All language subtitles for Widows s01e02.eng

(Thames Telewsion Music)

(gentle music)

(geniie opera music)

(switch clicks)

- Enjoying the music?

- Oh it wasn't me I promise you.

lined to stop him.

It was that Tony, that Tony Fisher.

He went mad.

- [Dolly] My God.

- He thinks you Know where
Harry stashed those ledgers.

� You watched him do this?

You watched him do this to my home?

- Well I'm trying to do you a favour gal.

If i come back empty
handed. I'm worried for you.

- How much the Fisher's payin' ya?

- On my life it wasn't me.

- Well what'd you do then?

Stahd back and applaud?

I told ya, I don't Know
where the ledgers are.

I told you that. I've told the law.

- I wouldn't have had this happen to

you for the world Dolly, you know that.

- Don�t call me that.

- Don't be upset.

Now listen, I'll come
back first thing tomorrow.

I'll clean the whole place
up lrom top to bottom,

and then maybe we can look 'round

and see ifwe can ?nd anything.

(door opens)

(door slams)

(bag thuds)

(locks clicking)

(door opens)

� Alice?

(footsteps approaching)
(phone ringing)

Alice?

- Sorry sir.

Ididn't hear you come in.

Don't forget sir, 9:30 sharp.

The Chief said in the
conference room, it'll be quiet.

- Yeah alright right.

Look I've got the best whistle on eh?

Polished my boots, cup of tea.

- Very nice,

- Sii�?

We've found it.

The bread van from the Rawlins raid.

- Where was it?

- At the bakery.

� Are the sons sure?

- Definitely the one.

Forensics on their way
and I got a car waiting.

� Good lad.

Listen you got a picture
of the Rawlins mob?

�[D.S. Fuller] Yeah.

- Okay let's go.

(door slams)

(footsteps receding)

Listen Alice, something's just come up.

You can tell the Chief that
l'll be there for what?

Let's say 12:30 alright?
� But sir--

- Have you got a list of
everyone that works there?

(footsteps approaching)

(lock clicks)

Andrews?

0i. Andrews?

Get that golf ball off your head.

In the car.

- What sir?

- What you doing here?

I told him to Fuller.

Alright with you?

Thank you very much.

- Where we going?

� Willesden Green.

(door slams)

(engine starting)

- A seven out of eight.

Eight and a half.

And a nine.

10.

Come on now gentlemen this
is a very special motor.

10 and a half.

11?

How about an 11.000 bid?

11 and 500.

And 12?

12.

lgota $12,000.

12.000.

Anyone on 12?

Going once.

Twice.

Sold.

(engine revving)

And the next car on your
programmes is number 1032.

Number 1032 on your programmes.

A Ford Capri.

Three litres 25 on the
clock no one coming,

And what are my bids?

Come on now gentlemen do l have a bid?

l have 500.

501.

Arid 1,000.

1.500.

I'd like 1.500.

And six.

1.600.

And block number 104 thank you.

A Grenada 1980.

Known company?

- Pass me it through,

- [Auctioneer] Let's see now
how about we start up at three?

Start at 3.000.

Two.

Can I get a two?

Out of two.

How about a one and a half?

- One. two. three. four--

- [Audrey] i just hope it's nol nicked.

� If that motor's nicked.

- Mum, how many more times?

He's a mate.

Hang on here's the law book.

It's one under.

(paper rustling)

Here look see for yourself.

Upon mylife.

- How much you makin' on top?

� Oh leave it out mum.

(kettle clattering)

- I'm just gonna get the rest.

(pot clattering)

- You can't keep it shut can ya?

- I'd Just like to know who she's

gettin' it all from that's all.

750 quid.

- [Shirley] Here's the rest.

Do you want to check it?

- No |'|| trust ya.

� If that's nicked.

-Mum.

Do you wanna cuppa tea?

- No I got a plane,

See you eh.

Ta-ra.

(bag rustling)

- [Shirley] Leave it.

- Sorry.

- That's alright just go on.

-Ain't you gonna take me to the market?

- Well what you want me to do carry ya?

I'm leaving Shirley the motor.

ltoid you not to bother coming?-

- Its the only chance I get to see her,

She not been over for more than a week.

Well stay and have your tea.

- See ya.

Ta-ra.

- I don't know whaI I'm gonna do with him.

He treats a ]ob centre
like a discount club.

All his mates meet there.

- I've got a few things for Greg.

Sweaters 'cause suits Will be too big.

(cup clinking)

- Shins. i could do with a few shirts.

