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(Thames Television jing�e)
(Widows Theme Music)
(saw engine whirring)
- Are you alright?
- Sodding ining keeps cutting out on me.
- I'll get Linda to check it.
Is that gonna be alright?
- Yeah, engine's not loo bad.
Gotta put the dummy plates on.
Hey, look at this.
- Have a look at that car. will ya? It keeps packing up.
Have you finished with the van?
� Clean as a whistle.
Not a mark on her.
Wish I could say the same for myself.
I know it's weird doing all the dirty work.
All she's doing is hanging around giving orders.
What's wrong With this then?
- It keeps cutting out,
Going out the clappers, then nothing.
Must be a loose connection.
- Double check. no labels.
Belts.
No buckles, we're tying them.
Cut these off. but not on the ?ies.
- 0h? - We're supposed to be men.
They wouldn't cut their flies off.
What were you gonna do?
Sew 'em up?
Use your loaf, love.
- Right, I want Bella to try on again.
Bella?
� Gloves.
Goes without saying.
Once on, these don't come off for anything.
And no makeup, not on none of you.
Right, shotgun.
Do you want to have a practise.
(cocking gun)
- You alright?
- Yeah.
We should have three of them.
- We've only got two.
- I'll get one.
Well, don't panic.
It won't be traceable.
- I'm not panicking.
Where are you going to get it from?
- I'll pick it up.
(coughing)
Don't touch that van, you stupid gitl
Look, nobody touches this van without gloves on.
| just spent four hours cleaning it.
There's not a mark on it, - Sorry, (USI sat down.
- It's your prints I'm worried about, darling.
- I got the harness set out for you, darling.
When you brake,
that security wagon's gonna slam you right out of your seat.
- Alright, one thing at a time.
- Well, when are we gonna get the van?
- That's my department.
That�s it.
- Well, what kind of van is it?
- Swing it up into position, Dolly.
There you are, see?
Steady as a rock.
Sledgehammer.
Bella, Sledgehammer.
- What do you think?
- Looks good.
- Need a lot more padding on the arms though.
Fat stomach?
- Yeah, you need some more.
You look good though.
- Ready for a rehearsal?
- Yeah.
- Look, I think I've found a van.
It's got double doors at the back like you said.
It's got covered sides and a slide in driver's door.
� What is it?
- It's a dry cleaning van.
- Don't you want to try out the harness as well?
� Give me a minute.
I can't do everything at once.
� Stop watch, timer.
- [Dolly] Ready?
- Yeah.
- [Dolly] At the 20 yard marker, l brake.
The security van rams into the back of me and--
- I run down and cut down aerial.
She should have the harness on.
- Shut up, Shirley.
I'll move up along the van after releasing the harness,
pick up the Sledgehammer, and bloody marvellous.
Get out the sodding way!
� Stop the watch.
Look. take that as read.
Let's hear what you're gonna say.
So, Sledgehammer through security van window.
Release the safety catch.
Look. release it.
If they see it's on, they'll know we won't mean business.
- You'll have to help me.
| get my finger caught every time.
- Push it fomvard.
That's it, easy.
Try it.
That�s it.
Now, let's see what you're gonna say.
- Don't movel
Guard at back. show his face at hatch.
� What?
- Hatch.
They got a sliding door in the security van.
- Is that what you're gonna say?
- No, this is a raid. stick your hands up.
- I'm coming, you lot.
Don't mess about.
I gotta go to work.
- Look, it's your v0ice.
Can't you lower the pitch?
- Don't movel
Well?
- They suss out you're a woman, forget it.
Look, stick something in your mouth and try it.
- Don'tl
(laughing)
Gonna bieedin' choke meself with that.
(knocking on door)
- Listen.
- I'll get the lights.
� Get me out of this.
- I'll go.
- You stay put.
Give me the ?ashlight.
Heidi, come here darling.
- Who do you think it is?
- Only one way to ?nd out.
Not a sound, okay?
(suspenseful music)
(knocking on door)
(dog barking)
� Yeah?
- Friend of Harry Rawlins.
