolly, I've got it.

- This is Harry's writing.

Look.

You know what this is?

� [Bella] What?

- Plans.

Motorbike.

Here's the roof.

Security vans.

He's planning another raid.

(door rattles)

Where you going?

- Hang on.

Excuse me?

� Yeah?

- That other lockup, is it yours?

The one along?

- Yeah.

- Are you using it?

- Uh, no, l'lO.

- I'm from a ?lm company.

Maybe we could use it on a shoot.

It's empty, you're not using it.

- Which film company?

- Feminists.

This is my secretary.

- How long would you want it for?

� Couple of weeks.

Depends.

- Have you got the key?

- What do you think you're doing?

- It's alright.

- Alright.

Look, I'm afraid it's in a bit ofa state,

but we've only just begun.

- But we were just about to do it up.

- Would you like to see it?

(ominous music)

- Why, what do we Want it for?

- 150 a week, why not?

- I don't give a shit about the money.

- Well, that's settled then, alright?

- Would you like me to show you around?

- I'll check it myself.

Thanks all the same.

(ominous music)

- Just tell me Why.

What do we want it for?

- He's gonna do a raid, right?

You're not the only one with ideas, Dolly.

(door rattles)

- Stinking in here.

I'm not going no further.

I've ruined my shoes.

- Shh, listen.

(men talking)

- There's somebody next door.

Oh my god, rats.

- The layout, gentlemen.

- Here's to it.

- Right.

Goes Without saying, this is a tricky one.

For starters, you've got cars parked here.

here, and around this area here,

You've got more problem areas here.

notjust the cars, garages,
bleeding huge tree,

building work in progress.

And to really put the Wind up you,

you've got only the one way out,

and that's at the front.

This is a dead end.

- What is this?

We know what the outside's like.

It's inside.

- Alright.

- Don't tell me how to do my job, son.

Okay,

this

is the bastard. this one here.

Should think you'll be their own muscle.

See, right at the top of the stairs,

before you get into the main club room.

Then, you've got two more
outside the managers of?ce.

Jewels Will be inside
the manager's office,

when they're not around
the little darlings' necks.

Most difficult ]0b to
handle will be the man

taking on these two men at
the main front entrance.

Gonna need a radio.

Bad blind spots here and here.

That's five men you're
gonna have to take on.

- Alright.

That�s it.

You two, be here ?rst
thing in the morning.

We'll sort out those unicorns.

And you're all invited tomorrow night.

-0h. ta.

- Kiss of Doom coming, is he?

- When have you heard me
pass on a free booze up?

Yeah, you got a lot of the lads coming.

It should be a good night.

The Wife's out, shopping for her dress.

� Well?

- And thanks for changing the money.

You did a good job.

Any problems?

- Nah.

Used him before.

(phone rings)

- D.l. Fuller's.

It's that bloke, third time today.

Wants Resnick.

- Hello, you want Resnick, that right?

Yeah, well, he's retired, gone defunct.

I'm Detective Inspector Fuller.

Fuller, yes.

Oh, yes?

Yeah?

Right, what time?

I'll be there.

This friend of yours got a name?

Hello?

� What's he Want?

- I told you that 30 grand reward money

would bring something in.

Well, our friend reckons
someone's trying to of?oad

some of the cash from the underpass raid.

- Who Was it?

- What, you think he'd tell me his name?

- Resnick, would he know?

- Yeah, that bastard wouldn't
help us cross the road.

- Be a bit difficult, he's
in hospital, isn't he?

- You did a very nice job on
the layout, very impressive.

How you gonna come and go on the day?

- I belong to a very elite club, old boy.

Press.

- Oh, yeah?

How'd you waggle that?

What you got, cameras, that sort ofthing?

- [Harry] Colin?

- Cheers, Harry.

-Alright, Mickey.

- Okay, I'll be off.

Oi, you Wanna lift?

- Alright, gov?

Let's go.

(train rumbles)

- Can't tempt you, then?

50 grand payoff.

- Yeah, you said, but
the answer's still no.

I'm a bit long in the tooth

for wielding the old shotgun.

I'm willing to do the
complete layout for you,

plus the tip off when to hit.

To be honest, ldon't fancy it, Harry.

It'll be tough.

You'll need a crack team.

- That's Why I want you in on this thing.

- Word is out.

A lot of men feel you ditched your lads,

let them burn to death.
never gave a helping hand.

- Do you thinkthat, Colin?

- Tread carefully, Harry.

And watch out for a new boy.

Goes by the name of Fuller.

He's the sharpie DJ, and he
doesn't take back handers.

You'll need to spread a few on this caper.

- Well. there wasn't one
yet that I couldn't palm,

with the right amount of cash.

- I'll think about it.

See you tomorrow night.

- See you, Colin.

� [Colin] Til then.

(solemn music)

- They've gone.

- I'm cold.

I�m so cold.

- We've got him this time.

My god, we know enough to
pull this one ourselves.

Joke. it was a joke.

- Oughta be.

- But We'll get him this time, won't we?

(Dolly mumbles)

- Dolly?

- Bit wilted, like myself.

I thought you were never coming home.

- Go away.

- Rainy out, is it?

- Take your flowers and go away.

� How about dinnei�?

Lunch?

Tea someplace?

- No, thank you.

Do you want me to start
screaming the place down?

- No, l'djust like to explain
about the reward money.

I didn't mean. you want
me down on my knees?

Here, take them,

- I don't want you at all, Mr. Walker.

Take your foot out of my door.

� If you'll agree to have
lunch with me on Friday.

Okay, then, Saturday.

- Alright.

(Dolly sobs)

(solemn music)

(police scanner plays)

- Well, there's our man, alright.

