Original subtitles

(Thame Television Music)

(Widows Theme Music)

(chirping birds)

- Shirley, wake up love.

Come on darling, wake up.

You awake?

� What's the lime?

- Early, now listen can you trust your mom?

� What?

- Your mom, can you trust hel�?

� Well yes of course, what is it, what's the matter?

� Can she drive?

- Why?

- I want you to call her

and get her over here as quick as you can.

Got brother aint ya?

- Yes Greg, what's happened?

- Just listen.

I want you to get him to collect your motor

from the car park where you left it.

Tell him to leave it down the street, not

in front of the house, just down the street.

When he's done that tell him to call you here, okay?

- Yeah.

- You understand? - Yeah.

- As quick as you can, love.

We've gotta move fast.

(ominous music)

Shirley, Shirley come here quick.

Keep out of sight.

Look that car parked across the street.

See. the brown one is that the car--

- [Shirley] That's him.

That's the bloke who came here.

- Eddie, you were right.

Eddie, Harry's cousin.

� Well what's he want?

Well what does he want!

- The money love, what'd ya think?

We've gotta get out, you understand?

We're safe Just as long as Eddie's out there

but they won't wait long.

He'll make his-- - Whol

Who!

- Just make those calls, I'll get started.

- But Dolly, Dolly!

- Harry, Willsy wants to talk to you.

� You talked to him like that?

� Like what?

- I called every lace in London. not a dickie bird.

Eddie's watched the house all night, nothing.

No one come near.

Now if there's another chick in the house we aint seen her.

- Eddie's still keeping an eye on her?

- Keeping an eye?

We're getting sodden piles sitting in that bleeding car.

- You're still using Jimmy's car?

- Eddie's got it.

- Well why can't Eddie use his own?

Well I need it.

Do you know he's had that car ever--

�Shutup.

And Dolly's still in the house?

- I yust said, she's not moved.

Its still gotta be there.

I'll tell you something else and all,

Guess who he clocked walking up and down a couple oftimes?

Resnick, remember him?

Yeah well he aint with the ?lth no more.

He's resigned.

IPU� in a call as 500� as I sees him.

- Did he see you?

- [Willsy] Nah.

- Why don't you get dressed?

- But I yust put this on.

- [Harry] And shut the door behind you.

- We've hung about long enough.

That money's gotta be stashed in the house.

Look you don't wanna do it, I'll go in,

I'll do the bloody place over.

- We'll move in later.

- What, you coming with us?

Well its up to you.

- Yeah I know.

It'll be a change to get outta this dump.

You go and pickup Eddie. give him a breather.

Then come back and collect me.

- And if Dolly moves out?

- You know what to do.

- Do, oh yeah no he a pleasure.

(ominous music)

- You're gonna get me hauled over the coals lor this.

There's everything you want to know on William Grant.

Nasty piece of work isn't he?

- Yeah.

- Couldn't get very much on Jimmy Nun.

That address you gave me,

- lslington yeah, go on.

- Apparently he's still registered there.

I've got everything for social security, there's no record.

- Come on, what ya got?

- Been unemployed two years.

Registered for work as mechanic.

Mean anything?

He's married. H0 children.

He applied for supplementary bene?t

but when they sent someone 'rourid

to his house his wife wouldn't let them in.

He never kept his appointment.

She said he'd gone away.

� When was this?

- Nearly a year, look I'd better go.

- Alice!

Did you get that description for me?

- Well only what the woman

at the labour exchange could remember.

Ah. he's 38. tall she said about six foot.

Dark, heavy set.

- My Rawlins ?le, did you get that photocopied?

- Couldn't. its been taken out.

� Taken out?

What'd ya mean taken out?

Who took it out?

� Shh, chief inspector Saunders.

I knew there was something I had to tell you.

I've been collecting for your retirement present.

You know how much Saunders gave?

- Yeah don't tell me, I don't wanna know, alright?

Whatever it is it's not enough,

I'm gonna get them before him you know.

Listen, don't you tell any

of those bastards anything, alright?