- I've got a lock up further down.
- This Missus Rawlins. isn't it?
Can I come in?
- l wasyust ieaVing.
What do you want?
- I was wondering. what With Harry, you know.
if you'd be selling or it you want to rent the place out.
Could I have first refusal?
- (shushing) Heidi, darling.
What's your name? Can't open the door no further.
Don't want to let the dog out.
-Oh, Bill.
Biil Grant.
- Look, Bill. I've still got a lot of stuff to clear out.
You just slip your number through the door, l'll contact.
Thanks for calling.
- Right.
Anything I can do?
- Like I said, iwas just leaVing.
Friend of Harry's, you said?
- Yeah.
- Bill Grant, right?
Goodnight then.
� What was all that about?
- I don't know. but h? knew me.
Any of you heard ofa Biil Grant?
I'll have to go over Harry's books, see if he's mentioned.
You hear what he said?
- Some of it.
- Harry was careful, too bleeding careful.
One thing's for sure.
He would never let it be known to anyone outside his team
that this was one of his places.
(suspenseful music)
(elevator beii dings)
- About bloody lime and all.
- EXCUSE me, sir.
Your of?ce is ready.
- Yes, yes. yes.
Alright, alright.
Look, I'll be back in a tick.
You take these, alright?
Now, don't let anything out of your sight.
- The chief was getting uptight,
said you should have been out of your office--
- Andrews, come here!
Canteen.
- Will you be down in a minute then, sir?
- | just said so, my Alice.
- Well, I'll stan on it then.
Thank you.
- Do we need to go over anything, sii�?
Only I'm supposed to be down--
� Should have been getting yourjoy Boxer's land lady.
- She's not very cooperative.
She must have had a pretty good look at the chap.
You don't take a beating from someone like that
and then not remember who did--
- No, you don't.
Listen, that vehicle you've got.
Do you reckon it's the one that done in Boxer?
- Yes, stolen same day.
Blood samples matched and front was smashed in.
(knocking on door)
- Who is it?
- [Linda] it's me.
- Who?
- [Linda] It's me! Me Linda!
- Is something wrong?
Linda. what's the matter?
Is something wrong?
- What have you got in here?
The crown jewels or something?
I'm freezing.
- What's wrong?
- | just wanted to chat.
There's nothing wrong.
� What?
- Any chance of a cuppa?
- Oh my god.
My heart's still going.
What do you want?
- | just wanted to talk to you about Dolly.
- What, in the middle of the night?
- Look, do you trust her?
Let's go to sit down, eh?
Oh, very nice.
Very tasteful, Shirl.
A touch of the old habitat. eh?
Well, do ya?
� What?
- [Linda] Trust herl
- Dolly?
- [Linda] No, Doris Day.
- Well, of course I do.
Should never have turned the heating off.
I don�t understand that little dial.
It's got a sun and a moon on it.
- LOOK, th? 7635071 I come is
'cause me and Bella got talking.
-And drinking. I can smell it.
- Just shut up a minute, will ya?
NOW, what me and Bella want to know is A,
where is Dolly gonna stash the gear?
And B, more important.
This rumour about her old man still being alive.
Bella thinks Dolly knows the man who ran out on the raid.
� Oh, don't be stupid.
- But we know there was a fourth man, right?
- Don't do that.
I know what you're up to.
You've had it in for Dolly since we started.
You got anything to say?
Well, say it to her face. - Look, all I'm saying is?
- That Dolly is playing a double game?!
Well, leave it out,
Look, she didn't want to drive the lead truck,
but she's doing it.
And that's the most dangerous position.
It was going to be Bella, remember.
but Dolly stepped down on that too.
You brought Bella in
and now the pair of you want to stir up trouble.
Well, I'm not having it.
I'm notjoining inl
- Alright, alright.
- No, it isn't alright.
You come here half drunk in the middle of the night.
- I'm not drunk!
- Well, you've been drinking which you were told not to do.
You come banging on my door
which we were all told not to do, not to see each other.
And for what?
