All language subtitles for The.Blacklist.S05E16.HDTV.x264-SVA

♪ ♪

PHALEN: Agent Graves?

Sergeant Phalen.
State Police.

- We spoke on the phone.
- Yes, sir.

- This way.
- So, when did this happen?

Just after 6:00 last night.

A young couple
staying at the lodge

went out for a hike

straight off one of the trails.

Bradford PD got the call
after 7:00,

notified us.

Anyone spoken to the press?

Responding officer and a couple
of the guys from Troop P

are the only ones
who've seen the site.

Some of the men are
pretty shook up.

- Think it could be him?
- I sincerely doubt that.

Right, but if it is him

and you need my department
to issue a BOLO

or set a perimeter...

(POLICE RADIO CHATTER)

(INDISTINCT CONVERSATIONS)

♪ ♪

That's him, right?

- I mean, who else?
- Issue that BOLO.

Have your men set a perimeter

and circulate that sketch
we have on file.

(CELLPHONE DIALING)

(RINGS)

Hey. Do me a favor.

There's an agent I need you
to find right away.

She's outta D.C.
Name's Elizabeth Keen.

♪ ♪

(CHURCH BELLS TOLLING)

♪ ♪

♪ ♪

LIZ: He went to his funeral.

He was a pallbearer.
A pallbearer!

And while he was doing that,

a witness came forward
who saw Garvey kill Singleton.

- Now, the killer...
- can you describe him to me?

He had glasses. Black glasses.

Well, I saw Garvey kill Tom.
A lot of good that did me.

COOPER: I've already
referred Garvey's case

to the Marshal's Office
of Internal Affairs.

And now this. It's a big break.

It's okay to get your hopes up.

You've spoken to this witness?
Is he credible?

'Cause if he is,
then my testimony...

RED: Will also be credible.

Any questions about
your memory will go away.

So will Mr. Garvey.

And you want that?

Not until I get what I want.

I told him about the duffel bag.

Garvey provides protection
for the Nash Syndicate.

I know some of the players.

I'll shake them loose

while the Task Force
questions the witness.

Where is the witness?
Can I question him?

He's not here.
And, no, you can't.

This is Tom's killer
we're talking about.

Which is why
you can't be involved.

A defense lawyer would need
all of a minute

to convince a jury to disregard

any part of a case
you build against Garvey.

You're the widow and star witness.

You can't also be
the investigating officer.

So, while you and Reddington
go after Garvey,

I'm supposed to, what, read a book?

Actually, I have a case.

I'm only interested
in the man who murdered Tom

and finding out the secret
that got him killed.

I'm going to help with the
former and prevent the latter.

50-50 split.
Like a good divorce.

Harold.

About the case.

- Pass.
- Agent Keen.

This came directly from Quantico.

They specifically requested you.

Said it's a cold case
you'd be familiar with.

Someone called the Capricorn Killer.

Sound familiar?

Yeah, it does.

Good. Because I told them

they have the full support
of you and this Task Force.

Reddington and I
will stay on Garvey,

but I need you to tell us
about Capricorn.

LIZ: His first victim was a
female college professor

found in Tacoma in 2010.

Cause of death was
ligature strangulation,

but the staging was disturbing,

so much that we believe
there must be

some religious or cult affiliation.

Then, six months later,
it happened again... in Memphis.

Then Charlotte.
Idaho Falls.

Seven victims in four years.

Each one found in remote,
inhospitable environments,

and each one strangled
and posed and placed

using a hand-forged sword

and holding the skull
of a horned goat.

Hence the name Capricorn.
Sign of the goat.

This astrological symbol
also represents a creature

whose natural ability
allows them to survive

in inhospitable environments.

It also characterizes
panic and fear.

Agent Keen? Brandon Graves.
Pittsburgh Field Office.

- Agents Ressler and Navabi.
- This way.

Your profile... it was different
from the others?

Slightly. We all agreed

the unsub was likely
a white male, 40s,

small in stature,
and well organized.

He was transitory.
A long-haul trucker, perhaps,

or some other kind of
blue-collar job

that required travel,

and that movement
gave him confidence.

So much so that his killings
accelerated at an alarming rate.

I thought he would stop.

Which he did.
Went silent.

The Bureau thought he was dead
or had been arrested.

Until today.

How is your theory different?

