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These are the user uploaded subtitles that are being translated: 1 00:00:00,845 --> 00:00:03,262 (soft music) 2 00:00:15,530 --> 00:00:17,350 Much about the super colony, 3 00:00:17,350 --> 00:00:19,983 remains unknown and for good reason. 4 00:00:21,970 --> 00:00:25,540 These ants move incredibly quickly. 5 00:00:25,540 --> 00:00:29,383 So you can see why it's so difficult to study, 6 00:00:30,480 --> 00:00:32,343 and even more difficult to film. 7 00:00:35,040 --> 00:00:37,210 At around 8 millimeters in length, 8 00:00:37,210 --> 00:00:39,200 these are bigger than many ants, 9 00:00:39,200 --> 00:00:41,360 but to us they're still tiny, 10 00:00:41,360 --> 00:00:44,093 and rarely stay still for more than an instant. 11 00:00:45,440 --> 00:00:47,350 To keep track of their frantic movements, 12 00:00:47,350 --> 00:00:50,350 while also getting down to eye level with their world, 13 00:00:50,350 --> 00:00:52,223 needed a very special camera. 14 00:00:55,390 --> 00:00:58,533 The brainchild of film maker Martin Dawn. 15 00:00:59,690 --> 00:01:01,380 This is Franken-Cam. 16 00:01:01,380 --> 00:01:03,980 It's a device for positioning tiny cameras, 17 00:01:03,980 --> 00:01:07,533 and small wide angle lenses into awkward corners, 18 00:01:08,460 --> 00:01:09,943 with extreme precision. 19 00:01:12,620 --> 00:01:14,540 It's called Franken-Cam because, 20 00:01:14,540 --> 00:01:17,363 it's got so many different bits in it. 21 00:01:18,360 --> 00:01:21,570 It has been said that it is an unholy alliance, 22 00:01:21,570 --> 00:01:23,410 between other bits of equipment, 23 00:01:23,410 --> 00:01:25,990 that should never have been put together. 24 00:01:25,990 --> 00:01:28,423 Now known by all of us as Frank, 25 00:01:30,000 --> 00:01:32,210 it enables us to follow tiny creatures, 26 00:01:32,210 --> 00:01:35,931 as they go about their lives, without disturbing them. 27 00:01:35,931 --> 00:01:38,330 (dramatic music) 28 00:01:38,330 --> 00:01:41,620 I first met Frank back in 2005, 29 00:01:41,620 --> 00:01:45,390 when filming for the BBC series, Life In The Undergrowth. 30 00:01:45,390 --> 00:01:49,140 Back then, he wasn't quite a sophisticated as he is now, 31 00:01:49,140 --> 00:01:51,973 but he still allowed us to see ants in a new way. 32 00:01:54,090 --> 00:01:57,820 12 years on, the equipment has grown into this. 33 00:01:57,820 --> 00:02:02,380 And this, enables us to enter the world of the ants, 34 00:02:02,380 --> 00:02:05,083 in a way that has never been achieved before. 35 00:02:06,050 --> 00:02:08,783 Mark, there's a lot of things going on over here. 36 00:02:09,750 --> 00:02:12,290 And long cabling allows operators, 37 00:02:12,290 --> 00:02:15,180 to take the control box away from the camera, 38 00:02:15,180 --> 00:02:17,910 so biting insects are less of a problem. 39 00:02:17,910 --> 00:02:18,783 What's going on? 40 00:02:20,116 --> 00:02:22,593 But of course, it doesn't stop the ants coming to us. 41 00:02:24,947 --> 00:02:26,838 (chuckles) I'm covered in ants. 42 00:02:26,838 --> 00:02:28,973 I'm finding it a little hard to concentrate. 43 00:02:29,951 --> 00:02:32,100 (soft piano music) 44 00:02:32,100 --> 00:02:34,340 With Frank's fluid movements, 45 00:02:34,340 --> 00:02:36,950 keeping th cation in focus is far simpler, 46 00:02:36,950 --> 00:02:40,670 than it would be using a conventional close up camera. 47 00:02:40,670 --> 00:02:43,320 It's incredibly easy to find focus, 48 00:02:43,320 --> 00:02:44,820 to go right in for the close up, 49 00:02:44,820 --> 00:02:47,050 so we can pull out for the wide shots, 50 00:02:47,050 --> 00:02:49,730 and we can see the detail, we can see the distance. 51 00:02:49,730 --> 00:02:52,440 We can put the whole scene in this meadow, 52 00:02:52,440 --> 00:02:54,440 so we can see it's this meadow, 53 00:02:54,440 --> 00:02:57,720 and it makes it easier to feel as if you're there. 54 00:02:57,720 --> 00:02:59,630 And now for the first time, 55 00:02:59,630 --> 00:03:02,770 the ants are in focus no matter where they're moving, 56 00:03:02,770 --> 00:03:04,163 and even I am too. 57 00:03:06,920 --> 00:03:10,630 However, while Frank's body parts cost many thousands, 58 00:03:10,630 --> 00:03:12,630 and it's construction needed the help 59 00:03:12,630 --> 00:03:15,410 of a mathematician and an engineer, 60 00:03:15,410 --> 00:03:17,790 ironically, the layers used for many 61 00:03:17,790 --> 00:03:19,700 of the most spectacular images, 62 00:03:19,700 --> 00:03:22,563 cost just £8 on the internet. 63 00:03:23,910 --> 00:03:26,360 This wasn't a cost cutting measure. 64 00:03:26,360 --> 00:03:28,280 This lens has amazing abilities, 65 00:03:28,280 --> 00:03:31,540 and it's perfect for the job, but it's only so cheap, 66 00:03:31,540 --> 00:03:34,560 because lenses like it are made in their many millions, 67 00:03:34,560 --> 00:03:37,103 for the cameras on your mobile phone. 