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These are the user uploaded subtitles that are being translated: 1 00:00:23,566 --> 00:00:26,444 [ OMINOUS MUSIC PLAYS ] 2 00:00:45,964 --> 00:00:49,675 [ WAVES CRASHING ] 3 00:00:53,345 --> 00:00:56,348 [ CHILDREN GIGGLING 4 00:00:53,345 --> 00:00:56,348 IN DISTANCE ] 5 00:00:56,390 --> 00:01:02,354 [ HAPPY CHATTER ] 6 00:01:09,570 --> 00:01:11,238 [ SHRIEKS PLAYFULLY ] 7 00:01:23,208 --> 00:01:26,211 [ SHOUTING IN JAPANESE ] 8 00:01:30,424 --> 00:01:33,344 [ CONVERSING IN JAPANESE ] 9 00:01:59,411 --> 00:02:02,498 [ SWALLOWING WITH DIFFICULTY ] 10 00:02:06,669 --> 00:02:11,173 ARE YOU HERE TO KILL ME? 11 00:02:17,889 --> 00:02:21,183 I KNOW WHAT THIS IS. 12 00:02:21,225 --> 00:02:23,853 I'VE SEEN ONE BEFORE... 13 00:02:23,895 --> 00:02:25,063 [ RATTLING ] 14 00:02:25,104 --> 00:02:28,066 ...MANY, MANY YEARS AGO. 15 00:02:28,107 --> 00:02:33,571 IT BELONGED TO A MAN I MET 16 00:02:28,107 --> 00:02:33,571 IN A HALF-REMEMBERED DREAM. 17 00:02:35,698 --> 00:02:40,661 A MAN POSSESSED 18 00:02:35,698 --> 00:02:40,661 OF SOME RADICAL NOTIONS. 19 00:02:43,831 --> 00:02:46,834 Cobb: WHAT IS 20 00:02:43,831 --> 00:02:46,834 THE MOST RESILIENT PARASITE? 21 00:02:46,876 --> 00:02:49,420 A BACTERIA? 22 00:02:49,461 --> 00:02:51,589 A VIRUS? 23 00:02:51,630 --> 00:02:53,257 AN INTESTINAL WORM? 24 00:02:53,298 --> 00:02:56,468 UH...WHAT MR. COBB 25 00:02:53,298 --> 00:02:56,468 IS TRYING TO SAY -- 26 00:02:56,510 --> 00:02:57,845 AN IDEA. 27 00:02:58,846 --> 00:03:00,848 RESILIENT. 28 00:02:58,846 --> 00:03:00,848 HIGHLY CONTAGIOUS. 29 00:03:00,890 --> 00:03:03,642 ONCE AN IDEA HAS TAKEN HOLD 30 00:03:00,890 --> 00:03:03,642 OF THE BRAIN, 31 00:03:03,684 --> 00:03:05,895 IT'S ALMOST IMPOSSIBLE 32 00:03:03,684 --> 00:03:05,895 TO ERADICATE. 33 00:03:05,937 --> 00:03:08,856 AN IDEA THAT IS FULLY FORMED, 34 00:03:05,937 --> 00:03:08,856 FULLY UNDERSTOOD -- 35 00:03:08,898 --> 00:03:10,066 THAT STICKS. 36 00:03:10,108 --> 00:03:12,026 RIGHT IN THERE SOMEWHERE. 37 00:03:12,068 --> 00:03:13,611 FOR SOMEONE LIKE YOU 38 00:03:12,068 --> 00:03:13,611 TO STEAL? 39 00:03:13,652 --> 00:03:14,904 YES. 40 00:03:13,652 --> 00:03:14,904 IN THE DREAM STATE, 41 00:03:14,946 --> 00:03:16,822 YOUR CONSCIOUS DEFENSES 42 00:03:14,946 --> 00:03:16,822 ARE LOWERED, 43 00:03:16,864 --> 00:03:19,283 AND THAT MAKES YOUR THOUGHTS 44 00:03:16,864 --> 00:03:19,283 VULNERABLE TO THEFT. 45 00:03:19,324 --> 00:03:20,826 IT'S CALLED EXTRACTION. 46 00:03:20,868 --> 00:03:23,412 MR. SAITO, 47 00:03:20,868 --> 00:03:23,412 WE CAN TRAIN YOUR SUBCONSCIOUS 48 00:03:23,454 --> 00:03:25,123 TO DEFEND ITSELF 49 00:03:25,164 --> 00:03:27,041 FROM EVEN 50 00:03:25,164 --> 00:03:27,041 THE MOST SKILLED EXTRACTOR. 51 00:03:27,083 --> 00:03:28,584 HOW CAN YOU DO THAT? 52 00:03:28,626 --> 00:03:31,087 BECAUSE I AM 53 00:03:28,626 --> 00:03:31,087 THE MOST SKILLED EXTRACTOR. 54 00:03:31,129 --> 00:03:34,006 I KNOW HOW TO SEARCH YOUR MIND 55 00:03:31,129 --> 00:03:34,006 AND FIND YOUR SECRETS. 56 00:03:34,048 --> 00:03:35,215 I KNOW THE TRICKS. 57 00:03:35,257 --> 00:03:37,259 AND I CAN TEACH THEM 58 00:03:35,257 --> 00:03:37,259 TO YOU, 59 00:03:37,301 --> 00:03:38,594 SO THAT EVEN 60 00:03:37,301 --> 00:03:38,594 WHEN YOU'RE ASLEEP, 61 00:03:38,636 --> 00:03:41,097 YOUR DEFENSE 62 00:03:38,636 --> 00:03:41,097 IS NEVER DOWN. 63 00:03:41,139 --> 00:03:42,640 LOOK, IF YOU WANT MY HELP, 64 00:03:42,681 --> 00:03:45,851 YOU'RE GONNA HAVE TO BE 65 00:03:42,681 --> 00:03:45,851 COMPLETELY OPEN WITH ME. 66 00:03:45,893 --> 00:03:47,812 I NEED TO KNOW MY WAY 67 00:03:45,893 --> 00:03:47,812 AROUND YOUR THOUGHTS 68 00:03:47,853 --> 00:03:49,521 BETTER THAN YOUR WIFE, 69 00:03:49,563 --> 00:03:51,690 BETTER THAN YOUR THERAPIST, 70 00:03:49,563 --> 00:03:51,690 BETTER THAN ANYONE. 71 00:03:51,732 --> 00:03:53,025 IF THIS IS A DREAM, 72 00:03:53,067 --> 00:03:55,027 AND YOU HAVE A SAFE 73 00:03:53,067 --> 00:03:55,027 FULL OF SECRETS, 74 00:03:55,069 --> 00:03:57,404 I NEED TO KNOW 75 00:03:55,069 --> 00:03:57,404 WHAT'S IN THAT SAFE. 76 00:03:57,446 --> 00:03:59,157 IN ORDER 77 00:03:57,446 --> 00:03:59,157 FOR THIS ALL TO WORK, 78 00:03:59,198 --> 00:04:00,866 YOU NEED TO COMPLETELY 79 00:03:59,198 --> 00:04:00,866 LET ME IN. 80 00:04:03,285 --> 00:04:05,537 ENJOY YOUR EVENING, GENTLEMEN, 81 00:04:05,579 --> 00:04:08,207 AS I CONSIDER 82 00:04:05,579 --> 00:04:08,207 YOUR PROPOSAL. 83 00:04:08,248 --> 00:04:09,875 [ INDISTINCT CONVERSATIONS ] 84 00:04:09,917 --> 00:04:11,877 [ RUMBLING ] 85 00:04:09,917 --> 00:04:11,877 HE KNOWS. 86 00:04:13,921 --> 00:04:15,255 [ OBJECTS RATTLING ] 87 00:04:15,297 --> 00:04:16,548 WHAT'S GOING ON UP THERE? 88 00:04:16,590 --> 00:04:18,425 [ RATTLING CONTINUES ] 89 00:04:19,551 --> 00:04:23,764 [ WATCH TICKING; 90 00:04:19,551 --> 00:04:23,764 TICKING QUICKENS ] 91 00:04:25,891 --> 00:04:29,436 [ INDISTINCT SHOUTING 92 00:04:25,891 --> 00:04:29,436 IN DISTANCE ] 93 00:04:38,570 --> 00:04:41,281 [ EXPLOSIONS IN DISTANCE ] 94 00:04:55,504 --> 00:04:58,132 [ TICKING ] 95 00:05:03,929 --> 00:05:06,390 [ OBJECTS RATTLING ] 96 00:05:10,728 --> 00:05:13,605 SAITO KNOWS. 97 00:05:10,728 --> 00:05:13,605 HE'S PLAYING WITH US. 98 00:05:13,647 --> 00:05:15,900 DOESN'T MATTER. 99 00:05:13,647 --> 00:05:15,900 I CAN GET IT HERE. TRUST ME. 100 00:05:15,941 --> 00:05:17,860 THE INFORMATION 101 00:05:15,941 --> 00:05:17,860 IS IN THE SAFE. 102 00:05:17,902 --> 00:05:20,320 HE LOOKED RIGHT AT IT 103 00:05:17,902 --> 00:05:20,320 WHEN I MENTIONED SECRETS. 104 00:05:20,362 --> 00:05:22,447 WHAT'S SHE DOING HERE? 105 00:05:24,867 --> 00:05:26,952 JUST HEAD BACK 106 00:05:24,867 --> 00:05:26,952 TO THE ROOM. 107 00:05:26,994 --> 00:05:28,746 ALL RIGHT? 108 00:05:26,994 --> 00:05:28,746 I'LL TAKE CARE OF THIS. 109 00:05:28,787 --> 00:05:30,455 OKAY, MAKE SURE YOU DO. 110 00:05:28,787 --> 00:05:30,455 WE'RE HERE TO WORK. 111 00:05:38,172 --> 00:05:41,217 IF I JUMPED... 112 00:05:41,259 --> 00:05:43,135 WOULD I SURVIVE? 113 00:05:45,470 --> 00:05:49,183 WITH A CLEAN DIVE, 114 00:05:45,470 --> 00:05:49,183 PERHAPS. 115 00:05:49,225 --> 00:05:50,434 MAL, WHAT ARE YOU 116 00:05:49,225 --> 00:05:50,434 DOING HERE? 117 00:05:50,475 --> 00:05:52,728 I THOUGHT 118 00:05:50,475 --> 00:05:52,728 YOU MIGHT BE MISSING ME. 119 00:05:52,770 --> 00:05:53,938 YOU KNOW THAT I AM. 120 00:05:53,979 --> 00:05:56,065 BUT I... 121 00:05:56,107 --> 00:05:57,983 I CAN'T 122 00:05:56,107 --> 00:05:57,983 TRUST YOU ANYMORE. 123 00:05:58,025 --> 00:06:00,402 SO WHAT? 124 00:06:00,444 --> 00:06:03,405 LOOKS LIKE 125 00:06:00,444 --> 00:06:03,405 ARTHUR'S TASTE. 126 00:06:03,447 --> 00:06:05,532 ACTUALLY, 127 00:06:03,447 --> 00:06:05,532 THE SUBJECT IS PARTIAL 128 00:06:05,574 --> 00:06:07,826 TO POSTWAR 129 00:06:05,574 --> 00:06:07,826 BRITISH PAINTERS. 130 00:06:07,868 --> 00:06:11,038 PLEASE, HAVE A SEAT. 131 00:06:18,837 --> 00:06:20,589 TELL ME... 132 00:06:20,631 --> 00:06:22,216 DO THE CHILDREN MISS ME? 133 00:06:25,427 --> 00:06:28,264 YOU CAN'T IMAGINE. 134 00:06:32,392 --> 00:06:33,644 WHAT ARE YOU DOING? 135 00:06:33,685 --> 00:06:35,271 JUST GETTING 136 00:06:33,685 --> 00:06:35,271 SOME FRESH AIR. 137 00:06:35,313 --> 00:06:37,648 STAY WHERE YOU ARE, MAL. 138 00:06:41,693 --> 00:06:43,904 [ BREATHES DEEPLY ] 139 00:06:50,328 --> 00:06:52,704 COME ON. DAMN IT. 140 00:07:02,047 --> 00:07:03,465 [ GRINDING ] 141 00:07:11,723 --> 00:07:14,101 [ MUFFLED GUNSHOT ] 142 00:07:21,733 --> 00:07:23,361 [ MUFFLED GUNSHOT ] 143 00:07:42,880 --> 00:07:44,548 [ LOCK CLICKS, 144 00:07:42,880 --> 00:07:44,548 HINGES CREAK ] 145 00:07:53,391 --> 00:07:56,268 Saito: TURN AROUND! 146 00:07:56,310 --> 00:07:57,602 Mal: THE GUN, DOM. 147 00:08:05,610 --> 00:08:06,528 [ GRUNTS ] 148 00:08:06,570 --> 00:08:07,905 PLEASE. 149 00:08:10,408 --> 00:08:11,783 [ BREATHING HEAVILY ] 150 00:08:19,917 --> 00:08:22,794 NOW THE ENVELOPE, 151 00:08:19,917 --> 00:08:22,794 MR. COBB. 152 00:08:22,836 --> 00:08:26,548 DID SHE TELL YOU? 153 00:08:22,836 --> 00:08:26,548 OR HAVE YOU KNOWN ALL ALONG? 154 00:08:26,590 --> 00:08:28,717 THAT YOU'RE HERE 155 00:08:26,590 --> 00:08:28,717 TO STEAL FROM ME 156 00:08:28,759 --> 00:08:31,762 OR THAT WE ARE 157 00:08:28,759 --> 00:08:31,762 ACTUALLY ASLEEP? 158 00:08:36,058 --> 00:08:38,143 I WANT TO KNOW THE NAME 159 00:08:36,058 --> 00:08:38,143 OF YOUR EMPLOYER. 160 00:08:38,185 --> 00:08:39,978 [ GUN COCKS ] 161 00:08:40,020 --> 00:08:42,606 UH, THERE'S NO USE 162 00:08:40,020 --> 00:08:42,606 THREATENING HIM IN A DREAM, 163 00:08:42,647 --> 00:08:44,316 RIGHT, MAL? 164 00:08:44,358 --> 00:08:47,445 THAT DEPENDS 165 00:08:44,358 --> 00:08:47,445 ON WHAT YOU'RE THREATENING. 166 00:08:47,486 --> 00:08:50,197 KILLING HIM 167 00:08:47,486 --> 00:08:50,197 WOULD JUST WAKE HIM UP. 168 00:08:50,239 --> 00:08:51,782 BUT PAIN... 169 00:08:53,492 --> 00:08:55,535 [ GUNSHOT ] 170 00:08:53,492 --> 00:08:55,535 AAH! UGH! 171 00:08:55,577 --> 00:08:57,913 ...PAIN IS IN THE MIND. 172 00:08:57,955 --> 00:08:59,539 AND JUDGING BY THE DECOR, 173 00:08:59,581 --> 00:09:01,833 WE'RE IN YOUR MIND, 174 00:08:59,581 --> 00:09:01,833 AREN'T WE, ARTHUR? 175 00:09:05,670 --> 00:09:06,838 [ MUFFLED GUNSHOT ] 176 00:09:05,670 --> 00:09:06,838 [ GRUNTS ] 177 00:09:13,887 --> 00:09:15,555 WHAT ARE YOU DOING?! 178 00:09:13,887 --> 00:09:15,555 IT'S TOO SOON! 179 00:09:15,597 --> 00:09:17,224 I KNOW. 180 00:09:15,597 --> 00:09:17,224 BUT THE DREAM'S COLLAPSING. 181 00:09:17,266 --> 00:09:19,351 I'M GONNA TRY TO KEEP SAITO 182 00:09:17,266 --> 00:09:19,351 UNDER A LITTLE BIT LONGER. 183 00:09:19,393 --> 00:09:20,644 WE'RE ALMOST THERE. 184 00:09:20,685 --> 00:09:24,231 [ MUFFLED GUNSHOTS ] 185 00:09:24,273 --> 00:09:25,607 [ GRUNTING ] 186 00:09:34,366 --> 00:09:36,743 HE WAS CLOSE. 187 00:09:36,785 --> 00:09:39,079 VERY CLOSE. 188 00:09:41,290 --> 00:09:43,792 [ SCREAMING ] 189 00:09:51,842 --> 00:09:53,885 AAH! STOP HIM! 190 00:09:58,223 --> 00:10:01,101 [ MUFFLED GUNSHOTS ] 191 00:10:08,692 --> 00:10:11,653 AAH! 192 00:10:08,692 --> 00:10:11,653 [ GUNSHOTS ] 193 00:10:15,533 --> 00:10:18,118 [ BEEPING ] 194 00:10:18,160 --> 00:10:20,496 [ GROANING SOFTLY ] 195 00:10:20,538 --> 00:10:21,663 THIS ISN'T GONNA WORK. 196 00:10:20,538 --> 00:10:21,663 WAKE HIM UP. 197 00:10:31,340 --> 00:10:32,883 AAH! 198 00:10:43,310 --> 00:10:44,728 HE WON'T WAKE! 199 00:10:46,897 --> 00:10:49,816 [ PANTING ] 200 00:10:49,858 --> 00:10:51,360 GIVE HIM THE KICK! 201 00:10:49,858 --> 00:10:51,360 WHAT? 202 00:10:51,402 --> 00:10:52,694 DUNK HIM. 203 00:10:55,447 --> 00:10:59,659 [ CREAKING ] 204 00:11:20,764 --> 00:11:26,353 [ DISTORTED, 205 00:11:20,764 --> 00:11:26,353 SLOW-MOTION SOUNDS ] 206 00:11:26,395 --> 00:11:28,272 [ GASPS ] 207 00:11:28,313 --> 00:11:29,731 AAH. 208 00:11:33,110 --> 00:11:34,778 NASH! 209 00:11:34,819 --> 00:11:36,321 [ GRUNTING ] 210 00:11:36,363 --> 00:11:38,698 HE'S OUT. 211 00:11:38,740 --> 00:11:39,908 [ BREATHING HEAVILY ] 212 00:11:39,950 --> 00:11:43,579 [ INDISTINCT SHOUTING ] 213 00:11:43,621 --> 00:11:46,998 YOU CAME PREPARED, HMM? 214 00:11:47,040 --> 00:11:48,584 NOT EVEN MY HEAD OF SECURITY 215 00:11:47,040 --> 00:11:48,584 KNOWS THIS APARTMENT. 216 00:11:48,626 --> 00:11:50,168 HOW DID YOU FIND IT? 217 00:11:50,210 --> 00:11:52,712 IT'S VERY DIFFICULT 218 00:11:50,210 --> 00:11:52,712 FOR A MAN OF YOUR POSITION 219 00:11:52,754 --> 00:11:54,756 TO KEEP A LOVE NEST 220 00:11:52,754 --> 00:11:54,756 LIKE THIS SECRET, 221 00:11:54,798 --> 00:11:57,342 PARTICULARLY WHERE THERE'S 222 00:11:54,798 --> 00:11:57,342 A MARRIED WOMAN INVOLVED. 223 00:11:57,384 --> 00:11:59,428 SHE WOULD NEVER. 224 00:11:57,384 --> 00:11:59,428 YET, HERE WE ARE... 225 00:11:59,470 --> 00:12:01,096 WITH A DILEMMA. 226 00:12:01,138 --> 00:12:02,640 THEY'RE GETTING CLOSER. 227 00:12:02,681 --> 00:12:03,932 YOU GOT 228 00:12:02,681 --> 00:12:03,932 WHAT YOU CAME FOR. 229 00:12:03,974 --> 00:12:05,559 WELL, THAT'S NOT TRUE. 230 00:12:05,601 --> 00:12:08,353 YOU LEFT OUT A KEY PIECE 231 00:12:05,601 --> 00:12:08,353 OF INFORMATION, DIDN'T YOU? 232 00:12:08,395 --> 00:12:09,771 YOU HELD SOMETHING BACK, 233 00:12:09,813 --> 00:12:11,815 BECAUSE YOU KNEW 234 00:12:09,813 --> 00:12:11,815 WHAT WE WERE UP TO. 235 00:12:11,856 --> 00:12:13,484 QUESTION IS, 236 00:12:11,856 --> 00:12:13,484 WHY'D YOU LET US IN AT ALL? 237 00:12:13,525 --> 00:12:14,610 AN AUDITION. 238 00:12:14,652 --> 00:12:16,987 AN AUDITION FOR WHAT? 239 00:12:17,028 --> 00:12:19,030 DOESN'T MATTER. 240 00:12:17,028 --> 00:12:19,030 YOU FAILED. 241 00:12:19,072 --> 00:12:21,866 WE EXTRACTED EVERY BIT OF 242 00:12:19,072 --> 00:12:21,866 INFORMATION YOU HAD IN THERE. 243 00:12:21,908 --> 00:12:24,202 BUT YOUR DECEPTION 244 00:12:21,908 --> 00:12:24,202 WAS OBVIOUS. 245 00:12:30,250 --> 00:12:31,835 [ TRAIN RATTLING ] 246 00:12:35,839 --> 00:12:38,049 [ TICKING QUICKENS ] 247 00:12:38,091 --> 00:12:40,135 [ TRAINS WHOOSHING ] 248 00:12:48,310 --> 00:12:51,021 [ BEEPING SLOWLY ] 249 00:12:54,816 --> 00:12:59,904 ♪ NON! RIEN DE RIEN... ♪ 250 00:13:05,202 --> 00:13:08,121 SO, LEAVE ME AND GO. 251 00:13:08,163 --> 00:13:09,873 YOU DON'T SEEM TO UNDERSTAND, 252 00:13:08,163 --> 00:13:09,873 MR. SAITO. 253 00:13:09,914 --> 00:13:11,500 THAT CORPORATION 254 00:13:09,914 --> 00:13:11,500 THAT HIRED US, 255 00:13:11,542 --> 00:13:13,835 THEY WON'T ACCEPT FAILURE. 256 00:13:13,877 --> 00:13:16,254 WE WON'T LAST TWO DAYS. 257 00:13:16,296 --> 00:13:19,299 COBB? 258 00:13:19,341 --> 00:13:21,426 LOOKS LIKE I'M GONNA HAVE TO 259 00:13:19,341 --> 00:13:21,426 DO THIS A LITTLE MORE SIMPLY. 