Original subtitles

(Widows Theme Music)

- I was widowed six monlhs ago.

- [Mr. Jarrow] You have no relatives, no family?

- No.

- YOU realise� M73, RaniYiSV

that no operation can prevent ageing?

Permanenliy prevent it, mat is.

However--

- You can make me look younger,

which is, after all, the whole point of my being here.

- | ask these questions, Mrs. Rawlms,

because I must be perfectly confident

that all my patients are in good health physically

and mentally,

- I wanna look better.

It's as simple as that, Mr. Jarrow.

- Well, sometimes ii is very simple.

But if by having this operation.

you're hoping to stop the clock ticking.

lfear you Will be sadly disappointed.

Plastic surgery cannot give you back your youth.

- (chuckles) I'm not asking for it.

- Did you love your husband, Mrs. Rawlins?

- I'm sorry?

� What were your feelings for your husband?

- I loved him.

Iloved him.

? His death must have been a great loss to you.

You were married...

- [Mrs. Rawlins] 23 years.

� And now?

- lllwasto see him,

I would like to look beautiful for him.

- But your husband is dead.

(upbeat music)

- Harry Rawlins, you old bastard.

Harry, it's good to see you.

Risen from the dead, aye?

- Hello, Jimmy.

- Welcome to Rio.

That all the bags?

- Yeah, travelling light.

Well, let's go.

- Anything you say, Harry.

(upbeat music)

(upbeat music)

- Linda?

Linda?

(upbeat music)

I saw that!

I wanna talk to you.

NOW. Linda!

-Are you going through my things?

- No. I'm not.

I'm looking for that top you borrowed,

you didn't give it back.

- You're going dressed like that, are you?

- My skirt is drying.

| used the toilet,

it overflowed again.

Your money is still hidden in lhe system.

You haven't changed it, have you?

What did Dolly say?

Change the money as soon as possible.

- [Linda] l'll do it tomorrow.

- Everything�s tomorrow With you.

- I've been waiting for Bella to teach me to swim.

Ooh, l've gotten a nice colour.

- You shouldn't sit in it.

it's terrible for your skin.

� What?

-The Sun,

it gives you wrinkles.

- Bollocks.

You got enough bleedin' luggage?

- Nice, aren't they?

Real mop crop leather.

Bella bought diamonds.

Why don't you buy something?

That money's traceable, you know?

- They weigh a tonne, those, before you put a Kleenex in 'em.

I wouldn�t have them thrown at me.

I bet they cost a fortune?

- I've got dollars.

My car should be here any minute.

- Oh, order a car, did ya?

What did Dolly say?

No taxis at the villa.

Well, you've yust blown it.

- What'd you wanl me to do,

carry this lot to the airport?

- Shoulda got lighter luggage.

What time's the ?ight?

- Three hours.

Bella's gonna miss me, that's a bit off.

I told her at breakfast.

lwish I could undersland lhese digits.

l shoulda got the Cartier.

Do you like it?

- ll's not bleedin' good

if you can't tell the time by it, is it?

- Have you finished with that?

It's expensive cream, you know,

you're only supposed to use a little.

It's Queen BeeJ and Vitamin E.

- Oh yeah, if it was brought with gnat's piss. you'd buy it.

I've always fancied L.A.

- Well you're not coming with me.

- Why not?

- We're supposed to be separate,

how many more times?

I'm gonna get me mum over.

- Well, why can't I come?

- We can't carry you around, Linda,

you've gotta make your own arrangements!

- I don't need anyone to carry me anywhere.

| just fancy going to LA.

- Linda, we are splitting up for our own safety!

- I know.

But I could join you there.

- Passpon, handbag.

Right, I'm all set.

Give me a hand down with the cases, will you?

- Oh, Bella's arrived.

Talk about incognito. (soft music)

Dolly said no cars at the villa!

- Well, you look lovely.

- What about you?

