All language subtitles for Smash s02e14 The Phenomenon.eng

The 20th Century
Fox Mambo

Previously on Smash...

I almost believe
you're avoiding my calls.

Eileen is pimping me
out wherever she can.

So if we stay open
till June, that Tony is ours.

You wanna get out of here?
Then let's go.

Tell me what you're
doing with Gatsby.

I'm writing a play.

Tom doesn't
want to let go.

You said we work
on this together.

Everything
you're not

People are coming
tonight who could bring this show to Broadway.

It's what we always wanted.

What the hell,
Derek?

This is a private audition.
For my part?

You know, I've been
cleaning up your messes since we were kids.

Would it have killed you
to do something for me, for once?

You took their side?

I have to stop helping you.
You have to start helping yourself.

Are you going
to walk me home or what?

Ugh.

Look at that. We're out.

Yeah, well,

I suppose 5:00
in the morning is as good a time as any to stop.

Don't you think you
should get some sleep

before Sam's put
to rehearsal in...

Oh, God. Three hours?

I should go.

You don't have to.

Are you sure?

Do you really
want to do this?

Two jumps in a week

I bet you think
that's pretty clever Don't you, boy?

Flying on your motorcycle

Watching all the ground
beneath you drop

You'd kill yourself
for recognition

Kill yourself to never,
ever stop

You broke another mirror

You're turning into
something you are not

Don't leave me high

Don't leave me dry

Don't leave me high

Don't leave me dry

Drying up in conversation

You will be the one
who cannot talk

All your insides
fall to pieces

You just sit there
Wishing you could still make love

They're the ones who hate you

When you think you've got
the world all sussed out

Oh, they're the ones
who'll spit at you, yeah

You will be the one
screaming out

Don't leave me high

Don't leave me dry

Don't leave me high

Don't leave me dry

Oh, it's the best thing
that you ever had

The best thing that
you ever, ever had

It's the best thing
that you ever had

The best thing you have had
has gone away

What are you doing?
I know that you probably don't want to see me right now.

You look terrible.
Did you even sleep?

Have you spoken to Kyle?

I couldn't.
Not until I say what I need to say to you.

I think you said
everything you needed to say to me last night.

I know. I know.
I was a total ass.

I always am.
I ruin everything.

I told you that
when you met me.

And that's what you
say to make it okay.

I don't want to
hurt you anymore.

All right? Just tell me.

What do I need to do
to be the person that you saw in me?

Because when you look
at me like that, I...

I know that's who
I really am.

Karen?

You okay out there?

Jimmy. Jimmy.

No...

It's Kyle. Leave a message.

Hey.

It's Tom.

I thought we were going
to meet up last night, but I never heard from you.

Listen.
If you are not interested, I guess I'll understand.

But just let me know.

Ugh, I feel like a teenager.

Maybe because
you're a teenager?

Oh, my God,
I am going to delete this and re-record.

Sorry. Sorry we're late.

The line at Starbucks
was atrocious.

Um, the line was fine.

She had to stop
and sign autographs. And pose for pictures.

She did everything
short of bless a baby.

I did that yesterday.

Oh, good, you're all here.

Everyone ready
to talk Tony?

Yeah.

Where's Julia?

Yeah, uh...

How are you guys
doing after last night?

We're fine.

Let's start without her.

What's this?

A declaration
of war, from Tom.

It's a move to dissolve
our partnership.

Really?

It lists every name
of every title we have ever optioned,

including Gatsby.

So he's going to
tie it up for months so you can't do it?

For him to move this fast,
he must be really angry.

Don't worry,
I'm going to fight it. Good.

Because I need you to.

If I pull this play,
I lose my job.

I know.

Look at this,
right back where we were 15 years ago,

with my fate in your hands.

Not mine. Tom's.

You will talk to him, right?
Reason with him?

Look, I may have
burned you 15 years ago,

but I'm not going
to do it again.

And I won't let
Tom do it, either.

As we get closer to
the Tonys, things are looking up for Bombshell.

Imitation of Life is closing,
which isn't a very good omen.

Harold and Maude is struggling
to retain the magic it had on the West End.

And if Road House
gets a nomination, I'm gonna retire.

Drood and Pippin
are contenders.

No. Not for best musical.
They're revivals.

I meant for directing.

Ah, ah, ah.

What about Hit List?

It's not transferring.

I'm afraid it's going
to end its run where it began last month,

downtown.

So it's official, sweetie.
We're the show to beat.