Wonder who he is.

- You didn't tell her about last night.

- She was asleep when I got in

and out when lwoke up.

She left that.

� Classes?

- Modelling or something.

I think she got her rocks off last night.

When I looked in on her, she
was grinning from ear to ear,

and she had a room full of roses.

Alright for some, isn't it, eh?

- Don't do that, it's a filthy habit.

- Got out the wrong
side of the bed, did ya?

- Here's the cash for
those boys at the lockup.

lcan't believe you didn't
tell Shirley about last night.

I don't know Why | waste my breath.

I told you, told you id be
over ?rst thing this morning

to sort out the cash.

- Well, We can do it,

That is, if you haven't
lost the book again.

- I'm trying to get us organised.

- Well, as soon as sleeping
beauty comes in we can go...

- Do you have to treat
everything like a ]oke?

- Do you think I like being stuck here?

I lost the only decent thing
I had in my life back in Rio.

Recognise this, do you?

Hey?

It's Linda's, Dolly, Linda's.

Funny, isn't, eh?

Do you see me laughing?

Who the hell do you think you are?

- You saw last night
what we were up against.

- Do you see me backing off?

- It's ]ust,

I'm worried, alright?

I worry about you,

about Shirley.

I kept thinking about it all last night.

If we watch the lockup, ?nd out more,

then tip off the law,
we still can't be sure.

We can't be sure it�ll work.

- Look, we're in this together.

it's not us you should
be worried about, love.

It's you he's after, you.

- l underestimate you, Bella.

Always have.

- Different circumstances.

you wouldn't give me the
time of day, would ya?

Turning tricks for a
living makes you develop

a tough hide, Dolly.

I won't let you down.

And as soon as Miss
Aerobic Features gets back,

we'll go all over the details, okay?

- [Dolly] Okay.

- That's ?ne by me,

butjust you remember why we're all here.

From now on. it's the three of us,

and it was my idea to take that lockup,

so don't you start handing
out orders, alright?

- Where you going?

- Like you said, we wait for Shirley.

(rain patters)

- Mr. JeWish Chronicle
himself, Sonny Chizell.

We got someone on him?

- Yeah, we got a car on him.

- Well, he's not giving any names.

but a friend of his was offered some cash.

These are the numbers.

Now, Sonny, or his friend,

reckons they're from the underpass raid.

He heard there was 100 Gs reward money.

- [Frinton] He should be so lucky.

� Right now, I'd offer
him the crown jewels

if he had anything for us.

Not that he'd get them.

l'll tell you one thing,
if those numbers tally

with that raid cash, I'll
come down on Mr. Chizell

like a tonne of bricks.

There won't be any deals.

I'll haul him in so fast.

Come on, what are you waiting for?

Let's go.

- [Doctor] There's the
head noW, do you see?

� That his head?

- Mm-hmm.

Alright, let's find his heart.

Yes, there we are,

There's the heart. that dark bit there.

- I can see it beating.

Is he alright?

- He's just beautiful.

The doctor's frozen the picture.

- Oh, yes, don't you worry about it.

- We go through each one in turn.

First,

Sonny Chizell.

- Whoever offers us the best deal,

we do the exchange with.

Are you listening?

- Yes.

We meet all four of them.

(phone rings)

No, Shirley, you get it.

� Hello?

Hello?

It's a call box.

Hello?

- Put it down.

- Oh, hello. Mum.

It's Mum.

� Get rid of her.

- Where are you?

She's at the hospital.

There's nothing wrong, is there?

What?

Well, how do you know?

She's been told it's a boy,

and she's being honest.

No.

There's no one here.

- Shirley, get off the phone.

� Come round?

- Shirley.

- I'll come over, okay?

Yeah.

TTFN.

Wanting to come over.

help her choose a name for him.

- Can we go on?

- Yeah, sorry.

- We've decided, if you agree,

that I'll say I'm ringing
on behalf of Harry.

- We reckon he's not in hiding anymore.

so people must know he's alive.

Are you listening?

- Yes.

Are you gonna give you
name as well, Dolly?

- No.

Just Harry's.

Phone.

- I was gonna say, it
wouldn't be too clever.

I mean, he's looking for you,

isn't he?

Sorry.

- Alright,

first name,

Sonny Chizell.

It's ringing.

(phone rings)

� Chizell's?

Speaking.

I don't do business over the phone.

You want to see me,
darling, then you come...

What?

- It belongs to Harry Rawlins.

Do you want me to repeat it?

Harry Rawlins.

Hello?

Hello?

When I said his name, he hung up.

- Harry Rawlins.

(speaking foreign language)

(siren blares)

(tyres squeal)

J� Climb upon my knee, Sonny Boy I

We're in business. Mr. Chizell.

The numbers tally.

You forget your brolly, Sonny?

Come on, in you get.

Come on. in.

(police scanner plays)

(engine roars)

("No Man's Land" by Gerard Kinney)

J� Someone. somewhere I

J� Left you nothing but a final demand I

I NO one. nowhere I

J' Helps you make it in
this no man's land I

J' Hungrywomen crying I

J� Now they're only crying out for more I

J� Hungry Widows trying J�

J� Living like they've never known before I

J� Hungry widows surViving J�

I Now they know what
they're surviving for J�

J' Memories haunt you I

J' Taunt you when you know
that life still goes on J�

J' Life still goes on J'

J� Do you want to J�

J� Show you're strong enough to carry on J'

J' Hungrywomen crying I

J� Now they're only crying out for more I

J� Hungry Widows trying J�

J� Living life they've never known before I

J� Hungry widows surViving J�

I Now they know what
they're surviving for J�

J� Hungry widows surViving J�

I Now they know what
they're surviving for J�

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