All language subtitles for Smash s02e01 On Broadway.eng

NARRATOR:
Previously on Smash...

I got a call-back
for Marilyn.

I got a call-back.

DEREK: Ivy Lynn,
this is Karen Cartwright.

I have a pretty
clear sense of what I bring to the party.

She's sleeping with him?
I could have done that.

And I didn't.

You came into this
marriage with nothing.

You poisoned my investors,
you jackass!

Got $7 million under there?

It was idealistic to think
that we could do this without a star.

The incomparable
Rebecca Duvall.

(SINGING)
Fade in on a girl...

Her agent, her manager,
everyone said she could sing.

You had dinner
and then you slept with my wife!

No one applauded.

Will you marry me?

(RETCHING)
Oh, my God. Rebecca?

I'm not going back
into the show.

Where's Karen Cartwright?

You're going on
as Marilyn. Tonight.

Why wasn't it me?

She just has something
that you don't.

I'm not gonna
tell anybody.

I think I left something
in your room.

What are you doing with
my engagement ring, Ivy?

I'm sorry.
We just need one minute.

No. We don't.

Actually, the more
you hurt, the better.

Knock it off, Derek.

Don't ever doubt...
(SOFTLY) You're a star.

(VOCALIZING)

(SINGING) I know
I've kept you waiting I know I made you mad

But this time that
we've spent creating

Was the best time I ever had

Now I love
to sit with memories

But they won't come
until we're gone

So give me a kiss
and cut, print...

Moving on!

Tell me a brand-new story
Together, we'll turn the page

The grass is always greener
on some new Technicolor stage

And if a duckling never swims
she'll never become a swan

Yes, I'm diving in
so cut, print, moving on!

Yes, there have been nights
I'll long to relive

But sometimes you gotta roam

You can't fight
when something's gotta give

But you'll always be my home
away from home

Now, I like to play
a love scene

but don't let it last
too long

Play me the eight-bar intro
of some new lush romantic song

I'm not afraid
to take that leap

With you to depend upon

Now, tell me your name

Cut, print, moving on

We told the same jokes
We breathed the same air

We couldn't
tell night from day

But just like the end
of a love affair

We all know
the time comes to break away

Last year,
we all were strangers

This year,
we're lifelong friends

I know that this location
is not where our story ends

Get up, 'cause the rat race
never ends

This life is a marathon

And I plan to run
so much more than a sprint

What's next?
Well, I can't even give you a hint

But boys, that's a wrap
so cut! Print!

Moving on!

And on!

Moving on!

(ELEVATOR BELL DINGS)

After you.

You can get the next one.

Okay, everyone.
Now that we're finally here, first things first, please.

For a job well done.

(ALL CHEERING)

In Boston.

But that was then,
and this is now.

Eileen.

I trust you all enjoyed
yourselves up there.

We had a successful run.
I would say

overall the experience
was instructive.

But before we apply
its lessons,

there's the small question
of where.

It is my goal to book us
a Broadway theater by the end of this week.

In the meantime,
if any of you get any other offers,

if you go on vacation,
or frankly even think about getting a haircut,

let us know.

While I'd like to
publicly state that it is

my intention to pick up
everyone's contract...

Depending on the changes
made by the creative team,

we may not be able
to do that.

JULIA: But we're not
there yet.

We thank you and we hope
to see you on Broadway soon.

And no raises,
so don't ask!

(ALL LAUGHING)

Karen, can I
have a word, please?

Sure, yes.

"Some of you
will cease to exist

"after the creative
team's changes"?

I'm not worried.
You should be.

She's part of
the creative team now.

If I were you,
I'd keep an eye on my back,

make sure
there's no target on it.

I'm planning a little
soiree for the press this weekend.

A sort of
coming out party for the show.

I'd love it
if you'd sing something, perhaps the opening number.

Of course, yeah.
That would be great. Anything for you.

Great. Well,
maybe you'd like to choose a couple of backup singers.

It can be
whoever you want.