260 00:13:22,844 --> 00:13:24,888 TELL US WHAT YOU KNOW! 261 00:13:24,929 --> 00:13:26,765 TELL US 262 00:13:24,929 --> 00:13:26,765 WHAT YOU KNOW NOW! 263 00:13:26,806 --> 00:13:29,934 [ CHUCKLING ] 264 00:13:29,976 --> 00:13:33,271 I HAVE ALWAYS HATED 265 00:13:29,976 --> 00:13:33,271 THIS CARPET. 266 00:13:33,313 --> 00:13:37,693 IT'S STAINED AND FRAYED 267 00:13:33,313 --> 00:13:37,693 IN SUCH DISTINCTIVE WAYS. 268 00:13:37,735 --> 00:13:42,322 BUT VERY DEFINITELY 269 00:13:37,735 --> 00:13:42,322 MADE OF WOOL. 270 00:13:42,364 --> 00:13:45,116 RIGHT NOW... 271 00:13:45,158 --> 00:13:46,993 I'M LYING ON POLYESTER. 272 00:13:50,955 --> 00:13:53,667 WHICH MEANS... 273 00:13:53,709 --> 00:13:57,379 I'M NOT LYING ON MY CARPET 274 00:13:53,709 --> 00:13:57,379 IN MY APARTMENT. 275 00:13:57,421 --> 00:14:01,299 YOU HAVE LIVED UP 276 00:13:57,421 --> 00:14:01,299 TO YOUR REPUTATION, MR. COBB. 277 00:14:01,341 --> 00:14:03,885 I'M STILL DREAMING. 278 00:14:03,927 --> 00:14:05,929 [ EDIT PIAF'S "NON JE NE 279 00:14:03,927 --> 00:14:05,929 REGRETTE RIEN" PLAYING ] 280 00:14:05,970 --> 00:14:07,931 [ RAPID BEEPING ] 281 00:14:10,308 --> 00:14:11,935 HOW'D IT GO? 282 00:14:10,308 --> 00:14:11,935 NOT GOOD. 283 00:14:16,732 --> 00:14:19,067 DREAM WITHIN A DREAM. 284 00:14:19,109 --> 00:14:21,903 AH, I'M IMPRESSED. 285 00:14:23,113 --> 00:14:25,949 BUT IN MY DREAM, 286 00:14:23,113 --> 00:14:25,949 YOU PLAY BY MY RULES. 287 00:14:25,990 --> 00:14:29,160 AH, YES, BUT, YOU SEE, 288 00:14:25,990 --> 00:14:29,160 MR. SAITO... 289 00:14:29,202 --> 00:14:31,496 WE'RE NOT IN YOUR DREAM. 290 00:14:29,202 --> 00:14:31,496 WE'RE IN MINE. 291 00:14:31,538 --> 00:14:34,750 [ INDISTINCT SHOUTING ] 292 00:14:34,792 --> 00:14:37,127 [ RAPID BEEPING, 293 00:14:34,792 --> 00:14:37,127 MUSIC CONTINUES ] 294 00:14:37,168 --> 00:14:40,464 [ SHOUTING CONTINUES ] 295 00:14:37,168 --> 00:14:40,464 AAH! 296 00:14:40,505 --> 00:14:41,923 [ MUSIC CONTINUES ] 297 00:14:41,965 --> 00:14:43,925 ASSHOLE. HOW DO YOU 298 00:14:41,965 --> 00:14:43,925 MESS UP THE CARPET? 299 00:14:43,967 --> 00:14:45,302 IT WASN'T MY FAULT. 300 00:14:45,343 --> 00:14:46,637 YOU'RE THE ARCHITECT. 301 00:14:46,678 --> 00:14:48,513 I DIDN'T KNOW HE WAS GONNA 302 00:14:46,678 --> 00:14:48,513 RUB HIS DAMN CHEEK ON IT! 303 00:14:48,555 --> 00:14:50,390 THAT'S ENOUGH. 304 00:14:50,432 --> 00:14:52,934 AND YOU. WHAT THE HELL 305 00:14:50,432 --> 00:14:52,934 WAS ALL THAT? 306 00:14:52,976 --> 00:14:54,894 I HAVE IT UNDER CONTROL. 307 00:14:54,936 --> 00:14:56,396 I'D HATE TO SEE YOU 308 00:14:54,936 --> 00:14:56,396 OUT OF CONTROL. 309 00:14:56,438 --> 00:14:58,774 ALL RIGHT, 310 00:14:56,438 --> 00:14:58,774 WE DON'T HAVE TIME FOR THIS. 311 00:14:58,816 --> 00:15:00,317 I'M GETTING OFF AT KYOTO. 312 00:15:00,358 --> 00:15:02,360 WHY? HE'S NOT GONNA CHECK 313 00:15:00,358 --> 00:15:02,360 EVERY COMPARTMENT. 314 00:15:02,402 --> 00:15:03,821 WELL, I DON'T LIKE TRAINS. 315 00:15:03,862 --> 00:15:06,114 LISTEN. 316 00:15:03,862 --> 00:15:06,114 EVERY MAN FOR HIMSELF. 317 00:15:47,238 --> 00:15:48,657 [ RATTLING ] 318 00:15:55,831 --> 00:15:58,249 [ GUN CLICKS ] 319 00:16:12,639 --> 00:16:14,725 [ SETS GUN DOWN ] 320 00:16:14,766 --> 00:16:17,811 [ TELEPHONE RINGS ] 321 00:16:20,313 --> 00:16:21,857 YES, HELLO? 322 00:16:21,899 --> 00:16:23,441 PHILLIPA: Hi, Daddy. 323 00:16:23,483 --> 00:16:25,193 JAMES: Hi, Dad. 324 00:16:25,235 --> 00:16:27,487 HEY, GUYS. HEY. 325 00:16:25,235 --> 00:16:27,487 HOW ARE YOU? 326 00:16:27,529 --> 00:16:28,947 HOW YOU DOIN', HUH? 327 00:16:28,988 --> 00:16:30,281 Good. 328 00:16:30,323 --> 00:16:31,616 Okay, I guess. 329 00:16:31,658 --> 00:16:33,869 OKAY? 330 00:16:31,658 --> 00:16:33,869 [ CHUCKLES ] 331 00:16:33,911 --> 00:16:35,537 WHO'S JUST OKAY? 332 00:16:33,911 --> 00:16:35,537 IS THAT YOU, JAMES? 333 00:16:35,579 --> 00:16:37,706 Yeah. 334 00:16:37,748 --> 00:16:39,040 When are you 335 00:16:37,748 --> 00:16:39,040 coming home, Dad? 336 00:16:39,082 --> 00:16:40,709 [ EXHALES SHARPLY ] 337 00:16:40,751 --> 00:16:43,253 WELL, I CAN'T, SWEETHEART. 338 00:16:40,751 --> 00:16:43,253 I CAN'T. 339 00:16:43,294 --> 00:16:45,088 NOT FOR A WHILE, 340 00:16:43,294 --> 00:16:45,088 REMEMBER? 341 00:16:45,129 --> 00:16:46,924 Why? 342 00:16:46,965 --> 00:16:49,008 LOOK, I...I TOLD YOU. 343 00:16:49,050 --> 00:16:52,220 I'M -- I'M AWAY 344 00:16:49,050 --> 00:16:52,220 BECAUSE I'M WORKING, RIGHT? 345 00:16:52,262 --> 00:16:56,099 Grandma says 346 00:16:52,262 --> 00:16:56,099 you're never coming back. 347 00:16:56,140 --> 00:16:59,018 PHILLIPA, IS THAT YOU? 348 00:16:59,060 --> 00:17:01,688 PUT GRANDMA ON THE PHONE 349 00:16:59,060 --> 00:17:01,688 FOR ME, WILL YOU? 350 00:17:01,730 --> 00:17:03,648 She's shaking her head. 351 00:17:05,442 --> 00:17:08,278 WE'LL JUST HOPE 352 00:17:05,442 --> 00:17:08,278 SHE'S WRONG ABOUT THAT. 353 00:17:08,319 --> 00:17:10,655 Daddy? 354 00:17:10,697 --> 00:17:11,990 YEAH, JAMES? 355 00:17:12,031 --> 00:17:13,742 Is Mommy with you? 356 00:17:16,286 --> 00:17:19,831 JAMES, 357 00:17:16,286 --> 00:17:19,831 WE TALKED ABOUT THIS. 358 00:17:19,873 --> 00:17:22,500 MOMMY'S NOT HERE ANYMORE. 359 00:17:22,542 --> 00:17:25,503 Where? 360 00:17:25,545 --> 00:17:28,757 GRANDMA: That's enough, kids. 361 00:17:25,545 --> 00:17:28,757 Say bye-bye. 362 00:17:28,799 --> 00:17:31,301 LISTEN, I'M -- I'M GONNA SEND 363 00:17:28,799 --> 00:17:31,301 SOME PRESENTS WITH GRANDPA. 364 00:17:31,342 --> 00:17:32,636 ALL RIGHT? 365 00:17:32,677 --> 00:17:33,929 AND YOU BE GOOD. 366 00:17:32,677 --> 00:17:33,929 YOU BE.... 367 00:17:33,971 --> 00:17:35,555 [ Click, dial tone ] 368 00:17:35,597 --> 00:17:37,223 [ REPLACES RECEIVER ] 369 00:17:40,101 --> 00:17:42,228 [ KNOCK ON DOOR ] 370 00:17:42,270 --> 00:17:44,731 OUR RIDE'S ON THE ROOF. 371 00:17:44,773 --> 00:17:46,691 RIGHT. 372 00:17:46,733 --> 00:17:48,276 [ DOOR CLOSES ] 373 00:17:51,279 --> 00:17:53,156 [ SIGHS ] 374 00:17:53,197 --> 00:17:54,574 HEY, ARE YOU OKAY? 375 00:17:54,616 --> 00:17:56,534 YEAH. 376 00:17:54,616 --> 00:17:56,534 YEAH, I'M FINE. WHY? 377 00:17:56,576 --> 00:17:59,370 WELL, DOWN IN THE DREAM, 378 00:17:56,576 --> 00:17:59,370 MAL SHOWING UP. 379 00:17:59,412 --> 00:18:01,122 LOOK, I'M, UH, 380 00:17:59,412 --> 00:18:01,122 SORRY ABOUT YOUR LEG. 381 00:18:01,164 --> 00:18:02,666 WON'T HAPPEN AGAIN. 382 00:18:02,707 --> 00:18:04,292 IT'S GETTING WORSE, 383 00:18:02,707 --> 00:18:04,292 ISN'T IT? 384 00:18:04,334 --> 00:18:05,836 ONE APOLOGY'S ALL YOU'RE 385 00:18:04,334 --> 00:18:05,836 GETTING, ALL RIGHT, ARTHUR? 386 00:18:05,877 --> 00:18:07,420 WHERE'S NASH? 387 00:18:07,462 --> 00:18:09,130 HE HASN'T SHOWN. 388 00:18:07,462 --> 00:18:09,130 YOU WANT TO WAIT? 389 00:18:09,172 --> 00:18:11,508 NO, WE WERE SUPPOSED TO 390 00:18:09,172 --> 00:18:11,508 DELIVER SAITO'S EXPANSION PLANS 391 00:18:11,549 --> 00:18:13,134 TO COBOL ENGINEERING 392 00:18:11,549 --> 00:18:13,134 TWO HOURS AGO. 393 00:18:13,176 --> 00:18:14,719 BY NOW, 394 00:18:13,176 --> 00:18:14,719 THEY KNOW WE FAILED. 395 00:18:14,761 --> 00:18:17,305 IT'S TIME WE DISAPPEAR. 396 00:18:17,347 --> 00:18:19,349 WHERE YOU GONNA GO? 397 00:18:17,347 --> 00:18:19,349 BUENOS AIRES. 398 00:18:19,390 --> 00:18:20,809 I CAN LIE LOW THERE, 399 00:18:20,851 --> 00:18:23,144 MAYBE SNIFF OUT A JOB 400 00:18:20,851 --> 00:18:23,144 WHEN THINGS QUIET DOWN. 401 00:18:23,186 --> 00:18:25,605 YOU? 402 00:18:23,186 --> 00:18:25,605 STATESIDE. 403 00:18:25,647 --> 00:18:27,190 SEND MY REGARDS. 404 00:18:31,778 --> 00:18:33,363 [ SIGHS ] 405 00:18:33,404 --> 00:18:35,114 HE SOLD YOU OUT. 406 00:18:35,156 --> 00:18:37,408 THOUGHT TO COME TO ME 407 00:18:35,156 --> 00:18:37,408 AND BARGAIN FOR HIS LIFE. 408 00:18:37,450 --> 00:18:41,329 SO, I OFFER YOU 409 00:18:37,450 --> 00:18:41,329 THE SATISFACTION. 410 00:18:44,624 --> 00:18:47,168 IT'S NOT THE WAY 411 00:18:44,624 --> 00:18:47,168 I DEAL WITH THINGS. 412 00:18:55,760 --> 00:18:57,178 [ HELICOPTER BLADES WHIRRING ] 413 00:19:00,181 --> 00:19:01,224 WHAT WILL YOU DO 414 00:19:00,181 --> 00:19:01,224 WITH HIM? 415 00:19:01,265 --> 00:19:03,351 NOTHING. 416 00:19:03,393 --> 00:19:06,563 BUT I CAN'T SPEAK 417 00:19:03,393 --> 00:19:06,563 FOR COBOL ENGINEERING. 418 00:19:19,993 --> 00:19:21,786 WHAT DO YOU WANT 419 00:19:19,993 --> 00:19:21,786 FROM US? 420 00:19:21,828 --> 00:19:23,371 INCEPTION. 421 00:19:24,581 --> 00:19:26,833 IS IT POSSIBLE? 422 00:19:24,581 --> 00:19:26,833 OF COURSE NOT. 423 00:19:26,875 --> 00:19:29,961 IF YOU CAN STEAL AN IDEA 424 00:19:26,875 --> 00:19:29,961 FROM SOMEONE'S MIND, 425 00:19:30,003 --> 00:19:32,047 WHY CAN'T YOU 426 00:19:30,003 --> 00:19:32,047 PLANT ONE THERE INSTEAD? 427 00:19:32,089 --> 00:19:34,007 OKAY. HERE'S ME PLANTING 428 00:19:32,089 --> 00:19:34,007 AN IDEA IN YOUR HEAD. 429 00:19:34,049 --> 00:19:35,967 I SAY TO YOU, 430 00:19:34,049 --> 00:19:35,967 "DON'T THINK ABOUT ELEPHANTS." 431 00:19:36,009 --> 00:19:37,052 WHAT ARE YOU 432 00:19:36,009 --> 00:19:37,052 THINKING ABOUT? 433 00:19:37,094 --> 00:19:38,845 ELEPHANTS. 434 00:19:38,887 --> 00:19:40,471 RIGHT. 435 00:19:38,887 --> 00:19:40,471 BUT IT'S NOT YOUR IDEA, 436 00:19:40,513 --> 00:19:42,891 BECAUSE YOU KNOW 437 00:19:40,513 --> 00:19:42,891 I GAVE IT TO YOU. 438 00:19:42,933 --> 00:19:45,393 THE SUBJECT'S MIND 439 00:19:42,933 --> 00:19:45,393 CAN ALWAYS TRACE THE 440 00:19:42,933 --> 00:19:45,393 GENESIS OF THE IDEA. 441 00:19:45,435 --> 00:19:46,644 TRUE INSPIRATION'S 442 00:19:45,435 --> 00:19:46,644 IMPOSSIBLE TO FAKE. 443 00:19:46,686 --> 00:19:47,771 IT'S NOT TRUE. 444 00:19:50,314 --> 00:19:52,067 CAN YOU DO IT? 445 00:19:52,109 --> 00:19:53,902 ARE YOU OFFERING ME 446 00:19:52,109 --> 00:19:53,902 A CHOICE? 447 00:19:53,944 --> 00:19:57,280 BECAUSE I CAN FIND MY OWN WAY 448 00:19:53,944 --> 00:19:57,280 TO SQUARE THINGS WITH COBOL. 449 00:19:57,321 --> 00:19:59,282 THEN YOU DO 450 00:19:57,321 --> 00:19:59,282 HAVE A CHOICE. 451 00:19:59,323 --> 00:20:01,118 AND I CHOOSE 452 00:19:59,323 --> 00:20:01,118 TO LEAVE, SIR. 453 00:20:06,164 --> 00:20:07,665 TELL THE CREW 454 00:20:06,164 --> 00:20:07,665 WHERE YOU WANT TO GO. 455 00:20:12,420 --> 00:20:14,089 HEY, MR. COBB! 456 00:20:16,466 --> 00:20:19,052 HOW WOULD YOU 457 00:20:16,466 --> 00:20:19,052 LIKE TO GO HOME? 458 00:20:19,094 --> 00:20:21,012 TO AMERICA? 459 00:20:21,054 --> 00:20:23,890 TO YOUR CHILDREN? 460 00:20:23,932 --> 00:20:27,268 YOU CAN'T FIX THAT! 461 00:20:23,932 --> 00:20:27,268 NO ONE CAN! 462 00:20:27,310 --> 00:20:28,895 JUST LIKE INCEPTION. 463 00:20:28,937 --> 00:20:30,271 COBB, COME ON. 464 00:20:33,524 --> 00:20:35,902 HOW COMPLEX IS THE IDEA? 465 00:20:35,944 --> 00:20:37,320 SIMPLE ENOUGH. 466 00:20:37,361 --> 00:20:38,905 NO IDEA IS SIMPLE 467 00:20:38,947 --> 00:20:41,240 WHEN YOU NEED TO PLANT IT 468 00:20:38,947 --> 00:20:41,240 IN SOMEBODY ELSE'S MIND. 469 00:20:41,282 --> 00:20:45,078 MY MAIN COMPETITOR IS AN OLD MAN 470 00:20:41,282 --> 00:20:45,078 IN POOR HEALTH. 471 00:20:45,120 --> 00:20:49,332 HIS SON WILL SOON INHERIT 472 00:20:45,120 --> 00:20:49,332 CONTROL OF THE CORPORATION. 473 00:20:49,373 --> 00:20:53,586 I NEED HIM TO DECIDE TO BREAK UP 474 00:20:49,373 --> 00:20:53,586 HIS FATHER'S EMPIRE. 475 00:20:53,628 --> 00:20:55,546 COBB, WE SHOULD WALK AWAY 476 00:20:53,628 --> 00:20:55,546 FROM THIS. 477 00:20:55,588 --> 00:20:57,924 HOLD ON. 478 00:20:57,966 --> 00:21:01,511 IF I WERE TO DO THIS, 479 00:20:57,966 --> 00:21:01,511 IF...I EVEN COULD DO IT, 480 00:21:01,552 --> 00:21:03,387 I'D NEED A GUARANTEE. 481 00:21:03,429 --> 00:21:05,890 HOW DO I KNOW 482 00:21:03,429 --> 00:21:05,890 YOU CAN DELIVER? 483 00:21:05,932 --> 00:21:07,892 YOU DON'T. 484 00:21:07,934 --> 00:21:09,978 BUT I CAN. 485 00:21:10,020 --> 00:21:14,691 SO, DO YOU WANT 486 00:21:10,020 --> 00:21:14,691 TO TAKE A LEAP OF FAITH... 487 00:21:14,732 --> 00:21:19,029 OR BECOME AN OLD MAN, 488 00:21:14,732 --> 00:21:19,029 FILLED WITH REGRET, 489 00:21:19,070 --> 00:21:21,656 WAITING TO DIE ALONE? 490 00:21:24,492 --> 00:21:26,703 ASSEMBLE YOUR TEAM, 491 00:21:24,492 --> 00:21:26,703 MR. COBB. 492 00:21:26,744 --> 00:21:29,122 AND CHOOSE YOUR PEOPLE 493 00:21:26,744 --> 00:21:29,122 MORE WISELY. 494 00:21:37,380 --> 00:21:39,090 LOOK, I KNOW HOW MUCH 495 00:21:37,380 --> 00:21:39,090 YOU WANT TO GO HOME. 496 00:21:41,218 --> 00:21:43,678 THIS CAN'T BE DONE. 497 00:21:43,720 --> 00:21:47,306 YES, IT CAN. 498 00:21:43,720 --> 00:21:47,306 JUST HAVE TO GO DEEP ENOUGH. 499 00:21:47,348 --> 00:21:49,142 YOU DON'T KNOW THAT. 500 00:21:49,184 --> 00:21:52,187 I'VE DONE IT BEFORE. 501 00:21:52,229 --> 00:21:54,355 WHO'D YOU DO IT TO? 502 00:21:58,651 --> 00:22:02,655 WHY ARE WE GOING 503 00:21:58,651 --> 00:22:02,655 TO PARIS? 504 00:22:02,697 --> 00:22:05,366 WE'RE GONNA NEED 505 00:22:02,697 --> 00:22:05,366 A NEW ARCHITECT. 506 00:22:05,408 --> 00:22:10,247 [ BELL TOLLING ] 507 00:22:20,381 --> 00:22:24,010 Cobb: YOU NEVER DID LIKE 508 00:22:20,381 --> 00:22:24,010 YOUR OFFICE, DID YOU? 509 00:22:25,220 --> 00:22:30,516 NO SPACE TO THINK 510 00:22:25,220 --> 00:22:30,516 IN THAT BROOM CUPBOARD. 511 00:22:30,558 --> 00:22:33,644 IS IT SAFE FOR YOU 512 00:22:30,558 --> 00:22:33,644 TO BE HERE? 513 00:22:33,686 --> 00:22:35,939 EXTRADITION BETWEEN FRANCE 514 00:22:33,686 --> 00:22:35,939 AND THE UNITED STATES 515 00:22:35,980 --> 00:22:36,981 IS A BUREAUCRATIC 516 00:22:35,980 --> 00:22:36,981 NIGHTMARE. 517 00:22:37,023 --> 00:22:38,441 YOU KNOW THAT. 518 00:22:38,482 --> 00:22:39,943 I THINK THEY MIGHT 519 00:22:38,482 --> 00:22:39,943 FIND A WAY 520 00:22:39,984 --> 00:22:41,111 TO MAKE IT WORK 521 00:22:39,984 --> 00:22:41,111 IN YOUR CASE. 522 00:22:41,152 --> 00:22:43,280 LOOK, I, UH... 523 00:22:43,321 --> 00:22:45,364 BROUGHT THESE FOR YOU 524 00:22:43,321 --> 00:22:45,364 TO GIVE TO THE KIDS 525 00:22:45,406 --> 00:22:46,950 WHEN YOU HAVE A CHANCE. 