You got some crazy idea
that Dolly is what you think she is.
- Oh, forget it.
- Look, she got the Fisher brothers
off our backs by that rumour.
You didn't have them onto you!
You didn�t have that bastard
trying to burn your tits offl
You frighten me, understand?
You frighten rne.
- Sorry.
Yeah.
Is this your mum?
- Yeah.
- Who's this?
- My brother.
- Any chance of a drink?
- What do you want, whisky?
- Please.
You're lucky.
Have you got a fella, Shirl?
� Of course I haven't.
- I never had none family.
My mum put me in an orphanage when l was three.
I got a fella, Shirl.
I'm not supposed to be seeing him.
Dolly doesn't approve.
He's not like Joe.
I loved Joe, of course I did, but he's different.
Very gentle.
He gave me this.
Look, ll'S gold.
Solid gold.
- It's lovely, heavy.
� He thinks a lot of me.
- What about you?
- I like him.
He's got his own garage, wants to be a racing driver.
Costs a lot of money though.
- Oh my god.
My god.
It's got to be him.
� [Linda] Who, Carlos?
- No, Jimmy Nunn.
It's got to be Jimmy Nunn.
Where is it?
Jimmy Nunn.
He used to be a racing driver friend of Terry's.
- So?
- Well, he must have been the driver.
Terry brought him in, a new man on their team.
Well. that's why he's not mentioned in any of Harry's books.
He was trying him out.
He's the number four man. I'm sure of it.
- Don't say anything to Dolly.
- Well, I've gotta tell her.
- No, not yet.
Not until we�re sure.
Look, I won't do anything.
I'll just find him.
Then we'll tell Dolly, okay?
- Okay.
- Oh, excuse me, sir.
Can I have a word?
- What is it? � It's about the Rawlins case.
- You tell your governor I want a word with him about that.
I can't have priority requests
for vehicles to be checked out
going through the wrong channels.
The system is first come, first served because it works.
- That would be the vehicle used
in the Boxer Davis hit and run.
DC Andrews--
- I don't care who is handling it!
I've got C squad screaming at me
because their reports have been delayed
over some priority case.
Now, this may come as a surprise to you, Fuller,
but this station does not revolve
around Detective Inspector George Resnickl
Is Resnick out of his old office yet, Alice?
- Almost, sir.
- I've even got the bloody decorator
screaming at me this morning.
Tell him lwant to see him, will you?
-Yes, Sll�.
-Oh, Alice.
This morning.
(knocking on door)
�Come in.
Call for you.
- Thank you.
Missus Rawlins speaking.
I'm sorry to hear that, Linda.
Yes, I'll try and get there.
Isaid I'll try.
Right.
Sorry to disturb you, mother.
A bit of an emergency.
lwon't be able to stay for lunches.
- No need to apologise, Dolly.
Do you have a moment?
Please sit down.
I won't keep you.
| just wanted the opportunity of thanking you personally.
- I'm sorry?
- The new children's lockers.
It's really a wonderful donation.
I must say we were in desperate need of new ones.
But please. you really must let us help with the delivery.
I've arranged everything.
They will be here by the end of the month.
- Well, I won't keep you.
God bless you.
Please feel free to use the phone at any time.
- Thank you. lwill.
(phone beeping)
� Yeah?
- [Female Speaker] I'm just going down
to the committee room.
Everyone's waiting. Sir.
- Tell them I'll be down shortly, will you?
� [Female Speaker] Yes, sir.
- I don't want it to look
as if I'm telling tales out of school.
- It's alright, I understand.
There's not much I can do about this right now,
but I'll certainly bear in mind what you've said.
I'm afraid that's all I've got time for, now.
- Thank you, sir.
Oh. urn.
- I'II hang onto these.
My Alice, is George Resnick in yet?
� [Female Speaker] I don't think so, sir.
- Well, when you see him,
Will you tell him I couldn't wait any longer?
� [Female Speaker] Yes, sir.
(typing on typewriter) (phones ringing)
- You found it alright, then?
- I'm here, aren't I?