Well, Jessica and Beth,
of course.

And one more?

Joy.

Joy. Great.

Linda?
LINDA: Yes?

Would you grab Jessica,
Beth and Joy for me?

I hope you're ready.
It all starts now.

(CHUCKLES)

MAN: Hit it!

Six, seven, eight!

Moving on.
Michael Swift wants to be let out of his contract.

He feels that he did us
a favor when we were

in a bind, and we have
ample time to recast.

I trust there are
no objections?

Nope.

Okay, good. Let's talk
about the reviews.

Uh, remember,
I haven't read them.

(LAUGHS) You're not serious?

TOM: She never does.

I just read Tom's face.
It tells me everything I need to know.

Oh. Did Tom's face
tell you what they singled out, then?

Me. The cast.
Derek.

She's the one
who hasn't read them.

I don't need some
critic getting in my head.

I sat in the audience
for three weeks.

I know there are things
that need to be done.

I want this to be
the best it can be.

And that's what
we're gonna do.

After my meeting tonight
with Jordan Roth,

we're going to book
the best theater

Broadway has to offer,
the St. James.

Oh, the St. James
would be so amazing.

Oklahoma! opened there.
The King and I.

The Producers.
The Producers.

Big hits.
Long runs.

Good juju.
DEREK: Yeah, okay, great.

What if we don't get
a theater today, hmm?

I've got a lot of
projects waiting to hear how busy I'm going to be.

I want to know
what to plan for.

Don't worry
about it, Derek, I'll get it.

Meanwhile, keep our
leading lady happy.

Everyone's talking
about her.

They want to know
if she's as good as they've heard.

She's better.

Yes, we all know
where you stand on the matter.

Oh, it's not just me.
Or didn't you read the reviews, either?

Oh! God. Not listening.
Going outside.

"When Karen Cartwright
implores you to let her be your star,

"you'd have no problem
answering with a resounding 'yes,'

"if it weren't..."

I'm aware.

Yeah, it's not you
I'm worried about.

I'm handling it.

Yeah, well, can we not
do it on Tom time, please?

Sometime this century
would be nice.

Call me when you have
a reason to. (DOOR CLOSING)

Bye, Derek!

Thank you, Ana.
For letting me move in, and everything.

Well, thank my roommate
for doing that Disney cruise.

Where are
you going tonight, by the way?

Derek is taking me
to see Veronica Moore and then meet her after.

Oh, you get to meet her?
I'm so jealous! She's incredible!

You're going to love
the show, too.

It's about this sweet 1950s
ArethalEtta James-type,

but she has this
really overbearing mother.

Don't spoil it.

Here.
How do I look?

Like you care.

Maybe I do.
See you later, sweet-cheeks.

Bye.

So what did your agent say?

When I told him
that he should expect

a phone call
about my contract,

he said that the agency
had already received

phone calls
for their other clients.

Maybe they're
calling alphabetically,

and they just haven't
gotten to "L" yet.

Did you get a call,
Sam Strickland?

Yeah.

What can I do about it?

Besides be on
your best behavior, which I know you already are,

you gotta find a way
to stay with the show.

Any suggestions?

Well,
you're an amazing singer, an even better actress.

Remind everybody
why they fell in love with you in the first place.

Once you do that,

you can get back
on the road to becoming

the star you were
intended to be.

What is a star anyway?
Do they even still exist?

(SINGING)
Boy I go to school with calls me up for a date

He said,
"I'll come 'n getcha 'bout a quarter to eight"

We go off to a movie
where he steals a little kiss

And then we park
around the corner to explore a little bliss

I think
his heart's a-pounding but it isn't my man

It's my mama
out the window with the frying pan

Saying, "Hands off, Mister!
That's my little girl

"Keep your
cultivating fingers off my precious little pearl"

I never get to keep
no company

Because one and one is two,
but, baby

Mama makes three

Now, ladies, listen up.