526 00:22:46,991 --> 00:22:49,452 IT'LL TAKE MORE THAN 527 00:22:46,991 --> 00:22:49,452 THE OCCASIONAL STUFFED ANIMAL 528 00:22:49,493 --> 00:22:52,247 TO CONVINCE THOSE CHILDREN 529 00:22:49,493 --> 00:22:52,247 THEY STILL HAVE A FATHER. 530 00:22:52,289 --> 00:22:54,832 I'M JUST DOING WHAT I KNOW. 531 00:22:52,289 --> 00:22:54,832 I'M DOING WHAT YOU TAUGHT ME. 532 00:22:54,874 --> 00:22:57,835 I NEVER TAUGHT YOU 533 00:22:54,874 --> 00:22:57,835 TO BE A THIEF. 534 00:22:57,877 --> 00:22:59,587 NO, YOU TAUGHT ME 535 00:22:57,877 --> 00:22:59,587 TO NAVIGATE PEOPLE'S MINDS. 536 00:22:59,629 --> 00:23:01,214 BUT AFTER WHAT HAPPENED, 537 00:23:01,256 --> 00:23:03,382 THERE WEREN'T A WHOLE LOT 538 00:23:01,256 --> 00:23:03,382 OF LEGITIMATE WAYS 539 00:23:03,424 --> 00:23:04,675 FOR ME TO USE THAT SKILL. 540 00:23:08,930 --> 00:23:11,515 WHAT ARE YOU 541 00:23:08,930 --> 00:23:11,515 DOING HERE, DOM? 542 00:23:11,557 --> 00:23:16,146 I THINK 543 00:23:11,557 --> 00:23:16,146 I FOUND A WAY HOME. 544 00:23:16,187 --> 00:23:19,732 IT'S A JOB FOR SOME 545 00:23:16,187 --> 00:23:19,732 VERY, VERY POWERFUL PEOPLE. 546 00:23:19,774 --> 00:23:24,904 PEOPLE WHO I BELIEVE CAN FIX 547 00:23:19,774 --> 00:23:24,904 MY CHARGES PERMANENTLY. 548 00:23:24,946 --> 00:23:26,197 BUT I NEED YOUR HELP. 549 00:23:26,239 --> 00:23:28,116 YOU'RE HERE TO CORRUPT 550 00:23:28,158 --> 00:23:29,659 ONE OF MY BRIGHTEST 551 00:23:28,158 --> 00:23:29,659 AND BEST. 552 00:23:29,700 --> 00:23:31,702 YOU KNOW 553 00:23:29,700 --> 00:23:31,702 WHAT I'M OFFERING. 554 00:23:31,744 --> 00:23:33,412 YOU HAVE TO LET THEM 555 00:23:31,744 --> 00:23:33,412 DECIDE FOR THEMSELVES. 556 00:23:33,454 --> 00:23:35,081 MONEY. 557 00:23:33,454 --> 00:23:35,081 NOT JUST MONEY. 558 00:23:35,123 --> 00:23:36,916 YOU REMEMBER. 559 00:23:36,958 --> 00:23:40,337 IT'S THE CHANCE TO BUILD 560 00:23:36,958 --> 00:23:40,337 CATHEDRALS, ENTIRE CITIES, 561 00:23:40,378 --> 00:23:42,255 THINGS THAT NEVER EXISTED, 562 00:23:42,297 --> 00:23:45,466 THINGS THAT COULDN'T EXIST 563 00:23:42,297 --> 00:23:45,466 IN THE REAL WORLD. 564 00:23:45,508 --> 00:23:48,469 SO, YOU -- YOU WANT ME 565 00:23:45,508 --> 00:23:48,469 TO LET SOMEONE ELSE 566 00:23:48,511 --> 00:23:50,763 FOLLOW YOU 567 00:23:48,511 --> 00:23:50,763 INTO YOUR FANTASY? 568 00:23:50,805 --> 00:23:52,265 THEY DON'T ACTUALLY 569 00:23:50,805 --> 00:23:52,265 COME INTO THE DREAM. 570 00:23:52,307 --> 00:23:53,683 THEY JUST -- THEY JUST 571 00:23:52,307 --> 00:23:53,683 DESIGN THE LEVELS 572 00:23:53,724 --> 00:23:55,059 AND TEACH THEM 573 00:23:53,724 --> 00:23:55,059 TO THE DREAMERS. 574 00:23:55,101 --> 00:23:56,353 THAT'S ALL. 575 00:23:56,394 --> 00:23:57,436 DESIGN IT YOURSELF. 576 00:23:59,689 --> 00:24:01,649 MAL WON'T LET ME. 577 00:24:06,988 --> 00:24:10,867 COME BACK 578 00:24:06,988 --> 00:24:10,867 TO REALITY, DOM. 579 00:24:10,908 --> 00:24:11,951 PLEASE. 580 00:24:11,993 --> 00:24:14,037 "REALITY." 581 00:24:14,078 --> 00:24:17,123 THOSE KIDS, 582 00:24:14,078 --> 00:24:17,123 YOUR GRANDCHILDREN, 583 00:24:17,165 --> 00:24:19,458 THEY'RE WAITING FOR THEIR FATHER 584 00:24:17,165 --> 00:24:19,458 TO COME BACK HOME. 585 00:24:19,500 --> 00:24:21,085 THAT'S THEIR REALITY. 586 00:24:21,127 --> 00:24:24,547 AND THIS JOB, THIS LAST JOB, 587 00:24:21,127 --> 00:24:24,547 THAT'S HOW I GET THERE. 588 00:24:24,588 --> 00:24:28,467 I WOULD NOT BE STANDING HERE 589 00:24:24,588 --> 00:24:28,467 IF I KNEW ANY OTHER WAY. 590 00:24:30,761 --> 00:24:34,557 I NEED AN ARCHITECT 591 00:24:30,761 --> 00:24:34,557 WHO IS AS GOOD AS I WAS. 592 00:24:38,102 --> 00:24:40,230 I'VE GOT SOMEBODY BETTER. 593 00:24:40,271 --> 00:24:41,772 Miles: ARIADNE? 594 00:24:43,941 --> 00:24:46,652 I'D LIKE YOU 595 00:24:43,941 --> 00:24:46,652 TO MEET MR. COBB. 596 00:24:46,694 --> 00:24:48,279 PLEASED TO MEET YOU. 597 00:24:48,321 --> 00:24:50,156 IF YOU HAVE 598 00:24:48,321 --> 00:24:50,156 A FEW MOMENTS, 599 00:24:50,198 --> 00:24:53,201 MR. COBB HAS A JOB OFFER 600 00:24:50,198 --> 00:24:53,201 HE'D LIKE TO DISCUSS WITH YOU. 601 00:24:53,243 --> 00:24:54,702 A WORK PLACEMENT? 602 00:24:54,744 --> 00:24:56,246 NOT EXACTLY. 603 00:24:56,287 --> 00:24:58,248 I HAVE A TEST FOR YOU. 604 00:24:58,289 --> 00:25:00,958 YOU'RE NOT GONNA TELL ME 605 00:24:58,289 --> 00:25:00,958 ANYTHING ABOUT THIS FIRST? 606 00:25:01,000 --> 00:25:04,712 BEFORE I DESCRIBE THE JOB, 607 00:25:01,000 --> 00:25:04,712 I HAVE TO KNOW YOU CAN DO IT. 608 00:25:01,000 --> 00:25:04,712 WHY? 609 00:25:04,754 --> 00:25:06,589 IT'S NOT, 610 00:25:04,754 --> 00:25:06,589 STRICTLY SPEAKING, LEGAL. 611 00:25:09,926 --> 00:25:12,429 YOU HAVE TWO MINUTES 612 00:25:09,926 --> 00:25:12,429 TO DESIGN A MAZE 613 00:25:12,470 --> 00:25:14,597 THAT IT TAKES 614 00:25:12,470 --> 00:25:14,597 ONE MINUTE TO SOLVE. 615 00:25:15,848 --> 00:25:16,933 STOP. 616 00:25:18,268 --> 00:25:20,103 [ PAPER RIPS ] 617 00:25:20,144 --> 00:25:21,312 AGAIN. 618 00:25:22,730 --> 00:25:24,023 STOP. 619 00:25:27,360 --> 00:25:30,154 YOU'RE GONNA HAVE TO DO BETTER 620 00:25:27,360 --> 00:25:30,154 THAN THAT. 621 00:25:42,459 --> 00:25:44,210 THAT'S MORE LIKE IT. 622 00:26:03,646 --> 00:26:05,856 Cobb: THEY SAY 623 00:26:03,646 --> 00:26:05,856 WE ONLY USE A FRACTION 624 00:26:05,898 --> 00:26:07,650 OF OUR BRAIN'S 625 00:26:05,898 --> 00:26:07,650 TRUE POTENTIAL. 626 00:26:07,691 --> 00:26:09,444 NOW, THAT'S 627 00:26:07,691 --> 00:26:09,444 WHEN WE'RE AWAKE. 628 00:26:09,486 --> 00:26:10,736 WHEN WE'RE ASLEEP, 629 00:26:10,778 --> 00:26:12,029 OUR MIND CAN DO 630 00:26:10,778 --> 00:26:12,029 ALMOST ANYTHING. 631 00:26:12,071 --> 00:26:14,031 SUCH AS? 632 00:26:14,073 --> 00:26:15,825 WELL, IMAGINE YOU'RE DESIGNING 633 00:26:14,073 --> 00:26:15,825 A BUILDING, ALL RIGHT? 634 00:26:15,866 --> 00:26:18,077 YOU CONSCIOUSLY CREATE 635 00:26:15,866 --> 00:26:18,077 EACH ASPECT. 636 00:26:18,119 --> 00:26:20,663 BUT SOMETIMES IT FEELS LIKE 637 00:26:18,119 --> 00:26:20,663 IT'S ALMOST CREATING ITSELF, 638 00:26:20,704 --> 00:26:22,039 IF YOU KNOW WHAT I MEAN. 639 00:26:22,081 --> 00:26:24,000 YEAH. YEAH, 640 00:26:22,081 --> 00:26:24,000 LIKE I'M...DISCOVERING IT. 641 00:26:24,041 --> 00:26:26,377 GENUINE INSPIRATION, 642 00:26:24,041 --> 00:26:26,377 RIGHT? 643 00:26:24,041 --> 00:26:26,377 MM-HMM. 644 00:26:26,419 --> 00:26:30,256 NOW, IN A DREAM, OUR MIND 645 00:26:26,419 --> 00:26:30,256 CONTINUOUSLY DOES THIS. 646 00:26:30,298 --> 00:26:35,678 WE CREATE AND PERCEIVE 647 00:26:30,298 --> 00:26:35,678 OUR WORLD SIMULTANEOUSLY. 648 00:26:35,719 --> 00:26:36,971 AND OUR MIND 649 00:26:35,719 --> 00:26:36,971 DOES THIS SO WELL 650 00:26:37,013 --> 00:26:38,848 THAT WE DON'T EVEN KNOW 651 00:26:37,013 --> 00:26:38,848 IT'S HAPPENING. 652 00:26:38,889 --> 00:26:41,100 THAT ALLOWS US TO GET RIGHT 653 00:26:38,889 --> 00:26:41,100 IN THE MIDDLE OF THAT PROCESS. 654 00:26:41,142 --> 00:26:42,435 HOW? 655 00:26:42,477 --> 00:26:44,020 BY TAKING OVER 656 00:26:42,477 --> 00:26:44,020 THE CREATING PART. 657 00:26:44,061 --> 00:26:45,688 NOW, THIS IS 658 00:26:44,061 --> 00:26:45,688 WHERE I NEED YOU. 659 00:26:45,729 --> 00:26:47,815 YOU CREATE THE WORLD 660 00:26:45,729 --> 00:26:47,815 OF THE DREAM. 661 00:26:47,857 --> 00:26:50,318 WE BRING THE SUBJECT 662 00:26:47,857 --> 00:26:50,318 INTO THAT DREAM, 663 00:26:50,360 --> 00:26:53,821 AND THEY FILL IT 664 00:26:50,360 --> 00:26:53,821 WITH THEIR SUBCONSCIOUS. 665 00:26:53,863 --> 00:26:56,491 HOW COULD I EVER 666 00:26:53,863 --> 00:26:56,491 ACQUIRE ENOUGH DETAIL 667 00:26:56,533 --> 00:26:59,327 TO MAKE THEM THINK 668 00:26:56,533 --> 00:26:59,327 THAT IT'S REALITY? 669 00:26:59,369 --> 00:27:02,038 WELL, DREAMS, THEY FEEL REAL 670 00:26:59,369 --> 00:27:02,038 WHILE WE'RE IN THEM, RIGHT? 671 00:27:02,079 --> 00:27:03,747 IT'S ONLY WHEN WE WAKE UP 672 00:27:03,789 --> 00:27:06,000 THAT WE REALIZE SOMETHING 673 00:27:03,789 --> 00:27:06,000 WAS ACTUALLY STRANGE. 674 00:27:06,042 --> 00:27:07,918 LET ME ASK YOU 675 00:27:06,042 --> 00:27:07,918 A QUESTION. 676 00:27:07,960 --> 00:27:10,713 YOU -- YOU NEVER 677 00:27:07,960 --> 00:27:10,713 REALLY REMEMBER 678 00:27:10,754 --> 00:27:12,507 THE BEGINNING OF A DREAM, 679 00:27:10,754 --> 00:27:12,507 DO YOU? 680 00:27:12,549 --> 00:27:15,343 YOU ALWAYS WIND UP RIGHT IN 681 00:27:12,549 --> 00:27:15,343 THE MIDDLE OF WHAT'S GOING ON. 682 00:27:15,385 --> 00:27:16,802 I GUESS, YEAH. 683 00:27:16,844 --> 00:27:18,679 SO, HOW DID WE 684 00:27:16,844 --> 00:27:18,679 END UP HERE? 685 00:27:18,721 --> 00:27:21,891 WELL, WE JUST CAME 686 00:27:18,721 --> 00:27:21,891 FROM THE... 687 00:27:21,932 --> 00:27:24,602 THINK ABOUT IT, ARIADNE. 688 00:27:21,932 --> 00:27:24,602 HOW DID YOU GET HERE? 689 00:27:24,643 --> 00:27:26,354 WHERE ARE YOU RIGHT NOW? 690 00:27:29,857 --> 00:27:31,775 WE'RE DREAMING? 691 00:27:31,817 --> 00:27:32,943 YOU'RE ACTUALLY 692 00:27:31,817 --> 00:27:32,943 IN THE MIDDLE 693 00:27:32,985 --> 00:27:34,653 OF THE WORKSHOP RIGHT NOW, 694 00:27:32,985 --> 00:27:34,653 SLEEPING. 695 00:27:34,695 --> 00:27:36,489 THIS IS YOUR FIRST LESSON 696 00:27:34,695 --> 00:27:36,489 IN SHARED DREAMING. 697 00:27:36,531 --> 00:27:38,949 STAY CALM. 698 00:27:38,991 --> 00:27:40,910 [ RUMBLING, 699 00:27:38,991 --> 00:27:40,910 CUP AND SAUCER RATTLING ] 700 00:27:41,869 --> 00:27:44,788 [ EXPLOSIONS ] 701 00:28:14,735 --> 00:28:17,029 IF IT'S JUST A DREAM, 702 00:28:14,735 --> 00:28:17,029 THEN WHY ARE YOU PROTEC-- 703 00:28:17,071 --> 00:28:18,489 [ "NON JE NE REGRETTE RIEN" 704 00:28:17,071 --> 00:28:18,489 PLAYS ] 705 00:28:18,531 --> 00:28:20,283 BECAUSE IT'S NEVER 706 00:28:18,531 --> 00:28:20,283 JUST A DREAM, IS IT? 707 00:28:20,324 --> 00:28:22,368 AND A FACE FULL OF GLASS 708 00:28:20,324 --> 00:28:22,368 HURTS LIKE HELL. 709 00:28:22,410 --> 00:28:23,702 WHEN YOU'RE IN IT, 710 00:28:22,410 --> 00:28:23,702 IT FEELS REAL. 711 00:28:23,744 --> 00:28:25,455 THAT'S WHY THE MILITARY 712 00:28:23,744 --> 00:28:25,455 DEVELOPED DREAM SHARING. 713 00:28:25,496 --> 00:28:27,331 IT WAS A TRAINING PROGRAM 714 00:28:25,496 --> 00:28:27,331 FOR SOLDIERS 715 00:28:27,373 --> 00:28:29,584 TO SHOOT AND STAB 716 00:28:27,373 --> 00:28:29,584 AND STRANGLE EACH OTHER 717 00:28:29,626 --> 00:28:30,834 AND THEN WAKE UP. 718 00:28:30,876 --> 00:28:33,379 HOW DID ARCHITECTS 719 00:28:30,876 --> 00:28:33,379 BECOME INVOLVED? 720 00:28:33,421 --> 00:28:36,757 WELL, SOMEONE HAD TO DESIGN 721 00:28:33,421 --> 00:28:36,757 THE DREAMS, RIGHT? 722 00:28:36,799 --> 00:28:39,843 WHY DON'T YOU GIVE US 723 00:28:36,799 --> 00:28:39,843 ANOTHER FIVE MINUTES? 724 00:28:39,885 --> 00:28:41,387 FIVE MINUTES?! 725 00:28:39,885 --> 00:28:41,387 [ MUSIC STOPS ] 726 00:28:41,429 --> 00:28:44,807 WHAT -- WE WERE TALKING 727 00:28:41,429 --> 00:28:44,807 FOR LIKE AT LEAST AN HOUR. 728 00:28:44,848 --> 00:28:47,017 IN A DREAM, YOUR MIND 729 00:28:44,848 --> 00:28:47,017 FUNCTIONS MORE QUICKLY. 730 00:28:47,059 --> 00:28:50,938 THEREFORE, TIME SEEMS 731 00:28:47,059 --> 00:28:50,938 TO FEEL MORE SLOW. 732 00:28:50,980 --> 00:28:52,940 FIVE MINUTES IN THE 733 00:28:50,980 --> 00:28:52,940 REAL WORLD GIVES YOU 734 00:28:50,980 --> 00:28:52,940 AN HOUR IN THE DREAM. 735 00:28:54,400 --> 00:28:57,194 WHY DON'T YOU SEE 736 00:28:54,400 --> 00:28:57,194 WHAT YOU CAN GET UP TO 737 00:28:54,400 --> 00:28:57,194 IN FIVE MINUTES? 738 00:28:59,363 --> 00:29:03,033 [ BREATHES DEEPLY ] 739 00:29:03,075 --> 00:29:04,577 Cobb: YOU'VE GOT 740 00:29:03,075 --> 00:29:04,577 THE BASIC LAYOUT. 741 00:29:04,619 --> 00:29:06,329 THE BOOKSTORE, THE CAFÉ. 742 00:29:06,370 --> 00:29:07,955 ALMOST EVERYTHING ELSE 743 00:29:06,370 --> 00:29:07,955 IS HERE, TOO. 744 00:29:07,997 --> 00:29:09,248 Ariadne: 745 00:29:07,997 --> 00:29:09,248 WHO ARE THE PEOPLE? 746 00:29:09,290 --> 00:29:11,167 PROJECTIONS 747 00:29:09,290 --> 00:29:11,167 OF MY SUBCONSCIOUS. 748 00:29:11,208 --> 00:29:13,210 YOURS? 749 00:29:11,208 --> 00:29:13,210 YES. 750 00:29:13,252 --> 00:29:15,463 REMEMBER, YOU ARE THE DREAMER. 751 00:29:13,252 --> 00:29:15,463 YOU BUILD THIS WORLD. 752 00:29:15,505 --> 00:29:18,048 I AM THE SUBJECT. 753 00:29:15,505 --> 00:29:18,048 MY MIND POPULATES IT. 754 00:29:18,090 --> 00:29:20,050 YOU CAN LITERALLY TALK 755 00:29:18,090 --> 00:29:20,050 TO MY SUBCONSCIOUS. 756 00:29:20,092 --> 00:29:21,969 THAT'S ONE OF THE WAYS 757 00:29:20,092 --> 00:29:21,969 WE EXTRACT INFORMATION 758 00:29:22,011 --> 00:29:23,262 FROM THE SUBJECT. 759 00:29:23,304 --> 00:29:24,597 HOW ELSE DO YOU DO IT? 760 00:29:24,639 --> 00:29:26,516 BY CREATING 761 00:29:24,639 --> 00:29:26,516 SOMETHING SECURE 762 00:29:26,557 --> 00:29:29,101 LIKE A -- LIKE A BANK VAULT 763 00:29:26,557 --> 00:29:29,101 OR A JAIL. 764 00:29:26,557 --> 00:29:29,101 [ HORN BEEPS ] 765 00:29:29,143 --> 00:29:31,187 THE MIND AUTOMATICALLY 766 00:29:29,143 --> 00:29:31,187 FILLS IT WITH INFORMATION 767 00:29:31,228 --> 00:29:32,438 IT'S TRYING TO PROTECT. 768 00:29:32,480 --> 00:29:34,023 YOU UNDERSTAND? 