- I'm not likely to am I?

- Alright, good girl.

- Sir.

What do you want?

� What do i want?

Saunder's head.

� Some retirement present.

- Retirement, what do you mean retirement?

I'm coming back.

(light music)

- [Trudie] And that's all you're gonna say?

- What'd ya want me to say?

- [Trudie] What you looking for?

- Socks.

- Here, let me,

- [Harry] Resnick, did you hear that?

� Who is he?

� Some flies no matter how many times you swat them

still keep buzzing 'round.

Resnick resigned,

Well that makes me feel old.

- I'll have to do a wash.

Unless you want to pick up some from Dolly's.

- Come here.

- What are you gonna do, huh?

- She's got something that belongs to me.

I'm going to collect, that's all,

- Don't hurt her, will ya?

- Maybe I won't have to.

- What do you mean?

- She'll take one look at me and have heart attack.

� Not before she's told you where the money is, huh?

- Oh don't worry, I'll let her talk to Bill ?rst.

� God help her then.

(funky music)

- Shirley, Shirley!

- Not in. she's not ill.

| just don't understand where she could be.

- Well don'tjust stand there.

Help me get this lot downstairs.

� Can we give Greg 50 for bringing the car around?

- We'll give your mom something for him

if we can contact her.

Try heragain,

- Well she�s not in.

- Maybe she just walked back in.

We still got a few hours.

Come here, quickly.

(ominous music)

There's two of 'em.

They look like they're changing over,

He's looking up.

Do you know him?

- No I don't.

- Up there, see her, behind the curtains.

Soft bitch.

I'll see you back in an hour.

Me and Harry are going in.

- Harry?

- Yeah, go on, piss off.

They're playing you up, are they?

Go on.

(ominous music)

- Who do you think it is?

- I don't know.

� [Mother] Hello who's there?

� Mom?

Mom, its alright I've got her.

- Thank God.

- How's the hooter, gonna peel?

- You've been down in shops again, ain't ya?

You're crazy.

- I fancy a swim, here take your pick.

And don't panic I got 'em on approval.

This has got hat to match.

Look, lovely isn't it?

Oh, must be made fora pin head.

Here you try it.

- Have you ever thought what'll happen

if they don't get here?

We'll end up in the nick.

Yeah, these are silk, did you know that?

Fancy swimming about with silk ?owers on your head.

- Try it on.

- LOOK be serious, Bella,

What happens if they don't get here?

You've run up a bill as long as my arm.

Here, what'd ya think of this?

It fits.

- You got a small head, you should try using it.

Think positively, they'll be here.

Its just a question of time.

Here, try this with it.

- Look, ring the airport.

At least we'll know if there's a plane due in.

We haven't heard a word.

- We're not supposed to.

Oh look at this, this is alright aint it?

� This hat cost over 50 quid, 50.

Get it back. take it all back.

Well what if something's gone wrong?

- Look, anything in these papers say they've been picked up?

Dolly knows what she's doing, she's alright.

- I notice you got all yourown Size.

- You've got to learn to live in style.

You think like a small minded tart

and they'll treat ya like one.

And if they think we'reyust a couple

of slags getting ready to do a moon like we've had it.

Now act like you're used to living like this.

Pick up the phone and order something for yourself.

- No!

- Oh come on, Linda.

They'll be here.

- Hope to god you're right.

- Shirley, Shirley!

Oh Christ where is she?

- l was in the toilet.

Is she not here yet?

- Does it look like it.

� Can I have one of them?

- Did you get the gloves I put out?

- Yeah, at least my cai�s outside number 15.

Oh I told you that, didn't I.

- Yes.

- And everything's alright with the tickets.

- Everything's alright with the tickets.

- I've got my passport.

- Go over the routine again until she gets here.

- Okay.

- [Dolly] Well go on.

- Right I've check in at the terminal.

We got two suitcases identical apart from the blue tag.

The one With the blue tag is your personal case.

You take it to the check in.

I take the money case.

This one, this, I'm scared.

I'm so scared, Dolly.