- I'm glad you could make it.
I wanted to talk to you about Jimmy Nunn.
� Never heard of him.
-Jimmy Nunn.
I think he was the fourth man.
Run a bit ofa disappearing act.
Ex racing driver.
� What's this?
- His address.
Thought you might want to suss him out
seeing as you're the boss.
I think we�d better have a meet.
- I'll say when we have a meet.
- I've been doing a bit of detective work.
- You're not the only one.
Why do you lie to me?
� What?
- A new boyfriend.
Carlos Marino. isn't it?
Have you told him anything about us?
About what we're doing?
-0h. him?
I'm not really seeing him.
He's just that mechanic.
- You looked me right in the eye
and told me you were seeing nobody.
Why do you think | asked?
- I didn't think it was any of your business.
- Yes, it sodding is.
He works for Arnie Fisher.
He�s their wheels man.
He's bent. Linda,
In more ways than one.
� What?
- Do l have to spell it out for you?
He's Arnie Fisher's bum boy.
He's been going straight from your bed into his.
- That's not true.
I don't believe it.
- Boxer Davis told me.
I didn't have time to ?nd out his name.
Boxer didn't last that long.
You're gonna have to get rid of him, Linda.
� What?
- You heard.
- Well. how?
How do i do it?
- He's their wheels man, right?
He must have a garage full of hot cars.
� Grass on him?
- Yeah.
Use your mouth, it's big enough, and do it quick.
And don't you ever he to me again.
Thanks for the coffee.
Jimmy Nunn.
I�ll look into this.
And you, you better do it tonight.
The sooner you do it, the better.
(melancholy music)
� Want one?
- Thank you, sir.
- Here.
- Thank you.
- There she is.
Got quite a load on by the looks of her.
(mumbling)
- Come on, let's go.
In that state, she mightjust talk.
(ringing buzzer)
(ringing bell)
� [Female Speaker] Who is it?
- Can I come in, love?
- [Female Speaker] Who is it? - Just open the door, love.
� Yeah?
- I'm looking for Jimmy Nunn.
- Oh yeah?
� Mind if I come in?
(baby crying)
You're Jimmy's wife?
I'd like to talk to him.
� Don't we all?
- Seen him lately?
- What business is it of yours?
- I'm Missus Rawlins. Missus Harry Rawlins.
That mean anything?
Jimmy worked for my husband.
- Yeah. well I haven't seen him In months,
Walked out.
Said he had some business on.
No good bastard left me without a cent.
Oh, shush. shush.
Come on. come on.
Come on to mummy.
Yeah, yeah.
(baby crying)
She's teething.
- Beautiful little thing, ain't she?
Do you smoke?
- No.
Make yourself at home.
(dog barking)
� Heidi?
Come here.
Naughty little girl.
Now, sit,
- He owe you money, does he?
- Is that Jimmy, is it?
-Oh, yeah.
- Good looking fella, ain't he?
And you don't know where he is?
- N0, no I don't,
� Well if he should put in an appearance,
tell him l'd like to talk to him.
He can get me at this number.
(baby crying)
Missus Rawlins.
- Yeah, you said, Missus Rawlins.
Just leave it on the mantle.
Lovely kid you got there.
Here, take that for the kid.
If he contacts me, you'll get a lot more.
(dog barking)
Heidil
Come away from there.
Now, stop it!
(melancholy music)
- Is that your car down there?
� What?
- Mercedes.
Kid's having a ?eld day.
Looks like he lost a wind mirror.
Did you hear what I said?
- Yeah, that's mine,
Thank you.
- Anytime.
- I hope you ?nd him.
� What?
- Jimmy.
Oh yeah, thanks for the, uh.
- Hey, get out of there!
- She's giving some boys down there hell.
She's got a right old temper, hasn't she?
You're not gonna believe this.
She gave me this.
50 for your kid.
- I told you he just come in and hit me.
l was dazed. see.
Dazed in me head, it's all fuzzy.
- Yeah, yeah, yeah.
Where'd you get the money for the booze?
- I ain't drunk.
