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(Thames Television jing�e)
(mtense music)
- [Harry] Here Ihey come.
(engine turns and revs)
(intense music)
(siren blares)
- [Fuller] Suspects in sight.
Stolen vehicle blue Cortina.
- I told you not to nick it, didn't l?
Look, get out of the traf?c, rnan,
get out of traffic.
- Look, I can't, there's no sodding roads off.
-Are you stupid, bastard, we go over the bridge.
- Look, shit man. snut your mouth.
(mellow music)
(intense music)
- 20 yard marker turn.
(intense music)
� [Fuller] Repeat, blue Cortina,
registration number ALD6Y.
Alpha, Lima, Delta, six, Yankee.
Suspects crossing Waterloo Bridge
heading into the underpass.
- What do you think?
Watch what you're dOing.
(explosion)
(metal crunches)
(alarm blares)
- Jesus, the extinguisher, the extinguisher.
- I'll get the services,
(alarms blaring)
(explosion)
Dom, I'm going in.
(man screaming)
For Christ's sake, help him.
- [Officer] There's another one in the back
burning up, come on.
(engine revs)
(alarms blare)
(Widows Theme Music)
� We'll be ready for the off any second now,
Mr. Fisher.
She don't want nothing back at the house.
so I may see ya down at the boozer later, all right?
(background chatter)
- What a turnout. eh?
Another couple seconds and we'll be off.
| see the Bills showing their faces today.
You'd think they'd give it a rest, wouldn't ya?
Oh, the Fisher boys turned up.
Tony Fisher came looking like Al Capone.
Look.Lu
I know this isn't the right time, Dolly,
but Harry gave me this for you.
Ifanything should happen to him, you know?
Me being his cousin, he knew he could trust me.
But it's just the keys to his lockup. you know?
l was a bit worried the law might find it.
I mean, they've been over my gaff already.
Next thing they'll be doing the yard.
- I never wanted it like this, Eddie,
You know that.
What'd they all come for?
Why can't they leave me alone?
� I never seen flowers like it.
- No ?owers will bring him back.
Nothing will.
(sorrowful music)
(crying)
�Oh God.
- "'8 all over now IDVe. come on,
(crying)
Don't. Love,
- Come on. Shirl.
- N0, leave me alone.
Terry, Terry, you come back, come back.
(crying hysterically)
(background chatter)
- You've got a lot of nerve coming here.
Who in the hell inVited you?
- Linda, forget it.
- Sod off.
Want a drink?
(screams)
You get the message to the rest of Joe's ?ts.
ldon't want none of �em showing their face
around me, okay?
- Well I loved him.
l loved hlm,100.
- Yeah. well he's dead isn't he?
Joe's dead all right.
Dead.
God help me, he's dead.
(crying)
- I can't believe he's gone.
lcan't believe he ain't gonna walk
lhrough that door.
Hi. Doll.
He was the one I ever let call me that.
I hated it.
It sounded all right when he said it.
They wouldn't let me see him.
Eddie had to identify him.
I couldn't believe it at first, you know?
Then they showed me his watch.
That's when I knew.
He always wore lt.
I gave it to him.
- They want Harry's iedgers.
� What?
- The Fisher brothers.
- I don't know what you're talking about.
- This is Boxer Davis. remember?
Harry's iedgers.
He was famous for them.
He named names.
If the coppers get hold of those names,
there won't be a decent villain walking the streets
of London.
The Fisher's will pay good money for them.
- What's that got to do with the Fisher brothers?
- They've taken over Harry's manor.
- | just buried him, for Christs sake.
- I'll come back.
- I don't want nobody around here.
- ll's all right. Il'S all right.
I�ll come back.
- Did you hear what I just said?
- If you need anything--
- [Dolly] Ah get out.
- Don't go to nobody else.
The Fisher�s wouldn�t like it.
� Get out.
Bloody animals.
(gentle operatic music)
Oh, God.
(electronics beep)
- Notyou again.
What do you want this time?
Do you got gold boullions stuffed in your knickers
or something?
Look, I'm trying to earn a living.
So do me a favour and piss off.
Charlie, eh Charlie, jerk here
wants some change.
- Don't let her fool ya.
He's only been dead a couple of weeks.
Look, she don't mean nothing, she's a good girl. you know?
She's got hurt.
Son ofa bitch.
- You got someplace we can talk?
- Do you know what I'd like to do with this?
Shove it. sweetheart. shove it.