(bag rustling)

(tense music)
(engines revving)

(tyres screeching)

(tense music)

(door slams)

(tense music)

- Here you go.

- [Audrey] Fell out of that bag.

- Oh you have a good root 'round did you?

- [Audrey] Where'd you get all that stuff?

- Oh it's just some of Terry's old gear.

I'm chuckin� it out.

- [Audrey] Police been
through it have they?

- No i've only]ust found it.

- All that gear, when you found it,

was that where you got that money from?

You can tell me.

- Yes.

Yes.

- I know what they used this for.

Think.

Raids.

That's what they use this for.

- No.

Honest?

(bag rustling)

� Was there much?

- Enough.

- That what you gettin' that car with?

i thought so.

Well it's a relief to
me I can tell ya that.

- Thought I was up to no good did ya?

� Course not.

But I'm your mother.

I worry about ya.

I love ya.

- I know.

- Couldn't burn me 50 could ya?

� Out bieedin' liftin' on the blink.

- Hey Linda (laughs).

(kissing)

Where you been?

What's this?

Hey you shouldn't.

- Keep your v0ices down.

Your father is trying to sleep.

- Hey mum look at what Linda's brought.

Look the lifts just been out for days.

Mumma.

Hey go and say hello to him.

He took Joe's goin' pretty bad.

-Sure.

� [Gloria] You should be at work.

And she should not disturb him.

(bag rustling)

- He don't look too good.

- No.

She gets upset.

Hey. no you don't have to.

- Who says it's for you?

Hey look. one of your
guys. he's a mechanic.

Owns a garage or something.

- I missed on seeing you around.

(Linda laughs)

Let's say we have dinner one night eh?

- [Gloria] Geno, go to work.

(speaking in foreign language)

- What'd she say?

- Nothing I've got to go.

- I wanna know what she said.

- Forget it.

- I never was good enough for you was I?

I noticed you whipped out
the groceries quick enough.

You gonna refuse this and all?

Like hell.

You think your Joe is such a bloody angel.

- You can tell her I won't be back.

That'li be the last hand
out she gets from me.

- Why you do that for?

Her money not good enough for you?

She earned it.

Not like Joe.

He never did an honest days work...

(hand slaps)

(footsteps receding)

- Hey Linda?

That mechanic.

You'll find him there.

He's a friend of mine okay?

- Thanks.

- I meant what I said about dinner.

You know. you and me.

- Thanks. but no thanks.

(footsteps receding)
(gentle music)

(sombre music)

(gravel crunching)
(sombre music)

(birds chirping)

- I want no evidence though.

Ricky give us the phone.

And I don't want that lot
up north ripping me off.

- Yes, I heard you the ?rst time.

Look, I don't see why one
of the boys can't do this.

I mean I should be handling this Rawlins business--

- That's precisely what you wanna handle.

Terry Millers old lady.

I told you to leave it out.

- There�s a bit more to her than

that darling and you know it.

I mean if the law gets their hands

on those sodding Rawlins men was,

you and l are gonna
end up doing a stretch.

- Look. you do what you're
supposed to do and let me look,

(phone dinging)

what the hell's the
matter with that chick?

- I'm pissed off at
all this punting about.

Look, if that Rawlins slag knows

that I went out to--
- I told you I want

no rough stuff.

lwant an honest business here.

I don't want the law breathing
down my neck every time I?

- You're laughing sugar,

it they get those ledgers before we do.

I mean, what's that prat
come up with so tar?

Sweet nafl all.

- He's going over her place
with her this morning alright?

- Yes.

But it nothing's come up
by the time | get back,

I'm taking over right?

- I've been trying to get an outside line.

What are you doing out there?

- | Wish you'd tell him to
keep his hands to himself.

- Once through to the board.

this ones the direct line.

- It was that one yesterday.

- Anything else?

� Get Carlos on the blower.

- I know I shoulda got a cab.

Be here all day at this rate.

(engine turning)

Why don't you try the choke?

It's that thing there with the tire on it.

- That is the cigarette lighter.

These cars don't have a choke.

They're automatic.

(tyres screeching)

(Audrey yells)

- You can have the Jaguar Mr. Fisher.

(gentle music)

Alright.

Yeah yeah it's alright.

Okay.

Sure.

Johnny?

Hey Johnny.

� Yeah?

� Mr. Moreno?

- Yeah.

Anything I can do darling?

If it's all the same to
you tarter I�ll wait.

(gentle music)

- She wants to see you.

Geno Perelli sent me.

I've got some problems in the car.

- What do you want me to do about it?