I moved away and finally
meet the man of my dreams

He puts a diamond
on my finger

How it sparkles and gleams

We have a simple wedding
with the shoes and the rice

And then we head off
to our honeymoon to really break the ice

I whisper, "Dim the lights"
and go to slip on something red

But when I turn around
you know who's lying in bed

Saying, "Hands off, Mister!
That's the light of my life

"I ain't
givin' up my daughter just because she's your wife"

We'll never add a branch
to our family tree

Because one and one is two,
but, baby Mama makes three

Mama makes three

(VOCALIZING)

Mama makes three

Hey, Mama, I love you still
But, hey, Mama, I've had my fill

Hey, Mama,
you're where it began

But, hey, Mama,
I love my man

Hey, Mama,
please leave us alone

Hey, Mama,
just use the phone

Hey, Mama,
you had romance

So Mama,
give a girl a chance!

Just give me a chance!

Give the girl a chance!

(AUDIENCE APPLAUDING
AND CHEERING)

How you doing?
Hey. I'm good.

Karen Cartwright.
Ah.

Veronica,
you were incredible.

Ronnie,
it's great to meet you.

Derek's told me
all about you.

Y'all give me a second.
Let me get dressed and I'll be back.

Come in.

You ready for your
last performances?

VERONICA: Not really.
It's sad to leave.

DEREK: It's time to move on.

We're doing
a revival of The Wiz after I finish with you.

I know. I can't wait.

VERONICA:
Another good girl role for Broadway's sweetheart.

DEREK: As long as you keep
winning them Tonys, darling...

Oh, if you don't
mind me saying,

the speech you gave
when you won your first one,

about the things you gave up
when you started out,

and how those sacrifices
weren't for nothing,

it was a huge
inspiration to me.

I have a question, Ronnie.

What is the best
piece of advice you would give to someone

who's about to get
exactly where you are?

That's easy.
Protect the work.

The moment you lose focus,
the moment the work suffers,

someone's always waiting
to take you down, honey.

But, if the work's good,
they won't be able to.

That's good advice.
Thank you.

You're welcome.

Get ready,
this is gonna be you in six months.

(CAMERA CLICKING)
(PEOPLE CLAMORING)

Look at 'em.
Two years later, they're still smiling.

Eh.

So it's a piece of fluff.
Bombshell will take us to the next level.

You know we have
some stuff to fix first, right?

I mean, it isn't perfect.

Of course. Everyone has
their work to do.

Even you.

(CELL PHONE CHIMING)

Okay, time to go.

I promised Frank
that I would be there when he got home

from his dinner
with the new superintendent.

I'm so glad
it's working out between you two.

We're trying.

I know you are.

So, how long do you think
till we hear from...

JERRY: Eileen.

Jerry.
I thought I felt a chill.

That seat's taken.

Oh, by, uh, Jordan Roth?

I don't see him.

Maybe he knows,
like everyone else knows,

that you don't
have the capital yet to take Bombshell to Broadway.

I could help.

I have a lot of friends.

Yes. Mine.
The ones you stole.

If only you would stop,
stop thinking the worst of me.

I know you, and I know
what you're up to.

You saw my show,
and you saw it was better than anything you have.

So you called
all the theater owners to block my way,

hoping that
I would come to you in my time of need.

If you want in,
you should just say so.

I want in.

Get out of here
before I throw another drink in your face.

(LAUGHS)

Eileen, I'm so sorry
I'm late! Jordan!

Nonsense.
You already called.

Does he know?
No. Should we tell him?

I have offered Bombshell
the St. James.

Isn't that wonderful?

(PHONE RINGS)
EILEEN: Oh.

It's Nick. My boyfriend.

Excuse me.

Hi! Guess what?
I hope you're sitting down!

We're going to Broadway!

Excuse me for one second.

KAREN: (SINGING)
Let me be your star

Let me be your star

Let me be your star

And then people will clap,
Eileen will speak,

and the other number
will start.

Uh, another? Eileen only
asked me to do one.

Oh, it's not you.
It's Ivy and the ensemble. They're going to sing Smash!