- I'll take you in if I have to, sweetheart.
We can do this here Of at the station,
it's up to you.
A nice little chat, right?
- Charlie, hey Charlie.
Oh, brought your boyfriend and all, yeah?
Well well have to have a little party then,
won't we?
Yes, my name is Linda Mary Perelli.
Yes, l was married to Joe Perelli,
Yes, we did live in Orchard Street.
No, I don't know Harry Rawlins.
Don't touch me.
How many more times.
I don't know nothing.
I'm only his f-ing widow.
-Mum.
- [Audrey] In here, Love.
- They've gone.
- Pigs, bastards, the lot of them.
Do you want sweetener?
- No, honey, it's better for you.
- I'll help you clear up before I go.
What are they looking for anyway?
� God knows.
You found anyone for the fridge/freezer yet?
� Done it me self.
Can't afford the meat to put in it.
I've got the name of a bloke
that runs a shop near Church Street.
- Oh, do you think he would take the washer machine
as well?
-And I might have that me self.
Depends on the price.
You should've had everything on HP.
Then you'd have money in the bank.
- Well you know why.
Terry never liked it.
- Him, surprised he put his name
on the marriage certificate.
- [Shirley] Well you never said no.
I don't know what I'm gonna do.
I owe three months on the mortgage.
I've got all the forms, I've been down the town hall.
You're number 23.
- [Shirley] What?
- Mrs. Paddington, the competition.
You've lost weight.
You best get down to that gym.
And lhis'll need taking in.
You best try it on.
- I'm not interested.
- Well you better be.
There's a thousand pounds in prize money.
Holiday for two in Spain.
And a list of gifts.
Luggage, clothes, everything.
I paid your prescription.
- Please, Mum, just leave me alone.
- I will not.
It's what you always dreamed of.
I took your photos in weeks ago.
lwent down the town hall--
- I don't wanna do it.
(cup clat�ters)
- There�s no need to do that.
- Please, just leave me alone.
- Il's all right.
It's all right.
Come on. Love.
Shhh. (Shirley sniffles)
- You've done this last week.
How many more times?
Every time i clean up, back you come.
Don't touch that.
- I can check it here or back at the station.
It's up to you.
Nothing.
- What do you expect?
You gonna leave it like that?
- [Fuller] We might want that.
- What.
- The photograph.
� Come on.
It's the anniversary photo
taken a couple of months before he died.
- That's why we want it.
- I want his watch back.
- Sorry?
He's dead, ain't that enough for ya?
You're a nasty piece of work aren't ya?
This is harassment.
I'm gonna file a complaint.
Who's your senior officer?
Are you deaf?
I want the name of your senior of?cer.
- Resnick, Detective inspector Resnick, madam.
- Fuller, my office, pronto.
Andrews, get me some coffee, will ya?
Alice, I want those forensic reports back today.
- One of these days I'm going to
get hold of that noisy bastard by the neck.
- He hasn't got one.
Haven't you noticed?
- Coffee machine's bust again.
There's only two cups.
-Shit.
- Precisely.
(coughing)
- One walks in Richmond. eh Sir?
- Yes, yes.
Here, Fuller, fill that lot in, will ya?
- Yeah, come right up, okay?
� It's that bundle at the end of the desk.
No, not that lot. the other lot.
All right, Alice. you can clear them there.
That's my paranoia, Fuller.
I don�t like cleaners in here.
Alice gotta burn my privates in the ladies doo�dah.
Where's Andrews?
� Sent him after coffee.
- Get him in here would ya, darling?
Oi, come on, get in here.
- Sorry, Sir.
Still trying to rustle up some coffee.
Machines broke.
| asked the cleaners but they ran out of milk.
(knocking at door)
- [Resnick] All right, let's come in, settle down.
Okay, right.
Take a look at these.
Now, there's not much here, is there?
- No, Sir.
-And in your opinion, you do not believe
that the so called Rawlins ledgers exist.
Is that correct?
You still of that opinion?
I'm asking you, not him, you!
Well?
- Quite frankly, Sir, no I don't.
- You also believe that the squad is spending
too much time and effort--
� Not quite, Sir--
- Don't you bloody well interrupt me, son.
What's the matter with you?
Don't you think you make enough arrests, is that what it is?
Is that what's bugging you?
Is that what's buggin' the lot of ya?
You stupid bastards.
Now you listen.
I went out on a bloody limb for this one.