- Well it shudders. there's smoke coming

out around the 70. 80 mark.

- [Linda] How much do you charge?

- To put it right?

I only do contracts.

(engine starting)

Try next door.

- Look, you don't have to do anything.

Just show me that's all.

I'll pay you for your time.

- [Tony] You're joking.

- No.

(gentle music)

- Johnny?

(hood closes)

Hey Johnny?

Be out for about an hour or so.

(gentle music)

There's someone coming for the Jag.

Keys in the of?ce.

(]acket rustling)

So, you like to drive fast?

� [Linda] If what I'm
driving can take it, yeah.

-Get in.

� [Linda] is it a deal?

(door slams)

(siren wailing)

(tyres screeching)

� Sounds like the man himself.

Thinks he's in a Sam
Peckett movie after that.

(police scanner chattering)

(door slams)

Give me the plastic.

- [George] Hello Moe darling.

- George.

You want that dusted?

� How is it?

- Not much to write home about.

But this was the one.

Got a few prints off the bonnet area

but she's given the once over.

See this?

D ried foam .

They used fire extinguishers
in the explosion didn't they?

- Yeah. looked like a snowstorm.

- Never seen bodies like it
when they brought 'em in.

Terrible mess.

You know Perelli's gold teeth had melted?

Unbelievable.

� [D.C. Andrews] We're all set up sir.

-Ah. ta.

Which way?

- Straight ahead.

That's my bloody breakfast
he's just nicked.

- You won't get paid for it either.

Okay let's open her up, see
if there�s anything inside.

- You want to try?

- Thought you'd never ask.

- And you want to learn all about?-

- What ticks under the bonnet, yeah.

Yeah I do.

- You'll uh, get these dirty.

- It's better than getting ripped

off every time I need a service.

I'm talking about the car.

Look I'm a fast learner.

What do you say?

I'm not spinning you a line I really do.

I'm not the sort of girl
who goes running for help

every time she needs a tyre changed.

Couldn't afford it anyway.

- Let's see you drive.

- You're on.

(vacuum whirring)

- A couple of suits here for you.

Boxer?

� What?

- Try these on.

- For me?

- Don't get too excited.
they weren't his best.

(Boxer laughs)

I'll get some food together.

- No no.

- You ain't eaten have ya?

Hey, they're smooth.

Hey you haven't found anything have ya?

- No nothing.

You?

- No.

Looks alright though.

- Sounds better.

- You said you wanted her to move.

Always make sure she's well balanced.

Body's too light for the power you got.

They got this closed
circuit breathing system.

- Oh yeah?

- Crankshaft fumes go
back in the carburetor.

That's what was causing the smoke.

It was bust that was all.

You got a good ride.

- [Linda] i bought it this morning.

That auction place up near Heathrow.

(hood slams)

Do you know it?

- Yeah you got a good buy.

Take another look underneath.

May need a new exhaust bracket.

(board rolling)

Here I'll put a new bracket on for you.

- Sorry.

(gentle music)

Can I have a look?

-Sure.

(gentle music)

(footsteps receding)

- Jag's been collected.

Tony Fisher picked it up himself.

- Good you can push off now.

- She know what she's doing?

- Not yet.

But she will.

(gentle music)

(board rolling)

�Oh.

(Linda spits)

Oh.

(cupboard closes)

- As long as I'm around I
won't let anybody hurt you,

but they're getting nervous.

Do you know what I'm saying?

It's not so much that Arnie.
it's that brother. that Tony.

He's a nutter.

He likes hurting people
especially the ladies.

- [Dolly] Trying to frighten me?

- Look, they just don't
want the wrong people

to get their hands on those ledgers.

And it�s understandable.

Arnie's got a very tasty business going.

That club's doing a fortune.

He's got on or two very nice
little irons in the ?re.

One look at those books and

the coppers could do him like that.

And bring a lot of
little people down with them.

Myself included.

My name is in those books Dolly.

Do you know what I'm sayin'?

- I thought you was here
'cause you was Harry's friend?

- [Boxer] I am.

I am but I still gotta
look after number one.

- Suit looks good on ya.

Let them trousers out.

There's plenty of cloth.

- Yeah.

Look it's for your own good Dolly.

When Harry was around he had

the Fisher's in the palm of his hand.

Without his permisSIon
they couldn't even piss.

Oh I'm sorry, but you haven't

got Harry to protect you anymore.

None of us have.

But you was the closest
person in the world to him.

You was Harry's wife.

it stands to sense you
gotta know something.

- How's Phoebe?