769 00:29:34,064 --> 00:29:35,483 THEN YOU BREAK IN 770 00:29:34,064 --> 00:29:35,483 AND STEAL IT. 771 00:29:35,525 --> 00:29:37,026 WELL... 772 00:29:37,067 --> 00:29:39,445 I GUESS I THOUGHT 773 00:29:37,067 --> 00:29:39,445 THAT THE DREAM SPACE 774 00:29:39,487 --> 00:29:41,614 WOULD BE ALL 775 00:29:39,487 --> 00:29:41,614 ABOUT THE VISUAL, 776 00:29:41,656 --> 00:29:43,782 BUT IT'S MORE 777 00:29:41,656 --> 00:29:43,782 ABOUT THE FEEL OF IT. 778 00:29:43,824 --> 00:29:44,950 MY QUESTION IS, 779 00:29:44,992 --> 00:29:46,577 WHAT HAPPENS 780 00:29:44,992 --> 00:29:46,577 WHEN YOU START MESSING 781 00:29:46,619 --> 00:29:49,079 WITH THE PHYSICS 782 00:29:46,619 --> 00:29:49,079 OF IT ALL? 783 00:30:25,949 --> 00:30:28,077 [ THUD ] 784 00:30:28,118 --> 00:30:31,038 IT'S SOMETHING, 785 00:30:28,118 --> 00:30:31,038 ISN'T IT? 786 00:30:31,080 --> 00:30:33,249 YES, IT IS. 787 00:30:35,834 --> 00:30:38,295 [ HORN HONKS IN DISTANCE ] 788 00:30:56,980 --> 00:30:59,108 Ariadne: WHY ARE THEY ALL 789 00:30:56,980 --> 00:30:59,108 LOOKING AT ME? 790 00:30:59,149 --> 00:31:00,568 BECAUSE MY 791 00:30:59,149 --> 00:31:00,568 SUBCONSCIOUS FEELS 792 00:31:00,610 --> 00:31:02,695 THAT SOMEONE ELSE 793 00:31:00,610 --> 00:31:02,695 IS CREATING THIS WORLD. 794 00:31:02,737 --> 00:31:04,363 THE MORE 795 00:31:02,737 --> 00:31:04,363 YOU CHANGE THINGS, 796 00:31:04,405 --> 00:31:06,532 THE QUICKER THE PROJECTIONS 797 00:31:04,405 --> 00:31:06,532 START TO CONVERGE ON YOU. 798 00:31:06,574 --> 00:31:08,367 "CONVERGE"? 799 00:31:08,409 --> 00:31:10,703 THEY SENSE THE FOREIGN NATURE 800 00:31:08,409 --> 00:31:10,703 OF THE DREAMER. 801 00:31:10,745 --> 00:31:13,664 THEY ATTACK LIKE WHITE BLOOD 802 00:31:10,745 --> 00:31:13,664 CELLS FIGHTING AN INFECTION. 803 00:31:13,706 --> 00:31:14,832 LIKE THEY'RE GONNA 804 00:31:13,706 --> 00:31:14,832 ATTACK US? 805 00:31:14,873 --> 00:31:16,125 NO, NO. 806 00:31:16,166 --> 00:31:18,294 JUST YOU. 807 00:31:22,172 --> 00:31:24,174 THIS IS GREAT, 808 00:31:22,172 --> 00:31:24,174 BUT I'M TELLING YOU, 809 00:31:24,216 --> 00:31:25,676 IF YOU KEEP CHANGING THINGS 810 00:31:24,216 --> 00:31:25,676 LIKE THIS... 811 00:31:29,513 --> 00:31:31,181 GEEZ. 812 00:31:31,223 --> 00:31:33,392 MIND TELLING YOUR SUBCONSCIOUS 813 00:31:31,223 --> 00:31:33,392 TO TAKE IT EASY? 814 00:31:33,434 --> 00:31:35,894 IT'S MY SUBCONSCIOUS. 815 00:31:33,434 --> 00:31:35,894 REMEMBER? I CAN'T CONTROL IT. 816 00:32:23,066 --> 00:32:25,778 [ EXPLOSION, GLASS SHATTERS ] 817 00:32:29,198 --> 00:32:30,867 VERY IMPRESSIVE. 818 00:32:42,002 --> 00:32:46,590 I KNOW THIS BRIDGE. 819 00:32:42,002 --> 00:32:46,590 THIS PLACE IS REAL, ISN'T IT? 820 00:32:46,632 --> 00:32:48,967 YEAH, I CROSS IT EVERY DAY 821 00:32:46,632 --> 00:32:48,967 TO GET TO THE COLLEGE. 822 00:32:49,009 --> 00:32:50,761 NEVER RE-CREATE PLACES 823 00:32:49,009 --> 00:32:50,761 FROM YOUR MEMORY. 824 00:32:50,803 --> 00:32:52,680 ALWAYS IMAGINE 825 00:32:50,803 --> 00:32:52,680 NEW PLACES. 826 00:32:52,722 --> 00:32:54,682 WELL, YOU GOTTA DRAW FROM 827 00:32:52,722 --> 00:32:54,682 STUFF YOU KNOW, RIGHT? 828 00:32:54,724 --> 00:32:57,601 ONLY USE DETAILS -- 829 00:32:54,724 --> 00:32:57,601 A-A STREETLAMP OR A PHONE BOOTH. 830 00:32:57,643 --> 00:32:58,644 NEVER ENTIRE AREAS. 831 00:32:58,686 --> 00:33:00,270 WHY NOT? 832 00:33:00,312 --> 00:33:02,022 'CAUSE BUILDING A DREAM 833 00:33:00,312 --> 00:33:02,022 FROM YOUR MEMORY 834 00:33:02,064 --> 00:33:03,357 IS THE EASIEST WAY 835 00:33:02,064 --> 00:33:03,357 TO LOSE YOUR GRASP 836 00:33:03,399 --> 00:33:04,817 ON WHAT'S REAL 837 00:33:03,399 --> 00:33:04,817 AND WHAT IS A DREAM. 838 00:33:04,859 --> 00:33:05,860 IS THAT WHAT HAPPENED 839 00:33:04,859 --> 00:33:05,860 TO YOU? 840 00:33:05,902 --> 00:33:07,486 HEY, LISTEN TO ME. 841 00:33:07,528 --> 00:33:09,405 THIS HAS NOTHING TO DO WITH ME, 842 00:33:07,528 --> 00:33:09,405 YOU UNDERSTAND? 843 00:33:09,446 --> 00:33:11,281 IS THAT WHY YOU NEED ME 844 00:33:09,446 --> 00:33:11,281 TO BUILD YOUR DREAMS? 845 00:33:11,323 --> 00:33:13,367 HEY, GET OFF OF HER. 846 00:33:11,323 --> 00:33:13,367 BACK UP. BACK UP! 847 00:33:13,409 --> 00:33:15,202 COBB! COBB! 848 00:33:15,244 --> 00:33:16,453 GET OFF OF HER! 849 00:33:15,244 --> 00:33:16,453 COBB! LET ME GO! 850 00:33:16,495 --> 00:33:17,788 MAL! 851 00:33:16,495 --> 00:33:17,788 LET ME GO! 852 00:33:17,830 --> 00:33:18,956 MAL! 853 00:33:18,997 --> 00:33:20,583 WAKE ME UP! 854 00:33:18,997 --> 00:33:20,583 MAL! 855 00:33:20,624 --> 00:33:22,501 WAKE ME UP! 856 00:33:20,624 --> 00:33:22,501 WAKE ME UP! 857 00:33:20,624 --> 00:33:22,501 MAL, NO! NO! 858 00:33:22,543 --> 00:33:24,086 WAKE ME UP! 859 00:33:22,543 --> 00:33:24,086 WAKE ME UP! 860 00:33:24,127 --> 00:33:25,796 [ GASPING ] 861 00:33:25,838 --> 00:33:27,840 HEY. HEY. 862 00:33:25,838 --> 00:33:27,840 HEY. LOOK AT ME. 863 00:33:27,882 --> 00:33:29,508 YOU'RE OKAY. 864 00:33:27,882 --> 00:33:29,508 YOU'RE OKAY. 865 00:33:29,550 --> 00:33:31,343 [ GASPING ] WHY -- 866 00:33:31,385 --> 00:33:33,095 WHY WOULDN'T I WAKE UP? 867 00:33:31,385 --> 00:33:33,095 [ SIGHS ] 868 00:33:33,136 --> 00:33:35,138 'CAUSE THERE WAS STILL 869 00:33:33,136 --> 00:33:35,138 SOME TIME ON THE CLOCK, 870 00:33:35,180 --> 00:33:37,850 AND YOU CAN'T WAKE UP FROM 871 00:33:35,180 --> 00:33:37,850 WITHIN THE DREAM UNLESS YOU DIE. 872 00:33:37,892 --> 00:33:39,727 SHE'LL NEED A TOTEM. 873 00:33:37,892 --> 00:33:39,727 WHAT?! 874 00:33:39,769 --> 00:33:41,687 A TOTEM, 875 00:33:39,769 --> 00:33:41,687 IT'S A SMALL PERSONAL... 876 00:33:41,729 --> 00:33:44,022 THAT'S SOME SUBCONSCIOUS 877 00:33:41,729 --> 00:33:44,022 YOU'VE GOT ON YOU, COBB! 878 00:33:44,064 --> 00:33:45,524 SHE'S A REAL CHARMER! 879 00:33:45,566 --> 00:33:47,192 OH. I SEE 880 00:33:45,566 --> 00:33:47,192 YOU MET MRS. COBB. 881 00:33:47,234 --> 00:33:48,945 SHE'S HIS WIFE? 882 00:33:47,234 --> 00:33:48,945 YEAH. 883 00:33:48,986 --> 00:33:50,446 SO, A TOTEM. 884 00:33:48,986 --> 00:33:50,446 [ BREATHING HEAVILY ] 885 00:33:50,487 --> 00:33:52,364 YOU NEED A SMALL OBJECT, 886 00:33:50,487 --> 00:33:52,364 POTENTIALLY HEAVY, 887 00:33:52,406 --> 00:33:54,408 SOMETHING YOU CAN HAVE 888 00:33:52,406 --> 00:33:54,408 ON YOU ALL THE TIME 889 00:33:54,450 --> 00:33:56,159 THAT NO ONE ELSE KNOWS. 890 00:33:54,450 --> 00:33:56,159 WHAT, LIKE A COIN? 891 00:33:56,201 --> 00:33:58,161 NO. IT NEEDS TO BE 892 00:33:56,201 --> 00:33:58,161 MORE UNIQUE THAN THAT. 893 00:33:58,203 --> 00:34:01,457 LIKE, THIS IS A... 894 00:33:58,203 --> 00:34:01,457 LOADED DIE. 895 00:34:01,498 --> 00:34:02,875 [ EXHALES SHARPLY ] 896 00:34:02,917 --> 00:34:04,293 I CAN'T LET YOU TOUCH IT. 897 00:34:04,334 --> 00:34:05,962 THAT WOULD DEFEAT 898 00:34:04,334 --> 00:34:05,962 THE PURPOSE. 899 00:34:06,003 --> 00:34:07,671 SEE, ONLY I KNOW THE BALANCE 900 00:34:06,003 --> 00:34:07,671 AND THE WEIGHT 901 00:34:07,713 --> 00:34:09,924 OF THIS PARTICULAR 902 00:34:07,713 --> 00:34:09,924 LOADED DIE. 903 00:34:09,966 --> 00:34:11,926 THAT WAY, 904 00:34:09,966 --> 00:34:11,926 WHEN YOU LOOK AT YOUR TOTEM, 905 00:34:11,968 --> 00:34:13,343 YOU KNOW BEYOND A DOUBT 906 00:34:13,385 --> 00:34:15,512 THAT YOU'RE NOT 907 00:34:13,385 --> 00:34:15,512 IN SOMEONE ELSE'S DREAM. 908 00:34:15,554 --> 00:34:17,306 [ SIGHS ] 909 00:34:18,641 --> 00:34:21,184 I-I DON'T KNOW IF YOU CAN'T 910 00:34:18,641 --> 00:34:21,184 SEE WHAT'S GOING ON, 911 00:34:21,226 --> 00:34:22,937 OR IF YOU JUST 912 00:34:21,226 --> 00:34:22,937 DON'T WANT TO, 913 00:34:22,979 --> 00:34:25,063 BUT COBB HAS SOME 914 00:34:22,979 --> 00:34:25,063 SERIOUS PROBLEMS 915 00:34:25,105 --> 00:34:26,440 THAT HE'S TRIED 916 00:34:25,105 --> 00:34:26,440 TO BURY DOWN THERE. 917 00:34:26,482 --> 00:34:29,026 AND I'M NOT ABOUT 918 00:34:26,482 --> 00:34:29,026 TO JUST OPEN MY MIND 919 00:34:29,067 --> 00:34:30,360 TO SOMEONE LIKE THAT. 920 00:34:35,365 --> 00:34:37,910 [ DOOR CLOSES ] 921 00:34:35,365 --> 00:34:37,910 Cobb: SHE'LL BE BACK. 922 00:34:37,952 --> 00:34:40,370 I'VE NEVER SEEN ANYONE PICK 923 00:34:37,952 --> 00:34:40,370 IT UP THAT QUICKLY BEFORE. 924 00:34:40,412 --> 00:34:42,706 REALITY'S NOT GONNA BE ENOUGH 925 00:34:40,412 --> 00:34:42,706 FOR HER NOW, 926 00:34:42,748 --> 00:34:44,917 AND WHEN SHE COMES BACK 927 00:34:42,748 --> 00:34:44,917 [SCOFFS] 928 00:34:44,959 --> 00:34:46,376 WHEN SHE COMES BACK, 929 00:34:46,418 --> 00:34:48,128 YOU'RE GONNA HAVE 930 00:34:46,418 --> 00:34:48,128 HER BUILDING MAZES. 931 00:34:48,170 --> 00:34:49,713 WHERE ARE YOU GONNA BE? 932 00:34:49,755 --> 00:34:51,548 I GOTTA GO VISIT EAMES. 933 00:34:51,590 --> 00:34:53,843 EAMES? NO, HE'S IN MOMBASA. 934 00:34:51,590 --> 00:34:53,843 IT'S COBOL'S BACKYARD. 935 00:34:53,884 --> 00:34:55,761 IT'S A NECESSARY RISK. 936 00:34:55,803 --> 00:34:57,387 WELL, THERE'S PLENTY 937 00:34:55,803 --> 00:34:57,387 OF GOOD THIEVES. 938 00:34:57,429 --> 00:35:00,057 [ SIGHS ] 939 00:34:57,429 --> 00:35:00,057 WE DON'T JUST NEED A THIEF. 940 00:35:00,098 --> 00:35:01,183 WE NEED A FORGER. 941 00:35:05,270 --> 00:35:06,814 [ INDISTINCT CONVERSATIONS ] 942 00:35:09,608 --> 00:35:11,735 YOU CAN RUB THEM TOGETHER 943 00:35:09,608 --> 00:35:11,735 ALL YOU WANT, 944 00:35:11,777 --> 00:35:12,903 THEY'RE NOT GONNA BREED. 945 00:35:12,945 --> 00:35:14,321 YOU NEVER KNOW. 946 00:35:15,656 --> 00:35:18,200 LET ME GET YOU A DRINK. 947 00:35:15,656 --> 00:35:18,200 [ DIE RATTLE ] 948 00:35:18,241 --> 00:35:20,703 YOU'RE BUYING. 949 00:35:26,792 --> 00:35:28,085 YOUR SPELLING 950 00:35:26,792 --> 00:35:28,085 HASN'T IMPROVED. 951 00:35:28,126 --> 00:35:29,503 PISS OFF. 952 00:35:29,545 --> 00:35:30,880 HOW'S YOUR HANDWRITING? 953 00:35:30,921 --> 00:35:32,506 IT'S VERSATILE. 954 00:35:32,548 --> 00:35:33,841 GOOD. 955 00:35:33,883 --> 00:35:35,133 THANK YOU VERY MUCH. 956 00:35:35,175 --> 00:35:36,760 INCEPTION. 957 00:35:36,802 --> 00:35:38,178 NOW, BEFORE YOU BOTHER 958 00:35:38,220 --> 00:35:40,472 TELLING ME IT'S IMPOSSIBLE, 959 00:35:38,220 --> 00:35:40,472 LET ME -- 960 00:35:40,514 --> 00:35:43,100 NO, IT'S PERFECTLY POSSIBLE. 961 00:35:40,514 --> 00:35:43,100 IT'S JUST BLOODY DIFFICULT. 962 00:35:43,141 --> 00:35:45,268 INTERESTING. 963 00:35:45,310 --> 00:35:47,145 'CAUSE ARTHUR KEEPS TELLING ME 964 00:35:45,310 --> 00:35:47,145 IT CAN'T BE DONE. 965 00:35:47,187 --> 00:35:48,939 HMM. ARTHUR. 966 00:35:48,981 --> 00:35:50,357 YOU STILL WORKING WITH 967 00:35:48,981 --> 00:35:50,357 THAT STICK IN THE MUD? 968 00:35:50,399 --> 00:35:51,901 WELL, HE IS GOOD 969 00:35:50,399 --> 00:35:51,901 AT WHAT HE DOES, RIGHT? 970 00:35:51,942 --> 00:35:53,527 OH, HE'S THE BEST. 971 00:35:53,569 --> 00:35:56,030 HE HAS NO IMAGINATION. 972 00:35:53,569 --> 00:35:56,030 NOT LIKE YOU. 973 00:35:56,072 --> 00:35:57,948 LISTEN, IF YOU'RE GONNA 974 00:35:56,072 --> 00:35:57,948 PERFORM INCEPTION, 975 00:35:57,990 --> 00:35:59,408 YOU NEED IMAGINATION. 976 00:35:59,449 --> 00:36:01,326 LET ME ASK YOU SOMETHING. 977 00:36:01,368 --> 00:36:03,161 HAVE YOU DONE IT BEFORE? 978 00:36:03,203 --> 00:36:04,830 WE TRIED IT. 979 00:36:04,872 --> 00:36:06,623 WE GOT THE IDEA IN PLACE, 980 00:36:04,872 --> 00:36:06,623 BUT IT DIDN'T TAKE. 981 00:36:06,665 --> 00:36:08,208 YOU DIDN'T PLANT IT 982 00:36:06,665 --> 00:36:08,208 DEEP ENOUGH? 983 00:36:08,250 --> 00:36:09,835 NO, IT'S NOT 984 00:36:08,250 --> 00:36:09,835 JUST ABOUT DEPTH. 985 00:36:09,877 --> 00:36:11,962 YOU NEED THE SIMPLEST 986 00:36:09,877 --> 00:36:11,962 VERSION OF THE IDEA 987 00:36:12,004 --> 00:36:13,130 IN ORDER FOR IT 988 00:36:12,004 --> 00:36:13,130 TO GROW NATURALLY 989 00:36:13,171 --> 00:36:14,423 IN YOUR SUBJECT'S MIND. 990 00:36:14,464 --> 00:36:16,258 IT'S A VERY SUBTLE ART. 991 00:36:16,299 --> 00:36:19,011 SO, WHAT IS THIS IDEA 992 00:36:16,299 --> 00:36:19,011 THAT YOU NEED TO PLANT? 993 00:36:19,053 --> 00:36:21,430 WE NEED THE HEIR 994 00:36:19,053 --> 00:36:21,430 OF A MAJOR CORPORATION 995 00:36:21,471 --> 00:36:22,932 TO DISSOLVE 996 00:36:21,471 --> 00:36:22,932 HIS FATHER'S EMPIRE. 997 00:36:22,973 --> 00:36:24,058 WELL, YOU SEE, 998 00:36:22,973 --> 00:36:24,058 RIGHT THERE, 999 00:36:24,100 --> 00:36:25,475 YOU HAVE VARIOUS 1000 00:36:24,100 --> 00:36:25,475 POLITICAL MOTIVATIONS 1001 00:36:25,517 --> 00:36:27,269 AND ANTI-MONOPOLISTIC 1002 00:36:25,517 --> 00:36:27,269 SENTIMENTS AND SO FORTH. 1003 00:36:27,310 --> 00:36:29,438 BUT ALL OF 1004 00:36:27,310 --> 00:36:29,438 THAT STUFF IS... 1005 00:36:29,479 --> 00:36:30,773 IT'S REALLY AT THE MERCY 1006 00:36:30,814 --> 00:36:32,399 OF YOUR SUBJECT'S 1007 00:36:30,814 --> 00:36:32,399 PREJUDICE, YOU SEE? 1008 00:36:32,441 --> 00:36:33,442 AND WHAT YOU HAVE TO DO 1009 00:36:33,483 --> 00:36:35,444 IS START AT 1010 00:36:33,483 --> 00:36:35,444 THE ABSOLUTE BASIC. 1011 00:36:35,485 --> 00:36:36,361 WHICH IS WHAT? 1012 00:36:37,654 --> 00:36:38,989 THE RELATIONSHIP 1013 00:36:37,654 --> 00:36:38,989 WITH THE FATHER. 1014 00:36:41,491 --> 00:36:44,286 DO YOU HAVE A CHEMIST? 1015 00:36:41,491 --> 00:36:44,286 NO, NOT YET. 1016 00:36:44,327 --> 00:36:47,123 RIGHT. OKAY, WELL, 1017 00:36:44,327 --> 00:36:47,123 THERE'S A MAN HERE. YUSUF. 1018 00:36:47,164 --> 00:36:50,500 HE, UH, HE FORMULATES HIS 1019 00:36:47,164 --> 00:36:50,500 OWN VERSIONS OF THE COMPOUNDS. 1020 00:36:50,542 --> 00:36:52,628 WHY DON'T YOU 1021 00:36:50,542 --> 00:36:52,628 TAKE ME THERE? 1022 00:36:52,669 --> 00:36:55,172 ONCE YOU'VE LOST YOUR TAIL. 1023 00:36:52,669 --> 00:36:55,172 THE MAN AT THE BAR. 1024 00:36:55,213 --> 00:36:56,924 COBOL ENGINEERING. 1025 00:36:56,966 --> 00:36:59,551 THAT PRICE ON MY HEAD -- 1026 00:36:56,966 --> 00:36:59,551 WAS THAT DEAD OR ALIVE? 1027 00:36:59,593 --> 00:37:01,678 DON'T REMEMBER. LET'S SEE 1028 00:36:59,593 --> 00:37:01,678 IF HE STARTS SHOOTING. 1029 00:37:01,720 --> 00:37:03,472 RUN INTERFERENCE. 1030 00:37:03,513 --> 00:37:05,641 I'LL MEET YOU DOWNSTAIRS IN 1031 00:37:03,513 --> 00:37:05,641 THE BAR IN, SAY, HALF AN HOUR? 1032 00:37:05,682 --> 00:37:07,893 THEN BACK HERE? 1033 00:37:05,682 --> 00:37:07,893 THIS IS THE LAST PLACE 1034 00:37:05,682 --> 00:37:07,893 THEY'D SUSPECT. 1035 00:37:07,935 --> 00:37:09,853 [ CHUCKLES ] MM. 1036 00:37:09,895 --> 00:37:12,022 ALL RIGHT. 