- I don't believe it,

l've got exactly the same set but in another colour!

- Weigh a bloody tonne, these.

if we'd have known Shirley Bassey was coming in a roller,

we needn�t have ordered a cab.

Shall I get your other trunk, madam?

� What's the matter with her?

- Don't take any notice.

- Well, look, I'm not stopping.

I just popped in to say goodbye.

And, that's for you.

- Oh, that's lovely.

Thanks.

I didn't wanna miss you.

Linda. bring my jacket down with you, will you?

- Has she changed her money yet?

- No l bleedin' haven't.

I've been waiting for you to teach me to swim.

- [Shirley] Linda.

� It's not still in the loo is it?

- Overflows every time you go.

Honestly.

- Well. look. have a really good trip and l'll see you soon.

And enjoy yourself.

ltell you what. you carry on doing what I've been doing,

you'll be ?ne.

(chuckles) Oh yes, this is the life. (chuckles)

� Thanks for the present.

� What present?

(car engine starts)

(baby crying)

- You mean Dolly never knew.

knew you was alive?

- No.

(baby crying)

-This is Maria.

Harry Rawlins.

And this is Ricky.

Good-looking little fella, ain't he?

She's having another one, you know?

Put him in our room, Harry's slaying.

Go, I told ya,

put him down and get us something to eat.

Another beer, Harry?

No bleedin� air conditioner.

� What time do the banks open?

- They're open now 'til half past five.

There you go.

I've been working over a bit of business,

I've got something lined up you might be interested in.

Just need a few readies.

- What do you do here?

- Back doing carpentry.

Make a IIVing.

This is big, Harry.

I just don't have the necessaries, no lie.

- I've got a kid.

� What?

- Trudie.

- Nice name.

All I need is finance.

lcan't go back. but I've been working on it over here.

I made a few notes, like to see what you think.

- Look, I'm just here to collect some cash.

AI right?

- I'm coming with.

- Oh. Linda.

- Don't panic,

only to the airport.

Dolly told me she was going to Geneva.

� She changed her mind, I thought you knew.

- Well, of course I didn't bloody know.

It! had known, I woulda said something, wouldn't I?

What is she doing back there?

- Selling her house.

She's thinking of having her face lifted.

What time is it?

We knew you'd start up when we told you.

- We?

Do you mean Bella knows?

� Oh, it's upside down.

- Move it, amigo.

(phone rings)

- Morning.

0h. Christ.

(phone rings)

Victor Morgan's Investigation Bureau.

� [Man] Hello? (answering machine message plays)

- Sorry, would you...

until the whole thing's finished.

Push Helen, push.

Oh. shit!

Oh, I'm sorry,

I thought you were my secretary.

You alright?

- Yes.

- It's the door.

it's a bit temperamental.

- I can see that.

- You must be Mrs. Marsh.

Well, take a pew.

I'm just gonna put the kettle on, yeah?

- Not for me. thanks.

� You don't mind if I do?

Helen.

Be two secs.

Practise.

- The house, that's right.

Have it.

� [Woman] What?

- Take anything you want.

You're doing me the favour.

- No need to get nasty.

I'm sure we can sort this whole thing out amicably.

- Look, love. l'm not contesting the divorce.

I don�t want the house.

I don't want anything.

- I knew you'd be dif?cult.

I've made you out a check from our savings

so you have something to put down on a place of your own.

- Very decent of you.

- You have your penSion and your insurance.

- Well. you've obViously got me all sorted, haven't you?

- What shall I do with your clothes?

- Bum them.

- Goodbye, George.

i'll bring a few things along, send you letters.

- Kathleen,

don't come again,

please.

� How is he?

- He won�t talk to me.

Then. he never did.

- Two grand for 25 years.

Not bad, aye?

- I hung about a bit,

I didn't want to intrude.

- It's good to see you.

Nice of you to come.

You back in favour, then?

- No.

Still in uniform.

Night off.

Seedless.