- She took the boy.

� You off the booze?

- Oh it's been over a year now.

- How much the Fisher's paying you?

- I manage.

- Alright Boxer.

You want to know where the ledgers are?

(phone clicking)

- Switchboard you get the number for me?

Yeah alright well try again Will ya love?

Yep. ta.

(phone clicks)

Andrews?

- Yes sir?

- How you doing with them dep's?

Almost finished?

� 'Bout halfa dozen more sir.

� Yeah?

(chuckles)

Just checking you weren't nodding off.

Go on then.

- Yes sir.

Sir?

Some of the typers want to know

how much longer you're gonna be?

- You're not supposed to be talking

to the girls in the typing pool.

Now you can tell them if they're

desperate they can come on in.

Well go on get on with it.

(phone rings)

Oh cheers.

Alice?

Well of course I'm not there.

I'm still here aren't I?

(knocking)

Hang on will you.

Yeah come in.

Yeah come Dl'l. come on.

Sorry about that.

Look there's no chance of me
getting back to the station uh.

I'll be back well. 4 o'clock.

See ifyou can set something
up with the Chief will ya?

Well is the super there?

Bugger it.

Oh well nevermind it can't be helped.

Yep.

Yeah I'll hang on.

(door squeaks)

Sit down.

(paper rustling)

Won't be a second.

Can you draw me that copy?

- Drawtngs up at the typing pool.

Andrews is gettin' it in.

- Bloody excuse.

Yes, right 4 o'clock yeah.

Yeah I�ll be there.

Thanks darling.

Yes I'll be there.

(phone clicks)

Listen. I got to be back
at the statin at 4 o'clock.

Very important.

Right.

Mr. Franks?

Donald?

(footsteps receding)

(door squeaking)

This is your first statement?

- Mr. Franks is the mechanic

who notified the authorities
about the missing van.

- Oh, yes that's right.

Course Donald you were on holiday

when the circular was sent weren't you?

The circular requesting
information regarding

any missing or replaced,
abducted vehicles?

Good God not another one.

Yes?

Are you taking that
statement then Andrews?

- Yes sir.

- Right good.

Well get on With it then, go on.

(door squeaking)

Your mate. he's uh. changed
his mind about a few things.

Bloody hell.

(chair creaking)

(paper rustling)

Load of bollocks isn't it?

-Nosm

- I'm saying that it is.

Now your mates lost his bottle didn't he?

(lighter lighting)

I mean he's telling all.

(lighter thuds)

So why don't you do yourself a favour eh?

Now, have you ever seen
any of these men before?

(finger tapping)

Well come on look at 'em.

- You and your mate workin' a

right little fiddler aren't ya eh?

You both sign on at the same time.

Then one of you pisses off
for the rest of the day.

Just as long as the work
on your schedule sheet's

done nobodies any wiser right?

Right?

- Yes sir.

- Right.

Now into your yard comes a waggon.

Not one of the new kind,
one of the old designs.

How does it get there?

- I don't know, I was on me holidays.

- Then why didn't your mate
do something about it then?

- I don't know.

- But you do admit you
was on the ?ddle right?

There's not a lot of
work forjust two of us.

There used to be three.

(page ripping)

- Gulliver/I

Len Gulliver. is that the third man?

- Yes sir.

He was made redundant
about four months ago.

- Were you workin' the
fiddle when he was here.

-Nosm

He was a stickler for regulations.

He'd been With the ?rm about 15 years.

� This Gulliver chap, he'd have his

own set of keys in the yard right?

- Don�t know.

(hands slam)

- What's all this dunno. dunno?

Sit up straight when I'm talking to ya.

Now you had a set of keys,
your mate had a set of keys.

- Yes sir.

Now, it's against regulations to have

your own set of keys to the yard right?

- Right so he wouldn't have handed

them back in when he left would he?

Now was it him?

Hey?

Was it him?

Did he drive that van back in here?

- I told ya I didn't see anybody
drive it it was just there.

- Listen are you sure you've
never seen any ofthese men?

Ain't never seen any
of them with Gulliver?

Listen I could have yourjob son.

- He was hardly here before he left.

� Get him out of here.

And get him to order that.

(water gurgling)

- Which one you like?

This or this?

- [Linda] You choose.

- Okay.

- [Linda] is that for you or me?

(bottle thuds)

- Us.

Uh uh.

(Linda screams)

(water splashes)

- You bastard.

(patting)

(sighs)

� Statements all done.

They're ready for the off.

- You got Gulliver's address?

- Yeah.