1037 00:37:12,064 --> 00:37:15,025 FREDDY! FREDDY SIMMONDS. 1038 00:37:15,067 --> 00:37:16,485 MY GOD, IT'S YOU, 1039 00:37:15,067 --> 00:37:16,485 ISN'T IT? 1040 00:37:17,987 --> 00:37:19,446 [ GRUNTS ] 1041 00:37:17,987 --> 00:37:19,446 WHO? 1042 00:37:19,488 --> 00:37:21,865 NO, IT ISN'T YOU. 1043 00:37:21,907 --> 00:37:23,283 YOU'RE NOT DREAMING NOW, 1044 00:37:21,907 --> 00:37:23,283 ARE YOU? 1045 00:37:25,119 --> 00:37:27,621 [ PEOPLE SHOUTING ] 1046 00:37:37,881 --> 00:37:39,716 OHH! 1047 00:37:41,760 --> 00:37:43,053 THERE! 1048 00:38:01,030 --> 00:38:02,114 [ SPEAKING 1049 00:38:01,030 --> 00:38:02,114 NATIVE LANGUAGE ] 1050 00:38:02,156 --> 00:38:04,200 CAFÉ. ONE CAFÉ. 1051 00:38:04,241 --> 00:38:05,951 [ SPEAKING URGENTLY 1052 00:38:04,241 --> 00:38:05,951 IN NATIVE LANGUAGE ] 1053 00:38:08,829 --> 00:38:10,080 [ SPEAKING URGENTLY ] 1054 00:38:08,829 --> 00:38:10,080 Shh! 1055 00:38:12,332 --> 00:38:13,709 [ INDISTINCT SHOUTING ] 1056 00:38:15,919 --> 00:38:18,755 [ SPEAKING URGENTLY ] 1057 00:38:15,919 --> 00:38:18,755 ONE CAFÉ. 1058 00:38:18,797 --> 00:38:20,549 CAFÉ. 1059 00:38:20,590 --> 00:38:22,592 [ INDISTINCT SHOUTING ] 1060 00:38:30,142 --> 00:38:31,351 [ GUNFIRE ] 1061 00:38:39,776 --> 00:38:41,111 [ HORN HONKING ] 1062 00:38:41,153 --> 00:38:42,404 OHH! 1063 00:38:52,039 --> 00:38:53,415 [ BULLETS RICOCHET ] 1064 00:38:55,000 --> 00:38:56,126 [ GRUNTS ] 1065 00:39:09,139 --> 00:39:10,182 [ TIRES SCREECH ] 1066 00:39:14,061 --> 00:39:15,353 [ TIRES SCREECH ] 1067 00:39:15,395 --> 00:39:16,605 CARE FOR A LIFT, MR. COBB? 1068 00:39:16,646 --> 00:39:19,733 WHAT ARE YOU DOING 1069 00:39:16,646 --> 00:39:19,733 IN MOMBASA?! 1070 00:39:19,775 --> 00:39:22,236 I'M HERE TO PROTECT 1071 00:39:19,775 --> 00:39:22,236 MY INVESTMENT. 1072 00:39:22,278 --> 00:39:24,863 [ WHISTLES, TAPS CAR ] 1073 00:39:24,905 --> 00:39:27,532 AH, SO THIS IS YOUR IDEA 1074 00:39:24,905 --> 00:39:27,532 OF LOSING A TAIL, HUH? 1075 00:39:27,574 --> 00:39:28,575 DIFFERENT TAIL. 1076 00:39:31,369 --> 00:39:33,496 [ ARIADNE CLEARS THROAT SOFTLY ] 1077 00:39:36,792 --> 00:39:39,669 COBB SAID YOU'D BE BACK. 1078 00:39:39,711 --> 00:39:42,172 YEAH, WELL, 1079 00:39:39,711 --> 00:39:42,172 I TRIED NOT TO COME, BUT... 1080 00:39:42,214 --> 00:39:43,673 BUT THERE'S NOTHING 1081 00:39:42,214 --> 00:39:43,673 QUITE LIKE IT. 1082 00:39:43,715 --> 00:39:44,800 IT'S JUST... 1083 00:39:46,885 --> 00:39:49,888 ...PURE CREATION. 1084 00:39:49,930 --> 00:39:52,015 SHALL WE TAKE A LOOK AT SOME 1085 00:39:49,930 --> 00:39:52,015 PARADOXICAL ARCHITECTURE? 1086 00:39:52,057 --> 00:39:53,600 YOU'RE GONNA HAVE TO MASTER 1087 00:39:52,057 --> 00:39:53,600 A FEW TRICKS 1088 00:39:53,642 --> 00:39:55,102 IF YOU'RE GONNA BUILD 1089 00:39:53,642 --> 00:39:55,102 THREE COMPLETE DREAM LEVELS. 1090 00:39:55,144 --> 00:39:56,853 EXCUSE ME. 1091 00:39:56,895 --> 00:39:59,731 WHAT KIND OF TRICKS? 1092 00:39:59,773 --> 00:40:01,441 IN A DREAM, 1093 00:39:59,773 --> 00:40:01,441 YOU CAN CHEAT ARCHITECTURE 1094 00:40:01,483 --> 00:40:02,567 INTO IMPOSSIBLE SHAPES. 1095 00:40:02,609 --> 00:40:04,611 THAT LETS YOU CREATE 1096 00:40:02,609 --> 00:40:04,611 CLOSED LOOPS, 1097 00:40:04,653 --> 00:40:07,239 LIKE THE PENROSE STEPS. 1098 00:40:07,281 --> 00:40:08,698 THE INFINITE STAIRCASE. 1099 00:40:11,493 --> 00:40:13,245 SEE? 1100 00:40:17,082 --> 00:40:19,001 PARADOX. 1101 00:40:19,042 --> 00:40:20,669 SO, A CLOSED LOOP 1102 00:40:19,042 --> 00:40:20,669 LIKE THAT 1103 00:40:20,710 --> 00:40:23,005 WILL HELP YOU DISGUISE 1104 00:40:20,710 --> 00:40:23,005 THE BOUNDARIES 1105 00:40:23,046 --> 00:40:24,464 OF THE DREAM YOU CREATE. 1106 00:40:24,506 --> 00:40:26,049 BUT HOW BIG DO THESE LEVELS 1107 00:40:24,506 --> 00:40:26,049 HAVE TO BE? 1108 00:40:26,091 --> 00:40:28,260 WELL, IT COULD BE ANYTHING 1109 00:40:26,091 --> 00:40:28,260 FROM THE FLOOR OF A BUILDING 1110 00:40:28,302 --> 00:40:29,719 TO AN ENTIRE CITY. 1111 00:40:29,761 --> 00:40:31,221 BUT THEY HAVE TO BE 1112 00:40:29,761 --> 00:40:31,221 COMPLICATED ENOUGH 1113 00:40:31,263 --> 00:40:32,681 THAT WE CAN HIDE 1114 00:40:31,263 --> 00:40:32,681 FROM THE PROJECTIONS. 1115 00:40:32,722 --> 00:40:34,099 A MAZE. 1116 00:40:32,722 --> 00:40:34,099 RIGHT, A MAZE. 1117 00:40:34,141 --> 00:40:35,851 AND THE BETTER 1118 00:40:34,141 --> 00:40:35,851 THE MAZE... 1119 00:40:35,892 --> 00:40:38,312 THEN THE LONGER WE HAVE 1120 00:40:35,892 --> 00:40:38,312 BEFORE THE PROJECTIONS CATCH US? 1121 00:40:38,354 --> 00:40:39,855 EXACTLY. 1122 00:40:39,896 --> 00:40:42,524 MY SUBCONSCIOUS 1123 00:40:39,896 --> 00:40:42,524 SEEMS POLITE ENOUGH. 1124 00:40:42,565 --> 00:40:43,817 [ CHUCKLES ] YOU WAIT. 1125 00:40:42,565 --> 00:40:43,817 THEY'LL TURN UGLY. 1126 00:40:43,859 --> 00:40:45,527 NO ONE LIKES TO FEEL 1127 00:40:43,859 --> 00:40:45,527 SOMEONE ELSE 1128 00:40:45,568 --> 00:40:46,945 MESSING AROUND 1129 00:40:45,568 --> 00:40:46,945 IN THEIR MIND. 1130 00:40:46,987 --> 00:40:50,573 COBB CAN'T BUILD ANYMORE, 1131 00:40:46,987 --> 00:40:50,573 CAN HE? 1132 00:40:50,615 --> 00:40:53,702 WELL, I DON'T KNOW 1133 00:40:50,615 --> 00:40:53,702 IF HE CAN'T, BUT HE WON'T. 1134 00:40:53,743 --> 00:40:56,079 HE THINKS IT'S SAFER 1135 00:40:53,743 --> 00:40:56,079 IF HE DOESN'T KNOW THE LAYOUTS. 1136 00:40:56,121 --> 00:40:57,831 WHY? 1137 00:40:56,121 --> 00:40:57,831 HE WON'T TELL ME. 1138 00:40:57,873 --> 00:40:59,749 BUT I THINK IT'S MAL. 1139 00:40:59,791 --> 00:41:01,293 HIS EX-WIFE? 1140 00:41:01,335 --> 00:41:02,336 NO, NOT HIS EX. 1141 00:41:02,378 --> 00:41:03,920 THEY'RE STILL TOGETHER? 1142 00:41:03,962 --> 00:41:06,673 NO... 1143 00:41:06,715 --> 00:41:07,841 SHE'S DEAD. 1144 00:41:10,510 --> 00:41:12,470 WHAT YOU SEE IN THERE 1145 00:41:10,510 --> 00:41:12,470 IS JUST HIS PROJECTION OF HER. 1146 00:41:15,807 --> 00:41:18,310 WHAT WAS SHE LIKE 1147 00:41:15,807 --> 00:41:18,310 IN REAL LIFE? 1148 00:41:18,352 --> 00:41:20,270 SHE WAS LOVELY. 1149 00:41:23,565 --> 00:41:26,693 Yusuf: 1150 00:41:23,565 --> 00:41:26,693 YOU ARE SEEKING A CHEMIST? 1151 00:41:23,565 --> 00:41:26,693 Cobb: YES. 1152 00:41:26,735 --> 00:41:28,778 TO FORMULATE COMPOUNDS 1153 00:41:26,735 --> 00:41:28,778 FOR A JOB? 1154 00:41:28,820 --> 00:41:31,489 AND TO GO INTO THE FIELD 1155 00:41:28,820 --> 00:41:31,489 WITH US. 1156 00:41:31,531 --> 00:41:34,201 NO, I RARELY GO INTO THE FIELD, 1157 00:41:31,531 --> 00:41:34,201 MR. COBB. 1158 00:41:34,243 --> 00:41:35,702 WELL, WE'D NEED YOU THERE 1159 00:41:35,744 --> 00:41:37,579 TO TAILOR COMPOUNDS 1160 00:41:35,744 --> 00:41:37,579 SPECIFIC TO OUR NEEDS. 1161 00:41:37,620 --> 00:41:39,915 WHICH ARE? 1162 00:41:37,620 --> 00:41:39,915 GREAT DEPTH. 1163 00:41:39,956 --> 00:41:43,168 A DREAM WITHIN A DREAM. 1164 00:41:39,956 --> 00:41:43,168 TWO LEVELS. 1165 00:41:45,128 --> 00:41:47,214 THREE. 1166 00:41:47,256 --> 00:41:48,924 NOT POSSIBLE. 1167 00:41:48,965 --> 00:41:50,384 THAT MANY DREAMS WITHIN DREAMS 1168 00:41:48,965 --> 00:41:50,384 IS TOO UNSTABLE. 1169 00:41:50,426 --> 00:41:52,802 IT IS POSSIBLE. 1170 00:41:52,844 --> 00:41:55,097 YOU JUST HAVE TO ADD 1171 00:41:52,844 --> 00:41:55,097 A SEDATIVE. 1172 00:41:55,138 --> 00:41:57,557 A POWERFUL SEDATIVE. 1173 00:41:58,850 --> 00:42:00,977 HOW MANY TEAM MEMBERS? 1174 00:42:01,019 --> 00:42:02,729 FIVE. 1175 00:42:01,019 --> 00:42:02,729 Saito: SIX. 1176 00:42:02,771 --> 00:42:07,109 THE ONLY WAY TO KNOW 1177 00:42:02,771 --> 00:42:07,109 YOU'VE DONE THE JOB 1178 00:42:07,150 --> 00:42:09,652 IS IF I GO IN WITH YOU. 1179 00:42:09,694 --> 00:42:11,988 THERE'S NO ROOM FOR TOURISTS 1180 00:42:09,694 --> 00:42:11,988 ON A JOB LIKE THIS, MR. SAITO. 1181 00:42:12,030 --> 00:42:14,657 THIS TIME, IT SEEMS THERE IS. 1182 00:42:14,699 --> 00:42:17,577 THIS, I THINK, 1183 00:42:14,699 --> 00:42:17,577 IS A GOOD PLACE TO START. 1184 00:42:17,619 --> 00:42:19,204 I USE IT EVERY DAY. 1185 00:42:19,246 --> 00:42:20,372 WHAT FOR? 1186 00:42:20,414 --> 00:42:23,125 HERE, I'LL SHOW YOU. 1187 00:42:24,960 --> 00:42:27,379 PERHAPS YOU WILL NOT 1188 00:42:24,960 --> 00:42:27,379 WANT TO SEE. 1189 00:42:29,881 --> 00:42:31,007 AFTER YOU. 1190 00:42:39,808 --> 00:42:42,811 Eames: 10...12. 1191 00:42:42,852 --> 00:42:44,604 ALL CONNECTED. 1192 00:42:42,852 --> 00:42:44,604 BLOODY HELL. 1193 00:42:44,646 --> 00:42:46,064 THEY COME EVERY DAY 1194 00:42:44,646 --> 00:42:46,064 TO SHARE THE DREAM. 1195 00:42:49,276 --> 00:42:51,611 YOU SEE? 1196 00:42:49,276 --> 00:42:51,611 VERY STABLE. 1197 00:42:56,866 --> 00:42:58,994 HOW LONG 1198 00:42:56,866 --> 00:42:58,994 DO THEY DREAM FOR? 1199 00:42:59,035 --> 00:43:01,204 Yusuf: THREE, FOUR HOURS, 1200 00:42:59,035 --> 00:43:01,204 EACH DAY. 1201 00:43:01,246 --> 00:43:02,998 AND DREAM TIME? 1202 00:43:03,039 --> 00:43:04,874 WITH THIS COMPOUND? 1203 00:43:04,916 --> 00:43:06,793 ABOUT 40 HOURS, 1204 00:43:04,916 --> 00:43:06,793 EACH AND EVERY DAY. 1205 00:43:06,835 --> 00:43:09,045 WHY DO THEY DO IT? 1206 00:43:09,087 --> 00:43:11,131 TELL HIM, MR. COBB. 1207 00:43:11,173 --> 00:43:14,384 AFTER A WHILE, IT BECOMES 1208 00:43:11,173 --> 00:43:14,384 THE ONLY WAY YOU CAN DREAM. 1209 00:43:14,426 --> 00:43:16,470 DO YOU STILL DREAM, 1210 00:43:14,426 --> 00:43:16,470 MR. COBB? 1211 00:43:16,512 --> 00:43:18,805 THEY COME HERE EVERY DAY 1212 00:43:16,512 --> 00:43:18,805 TO SLEEP? 1213 00:43:18,847 --> 00:43:21,099 Elderly man: NO. 1214 00:43:21,141 --> 00:43:24,811 THEY COME TO BE WOKEN UP. 1215 00:43:24,853 --> 00:43:29,107 THE DREAM HAS BECOME 1216 00:43:24,853 --> 00:43:29,107 THEIR REALITY. 1217 00:43:29,149 --> 00:43:32,361 WHO ARE YOU 1218 00:43:29,149 --> 00:43:32,361 TO SAY OTHERWISE, SIR? 1219 00:43:32,402 --> 00:43:34,696 [ CHUCKLES ] 1220 00:43:34,737 --> 00:43:36,198 LET'S SEE 1221 00:43:34,737 --> 00:43:36,198 WHAT YOU CAN DO. 1222 00:43:43,663 --> 00:43:45,748 [ CREAKING ] 1223 00:43:47,292 --> 00:43:50,045 YOU KNOW HOW 1224 00:43:47,292 --> 00:43:50,045 TO FIND ME. 1225 00:43:50,086 --> 00:43:51,505 [ CREAKING ] 1226 00:43:51,547 --> 00:43:53,465 YOU KNOW 1227 00:43:51,547 --> 00:43:53,465 WHAT YOU HAVE TO DO. 1228 00:43:53,507 --> 00:43:56,134 [ GRUNTING ] 1229 00:43:57,886 --> 00:43:59,846 [ EXHALES SHARPLY ] 1230 00:43:57,886 --> 00:43:59,846 SHARP, NO? 1231 00:43:59,888 --> 00:44:03,433 [ BREATHING HEAVILY ] 1232 00:44:03,475 --> 00:44:06,728 [ BREATHING RAGGEDLY ] 1233 00:44:15,320 --> 00:44:18,114 Saito: ARE YOU ALL RIGHT, 1234 00:44:15,320 --> 00:44:18,114 MR. COBB? 1235 00:44:18,156 --> 00:44:20,700 YEAH. YEAH. 1236 00:44:20,742 --> 00:44:22,452 EVERYTHING'S JUST FINE. 1237 00:44:23,620 --> 00:44:24,954 [ EXHALES SHARPLY ] 1238 00:44:30,293 --> 00:44:32,128 ROBERT FISCHER, 1239 00:44:32,170 --> 00:44:34,923 HEIR TO THE FISCHER MORROW 1240 00:44:32,170 --> 00:44:34,923 ENERGY CONGLOMERATE. 1241 00:44:34,964 --> 00:44:36,758 WHAT'S YOUR PROBLEM 1242 00:44:34,964 --> 00:44:36,758 WITH THIS MR. FISCHER? 1243 00:44:36,799 --> 00:44:38,468 THAT'S NOT YOUR CONCERN. 1244 00:44:38,510 --> 00:44:40,512 MR. SAITO, THIS [SCOFFS] 1245 00:44:40,554 --> 00:44:43,473 THIS ISN'T YOUR TYPICAL 1246 00:44:40,554 --> 00:44:43,473 CORPORATE ESPIONAGE. 1247 00:44:43,515 --> 00:44:45,308 YOU ASKED ME 1248 00:44:43,515 --> 00:44:45,308 FOR INCEPTION. 1249 00:44:45,350 --> 00:44:48,562 I DO HOPE YOU UNDERSTAND 1250 00:44:45,350 --> 00:44:48,562 THE GRAVITY OF THAT REQUEST. 1251 00:44:48,604 --> 00:44:51,523 NOW, THE SEED THAT WE PLANT 1252 00:44:48,604 --> 00:44:51,523 IN THIS MAN'S MIND 1253 00:44:51,565 --> 00:44:52,774 WILL GROW INTO AN IDEA. 1254 00:44:52,815 --> 00:44:54,776 THIS IDEA WILL DEFINE HIM. 1255 00:44:54,817 --> 00:44:56,903 IT MAY COME TO CHANGE... 1256 00:44:56,945 --> 00:44:59,364 WELL, IT MAY COME TO CHANGE 1257 00:44:56,945 --> 00:44:59,364 EVERYTHING ABOUT HIM. 1258 00:44:59,406 --> 00:45:01,074 WE'RE THE LAST COMPANY 1259 00:44:59,406 --> 00:45:01,074 STANDING 1260 00:45:01,116 --> 00:45:03,993 BETWEEN THEM 1261 00:45:01,116 --> 00:45:03,993 AND TOTAL ENERGY DOMINANCE. 1262 00:45:04,035 --> 00:45:06,829 AND WE CAN 1263 00:45:04,035 --> 00:45:06,829 NO LONGER COMPETE. 1264 00:45:06,871 --> 00:45:09,832 SOON, THEY'LL CONTROL THE ENERGY 1265 00:45:06,871 --> 00:45:09,832 SUPPLY OF HALF THE WORLD. 1266 00:45:09,874 --> 00:45:11,501 IN EFFECT, 1267 00:45:09,874 --> 00:45:11,501 THEY BECOME A NEW SUPERPOWER. 1268 00:45:11,543 --> 00:45:13,545 [ POUNDS TABLE ] 1269 00:45:13,587 --> 00:45:16,714 THE WORLD NEEDS ROBERT FISCHER 1270 00:45:13,587 --> 00:45:16,714 TO CHANGE HIS MIND. 1271 00:45:16,756 --> 00:45:18,841 Eames: 1272 00:45:16,756 --> 00:45:18,841 THAT'S WHERE WE COME IN. 1273 00:45:18,883 --> 00:45:22,137 HOW IS ROBERT FISCHER'S 1274 00:45:18,883 --> 00:45:22,137 RELATIONSHIP WITH HIS FATHER? 1275 00:45:22,178 --> 00:45:25,265 RUMOR IS THE RELATIONSHIP 1276 00:45:22,178 --> 00:45:25,265 IS QUITE COMPLICATED. 1277 00:45:25,307 --> 00:45:27,850 WELL, WE CAN'T WORK BASED 1278 00:45:25,307 --> 00:45:27,850 SOLELY ON RUMOR, CAN WE? 1279 00:45:27,892 --> 00:45:29,727 CAN YOU GET ME ACCESS 1280 00:45:27,892 --> 00:45:29,727 TO THIS MAN HERE? 1281 00:45:29,769 --> 00:45:31,104 BROWNING. 1282 00:45:31,146 --> 00:45:33,815 FISCHER SENIOR'S 1283 00:45:31,146 --> 00:45:33,815 RIGHT-HAND MAN... 1284 00:45:33,856 --> 00:45:35,525 FISCHER JUNIOR'S GODFATHER. 1285 00:45:35,567 --> 00:45:36,859 IT SHOULD BE POSSIBLE, 1286 00:45:36,901 --> 00:45:39,028 IF YOU CAN GET 1287 00:45:36,901 --> 00:45:39,028 THE RIGHT REFERENCES. 1288 00:45:39,070 --> 00:45:43,575 REFERENCES ARE SOMETHING OF 1289 00:45:39,070 --> 00:45:43,575 A SPECIALTY FOR ME, MR. SAITO. 