- l hearthal Fuller's been moved up a peg.

DI, is that right?

Well, he didn'twait long, did he?

Have they heard anything about Rawlins?

- l'm not on that division anymore.

How's the hand.

- It's fine. it's ?ne.

- There's a big reward up for grabs,

from the security firm.

Whopper, 30 grand.

- 30?

(bell rings)

� I better push off.

- Thanks for coming, lad.

I appreciate it.

Come again, will you?

� The file on Rawlins is still open, sir.

There's a lot of feeling among the men, you know.

what happened to you.

Ifl hearanything, I'll let you know.

- How long do you want the surveillance on Trudie Nunn?

- [Dolly] Depends on your information,

but a week to begin With.

- Fine.

Now you'll help and give me his name,

your brother-in-Iaw.

- John Jarrow.

Yeah, a photograph would be useful.

Now, you don't have to tell me this,

but I like to ask. why do you want this woman watched?

- If she is having an affair with my sisters husband,

then he'll go there.

- How did you come by me?

- Yellow pages.

Most of the numbers seem to be connected

to one large firm.

Ididrl't relish the idea of a large organisation

poking their noses into my busrness.

- Or your sister's.

My charges are 12 pounds, 50 an hour. plus expenses.

� You want an advance?

How many hours in a working day?

- Depends on how many you want.

I can Work from seven in the morning til seven at night.

That's a working day.

Night shift is seven through til 2:30.

We in the trade presuming that anybody coming

will have arrived by that time or gone,

or any hanky panky already (chuckles) have taken place.

- Really?

That's 19 hours at 12.50 per hour is--

- How many days?

- [Dolly] TWO, to begin With.

- Right, let's see.

Now then, l've not had this for long.

Lights flashing.

Right, should have pressed this.

Alright then,

now then, that's two full days

at 12.50 an hour is--

- 475 pounds.

- Boot Error.

What in God's name does boot error mean?

- You can reach me there.

-[Vic] Oh thank you.

Oh, I hadn't heard of that one.

No.

That'd make it 28...

N0,

you're right.

- You shoulda told me what Dolly was doing

- Miss. dinero?

� No, porter, understand?

Porter. train, push, push.

- (speaks in foreign language)

- For the cases, yeah.

What about Rawlins?

� What about him?

- He's in England, isn't he?

Dolly's in England.

- [Shirley] So?

- Our money's in England.

- So, Dolly can keep an eye on it for us.

- All these, Pan American, Los Angeles, America!

- Stop shouting, I can't hear myself think.

- I'll pay for the cab.

� Passport, did I check?

- Yes.

You, stay here.

return me Villa.

yes, understand?

- I understand.

- There's no need for you to come in with me, I can manage.

- No, you can't, now get a move on,

otherwise they'll nick your cases,

you know what they're like around here.

� You awake?

Maria's pressed a suit.

I gotta go and delivera cabinet.

- Ah. I got bitten.

- Want some insect repellent, ]ust ask Maria.

The bank is right on the main square, you can't miss it.

Anything you want, just ask, make yourself at home.

Maybe hit the town tonight, have a few drinks, huh?

- Yeah.

� See you later, anything you want, just ask.

(knock on door)

- [Harry] Yes?

(Maria closes door)

- You're letting stuff go for less than market value.

- l'm surprised. Barry. you with your business acumen,

I'd have thought you'd have thrown in a few bids yourself.

- |'|| ignore that.

- What about the house in Totteridge?

- Waiting for the banker's draught from the Chinese.

Good price.

They want immediate occupation.

so any personal stuff not listed on the inventory, shift it.

NOW then. these are all the bank accounts,

release dates printed on them all.

Signed.

Yep.

If it's not a rude question,

you're a very rich woman now, what do you--

- It is a rude question, mind your own business.

- Everything in your name.

You want a drink?

Port, brandy?

- Not for me, you go ahead.

- Brandy, Dolly, you're sure?