� 10 quid on it he's the one.

(George sighs)

It's alright love we're on our way.

- Sorry to inconvenience.

(door slams)

� Mrs. Rawlins, Sister Theresa
told me you were in today.

We all prayed for you.

You must've had great soul searching.

No matter what ones beloved has done

or is it makes no difference.

We pray for the lords
forgiveness and strength

and mercy in this your hour of need.

- Thank you Mother.

- Children have missed you as we all have.

Your afternoons are looked forward to.

You will I take it still be with us?

- Yes.

That gives me a lot of
satisfaction to know that I'm

what doing to feel that l'm needed.

- We certainly need you.

You have such patience with the children.

They have come to love you over the years.

You have none of your own I believe?

- No I couldn't have.

I lost one. couldn't have anymore.

- You must look upon our
little mites as your own.

l'm sure you do.

Oh was there something?

- Just wondered if I could use your phone?

- Of course you can.

My door's never locked.

(door closes)

(children playing)

(dial spinning)

- No I've never seen him.

Is that all you're wanting?

- Not not yet look.

What about this fellow?

- Well. l'm not sure but I think

he was here once to see
Len with another man.

Italian, is he foreign looking?

- Yeah that's him.

� What about this chap?

- No.

� Perhaps ifl pull the blinds--

Please leave them closed.

� This is a more recent shot?

- Yes I think | see it now.

Yes he was here.

But he dldfl't come in he. he sat outside.

Very nice car urn, Mercedes
I think you call them.

But he was out there.

I said to Len, why doesn't he come in?

Oh yes it was, it was definitely him.

But it was this one who came in

and had some business
to discuss with my Len.

- Can we see your husband Mrs. Gulliver?

- Didn't they tell you?

15 years and ]ust like that thank

you very much we don't need you anymore.

You treat a dog better.

200 pounds.

� Is he at home Mrs. Gulliver/I

- They didn't teii you.

- I'm sorry?

- Obviously not.

Well if you want to see him,
you better come through.

(door opens)

(light switching)

They're taking him away this afternoon.

Got him in the throat.

But that company put the
nail in after 15 years.

(door opens)

(door slams)

- Take him away this afternoon.

That's gotta be a classic.

- Oh yeah very amusing.

Where's that leave us eh?

Only they're up to our ankles.

Apart from that 10 quid you owe me.

Thought that might take
the smirk off your face.

(footsteps receding)

What time is it?

Don't bother.

I thought I told ya to get me back

to that station at 4 o'clock.

- Sorry sir.

� Jesus Christ.

- Sit�?

- Nothing lad.

(door opens)

Nothing.

(doors slam)

(gentle music)

(kissing)
(gentle music)

(Linda sighs)

� Who the hell is that?

Alright.

Alright I'm coming.

God where's the fire?

l'm coming!

(door closes)

(gentle music)

(cigarettes thuds)

Don't move.

Keep quiet.

(Linda rustling)

Not a sound.

Oh my God.

(door closes)

? I've been trying to
get you all afternoon.

Your phone's dead.

- I've been in bed.

- You better get dressed.

We got to have a meet now.

(thudding)

What was that?

- It's nothing.

It's nothing I'll just
get some clothes on.

You go on and?

- You got someone in there?

You better tell me.

Have you got someone in there?

- Yeah.

- You got a man in there?

- What do you think?

- My God.

You didn't wait long did ya?

You disgust me.

Who is it?

- I don't have to answer to you.

- Yes you bloody do.

- It's the mechanic.

He's helping me with the car.

He�s teachin' me.

- A mechanic?

I don't believe it.

I've got a cab around the corner.

Just get rid of him.

I'll wait ?ve minutes.

You little slut.

(door opens)

Five minutes.

(door closes)

- [Tony] You alright?

- [Linda] Just go away.

Go away please.

(door opens)

(dog barking)

� [Linda] Get off.

(dog whining)

- Don't you ever touch her.

- I didn't touch her.

- About time.

I've been waitin' ages.

- Well we're here now
so let's get started.

- Look what do you think?

Put the kettle on Linda.

� Well for a start it's too small.

- It's alright.

- Look at your own gear underneath.

What about those zips?

Take an age to get out of them.

Should be a boiler suit like I said.

Look at your feet.

Slirn ankles.

We're supposed to be men
not a fashion parade.

� Well what about this?

- That's good.

Yeah.

Sort the eye holes.

Less they see of our faces the better.

Linda come and sit down.

� [Linda] Comin'.

- You and all.

(footsteps approaching)

You gettin' rid of those labels?

