All language subtitles for Widows s02e02.eng

(Thame Television Music)

(Widows Theme Music)

(soft music)

(so? knocking)

- I've gol them?

� Shh, police, come here.

What do you ihink he wants?

- I don't know, do I?

I've got two tickets.

As soon as you're fit, we'ii leave.

You've not touched your food.

- I'm not hungry.

Maybe we should teii him, BeHa.

- Tell him what. Linda?

- Oh� what if he finds out about us?

I mean, he's been asking questions.

� About me?

Has he been asking questions about me?

- N0, the taxi driver.

You don't want to go, do you?

- No. I don't want to go.

I'm so scared of losing him.

I don't wanna go,

- I'm sorry.

Do you think Dolly got our cable?

- I don't know, do I?

- Did you send a cable to Shirley?

- Yes, I sent a cable to Shirley.

- Well, do you think Dolly'll be able

to get to our money?

You keep asking me these
questions and I don't know.

- Maybe Rawlins is still in Rio.

- And maybe he isn't!

Oh, don't start crying.

- It's my fault.

Itold him. I told him the
money was at the convent.

- You also told him where Dolly was.

You hope to God he hasn't gotten to her.

Look what he did to you.

- The cocky son of a bitch.

YOU see him. he nutted me,

- Did he have any cash?

- Two grand, so that's all that's left.

So, he spent the rest.

The police have been
around asking questions.

His girlfriend?

- Did you tell him anything?

- Well, what did you want me to do?

� Give us a couple hundred.

� What?

- He got no right, you owed me.

- I hear the police have
been asking you questions.

- Not me, it's my girlfriend
and I don't like that.

- Well now, nor do l,

that's Why I think you should
take a trip for a few days.

- Hey, do you think I am what?

(punches)

Owl

- Now, if you want to hang on to these,

you better do as I say, all right?

Good, there, enjoy yourself, all right?

Now, I don't want to see
you around for a few days.

(grunts)

(engine revving)

(knocking)

- [Male] May I come in?

� Of course, it's open.

- How is our invalid today, hmm?

Oh, what's this? (tongue clicking)

You don't like Hannah's cooking?

- Oh, it's not that, I'm just not hungry.

� I have some news for you.
- Oh yes?

- The taxi at your villa.

my chauffer was able to make out

most of the number plate.

The police are sure they Will
be able to ?nd the driver.

- Yes, but i thought we'd agreed

not to take it any further.

� What's this?

Two.

- I was going to tell you.

Linda. she needs me With her,

-Ofoourse.

Excuse me.

- You're gonna have to tell him, Bella,

� Tell him what?

Tell him that we're
running back to England,

'cause were scared
stiff that Harry Rawlins

is gonna nick our money.

- I didn't mean that.

- Well, what then?

Tell him about me, is that it?

You want me to tell him what I was.

He's asked me to marry him, Linda,

Do you think he'd have done that

if he knew what I was. a tart?

Well, go on, say it,

Tart, slag.

- I didn't mean that.

- Well, you shoved it down
my throat often enough.

Now, I'm gonna tell him that we're

going back to England to see your mother.

- I haven't got one.

- Well, you've bloody got
one now you stupid bitch.

I'm not gonna lose him, not for you,

not for Dolly, not for anybody.

(soft music)

- Mrs. Rawlins.

- Mr. Jarrow's patient.

- Oh, yes, good morning,
we've been expecting you.

And you're in, you're in room 4E.

l'll Just call for Nez
to show you through.

Nez Lambert to reception, please.

0h, Mrs. Rawlins I believe we have--

Yes, it came for you two days ago.

I don't appear to have
a forwarding address

for you, Mrs. Rawlins.

Could you--

(gaSPS)

Are you all right?

Is it bad news?

- You had this two days?

- Yes. but as I said. we didn't
have a fonlvarding address.

I'm afraid, I'm sorry.

(intense music)

- Read that.

My Shirley's coming home.

- All right, is she?

- It's my holiday up the
hleedin' spout, isn't it?

Come to Los Angeles, she says.

Go out and buy all that summer gear.

It'll be out of fashion by
the time | get to wear It.

| feel sick.

� She know about us?

- I'm sure she does.

It lands in the sand is we are.