I've been hit over the head.
- Alright, take her in.
- You can't take me in.
I've told you everything I know.
I can't remember things.
- Come on. love.
Let's go.
� Oh no, please, no.
- Alright, alright, alright.
Now, look.
Was this the man. eh?
Was this the man that hit ya?
- No.
I don't know him.
� Come on, have a proper look.
� [Male Speaker] Where did you say you were?
� What?
- [Male Speaker] What was the address again? Blenning, what?
- Yes, Blenning Crescent.
-Oi. oi,
Can't you do that outside?
Come on. love.
You're not looking.
Was this the man?
- I don't know.
ltold you and ltold him.
Where's he gone?
- Don't you shout at me!
- I ain't.
This nice man come and asked to see Boxer
and I showed him up.
And then the other one come later, the one that hit me.
- Were you drunk?
- No.
l was tired.
Tired, and well I've been up
and down those stairs all night.
I said to this woman, I said--
� What woman?
- The one that rang.
I said, "He's gone out."
- Just a minute.
A woman phoned up for Boxer?
- | just told you.
- Did she phone before the ?rst bloke arrived?
Do you know the time, is it after?
� When did she call?
- Twice.
- Listen.
She ever mention anything about a woman calling?
A telephone call for Boxer from a woman?
- N0, Sir.
- I want to go home.
I want to go home.
- Alright, darling.
Listen, you're home, alright?
NOW, listen,
When did she call?
� Coronation Street was on.
- Yeah, yeah, what then?
- I can't remember.
- Boxer went out and she called again?
- I told you.
She said I've been cut off.
� Where was Boxer?
- Well. he was out. wasn't he?
Now, why don't you ask him all about this?
- Listen, Boxers dead, alright?
Do you understand?
He's dead!
- I don't remember nothing.
Oh please God, I don't remember nothing.
- Listen. Fran.
Come on, who did this to you, eh?
Who hurt Boxer?
You know who it was, don't you?
- Yes.
Yes.
And he said he'd come back
if he sent somebody to the hospital.
- Listen. Fran.
It was him, wasn't it?
That was the man, wasn't it?
- Nothim.
- Yeah, come on,
Look at it closely.
Look, it was him. wasn't it?
Shut up!
Come on. it was him!
- It was Tony, Tony Fisher.
� Mum?
Mum?
- [Mother] I'll be a minute.
- Do you want a cup of tea?
Mum? Tea?
- [Mother] No.
- Oh, typical.
- What have you done?
ljust cleaned the place up.
- Oh, blimey.
What's all this in need of?
- What do you think?
I got it off the store two up from mine.
Fell off the back of a lorry, I think.
Not bad for a fiver, is it?
- Where are you going?
- I gota date.
- What. at this time?
- I'm not going yet.
I'm just trying the rig-out on.
- Oh, what's this doing here?
- Ask your brother if you can ?nd him.
I haven't seen him in two days.
You can ask me.
- Well, what's he use it for?
- I wouldn't know.
Well, I would actually.
That's why I hid it in there.
Oh come on. ask me.
� Who is it then?
� You know that couple in '83?
She ran off with the brother in law.
Well, helping him get over it so to speak.
He's got a few bob.
They put glue in it.
lcaught him at it.
Out ofhis head, he was.
Eyes all red.
� What?
- The punks.
That set he�s in with.
Oh. look.
They put glue in here, then they sniff it.
(coughing)
Put it in the bin.
Oh look, I've just done my barnet.
Look, I'm gonna put some pins in and I'll be back.
You can have a sherry, then you gotta go.
Don't want you spoiling the odds.
- Hello.
Hello.
(rock music)
- I don't know how it could have gone?
- Oh no, not again.
It's been nicked.
- The chain ain't even broke.
- LOOK, there's bust one out the back.
Superglue it together.
The boss will never know the difference.
- Ha-ha, very funny.
- Just glue it together and chain it up.
- I'll go out and look.
(rock music)
- Where are you going all done up like a dog's dinner?
- You okay?
- Yeah.