- Yeah.

Yeah I'm burning them like you said.

Untraceable then.

- Good.

Glad to see someone's doing
something they're supposed to.

- The kettle�s on.

- Right.

We got problems.

I'll go through 'em one at a time.

(lighter lighting)

I've been over the ledgers again.

Harry used four men.

� Four men?

� There were four men
and one of them got away.

leaving Joe. Terry and Harry
to fend for themselves.

Now this fourth man must've
been called in from the outside.

He must've been called in to drive.

He must've driven the van.

- But he must be the--

�Shutup.

There's been nothin' about
him in the papers, nothin'.

That means the law's after him.

- [Linda] They won't be the only ones.

- Linda.

� Well where is he?

Who is he?

If I get my hands on him, the bastard.

- But I've got a right to speak.

If he left my Joe burnin' to death,

if he could've saved him I'll kill him.

IWIll. ill kill himl

You might not care but I do!

(hand slaps)
(Linda screams)

- Don't you ever insinuate
that i don't care.

I saw how much you cared this afternoon

so sit down and shut up.

(chair creaking)

- Why is it I'm always in the wrong?

� Because you're 26 and l'm
46 and I'm payin' the bills.

Make that tea love.

(tense mustc)
(footsteps receding)

(tense music)

I'm sorry, I shouldn't have done that.

You know what it means don't ya?

We'll have to get someone else in.

�A man? i think it should
be a girl. Bring a fella in

and half of London will
know what we're up to.

- We'll have to put the job back.

� Oh Jesus if all we needs
another girl l'll ?nd her.

� I'll find her.

You don't like it Linda
you know what you can do.

Go back to bed with the rough
trade you're so fond of.

and i swear to God I'II

get you.
- Tea.

� You'll what Linda?

- Forget it.

- What's going on with you two?

- Nothing love.

The Fisher brothers.

Right.

They're comin' on heavy and
they're not gonna let up.

They've already started on me.

Ripping my place apart.

Next time it'll be my face.

And they'll start on you two.

They want Harry's ledgers badly.

The reason I called this
meet, it's about Boxer Davts.

- That's all we need.

The punch drunk idiot.

- [Dolly] Finished?

I can't say a word
without being interrupted.

- We're all in this together.

- I know that love but someone's
got to take the initiative.

Otherwise forget it.

I don't want no screwin� around.

- I agree With you.

- That's it then.

We gotta get the Fisher's off our backs.

This fourth man whoever he was.

I don't think he'll Show
his face around here.

He must've taken off weeks ago.

We'll get him Linda.

He'll get what's coming to him.

But for the moment. I think it's best

that he remains un-found.

We got to tread very carefully.

We're gonna pull a raid and
I don't want us getting hurt.

We're not big strong fellas. we're women.

But we got to learn to think like men.

What we can't do physically.

we got to learn to use this.

And l'm gonna use Boxer DaVis.

He works for the Fishers right?

And I'll put money on it,

he's around there now spilling the beans.

And when they hear what he's
gonna say. they'll lay off.

I told him that the fourth man.

the one that got away is Harry.

He believes that Harry Rawlins is alive.

- What do you think?

- Looks okay.

Good fit.

- Ought to be.

Set me back a few bob I can tell ya.

You play your cards right
I'll have one made up for you.

(door opens)

How many times do l
have to tell you knock?

You knock. I say come
in, then you come in.

- I�ve got Britain's
answer to the brain trust.

Boxer Davis for you.

I know.

I said you got company but he's

nailed himself to the carpet out there.

- Sorry about this.

No. stay where you are.

Bring him in.

- Okay, then l'm off.

- You look good.

Nice dress.

- I'll let you borrow it sometime.

Goodnight.

� She's a con isn't she?

(door closes)

(knocking)

Come in.

- Oh uh, sorry uh?

- It's alright come in come in.

(door closes)

I've been trying to get you all day.

- l was at Harry Rawlins's house.

- Yeah I know. and?

(gentle music)

- Get another bottle darling.

(door opens)

You got the ledgers Boxer?

- Not exactly.

You don't mind if I sit down?

- All l'm sayin' is
she's a cow and l'm sick

of that child substitute she calls a dog.

- Oh come on she's alright.

- She's got no right to
treat us like 10 year olds.

- Like she said she's payin' the bills.

- She's not telling me what to do.

I gotta go.

I don't feel like workin'.

What you doing?

- Home. watch TV.

- You got a fella Shirl?

- No I couldn't think
of seeing anyone yet.