1290 00:45:43,617 --> 00:45:46,328 I'M NOT SMELLING 1291 00:45:43,617 --> 00:45:46,328 SETTLEMENT HERE. 1292 00:45:46,369 --> 00:45:48,079 TAKE THEM DOWN. 1293 00:45:48,121 --> 00:45:49,914 MR. BROWNING, 1294 00:45:48,121 --> 00:45:49,914 MAURICE FISCHER'S POLICY 1295 00:45:49,956 --> 00:45:51,874 IS ALWAYS ONE 1296 00:45:49,956 --> 00:45:51,874 OF AVOIDING LITIGATION. 1297 00:45:54,503 --> 00:45:57,046 WELL, SHALL WE VOICE 1298 00:45:54,503 --> 00:45:57,046 YOUR CONCERNS 1299 00:45:57,088 --> 00:45:59,382 WITH MAURICE DIRECTLY? 1300 00:45:59,424 --> 00:46:00,925 I'M NOT SURE 1301 00:45:59,424 --> 00:46:00,925 THAT'S NECESSARY. 1302 00:46:00,967 --> 00:46:03,261 NO, NO, NO. 1303 00:46:00,967 --> 00:46:03,261 I-I THINK WE SHOULD. 1304 00:46:24,449 --> 00:46:27,035 HOW IS HE? 1305 00:46:27,076 --> 00:46:30,497 I DON'T WANT TO BOTHER HIM 1306 00:46:27,076 --> 00:46:30,497 UNNECESSARILY, BUT -- 1307 00:46:30,539 --> 00:46:33,709 ROBERT, I TOLD YOU 1308 00:46:30,539 --> 00:46:33,709 KEEP OUT THE DAMN... 1309 00:46:30,539 --> 00:46:33,709 [ CLATTER ] 1310 00:46:34,834 --> 00:46:37,086 WAIT, SO DO IT! GET -- 1311 00:46:34,834 --> 00:46:37,086 Nurse: Shh. 1312 00:46:37,128 --> 00:46:38,838 PUT IT THROUGH! 1313 00:46:38,880 --> 00:46:40,965 NEVER! NEVER. 1314 00:46:41,007 --> 00:46:43,218 HAVEN'T YOU, 1315 00:46:41,007 --> 00:46:43,218 THE SAME AS I ASKED. 1316 00:46:43,259 --> 00:46:45,762 LEAVE THAT. 1317 00:46:45,803 --> 00:46:47,222 [ BREATHING RAGGEDLY ] 1318 00:46:53,978 --> 00:46:55,855 Browning: MUST BE A CHERISHED 1319 00:46:53,978 --> 00:46:55,855 MEMORY OF HIS. 1320 00:46:55,897 --> 00:46:59,275 I PUT IT BESIDE HIS BED. 1321 00:46:59,317 --> 00:47:01,403 HE HASN'T EVEN NOTICED. 1322 00:47:01,444 --> 00:47:03,321 ROBERT... 1323 00:47:03,363 --> 00:47:05,156 [ SIGHS ] 1324 00:47:05,198 --> 00:47:07,950 ...WE NEED TO TALK 1325 00:47:05,198 --> 00:47:07,950 ABOUT A POWER OF ATTORNEY. 1326 00:47:07,992 --> 00:47:10,245 I KNOW THIS IS HARD 1327 00:47:07,992 --> 00:47:10,245 ON YOU -- 1328 00:47:07,992 --> 00:47:10,245 NOT NOW, UNCLE PETER. 1329 00:47:10,286 --> 00:47:12,080 BUT IT'S IMPERATIVE 1330 00:47:10,286 --> 00:47:12,080 THAT WE START TO... 1331 00:47:14,957 --> 00:47:17,126 Eames: 1332 00:47:14,957 --> 00:47:17,126 THE VULTURES ARE CIRCLING. 1333 00:47:17,168 --> 00:47:19,504 AND THE SICKER 1334 00:47:17,168 --> 00:47:19,504 MAURICE FISCHER BECOMES, 1335 00:47:19,546 --> 00:47:22,257 THE MORE POWERFUL 1336 00:47:19,546 --> 00:47:22,257 PETER BROWNING BECOMES. 1337 00:47:22,298 --> 00:47:24,676 I'VE HAD AMPLE OPPORTUNITY 1338 00:47:22,298 --> 00:47:24,676 TO OBSERVE BROWNING, 1339 00:47:24,718 --> 00:47:27,887 ADOPT HIS PHYSICAL PRESENCE, 1340 00:47:24,718 --> 00:47:27,887 STUDY HIS MANNERISMS, 1341 00:47:27,929 --> 00:47:29,681 AND SO ON AND SO FORTH. 1342 00:47:29,723 --> 00:47:31,641 SO NOW IN THE FIRST LAYER 1343 00:47:29,723 --> 00:47:31,641 OF THE DREAM, 1344 00:47:31,683 --> 00:47:33,518 I CAN IMPERSONATE BROWNING 1345 00:47:33,560 --> 00:47:37,272 AND SUGGEST CONCEPTS 1346 00:47:33,560 --> 00:47:37,272 TO FISCHER'S CONSCIOUS MIND. 1347 00:47:37,313 --> 00:47:39,107 THEN, WHEN WE TAKE HIM 1348 00:47:37,313 --> 00:47:39,107 A LEVEL DEEPER, 1349 00:47:39,148 --> 00:47:41,067 HIS OWN PROJECTION 1350 00:47:39,148 --> 00:47:41,067 OF BROWNING SHOULD -- 1351 00:47:41,109 --> 00:47:42,860 SHOULD FEED THAT 1352 00:47:41,109 --> 00:47:42,860 RIGHT BACK TO HIM. 1353 00:47:42,902 --> 00:47:44,696 SO HE GIVES HIMSELF 1354 00:47:42,902 --> 00:47:44,696 THE IDEA. 1355 00:47:44,738 --> 00:47:46,448 PRECISELY. 1356 00:47:46,489 --> 00:47:48,074 THAT'S THE ONLY WAY 1357 00:47:46,489 --> 00:47:48,074 IT WILL STICK. 1358 00:47:48,116 --> 00:47:49,242 IT HAS TO SEEM 1359 00:47:48,116 --> 00:47:49,242 SELF-GENERATED. 1360 00:47:49,284 --> 00:47:50,744 EAMES... 1361 00:47:50,786 --> 00:47:52,912 I AM IMPRESSED. 1362 00:47:52,954 --> 00:47:55,164 YOUR CONDESCENSION, AS ALWAYS, 1363 00:47:52,954 --> 00:47:55,164 IS MUCH APPRECIATED, 1364 00:47:55,206 --> 00:47:56,291 ARTHUR, THANK YOU. 1365 00:47:59,377 --> 00:48:01,963 [ WHIRRING ] 1366 00:48:08,553 --> 00:48:10,012 [ RUSTLING ] 1367 00:48:17,145 --> 00:48:19,773 WERE YOU GOING UNDER 1368 00:48:17,145 --> 00:48:19,773 ON YOUR OWN? 1369 00:48:19,815 --> 00:48:21,190 NO, NO, I WAS JUST -- 1370 00:48:21,232 --> 00:48:23,568 I WAS JUST RUNNING 1371 00:48:21,232 --> 00:48:23,568 SOME EXPERIMENTS. 1372 00:48:23,610 --> 00:48:25,779 I DIDN'T REALIZE 1373 00:48:23,610 --> 00:48:25,779 ANYONE WAS HERE. 1374 00:48:25,821 --> 00:48:28,573 YEAH, I WAS JUST -- I WAS 1375 00:48:25,821 --> 00:48:28,573 WORKING ON MY TOTEM, ACTUALLY. 1376 00:48:28,615 --> 00:48:29,741 HERE. 1377 00:48:28,615 --> 00:48:29,741 LET ME TAKE A LOOK. 1378 00:48:29,783 --> 00:48:31,367 AH -- 1379 00:48:31,409 --> 00:48:33,578 SO YOU'RE LEARNING, HUH? 1380 00:48:33,620 --> 00:48:36,790 AN ELEGANT SOLUTION 1381 00:48:33,620 --> 00:48:36,790 FOR KEEPING TRACK OF REALITY. 1382 00:48:36,832 --> 00:48:38,792 WAS IT YOUR IDEA? 1383 00:48:38,834 --> 00:48:41,127 NO, IT WAS... 1384 00:48:38,834 --> 00:48:41,127 IT WAS MAL'S, ACTUALLY. 1385 00:48:41,169 --> 00:48:42,754 THIS.... 1386 00:48:42,796 --> 00:48:44,172 THIS ONE WAS HERS. 1387 00:48:44,213 --> 00:48:45,590 SHE'D SPIN IT 1388 00:48:44,213 --> 00:48:45,590 IN THE DREAM, 1389 00:48:45,632 --> 00:48:46,883 AND IT WOULD 1390 00:48:45,632 --> 00:48:46,883 NEVER TOPPLE. 1391 00:48:46,924 --> 00:48:48,176 JUST... 1392 00:48:48,217 --> 00:48:50,052 SPIN AND SPIN. 1393 00:48:50,094 --> 00:48:53,097 ARTHUR TOLD ME 1394 00:48:50,094 --> 00:48:53,097 SHE PASSED AWAY. 1395 00:48:54,766 --> 00:48:57,352 HOW ARE THE MAZES 1396 00:48:54,766 --> 00:48:57,352 COMING ALONG? 1397 00:48:57,393 --> 00:48:59,020 EACH LEVEL 1398 00:48:57,393 --> 00:48:59,020 RELATES TO THE PART 1399 00:48:59,061 --> 00:49:00,980 OF THE SUBJECT'S 1400 00:48:59,061 --> 00:49:00,980 SUBCONSCIOUS 1401 00:49:01,022 --> 00:49:02,607 THAT WE ARE TRYING 1402 00:49:01,022 --> 00:49:02,607 TO ACCESS. 1403 00:49:02,649 --> 00:49:04,776 SO, I'M MAKING THE BOTTOM 1404 00:49:02,649 --> 00:49:04,776 LEVEL A HOSPITAL 1405 00:49:04,818 --> 00:49:06,653 SO FISCHER 1406 00:49:04,818 --> 00:49:06,653 WILL BRING HIS FATHER. 1407 00:49:06,695 --> 00:49:09,656 UM, YOU KNOW, ACTUALLY, 1408 00:49:09,698 --> 00:49:11,407 I HAVE A QUESTION 1409 00:49:09,698 --> 00:49:11,407 ABOUT THIS LAYOUT. 1410 00:49:11,449 --> 00:49:13,409 NO, NO, NO. DON'T -- 1411 00:49:11,449 --> 00:49:13,409 DON'T SHOW ME SPECIFICS. 1412 00:49:13,451 --> 00:49:15,328 ONLY THE DREAMER 1413 00:49:13,451 --> 00:49:15,328 SHOULD KNOW THE LAYOUT. 1414 00:49:15,370 --> 00:49:17,873 WHY IS THAT 1415 00:49:15,370 --> 00:49:17,873 SO IMPORTANT? 1416 00:49:17,914 --> 00:49:19,749 IN CASE ONE OF US 1417 00:49:17,914 --> 00:49:19,749 BRINGS IN OUR PROJECTIONS. 1418 00:49:19,791 --> 00:49:21,793 WE DON'T WANT THEM KNOWING 1419 00:49:19,791 --> 00:49:21,793 THE DETAILS OF THE MAZE. 1420 00:49:21,835 --> 00:49:25,630 YOU MEAN 1421 00:49:21,835 --> 00:49:25,630 IN CASE YOU BRING MAL IN. 1422 00:49:25,672 --> 00:49:28,383 YOU CAN'T KEEP HER OUT, 1423 00:49:25,672 --> 00:49:28,383 CAN YOU? 1424 00:49:28,424 --> 00:49:29,801 RIGHT. 1425 00:49:29,843 --> 00:49:31,594 YOU CAN'T BUILD BECAUSE, 1426 00:49:31,636 --> 00:49:34,222 IF YOU KNOW THE MAZE, 1427 00:49:31,636 --> 00:49:34,222 THEN SHE KNOWS IT. 1428 00:49:34,263 --> 00:49:36,432 WELL, SHE'D SABOTAGE 1429 00:49:34,263 --> 00:49:36,432 THE WHOLE OPERATION. 1430 00:49:36,474 --> 00:49:37,975 COBB, DO THE OTHERS KNOW? 1431 00:49:38,017 --> 00:49:39,602 NO. NO, THEY DON'T. 1432 00:49:39,644 --> 00:49:41,979 YOU'VE GOTTA WARN THEM 1433 00:49:39,644 --> 00:49:41,979 IF THIS IS GETTING WORSE. 1434 00:49:42,021 --> 00:49:43,064 NO ONE SAID 1435 00:49:42,021 --> 00:49:43,064 IT'S GETTING WORSE. 1436 00:49:44,190 --> 00:49:45,775 I NEED TO GET HOME. 1437 00:49:45,817 --> 00:49:48,403 THAT'S ALL I CARE ABOUT 1438 00:49:45,817 --> 00:49:48,403 RIGHT NOW. 1439 00:49:48,444 --> 00:49:51,030 WHY CAN'T YOU GO HOME? 1440 00:49:53,867 --> 00:49:57,662 BECAUSE THEY THINK 1441 00:49:53,867 --> 00:49:57,662 I KILLED HER. 1442 00:49:58,663 --> 00:50:01,040 THANK YOU. 1443 00:50:01,082 --> 00:50:02,417 FOR WHAT? 1444 00:50:02,458 --> 00:50:04,168 FOR NOT ASKING 1445 00:50:02,458 --> 00:50:04,168 WHETHER I DID. 1446 00:50:04,210 --> 00:50:07,213 "I WILL SPLIT UP 1447 00:50:04,210 --> 00:50:07,213 MY FATHER'S EMPIRE." 1448 00:50:07,255 --> 00:50:08,882 NOW, THIS IS 1449 00:50:07,255 --> 00:50:08,882 OBVIOUSLY AN IDEA 1450 00:50:08,924 --> 00:50:11,300 THAT ROBERT HIMSELF 1451 00:50:08,924 --> 00:50:11,300 WOULD CHOOSE TO REJECT. 1452 00:50:11,342 --> 00:50:14,303 WHICH IS WHY WE NEED TO PLANT IT 1453 00:50:11,342 --> 00:50:14,303 DEEP IN HIS SUBCONSCIOUS. 1454 00:50:14,345 --> 00:50:16,681 THE SUBCONSCIOUS IS MOTIVATED 1455 00:50:14,345 --> 00:50:16,681 BY EMOTION, RIGHT? 1456 00:50:16,723 --> 00:50:18,349 NOT REASON. 1457 00:50:18,391 --> 00:50:20,101 WE NEED TO FIND A WAY 1458 00:50:18,391 --> 00:50:20,101 TO TRANSLATE THIS 1459 00:50:20,142 --> 00:50:21,853 INTO AN EMOTIONAL CONCEPT. 1460 00:50:21,895 --> 00:50:24,647 HOW DO YOU TRANSLATE A BUSINESS 1461 00:50:21,895 --> 00:50:24,647 STRATEGY INTO AN EMOTION? 1462 00:50:24,689 --> 00:50:26,148 THAT'S WHAT WE'RE HERE 1463 00:50:24,689 --> 00:50:26,148 TO FIGURE OUT, RIGHT? 1464 00:50:26,190 --> 00:50:28,651 NOW, ROBERT'S RELATIONSHIP 1465 00:50:26,190 --> 00:50:28,651 WITH HIS FATHER 1466 00:50:28,693 --> 00:50:29,945 IS STRESSED, TO SAY THE LEAST. 1467 00:50:29,986 --> 00:50:31,112 WELL, 1468 00:50:29,986 --> 00:50:31,112 CAN WE RUN WITH THAT? 1469 00:50:31,153 --> 00:50:32,447 WE COULD SUGGEST TO HIM 1470 00:50:32,488 --> 00:50:34,115 BREAKING UP 1471 00:50:32,488 --> 00:50:34,115 HIS FATHER'S COMPANY 1472 00:50:34,156 --> 00:50:35,617 AS A "SCREW YOU" 1473 00:50:34,156 --> 00:50:35,617 TO THE OLD MAN. 1474 00:50:35,658 --> 00:50:37,159 NO, BECAUSE I THINK 1475 00:50:35,658 --> 00:50:37,159 POSITIVE EMOTION 1476 00:50:37,201 --> 00:50:38,453 TRUMPS NEGATIVE EMOTION 1477 00:50:37,201 --> 00:50:38,453 EVERY TIME. 1478 00:50:38,494 --> 00:50:40,830 WE ALL YEARN 1479 00:50:38,494 --> 00:50:40,830 FOR RECONCILIATION, 1480 00:50:40,872 --> 00:50:42,498 FOR CATHARSIS. 1481 00:50:42,540 --> 00:50:44,292 WE NEED ROBERT FISCHER 1482 00:50:44,333 --> 00:50:46,502 TO HAVE A POSITIVE 1483 00:50:44,333 --> 00:50:46,502 EMOTIONAL REACTION TO ALL THIS. 1484 00:50:46,544 --> 00:50:48,379 ALL RIGHT, 1485 00:50:46,544 --> 00:50:48,379 WELL, TRY THIS. 1486 00:50:48,421 --> 00:50:51,424 UM, "MY FATHER ACCEPTS THAT 1487 00:50:48,421 --> 00:50:51,424 I WANT TO CREATE FOR MYSELF, 1488 00:50:51,466 --> 00:50:53,426 NOT FOLLOW 1489 00:50:51,466 --> 00:50:53,426 IN HIS FOOTSTEPS." 1490 00:50:53,468 --> 00:50:54,719 THAT MIGHT WORK. 1491 00:50:54,761 --> 00:50:56,805 "MIGHT"? 1492 00:50:56,846 --> 00:50:58,473 WE'RE GONNA NEED TO DO 1493 00:50:56,846 --> 00:50:58,473 A LITTLE BETTER THAN "MIGHT." 1494 00:50:58,514 --> 00:51:00,558 OH. THANK YOU FOR 1495 00:50:58,514 --> 00:51:00,558 YOUR CONTRIBUTION, ARTHUR. 1496 00:51:00,600 --> 00:51:02,727 FORGIVE ME FOR WANTING 1497 00:51:00,600 --> 00:51:02,727 A LITTLE SPECIFICITY, EAMES. 1498 00:51:02,769 --> 00:51:04,854 SPECIFICITY? 1499 00:51:04,896 --> 00:51:07,106 INCEPTION'S 1500 00:51:04,896 --> 00:51:07,106 NOT ABOUT BEING SPECIFIC. 1501 00:51:07,148 --> 00:51:08,566 WHEN WE GET INSIDE HIS MIND, 1502 00:51:08,608 --> 00:51:12,069 WE'RE GONNA HAVE TO WORK 1503 00:51:08,608 --> 00:51:12,069 WITH WHAT WE FIND. 1504 00:51:12,111 --> 00:51:13,571 Eames: 1505 00:51:12,111 --> 00:51:13,571 ON THE TOP LEVEL, 1506 00:51:13,613 --> 00:51:15,364 WE OPEN UP HIS RELATIONSHIP 1507 00:51:13,613 --> 00:51:15,364 WITH HIS FATHER, 1508 00:51:15,406 --> 00:51:18,242 AND SAY, "I WILL NOT FOLLOW 1509 00:51:15,406 --> 00:51:18,242 IN MY FATHER'S FOOTSTEPS." 1510 00:51:18,284 --> 00:51:19,786 THEN THE NEXT LEVEL DOWN, 1511 00:51:19,828 --> 00:51:21,370 WE FEED HIM, 1512 00:51:21,412 --> 00:51:23,372 "I WILL CREATE SOMETHING 1513 00:51:21,412 --> 00:51:23,372 FOR MYSELF." 1514 00:51:23,414 --> 00:51:25,082 THEN, BY THE TIME 1515 00:51:23,414 --> 00:51:25,082 WE HIT THE BOTTOM LEVEL, 1516 00:51:25,124 --> 00:51:26,876 WE BRING OUT THE BIG GUNS. 1517 00:51:26,918 --> 00:51:29,545 "MY FATHER DOESN'T WANT ME 1518 00:51:26,918 --> 00:51:29,545 TO BE HIM." 1519 00:51:26,918 --> 00:51:29,545 EXACTLY. 1520 00:51:29,587 --> 00:51:33,174 Arthur: THREE LAYERS DOWN, 1521 00:51:29,587 --> 00:51:33,174 THE DREAMS ARE GONNA COLLAPSE 1522 00:51:33,215 --> 00:51:34,759 WITH THE SLIGHTEST DISTURBANCE. 1523 00:51:34,801 --> 00:51:35,927 SEDATION. 1524 00:51:35,969 --> 00:51:37,762 FOR SLEEP STABLE ENOUGH 1525 00:51:37,804 --> 00:51:39,764 TO CREATE THREE LAYERS 1526 00:51:37,804 --> 00:51:39,764 OF DREAMING, 1527 00:51:39,806 --> 00:51:41,307 WE'LL HAVE TO COMBINE IT 1528 00:51:41,349 --> 00:51:42,976 WITH AN EXTREMELY 1529 00:51:41,349 --> 00:51:42,976 POWERFUL SEDATIVE. 1530 00:51:53,903 --> 00:51:55,697 GOOD NIGHT. 1531 00:51:55,738 --> 00:51:58,157 THE COMPOUND WE'LL BE USING 1532 00:51:55,738 --> 00:51:58,157 TO SHARE THE DREAM 1533 00:51:58,199 --> 00:52:00,535 CREATES A VERY CLEAR CONNECTION 1534 00:51:58,199 --> 00:52:00,535 BETWEEN DREAMERS 1535 00:52:00,576 --> 00:52:02,578 WHILST ACTUALLY ACCELERATING 1536 00:52:00,576 --> 00:52:02,578 BRAIN FUNCTION. 1537 00:52:02,620 --> 00:52:05,040 IN OTHER WORDS, IT GIVES US 1538 00:52:02,620 --> 00:52:05,040 MORE TIME ON EACH LEVEL. 1539 00:52:05,081 --> 00:52:08,334 BRAIN FUNCTION IN THE DREAM 1540 00:52:05,081 --> 00:52:08,334 WILL BE ABOUT 20 TIMES NORMAL. 1541 00:52:08,376 --> 00:52:10,545 WHEN YOU ENTER A DREAM 1542 00:52:08,376 --> 00:52:10,545 WITHIN THAT DREAM, 1543 00:52:10,586 --> 00:52:12,047 THE EFFECT IS COMPOUNDED. 