Well, his killings
accelerated so quickly,

I thought he would feel
out of control.

Hold back.
Go dormant for a while.

Others thought he had stopped.
I thought he would return.

Which he has.

Appears to fit the M.O.

Ligature strangulation.
Remote dumpsite.

Methodical.
Ritualistic.

It's impressive.
You were right.

♪ ♪

Keen, what is it?

This sword.

The Capricorn Killer
forged each by hand,

and this one looks...
symmetrical.

Lacks imperfections.

You need to notify the lab.

Have them pull the weapons
from the past victims

and run a comparison.

Hold on.
This isn't a random act.

Whoever did this
has details right

that were never released
to the public.

This is Capricorn.

Maybe. Maybe not.

Maybe this is
the work of a copycat.

Standing there looking at
that body, I felt alive.

Because you reconnected with
your work, with profiling?

No. It's more that...

(SIGHS) I don't know.

Why are you editing yourself?

You know this only works
if you're entirely open.

You brought up the Capricorn
case for a reason. Why?

Because what this unsub did to
that poor man in the woods,

part of me...

sometimes, I feel like

I'm capable of doing
terrible things like that.

You said you identified
the man who killed Tom.

Yes, and killing him,
picturing that, imagining that.

We talked about
how common that feeling is.

This is different.

Well, we've talked about
your anger and passion

and your desire to
paint outside the lines.

Your first case with the Bureau,
what was it called?

He took their shoes...
the Sandman Killer.

My work on that case
was classified.

How do you know about it?

Elizabeth, it's my job
to evaluate your readiness.

We can't have secrets.

The Sandman was a very important
unsolved case

early in your career.

I'm sure it was defining

in ways you may not
even be aware of.

Unsolved cases.

I fixate on them.

How unfair they are. That
people get away with murder.

I-I know it sounds corny,
but I, um...

I obsess...
over the need for justice.

Even if it means
painting outside the lines...

- or the law.
- Yes.

COOPER: A witness has come forward

who can identify
Detective Singleton's killer.

He's at Belmont Police Department.

I want him put in protective custody

and transferred here for questioning.

Uh, protective custody?

We believe the detective
was murdered by Ian Garvey,

a U.S. Marshal responsible
for killing Tom Keen.

Wait. Wait, wait, wait, wait.

You know who killed Tom,
and it was a cop?

Because Garvey is a U.S. Marshal,

I want the FBI to take point
in protecting the witness.

I've arranged for you to be met by
agents from the D.C. Field Office.

As soon as you sign
the transfer order,

they are to bring him here as
quickly as possible. Understood?

No. I mean, yes, sir,
about the transfer,

but about Tom... why would
a U.S. Marshal want him dead?

Tom was pursuing a duffel bag

containing a secret Reddington
is keeping from Agent Keen.

Garvey took it and killed Tom
in the process.

♪ ♪

♪ ♪

(DOOR CLOSES)

♪ ♪

(SIGHS)

Ah! What the hell?

Have a seat, Gerald.

You and I gonna make
a little video.

Hey. Welcome back, Gerald.

♪ We see cash in an instant,
rags like a misfit ♪

GABINELLI: Hey! Turn it down!
Do you hear me? It's the manager!

♪ Piranhas are real slick,
blast after click click ♪

- You gotta turn that damn thing off.
- ♪ Chain dookie, Slick Rick ♪

♪ First 60 grand, specs 100 grand ♪

Mr. Reddington.

- ♪ Lower... ♪
- (MUSIC TURNS OFF)

(DOOR CREAKS)

My word is my bond.
My currency.

I gave Peter Caras my word
that I'd move him

before the Nash Syndicate learned

that he'd cut a deal with the Feds.

But that didn't happen,
did it, Mr. Gabinelli?

The Syndicate found him here.
Killed him in this very room.

At the time,
you gave me your word

that you had no idea
how that happened.

I didn't.
I-I don't.

Mr. Caras was a federal witness,

so I didn't give it
a second thought

when the Marshals sent Ian Garvey

to investigate his murder.

But now I know Garvey wasn't here

to investigate the murder, was he?

He came to cover it up.

You betrayed me to Garvey.

So, now, as absolution,

you're going to betray Garvey to me.

Please. He's a U.S. Marshal.

And I am but a humble killer

with a gun pointed at
the withered prune

that passes for your heart.