- I'm ?ne.

Get more coffee?

- I know that Harry had a...

A couple of accounts in Rio,

he kept those to himself.

- Not quite, he told me about them.

The Rio accounts, is that everything?

- Yes, Dolly, you've got everything.

- I have now.

- Mr. Rawlins.

Are you a relative of the deceased?

- Sorry?

- You request withdrawals from accounts 4418808J

and 445688.

- Yes. what about it?

� You are a relative of the deceased?

Mr. Rawlin's widow. Mrs. Dorothy Rawlins,

provided a certificate of probate.

� She was here?

- Mrs. Rawlins withdrew all monies

from her late husband's account.

- I'd very much like to contact her.

do you have an address?

� The address We had for her was

the Hilton Hotel.

- You are a relative of the deceased. Mr. Rawlins?

- (speaks in foreign language)

- He's parking the cab.

If she's still in Rio. he'll find her.

He's got a list of relatives as long as your arm,

passport control, immigration, you name it.

-50 grand.

She cleaned me out, 50 grand.

Bitch.

- What are we gonna do if We don't find her?

Ah, God, this stuff is rot gut,

what I wouldn't give for an English pint.

Scotch.

- You're knocking it back, aren't you?

- I can hold it. it's the heat. sweats it out in ya.

There he is.

Juan, this is Harry, Harry Rawlins.

friend of mine from England.

Another glass, grazie.

- You speak English.

- Yeah, of course he does, he lives With a Swedish chick.

Got a bit of business for you, Juan.

- Alright.

I want you to ?nd my wife.

She checked into a Hilton,

I wanna know if she's still there.

Her name is Dolly...

Dorothy Rawlins.

- Trudie Nunn, works as a waitress and/or hostess,

Golden Slipper Club.

It's a tatty little drinking club in Soho.

Maybe she should get ajob here, huh?

Look as if it could do with a lift. (chuckles)

- Coffee?

- Yes, thank you.

There's a kid. know about her?

Little girl.

- Yes, sugar?

-Mm.

She's left With her landlady most days, or a neighbour.

- Help yourself.

- I don't know whether this is of much interest.

but gossip runs, for the last six or seven months,

that Mrs. Nunn has had a live-in lover.

Her husband went missing, this chap moved in.

No one saw much of him, kept well hidden.

The law broke the door down one night.

but lover boy had skipped.

- Did you get his name?

- Smith, I doubt if it was your sister�s husband.

Law not after him, are they?

- No, just my sister.

Anyone else, any Visitors?

- N0, no one.

- I'd like you to keep watching her.

Here's three days' money, I think you'll ?nd it's correct,

but then I'm sure you'll check it out on your computer.

- l'm getting very adept with it now.

bought myself some video games.

- Thank you for coming over.

- Just one thing, the photo, be a help.

- Oh, I'm sorry, I'll get one to you.

Please, stay, finish your breakfast.

(Vic chuckles)

(dramatic music)

- Why didn't you tell me Dolly had gone back to England?

- Why, gone with her, would ya?

� She told me she was going to Geneva. she lied to me!

- She just changed her mind.

- Has it ever occurred to you who else is in England?

Only her bloody husband,

not to mention the rest of the money.

What are you doing?

- Well, what does it look like?

-Are you going away?

- Da-da-da-da-da-da-da.

- You're going away with him?

- Me?

l'm moving in, mate.

You oughta see his place,

stables, swrmming pools, orchards.

I tell ya, once I get my tootsies over the threshold,

it'll take a crowbar to get me out.

� What happens when he ?nds out?

- I'm likely to tell him, aren't I?

"Well, darling,

"there's Just one thing i think you ought to know about me,

"see, me and my mates, we pulled this raid,

"just a couple of shotguns. nothing too dodgy."

- I meant about you.

- What about me, Linda?

- Well, he's a bit high up, isn't he?

- So?

