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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:15,849 --> 00:00:19,764 'Why should I hide? Why should I hide? 2 00:00:19,853 --> 00:00:22,558 'Why should I hide? Why should I... ' 3 00:00:24,942 --> 00:00:28,607 'Come on! Find it, its real shape. Let's see it. ' 4 00:00:28,695 --> 00:00:30,735 Let's see it! 5 00:00:38,163 --> 00:00:40,286 Sapphire? 6 00:00:40,374 --> 00:00:43,244 I'm sorry, I can't do any more. 7 00:00:43,335 --> 00:00:45,162 There was a barrier. 8 00:00:46,713 --> 00:00:48,421 I'm sorry. 9 00:00:48,507 --> 00:00:51,342 You're sorry?! What do you mean? 10 00:00:51,426 --> 00:00:53,752 You almost had it. It was... It... 11 00:00:55,097 --> 00:00:57,255 Well, at least we know what it is. 12 00:00:57,349 --> 00:01:01,643 We haven't seen it but we know what it is so let's try and find it. 13 00:01:01,728 --> 00:01:03,602 Well, come on. 14 00:01:39,349 --> 00:01:42,434 Whatever you did, you certainly caused havoc. 15 00:01:44,146 --> 00:01:46,637 In every photograph there ever was. 16 00:01:48,233 --> 00:01:50,440 Well, who is he in this one? Him? 17 00:01:52,446 --> 00:01:54,273 Him? Him? 18 00:01:55,407 --> 00:01:57,364 No, they have their own faces. 19 00:01:57,451 --> 00:02:00,902 The figure we're looking for will always be half-seen 20 00:02:00,996 --> 00:02:04,246 or turned away like that, or not even seen at all. 21 00:02:04,333 --> 00:02:06,372 What about that one? 22 00:02:08,504 --> 00:02:13,047 Could be behind the fence or in the street beyond or in the next room. 23 00:02:13,133 --> 00:02:15,885 - But always in there somewhere? - Yes. 24 00:02:17,638 --> 00:02:21,137 So every photograph is a photograph of infinity. 25 00:03:27,165 --> 00:03:30,001 See, saw, sacradown... 26 00:03:30,085 --> 00:03:32,956 Which is the way to London town? 27 00:03:45,309 --> 00:03:47,764 'All irregularities will be handled 28 00:03:47,853 --> 00:03:50,937 'by the forces controlling each dimension. 29 00:03:53,275 --> 00:03:57,984 'Transuranic heavy elements may not be used where there is life. 30 00:03:58,071 --> 00:04:00,907 'Medium atomic weights are available. 31 00:04:00,991 --> 00:04:03,743 'Gold, Mercury, 32 00:04:03,827 --> 00:04:05,903 'Copper, 33 00:04:05,996 --> 00:04:08,569 'Jet, Diamond, Radium, 34 00:04:08,665 --> 00:04:11,370 'Sapphire, Silver and Steel. 35 00:04:13,128 --> 00:04:16,414 'Sapphire and Steel have been assigned. ' 36 00:04:22,971 --> 00:04:25,130 Paper bubbles. 37 00:04:25,724 --> 00:04:27,551 Paper parasols. 38 00:04:33,190 --> 00:04:35,313 Paper children? 39 00:04:46,411 --> 00:04:48,867 The photograph, it... 40 00:04:48,956 --> 00:04:50,995 'Look behind you. ' 41 00:04:56,129 --> 00:05:00,127 'Not yet. Tell me what you see. ' 42 00:05:08,350 --> 00:05:13,012 'Well, it's a youngish face, dark hair, narrow eyes, pointed chin... ' 43 00:05:13,105 --> 00:05:16,189 'That's not the face I'm looking at. 44 00:05:22,281 --> 00:05:24,320 'Where are you going? ' 45 00:05:26,535 --> 00:05:31,612 'You stay there. Watch him. I'm going to take a closer look. ' 46 00:05:31,707 --> 00:05:33,284 'Excuse me... 47 00:05:33,375 --> 00:05:36,495 'would you prefer us