The next time an associate
of the Nash Syndicate shows up,

I want a phone call,
a room number, and a key.

Yes, sir.

Good. Turn the lights off
on your way out.

(MUSIC RESUMES)
♪ pedigree, enough about me, partner ♪

♪ This is what they do,
this is what they do ♪

♪ I'm on an alley with my 12... ♪

♪ And... I'm hood rich ♪

- ♪ Drugs in the Caddies... ♪
- (DOOR CLOSES)

Excuse me.
Hello there.

I'm here about Tony Mejia.

What about him?

Uh, oh, I've got
signed transfer orders.

Uh, agents from
the D.C. field office

should be here any minute.

Uh, he's an eyewitness in
the death of a police officer.

- Norman Singleton.
- That's right.

Oh, I'm sorry. Did you know him?

I did. Uh, briefly. In...
In passing.

Seemed like a good man.

MAN: Ran it up the flagpole.

Afraid you can't question
the witness.

Friggin' Feds cut in line.

I'm sorry.
I-I thought you...

Ian Garvey, U.S. Marshal.
Singleton was on my Task Force.

Federal Agent Mojtabai.

Uh, wh-what did you say
your name was again?

Look, I get it. You got dibs.
Protocol.

But this is personal.

I'm... I'm sure it was.

Good. So we understand
each other.

You give me a card,

and I'll send you a transcript
of the interrogation.

I'm a-afraid
I cannot let you do that.

Uh, send me a-a transcript,
that is.

You won't have to
because, uh, the witness...

I'm... I'm putting him
in protective custody.

Are you now?

And who would you be
protecting him from?

Who?

Um, I'm just...

I'm just doing as I was told.

And I'm telling you
this is personal.

I'd like you to extend me
a little professional courtesy.

I would if I could, really.

Okay, then.

How about we go outside,

and I kick your scrawny, brown ass,

and then take my witness?

First of all, it's, uh,
more of a golden brown.

It's a topaz. Topaz, really.

And, um, secondly,
uh, pardon my French,

but you can back the hell off.

Please, bring out my witness.

MAN: I was told that
you were waiting

for agents from
the D.C. Field Office.

Yes, I was.
Not anymore.

♪ ♪

RESSLER: Miss Seivers,
your husband's body was found

almost 250 miles away.

Can you think of
any reason at all

why he'd be so far from home?

I don't know.
He didn't like to travel.

- Did he have friends in Pennsylvania?
- Not that I know of.

But you feel like your husband
was pretty open with you?

What's that supposed to mean?

Ma'am, I'm just trying to get
a picture of your husband...

steady job,
known in the community,

high-school football star...

LIZ: I believe what
Agent Graves is getting at is

that your husband doesn't fit
the victimology of our killer.

Wendell had a family.
He was known here in town.

He was strong, could fight back.

Oh, I'm sure he did.

Look... we had problems

and fought, just like anyone,
but Wendell was a good man.

He loved me,
and he loved that boy.

This picture of the two of them...

some kind of school project?

No, they was just messing around.

That's one of Wendell's hobby swords.

I'm sorry, hobby swords?

He made these?

Sure.

In his shop out back.

(DOOR SLIDES OPEN)

♪ ♪

Isn't it a little odd that the
Capricorn Killer's last victim

has his own sword-making operation?

RESSLER: They're hand-forged.
Imperfect.

♪ ♪

♪ ♪

♪ ♪

♪ ♪

(DOOR THUMPS OPEN)

♪ ♪

♪ ♪

You're saying the most recent victim

is the Capricorn Killer?

Someone murdered the killer

and mimicked his M.O.
in the process.

RESSLER: It's him.
We even have shrines

that match each of
the Capricorn Killer's victims.

And the profile?
I thought you said

this guy was single, a loner?

He was. Until he met his wife
and had a child.

That's why he went dormant...
family.

I'm telling you, you pull the
travel records from his employer,

and they will match
the dumpsites of his victims.

Then who killed Seivers?

Keen was right about the sword.

It wasn't hand-forged
like the others.

It was a bronze cast made by
a high-school history professor

who sells them online.

Do we have any information
on the buyer?

It was purchased under
a fake name,

but I was able to track down
a shipping address.

Good.
Run it down with Ressler.

Keen, you may want to find
your way back.

Our witness in the Singleton
murder is en route as we speak.