Linda, can we
do something about the angle of this piano?

I feel like
I can't see anyone. Sure.

I know you won't
believe me,

but this isn't about you.

No, it's about you.
As usual.

Excuse me.

Seems like old times.

Can I ask you a question?

Go ahead.

What is my future
with this show, exactly?

I want to do everything
I can to ensure

that when
it opens on Broadway that I'm a part of it.

And my agent still hasn't
gotten the phone call...

That's why
you asked to sing.

Okay, here's my answer.

It's not going to be easy.
You need to apologize to Karen.

For whatever it is
that went on between you two.

I already did. In Boston.

(CHUCKLES)

Well, maybe you
were apologizing for the wrong thing.

(CLEARS THROAT)
After the whole Michael...

Well, you know. Um...

I spent a lot of time
telling my husband I was sorry for what I did.

But it meant nothing
until I apologized for why I did it.

If you
could stop making this about what happened,

and tell her why it did,

you might just
get a second chance.

TOM: Ivy, you're up!

Good luck.
I'm rooting for you.

So, Derek.
Another big moment for you.

Bombshell and The Wiz
treading the boards the same season.

Mmm-hmm.

Did you see
the show in Boston?

Not only did I see it,
I saw it with Rebecca Duvall.

I don't suppose
you have anything to say

about her abrupt exit
from the show?

"No comment"? Really?

Okay.

Rebecca Duvall
is a superstar.

And like most superstars,
she knows what she's good at.

And what she isn't.

If I didn't know any better,
I'd think you were

suggesting she
poisoned herself

to get out
of her contract.

I did not say that, Michael.
But it would have made a better story.

You gonna sit down
and order something?

No, I'm waiting
for my friend.

Get you something
while you wait, then?

No, thanks.

I'm Jimmy, by the way.

Do you talk
to all your customers this much?

Are you a customer?

Mmm. I thought
you were just another actress

taking a meeting
in my station,

who won't order anything
but a glass of water.

I'm not like that.

Karen, Michael Riedel.

I can't wait
to see you in the show.

Oh.
I hear amazing things.

Thanks. Thank you.

Still or sparkling?

Tap.

Hi. I got your text.

Is everything okay?

Did you know about
Ivy singing at the party?

No.

I keep thinking
about what Ronnie said, about protecting the work.

I'm worried
I won't be able to

with Ivy in my face
all the time, and I thought...

Just say the word
and I will let her go.

Okay.

Consider it done.

How was your meeting
with Casey?

He offered me the General
in The Book of Mormon tour.

Wow. That's... I mean,
congratulations. Wow!

It's a great part,
but I think I'm going to stay in the city.

For Bombsh...
You have 10 lines in our show.

In Mormon,
you'd be front and center.

Without you.

Sometimes, you have to put
what's right for you

above what's right
for someone else.

Have you ever done that?

You didn't
allow yourself to feel a second of happiness

over the reviews you got.

I mean, what did
Variety say again? (SIGHS)

"Levitt's score
is a marvel,

"full of charm and pizzazz
in its pastiche numbers,

"and unparalleled emotion
in its introspective moments."

I allowed myself
some happiness, in private.

I just didn't
want it to seem like

I was gloating
around Julia when she got...

Slammed in reviews
she doesn't even know about?

(SIGHS)

They loved her lyrics.

I'll tell her, in time.
Just not yet.

Her focus needs
to be on her marriage.

We're partners, Sam.
It's my job to protect her.

As her partner,
it's your job to be the one person who doesn't.

If you can't tell her,
who can?

Maybe I'll never have to,
maybe she'll figure out her problems...

TOM: Is that Frank?

Huh.

JESSICA: Ivy, have you
seen this?

Oh, my God.
Is this for real?

Yeah.

"Rebecca Duvall
has just released a statement claiming

"the reason she left
Broadway-bound musical Bombshell

"was not due to illness,

"as previously reported,
but because the director, Derek Wills,

"sexually harassed her
in her dressing room."