I think I've got it up here then it all goes.

| get muddled.

-Go on.

- Well aren't you scared, Dolly?

- Not after what we've been through, come on.

� Oh can't you do it with me, just one more time.

- N0 love. I know what I'm doing.

I'm depending on you.

- This one the money's at bottom covered by Perry's clothes.

There are no prints from either of us on this case.

Did I touch it, Dolly?

- Put your gloves on now.

Go on. come on what's next?

- I've got the money and my own case.

I'm gonna need a trolley.

Dolly what if i can't find a trolley?

- You'll ?nd a trolley.

You're at the weigh in, now what do you do?

- I've got the cases, I look

for someone taking the same ?ight.

-A man, its gotta be a man.

How many more times are we gonna have to go through this?

Concentrate, you find a man with no luggage.

Someone on a business trip, a student.

You go up to him at the weigh in and give him the chat up.

You're overweight. can he take your case, the money case.

- Why are we doing this?

We don't need to take all that money.

I mean surely you've got enough to pay for us over there.

- Who the bloody hell do you think I am?

Who do you thinks been forking out all along?

I aint got no money left.

We need it, I need it,

The longer we stay out the safer we'll be.

- Safe, from who?

You seem to know who they are.

I mean who's after you.

- Me?

- Well its not the police.

- So far we've been lucky.

- Lucky, we did a bloody good yob.

You couldn't have done it without us.

The way you talk you'd think you did it all by yourself.

Well we did it, all of us.

Why don't we know where the money is?

� What?

- You heard. Where have you stashed the rest of the money?

Why should you be the only one who knows Where it is?

There's 100 grand in there and you�re risking losing it.

Well I wanna know Where the rest of it is!

- My how the worm turns.

- Well you put yourself in my position.

Its not my couSin hanging around outside, is it?

� What?

- What are you gonna do when we're out

of the country being safe?

What's gonna happen?

You gonna let them come in here

and get the rest of it are you?

Well are you?

(smacking)

- The money's at the convent, the kid's playroom.

There's a row of new lockers hidden behind nursery posters.

I've got a key for each of you.

When the time comes to collect, mention my name.

There's Linda's, Bella's, yours of course.

(ringing phone)

- See if that's morn.

(light music)

- Yeah.

- I'll let her in.

(light music)

YOU KNOW. MI'S. Rawlins, morn,

- Sorry, bit ofa late night.

Nothing wrong is there?

- No, glad you could come.

(light music)

Turn around.

Alright, I'll get my coat.

- Why didn't you tell me you was going with her?

What's all this about?

And What've you done to your face?

Shirley!

- Look don't ask. she got heavies after her.

Just do what she says, okay?

- She know I aint passed my test yet?

It's a merc you say?

Oh my god I hope I don't smash it.

Oh give us a drag, I didn't know you smoked.

- Its automatic.

- Automatic, god help us.

This thing's killing me.

I've got a terrible headache.

- Well you took long enough answering the phone.

- Well you're lucky you roused me.

I passed out.

- Here.

- Oh this is mink. isn't it?

Its lovely, lovely isn't it Shirl.

- What do you think?

- Shoes, I'll get them.

- You want me just to drive it 'round for a bit.

Bring it straight back, do I?

� Tomorrow's ?ne.

Here's the keys, you can keep the coat.

� Oh there's no need.

- You like it don't you, so keep it.

- Oh thank you very much.

- Come on Shirley, love.

- Could I scrounge a fag?

(ominous music)

- Oh my god.

(ominous music)

- Indian, nothing like good carpet.

- Here you go.

- Oh lovely.

- Open the garage door Shirley.

Make a great show of standing at the front door, Audrey.

Then go back through the kitchen into the garage.

I'll wait for you.

- Thanks for coming over, mom.

- Have a lovely time you two.

Take good care of my little girl for me.

Thanks for the coat.

Stand at the front door you said, right.

Oh do you mind?

- l'll open up the garage, Dolly.

(engine starting)

- When you wanna go forward its D for drive.

Thump your left leg.

- Why?