(CELLPHONE BEEPS)

♪ ♪

(WHIMPERING)

You disgust me, Gerald.

(PANTING) No. Please.

I... I...

Ah, don't pass out on me, now.

Sadly, I got a lot more work to do.

- Just like you did.
- (WHIMPERING)

Hey. Welcome back, Gerald.

I can't imagine
what you're feeling.

Not physically,
but emotionally.

Funny thing is,
the drugs I gave you

to immobilize your body
don't have any affect on fear.

That's what makes
this experience so unique.

While you were asleep,

I took the liberty
of amputating your forearm

by making an incision

at the juncture between
the ulna and humerus.

I opened the fascial plane
of your left leg,

being careful to avoid
the femoral artery.

Now, lie back, Gerald.

- Be brave.
- (WHIMPERING)

Let's enjoy these last
few moments together.

(SAW BUZZES)

(WHIMPERING)

♪ ♪

- (SAW BUZZES)
- (GROANING)

♪ ♪

(DOOR CREAKS OPEN)

♪ ♪

(GASPS)

RESSLER: Stop! FBI!

♪ ♪

(INDISTINCT CONVERSATIONS)

♪ ♪

(AIR BRAKES SQUEAL, HISS)

♪ ♪

(PANTING)

♪ ♪

(SIGHS) He didn't make it.

♪ ♪

I know you're scared.
I would be, too.

Of being here.
Of what you saw.

But you know
you don't have to be.

We're here to protect you.
It's our job.

And the people I work with,
they're, like...

they are, like,
really, really good at it.

All right, so, now I'm going to
show you some photos.

TONY: A woman already
showed me some photos.

Yes, of the victim.
Of Detective Singleton.

But these photos
contain the man

who we believe
killed Detective Singleton.

And if you recognize him,

I want you to point him out, okay?

Okay.

All right, take your time.

The man you saw in the alley.

The man you saw
murder Detective Singleton.

Do you see that man
in any of these photos?

♪ ♪

♪ ♪

(BREATHING DEEPLY)

I'll reach out to
the U.S. Attorney's Office.

Soon as hears this,
I have no doubt...

- (SIGHS)
- they'll issue an arrest warrant.

It's almost over.

(BELL DINGS)

You have someone?

I put him in Room 4,
where Caras died.

I thought it would be...
poetic justice.

A romantic! How counterintuitive.

I hope you appreciate the risk
I'm taking by doing this.

It's not so much appreciation
as good planning.

Kill the bodyguard.

Wound Reddington.
I need him alive.

♪ ♪

(DOOR OPENS)

(DOOR CREAKS)

- (GUNSHOT)
- (GRUNTS)

(GUNSHOTS)

Ohh!

(GROANS)

♪ ♪

(GRUNTING)

(DOOR CLOSES)

You're gonna need
a colostomy bag.

You deserve worse.

I should kill you right now.

But let's talk about
what you're going to do...

which is name your price,
and quickly,

before policemen who
actually uphold the law

arrive to clean up this mess.

- Let's start with the truth.
- You have the bones.

You already know the truth.

A truth.
I want the whole truth.

The whole truth is that
we are all clinging

to a lovely blue ball
floating in a sea of blackness.

Everything else, including
and most especially,

the truth you're looking for,

is a tale told by an idiot,
full of sound and fury,

signifying nothing.

I could take the bones public.

You could, but you haven't.
And you won't.

I'm not sure why.
There's something I'm missing.

Something holding you back.

I won't kill you
until I have the bones,

and for some inexplicable reason,

you won't go public until
you know this whole truth.

We may have a stalemate,
but with the FBI,

you're at a distinct disadvantage.

They're hunting for you.

And as you've killed a cop,

they will make it
their life's work

to put you on death row.

Unless you give me the bag,

in which case,

- an accommodation may be possible.
- (SIRENS WAILING IN DISTANCE)

- That's my offer.
- Here's mine.

The cop you say I killed?
The FBI's holding a witness.

- Bring him to me.
- And why would I do that?

Because if he fingers me
and I go to prison,

- our little stalemate ends.
- (SIRENS APPROACHING)

You want to keep
the bones secret,

that witness can never see
the inside of a courtroom.

You better go.

I got a crime scene
to investigate.

(WAILING CONTINUES)

- (CAMERA SHUTTER CLICKING)
- GRAVES: The TriState Butcher himself.