Shouldn't I be?
-|justdropped in.
Some friends asked me for a meal up the road.
- Oh, that's nice.
- Hey, this looks nice.
What time you through tonight?
- Late. I'm On late.
- What, you don't want to see me tonight?
- I'll be tired, won't I?
- Okay.
- On second thoughts, I'll be out at about half past 12.
- (smooching) See you later then.
- Yeah, see you later.
- Shall I stick it together or what?
- Look after the booth, will ya?
� What about this?
- Thanks.
(car engines rumbling)
(suspenseful music)
- I knew it would happen again.
I've been waiting.
It's my brother in law's, the security firm.
This will break him.
It will Wipe him out.
I can't. team do it.
-As I said, you'll get everything
that Harry Rawlins held over you
as soon as the business is done.
There's eight grand here.
That's more than you got last time.
- Rawlins said it would be the last time.
He promised me. gave me his word he'd let me off the hook.
- Rawlins is dead.
You still got paid.
The route.
Did you bring the details, Mister Miller?
Mister Miller?
- How do I know i can trust you?
- I'm afraid you don't.
| just work for the new people.
- But you don't know who they are.
You can't even tell me their names.
Jesus.
I can't do it to her.
I can�t do it.
My Wife, she'd.
If she found out.
A mess. a stinking mess.
No, I can't, not this time.
- I'm very sorry to hear that, Mister Miller.
Very sorry.
Why don't you think about it for a few minutes?
I'll be over by the petrol pumps.
(car engine rumbling)
(suspenseful music)
Please, please come on.
(car engine rumbling)
(suspenseful music)
- Look, why don't you go in first?
Change?
- Not again, my stuff�s in there.
Maybe see you tomorrow, eh?
- I don't know. I've got things to do, washing and stuff.
- Is something the matter with you?
- No, should there be?
- You're just, I don't know.
You didn't sleep too good, eh?
What is it?
You can tell me.
- It's nothing.
Time of the month, you know.
Look, you go.
I'll go home and get some kip.
- Okay.
(smooching)
See you.
(suspenseful music)
Johnny?
Johnny, hey John, open up.
(knocking on door)
� Police! Run for it! Policel
(car tyres screeching)
(garbage bins crashing)
(suspenseful music)
- Oh my gosh.
(car tyres screeching)
I'm sorry.
- They were there waiting.
They could have taken him like that.
Five men.
He makes a run for it straight into a post office van.
- Poor bastard.
Anything on the cars in the garage?
- NO, not until we've had a chance.
Ridiculous. I've not got room to sWing a cat in here.
- Andrews, in my of?ce.
-Yes, Sir.
He doesn't look too happy.
Want me to give him these?
- No, Resnick will want to go over them.
(knocking on door)
- That bastard's nicked my rubber plant.
(typing on type writer) (phone ringing)
- Good morning, Phillip.
Where you going with that?
- It's mine.
� Do me a favour.
I cannot stand being looked at.
Where's Andrews?
- In with the governor.
- What's going on in there then?
- I don't know.
You better take a look at What came in this morning.
We got a tip off last night.
Garage full of hot cars from the sound of it.
He worked for the Fisher brothers.
- Tip off.
(bell dinging)
What the hell's that?
- Tea trolley.
- Sounds like an iced cream waggon.
Get us a donut, Will you?
(sighing)
Tip off.
Tip off by a woman.
i0:45 last night?
God almighty.
Fuller, Fuller!
- George?
Five minutes.
- (knocking on door) Bellal
- Take it easy. take it easy.
- Bella, I've killed him, I've killed himl
- Jesus.
- I'm gonna be sick. � ln here, throw up in here.
There you go, kiddo.
Lean over the basin.
Baby, you're shaking all over.
- He was covered in blood.
The van was red.
Red.
God. - Do you want to lie down?
- Can't you understand?!
I've killed him!
- Linda.
Do you want the whole block to hear?
NOW, listen tO me.
I'm taking you through to the bedroom.
No screaming.
- Alright, I'm alright.
- Get this down you.