And the key to staying
that way, is marketing. Subways. Billboards.

This fabulous ad
that you took out in The Times.

I didn't place a full
page ad in The Times.

Then who did?

Jerry.

Don't get upset.
We need all the help we can get.

Not from him, we don't.

That is a great ad.

Look at that.
You're up there twice.

Yeah.
But Supporting for Liaisons? We closed in a week.

With glorious
reviews for you.

You were a bright
light in a bad show.

Don't think
the nominating committee won't notice.

But that puts me
up against you.

That's right,
it would be embarrassing to beat my own daughter.

Kyle? That was fast.
Guess I still got it.

So, are we going to talk
about what happened?

Nothing happened.

We stopped ourselves.

I'd say that depends
on your definition of "nothing."

He's no good for you.
You know that.

And you are?

Oh, God, what do
we tell everyone?

We don't have to
tell them anything.

Tom?
Hi.

What's wrong?

Um, I called, uh,
Kyle this morning...

He called me back.
But it wasn't him. It was the police.

He got hit by
a car last night.

Oh, my God.
Shh.

He's gone.

I wish I knew how to fix this.
Because Amanda's death does not work.

We're missing something.

Like what?

Like...

Like a chance for
the audience to grieve.

Um, a tribute or
a candlelight vigil.

Maudlin.

She can't just die.
You want to know she mattered.

What about
dimming of the lights, like they do on Broadway?

I've always loved
that tradition.

You do?

When I was in school,
we went to a show

the night they dimmed them
for Wendy Wasserstein.

I just thought it
was such an elegant and beautiful gesture.

Um...

Could she sing another number?
Even though she's dead?

You know,
I knew that was terrible even as I said it.

She can't.

But he could.

The song she stole
from him.

The Love I Meant to Say?

She dies in the arms of
the man who loved her

as he sings the song
that brought them together in the first place.

That would be
incredibly moving.

Yes, it will.

You're good at this, Kyle.

You keep having
ideas like that,

they might just dim
the lights for you yet.

And that's all
we know for now.

How are you doing?

I don't care about me.

I'm worried about
them, though.

Has anyone talked
to his parents?

We should reach out.
Let them know

that we're here if
they need anything.

I can do it.

I'll call them.

You know what?

We'll do it together.
Come on.

Hey. I tried Jimmy.

He's not answering.
Maybe you should try him?

Yeah. If he's not
picking up for you,

I doubt he's
gonna pick up for me.

Hey.

So what do we do about
tonight's performance?

We cancel, obviously.

Are you sure?

Uh, yeah. I think
"The show must go on"

isn't apropos in this
particular moment, Scott.

Sam hasn't even
had time to rehearse.

Everyone's devastated.
I'm not sure anyone is in a position to perform.

But Hit List
is Kyle's show.

I mean, I can't think of
a better way to honor him.

Absolutely not.

I'm not turning this
into a bloody requiem.

We are canceled. Got it?

All right. All right.

Marissa. Let's go
call the ticket holders.

Where are you going?

There's something
I need to do for Kyle.

Such a tragedy.
And so young.

Too young.

We need to be very
sensitive about this.

We don't want to be silent,
but we don't want to look like

we're jumping
on any kind of grief parade, either.

Tony voters...
Agnes?

I think we need
to take a break

from the Tony
campaign for today.

Of course.

Julia.
I'll leave you two.

I'm sorry for your loss.

Thank you.
That's why I'm here.

Kyle lived for Broadway.

I want to try and get him
a little piece of that dream.

Get the lights
of the marquees dimmed tonight.

It's only awarded
to Broadway veterans.

I know. I know.

I can reach out to
a couple of people. But I know what they'll say.

Thank you.

Still nothing.

I can't believe he's
out there somewhere and still doesn't know.

He'll turn up.

He was wired this morning.
He can't find out the wrong way...

It's okay.
We'll tell him.

As gently as possible.

And whatever he needs,
we'll be there for him. No matter what.

Thank you, Derek.

Don't thank me for
doing the right thing.

Jimmy?

Yeah, it's me.

The guy that ruined your show.

Well, wrote it,
then ruined it.

But who cares about
that part, right?

Don't freak out.
I'm just getting my stuff.

And then you'll never
have to see me again.

I promise.

God. You still don't know?

Know what?

What?
How much you guys probably hate me?

Like how disappointed
Kyle is?

'Cause trust me, I know.
He kicked me out, he won't answer his phone,

and he wasn't
home this morning.