We got an ID from the license
and card in his wallet.

Local PD went to his house

and found a stash of tapes
from previous victims.

So we have two serial killers,

both killed using
their unique signature.

Mm-hmm.

♪ ♪

Where's your head?

The profile.
Whoever's behind this.

- I don't get it.
- What's not to get?

Someone's knocking off
serial killers.

Yeah, but how?

Most serial killers are
white men in their 40s.

The man Ressler chased down
was a black man.

And how is he identifying
his targets?

The victims are all killers
the Bureau can't identify.

And yet,
the crimes are premeditated

and the crime scenes
are meticulously staged.

He's duplicating the work
of real-life killers

using classified intel
that hasn't been made public...

inside information.

He's gotta be...
Don't say it.

You're thinking it, too.

A cop?

Not just a cop...

a profiler.

You think the unsub is
an AfricanAmerican profiler

with the Bureau.

I'd think
I was under suspicion,

but you didn't mention
he was devastatingly handsome.

It makes perfect sense.

What makes you so sure?

'Cause this is exactly how
I would've done it.

LIZ: I've been trying
not to edit myself.

DR. FULTON: Oh, tell me.
How has that felt?

Intense. Scary.

Everyone feels that way sometimes.

You don't have to be afraid
of those feelings.

See, that's just it.
That's what scares me.

I'm not afraid of those feelings.

I'm exhilarated by them.

This killer is a genius.

He saw things the Bureau couldn't.

He solved cases we missed.

Have you always felt like this?

I think so.

My first case.

The Sandman...
the one you asked me about.

How did he do it?

Convince little Susie Baker

to leave with him
in the middle of the night.

You think he convinced her?

Her shoes were missing.

Little pink hightops
with rainbow laces.

Why would a 4-year-old put them on

or let him put them on for her?

She did it because she trusted him.

And I could never figure out why.

What he did...
what they all do...

sickens me.

But how they do it,
how their minds work...

- (INHALES DEEPLY) honestly, it's...
- Exhilarating.

Like, take this case I'm working
on right now, the profiler.

- Alleged profiler.
- No, I'm certain of it.

So you've argued, but
if the killer was a profiler,

then his training at Quantico
would've required a psych eval.

I'd like to think
I or my colleagues

would've flagged him before
he was cleared for fieldwork.

- Maybe you did.
- What?

Flag him.

Not at first, but maybe later.

Years later, they could've
suffered a mental trauma,

one that's caused
a psychological shift.

If I could get ahold
of the medical records

- of these other profilers...
- But you can't.

Medical records are private.

Without the authorization of
the patient or a court order,

you simply can't get them.

- Of course I can get them.
- Dr. Fulton is incredibly perceptive.

She sees me. Sees through me.

If the killer's a profiler,

I know her and her colleagues
would see through him, too,

- at least enough to flag him.
- Send me the list.

- You'll have the records this afternoon.
- Do I even want to know how?

(CHUCKLES) I'm sure you do,
but I'm not going to tell you.

Oh, my God. I can't believe
I almost forgot to tell you.

- The witness ID'd Garvey as the killer.
- Did he?

Yeah. The sweet, innocent kid
any jury would believe.

And you have him
in protective custody?

Completely. Aram is overseeing

his transport to a safehouse now.

He'll have round-the-clock security

from now until the trial.

Garvey is going down.

If not for killing Tom,
for killing a cop.

I want all this to be behind you.

For the first time, I actually
think that might happen.

(CELLPHONE CLICKS SHUT)

♪ ♪

Dembe, is everything in place?

Yes. Everything is in place.

♪ ♪

I know I was just here
this morning,

but, um, I just need to
ask you something

- and get your opinion.
- Of course. What is it?

I've been looking over the medical
files of the other profilers.

We talked about this.

Yes, that's when I got the idea
to do it.

And I told you
they were classified.

I've been looking over them
for hours.

At what...
the files you stole?

I had started to suspect
Agent Graves.

I thought the files
would confirm my suspicions,

but they didn't.

Of the 282 agents

in the Bureau's
five Behavioral Analysis units,

61 have undergone
psychological evaluations.

But in the last 10 years,

only eight have been deemed
unfit for duty and released.

Agent Graves was not one of them,

but... Anthony Hollis was.

Top in his class at Quantico.