Here.
Can you hold it?
Come on. a bit more.
There.
That's better.
What is God's name have you been up to this time?
You gonna tell me?
Huh?
Linda?
- He's dead. Bella,
He's dead.
- Who's dead. Linda?
� She said I had to do it.
She said I had to phone the police
and tell them about his garage.
She said I Wasn't to see him anymore.
She said things about him.
He worked for the Fisher's, but I didn't know.
I didn't know what he was.
- Take it easy.
Just take it easy.
- I was with him all night.
Just looking at him.
Still. I couldn't believe it.
And all the time. I knew what l'd done.
l rung them last night. see, from a phone box.
Told them about him.
It was awful this morning.
He asked me to take him to work and I couldn't say no.
He must have run straight into it.
He couldn�t have seen it.
He was running away.
- So, it was an accident then?
- It was my fault.
lkilled him.
I hate her.
I hate her guts.
I'll get her one day.
I'll pay her back.
I'm sorry.
I shouldn't have come here.
Here, take this,
It's gold, solid gold.
It's worth a bob or two.
- What do you think?
Do you think it will work using this?
What's up with her?
- Well, it's on. - What is?
- Come here.
One of them for me.
Right, here it is.
Routes, times. et cetera.
And they will be carrying, wait for it, 700 thousand.
- 700?
- We're gonna have to shift ourselves.
It's two weeks earlier.
Ta.
Tonight, I want to go over every detail.
Tomorrow, we all go over to the tunnel
to get to know the marking streets, et cetera.
You've already marked it out once, ain't ya?
- Twice.
- Right.
Security van starts here, point A.
I'll move up into my position
just as it goes round into Allington Street, point B.
- You do it the same time of day we'll be driving?
- Yeah. of course.
Now, we travel in convoy of dry cleaning Waggon.
security van, up to this street here.
That's where you'll be parked, here.
- One of the cars they picked up at Marino's
had Tony Fisher's molars all over it.
It was used in a hijack up north.
What, with that and the assault charges.
Do you think Boxer's land lady will hold up in court?
- No, I don't.
Well, any lawyer worth his salt will get him off.
She'd make a terrible Witness.
Alcoholic. all the rest of it.
Right, how do I look?
I'll be in the golfer's ball.
- I'm back in pandas.
Did you know?
- Yeah, sorry.
- Does he know yet?
- No, neither do we officially,
but l'd say its 100% on.
Should have been shelved weeks ago.
- He's not going to like it.
- The explosion Will happen any second now.
- This is crazy, this is crazy.
You should never have taken the surveillance
off the Rawlins woman.
It was a woman that tipped us about the Marino place.
It was a woman, a woman who called to Boxer Davis
twice the night he was murdered.
Look please, just two weeks.
- You can take it up with the super,
but you might as well know
that I'm acting on his instructions.
It's up to you.
- What about my application?
You mention that?
- The position is still open, but--
- But.
- There are other applicants to be considered.
- In other words. I've been passed over again, eh?
- I didn't say that.
You're a good of?cer.
You should be sitting here.
But this Rawlins case, personal grievances--
There is nothing personal in it, alright?
He's just a villain.
- He's dead, George.
- Please, just two.
- No, and that's ?nal.
Rawlins is dead.
Now, you bury him, George.
I stand by What I've said.
The case is closed.
- l'll forget it.
Just forget it, alright?
Because i quit.
You will have my resignation on your desk
Monday morning, alright?
Or better still.
I'll stick the bloody thing up on yourwindowl
I should be sitting there, pal.
- Here it comes.
- I should have been there 10 years ago.
Any grievances will be on your side.
Listen. I was accused,
but I was bloody well proven to be innocentl
But you bastards, you bastards.
you never let me live it down, do you?!
You getting a good earful?!
Now, that bastard is going to raise his head again,
and when he does, I hope it's right up your bloody assl
And don't you come to me because now it's your case
because that's what you've alWays wanted, isn't it?
It's What you always bloody well wanted.
- George.
George!
- On your desk!
First thing in the morning!