So Kyle can go screw himself.
All right?

What is it now?

Kyle's dead.

He was hit by
a car last night.

What? Okay, come on.
That's screwed up, Blake.

Jimmy's here. Come quick.

Where is he?
We told him, and he just left.

You let him leave?

What was I supposed
to do, block the door?

If he needs to be alone,
he should be alone.

No, that's exactly
what he shouldn't be.

What are you doing up?

I was about to ask
you the same thing. Ugh.

I have this thing
where when I have an idea,

I have to write it
down immediately, or it's gone.

And what idea did you have?

I always wanted
to put these transitions between songs in Hit List.

Sort of social media subtitles
to walk you through the story behind the story.

Didn't you open already?

Yeah.
But theater's a living thing. It never stops changing.

The text does.

You have to put the pen
down at some point.

I had to with Bombshell.

Really?
'Cause I have notes.

Oh, do you now?

Well, one, actually.

Okay. In At Your Feet,

when Gladys takes Norma Jean
to the Chinese Theatre,

why does she have to
just leave her there?

Because that's
the way it happened.

But it's sad.
It's like...

Right there,
the second number in the show, this melancholy chord...

It's the truth.

But sometimes
the truth is too hard.

Sometimes, you want
to remember things better than they actually were.

Which is what I think
Marilyn wants to do when she remembers her past.

Why don't you
come back to bed?

I still have a little more.

At Your Feet.

Feel free to sing along.

You're going to try
and pull my focus, are you?

Slow down,
you crazy child

You're so ambitious
for a juvenile

But then if you're so smart
Tell me why are you still so afraid?

Where's the fire,
what's the hurry about?

You'd better cool it off
before you burn it out

You've got so much
to do and only so many hours in a day

But you know that
when the truth is told

That you can get what you want
Or you can just get old

You're gonna kick off
before you even get halfway through

When will you realize,
Vienna waits for you

Slow down, you're doing fine

You can't be
everything you want to be before your time

Although it's so romantic
on the borderline tonight

Tonight

Too bad,
but it's the life you lead

You're so ahead of yourself
that you forgot what you need

Though you can see
when you're wrong

You know you can't always
see when you're right

You're right

You've got your passion
You've got your pride

But don't you know
that only fools are satisfied?

Dream on
But don't imagine they'll all come true

When will you realize,
Vienna waits for you

Why don't you realize

Vienna waits for you

You know, I've never
been serenaded before.

What did you think?

Tom?

Tom?

Julia.

I'm so sorry.

We all are.

I really appreciate that.

I almost didn't come here,

because talking about business
at this moment just feels

wrong.

Maybe we should postpone?

No, I think the sooner
we get it over with, the better.

I don't know what's
happening to you, Tom.

We have one fight
last night, and suddenly

you're dissolving
the partnership?

I thought that's
what we did last night. Dissolve the partnership.

If you're trying to
stop me from working...

Stop you?
...I promise I will fight you...

This is gonna help you.

Julia, if you want
to do Gatsby,

we have to dissolve
the partnership

so you can re-option it
on your own.

Right now, thanks to you,
I hold half the rights.

But you don't
want to be running

every little decision
you make through me.

The sooner we separate it,
the better.

For you.

And me.

Oh.

So...

Was that everything,

or is that it for
today's installment of "Tom the Monster"?

Uh, no. That's it.

Thanks.

All right, then.

Cathie.

Can you find Linda for me?
There's something I want to take a look at.

Well,

I can guess why you're here.

You saw my advertisement
in The Times.

Yes, I did.

Ooh.

Should I duck?

You know, I wasn't
very happy about that.

I don't appreciate these
little stunts of yours.

It's not a stunt.

I put a lot of
money into Bombshell, and I have a lot more.

I want to do
something with it.

Something that will
make a difference.

And I knew you'd
say no if I asked.

You haven't even tried.

All right.

Do you want more money?

Of course not.

I went into the
wrong business.

I should have
been a psychic.

Bombshell is mine, Jerry,

and I'm gonna take
it all the way to the Tonys, without your help.

Stay away from my show.

Am I clear?

And here I thought
the ice between us might be melting.

No. It's as cold as ever.

I can't believe it.

It's amazing.

Julia.

What's going on?

You and Marissa,
you canceled, right?

Yes. But they're
coming anyway.

They want the show.

How did they even find out?

Who knows?

Maybe we should
go on tonight.