Deemed unfit for duty
after a psych eval

due to insubordination.

Why are you telling me this
and not your Task Force?

He got into law enforcement

because both his parents
were killed when he was young.

I think you're only telling me
because you know

- you can't tell your team
- So, he's angry. Driven.

Do you really want to
lose your badge on this?

I just want to stop
a serial killer,

and I think you can help me.

In your professional opinion,

as a psychologist and criminologist,

do you think, based on
everything I've told you,

that this could be our guy?

♪ ♪

(PAPERS RUSTLING)

♪ ♪

Yes, it's possible.

- That's all I need to know.
- Liz.

- (DOOR OPENS, CLOSES)
- (SIGHS)

♪ ♪

LIZ: I may have identified
the man behind the killings.

He's a former agent.
Name's Anthony Hollis.

- What makes you so sure?
- He was a profiler.

Psych services flagged him
for behavioral issues.

It's all in his medical file.

Anthony Elliot Hollis.
Age 46.

Residence...

231 Washington Street
in Gaithersburg.

I have eyes on him now.
Looks like he's going somewhere.

He may be a flight risk.

Agent Ressler, you chased the
unsub from the murder scene.

I didn't get a good enough look.
I can't confirm it's him.

- You need to roll units.
- His medical file...

how is it that you got a copy?

- Reddington got it for me.
- Meaning he stole it for you?

- Sir, he's leaving.
- And because he stole it,

whatever evidence we get on him
may be inadmissible.

We won't know until we arrest him,

which Liz can't do without a badge.

Keen, listen to me...

put a bumper lock on Hollis,
but do not engage.

Ressler and Navabi are en route.

(CELLPHONE BEEPS)

Let's just hope,
if this is our guy,

you didn't do anything to
jeopardize our ability

to put him where he belongs.

♪ ♪

Thank you.
For agreeing to do this.

You know you don't have to.

It's the right thing to do.

Yes, it is.

My grandmother always tells me
I should do the right thing.

I think your grandma
will be very proud of you.

Does the place we're going
have snacks?

- I like Doritos.
- You serious?

I love Doritos. Wait.
Which is your favorite?

Mine... Spicy Nacho.
Unless I'm depressed.

Then I mainline
Jacked 3D Bacon Cheddar Ranch.

(CHUCKLES)

(VEHICLE BEEPING)

Guys, what's going on?

MAN: No idea.
Engine just gave out.

(ENGINE SPUTTERS, STOPS)

(TIRES SCREECH)

- Guys.
- Whoa!

Hey, guys!

(TIRES SCREECH)

- (WEAPONS COCK)
- Guns down! Hands up!

♪ ♪

No! Aah! No!

(GRUNTS) No, no!

Oh! Help me!

No, let me go! Let me go!

Let me go! Let me go!

♪ ♪

(TIRES SCREECH)

♪ ♪

(GUN COCKS)

(ENGINE REVS)

(SAFETY CLICKS)

♪ ♪

- Let's go!
- Move, move!

(INDISTINCT SHOUTING)

- Clear!
- (SHOUTS INDISTINCTLY)

SAMAR: Liz, we just
got off the phone

with the Gaithersburg
Police Department.

We have officers on-site
at Hollis' home,

and the place is
full of evidence.

They're pulling prints now,
but he's our guy.

RESSLER: We're pulling a trace on
your cell. We're not far behind.

- (SIREN WAILING)
- We're pulling off the 270 now.

LIZ: He just stopped
on Little Seneca Lake.

It's some minimum maintenance
road off the westbound 117.

All right, we're minutes out.
Hold tight.

We're pulling maps of the area.

If there were a cabin
or a house, I would see it.

I'm losing light.

(WHISPERING)
I've lost him in the shadows.

(TAPPING ON WINDOW)

(WINDOW MOTOR WHIRRING)

Liz?

Liz.

(WAILING CONTINUES)

HOLLIS: The gun, too.

Let's go for a drive.

♪ ♪

♪ ♪

LIZ: Where are we going?

Quiet. Keep walking.

♪ ♪

- I only ask...
- I said, "Quiet."

♪ ♪

♪ ♪

♪ ♪

(GRUNTING)

(GRUNTING)

♪ ♪

(GUN COCKS)

Let's go.

♪ ♪

♪ ♪

(DOOR CREAKS)

What is this place?