Now don't you think the heavies upstairs
would give their eye teeth for this case?
N0, because i have.
Mel
Detective Inspector.
Down on my sodding knees.
Of course they thought there would be
too much personal interest, didn't they?
Didn't you just miss your cue, son?
How about a notion that went to Andrews now, eh?
Of course you don't need it do ya now?
Cause you all know, don't you?
You all were told within minutes
ofjoining up aren't ya?
That's him, that's the poor sod.
Framed. castrated more like,
And who did it to me. eh?
Who did it?
- One of Harry Rawlins mob, sir.
- [Resnick] That's right.
You have been domg your homework, haven't ya?
Well not one of Harry Rawlins mob
will lift so much as this without a nod from him.
It was Rawlins that did me in.
And now it's my chance to get him by the balls.
Wipe him out.
- Be a bit difficult. the man's dead.
- [Resnick] You take that super serious look
off your face.
It gets right on my Wick.
Wasn't referring to Rawlins himself.
It's his system.
- You mean his ledgers, sir?
- Yeah that's right, his ledgers.
(knocking at door)
Yes, come in,
- Coffee.
I'm sorry, I'll get two more.
- Yeah, thank you, Alice.
All right now, take a look at these.
A3 raid. 1976.
Used in a past raid 1979.
M40 raid, 1980.
So you look at the foremost recent vehicles.
Same in every case.
And all of them, put your life for it,
down to Rawlins.
And no result on any of 'em.
Now, in each of those cases,
they used the same thing.
A solo driver up front, there.
That's the man we want.
The man driving that truck.
(woeful music)
- Myra, can you do me a favour?
Do you got a back door?
- Mm, it's pretty awful out there, Mrs, Rawlins.
A real mess.
� Take care of her for me, will you darling?
I've got a little bit of business I want
to see to.
- Sure, how long will you be?
- About an hour or so.
- What about your tint?
- Don't worry. I'll pay.
You be a good girl.
Thanks, honey.
- Take her to the back. love.
(engine idles)
(gentle music)
- Morning. - Good morning.
I've got identification for the deposit box.
(gentle music)
- Please come this way.
(gentle music)
Would you wait here a moment, please?
(gentle music)
- Morning. - Good morning.
(gentle music)
- Please sign here.
- Here? - Yeah.
And here.
(woeful music)
When you require me to unlock the door,
Mrs. Smith, you Will ring that bell
there on the left.
- Thank you.
- No problem.
(woeful music)
(gentle music)
- Just lacquer it, doll,
make it look as though it's been done.
- Who did you get to do this?
- BOXEI�VS outSide, he wants a word.
- Get him in.
- Boxer.
What's the matter with it?
- No French polish like I asked.
- Looks all right to me.
Here, I've got a gooden for the 3:30, do you mind?
- This is not French polished, I said.
It's a bloody mess.
What'd you give for it?
-Atonne.
- A tonne?
100 knickei�?
Look at it, it's bloody varnish.
I'd have paid 500, you hear me?
This is antique, and you go
and get some ham?sted git.
I said I wanted it French polished.
- Do it yourself then.
- [Tony] It's a craft.
Look at this. Boxer,
Inlaid, you know, all this.
Inlaid, and that idiot gets...
Got no class, my brother.
No feeling for beautiful things.
So, what have you got?
- Not a lot, Mr, Fisher.
She hasn't made contact With anybody,
but she's been tailed by the bill,
so it's a bit dif?cult.
- Bitch must know something.
I gave you this little assignment,
Boxer, for the simple reason is,
you worked for Harry.
- That was a long time ago, Mr. Fisher.
- So, what you got?
- I told Mrs. Rawlins you wanted
to make an offer.
- Very good of you.
- Yeah, but she didn't bite.
If you ask me, she doesn't know.
- I'm not asking, not anymore.
Why can't I get one single person
to do what I bleeding tell them?
(phone ringing)
Pick it up, dummy.
- It's for you.
- Covered in the sodding stuff, varnish.
Get out.
You better get that cat to cough up.
You'll be back clearing beer crates.
Carlos.
Hello, darling.
(door closing)
(tense music)
(car starts)
(dog barking)
(tense music)
- Heidi.
Heidi.
(tense music)
(dog yipping)
(tense music)
Heidi.
- You know, a really good screw.
I mean, not a quickie, a really good
seeing to is as much exercise as a five mile run.
It depends how much you put into it yourself.