Maybe it's what
everybody needs.

I know I'm probably
the 100th person to ask you this today, but,

how are you doing?
You holding up?

Oh, I have to.

Not with me.

There are ticket holders
lined up outside.

We canceled the show,
but they turned up anyway.

What are you going to do?

I have no idea.

I'm sitting in the kind
of place that I never thought I'd go back to.

Because of a sweet kid
who can't be here to enjoy the rest of it.

You know I'm good at
putting on a front.

But I'm not good
at caring this much.

What if I were there?

What? To hold my hand?

Look. I know we left
things in a weird place, but I still care about you.

Well, what does it matter?
It's just a play, right?

That play is the only
thing he has left.

You're going to put it on.
And I'm going to be there for you.

Haven't you got
a show tonight?

I think I'm feeling
a tickle in my throat.

You'd do that for me?

I would.

Okay, everyone.

Your attention, please.

I think we've all had
our chance to honor Kyle in silence.

And now we need
to honor him up on that stage.

It seems it's what
the people want.

So we'll do a concert. Okay?
Just the piano, music stands.

That way, you'll know
what you're doing.

Thank you.

What about Karen?

Isn't she here? Where is she?

I don't know.

Just give me a minute.
Excuse me.

I can't find him.
I've been everywhere.

Derek, I feel like something
terrible might happen.

Karen...

There's just one last
place I gotta check.

Somewhere Kyle
told me he used to go.

It's showtime
Let the dream begin

With each star who's ever been

Step inside the footsteps
that you should follow in

So I leave you in
the best of hands

In this most Chinese
of wonderlands

Your dreams will
truly be complete

When the stars
that you're wishin' on are at your feet

Ain't she sweet

That was a really
nice change, by the way.

What made you
think of that?

A friend.

What happened to Ivy?
When did she call out?

She went home
sick an hour ago.

I saw her this afternoon,
she seemed fine.

If you ask me, she was
fine at half-hour, too.

Ah. Of course.

Jimmy.

You're not thinking
of doing something stupid, are you?

No.

Then come down.

Jimmy.

Fine.

I'm coming up.

No... What are you doing?
You shouldn't be sitting up here.

Yeah, well,

neither should you.

It's my fault.

You know, he's dead
because of me.

No, he's not.

It was an accident.

But he was coming
to talk to me, Karen.

I can't imagine what
you're going through.

I can't even believe it
happened myself. But...

But what? What?

You're going to try
and make it better?

Is that what you think
you're doing here?

I'm just trying to help.

Why would I ever
let you help me?

Is this about Derek?

Nothing happened.

Okay? I stopped it
before it did.

I couldn't sleep
with him because I...

Because I'm in love
with you.

I wish I wasn't,
but I am.

I love you, okay?

You shouldn't love me.

I don't deserve it.

Come back with me.
Come do the show.

I can't.
Yes, you can. You need to.

No. No, I don't.

Jimmy, I know you.

Don't throw everything away.

No matter what you do,
it's not going to make it hurt less.

Come and face what
happened, and we can deal with it together.

You and me.

I'm already late.
I have to...

I'm going to go.

Okay?

I'll see you there?

I can't believe
everyone showed up

even after you
called to cancel.

We didn't.
Didn't what?

Cancel.

Scott said you changed
everybody's mind.

He had me call
the ticket holders back and tell them

we would be putting on
a show tonight in Kyle's honor.

I'm sorry,
did you not do that?

We'll have to finish this
interview later, okay, Frank?

No problem. I want
to see the show myself.

Julia.
I was just coming downstairs to stand next to you.

I know what you did.

I'll see you
both downstairs.

You lied.
No, I didn't.

Yes, you did,
and you used me to do it.

Saying I turned
the cast around?

So the show would go on?

You exploited that
poor boy's death, and for what?

For him. For his show.

For yourself.
To keep your job.

It is not my fault
that this happened.

But if it keeps
his work alive, why shouldn't we do this?

You saw what was
happening out there.

We're a phenomenon.

People are going
to remember this night forever.

Julia.

You know how much
I need this to work.

I hope it does.

Because now that's
all you have left.

Okay. We can't
wait any longer.

He'll be here.

Look. We're late as it is.

- Derek, five more minutes.
- Karen.

He's not coming.

Okay.

Okay, guys, um...

Okay, look.
I know things are pretty intense right now.

And I know that going out
on that stage might feel like a mistake,

but I assure you it is not.