- Like this.

-Oh god!

- That way you won't use it.

Use your right foot for brake and speed.

- All set, okay mom?

- Oh dear, fingers crossed.

(engine starting)

(ominous music)

- He's following, Dolly.

Dolly!

- Come on darling, move it.

The way she drives we aint got long.

- You got everything?

Dolly?

(clomping footsteps)

- Keys in the glove compartment.

You got 'em, glove compartmentl

� I can't ?nd 'em.

Jesus where are they?

- Here.

Look, do you want me to drive?

� Does it look like it?

- lts alright, the road's clear.

(engine starting)

- [Dolly] Now remember, when we get to Rio stay calm.

We don't touch the other white case unless

they open mine and find the money.

� She's on the move.

She done a number on Eddie.

She got some slag to drive the merc out.

� Where is he?

- He's back watching house.

Said he was only gone a couple of minutes.

- And this woman, did he see her?

- Still in the house, ldon't know.

- Alright lets go.

- Well you can't go now. you'll be seen.

(ominous music)

(baby crying)

- Harry, Harry!

Shut up.

Shut up!

(chattering crowd)

- [Announcer] British Caledonian wish to announce

a short delay to ?ight BR661 to Rio de Janeiro.

Would all passengers please remain in the lounge.

� Still with us.

- I couldn't have been gone for more than two minutes.

She never had time to shift anything.

I checked the merc. nothing in it.

She was terri?ed.

She Went bang, straight into a Wall about half

a mile upthere.

� Who was she?

-Ah some old bag.

She said Dolly gave her a few quid to drive around.

She looked like a cleaner.

- How come you followed her then?

- Well I mean she was all done up.

I mean, you know she had a Wig, furcoat, and all that.

I mean I could've stayed 'round a bit longer

but I was worried.

The law may turn up so I came back here.

- Harry, you and Eddie get over the house.

� Give him one for old time sake.

Give me.

- The bedroom iight's on.

- Rawlins.

(ominous music)

- Monk, here boy.

(whistling)

(barking)

(crowd chattering)

- Excuse me are you taking the flight to Rio?

- Where on earth have you been?

- Oh l'm sorry.

- Oh nothing.

(chattering crowd)

Excuse me, are you going to Rio?

� What?

- Rio, ?ight 661.

- Don't tell me its been delayed.

Are you standby?

- Are you taking the flight?

- I should hope so.

I've been down Victoria since 7:30 this morning.

You got a seat?

- I Wondered if you could help me out.

lthink I'm gonna be a bit overweight.

Is that all your luggage?

- Oh you want me to give you a hand?

- Oh n0. the white case is the heaviest.

- Yeah it is heavy, what ya got in here?

- Gold lame, l'm going in for Miss Rio.

Its a beauty competition.

I need all sorts of clothes and shoes, that sort of thing.

- Me. i always travel light.

Hand luggage, at the other end its quicker.

Saves a lot of mucking about.

� Just one case there?

- Just the one.

- Here you are.

-Ta.

- Excuse me, would you like to put your case up here please?

- Its just the one.

Um. l'm not gonna be sitting too near him, am I?

- No you're okay.

Smoker or non-smoker?

� Smoker.

- Have a nice ?ight.

- Thanks.

- There's nothing up here.

Harry, place is clean up here.

I'll go and do the garage over.

- Heidi.

Little dog, she always carried it with her.

Have you seen it?

- Maybe she's got rid of her.

There's nothing doing in here, eh?

- I'll do this room.

You go out back.

- Okay.

Did Eddie tell you about the Iedgers?

She burnt 'em. charred to a cinder.

Not much good to you now are they?

Yes alright, alright I'm on me way.

- You alright, Harry?

Christ.

(ominous music)

- I'll kill her.

- [Willsy] Hey. something buried in the garden!

Can you hear me?

I need a torch.

EddIE. Eddie!

- [Eddie] Why has she done this, Harry?

- You heard what he said, get out.

Get out!

(ringing phone)

(ominous music)

Hello?

Dolly?

Doll?