I mean, if you just lay there and take it without--
- You see Dolly yet?
- No.
Hey, do you want one of these egg sandwiches?
I brought one each.
- I'm going to the jacuzzi.
� What's that?
- [Shirley] Undenivater massage.
�Oh.
- Oh, this is lovely.
Why don't you come in?
Oh. hello.
- I'll go and see if she's arrived then.
Shirley.
- Yeah. I'll be on the sun beds,
- I bet them two bath hats in that water thing
don't get much at home, so they come here for it.
- Don't you ever talk about anything else?
- I'm not getting any, am I?
There she is. Lana Turner's alive
and well and living in St. John's hood.
Hello. Mrs. Rawlins.
- Hello, Linda.
Hello, Shirley.
I didn't send no flowers, not in the rulebook.
Let's talk in the sauna. shall we?
More private.
- [Shirley] We didn't have any cash
for the mortgage, so I'll have to get a job.
- [Dolly] Now it bleeds.
- Job, what about you?
- Well, you know Joe, easy come, easy go.
- [Dolly] i see.
- [Linda] lt's bleeding hot in here.
- Sit down, hotter if you stand up.
You know the Fisher brothers have taken
over from Harry?
- I heard the rumour.
- Had any trouble from them?
- Not them.
The pigs did my place over.
They're a real pain in the ass,
keep hanging around the arcade.
They're gonna leave a frog at the sack.
You all right up there, are you?
� Done my place over four times, I'm going mad.
- [Linda] It's boiling In here.
� Lie down ?at and put this over your face,
it'll keep you cool.
- This do you any good?
- [Shirley] It sweats out all the impurities.
- [Linda] i can think ofa better way.
� Okay, let's talk before anyone else comes in.
The Fisher brothers and the law
are sniffing around for information.
- [Linda] i thought they fancied me.
� Just shut up for a minute.
Now, you know how Harry worked.
He kept records of everyone who ever worked for him.
Listed names, informants inside and Mt.
gun merchants. bankers.
He used his books as a safety precaution.
- I once heard the story that he never
took a leak Without jotting it down.
Is that right, Doll?
- Don't Call me that. I don't like it,
- Who's got the ledgers then?
- That's what I'm trying to tell you, I have.
Harry always said that if anything
happened to him, he wanted me to be all right.
he wanted his team to take over,
to look after all of us.
As long as they have the ledgers, they can collect,
I'UYI his business without him.
but John and Terry went with him,
so it's up to me now.
- Terry always said he was one of the best.
- i can't stand this heat much longer, I'm flaking out.
What's up with her?
- You don't ever shut it, do you?
She was married 20 odd years, he was her life.
God. she must have taken it bad.
� And we didn't?
- I didn't Say that.
- Look, just because I don't show it in public
don't mean to say i don't feel.
I feel, but I don't show it, okay?
Sorry, I didn't bring no ?owers,
who gives a sod about flowers,
she should bang us a couple ofgrand each,
that would help, wouldn't it?
- Oh come on, Linda.
- Nobody thinks i feel anything. but i do. Ido.
- Of course you do.
- Like this morning. I was in the bathroom
washing my face.
You've never been to my place, have you?
It's a smaller bathroom, I got some soap
in my eye, I leaned down for the towel,
but it wasn't, it was his dressing gown.
I could smell him on it. as if he was
standing in the bathroom With me.
I went back to bed clutching it to me,
but he'll never come back.
(sobbing)
- Oh come on. Linda. come on.
- [Dolly] Linda, it's a face cloth, it's cold.
Shirley.
- [Shirley] Gosh, i needed that.
� Where's that face cloth.
(laughing)
You should have seen her face.
So, Dolly, you got the famous Rawlins ledger then?
- Yeah, now listen.
Harry planned jobs months in advance.
all Written down.
So if the fishers could get
their hands on the ledgers they could
stay on top, just like Harry did.
- Well how much did they offer for them?
- They're prepared to offer us a percentage.
There's an alternative if i don't sell.
� Like what?
- We do it.
We pull the next big one Harry lined up.
(upbeat rock music)
- Go, out.
Now you've been warned. leave them kids alone.
I don't want to see you in here again.
you dirty old bastard.
(upbeat rock music)
- Here you go.
- Oh, ta, see that dirty ol' sock
was in here again?
I'm gonna fix that machine, Charlie.
They all know how to ?ddle it.
(scoffs)
You've got a bit heavier now with the aftershave
haven't ya?