to communicate in this way? ' 48 00:05:36,587 --> 00:05:39,956 'It doesn't make much difference to me. 49 00:05:40,048 --> 00:05:42,456 'So I'll tell you what I'll do... ' 50 00:05:42,551 --> 00:05:47,129 'I'll let you choose. How's that? ' 51 00:05:51,727 --> 00:05:55,178 All right, let's communicate like this, shall we? 52 00:05:55,272 --> 00:05:57,181 Why not? 53 00:05:57,274 --> 00:06:00,061 - With our true voices. - Fine. 54 00:06:00,152 --> 00:06:02,228 And our true faces? 55 00:06:03,363 --> 00:06:07,575 These are ours. The only ones we possess, I'm afraid. 56 00:06:15,876 --> 00:06:18,746 - How about you? - Me? 57 00:06:18,837 --> 00:06:23,001 Yes. Well, we'd like to see your true face. 58 00:06:24,176 --> 00:06:26,050 The real one. 59 00:06:26,136 --> 00:06:29,256 I'm afraid this one will just have to do. 60 00:06:29,348 --> 00:06:31,803 No, it won't, not for us. 61 00:06:33,393 --> 00:06:38,020 But then again, maybe you don't have a real face - not the human kind. 62 00:06:38,106 --> 00:06:42,567 Am I right? I mean, you have millions to choose from, don't you? 63 00:06:45,197 --> 00:06:48,648 But we'd really like to see what you look like... 64 00:06:48,742 --> 00:06:51,826 before we send you back where you came from. 65 00:06:51,912 --> 00:06:54,450 Oh, that can't be done. 66 00:06:54,540 --> 00:06:56,746 Oh, it can. 67 00:06:56,834 --> 00:06:59,585 That's our job. That's why we're here. 68 00:07:01,463 --> 00:07:04,797 Tell me about the children. Why do you need them? 69 00:07:04,883 --> 00:07:07,968 Why have you brought them back with you? 70 00:07:09,096 --> 00:07:11,717 - And the people. - People? 71 00:07:12,808 --> 00:07:14,847 Yes, the man and the woman. 72 00:07:14,935 --> 00:07:17,806 They belong in this time, in this period. 73 00:07:17,896 --> 00:07:21,396 - Not in a photograph chosen by you. - So? 74 00:07:21,483 --> 00:07:25,397 So, before we get rid of you, we'd like them returned. 75 00:07:26,905 --> 00:07:30,488 Well, perhaps you could tell them that. 76 00:07:30,576 --> 00:07:35,154 - What? - Yes... when you join them. 77 00:07:35,247 --> 00:07:37,952 What do you mean, "join them"? 78 00:07:38,041 --> 00:07:40,912 You'll find out... later. 79 00:07:41,003 --> 00:07:45,083 I'm the king of the castle, get down, you dirty rascal 80 00:07:54,141 --> 00:07:56,347 He's here. 81 00:07:59,730 --> 00:08:01,769 - Now where? - There. 82 00:08:09,865 --> 00:08:13,364 - He must be somewhere. - Don't you mean "anywhere"? 83 00:08:13,452 --> 00:08:17,912 If he can disappear into photographs like some tunnel system... 84 00:08:17,998 --> 00:08:20,370 We can't follow him into that thing. 85 00:08:20,459 --> 00:08:22,498 What's wrong? 86 00:08:22,586 --> 00:08:26,797 "When you join them. " I wonder what he meant by that. 87 00:08:26,882 --> 00:08:30,714 All right, we'll destroy every photograph in the place. 88 00:08:33,722 --> 00:08:36,094 Well, why not? Remember the house? 89 00:08:36,183 --> 00:08:39,931 It got into a picture and we destroyed all the pictures. 90 00:08:40,020 --> 00:08:42,476 That was one painting in one house. 91 00:08:42,564 --> 00:08:45,898 This is the whole process, the entire art of photography. 