Something wrong.

Why is she coming home?

- Mrs. Rawlins, how nice to see you back.

Did you enjoy your holiday?

- Yes, very pleasant.

l was just collecting from the lockers,

for the Brownies.

- Shall we be seeing you here With us.

You've been greatly missed.

- Yes, yes I hope so.

I really must go,

- Don't let me delay you.

Do give Mrs. Gregory my regards.

- I'm sorry.

- Mrs. Gregory, Brown Owl.

�Oh.

- She gets these from the hotels.

Works as a cleaner.

l was looking for him and here

take a look at this.

I talked it over with Mickey
Tesco, he was staying.

You know Mickey, Mickey Tesco,

- Are you sure his passport's coming?

- Yeah. yeah. he'll
ring soon as it's ready.

You'll be on Ihe plane, Harry,

Just take a look at the bloke

down inside of the picture.

Mickey's a sharp one.

He's on that embassyjob.

He knows his hunch.

You're gonna need to crack teeth.

With eight million. it'll
be worth forking out a bit.

You see.

Charity show, Amanda's nightclub.

They'll all be on loan for the night.

You've got Aspei�s, Gerard's,

there he is, that's Mickey.

Good lookin' fellow. isn't he?

And he's sharp.

He's young.

He needs the right man with him.

Someone who knows the ropes,

someone with your experience.

(phone rings)

lwouldn't mind going back there meself.

I'd get hold of him as
soon as I put me foot down.

- Phone.

- Even thought of havin'
me face done over.

Scared shitless of hospitals.

Hello, yeah, speakin'.

It's him, he's ready.

Yeah, I've got the cash.

Aye?

I'll be there.

YOU can't even take a leak in this place

without some buggers got his hand in.

Do you want to come along?

- N0. i'ii have a shower.

Get cleaned up.

- What ya think?

You can lay your hands on some cash

when you get home, can't ya?

You could have the reigns,
you could set it up.

- No, Jimmy.

It's not for me.

You'd better shift.

I wanna make that plane.

(distant honking)

(light radio music)

(intense music)

(doorbell rings)

- Mrs. Gregory?

- Yes.

� I'm Mrs. Rawlins from the convent.

These are for you.

-Oh, thankyou.

� Mother Superior mentioned
that you was Brown Owl

with the Brownies.

l have a few things from the convent

I�d like to store in the drill hole.

You do have the keys, don't you?

(children chattering)

- [Man] You boy, go on, don't fall in.

That's it, come on boys, line up.

(trap door slams)

Get on the spot, right, come on.

(soft music)

- I didn't hear you come in, I'm sorry.

(Speaking in foreign language)

- That was my friend from yesterday.

Remember?

Police.

They have the taxi.

- I'll go tell Linda.

- Linda is sleeping.

The taxi. not the driver,

It appears that he is missing.

But then. I don't think you
wanted him found, did you?

- It wasn't that.

It's just that Linda's
been through enough.

I wanted her to stay, but
she won't be persuaded.

She wants to go home.

See her mother.

- Her mother?

Hmm.

(dramatic music)

When are you leaving?

- Well tomorrow, if Linda's fit enough.

(soft music)

Are you all right?

- I'm ?ne.

(soft music)

- Don't.

- Don't you like me looking at you?

�Of course I do.

You know I do.

I love you.

� Because I'm rich?

(soft music)

- No.

- You're coming back?

- You try and slop me.

(soft music)

l don'I wanI to go.

I don't want to leave you.

(soft music)

I love you.

Every inch of you.

I'm gonna make love Io you.

Give you something to remember me by.

- No!

You take your friend, your cases,

and you get out Ionightl

� What's the matter?

Has Linda been talking about me?

- Just leave, both of you.

- Is that all you've got
to say, just like that?

- I wanted you for my wife.

And you, you don't belong here.

- What did she tell you?

(yells) I don't belong to anybody!

- Then you won't mind leaving, will you?

(door slams)

- One vial of soap, one
passport, and one ticket.

Better get a move on if
you wanna make that plane.

- Thanks.

Bout time you took one of these, isn't it?

� Do me a favour.

Don't get your ?ngers in the water.

- You�ve won.

I don't know what you said,
but he's kicking us out.