(DOOR CREAKS)

Come on in, Elizabeth.

♪ ♪

There's something
I want to share with you.

♪ ♪

RESSLER: Agent Keen
broke contact 13 minutes ago.

State Police have set up
a perimeter with road blocks,

but there's a chance
she may be on foot.

GRAVES: So, our search area will run

from Sideline Road on the west

to the shoreline on the east.

And from Tenmile Creek
down to highway 117.

Before she vanished, Agent Keen

was in pursuit of this man,

Anthony Hollis.
Former FBI.

He is smart, he is armed,
and he knows how we work,

so be careful.

Are we clear on our grids?

- Yes, sir.
- Yes, sir.

You're my therapist.

And this is our final session.

When we're done here,
I feel certain

I'll be able to recommend
reinstatement.

You know who this guy is,
what he does.

Of course.
I taught him.

- No, that can't be!
- You're angry. That's good.

Anger can be so...

- exhilarating.
- Don't.

Fixating on unsolved cases,
how unfair they are.

- Do not twist my word...
- I know it sounds corny,

but I am obsessed with
painting outside the lines.

I am not like you.

- Not yet.
- Never.

I kill serial killers.

I brought you here to recruit you.

The same way I recruited Hollis.

I've had my eye on you for ages.

Ever since you shot
the Attorney General

for being a traitor.

I knew then you were someone
I needed to recruit.

So, when your psychiatric
evaluation was ordered,

I made sure
I was assigned to your case.

Talk about exhilarating.

A profiler and the daughter
of Raymond Reddington.

In our sessions,

you were everything
I could've hoped for...

comfortable with
your darker impulses.

So I tested you out in the field.

The Capricorn Killer.

♪ ♪

You knew psych services
would reach out to me,

assign me the case.

That it would lead me to you.

Oh, I certainly knew that stealing

a few confidential medical files
wasn't going to stop you.

All you've done is
confess to murder.

I've revealed myself to you.

And you're about
to reveal yourself to me.

And maybe even to yourself.

♪ ♪

(DOOR CREAKS)

♪ ♪

♪ ♪

DR. FULTON: You know
where we are, right?

♪ ♪

Susie Baker...

He brought her here.

He brought them all here.

Why would you bring me here?

To do what has to be done.

♪ ♪

(DOOR CREAKS)

(LIGHT-SWITCH CHAIN RATTLES, CLICKS)

♪ ♪

To kill the Sandman.

(LABORED BREATHING)

♪ ♪

(SPEAKING INDISTINCTLY)

♪ ♪

GRAVES: (WHISPERING) Shh, quiet.

Stop walking.

DR. FULTON: I used to counsel families.

Tried to ease their pain,
help them heal.

But there are times
when there is no healing.

Because there's no justice.

Susie died in this room.

We can't bring her back.

But for her family,
to help them heal...

this is the next best thing.

♪ ♪

He suffocated her with a pillow.

(MUFFLED WHINING)

♪ ♪

Go on.

♪ ♪

I know you want to.

(MUFFLED CRY)

♪ ♪

(MUFFLED SCREAMING)

(DOOR SLAMS OPEN)

FBI! Hands where
we can see them!

Leave him. I've got this one.

Circle back. Head west.

See if you can find that woman

- and make sure...
- Look out!

(GUNSHOTS)

♪ ♪

(PANTING)

(BARKING ECHOES)

♪ ♪

(MAN SHOUTS INDISTINCTLY)

LIZ: Stop!

(DOG BARKING)

(SIRENS WAILING IN DISTANCE)

(BREATHING HEAVILY)

♪ ♪

I can't believe
I read you wrong.

♪ ♪

Maybe you didn't.

♪ ♪

(FLASHLIGHT CLICKS)

♪ ♪

(MAN SHOUTS INDISTINCTLY)

(WAILING CONTINUES)

♪ ♪

(CAMERA SHUTTERS CLICKING,
POLICE RADIO CHATTER)

♫ HEY ROSETTA! "WHAT ARROWS" ♫

♪ ♪

♪ It curves in ♪

♪ ♪

♪ Through the weather ♪

♪ ♪

♪ It's coming from above ♪

I tried.

- I thought...
- Don't beat yourself up, Keen.

I'll get us a sketch.

State Police are out there
combing the woods.

Wherever she is,
we're gonna find her.

At least we got these two, right?