1544 00:52:12,088 --> 00:52:13,589 IT'S 3 DREAMS -- 1545 00:52:12,088 --> 00:52:13,589 THAT'S 10 HOURS TIMES -- 1546 00:52:13,631 --> 00:52:15,174 I'M SORRY, MATH WAS NEVER 1547 00:52:13,631 --> 00:52:15,174 MY STRONG SUBJECT. 1548 00:52:15,216 --> 00:52:16,843 H-HOW MUCH TIME IS THAT? 1549 00:52:16,885 --> 00:52:20,722 IT'S A WEEK, 1550 00:52:16,885 --> 00:52:20,722 THE FIRST LEVEL DOWN, 1551 00:52:20,763 --> 00:52:22,598 SIX MONTHS, 1552 00:52:20,763 --> 00:52:22,598 THE SECOND LEVEL DOWN, 1553 00:52:22,640 --> 00:52:23,933 AND THE THIRD LEVEL... 1554 00:52:23,975 --> 00:52:25,142 IT'S 10 YEARS. 1555 00:52:27,812 --> 00:52:29,939 WHO WOULD WANT TO BE STUCK 1556 00:52:27,812 --> 00:52:29,939 IN A DREAM FOR 10 YEARS? 1557 00:52:29,981 --> 00:52:31,649 DEPENDS ON THE DREAM. 1558 00:52:31,691 --> 00:52:33,860 SO, ONCE WE'VE MADE THE PLANT, 1559 00:52:31,691 --> 00:52:33,860 HOW DO WE GET OUT? 1560 00:52:33,902 --> 00:52:36,362 AND I'M HOPING YOU HAVE 1561 00:52:33,902 --> 00:52:36,362 SOMETHING MORE ELEGANT IN MIND 1562 00:52:36,404 --> 00:52:37,613 THAN SHOOTING ME 1563 00:52:36,404 --> 00:52:37,613 IN THE HEAD. 1564 00:52:37,655 --> 00:52:38,948 A KICK. 1565 00:52:38,990 --> 00:52:40,742 WHAT'S A KICK? 1566 00:52:40,783 --> 00:52:42,869 THIS, ARIADNE, 1567 00:52:40,783 --> 00:52:42,869 WOULD BE A KICK. 1568 00:52:46,205 --> 00:52:48,416 IT'S THAT FEELING OF FALLING 1569 00:52:46,205 --> 00:52:48,416 YOU GET THAT JOLTS YOU AWAKE. 1570 00:52:48,457 --> 00:52:50,001 IT [SNAPS FINGERS] 1571 00:52:48,457 --> 00:52:50,001 SNAPS YOU OUT OF THE DREAM. 1572 00:52:50,043 --> 00:52:51,794 ARE WE GONNA FEEL A KICK 1573 00:52:50,043 --> 00:52:51,794 WITH THIS KIND OF SEDATION? 1574 00:52:51,836 --> 00:52:53,170 Yusuf: 1575 00:52:51,836 --> 00:52:53,170 OH, THAT'S THE CLEVER PART. 1576 00:52:53,212 --> 00:52:54,547 I CUSTOMIZED THE SEDATIVE 1577 00:52:54,589 --> 00:52:57,008 TO LEAVE INNER EAR FUNCTION 1578 00:52:54,589 --> 00:52:57,008 UNIMPAIRED. 1579 00:52:57,050 --> 00:52:59,094 THAT WAY, 1580 00:52:57,050 --> 00:52:59,094 HOWEVER DEEP THE SLEEP, 1581 00:52:59,135 --> 00:53:00,887 THE SLEEPER 1582 00:52:59,135 --> 00:53:00,887 STILL FEELS FALLING. 1583 00:53:00,929 --> 00:53:02,597 OR TIPPING. 1584 00:53:04,432 --> 00:53:06,559 THE TRICK IS 1585 00:53:04,432 --> 00:53:06,559 TO SYNCHRONIZE A KICK 1586 00:53:06,601 --> 00:53:08,811 THAT CAN PENETRATE 1587 00:53:06,601 --> 00:53:08,811 ALL THREE LEVELS. 1588 00:53:08,853 --> 00:53:10,521 WE COULD USE 1589 00:53:08,853 --> 00:53:10,521 THE MUSICAL COUNTDOWN 1590 00:53:10,563 --> 00:53:12,065 TO SYNCHRONIZE 1591 00:53:10,563 --> 00:53:12,065 THE DIFFERENT KICKS. 1592 00:53:12,107 --> 00:53:14,275 [ "NON JE NE REGRETTE RIEN" 1593 00:53:12,107 --> 00:53:14,275 PLAYS ] 1594 00:53:21,074 --> 00:53:23,118 Eames: HE HASN'T GOT 1595 00:53:21,074 --> 00:53:23,118 ANY SURGERY SCHEDULED. 1596 00:53:23,159 --> 00:53:24,911 THERE'S NO DENTAL, 1597 00:53:23,159 --> 00:53:24,911 NOTHING. 1598 00:53:24,953 --> 00:53:26,621 Cobb: WASN'T HE SUPPOSED 1599 00:53:24,953 --> 00:53:26,621 TO HAVE A KNEE OPERATION? 1600 00:53:26,662 --> 00:53:28,831 NOTHING. NOTHING THAT THEY'D 1601 00:53:26,662 --> 00:53:28,831 PUT HIM UNDER FOR, ANYWAY. 1602 00:53:28,873 --> 00:53:31,208 AND WE NEED -- WE NEED 1603 00:53:28,873 --> 00:53:31,208 AT LEAST A GOOD 10 HOURS. 1604 00:53:31,250 --> 00:53:33,628 SYDNEY TO LOS ANGELES. 1605 00:53:34,879 --> 00:53:37,173 ONE OF THE LONGEST FLIGHTS 1606 00:53:34,879 --> 00:53:37,173 IN THE WORLD. 1607 00:53:37,214 --> 00:53:39,092 HE MAKES IT EVERY TWO WEEKS. 1608 00:53:39,134 --> 00:53:41,510 HE MUST BE 1609 00:53:39,134 --> 00:53:41,510 FLYING PRIVATE, THEN. 1610 00:53:41,552 --> 00:53:45,098 NOT IF THERE WERE UNEXPECTED 1611 00:53:41,552 --> 00:53:45,098 MAINTENANCE WITH HIS PLANE. 1612 00:53:45,140 --> 00:53:47,642 Arthur: 1613 00:53:45,140 --> 00:53:47,642 IT WOULD HAVE TO BE A 747. 1614 00:53:45,140 --> 00:53:47,642 WHY'S THAT? 1615 00:53:47,683 --> 00:53:49,310 BECAUSE ON A 747, 1616 00:53:47,683 --> 00:53:49,310 THE PILOT IS UP TOP, 1617 00:53:49,351 --> 00:53:51,104 AND THE FIRST-CLASS CABIN 1618 00:53:49,351 --> 00:53:51,104 IS IN THE NOSE, 1619 00:53:51,146 --> 00:53:52,647 SO NO ONE 1620 00:53:51,146 --> 00:53:52,647 WOULD WALK THROUGH. 1621 00:53:52,688 --> 00:53:54,482 BUT YOU'D HAVE TO BUY OUT 1622 00:53:52,688 --> 00:53:54,482 THE ENTIRE CABIN 1623 00:53:54,523 --> 00:53:56,275 AND THE FIRST-CLASS 1624 00:53:54,523 --> 00:53:56,275 FLIGHT ATTENDANT. 1625 00:53:56,317 --> 00:53:57,526 I BOUGHT THE AIRLINE. 1626 00:53:59,154 --> 00:54:01,030 IT SEEMED NEATER. 1627 00:54:02,698 --> 00:54:05,994 WELL, LOOKS LIKE 1628 00:54:02,698 --> 00:54:05,994 WE HAVE OUR 10 HOURS. 1629 00:54:06,035 --> 00:54:07,954 ARIADNE? 1630 00:54:07,996 --> 00:54:09,288 TERRIFIC WORK, 1631 00:54:07,996 --> 00:54:09,288 BY THE WAY. 1632 00:54:38,985 --> 00:54:42,780 [ WHIRRING ] 1633 00:54:42,822 --> 00:54:44,740 [ ELEVATOR CLATTERING ] 1634 00:54:56,335 --> 00:55:00,422 Mal: 1635 00:54:56,335 --> 00:55:00,422 YOU KNOW HOW TO FIND ME. 1636 00:55:00,464 --> 00:55:02,383 YOU KNOW 1637 00:55:00,464 --> 00:55:02,383 WHAT YOU HAVE TO DO. 1638 00:55:05,803 --> 00:55:09,932 YOU REMEMBER WHEN YOU ASKED ME 1639 00:55:05,803 --> 00:55:09,932 TO MARRY YOU? 1640 00:55:09,974 --> 00:55:13,602 OF COURSE I DO. 1641 00:55:13,644 --> 00:55:15,938 YOU SAID YOU HAD A DREAM. 1642 00:55:19,067 --> 00:55:22,737 THAT WE'D GROW OLD 1643 00:55:19,067 --> 00:55:22,737 TOGETHER. 1644 00:55:22,778 --> 00:55:25,531 AND WE CAN. 1645 00:55:26,448 --> 00:55:28,243 [ SUSPENSEFUL MUSIC PLAYS ] 1646 00:55:31,746 --> 00:55:32,997 YOU SHOULDN'T BE HERE. 1647 00:55:33,039 --> 00:55:34,498 [ CAGE RATTLING ] 1648 00:55:37,293 --> 00:55:39,336 I JUST WANTED TO SEE 1649 00:55:37,293 --> 00:55:39,336 WHAT KIND OF "TESTS" 1650 00:55:39,378 --> 00:55:41,172 YOU'RE DOING ON YOUR OWN 1651 00:55:39,378 --> 00:55:41,172 EVERY NIGHT. 1652 00:55:41,214 --> 00:55:42,798 ALL RIGHT, WELL, THIS 1653 00:55:41,214 --> 00:55:42,798 HAS NOTHING TO DO WITH YOU. 1654 00:55:42,840 --> 00:55:44,341 THIS HAS EVERYTHING 1655 00:55:42,840 --> 00:55:44,341 TO DO WITH ME. 1656 00:55:44,383 --> 00:55:45,843 YOU'VE ASKED ME TO SHARE DREAMS 1657 00:55:44,383 --> 00:55:45,843 WITH YOU. 1658 00:55:45,885 --> 00:55:47,428 NOT THESE. 1659 00:55:47,469 --> 00:55:50,181 THESE ARE MY DREAMS. 1660 00:55:56,020 --> 00:55:59,274 [ GULLS CRYING ] 1661 00:56:01,192 --> 00:56:03,819 WHY DO YOU DO THIS 1662 00:56:01,192 --> 00:56:03,819 TO YOURSELF? 1663 00:56:03,861 --> 00:56:06,739 IT'S THE ONLY WAY 1664 00:56:03,861 --> 00:56:06,739 I CAN STILL DREAM. 1665 00:56:06,781 --> 00:56:10,785 WHY IS IT SO IMPORTANT 1666 00:56:06,781 --> 00:56:10,785 TO DREAM? 1667 00:56:10,826 --> 00:56:13,579 IN MY DREAMS, 1668 00:56:10,826 --> 00:56:13,579 WE'RE STILL TOGETHER. 1669 00:56:27,384 --> 00:56:29,595 THESE AREN'T JUST DREAMS. 1670 00:56:31,597 --> 00:56:33,057 THESE ARE MEMORIES. 1671 00:56:33,099 --> 00:56:34,642 AND -- AND YOU SAID 1672 00:56:33,099 --> 00:56:34,642 NEVER TO USE MEMORIES. 1673 00:56:34,683 --> 00:56:36,060 I KNOW I DID. 1674 00:56:36,102 --> 00:56:38,562 YOU'RE TRYING 1675 00:56:36,102 --> 00:56:38,562 TO KEEP HER ALIVE. 1676 00:56:38,604 --> 00:56:40,648 YOU CAN'T LET HER GO. 1677 00:56:40,689 --> 00:56:42,524 YOU DON'T UNDERSTAND. 1678 00:56:42,566 --> 00:56:45,236 THESE ARE MOMENTS 1679 00:56:42,566 --> 00:56:45,236 I REGRET. 1680 00:56:45,278 --> 00:56:47,196 THEY'RE MEMORIES 1681 00:56:45,278 --> 00:56:47,196 THAT I HAVE TO CHANGE. 1682 00:56:47,238 --> 00:56:51,075 WELL, WHAT'S DOWN THERE 1683 00:56:47,238 --> 00:56:51,075 THAT YOU REGRET? 1684 00:56:51,117 --> 00:56:52,576 LISTEN, 1685 00:56:51,117 --> 00:56:52,576 THERE'S ONLY ONE THING 1686 00:56:52,618 --> 00:56:54,120 YOU NEED TO UNDERSTAND 1687 00:56:52,618 --> 00:56:54,120 ABOUT ME. 1688 00:57:02,170 --> 00:57:04,088 THIS IS YOUR HOUSE? 1689 00:57:04,130 --> 00:57:07,466 MINE AND MAL'S, YES. 1690 00:57:07,508 --> 00:57:09,885 WHERE IS SHE? 1691 00:57:09,927 --> 00:57:11,512 SHE'S ALREADY GONE. 1692 00:57:16,184 --> 00:57:18,477 THAT'S MY SON, JAMES. 1693 00:57:18,519 --> 00:57:21,147 HE'S DIGGING FOR SOMETHING, 1694 00:57:18,519 --> 00:57:21,147 MAYBE A WORM. 1695 00:57:21,189 --> 00:57:22,231 [ CHILDREN SHOUTING PLAYFULLY ] 1696 00:57:22,273 --> 00:57:24,233 THAT'S PHILLIPA. 1697 00:57:24,275 --> 00:57:26,735 SEE, I THOUGHT 1698 00:57:24,275 --> 00:57:26,735 ABOUT CALLING OUT TO THEM, 1699 00:57:26,777 --> 00:57:29,488 SO THEY'D TURN AND SMILE 1700 00:57:26,777 --> 00:57:29,488 AND I COULD SEE THOSE... 1701 00:57:29,530 --> 00:57:31,699 THOSE BEAUTIFUL FACES 1702 00:57:29,530 --> 00:57:31,699 OF THEIRS. 1703 00:57:31,740 --> 00:57:33,326 BUT... 1704 00:57:33,368 --> 00:57:35,744 IT'S ALL TOO LATE. 1705 00:57:35,786 --> 00:57:37,538 RIGHT NOW... 1706 00:57:35,786 --> 00:57:37,538 OR NEVER, COBB. 1707 00:57:42,584 --> 00:57:44,753 THEN I START TO PANIC. 1708 00:57:44,795 --> 00:57:47,589 I REALIZE I'M GONNA REGRET 1709 00:57:44,795 --> 00:57:47,589 THIS MOMENT, 1710 00:57:47,631 --> 00:57:50,467 THAT I NEED TO SEE THEIR FACES 1711 00:57:47,631 --> 00:57:50,467 ONE LAST TIME. 1712 00:57:50,509 --> 00:57:51,886 Marie: JAMES! PHILLIPA! 1713 00:57:51,927 --> 00:57:53,721 COME ON IN! 1714 00:57:53,762 --> 00:57:57,058 BUT THE MOMENT'S PAST. 1715 00:57:57,099 --> 00:58:00,561 AND WHATEVER I DO, 1716 00:57:57,099 --> 00:58:00,561 I CAN'T CHANGE THIS MOMENT. 1717 00:58:00,602 --> 00:58:04,232 AS I'M ABOUT TO CALL OUT 1718 00:58:00,602 --> 00:58:04,232 TO THEM... 1719 00:58:04,273 --> 00:58:06,067 THEY RUN AWAY. 1720 00:58:07,985 --> 00:58:10,405 IF I'M EVER GONNA SEE 1721 00:58:07,985 --> 00:58:10,405 THEIR FACES AGAIN, 1722 00:58:10,446 --> 00:58:12,073 I'VE GOTTA 1723 00:58:10,446 --> 00:58:12,073 GET BACK HOME... 1724 00:58:13,241 --> 00:58:14,283 ...TO THE REAL WORLD. 1725 00:58:14,325 --> 00:58:15,701 [ CAGE CLATTERS ] 1726 00:58:15,743 --> 00:58:17,912 [ BREATHING HEAVILY ] 1727 00:58:19,330 --> 00:58:22,083 [ TRAIN RUMBLING ] 1728 00:58:43,645 --> 00:58:45,606 [ SIREN WAILS IN DISTANCE ] 1729 00:58:51,946 --> 00:58:53,030 [ GLASS CRUNCHES ] 1730 00:58:56,367 --> 00:58:57,826 WHAT ARE YOU DOING HERE? 1731 00:58:57,868 --> 00:58:59,328 MY NAME IS -- 1732 00:58:59,370 --> 00:59:01,163 I KNOW WHO YOU ARE. 1733 00:59:01,205 --> 00:59:02,957 WHAT ARE YOU DOING HERE? 1734 00:59:10,965 --> 00:59:13,842 I'M JUST TRYING 1735 00:59:10,965 --> 00:59:13,842 TO UNDERSTAND. 1736 00:59:13,884 --> 00:59:16,804 HOW COULD YOU 1737 00:59:13,884 --> 00:59:16,804 UNDERSTAND? 1738 00:59:16,845 --> 00:59:19,348 DO YOU KNOW WHAT IT IS 1739 00:59:16,845 --> 00:59:19,348 TO BE A LOVER? 1740 00:59:21,476 --> 00:59:23,560 TO BE HALF OF A WHOLE? 1741 00:59:23,602 --> 00:59:25,771 NO. 1742 00:59:27,273 --> 00:59:29,942 I'LL TELL YOU A RIDDLE. 1743 00:59:29,984 --> 00:59:33,862 YOU'RE WAITING 1744 00:59:29,984 --> 00:59:33,862 FOR A TRAIN, 1745 00:59:33,904 --> 00:59:37,450 A TRAIN THAT WILL TAKE YOU 1746 00:59:33,904 --> 00:59:37,450 FAR AWAY. 1747 00:59:37,492 --> 00:59:39,160 [ GLASS CRUNCHES ] 1748 00:59:39,201 --> 00:59:42,788 YOU KNOW WHERE YOU HOPE 1749 00:59:39,201 --> 00:59:42,788 THIS TRAIN WILL TAKE YOU, 1750 00:59:42,830 --> 00:59:45,416 BUT YOU DON'T KNOW 1751 00:59:42,830 --> 00:59:45,416 FOR SURE. 1752 00:59:45,458 --> 00:59:47,793 BUT IT DOESN'T MATTER. 1753 00:59:47,835 --> 00:59:50,879 HOW CAN IT 1754 00:59:47,835 --> 00:59:50,879 NOT MATTER TO YOU 1755 00:59:50,921 --> 00:59:52,714 WHERE THAT TRAIN 1756 00:59:50,921 --> 00:59:52,714 WILL TAKE YOU? 1757 00:59:52,756 --> 00:59:54,216 Cobb: 1758 00:59:52,756 --> 00:59:54,216 BECAUSE WE'LL BE TOGETHER. 1759 00:59:54,258 --> 00:59:56,677 HOW COULD YOU 1760 00:59:54,258 --> 00:59:56,677 BRING HER HERE, DOM? 1761 00:59:56,718 --> 00:59:58,053 WHAT IS THIS PLACE? 1762 00:59:58,095 --> 00:59:59,472 THIS IS THE HOTEL SUITE 1763 00:59:59,514 --> 01:00:01,557 WHERE WE USED TO SPEND 1764 00:59:59,514 --> 01:00:01,557 OUR ANNIVERSARY. 1765 01:00:01,598 --> 01:00:02,850 WHAT HAPPENED HERE? 1766 01:00:04,935 --> 01:00:06,603 YOU PROMISED! 1767 01:00:06,645 --> 01:00:08,814 YOU PROMISED 1768 01:00:06,645 --> 01:00:08,814 WE'D BE TOGETHER! 1769 01:00:08,856 --> 01:00:10,441 PLEASE, I NEED YOU TO STAY HERE 1770 01:00:08,856 --> 01:00:10,441 JUST FOR NOW! 1771 01:00:10,483 --> 01:00:11,900 YOU SAID 1772 01:00:10,483 --> 01:00:11,900 WE'D BE TOGETHER! 1773 01:00:11,942 --> 01:00:14,111 YOU SAID WE'D 1774 01:00:11,942 --> 01:00:14,111 GROW OLD TOGETHER! 1775 01:00:14,153 --> 01:00:16,238 I'LL COME BACK FOR YOU. 1776 01:00:14,153 --> 01:00:16,238 I PROMISE. 1777 01:00:14,153 --> 01:00:16,238 [ ELEVATOR STARTS ] 1778 01:00:16,280 --> 01:00:18,032 [ SCREAMING ] 1779 01:00:22,286 --> 01:00:23,662 [ BREATHING HEAVILY ] 1780 01:00:27,291 --> 01:00:28,667 [ FASTENER RIPS ] 1781 01:00:28,709 --> 01:00:30,794 [ BREATHES DEEPLY ] 1782 01:00:33,922 --> 01:00:38,052 DO YOU THINK 1783 01:00:33,922 --> 01:00:38,052 YOU CAN JUST BUILD A PRISON 1784 01:00:38,093 --> 01:00:40,555 OF MEMORIES 1785 01:00:38,093 --> 01:00:40,555 TO LOCK HER IN? 1786 01:00:38,093 --> 01:00:40,555 [ EXHALES ] 1787 01:00:40,596 --> 01:00:43,015 DO YOU REALLY THINK THAT 1788 01:00:40,596 --> 01:00:43,015 THAT'S GONNA CONTAIN HER? 1789 01:00:43,057 --> 01:00:45,142 [ DOOR OPENS ] 1790 01:00:43,057 --> 01:00:45,142 Saito: IT'S TIME. 1791 01:00:46,310 --> 01:00:48,563 MAURICE FISCHER JUST DIED 1792 01:00:46,310 --> 01:00:48,563 IN SYDNEY. 1793 01:00:48,604 --> 01:00:50,523 WHEN'S THE FUNERAL? 1794 01:00:48,604 --> 01:00:50,523 THURSDAY. 1795 01:00:50,565 --> 01:00:51,482 IN LOS ANGELES. 