Is that you?

- [Bella] Well, any answer�?

- Yeah it was a man.

He said hello, Dolly?

Doll, is that you?

(light music)

- Ready, governor.

- Nobody moves in 'til I say so.

- Right sir.

- The ambulance is on its way, George.

Anytime now.

I think its best not to move you 'til they take a look.

Can you hear me, George?

(weak coughing)

- Here you go. Sir.

Don't want you freezing to death, do We?

You took a fair old pasting, didn't you?

- Rawlins.

He's not dead.

- What do you want?

Is this what you're after?

(droning machinery)

- I searched the Whole airport looking for you.

Do you hear me?

- I said I'd see you on the plane.

-Airport, airport you said.

Look don't push there's people in front of me.

Is everything alright?

- Everything's fine.

(pa announcements)

(ominous music)

- What'd ya think there?

- I don't know, don't feel too heavy.

(ominous music)

- Jesus, its her dog.

- You know anything about this?

(sirens)

- I'm getting out of here.

(dramatic music)

- Stand back, get back!

(dramatic music)

- [Eddie] Harry, for god's sakes help me!

(dramatic music)

� [Governor] I said no sirens.

- Can you get that road out front cleared?

- Rawlins. - Yeah we got him George

You ]ust take it easy, okay.

(sirens)

- were bringing them out now, sir.

� Set the drip up fast.

- Is he gonna be okay?

- Out of the way.

- Which one was it, George?

The leather number, did he do this to you?

- Out, come on, out!

(sirens)

(scuflling feet)

(grunting)

(sirens)

(whining ]ets)

- i thought you had your own in ?rst class?

� Man next to me been in and out of Rio.

We've got trouble. different customs system.

No red and green area.

� What?

Well didn't you check it out?

- Be very careful how you fill in the immigration form.

And watch out for the custom declaration.

- Well I know how to fill in a bleeding form.

- Well here's something you don't know.

Everyone has to go?-

Everyone has to go through the same custom area, everyone.

They swoop on anyone they feel like.

If they don't like the look of your face.

If you seem nervous, who knows.

- Oh god what a time to find out.

- We're still in with a chance.

- Are you gonna go through with it?

- Why not?

You don't wanna just leave the money, do you?

Do you?

� Who's there?

Harry.

I've been waiting.

� Shh, listen where's the 50 quid?

I need it.

- Top drawer, dressing table.

What you done to your hand?

Harry are you going With Dolly?

What about me and the kid, Harry?

Are you going with her?

- Clean this place up, anything that I've touched.

Where the hell is it!

- Is that everything, What happened?

Well where you going?

- You wanna do something useful, get a plaster.

- Harry please. Harry, Harry.

- I haven't the time.

I'll send for you, its the best i can do.

� Oh no Harry, please, please you just can't leave me.

- Just didn't work out.

But I can get organised again.

- Who, who Would you go to?

Everyone thinks you're dead.

- She really done for me.

The law were at the house.

- What about me. and the kid?

- She is mine, isn't she?

� What?

� Isn't she?

- Of course she is, you know she is.

Oh Harry don't, don't you're hurting me.

I wouldn't lie to you Harry, she's yours I swear it.

- She better be. understand?

Now cleanup the place.

- [Trudie] You going to her?

- She's gone, I never saw her!

- The money, where's. ahl

Harry, Harry!

You son of a bitch, Harry!

You ask me she was a brave behind you all along.

Go on. run, run,

(whimpering)

| wish you were dead, dead, deadl

(ominous music)

You're too late, he's gone, he's gone that bastard.

- Come on darling, on your feet.

You inside, you take the roof, two out the back.

- You deaf, he's gone, he's gone!

- Calm down, come on,

- I don't know nothing, i don't know nothing.

(whining ]ets)

(speaking in foreign language)

(droning jets)

- They've opened every case so far.

- Get away from me.

- Oh Dolly please don't do it.

- Just do what we rehearsed.

Here it comes.

(ominous music)

- Need any help?

� What?

- With the cases.

- Piss off, do you mind, just piss off!