- Well, I mean... (chuckles)

� How's he gonna find out. you gonna tell him?

- Of course not, ljust thought--

- Yes, you better start thinking.

you get your own act together

before you start knocking other people's.

Your money still stashed in the too, is it?

Because you're putting us all in danger!

- No. l'm not!

- Yes, you are!

What have you done about anything,

except sit on your ass and moan?

Don't expect me to carry you about, Linda.

- I don't expect anything!

- Good.

- Right, fine, that's fine by me!

(slams door)

(door slams)

(knocks on door)

- Linda.

� [Linda] What?

- Tonight, Coconut Beach,

it's cabaret night, you coming?

- [Linda] No, l'm not coming!

- Go on, zhuzh yourself up a bit, put on a smart dress.

but listen. don't start drinking before we get there,

you hear me?

- [Linda] l'm not coming!

- Suit yourself.

� What time?

~10.

- Do you want help with your luggage?

- Nah. driver's outside.

(dramatic music)

� Can't beat it here, i suppose,

you got the Sun, you got the birds.

I miss the lads, it goes without saying.

On the other hand, if I wasn't here. I'd be doing time.

- He�s back.

- I'l| order another bottle.

� Well?

- I had to pay a considerable amount of money,

for answers, you understand?

- Whatever he asks for, give him half.

� You found her?

-$50, sir.

� 25.

� 25. � 3E.

� Where is she?

- Two women, English. they stay at the Hilton Hotel,

O'Reilly and Perelli.

� That Joe's wife?

�Shutup.

Goon.

- They're joined by two other women,

one is as you described.

They don't stay at the hotel, but rent a villa.

- Where?

- $50.

- You'll get your money.

Now my Wife, is she still there?

- i don't know, I just got the address, and that's $50.

- You got any cash?

- Hey, you know me, you'll get paid,

]ust tell the man what he wants to know.

- Okay, I'll take you there.

- Alright.

- Not yoU. sit there.

- Don't you want me along?

- It's personal busmess.

(cabaret music plays in club)

- Typical, isn't it?

She spends hours getting ready,

and when we're here, she's back in the toilet.

- Senor Camarena,

it's really a pleasure for me to welcome you.

Your usual table is resen/ed.

Madam.

Oh, forgive me, welcome again, madam.

May I say, you are looking beautiful, as usual.

Madam.

- Thank you.

- There it is. the left side of the road.

Very nice, isn't it?

- Drive past, park down there.

- The place looks empty.

- I can wait.

(cabaret music plays in club)

- You're kidding. they're all fellas? (chuckles)

Dolly shoulda stayed put, Bella,

if they can do that for them,

think what they could do for her.

What I wanna know is where they put it all,

there's not enough room for a chipolata in there.

Perhaps that's all they've got.

They haven't had them cut off, have they?

They hand the dancers money, the ones they like.

- They're not all puffs, are they?

(Jose laughs)

- No.

Some, maybe.

- Hey, did you see how much

that geezer's just shoved in his G-string?

We should give it a go, be like old times.

- I'm sorry, what'd you say?

- Nothing.

(applause and cheering)

- More. more!

- I think we should leave. Linda,

- More. more!

Come on, get up, give us a twirl!

Go on, sing With the band!

Yeah, she's a great singer.

Come on, Bella, up, up!

� Sit down!

- You sing?

- She took over that geezer's mic,

tell him now, what was it?

Oh, I know,

J' Money, money, money I

� Shut up!

� If you want to sing, I don�t mind, really.

- I don't wanna sing.

- She doesn't want to sing.

- Perelli.

� One room's empty, another room, no cases, nothing.

- Have you found any money?

- Money?

You think there is money in here?

- Yes, I think there's money here.

- I'll help you.

- i thought you might.

- You're going back to the villa right now!

- I didn't mean to, l'm sorry.

- You just don't watch, Linda,

you can't keep it shut, can ya?

l'm sick and tired of your nudges and your ihsinuations,

now just get out, go on, go on!