Get dressed!

� What?

- Where's your passport?

- What'd ya say?

- Come on, we're leaVing, get up.

� What's happened?

- The police think they found him.

- What, Rawlins?

- No, the taxi driver, you idiot.

The plane leaves in one hour.

Get dressed!

- Okay.

(distant honking)

- Oi, where's the magazine?

- I've gel to read something on the plane.

- Are you interested then?

- Maybe.

See if you can get this Tesco

to ?x me up with a place,

and meet me at the other end.

- Right away, Harry.

1' We're in the money, we're in the money I

God help us, watch what you're doing.

- l have arranged for a car.

- Don�t bother.

I almost forgot.

You'll be wanting this back.

- Keep it.

- Why not.

I usually get paid in cash,

but this Will do nicely.

- I'm still a bit wobbly.

- I can manage.

I shouldn�t bother with these.

You won't be needing them.

The taxi's waiting outSide.

- But--

Thanks for everything.

- Just get outSide, Linda.

(sombre music)

(doors close)

(soft music)

- l wanI you to lake Ihis case
to that woman, Trudie Nunn.

Hand her this.

Tickets for Australia.

The plane leaves at 8:30.

Are you listening?

- Take that case to
that woman, Trudie Nunn,

you've got dust all down your back.

- Would you do it straight away please?

There's not much time,

and lwant her on that plane.

- JUSt Slow down a minute, M73. Marsh.

- I don't have Ihe time. Mr. Morgan.

And in case you've forgotten,

I'm paying you by the hour.

-All right, no I haven't forgotten.

What's in the case?

You have a smudge on your cheek.

(machine printing)

Paying her off, are you?

� You want an advance as usual?

- Just pay me what I'm due.

� Check her passport's in order.

Take her to the airport if necessary,

just make sure she's on thaI plane.

It seems in order.

- I'd prefer it if you'd
settle the account now.

- Is something Wrong?

- No, there's nothing wrong.

| just won't be able to
do anymore work for you.

-Oh, lsee.

How much do you want?

I'll pay you 15 pounds an hour.

All right, 20, but that's my final offer.

- There's no deal, M73, Marsh.

Now if you haven't got the necessaries,

Ihen just send them cm to me.

Oh, and don't forget the plane tickets.

Good morning, Mrs. Marsh.

- Is that your ?nal Word?

- Exactly how many do you want?

It's very simple, Mrs. Marsh.

I don't like working for you.

I don't like your attitude.

and I don't like being ordered about.

� Because I'm a woman?

- That is immaterial.

I don't take it from anybody.

(phone rings)

Now if you'll excuse me,

lshould like to finish
off my game of tennis.

- All right.

25 pounds an hour, plus expenses.

(distant phone ringing)

(door shuts)

(sighs)

(pounding on door)

- I'm gettin' the hang of that.

I'm sorry if I appeared rude.

I didn't mean to.

- You're a very persistent
woman, Mrs. Marsh.

You must really want this
Trudie got out of your Way.

- Yes, I do.

� You must be very fond
of your (pauses) sister

to go to all this trouble.

- She (pauses) loves her husband.

- All right.

YOU Win. MVS. Marsh,

Give me the briefcase.

(doorbell rings)

- That's her.

Eddie?

Eddie!

- Let her in shall I?

- No, you Sit down.

Not there, I've just done Ihose cushions.

There, you Slt there.

Right.

l�l let her in.

- I would. she'll think she's
at the wrong house.

- Just let me do the talking.

(excitedly greeting)

(music box playing music)

This is Eddie.

Eddie Bates.

Shirley.

- I've heard a lot about you, Shirley.

I'll put the kettle on, shall I?

� Sit down.

You look lovely.

I wanna hear all about your trip.

Nothing wrong, is there?

Everything all right?

- Mrs. Rawlins not called, has she?

- No.

She was with you, Weren't she?

Oh!

It's me favourite perfume.

Oh, I love it!

- Kettle's on.

Photos don't do her justice.

�Oh.

Look, Eddie, it's silk,

Its silk. innit?

I hope it fits me.

I've put on a bit of weight.

- Your fags down here?

- Bedroom, dressing gown pocket.

Is there another one?

- He's makin' himself at home, isn't he?