There's a lot of people
out there that want to hear what you have to say.

And more than that,
they want to hear what Kyle had to say.

And you guys,

you're the only ones
that have the power to tell them.

So do him proud.

Okay.

Remember when this
place used to be cool?

Now it's just
a bunch of condos.

Focus on your work.

Why should I?
It's not like anything's going to come of it.

Oh, my God. Yes, it is.

Karen's got Derek
Wills interested.

All we need is a second act,
and we're on our way.

How can you be so sure?

I'm not. I just
pretend that I am.

Hey. You know what?
Maybe we should set a scene here.

It's kind of
our place, you know.

What about when they
meet for the first time,

when Amanda
tries to kill herself and Jesse stops her,

by singing
The Love I Meant to Say?

Yeah. Yeah. And then
when she gives it all up to be with him,

they come back here
right before she dies.

Are you sure she has to die?

Musicals usually
have happy endings.

Not the ones you like.

You're right.
Then she must die.

So that your character
can learn something.

I'm high above the city

I'm standing on the ledge

The view from here is pretty

And I step off the...

Don't do it.

I don't want to stand.
I want to do it.

Okay. So let's do it.

Yeah. Okay.

He wants to
do the song.

Over

I can't believe it's over

I can't believe
the love I left

To show some other day

Listen

I hope that you can hear me

As I kneel down and pray

With the love I meant to say

Shadows

You took away the shadows

Before you life
was black and white

Though tonight
the room's gone gray

Golden

The love you gave was golden

Gold that I would gladly pay

To show the love
I meant to say

Music

You made me hear such music

Without you here to guide me

I fear our song will fly away

Sorry

That's the word I want
to sing to you

The other word is

Stay

To hear the love I meant

To say

Hey. What do you think?
Can't wait for act two, right?

Yeah. It's good.

It's really good.

Though I'll just
admit it's a little strange for me.

Because she's better?

Karen, I'm kidding.
No, you're not.

That's so rude.

Hey, um, did Jimmy
talk to you?

I told him not to.
I thought it might scare you away.

It didn't.

I'm glad.
Are you?

Because sometimes I feel
like you think I'm in the way or something.

Maybe a little, at first.

But then I saw
how happy you make him, and...

Look, I've never
seen him care about

anybody the way
he cares about you.

Maybe you can fix
what I couldn't?

The show was amazing.

Thank you.

Technically,
it wasn't all me.

Wow.

That might be the first
time you've ever said something like that.

How does it feel?

What happened with us?

One minute we were
hanging out, and then you were gone.

Derek, I don't think now...

Please.

I need to know.

The night of my birthday,

I know the only reason
you came to see me is because Karen rejected you.

Karen. Wow. Okay.

Well, there's nothing
going on there.

I was at her apartment
the whole of last night and I slept on the couch.

Because of you.

I just came as a friend,
that's it...

Don't walk away from
me because of Karen.

It's not Karen.

It's you.

You will always
have a Karen.

It's just who you are.

I know that now.

You should, too.

Two minutes.
This was a great idea, Tom.

You are definitely
not a monster.

Not today, at least.

Jerry.
What are you doing here?

I saw Hit List tonight.
Scott invited me.

Did you like it?

I think it's a great story.

So do I.

And also, I was thinking
what a lovely gesture that was,

putting the ad in the paper.

Thank you.

You thanking me?

To what do I owe this?

A reminder that
life is shorter than we think it is.

Does this mean
we're friends again?

No.

But you can be
a friend to Bombshell.

If the money is
still on the table.

Oh, I'm sorry.

That money is no
longer available.

I committed it
to something else.

To what?

To Hit List.

I'm moving it to Broadway.

We start previews at
the end of the month.

You're right, you know.
It's good we're not friends.

This way, I can take
that Tony away from you and not feel guilty.

What are you doing
after this?

Do you want to go
somewhere to talk?

Um, you know, I can't.

Okay. Maybe tomorrow?

Yeah. I mean, I just
have a lot to deal with.

Are... Are you mad
at me about something?

No. No, of course not.

What about
what you said to me this morning?

You guys don't
have glasses.

Uh, actually, no.
I'm not drinking anymore. So...

You can have one.
Go ahead, celebrate.

I mean, you're going
to Broadway, right?

Right.

Here we go.

Okay. Okay,
can you hold this?

Well, we couldn't get
all of Broadway to dim,

but they can't stop us
from using our own house.

To Kyle.

To Kyle!

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