Is this
some sort ofjoke?

Everyone knows
Rebecca Duvall would sleep with a followspot operator

if it meant more light
on her downstage.

This must be what Derek
called me about.

Find you guys later?
There's something I have to take care of first.

Good luck.
Your life depends on it.

DEREK:
Thanks for understanding.

What, some actress
throwing you under the bus to save face?

You may be a womanizer,
but I know there's no merit to her story.

Yeah, well, you might want
to tell that to the producers of The Wiz for me.

I'll call them now.

Thank you.

I'll say hello to Eileen.

And here I was,
throwing a party

and thinking I could
talk about the show,

and not its director's
personal life.

Michael Riedel
said he was coming tonight.

I want you
to turn him away at the door.

I don't think so.

He's the reason
she retaliated the way she did.

He just ran a quote
out of context.

I don't blame
Michael Riedel for your mess and neither should you.

Now, let's just hope
it doesn't blow up into something bigger.

I'm going to see
if Jordan's arrived for the announcement.

Frank! It's so good
to see you.

Hey, Linda. How are you?

Oh. Better, now that
I've had a break.

How are you?

I'm good, thanks.

Oh, that's wonderful.

You know how much
I've always admired you and Julia's relationship.

Our relationship?

Yes! I'm glad
you've worked it out.

Yeah, we... (STAMMERS)
We did. Thanks.

Hi.

Okay. Here we go!

Eileen had the cocktails
named after Marilyn movies, isn't that cute?

I got you
a Clash by Night.

Does everyone know?

Know what?

Linda just told me
how happy she is

that we're working
on our marriage.

Does everyone know
about Michael?

Shows are like families.
Everyone knows everything.

Of course.
How could I ever think

that our private life
is private?

I'll take another
Clash by Night.

(WHISPERS) Maybe I shouldn't
say anything.

It could have
just been a goodbye between good friends.

(INHALES SHARPLY)
Very good friends.

She's your best friend.
You should tell her.

(SIGHS)

You can't make it? Why not?

What do you mean,
"Let's talk tomorrow"?

Well, do I still have
the theater or don't I?

No, you don't have to go.

Jordan Roth isn't coming.
Something must've happened.

Maybe he heard
about Rebecca?

Maybe he read
Julia's reviews?

The press are here,
waiting for an announcement.

If he doesn't show,
they're going to notice.

I need something
to distract them

while I get
to the bottom of this.

Why not use her?

Hi.

Good thinking.

Uh, everybody,
please put your hands together

for Bombshell's
very own Marilyn, Karen Cartwright,

plus a very special guest,
two-time Tony award winner, Veronica Moore.

(SINGING)
They say the neon lights are bright on Broadway

They say there's always
magic in the air

But when you're walkin'
down the street

And you ain't
got enough to eat

The glitter rubs right off
and you're nowhere

(VOCALIZING)

They say the women
treat you fine on Broadway

KAREN: (SINGING)
On Broadway

(MOUTHING)

But lookin' at them
just gives me the blues

'Cause how ya gonna
make some time

Make some time

When all you got is
one thin dime

One thin dime

One thin dime
won't even shine your shoes

(BOTH VOCALIZING)

They say that I won't
last too long on Broadway

On Broadway

I'll catch
a Greyhound bus for home they all say

But they're dead wrong
I know they are

Know they are

'Cause I can play
this here guitar

Here guitar

And I won't quit
till I'm a star on Broadway

On Broadway

And I won't quit
till I'm a star on Broadway

On Broadway

On Broadway

On Broadway

(VOCALIZING)

(VOCALIZING)

On Broadway
On Broadway

(ALL CHEERING)

Thanks.

Thank you.
Thank you.

Thank you.

Bravo.
Thank you.

I wasn't doing so well,
but I feel better.

How did you do that?

I'm your muse.
It's what we do.

I just, um...

Is that why you called me?
To tell me you're with Karen?