68 00:03:38,244 --> 00:03:41,320 (dramatic music) 69 00:03:41,320 --> 00:03:43,270 One of the clever ways Frank's lenses 70 00:03:43,270 --> 00:03:45,010 takes us into the ant's world, 71 00:03:45,010 --> 00:03:47,970 is by changing the way we see distances. 72 00:03:47,970 --> 00:03:51,943 To an ant, five feet might as well be half a mile. 73 00:03:54,905 --> 00:03:59,905 This behind the scenes image, recorded on a normal camera, 74 00:04:00,690 --> 00:04:04,290 shows just how close I'm sitting to the nest, 75 00:04:04,290 --> 00:04:07,590 but if we view the same scene using Franken-Cam, 76 00:04:07,590 --> 00:04:09,743 it appears as though I'm much farther away. 77 00:04:12,290 --> 00:04:14,340 It's this magnifying of distances, 78 00:04:14,340 --> 00:04:17,690 that allows the operator to steer so precisely, 79 00:04:17,690 --> 00:04:19,800 between every blade of grass, 80 00:04:19,800 --> 00:04:23,773 and enables us to appreciate the world on ant scale. 81 00:04:26,630 --> 00:04:29,750 But even with Frank, there's one factor 82 00:04:29,750 --> 00:04:32,400 that effected every aspect of the ant's behavior, 83 00:04:32,400 --> 00:04:34,133 that we couldn't control. 84 00:04:36,600 --> 00:04:40,280 The weather up here is extraordinarily unpredictable. 85 00:04:40,280 --> 00:04:42,430 You never know what's gonna happen. 86 00:04:42,430 --> 00:04:46,023 This morning it was lovely sunshine, look at it now. 87 00:04:46,860 --> 00:04:49,850 Difficult to believe, but yesterday, 88 00:04:49,850 --> 00:04:53,030 these meadows were under three inches of snow. 89 00:04:53,030 --> 00:04:56,360 So you have to be prepared for anything, 90 00:04:56,360 --> 00:05:01,360 whether your an ant, or indeed, a naturalist. (chuckles) 91 00:05:02,210 --> 00:05:06,143 The ants have worked out how to survive here, we're novices. 92 00:05:07,350 --> 00:05:09,730 It was meant to be Spring now, 93 00:05:09,730 --> 00:05:12,530 and this was meant to be the shoot we did six weeks ago. 94 00:05:14,520 --> 00:05:16,160 With the weather so variable, 95 00:05:16,160 --> 00:05:19,240 predicting the ant's behaviors was difficult. 96 00:05:19,240 --> 00:05:21,213 We've just arrived, 97 00:05:21,213 --> 00:05:23,750 and found the nest covered in Wind Ants, 98 00:05:23,750 --> 00:05:26,980 which we weren't expecting at all. 99 00:05:26,980 --> 00:05:30,100 We were kind of expecting them to come out, 100 00:05:30,100 --> 00:05:31,730 in about a week, or two weeks time. 101 00:05:31,730 --> 00:05:33,940 Even the scientists are pretty surprised. 102 00:05:33,940 --> 00:05:35,783 Matters aren't helped, 103 00:05:35,783 --> 00:05:38,183 by Frank being just as fickle as the weather is. 104 00:05:39,663 --> 00:05:41,898 Unfortunately with Frank, it's tempremental, 105 00:05:41,898 --> 00:05:43,591 and sometimes he's brilliant, 106 00:05:43,591 --> 00:05:45,778 and as soon as you admit that he's brilliant, 107 00:05:45,778 --> 00:05:47,164 he decides to stop working, 108 00:05:47,164 --> 00:05:49,315 which is exactly what happened this morning. 109 00:05:49,315 --> 00:05:51,010 The focus box has received a knock, 110 00:05:51,010 --> 00:05:53,917 or it's being sad it's not working anyway. 111 00:05:53,917 --> 00:05:56,610 Kit failure is always a concern, 112 00:05:56,610 --> 00:05:59,160 but when there is only one of your camera in the world, 113 00:05:59,160 --> 00:06:01,750 you just need to find a way to carry on. 114 00:06:01,750 --> 00:06:04,600 And doing so, enabled us to record behavior, 115 00:06:04,600 --> 00:06:07,743 scientists can't normally observe in such detail. 116 00:06:09,370 --> 00:06:12,110 Like the intricacies of antenna movements, 117 00:06:12,110 --> 00:06:13,803 when ants interact. 118 00:06:17,050 --> 00:06:20,340 Or following a parasitic queen through the undergrowth, 119 00:06:20,340 --> 00:06:23,313 as she slowly builds her chemical disguise. 120 00:06:25,310 --> 00:06:27,100 To obtain new observations, 121 00:06:27,100 --> 00:06:29,670 leading to a new understanding of the ants, 122 00:06:29,670 --> 00:06:34,310 the team filmed for over 100 days, spread over a year. 123 00:06:34,310 --> 00:06:36,423 And the ants love it. 124 00:06:37,300 --> 00:06:39,570 I'm happy, great, lovely thanks guys. 125 00:06:40,693 --> 00:06:43,367 With the help of Franken-Cam, 126 00:06:43,367 --> 00:06:46,390 they took us into the world of the super colony, 127 00:06:46,390 --> 00:06:49,560 and remarkably, using a tiny lens, 128 00:06:49,560 --> 00:06:52,307 just like the one on the phone in your pocket. 129 00:06:53,741 --> 00:06:56,491 (dramatic music) 10080

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