No offence.
It's very nice.
- What time are you finished tonight, Linda?
- Same as always, why?
- A movie, got a ticket.
- Yeah, what are you gonna see?
- Raging Bull.
- I seen that, it's all right.
I like it.
- We could go and see one you haven't seen though.
� What you fed up with a 50 pence peep shows are ya?
- Just thought you might like it.
- Oh yeah, now that me old man's out of the way
I'm available, right?
- Not really.
- Yeah, well that crossed your mind.
What do you fancy?
A quick one in the back row, is that
what you're aftet�?
(phone tilling)
Yeah?
Speaking.
Go on, get out, you're guessing me.
- No offence. Ijust thought with Joe gone.
- Yeah, well you thought wrong, mate.
Go on.
Hello, Dolly?
(birds chirping)
- Do you mind, they don't let dogs in?
- Sorry. � Thanks.
- I thought you weren't coming.
I've been in here halfan hour.
There's an attendant in there.
Any word from Linda?
i haven't been able to sleep.
Me mum will kill me if she knew.
- She still living with ya?
- No. she got a place in Paddington.
with me brother.
- No need for her to know then, is there?
Here, take that. it'll cover your mortgage.
There's instructions in there and all.
Learn �em then burn them.
I've arranged a meet for Thursday night.
You'll get the details then.
- Are the police still following you?
-Ofcourse.
They're outSide looking after my poodle. Heidi.
There's 600 there.
You get half of that every week.
What do you think?
- I don't know.
l couldn't handle shooters,
nothing like that.
- Why don't you open the door
and tell her.
Right, I'm off.
- Well what day next week?
- It�s all written down.
Thursday night.
- Thursday. I can't.
- Why not?
- Me mum's put me up for Mrs. Paddington.
� Mrs what?
- Paddington. it's a beauty competition.
It's all these prizes. 3 holiday for two in Spain.
� What time does it start?
- You're not going to come are you?
- Of course not.
We can't meet until Linda gets off work, 11 O'clock.
It don't go on all night, does it?
- No, but i just don't think
I could come.
- Decide that when you get the details.
- Look. what if I come and Idon't--
- Easy. Love.
Just give me that lot back.
no hard feelings.
We'll wait until 11:30, okay?
- Dolly, Dolly. Ijust don't--
I've got to go.
He'll think I've gone down the plug hole.
See you Thursday.
Give me 10 minutes.
- What do you think?
- How much did it set you back?
-A lot, well do we like it or not?
- Yeah. I said.
I miss money. just like to know
where it's coming from, that's all.
You wanna borrow that, ask, got it?
Cheek.
- Do you like it?
- Yes, yes, how many more times?
Why won't you tell me where the money's
coming from?
- It's none of your business.
God, lwish they'd shut him up.
- You're not turnin' a few tricks are ya?
- I woulda thought one in the family
would be enough.
� There's no need for that.
No need for that at all.
- Oh, mum, I'm sorry.
I didn't mean it.
You can have anything you want.
The freezer, washing machine--
- Okay, girls, now quiet.
Quiet girls, now listen.
These are the numbers ofthe ?nalists.
All of the numbers l announce are allowed backstage.
(girls moan)
Okay, now shut up, shut up, listen.
When I announce your number.
line up and follow me backstage, in order.
Are you ready?
10.11.
- Remember to keep smiling. - 16.
- Lick your lips again.
Put some more gloss on. - 18.
22, 23.
(cheering)
- I knew it. I knew it.
Well come on, Love, DUCK up.
That�s better.
- I didn't mean it. Mum,
you know that.
- Oh, forget it.
And remember. hobbies. reading, writing.
dancing. roller disco?
- No. - No!.
It sounds good and you like kids.
You wanna work with kids.
Always goes down real well. - 23.
Go forward, dear, that's it, go forward.
And 24.
- So I'm gonna go around there then.
Good luck. Love.
(intense music)
- [Andrews] What's she doing?
� [Fuller] For God's sake,
keep close or we'll lose her.
Inside lane.
- And now for contestant number 22.
Mrs. Anita Messer.
(applause)
And Anita is 18 years of age.
She's 36-22-34.
- Is she. hell?
- Wouid you like to ten the judges
and the ladies and gentleman, what you
do for a living, Anita?
- At the moment I'm working with children.
I hope eventually to qualify for Nanna.
-Shit.
- Do you have any hobbies, Anita?