Because you didn't have to,
it's very clear to everyone.

I'm not with Karen.

And that is not
why I called you.

Well, then why did
you call me?

Oh, my God.

You're letting me go.

Because of her?
Ivy...

What happened
to the drinks?

Who were you with tonight
before you met me?

What? No one.

Tom saw you.

She's just
someone from school.

You know,
the new superintendent.

It was nothing.

Well, then why
didn't you just tell me you were meeting?

Are you kidding me
with this?

It's just a question.
I'm not accusing you of anything.

Not accusing me?
My God, Julia. Really? Coming from you?

(CLEARS THROAT)

Frank.

Frank.
No.

Julia, I can't
believe this.

Suspecting me of something
when you're the one who did everything!

Frank, calm down.

And you didn't do it
just once, either.

And that's just the affairs
that I know about!

Frank, look, let's just talk
about this calmly, okay.

You know what?
Mary, the woman from school,

I didn't sleep with her.
I wanted to.

Maybe I should,
to even the score, huh? Would that make it okay?

Or should I just sleep
with someone in the cast, keep it in the family?

After all, you did,
and Tom did,

and Derek did
with every actress who put on a Marilyn wig.

Why the hell can't I?

RIEDEL: Can I
quote you on that?

Oh, come on!

Karen.

(LAUGHS)

Look, I...
I...

After you.

Having me fired was...
Ivy...

Absolutely right.

You hate me. You should.

But even you can't hate me
as much as I hate myself for what I did.

And the crazy part
(INHALES SHARPLY)

Is that you don't
even know how bad it got.

That night
of your first preview in Boston, I was a mess.

I almost...

I almost did something
really stupid.

And for what?

Because I was jealous?

Because of a part
in some show?

I'm truly sorry that
I ever got in your way.

Good luck.

You deserve it.

What happened?

Where's Frank?

Gone.

My marriage is over.

I'm so sorry.

(SOBS)

(LAUGHS)

And to think that...

I thought when
I saw your face

that you
were going to tell me about the reviews.

(LAUGHS)

I promised I wouldn't.

I read them opening night.

I pretended that I didn't
because I was so mortified.

Everything that I've done

has turned out so wrong.

What if I can't fix it?

I'll help you.

I'm your partner.

Eileen. Hi.

Um...

I know Derek
was going to let Ivy go, but I've been thinking...

Before Riedel
prints a word...

Excuse me, darling.
Okay, I've got a plan.

Um... You need
to make a statement in support of me, please.

I can't do that, Derek.

Yeah, you can. Just do it.

This place
is half full ofjournalists. Just pick one.

I'm serious, Eileen.
If you want me to continue with the show...

I don't give a damn
what you do, Derek.

There is no show.

What do you mean
there's no show?

Someone tipped off
the government

about the money
I've been using

to finance the show,

and who it came from.

Bombshell is
under investigation and as such, is frozen,

along with
the remaining funds.

Now, if you'll forgive me,
I have to go talk to my lawyers.

I still don't understand
what happened.

All this hard work.
It can't really be over, can it?

It's not unheard of, okay?
It's crazy.

A whole year gone by,
it's like waking up from some dream.

Yeah, well,
at least you woke up.

It looks like my nightmare's
just beginning.

If I lose
The Wiz and Bombshell...

Maybe I can help?

I'm still your muse,
aren't I?

Yeah, something like that.

Look, I hope
you find something else for yourself, Karen.

Something that hits you
the way Bombshell hit me.

Oh. If you do,

give me a call.

I might need a job.

(EXHALES)

How are you feeling?

Oh. Uh... (SIGHS)

As bad as I should.

(SNIFFLES)

(GROANS) You really don't
mind me crashing here?

Not as long
as you can make room on this sofa for me.

I'm going to tell Sam
he should take the tour.

I'm sorry.

Single again.
At this age.

Who'd want me?

Anyone in their right mind.

Then I probably
wouldn't want them.

You know what?
Why don't you just stay here?

What?
Why not?