Alice. l'd like you to type a letter for me, right?
- But, sir--
- Yes, yes, yes, I know, I know.
Just one letter.
My reSignation.
They've closed the case down on me.
I've quit.
- Linda. I want a word,
Linda?
-Alright, I heard you the first time.
I can't jump to attention every time you speak.
- What the bleeding hell's the matter with her?
- I don't know.
She's been like that since she arrived.
- Linda.
(dog barking)
- Bloody dog gets on my nerves.
- It's the trains, the trains that set him off.
�Shutup.
Can't you keep her quiet?
� Shut up, Heidi.
What about this truck?
� What about it?
- You're gonna have to nick it earlier. That alright?
- Yeah.
� You sure?
- Yeah. I'm sure.
- Where are we gonna stash it?
� Mum's block of flats.
She got a parking bay underneath.
The market crowd use it. where you can dump it no problem.
Go over the engine there.
How long will you need?
- I won't know that 'til I nick it, will I?
� What about head room?
How big's this truck?
It's gotta go underground, don't it?
- I never thought of that.
- it will go under.
- Right, I'll leave it with you then.
Go and give Bella a hand, will you?
- But I want to-- - Just do as i say.
Right, outwith it.
What's the matter?
- There's nothing the matter with me.
- Don't mess me about.
- I'm doing my job, aren't I?
Am I doing something I shouldn't be doing?
I've done everything you told me to do.
Is there something I missed?
Did I miss something?
Anyone else you want me to get rid of?
- So. that's it?
- Yeah. that's it.
� You did it then?
He suss anything?
- Wouldn't matter if he did. would it?
He's dead.
� What?
- Had an accident.
� Dead?
- I saw it.
lsaw itall.
Do you want a description?
- I'm sorry.
You should have told me before.
- Why?
- Don't. Linda,
- That's everything checked.
� What's the matter?
- Nothing, it's okay.
I'm alright.
- No, you're not.
Why don't you tell them?
Go on, tell them.
- What's Wrong?
- Her boyfriend's dead.
- Listen, you lot.
Until the day, keep aWay from each other.
No private meetings.
- Sir.
- It's for your own safety.
? That why we don't know where you're going to stash the money?
Safety?
- You said it.
You think she'd keep her mouth shut after a few drinks?
And you, it won't be just the law after us.
You didn't cope with Tony Fisher, did you?
- We can't and you can. That it?
- Yes, it bloody is.
l coped with it for 20 years.
That's the way it was
and that's the way it's gonna be this time.
- Oh yeah?
- Yes.
And if you don't like it, it's off.
l ?nanced the lot of you up 'til now.
Eight grand I paid out yesterday.
You want to pay me back?
Pay me back and do it on your own.
l'm not asking you to like me for Christ's sake,
but I've had to trust you up 'til now
and if you can't trust me--
- Dolly, you're staying put.
We're going to Rio.
- Only as long as it takes me
to ?nd somewhere to stash the gear
and somewhere for Heidi.
I've had the law looking for Harry's ledgers.
I've had the villains on my back.
You think they won't come sniffing around?
Look a bit funny, Won't it, if l'm not there.
I'll be with you as soon as the heat's off
and I'll have money.
- We gotta get away with it ?rst.
- If we do it, you better decide that now.
- I trust you and you too.
If We don't trust each other--
-Alright, Dolly.
You win.
- Thanks.
Thanks a lot.
Well, at least I know where I stand.
Good night.
- I suppose that's It then.
You working?
See you later then.
Ta-ta, Shirley.
- You gonna lock up, Shirl?
(shushing)
Shirley?
- Listen.
You hear something?
- It's probably the dog.
- I could have sworn I heard.
There.
You hear it?
- Nah.
Must be the trains.
- Funny.
- See you at the next meet.
Good night.
� [Shirley] You can turn the lights out. I�ll use the flash.
- One more to go.
- Linda?
Linda, is that you?
(suspenseful music)
- Well, well.
It's on.
Who'd have believed it?
(dog barking)
(Widows Theme Music)
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