Silver linings.

♪ It guided us to touch ♪

Hey, if there's anything good
that happened today,

it's that we secured a witness

who's gonna testify against
the man who killed Tom.

♪ It moves in a rhythm, yeah ♪

Like I said. Silver linings.

♪ ♪

♪ What tender tailor came... ♪

What?!

Whoever it was,
they came out of nowhere.

- But there was a team. SWAT.
- I know,

but it happened really fast.

They overwhelmed us,
and they boxed us in.

- The witness is gone?
- No, not gone.

He's missing,
and we're gonna get him back.

- We're gonna get him back.
- No, you're not.

♪ Then he left us alone ♪

Liz, Liz, no. Listen. So, look,

I've pulled all of the feeds,

and, uh, now,
the vans were unmarked.

- There were no plates, but...
- Aram.

I'm doing... I'm...

This is not your fault.

I'm not blaming you,

but five minutes after
he was taken,

that sweet kid was dead.

♪ ♪

♪ But our feet fall in a rhythm, yeah ♪

I'm not gonna stop until I can
prove Garvey did this.

He won't get away with it.

(CRIES)

He already has.

COOPER: Agent Keen.

♪ ♪

♪ I can't believe it ♪

♪ I think I believe in this ♪

Been a hard few days.

Aram lost a witness,
and while you got Hollis,

his partner in crime got away.

These are setbacks,
and they sting.

But in this line of work,
I've learned

you have to take the good
with the bad.

So, let's take a moment...
focus on the good.

Dr. Fulton?

I've submitted my report

to the Office of
the Inspector General,

and he's agreed with
my recommendation

that you be reinstated,
effective immediately.

Congratulations, Agent Keen.

(SIGHS) Thank you.

This is a big relief.

You deserve it.

You've worked hard in counseling,

been honest about
your grief and loss,

and you've been
remarkably willing

to reveal to me
who you truly are.

A fine agent and
an even better person.

♪ And what angel? ♪

♪ Did he wait until we met? ♪

I didn't reinstate you
because you let me go,

but you did let me go,

and I want to thank you for that.

My father has people
he can turn to for help.

Doctors. Lawyers.

Finders. Freaks.

People with special skills.

You have a special skill,

and I'd like to know that,
someday, I can turn to you.

Reddington said
you were nothing like him.

♪ ♪

And you knew he was wrong.

♪ It's there if you're listening ♪

Well, you're done
with mandatory counseling.

But, if you ever want to come in

on a voluntary basis,

my door's always open.

♪ I can't believe it ♪

♪ I think I believe in this ♪

♪ Whoa-oh-oh-oh ♪

(SUSPENSEFUL MUSIC PLAYS)

I don't see the witness.

You never will.

I've taken him away

from you and the FBI.

I told you to bring him to me.

Yes. A thuggish order
I immediately disregarded

because I don't take orders
from you.

The witness and his grandmother
are safe and secure.

And as long as I'm alive,

he will not testify against you.

What about Keen?

She's a witness.

You gonna put her
outta my reach, too?

I don't have to because,
where she is concerned,

you have no leverage.

Secret or no secret,

if you reach out to her,
I'll cut off your hands.

If you look in her direction,
I'll cut out your eyes.

And if you ever utter her name
again in my presence,

I'll cut out your tongue.

You have no idea who I am

or why I want the truth.

Aren't you curious?

Don't you have any questions?

Oh, I have plenty of questions,

but none I'd pose to you.

The answers will have to wait...

for me to find out on my own.

Good luck with that.

Mr. Garvey, might I suggest

you enjoy what little time
you have left...

crab cakes, scalp massages,

perhaps a double feature

of "The 400 Blows" and
"Jules and Jim"...

whatever floats your boat.

Do it now, because
I will find those bones,

and when I do,
I'm gonna kill you.

You are an odd one, aren't you?

(CELLPHONE RINGING)

♪ ♪

Yes?

LIZ: I need you to
promise me something.

Of course.

You're doing everything
in your power to get Garvey.

What's this about?

He got him.

We were so close, and then...

You have my word.

The bag. The secret.

You won't let them
get in the way?

I've already told you.

Tell me again.
I need to hear it.

I promise Ian Garvey
will not get away from me.

(DOOR CREAKS)

(CELLPHONE CLICKS SHUT)

♪ ♪