Permanent fixture, is he?

- Don't start.

You've only just got here.

Oh.

This is nice.

- Kettle's blowin'.

Can't ?nd the fags.

(kettle blowing)

- I'll make the tea.

Sit down.

- Don't wanna dent the cushions,

she'll have a fit.

- SO.

You're living with my mother, are you?

(baby laughing)

(knocks)

- Mrs. Nunn, what are you doing in there?

- Harry.

- If you want that passport sorted out

we should get a move on.

- Harry.

-[Jimmy] Mrs. Nunn.

- I'm comin�.

(whispers) I'm comin'.

- Toorah!

Love those suitcases.

All matchin'.

I've always said the best
fashion's all matching.

Shoes, handbag, luggage.

Shows good taste.

Well.

what ya think of him then?

Good looking, isn't he?

� What?

- He might not be your type.

- N0. he's not,

And you know why?

'Cause he's got small time villain stamped

right across his forehead.

Just like all the others
you drag back here.

- What about your Terry then?

Not exactly Prince Charles, was he?

- I bet he�s married.

You've gone and done
it again, haven't you?

- You watch your mouth, now go.

- I'm going.

Give this to Greg.

It's a track suit.

- Give it to him yourself.

He's Iivin' at your place.

- My place?

Greg's at my place?

- I don't know what's come over you.

You've changed, you know that?

You've changed!

- Well I'm glad one of us has!

(woman speaking over intercom)

(suspenseful music)

(woman speaking over intercom)

- Tesco.

Any minute two women will come through

that customs exit.

One white. one black.

Get onto them, ?nd out
where they're staying.

- What's the game?

- Now give me the keys to the flat.

I'll make my own way there.

(woman speaking over intercom)

- Soon as you can.

Yeah. I'm back,

But that's just between you and me.

All right?

Yeah, see you later.

(door closes)

Well?

� White chick Was dropped off.

Taxi, Kensington basement flat.

The black girl went on
to a place out west,

Phoenix HOUSE. behind the theatre.

� Give me.

This place is a doss house.

I'll need groceries.

Soap, booze, cigarettes.

There's a list on the table, there.

Can you get a motor lined up for me?

- I'm picking one up tomorrow.

� What time?

� About 10:00.

-All right, get what you can now.

Bring the rest tomorrow.

About 10:00 you said?

- Be right back, Harry.

- Mr. Rawlins to you.

� What?

- You heard.

- Keys, Mrs. Marsh.

And if you would sign
here, and at the bottom.

- Any reduction for cash?

Six months rent in advance.

� It's a ?xed rent.

Nothing really to do with me.

The phone's already connected.

� Could you take the cases
through to the bedroom?

Not that one,

the two big ones.

- They'll know where Dolly is,

and Iwanna ?nd her.

I'm a bit tight for cash right now,

but I'll see you all
right in a couple days.

- Have this one on me.

- Thanks.

Oh and uh, thanks for this.

- I'll let you know what goes down.

I'll find her.

(suspenseful music)

� [Woman] Yes?

- It's Linda. from the basement.

(suspenseful music)

(woman mumbling)

I know, but I've only just got back.

- [Woman] I was asleep.

� Can I borrow a drop of milk?

(buzzer buzzes)

(suspenseful music)

(radio music playing)

- Look I'm sorry, but that's how it is.

- You said at least two to three months.

I've got all my gear here.

- Yeah, so I can see,

l'll book you a hotel for tonight.

But I'm sorry, you'll have to leave.

(radio music playing)

- Things didn't work out then, eh?

- No.

No they didn't.

(suspenseful music)

(radio music playing)

(doorbell ringing)

- It's open.

I'm almost ready.

You're a bit early.

- You have a good trip, did you?

(suspenseful music)

- The hell are you?

- Where's Dolly, sweetheart?

- Who?

- Dolly Rawlins.

(screams)

Where's Dolly?

- What the hell are you talking about?

(gaSPS)

- Bella, I warned you.

I don't wanna hurt you.

(slaps)

(cries out)

(gasping)

I'm not asking you again.

Where's Dolly?

(intense music)

(crying)

� [Woman] It's 8:30.

Mrs. Marsh calling.

Just, I'II ring later.