92 00:08:45,984 --> 00:08:49,021 Can you destroy every photograph in the world? 93 00:10:02,060 --> 00:10:04,468 - You still here? - Elizabeth Owen? 94 00:10:04,563 --> 00:10:06,971 - How d'you know that? - Look at this. 95 00:10:07,065 --> 00:10:10,933 How did you know that? I haven't used that name for years. 96 00:10:11,028 --> 00:10:14,361 - Look at this photograph. - Liz Duprey. That's my name. 97 00:10:14,448 --> 00:10:17,733 - That's been my name for... - The photograph. 98 00:10:18,911 --> 00:10:23,537 What about it? It's just a photo. There's hundreds like it here. 99 00:10:23,624 --> 00:10:26,411 - I'm late for work. - Look closely at it. 100 00:10:26,502 --> 00:10:28,708 Yeah, very nice. 101 00:10:28,795 --> 00:10:32,544 - Your friend, Ruth Phillips. - I never told you her name. 102 00:10:32,633 --> 00:10:35,587 - She shared a room with you? - Course she did. 103 00:10:35,677 --> 00:10:38,844 - Until a few months ago? - Yes, I've told you that. 104 00:10:38,931 --> 00:10:41,256 Can you see her in the photograph? 105 00:10:41,350 --> 00:10:44,351 See her in it? In that thing?! 106 00:10:44,436 --> 00:10:48,220 How can I see her? That thing must be a thousand years old. 107 00:10:48,315 --> 00:10:50,272 - 87. - What? 108 00:10:50,359 --> 00:10:53,609 It's exactly 87 years old, give or take a week. 109 00:10:54,780 --> 00:10:59,857 The building at the far end of the street. The top floor, in the window. 110 00:11:02,162 --> 00:11:05,863 I'm not sure. I mean, it could be anybody. 111 00:11:07,751 --> 00:11:09,791 Here. 112 00:11:11,964 --> 00:11:14,668 All right, so it looks a bit like her. 113 00:11:14,758 --> 00:11:16,834 - Same shaped face. - It is Ruth. 114 00:11:16,927 --> 00:11:19,465 - If this picture's 80 years old... - Look. 115 00:11:19,555 --> 00:11:23,089 - I said look there. - What am I looking for this time? 116 00:11:23,183 --> 00:11:25,472 Just look. 117 00:11:27,145 --> 00:11:30,479 - I don't believe it. Him. - Williamson? 118 00:11:30,566 --> 00:11:32,938 - Your previous landlord? - Yeah. 119 00:11:33,026 --> 00:11:36,276 Who disappeared about the same time as Ruth? 120 00:11:36,363 --> 00:11:38,901 One... two. 121 00:11:40,909 --> 00:11:44,409 Wait a minute. Anyone can play tricks with a photo. 122 00:11:44,496 --> 00:11:46,156 They can, yes. 123 00:11:46,248 --> 00:11:50,874 Especially if they know what they're doing, if they're professional. 124 00:11:50,961 --> 00:11:54,211 And he was. Mr Williamson was. 125 00:11:54,298 --> 00:11:57,049 He probably did that - faked that thing. 126 00:11:57,134 --> 00:12:01,712 - Why? Listen, would you mind... - It was his job, his hobby. 127 00:12:01,805 --> 00:12:03,845 I have to work - 'Sapphire... ' - 128 00:12:03,932 --> 00:12:06,008 to concentrate, so would you mind? 129 00:12:06,101 --> 00:12:08,010 Would I what? 130 00:12:08,103 --> 00:12:11,353 Listen, you're not the only one who has to work. 131 00:12:11,440 --> 00:12:14,725 Liz... will you come with me? I need your help. 132 00:12:36,089 --> 00:12:38,497 Is Ruth interested in photography? 133 00:12:38,592 --> 00:12:42,459 Oh, yeah. But she couldn't take a picture to save her life. 134 00:12:42,554 --> 00:12:46,006 She likes watching, though, seeing how it's done. 135 00:12:46,099 --> 00:12:49,967 She used to spend hours in the darkroom with Williamson. 