- Well, I read a lot and i love dancing.
- I don't believe it.
- Roller disco, it's a wonderful form
of exercise and relaxation.
� She just said everything I was gonna say.
She must have listened.
- It's always hardest getting on last.
For God sake don't mention hang gliding.
� What?
- And now for contestant number 23.
Mrs. Shirley Miller.
(applause)
Quite a reception, Shirley.
You must have someone very special out there tonight.
(crowd chatter)
- My mother.
- What. no one else?
No one special?
Come on, Shirley, you can tell us.
Is there no one special?
A secret man in your life?
- No.
- Any hobbies, Shirley?
- I like reading.
� What kind of books?
- Novels and...
- Thank you, competitor number 23
Ms Shirley Miller.
(applause)
- Christ.
You, hey you, just stay put.
Report back, - Okay.
- Tell 'em we've lost her.
Give a description and last whereabouts.
Don't forget the dog.
- N0. slf.
Charlie two to base.
Come in please.
C2 to base.
- I've changed my mind.
Drop me at at Liverpool Street Station.
- I say we start without her.
She's not coming.
I've ruined this. look at it,
Look at me shoes.
It's like a bleeding dungeon.
l was up to my knees in that puddle.
(knocking at door)
(Heidi whining)
Subtle cur ain't she?
I'll go, no sense in you getting ?lthy and all.
Get off.
Try and take her with ya, Will ya?
It's dangerous enough as it is.
I said mind the puddle.
- [Shirley] Well, I was already standing in it.
I'm soaked, look at me shoes,
- Well what did you come all dolled up for?
l mean lOOk at het. she thinks she's
coming to a party.
Look at her set.
- Just leave me alone, will you?
- You�re late.
- I'm sorry.
I couldn't help it.
I don't believe it.
Now look what I�ve done.
I wasn't gonna come.
(crying)
I've just made such a fool of myself
in front of all those people.
I couldn't speak.
I was awful to my Mum.
- Marvellous. we need her like a hole--
- Leave her alone, Linda.
- What's she howlin' for, just cause she fell
in a bloody puddle.
- Did anyone see you come in?
- No, I got off at the station
like we were instructed.
- Did you see anyone?
- Well of course I did. it's a station
isn't it?
- Here.
Get some of this down ya.
- I blew it. didn't I?
- What's she talking about?
- She went in for Mrs. Paddington.
(laughing) - What?
- All right. let's settle down.
Othenlvise we'll be here all night.
All right. we go by the book.
Right down the line.
� Can I have some of that?
- I don't drink anyway.
- Look, can you just concentrate
fora few minutes?
Right, details.
- I'm for it now, you know that.
- Bloody heii.
- The main problem will be the weight
we've got to carry.
- So we've got all of it on our backs,
from here up to here.
Only about 60 yards, then we've got to
get it to the getaway car.
- Well what about these guards behind, I mean,
what happens if they turn nasty and run up a gun?
- We've been through all that.
I'm taking care of it.
It's nothing to do With you.
Where are we gettin' this cat�?
- You�re sittin on it.
(laughing)
� What about explosives?
� Do me a favour.
- Sorry.
Sorry, Dolly.
- I've got a meeting with the security contact.
The waggons go through once a month
using different routes.
The big one's in four months time.
- Is that the one we go for?
- We'll need every minute.
Sorry, Love.
You two better get yourself wheels.
Good ones.
Get 'em from auctions.
Use assumed names.
Make sure they're axed and MOT'ed and straight, okay?
Right.
Keys to this place.
Be careful how you come and go.
From now on this place will be headquarters.
Linda.
Now's your chance, Love.
In or out?
(melancholy music)
Good girl.
All right.
That's it for tonight then.
- How do I get in touch, the phones
torn out here?
- I'll call a meeting. you just organise the cars.
Wait 10 minutes and then leave.
One at a time. the last one to leave
locks up.
Okay, Linda?
- Okay.
- Shirley, Shirley, are you okay?
- Yeah.
Yeah. l'm fine.
- Goodnight then.
Heidi. God bless.
Shit.
- We're going to have to do something
about that puddle.
I feel like I'm ticking all over.
My hearts thumpin' like crazy.
- Scared, you feel scared.
�Of course I do.
But I feel alive though.
Bye, I'm going ?rst.
I've got to go to work.
Don't forget the lights, lock up.
Goodnight.
(gentle operatic music)
(Widows Theme Music)
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