- I didn't mean it. I swear I didn't,

- What's wrong with you?

Are you jealous or something?

- Yes.

- So that makes it alright

for you to mess it up for me, does it?

- No.

Look, I don't know what's the matter with me.

- You drink too much for starters,

now get in, go on.

Take her home.

- Someone's coming!

- Lights.

(glass shatters)

Shit.

- Keys, keys.

t can do it, leave me alone!

(dramatic music)

(car honks horn)

(honks horn)

What do you Want?

- Taxi!

- Hang on.

Who sent you?

I never ordered no taxi.

� You don't want a taxi?

Well, that's okay.

Have you got a telephone?

Can I use your phone, call the office?

- Don't you got a radio in the cab?

- Doesn't work.

Do you mind?

- You speak pretty good English, don't ya?

What's your name?

(cabaret music plays in club)

- I don't know what gets into her.

- Maybe too much champagne.

- I can�t make her out sometimes.

- We can pass by the villa and see if she's alright, hm?

� You don't mind?

- No.

Fabio, (speaks in foreign language).

(car starts)

- (speaks in foreign language)

- Everything alright then, is it?

- Thank you, yes.

- Want a drink?

Where'd you learn to speak English then?

- Many places.

but mostly in bed.

� Oh, I never thought men really said things like that.

Cheers.

Excuse me.

(burps)

Better out than in. (chuckles)

(dramatic music)

Oh no.

What are you doing up here?

Go down, get down!

� You're not well?

Do you feel alright, pretty one?

- Go away!

Get away!

(Juan knocks on door and ]iggles handle)

(dramatic music)

- Hey!

(Linda screams)

- Leave it, leave it!

- Alright, alright!

- Now turn the car around, you understand, and wait, wait!

- Please, please, don't hurt me, please!

-I]ust wanna talkto you,

| just wanna know where she is, stay still.

- Don't, please!

(Linda screams)

- Hand, give me your hand.

- No!

- Do you wanna come out?

- Yes! - Do you wanna come out?

- Yes!

- Tell me then, Dolly, where's Dolly?

Dolly?

(starts car)

(honks horn)

(revs engine)

(car honks)

(Juan hits car)

(dramatic music)

- Linda?

Linda!

Turn on the lights, the ground lights!

My god.

� [Jose] Fabio, (speaks in foreign language)!

(dramatic music)

- Is she alright?

(dramatic music)

- i told him. Bella. about the convent, our money.

-Shh.

Don�t talk.

It's alright.

It's alright.

- Dolly,

he wanted Dolly.

� Does he know where she is?

Linda?

- l'm sorry.

So sorry.

- Dolly.

- Bathrobe. nightdress, dark glasses compulsory?

- Just a suggestion.

You're having one of our nicest rooms,

overlooking the gardens.

- Thank you so much.

Goodbye.

Mrs. Walter.

Everything alright?

- Not yet, but it will be.

- Good.

We shall be seeing you very shortly.

- Well, I think that's everything.

Oh, just one thing, how are you going to settle the account?

- Cash.

("No Man's Land" by Gerard Kinney)

J� Someone. somewhere I

I Left you nothing but a final demand I

I NO one. nowhere I

J� Helps you make it in this no man's land I

J' Hungrywomen crying I

I Now they're only crying out for more I

J' Hungry widows trying I

J' Living life they've never known before I

J' Hungry widows surViving J'

I Now they know what they're surviving for J�

1' Memories haunt you I

J' Taunt you when you know that life still goes on J�

J' Life still goes on I

I Do you want to J�

J' Show you're strong and out to carry on I

J' Hungrywomen crying I

I Now they're only crying out for more I

J' Hungry widows trying I

J' Living life they've never known before I

J' Hungry widows surViving J'

I Now they know what they're surviving for J�

J' Hungry widows surViving J'

I Now they know what they're surviving for J�

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