It'll be like old times.
Or a sitcom.

Maybe even
get some work done.

Plus, I'd get
to see Leo more.

If you really mean it...
Just until I figure out what's happening.

Don't make me beg.

Okay, wait. Uh-uh.

One condition, though.

Don't hide anything
from me anymore.

Not the truth,
not the newspaper. Hand it over.

Are you sure?
Look.

I can't feel any worse
than I do now, right?

Okay.

(BREATHES DEEPLY)

You're gonna need
something stronger than tea.

Hi.

You're here
for the ensemble, right?

That's right.

Oh. You were in Bombshell.
What a mess, huh?

Actually, it was
pretty great.

(PIANO PLAYING)

(SINGING)
There is freedom within there is freedom without

Try to catch the deluge
in a paper cup

There's a battle ahead

Many battles are lost

But you'll never see
the end of the road

While you're
traveling with me

Hey, now, hey, now
Don't dream it's over

Hey, now, hey, now
When the world comes in

They come, they come

To build a wall between us

We know that they won't win

Now I'm towing my car

There's a hole in the roof

My possessions
are causing me suspicion but there's no proof

Hey, now, hey, now
don't dream it's over

Hey, now, hey, now
when the world comes in

They come
They come

To build a wall between us

We know they won't win

Don't ever let them win

Don't ever let them win

Hey, you done?
Bar's closing.

The sign says
you're open till 1:00. It's only quarter to.

Yeah, and you've been
watching your ice melt for the past 20 minutes.

While I appreciate
you actually ordered something,

people got to get back
to their real lives.

Yeah. This is my real life.

Alone at a bar at 12:45.
I'm sorry.

You really don't have
the talking-to-customers thing down, do you?

You wanna teach me?

Keep the change.

I'm good, thanks.

Is he always like that?

Yeah, kinda.

Hey, um, don't I know you?

I doubt it.
Karen Cartwright.

(CHUCKLES)

I saw you in Bombshell.
You were incredible.

I was so sorry to
read about what happened.

Me too. Thanks.

Hey, would you
do me a favor?

Can you sign this for me?

(LAUGHS)
I know. It's really corny, but, um...

I have this
collection of programs from failed musicals...

Oh, damn, I'm sorry,
I have this thing,

I just start talking
before I realize I'm talking and then...

It's okay.

JIMMY: Ky, we gotta
get going.

(GROANS)

Oh, are you two...
Are you guys, like...

Us? (LAUGHS)

No. God, no.
I mean, he's not...

But does it
look like we are?

(CHUCKLES)

You have a good night.
(PIANO PLAYING)

JIMMY: (SINGING)
I'm high above the city

I'm standing on the ledge

The view from here is pretty

And I step off the edge

Forgot my phone. Sorry.

And now I'm falling, baby
Oh...

You didn't see this.
He's not playing the piano. He's not supposed to.

I'm falling, baby

What is that he's playing?

It's, uh...
(CHUCKLES NERVOUSLY)

Just a song he...
We wrote for, um...

For this musical
we're working on. Cool.

KYLE: You really gotta go.
I'm sorry.

Toward the street
that I'm from

Oh, Broadway, here I come

Broadway, here I come

The people all are pointing

I bet they'd never guess

KAREN: Derek.
Karen, it's late. What's going on?

You need
to hear something.

DEREK: What are you
talking about?

Listen.

But even though I fear it

I'm playing all my cards

Where are you?
What is that?

Something else.

Baby, you are gonna hear it

When I give them my regards

I'm falling, baby,
through the sky through the sky

I'm falling, baby,
through the sky

It's my calling, baby
Don't you cry, don't you cry

I'm falling down
through the sky

And I refuse to go numb

Oh, Broadway, here I come

Broadway, here I come

Broadway, here I come

Broadway
Broadway, here I come

Here I come

The last thing I hear

As the impact grows near

Is it a scream or a cheer?

Well, never mind,
I'll never find out 'Cause, Broadway, I am here

Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0