136 00:12:50,062 --> 00:12:52,979 Hours and hours just watching him work. 137 00:12:53,065 --> 00:12:55,307 Used to fascinate her. 138 00:12:55,400 --> 00:12:57,726 It's only a cellar. 139 00:13:10,332 --> 00:13:12,740 Have you finished with me yet? 140 00:13:13,877 --> 00:13:16,333 Was Ruth in the darkroom that night? 141 00:13:16,421 --> 00:13:19,375 - What night? - The night she disappeared. 142 00:13:19,466 --> 00:13:22,503 Look, no one's proved she's disappeared. 143 00:13:23,679 --> 00:13:26,514 I don't know, I suppose she must have been. 144 00:13:26,598 --> 00:13:29,718 She never took her coat so I doubt she went out. 145 00:13:29,810 --> 00:13:32,645 Yeah, I suppose she must have been there. 146 00:13:57,671 --> 00:14:00,542 Mr Williamson... what did he do? 147 00:14:00,632 --> 00:14:02,008 Do? 148 00:14:02,092 --> 00:14:05,295 Yeah. Well, he must have done something wrong. 149 00:14:05,387 --> 00:14:08,471 - Accidentally, yes. - So what was it? 150 00:14:09,683 --> 00:14:12,256 Something to do with his photography? 151 00:14:12,352 --> 00:14:14,392 Yes, he let something in. 152 00:14:14,479 --> 00:14:16,437 In where? 153 00:14:16,523 --> 00:14:18,350 In the house? 154 00:14:18,442 --> 00:14:21,147 What? Just what are you talking about? 155 00:14:21,236 --> 00:14:24,605 We're hoping Ruth can tell us - when we talk to her. 156 00:15:06,198 --> 00:15:09,152 If you reckon Ruth is stuck in some picture, 157 00:15:09,243 --> 00:15:12,528 - then how are you gonna talk to her? - You'll see. 158 00:15:12,621 --> 00:15:16,666 Nobody can talk to a photograph and get an answer. 159 00:15:16,750 --> 00:15:19,585 It's not locked, just jammed. 160 00:15:19,670 --> 00:15:22,291 Something I do happen to know. 161 00:15:22,381 --> 00:15:25,750 I've spent half my lifetime making quick exits. 162 00:15:27,094 --> 00:15:29,549 How about you? 163 00:15:32,307 --> 00:15:34,300 Back yard. OK? 164 00:15:36,895 --> 00:15:40,644 Here, that's funny. Where's the kids? 165 00:15:42,442 --> 00:15:44,482 Aah, they must have gone. 166 00:15:45,821 --> 00:15:47,860 Oh, what a shame. 167 00:15:47,948 --> 00:15:52,242 They bring a bit of life into the place, playing their games. 168 00:15:52,327 --> 00:15:56,076 Skipping and that, singing their funny songs. 169 00:15:57,666 --> 00:16:02,542 Do you know what's funny? I used to think they were foreign or something. 170 00:16:02,629 --> 00:16:04,503 Or from the country. 171 00:16:04,590 --> 00:16:07,294 Their songs always seemed sort of old - 172 00:16:07,384 --> 00:16:10,504 sort of old-fashioned, do you know what I mean? 173 00:16:10,596 --> 00:16:12,256 Yes. 174 00:16:12,347 --> 00:16:15,882 It's funny, though, I've never seen their parents. 175 00:16:15,976 --> 00:16:19,096 No one comes to look for them and take them in. 176 00:16:19,188 --> 00:16:22,853 They're out here till all hours and no one gets them. 177 00:16:22,941 --> 00:16:25,942 Anyway, they're definitely not here now. 178 00:16:29,281 --> 00:16:31,986 Oh, there they are. 179 00:16:32,075 --> 00:16:34,531 They must have been hiding. 