- See ya at the next meet then.

Goodnight.

(engine starting)

(upbeat music)

- Alive (laughs)?

l�m sure he is.

What's he doing?

Camping out in Hampstead Heath?

She's spinning you a yarn Boxer.

- I'll know straight up Mr. Fisher.

He wants me to work with him.

Offer me ajob he did.

� You?

I'll teii you something you old darling.

you get the shmutter off.

-She give it me.

It's one of Harry's.

- I don't give a sod who give it to you.

Get that rag off and get
back to clearing beer crates.

You're through Boxer.

I'll get Tony onto that bitch.

We'll soon find out if
Rawlins is alive or not.

Go on get out.

- She told me not to tell you.

Told me Harry wouldn't like it.

- Alright?

- I'll tell you one thing Mr. Fisher.

Tony turned his place over,

and Harry didn't like that.

Harry didn't like that at all.

� Piss off.

(door closes)

Not now.

Now now darling.

(upbeat music)
(games beeping)

- Hello darling.

How can you stick it in here?

� Sound proof.

This helps.

How you doing?

- Same old thing.

Three spots a night, anything
I can ?t in between.

You know me.

- Why do you come back?

- I lost my temper this night.

I beat this geezer up.

Some foreign bastard.

i couldn't understand
a word he was saying.

Well I thought it was what he wanted

They all do over Mayfair way.

Oi Charlie how you doin'?

That creep's still here I see.

So he calls the pigs.

Next thing l'm down at
his house for the night.

Some night eh?

My manager bailed me out so
I ?gured I was better off.

(upbeat music)
(games beeping)

Looks like I got a client.

(upbeat music)
(game beeping)

I know about Joe.

He was one of the best.

Like a lot I could mention.

But he was special.

If you need me anytime
you know where I am.

Back at the old penn.

The International.

I'm there most nights.

Okay?

- Okay.

- Take it easy huh?

(whistling)

Okay man I'm coming.

� You off the hard stuff?

- You got the wrong one.

That was the old man.

He did the final OD three months back.

Why I know what you're going through.

(upbeat music)

Bye.

(upbeat music)
(games beeping)

(footsteps approaching)
(upbeat music)

- knockin' it back a bit tonight.

I can cover for you for being late

but legless in the booth
do yourself a favour.

- Why do you want some?

- Wouldn't say no.

Ta.

I could give that black chick one.

- She'd give you one and all

but you wouldn't get up afterwards.

- Who's been talking to you?

- I wasn't referring to
your mighty sexual prowess.

You so much as laid a finger on her,

she'd clip you around the ear hole.

- For the right change she would.

I wouldn't touch anyone who
looks too much like a fella.

(upbeat music)

(lighter lighting)

(lighter thuds)

(knocking)
(phone ringing)

- [George] Yeah?

(door opens)

(door closes)

� Workin' late are we?

- [George] Yeah.

- It was the truck alright,
but that's all I got for you.

� Terrific.

That's about all I got and all.

Fancy a sniffer?

� Not for me.

Ready for bed.

A little bird told me you
put up for Hawkins vacancy.

About time you got Chief.

You've had a long ride.

- Yeah.

- All this is goin'.

Nowhere next?

All very smart out there isn't it?

- Yeah (laughs).

Yeah.

I don't go for all this common or,

what do they call it open space?

Show it on the telly and they're going

for double glazing potted
plants. you name it.

(phone ringing)

Better be off then.

(phone clicks)

- Regards to Kathleen.

(door opens)

How is she?

- Oh you know, still the same.

Talk of the devil.

I'llsee ya.

(door closes)

Yeah I. lwas just
about to phone you yeah.

Yeah, it, it went alright.

Yeah it was okay.

Yes, yes the super was there, yeah.

I'll. I'll get it this time.

Look something's just come up.

I'll. l'll something on
the way back alright?

Yeah.

Alright see ya.

(phone clicks)

(phone clattering)

(dial spinning)

(phone dings)

Hello Betty?

Ah.

Hello Betty.

Listen you got any free time
for a, for an old timer?

Yeah (laughs).

Alright yeah I'll be around
in a few minutes alright?

Yeah ta�ra.

(phone clicks)

(sensual music)

- [Linda] l'm tellin' ya it's for real.

Like real you know what I mean?

- Yeah yeah sure I heard
you the ?rst time.

Don't you think maybe you should sober up?

- Would you listen?

l�m serious.

I'm gonna take you to meet 'em.

- [Announcer] Ears of gold
anyone would want to take home.

- Heyl

Your intro's started.