(ominous music)

� Come With me please, come please.

� Passport?

(clattering items)

- 200 cigarettes, bottle of gin.

We are allowed that. aren't we?

- Purpose of visit, holiday?

- Yeah first one for a long time.

Our little dog, couldn't leave heron her own.

- How many presents?

Anything to declare?

- I wrote everything down.

Wanna see my bag?

- [Shirley] Oh no, somebody help me,

I can't find my passport.

What am I gonna do?

Oh someone help me, I can't find my passport.

Oh I found it, oh its alright.

That's my case.

(ominous music)

- Thank you.

- Have a good holiday.

- Next.

(ominous music)

- Da, da, dal

Oh very chic, tre chic.

- Come on, put yours away.

Shirley, Shirley, come on.

She's been in front of that mirror for hours.

- I think I should�ve worn the other one.

- Did you book the table?

- Did I book the table, did I book the table?

Honey we are taking over the joint.

Gold Finger!

- And now for our next contestant Miss Shirley Miller.

Well I like reading and writing and robbing banks.

(fart noise)

- Champagne?

- Mind me gear.

� Oh have another one.

I've got the whole shop up here.

- We've got another 160,000 each.

I love it, I love it, I could eat it,

� Come on you lot, lets get this stuff put away.

Dolly, Dollyl

My god, she's been in that bathroom for how long?

- Oh child very much,

that's my case you're putting your share in.

- Oh, I'm getting loaded.

Dolly!

- Do you think i ought to tell her about the phone call?

- Forget it. she'll hit the roof if she finds out.

� Finds out what?

- [Bella] You can't keep your big mouth shut, can you?

- What's going on?

- Nothing.

� [Shirley] Come on, something's going on, What is it?

- Go on big mouth.

- I put in a call to London, to Dolly's house.

Look I know I shouldn't but we were worried.

� And?

- It was him, Harry answered it.

It was Harry.

- Nobody's arguing With ya.

- Go and see what she's doing.

- You should have let it go.

Everything was, oh forget it.

- [Linda] Just thought you ought to know, that's all.

� She's in the bathroom.

� Before We left, I went to Harry�s wardrobe.

All his clothes were slashed to pieces.

- Well who did she bury for god's sake?

- Jimmy Nun, do you remember?

She can't have known about it at the beginning.

But she found oUt, somehow she found out.

- So Harry's still in London?

- Why would she burn the Iedgers?

| just don't understand why she burned the Iedgers.

- Do you think the rest of the money's safe?

- Just a minute.

Let go of your panic button fora second, Linda.

Lets just think this through.

You just said you didn't think Dolly knew Harry was alive.

Well she never let US down. not once.

Dolly.

- I wanna talk to you, Dolly.

ls Harry still alive?

We tried to contact you in London.

Harry answered the phone!

- I could wear the blue then.

- Why did you burn the ledgers?

- Look, one thing at a time.

- If he spoke to you then he must be.

Cigarette?

- ls Harry still alive?

- Yes, yes, yes. what else do you wanna know, eh?

What else do you Wanna know?

What it feels like. what he's done to me?

Inside me its like this.

Over and over in my mind, why, why, Why.

You're all so bleeding clever, you tell me why.

He's alive living with Jimmy Nun's bitch.

- You've seen him then.

- No.

Now go on, tell me how he could do that to me.

Because all i ever did was love him.

And when I knew I couldn't even cry.

That girl, that young, stupid girl looking

at me like i was dirt.

I gave her money, Ifelt such a fool.

Betrayed. humiliated, because I felt so ashamed.

Because I still wanted him.

lstill loved him.

And even worse, I StIII d0,

(light music)

J' What is life to thee Without me I

I What is left if thou art dead I

J� What is life. life without thee? J�

J� What is life without my love? I

I What is life ifthou art dead? I

J� Eurydice, Eurydice J�

J� Ah. hear me Oh, answer Oh I

J� Thy dear lord am I so faithful I

I My dear lord am I, who loves thee I

I Who doth love theeJ'

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