180 00:16:36,496 --> 00:16:39,581 Here, what's the matter with them? 181 00:16:40,876 --> 00:16:42,915 I frighten them. 182 00:16:43,003 --> 00:16:46,337 Frighten them? You like frightening children? 183 00:16:46,423 --> 00:16:49,294 Well, they're not exactly children. 184 00:16:49,384 --> 00:16:53,382 - You don't believe me, do you? - Well, not 100 per cent, no. 185 00:16:53,472 --> 00:16:55,429 Go and look. 186 00:16:55,516 --> 00:16:57,342 I will. 187 00:16:57,434 --> 00:17:01,017 Small ghosts, isn't that what you once called them? 188 00:17:01,104 --> 00:17:03,512 Yeah, but I didn't mean these! 189 00:17:05,651 --> 00:17:08,735 The same? Ghosts? 190 00:17:08,820 --> 00:17:10,943 That's one way of describing them. 191 00:17:11,031 --> 00:17:14,815 Except that these are ghosts before death, not after. 192 00:17:16,537 --> 00:17:19,288 What's the matter with them? 193 00:17:19,373 --> 00:17:21,946 Their clothes? 194 00:17:22,042 --> 00:17:24,913 - The colour? - That's close enough, Liz. 195 00:17:25,003 --> 00:17:28,918 Aah, poor little boy. 196 00:17:30,342 --> 00:17:33,011 - Do you want your mum and dad? - Liz. 197 00:17:33,095 --> 00:17:36,345 Ah, poor little soul. 198 00:17:44,731 --> 00:17:47,187 Is that proof enough for you? 199 00:18:22,060 --> 00:18:24,100 'I'm ready. ' 200 00:18:26,899 --> 00:18:29,354 'I'm ready. ' 201 00:18:33,572 --> 00:18:37,486 Are those the clothes she was wearing the night she disappeared? 202 00:18:39,661 --> 00:18:45,082 Photos... You mean this man can actually put people into photos? 203 00:18:45,167 --> 00:18:46,163 Yes. 204 00:18:46,251 --> 00:18:49,869 And take them out again... like those children? 205 00:18:49,963 --> 00:18:51,755 He can, yes. 206 00:18:52,883 --> 00:18:55,255 Poor Ruth. 207 00:18:55,344 --> 00:18:57,965 I'm going to try to communicate with her. 208 00:18:58,055 --> 00:19:00,925 - Can I help? - Just sit there and be quiet. 209 00:19:01,016 --> 00:19:04,136 You sure I can't put myself in a trance for you? 210 00:19:04,228 --> 00:19:06,766 That's my friend - my best friend. 211 00:19:06,855 --> 00:19:11,316 Just sit there. If we need you to be put into a trance, she'll do it. 212 00:19:16,240 --> 00:19:18,279 Well, get on with it. 213 00:19:31,964 --> 00:19:33,374 Ruth. 214 00:19:36,468 --> 00:19:38,508 Ruth? 215 00:19:39,972 --> 00:19:42,011 Can you hear me? 216 00:19:46,979 --> 00:19:49,896 Can you try to speak to me? 217 00:19:52,192 --> 00:19:54,232 Try, Ruth, try it. 218 00:19:57,531 --> 00:20:00,200 Try to speak to me with your mind. 219 00:20:01,743 --> 00:20:03,783 I can help you. 220 00:20:05,539 --> 00:20:09,122 Please, Ruth. Try very hard. 221 00:20:13,255 --> 00:20:15,876 'As I was going up the stair... ' 222 00:20:15,966 --> 00:20:17,793 That's her! Her voice! 223 00:20:17,885 --> 00:20:19,676 Be quiet. 224 00:20:19,761 --> 00:20:24,756 'What is it? A rhyme I knew when I was a kid. 225 00:20:25,893 --> 00:20:28,051 - 'How did it go? ' - Tell us. 226 00:20:28,145 --> 00:20:31,229 'Hang on, I'm trying my best. 227 00:20:32,566 --> 00:20:35,436 'Yes... that's it. 228 00:20:36,904 --> 00:20:40,818 '"As I... As I was going up the stair... 