Thank you.

(beeps)

Hello. this is Mrs, Marsh,

Just calling again to see if Mrs. Nunn

made it to the airport on time.

I'll call again.

(door sticks)

- Push, Mrs. Marsh,

- How'd you know it was me?

� She's on the plane with the nipper.

Dry cleaning bill.

It was slcked on.

Twice.

- You're not exactly
Humphrey Bogart, are you?

- N0.

but then I wouldn't necessarily keel over

if you whistled, Mrs. Marsh.

You're very chipper this morning.

Could it have something to do

with Mrs. Nunn's trip to Australia?

What's this?

- My sister's husband.

Sorry it took so long.

I want you to keep watchin' the house,

and if you can, find
out where he's staying.

- Paid offthe girlfriend.

Lover boy Will want to
find out Where she is.

Well I'll stay around Mrs. Nunn's house

for a couple of days.

Or until he shows, right?

- Well, i must go.

No don't get up.

It's good practise.

I�ll be in touch.

(intense music)

- Harry Rawlins.

(music box playing)

- Flat's gone.

Went this morning.

� Where is she?

The kid. where?

-Bitch.

Did a moonlight with some bloke.

Owes rent, milk bill.

You a friend of hers?

Where'd you get her key?

Hey you!

Just a minute!

Filthy little slut.

- Greg!

What are these doing in the fridge?

They're pornographic, aren't they?

- Nah, they're educational.

- Big Boobies?

Flesh and Suspenders?

I'm gonna burn these.

- They're actually Eddie's.

- Eddie who?

- Mom's boyfriend.

- Shirley!

- They're pornographic, in my fridge.

- How'd you know?

Watch 'em, did ya?

- I don't have to.

do you have any idea what
he's up to at my place?

I've got people ringing to hire him.

I�ve kicked him out.

- I'll have a word with him.

- And with EddiE. it was him

who gave them to Greg.

- All right, don't keep on.

-Are you all right?

- I'm ]ust winded.

lfeel sick all the time.

- Hello. little coffee mornin'. eh?

This is Shirley, Olga's girl.

You met Olga, Mickey?

- Daughter?

You don't look old enough.

Where have they been
keeping you hidden then?

- Been in Los Angeles, hasn't see?

- Oh yeah?

Working?

What kind of Work do you do?

- Model.

She's a model.

- Want a cup of tea, Mickey?

- Another time, Eddie.

If you'll ]ust get the log
book, I'll be on me way.

- Mickey's just bought my Jag.

- What kind of business are you in then?

- Property.

- I'll be off then. mum.

You'll have a word about these,

notjust to Greg?

� How is that little skiver?

- Greg's fine.

He's moving back here,

if that's all right With you.

-All in order.

You want a lift. Sharon?

- It's Shirley.

- Oh, sorry love.

Which way you goin'?

- It's all right, Martin.

I've got me own car.

Toorah. mum.

Eddie.

� This here?

Pick those up.

Be back here about 3:00.

- Great. man with a list.

What's this (mumbles) and What?

Shirts, shoes. suits?

Hold on, what do you think i am,

bleedin' cash and carry?

-Justplck 'em up.

- Just a second.

You mind if i get something straight?

| just laid out for this motor.

Jimmy said nothing to me
about logging you out and all.

- How much you got to play with?

- Near eight grand.

- I've gotta cover you 20 times over.

Just get the shopping,

son.

- How am I gonna get about?

I left my motor at the--

Bastard.

- My face.

(crying)

My face!

- Lie still.

I'll get an ambulance.

Don't move darlin'.

- He thought I was you.

Said he wanted Dolly.

� What?

- Dolly.

My face.

- Are you sure?

Sure it was Harry?

- How many bastards are
looking for you, Dolly?

He said your name over
and over as he hit her.

- Did he think she was you?

- Course he did.

I'm black, she's black. we all look alike

in the dark, stupid bitch.

- Hey. just take it easy.

- Well what's she askin'
me stupid questions for?

It was Harry, Harry Rawlins!

(gaSPS)

- There was no need to do that.

- It's all right, darlin'.

- lt'll stain.

That was stupid.

- The money is safe.

We can'tjust exchange it.

We're gonna trust whoever
we get to handle it.