� What?

Shit.

I'm coming.

They're getting rip off.

I've been doin' 'em every
week for two months.

- She's doin' the bingo in her Sunday's.

- Oh really now?

- I'll kill him.

Bloody lights went out halfway through my act.

Tights, where's me tights?

- In the sink.

(sensual music)

- Tights. that bastard.

- Are you interested in this or not?

- Look honey I ain't interested in

any little bit of business
with a load of chicks.

It ain't my scene.

- I'll see you.

Ta-ra. The boss
is out there so watch it.

You know what he's like about
havtn' people back stage.

I'm not gonna make it.

- How does a million
split four ways sound?

� What?

What did you say?

- I'm not kiddin'.

A million.

It's all the widows.

- I think you better have some coffee.

- I've got to tell you
about it before we go there.

- Come on I think you
better have some coffee.

- We're gonna pull a raid.

I think l'm gonna be sick.

(Bella sighs)

- You better sober up
before she gets here.

- [Linda] Alright.

- Come on girl you fell over twice.

- I tripped alright?

How many more times?

l tripped.

Do you want one of these?

- [Shirley] l'm sorry.

- It's okay, you mind?

- No help yourself.

Are you out of your
mind bringing her here?

Emergency you said.

I didn't even get dressed.

When Dolly ?nds out she'll go berserk.

(dog barking)

You're in for it now.

� [Linda] Someone should
shoot that bloody dog.

(door slams)

� What's the matter?

You alright?

What's happened?

Who's this?

What's she doing here?

Bella, this is Dolly.

- What's she doing here?

� [Linda] She wants in.

You said you wanted somebody else.

Well I told her.

- You told her?

Told her what?

- About us.

Now. I had a few drinks.

� A few?

You're pissed?

- No l'm not.

- No I can smell you from here.

You've ]ust done it my dear.

You've ]ust blown it.

- Look hear me out Dolly.

She. she came to the arcade.

Look at her.

I thought about it.

Then I went down to the club--

- The club?

You in on this?

Do you know about this?

- I was in bed when she called.

Don't bring me into it.

- Oh nobody would bother darling.

� What's that supposed to mean?

- Shut up Shirley.

So go on Linda.

Now you went down the club and then what?

You told the whole bloody world

what we're doing?
- Now just let the finish

what I'm trying to say Dolly.
- You're ?nished alright.

Finished.

I want you to get your gear and get out

and you can take that tart with you.

- [Linda] Let me explain.

� Explain?

Explain what?

How many more slags you
got comin' down here?

I want you out do you hear me?

Out.

- Once too often Dolly?

� Stop it Linda.

(hand slaps)
(Linda whimpers)

Nowl

Stop it.

- Why is it (crying).

why is it everybody thinks
they can slap me around?

That hurt (crying).

Who's side are you on?

- l'm on nobody's side darling.

You two wanted a cat fight?

Go ahead.

Only don't do it over me.

Look Mrs. Rawlins whatever
she told me |]ust forgot.

It's no skin off my back.

Thanks for the coffee.

Good night Mrs. Rawlins.

- [Dolly] Just a minute.

� You talkin' to me Mrs. Rawlins?

- Yeah, yes I am.

- Well I've got a name.

It's not slag and it's not tart.

Idon�t like that.

My name's Bella.

And I didn't come pushing my way

in here MI'S. Rawlins. lwas asked.

Now I know what you want to do,

and Iwouldn't have come here if

I didn't think I could be part of it.

Or at least be given a chance
to prove that I could be.

How many girls out there you

think could do this Mrs. Rawlins?

Better still. how many
you think would want to?

Stuff it.

- How much she told you?

- Nothing, she told me nothing.

I got bad memory.

You coming Linda?

Linda.

- I only did it for the best Dolly.

I'm sorry.

I'm sorry.

Dolly you can't call it off.

I promise I'll never do it again.

I'll never do anything without asking you.

You can't let go Dolly.

She's right I know it.

- Did you tell anyone us?

- No I swear it I didn't (crying).

� Is she married?

- I'm here Mrs. Rawlins.

Ask me anything you want to know.

I've got no lies.

Nothing.

� You work?

You got a job?

- I do the clubs.

And anything else I can pick up.

- She tell you we'd be using guns?

You know what that means?

- Yep.

� You drive?

- Yeah.

And I play a mean tune on a harmonica.

- Alright Linda.

� You mean she's in?

- Yeah.

� Mrs. Rawlins?

- The name's Dolly.

(footsteps approaching)

(Widows Theme Music)

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