229 00:20:45,370 --> 00:20:48,205 '"I met a man who wasn't there 230 00:20:58,842 --> 00:21:01,464 '"He wasn't there again today 231 00:21:02,721 --> 00:21:06,553 '"I wish... I wish he'd stay away" 232 00:21:07,684 --> 00:21:10,851 'Yes... that's it. 233 00:21:11,980 --> 00:21:14,222 'That's the one. I remember it. ' 234 00:21:15,526 --> 00:21:17,767 Why that rhyme in particular? 235 00:21:17,861 --> 00:21:22,607 'Because I'm remembering a lot of things these days like... 236 00:21:22,699 --> 00:21:25,784 'Like it's... like daydreaming. 237 00:21:25,869 --> 00:21:31,789 'No, I know why I remembered that. It was the man, the man on the stair. 238 00:21:34,253 --> 00:21:38,998 'That's weird, that seems like the last memory I've ever had. 239 00:21:40,509 --> 00:21:43,593 'There's been nothing to remember since. ' 240 00:21:45,931 --> 00:21:48,303 Do you know where you are? 241 00:21:48,392 --> 00:21:52,224 - 'No. ' - Can you see anything? 242 00:21:52,312 --> 00:21:54,684 'Not really, no. 243 00:21:55,899 --> 00:21:58,188 'Only my thoughts. 244 00:21:58,277 --> 00:22:00,316 'Things I remember. 245 00:22:00,404 --> 00:22:03,607 'It's, well... It's a bit like being asleep, 246 00:22:03,699 --> 00:22:06,154 'like having an operation. 247 00:22:06,243 --> 00:22:09,363 'When I was a kid I had an operation, it's like that. 248 00:22:10,497 --> 00:22:13,700 'Dreams and real things all get mixed up in my head. 249 00:22:15,586 --> 00:22:18,836 - 'Am I gonna be all right? ' - Ruth! 250 00:22:18,922 --> 00:22:22,042 'The experiment. Ask her about the experiment. ' 251 00:22:22,134 --> 00:22:24,423 Yes, you're going to be all right. 252 00:22:24,511 --> 00:22:26,551 'Oh, good. ' 253 00:22:26,638 --> 00:22:29,212 Ruth, the man on the stair... 254 00:22:29,308 --> 00:22:31,431 'He just appeared, that's all. 255 00:22:31,518 --> 00:22:36,227 'I was with Mr Williamson and he was working, then the man just appeared. ' 256 00:22:39,109 --> 00:22:43,273 What was Mr Williamson working on at that precise moment? 257 00:22:43,363 --> 00:22:46,863 'I don't know. Some sort of photograph. 258 00:22:46,950 --> 00:22:49,239 'Are you sure I'm not in danger? ' 259 00:22:49,328 --> 00:22:51,866 Yes, I'm quite sure. 260 00:22:53,081 --> 00:22:56,581 Was Mr Williamson working in his photographic room? 261 00:22:56,668 --> 00:22:58,708 'Yeah, in the darkroom. ' 262 00:23:00,422 --> 00:23:03,921 But you can't remember exactly what he was doing? 263 00:23:04,009 --> 00:23:06,465 'No, not really. 264 00:23:06,553 --> 00:23:09,638 'He was very pleased, excited. 265 00:23:10,807 --> 00:23:13,299 'He said he'd discovered something. 266 00:23:13,393 --> 00:23:16,560 'I said would it make him rich and he laughed. I remember! 267 00:23:19,900 --> 00:23:24,941 'He was ever so pleased. He said he'd found a way to... What's happening?! 268 00:23:42,214 --> 00:23:45,499 'What's happening? What's happening? 269 00:23:46,802 --> 00:23:50,253 'What's happening? What's happening? 270 00:23:51,390 --> 00:23:53,596 'No! No! 271 00:23:53,684 --> 00:23:55,511 'No! ' 272 00:23:55,561 --> 00:24:00,111 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 20523

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