I think you should all
move in with Shirley.

� Oh Dolly, I've only just
got rid of me brother!

- There Was nothing left
behind was there, sister?

I've afraid you've had
a wasted journey, Mr.?

(birds chirping)

- Well, thanks for coming.

- It's the least I could
do under the circumstances.

If only you'd let me know.

I'm sorry.

- There's nothing left.

Nothing.

- I'm sorry, she had every right.

Why didn't you let me know?

- Yes.

It's not your fault.

It's bloody stupid.

I'll see you around.

(intense music)

- You think he's still living there?

- Well he used his own key.

The name on the bell reads AD .ludd.

44 Elgin Mansions.

I can see ita friend ofmine at the Yard

can trace the BMW,

the one parked outSide
the house in Toddridge.

- That won't be necessary.

It was his lawyer.

Here's a bonus for you,

plus everything i owe you to date.

Thank you.

- Did you get a job loss on it?

So I'm off the job, am i?

- Yes.

Thank you for everything.

Oh, there's just one thing.

The photo.

� Left it in the motor.

Still staying at the same hotel, eh?

- No.

I'll drop in.

Goodbye.

(dramatic music)

-Bitch.

Bitch.

(intense music crescendos)

- Here it is.

AD Judd, 44 Elgin Mansions.

- So. We know where he lives,

we've got his phone number.

What are we gonna do?

�Given up?

- Yeah. three weeks now.

� We could have him dumped off.

� Shut up, Linda.

- Well why not?

I know a bloke who could do
it for a couple of grand.

- Be quiet, Linda.

- Do you think if we told the police

about Harry Rawlins. then
they'd come after us?

Dolly?

- It's a chance he might grass.

After all, he didn't pull
the second raid. we did.

- So what are we gonna do?

- What about payin' him
off to leave us alone?

- Why not?

- I'm glad somebody's listenin' to me.

- What do you think, Dolly?

We could give him say, i5 grand each.

- Each, but that's--

- No.

- Why not?

- It's a chance, Dolly.

- Chance?

Chance?

You wanna knoW what he'll say?

60 grand, do me a favour.

You wanna meet, ?ne.

He knows we've got 760,000.

- Now hang on a minute,
give us some credit.

We won'tjust hand it over.

If he agrees to make a deal with us,

accept 60 grand, We tip off the police.

Are you trying to say they'd believe him

if he said he had nothing
to do with the raid

when he's got stolen money on him?

- You wanna make a deal
with Harry, then go ahead,

but count me out.

But I'm warning you.

He'll come after you.

Every one of you.

He'll never let you go.

Don't play games With him.

I'm warning you.

- Harry?

Harry?

(crying)

- Doesn�t seem to matter what I think.

- You're makin' your eyes all puffy.

- I had to cancel the operation.

Nothing turned out well.

- Don't Dolly.

Don�t.

Bella's only comin' on strong
'cause she's frightened.

We all are.

We need you.

Shirley's gonna make the call, Dolly.

(laughing)

(phone ringing)

- Yeah.

- Harry Rawlins, please.

It's his wife.

- Hang on, I'll gethim.

- He's coming to the phone.

Dolly.

� Get out.

Dolly.

Dolly, is that you?

- We've got a proposition for you.

We're prepared to pay you 60,000 pounds

to leave us alone.

We'll phone tomorrow with the details.

- Fine.

("No Man's Land" by Gerard Kinney)

J� Someone. somewhere I

I Left you nothing but a final demand I

I NO one. nowhere I

J' Helps you make it in
this no man's land I

J' Hungrywomen crying I

I Now they're only crying out for more I

J� Hungry Widows trying I

J' Livin' life they've never known before I

J� Hungry widows surViving J�

I Now they know what
they're surviving for J�

1' Memories haunt you I

J' Taunt you when you know
that life still goes on J�

J' Life still goes on J'

I Do you want to J�

J' Show you're strong enough to carry on J'

J' Hungrywomen crying I

I Now they're only crying out for more I

J� Hungry Widows trying I

J' Living life they've never known before I

J� Hungry widows surViving J�

I Now we know what they're surviving for J'

J� Hungry widows surViving J�

I Now they know what
they're surviving for J�

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