1796 01:00:51,524 --> 01:00:52,567 ROBERT SHOULD 1797 01:00:51,524 --> 01:00:52,567 ACCOMPANY THE BODY 1798 01:00:52,608 --> 01:00:54,402 NO LATER THAN TUESDAY. 1799 01:00:52,608 --> 01:00:54,402 WE SHOULD MOVE. 1800 01:00:54,443 --> 01:00:56,695 RIGHT. 1801 01:00:56,737 --> 01:00:57,696 COBB, 1802 01:00:56,737 --> 01:00:57,696 I'M COMING WITH YOU. 1803 01:00:57,738 --> 01:00:59,948 I PROMISED MILES. NO. 1804 01:00:59,990 --> 01:01:01,700 THE TEAM NEEDS SOMEONE 1805 01:00:59,990 --> 01:01:01,700 WHO UNDERSTANDS 1806 01:01:01,742 --> 01:01:02,743 WHAT YOU'RE 1807 01:01:01,742 --> 01:01:02,743 STRUGGLING WITH. 1808 01:01:05,913 --> 01:01:07,998 A-AND IT DOESN'T 1809 01:01:05,913 --> 01:01:07,998 HAVE TO BE ME, 1810 01:01:08,040 --> 01:01:11,043 BUT THEN YOU HAVE TO SHOW 1811 01:01:08,040 --> 01:01:11,043 ARTHUR WHAT I JUST SAW. 1812 01:01:16,340 --> 01:01:18,675 GET US ANOTHER SEAT 1813 01:01:16,340 --> 01:01:18,675 ON THE PLANE. 1814 01:01:18,717 --> 01:01:19,594 [ THUD ] 1815 01:01:21,887 --> 01:01:23,805 Cobb: 1816 01:01:21,887 --> 01:01:23,805 IF I GET ON THIS PLANE 1817 01:01:23,847 --> 01:01:26,100 AND YOU DON'T HONOR 1818 01:01:23,847 --> 01:01:26,100 OUR AGREEMENT... 1819 01:01:26,141 --> 01:01:29,728 WHEN WE LAND, I GO TO JAIL 1820 01:01:26,141 --> 01:01:29,728 FOR THE REST OF MY LIFE. 1821 01:01:29,770 --> 01:01:31,606 COMPLETE THE JOB EN ROUTE, 1822 01:01:31,647 --> 01:01:35,150 I MAKE ONE PHONE CALL 1823 01:01:31,647 --> 01:01:35,150 FROM THE PLANE, 1824 01:01:35,192 --> 01:01:37,986 YOU HAVE NO TROUBLE 1825 01:01:35,192 --> 01:01:37,986 GETTING THROUGH IMMIGRATION. 1826 01:01:51,292 --> 01:01:52,960 I'M SORRY. 1827 01:01:53,001 --> 01:01:55,504 OH, YEAH, I'M SORRY. 1828 01:01:53,001 --> 01:01:55,504 MY BAD. 1829 01:01:55,546 --> 01:01:56,880 [ CLEARS THROAT ] 1830 01:02:26,785 --> 01:02:27,953 [ TONE SOUNDS ] 1831 01:02:29,037 --> 01:02:31,666 EXCUSE ME, 1832 01:02:29,037 --> 01:02:31,666 I THINK THIS IS YOURS? 1833 01:02:31,707 --> 01:02:33,334 YOU MUST HAVE 1834 01:02:31,707 --> 01:02:33,334 DROPPED IT. 1835 01:02:33,375 --> 01:02:35,043 WOULD YOU GENTLEMEN 1836 01:02:33,375 --> 01:02:35,043 CARE FOR A DRINK? 1837 01:02:35,085 --> 01:02:36,378 UH, WATER, PLEASE. 1838 01:02:36,420 --> 01:02:39,173 UM, SAME, PLEASE. 1839 01:02:39,214 --> 01:02:41,342 UM... 1840 01:02:41,383 --> 01:02:43,344 THANK YOU. 1841 01:02:43,385 --> 01:02:45,220 YOU KNOW, 1842 01:02:43,385 --> 01:02:45,220 I COULDN'T HELP BUT NOTICE, 1843 01:02:45,262 --> 01:02:47,431 BUT YOU WOULDN'T HAPPEN 1844 01:02:45,262 --> 01:02:47,431 TO BE RELATED TO... 1845 01:02:47,473 --> 01:02:49,057 THE MAURICE FISCHER, 1846 01:02:47,473 --> 01:02:49,057 WOULD YOU? 1847 01:02:49,099 --> 01:02:50,976 YES, HE, UM... 1848 01:02:51,018 --> 01:02:53,604 HE WAS MY FATHER. 1849 01:02:53,646 --> 01:02:56,023 WELL, HE WAS 1850 01:02:53,646 --> 01:02:56,023 A VERY INSPIRING FIGURE. 1851 01:02:56,064 --> 01:02:57,566 I'M SORRY FOR YOUR LOSS. 1852 01:03:00,528 --> 01:03:01,570 HERE YOU GO. 1853 01:03:01,612 --> 01:03:02,779 THANK YOU. 1854 01:03:02,821 --> 01:03:04,573 HEY. 1855 01:03:04,615 --> 01:03:06,158 TO YOUR FATHER. 1856 01:03:06,200 --> 01:03:08,827 MAY HE REST IN PEACE, HUH? 1857 01:03:20,881 --> 01:03:22,174 [ OVERHEAD COMPARTMENT CLOSES ] 1858 01:03:35,937 --> 01:03:38,273 [ WHIRRING ] 1859 01:04:05,384 --> 01:04:06,885 [ HORNS HONKING ] 1860 01:04:12,683 --> 01:04:14,059 [ HORN HONKS ] 1861 01:04:16,771 --> 01:04:19,481 COULDN'T HAVE PEED 1862 01:04:16,771 --> 01:04:19,481 BEFORE YOU WENT UNDER? 1863 01:04:16,771 --> 01:04:19,481 SORRY. 1864 01:04:19,523 --> 01:04:21,942 BIT TOO MUCH FREE CHAMPAGNE 1865 01:04:19,523 --> 01:04:21,942 BEFORE TAKEOFF, EH, YUSUF? 1866 01:04:21,983 --> 01:04:23,026 HA HA BLOODY HA. 1867 01:04:23,068 --> 01:04:24,111 WELL, WE KNOW HE'S 1868 01:04:23,068 --> 01:04:24,111 GONNA BE LOOKING 1869 01:04:24,152 --> 01:04:25,613 FOR A TAXI IN 1870 01:04:24,152 --> 01:04:25,613 THIS WEATHER. 1871 01:04:33,746 --> 01:04:35,623 [ ENGINE REVS ] 1872 01:04:35,664 --> 01:04:37,332 [ TIRES SCREECH ] 1873 01:04:37,374 --> 01:04:39,084 ASSHOLE! 1874 01:04:39,126 --> 01:04:40,711 HEY, MAN, 1875 01:04:39,126 --> 01:04:40,711 WHY DON'T YOU TRY -- 1876 01:04:40,753 --> 01:04:42,045 WALK AWAY. 1877 01:04:49,970 --> 01:04:52,681 [ TIRES SQUEALING ] 1878 01:04:54,308 --> 01:04:56,769 [ UP-TEMPO MUSIC PLAYING 1879 01:04:54,308 --> 01:04:56,769 ON RADIO ] 1880 01:04:56,811 --> 01:04:57,936 [ MUSIC STOPS ] 1881 01:04:57,978 --> 01:04:59,730 JUST HAVE HIM -- 1882 01:04:57,978 --> 01:04:59,730 I GOTTA GO. 1883 01:04:59,772 --> 01:05:01,732 ALL RIGHT. TAXI! 1884 01:04:59,772 --> 01:05:01,732 THANK YOU. 1885 01:05:04,359 --> 01:05:08,322 ALL RIGHT, THIRD AND MARKET. 1886 01:05:04,359 --> 01:05:08,322 [ GROANS ] SNAPPY. 1887 01:05:08,363 --> 01:05:10,699 WHAT ARE YOU DOING? 1888 01:05:08,363 --> 01:05:10,699 OH, I'M SORRY. 1889 01:05:08,363 --> 01:05:10,699 I THOUGHT IT WAS FREE. 1890 01:05:10,741 --> 01:05:12,284 WELL, IT'S NOT. 1891 01:05:10,741 --> 01:05:12,284 MAYBE WE COULD SHARE. 1892 01:05:12,326 --> 01:05:15,579 YEAH, MAYBE NOT. CAN YOU 1893 01:05:12,326 --> 01:05:15,579 PULL OVER AND GET THIS... 1894 01:05:15,621 --> 01:05:16,622 [ SIGHS ] 1895 01:05:17,873 --> 01:05:18,707 GREAT. 1896 01:05:23,671 --> 01:05:25,088 [ CAR DOOR OPENS] 1897 01:05:23,671 --> 01:05:25,088 COME ON! 1898 01:05:26,674 --> 01:05:27,633 [ CRASHING ] 1899 01:05:36,809 --> 01:05:38,143 THERE'S $500 IN THERE, 1900 01:05:38,185 --> 01:05:39,436 AND THE WALLET'S 1901 01:05:38,185 --> 01:05:39,436 WORTH MORE THAN THAT. 1902 01:05:39,478 --> 01:05:41,229 SO YOU MIGHT AT LEAST 1903 01:05:39,478 --> 01:05:41,229 DROP ME AT MY STOP. 1904 01:05:41,271 --> 01:05:42,981 I'M AFRAID 1905 01:05:41,271 --> 01:05:42,981 IT DOESN'T... 1906 01:05:43,023 --> 01:05:44,358 [ GUNSHOT ] 1907 01:05:43,023 --> 01:05:44,358 BULLET! 1908 01:05:45,567 --> 01:05:47,361 [ TIRES SCREECHING ] 1909 01:05:49,946 --> 01:05:52,407 [ TIRES SCREECH ] 1910 01:05:52,449 --> 01:05:54,242 COVER HIM! 1911 01:05:52,449 --> 01:05:54,242 DOWN! DOWN NOW! 1912 01:05:54,284 --> 01:05:55,619 WHAT THE HELL 1913 01:05:54,284 --> 01:05:55,619 IS GOING ON?! 1914 01:05:55,661 --> 01:05:56,953 [ BULLETS RICOCHET ] 1915 01:06:00,290 --> 01:06:02,125 Ariadne: 1916 01:06:00,290 --> 01:06:02,125 THIS WASN'T IN THE DESIGN. 1917 01:06:02,167 --> 01:06:04,169 COBB? 1918 01:06:04,211 --> 01:06:05,796 COBB?! 1919 01:06:05,838 --> 01:06:08,340 [ TIRES SCREECHING ] 1920 01:06:21,311 --> 01:06:24,064 [ TIRES SQUEALING, 1921 01:06:21,311 --> 01:06:24,064 GUNFIRE CONTINUES ] 1922 01:06:31,988 --> 01:06:33,574 [ TIRES SQUEALING ] 1923 01:06:41,998 --> 01:06:43,375 [ BULLETS RICOCHET ] 1924 01:06:48,923 --> 01:06:50,591 AAH! 1925 01:06:50,632 --> 01:06:52,509 [ TIRES SCREECHING, 1926 01:06:50,632 --> 01:06:52,509 GUNFIRE CONTINUES ] 1927 01:06:56,513 --> 01:06:57,639 READY?! 1928 01:07:01,852 --> 01:07:04,563 [ TIRES SCREECHING ] 1929 01:07:04,605 --> 01:07:07,691 ARE YOU ALL RIGHT?! 1930 01:07:04,605 --> 01:07:07,691 YEAH, I-I'M OKAY. 1931 01:07:04,605 --> 01:07:07,691 I'M OKAY. 1932 01:07:07,733 --> 01:07:10,402 FISCHER'S OKAY, 1933 01:07:07,733 --> 01:07:10,402 UNLESS HE GETS CARSICK. 1934 01:07:10,444 --> 01:07:11,528 SAITO? 1935 01:07:30,589 --> 01:07:32,424 GET FISCHER 1936 01:07:30,589 --> 01:07:32,424 IN THE BACK ROOM NOW! 1937 01:07:32,466 --> 01:07:34,718 GET HIM IN THE BACK ROOM. 1938 01:07:32,466 --> 01:07:34,718 MOVE! 1939 01:07:34,760 --> 01:07:36,261 [ GRUNTING ] 1940 01:07:36,303 --> 01:07:37,429 HAS HE BEEN SHOT? 1941 01:07:36,303 --> 01:07:37,429 I-IS HE DYING? 1942 01:07:37,471 --> 01:07:39,055 I DON'T KNOW. 1943 01:07:37,471 --> 01:07:39,055 JESUS CHRIST. 1944 01:07:39,097 --> 01:07:40,474 WHERE WERE YOU? 1945 01:07:39,097 --> 01:07:40,474 WHAT HAPPENED TO YOU? 1946 01:07:40,515 --> 01:07:41,683 WE WERE BLOCKED 1947 01:07:40,515 --> 01:07:41,683 BY A FREIGHT TRAIN. 1948 01:07:41,725 --> 01:07:43,018 WHY WOULD YOU PUT 1949 01:07:41,725 --> 01:07:43,018 A TRAIN CROSSING 1950 01:07:43,059 --> 01:07:44,102 IN THE MIDDLE OF A 1951 01:07:43,059 --> 01:07:44,102 DOWNTOWN INTERSECTION? 1952 01:07:44,144 --> 01:07:44,937 WELL, I DIDN'T. 1953 01:07:44,979 --> 01:07:45,980 WELL WHERE'D 1954 01:07:44,979 --> 01:07:45,980 IT COME FROM? 1955 01:07:46,021 --> 01:07:46,981 WELL LET ME ASK YOU 1956 01:07:46,021 --> 01:07:46,981 A QUESTION! 1957 01:07:47,022 --> 01:07:48,398 WHY THE HELL 1958 01:07:47,022 --> 01:07:48,398 WERE WE AMBUSHED, HUH?! 1959 01:07:48,440 --> 01:07:49,817 THOSE WERE NOT 1960 01:07:48,440 --> 01:07:49,817 NORMAL PROJECTIONS! 1961 01:07:49,858 --> 01:07:51,568 THEY'D BEEN TRAINED, 1962 01:07:49,858 --> 01:07:51,568 FOR GOD'S SAKES! 1963 01:07:49,858 --> 01:07:51,568 YOU'RE RIGHT. 1964 01:07:51,610 --> 01:07:52,569 HOW COULD HE BE TRAINED?! 1965 01:07:52,611 --> 01:07:54,571 FISCHER [SIGHS] 1966 01:07:52,611 --> 01:07:54,571 HAD AN EXTRACTOR 1967 01:07:54,613 --> 01:07:56,531 TEACH HIS SUBCONSCIOUS 1968 01:07:54,613 --> 01:07:56,531 TO DEFEND ITSELF. 1969 01:07:56,573 --> 01:07:58,533 SO HIS SUBCONSCIOUS 1970 01:07:56,573 --> 01:07:58,533 IS MILITARIZED. 1971 01:07:58,575 --> 01:08:00,368 IT SHOULD'VE SHOWN 1972 01:07:58,575 --> 01:08:00,368 IN THE RESEARCH. I'M SORRY. 1973 01:08:00,410 --> 01:08:02,329 SO WHY THE HELL 1974 01:08:00,410 --> 01:08:02,329 DIDN'T IT? 1975 01:08:00,410 --> 01:08:02,329 CALM DOWN. 1976 01:08:02,370 --> 01:08:04,164 DON'T TELL ME 1977 01:08:02,370 --> 01:08:04,164 TO CALM DOWN! 1978 01:08:04,205 --> 01:08:05,499 THIS WAS YOUR JOB, 1979 01:08:04,205 --> 01:08:05,499 GODDAMN IT! 1980 01:08:05,540 --> 01:08:07,334 THIS WAS 1981 01:08:05,540 --> 01:08:07,334 YOUR RESPONSIBILITY! 1982 01:08:07,375 --> 01:08:09,419 YOU WERE MEANT TO CHECK 1983 01:08:07,375 --> 01:08:09,419 FISCHER'S BACKGROUND THOROUGHLY! 1984 01:08:09,461 --> 01:08:10,963 WE ARE NOT PREPARED 1985 01:08:09,461 --> 01:08:10,963 FOR THIS TYPE OF VIOLENCE! 1986 01:08:11,005 --> 01:08:12,923 WE HAVE DEALT WITH 1987 01:08:11,005 --> 01:08:12,923 SUB-SECURITY BEFORE! 1988 01:08:12,965 --> 01:08:14,758 WE'LL BE A LITTLE MORE CAREFUL, 1989 01:08:12,965 --> 01:08:14,758 AND WE'RE GONNA BE FINE! 1990 01:08:14,800 --> 01:08:16,969 THIS WAS NOT A PART OF THE PLAN! 1991 01:08:14,800 --> 01:08:16,969 HE'S DYING, FOR GOD'S SAKES! 1992 01:08:17,011 --> 01:08:18,178 PUT HIM 1993 01:08:17,011 --> 01:08:18,178 OUT OF HIS MISERY. 1994 01:08:18,219 --> 01:08:19,930 NO, DON'T DO THAT! 1995 01:08:18,219 --> 01:08:19,930 HEY, HEY. 1996 01:08:19,972 --> 01:08:21,306 DON'T DO THAT. 1997 01:08:21,348 --> 01:08:23,391 HE'S IN AGONY. 1998 01:08:21,348 --> 01:08:23,391 I'M WAKING HIM UP. 1999 01:08:23,433 --> 01:08:25,268 NO. 2000 01:08:23,433 --> 01:08:25,268 IT WON'T WAKE HIM UP. 2001 01:08:25,310 --> 01:08:26,645 WHAT DO YOU MEAN, 2002 01:08:25,310 --> 01:08:26,645 IT WON'T WAKE HIM UP? 2003 01:08:26,687 --> 01:08:27,646 IT WON'T WAKE HIM UP. 2004 01:08:27,688 --> 01:08:28,981 WHEN WE DIE IN A 2005 01:08:27,688 --> 01:08:28,981 DREAM, WE WAKE UP. 2006 01:08:29,023 --> 01:08:31,025 NOT FROM THIS. 2007 01:08:31,066 --> 01:08:33,401 WE'RE TOO HEAVILY SEDATED 2008 01:08:31,066 --> 01:08:33,401 TO WAKE UP THAT WAY. 2009 01:08:33,443 --> 01:08:35,904 RIGHT. SO, WHAT HAPPENS 2010 01:08:33,443 --> 01:08:35,904 WHEN WE DIE? 2011 01:08:35,946 --> 01:08:37,906 WE DROP INTO LIMBO. 2012 01:08:35,946 --> 01:08:37,906 ARE YOU SERIOUS? 2013 01:08:37,948 --> 01:08:40,034 LIMBO?! 2014 01:08:37,948 --> 01:08:40,034 UNCONSTRUCTED 2015 01:08:37,948 --> 01:08:40,034 DREAM SPACE. 2016 01:08:40,075 --> 01:08:41,785 WELL, WHAT THE HELL 2017 01:08:40,075 --> 01:08:41,785 IS DOWN THERE? 2018 01:08:41,827 --> 01:08:43,370 JUST RAW, 2019 01:08:41,827 --> 01:08:43,370 INFINITE SUBCONSCIOUS. 2020 01:08:43,411 --> 01:08:45,039 NOTHING IS DOWN THERE, 2021 01:08:45,080 --> 01:08:46,915 EXCEPT FOR WHATEVER MIGHT HAVE 2022 01:08:45,080 --> 01:08:46,915 BEEN LEFT BEHIND 2023 01:08:46,957 --> 01:08:48,291 BY ANYONE 2024 01:08:46,957 --> 01:08:48,291 SHARING THE DREAM 2025 01:08:48,333 --> 01:08:50,126 WHO'S BEEN TRAPPED 2026 01:08:48,333 --> 01:08:50,126 THERE BEFORE. 2027 01:08:50,168 --> 01:08:52,420 WHICH, IN OUR CASE, 2028 01:08:50,168 --> 01:08:52,420 IS JUST YOU. 2029 01:08:52,462 --> 01:08:54,172 WELL, HOW LONG 2030 01:08:52,462 --> 01:08:54,172 COULD WE BE STUCK THERE? 2031 01:08:54,214 --> 01:08:55,465 Yusuf: CAN'T EVEN THINK 2032 01:08:54,214 --> 01:08:55,465 ABOUT TRYING TO ESCAPE 2033 01:08:55,507 --> 01:08:57,300 UNTIL THE SEDATION 2034 01:08:55,507 --> 01:08:57,300 HAS EASED. 2035 01:08:55,507 --> 01:08:57,300 HOW LONG, YUSUF? 2036 01:08:57,342 --> 01:08:58,552 DECADES. 2037 01:08:57,342 --> 01:08:58,552 IT COULD BE INFINITE. 2038 01:08:58,593 --> 01:08:59,594 I DON'T KNOW. ASK HIM. 2039 01:08:59,636 --> 01:09:00,971 HE'S THE ONE 2040 01:08:59,636 --> 01:09:00,971 WHO'S BEEN THERE. 2041 01:09:01,013 --> 01:09:02,723 Arthur: LET'S JUST 2042 01:09:01,013 --> 01:09:02,723 GET HIM UPSTAIRS. 2043 01:09:02,764 --> 01:09:04,016 [ GROANING ] 2044 01:09:04,058 --> 01:09:05,809 GREAT. 2045 01:09:05,851 --> 01:09:07,477 THANK YOU. 2046 01:09:07,519 --> 01:09:09,813 SO, NOW WE'RE TRAPPED 2047 01:09:07,519 --> 01:09:09,813 IN FISCHER'S MIND, 2048 01:09:09,855 --> 01:09:11,565 BATTLING HIS OWN 2049 01:09:09,855 --> 01:09:11,565 PRIVATE ARMY. 2050 01:09:11,606 --> 01:09:13,108 AND IF WE GET KILLED, 2051 01:09:13,149 --> 01:09:14,526 WE'LL BE LOST IN LIMBO 2052 01:09:14,568 --> 01:09:17,029 TILL OUR BRAINS TURN 2053 01:09:14,568 --> 01:09:17,029 TO SCRAMBLED EGG, HMM? 2054 01:09:21,199 --> 01:09:23,744 [ BREATHING HEAVILY ] 2055 01:09:23,785 --> 01:09:24,995 SOMEONE GOT FIRST AID? 2056 01:09:25,037 --> 01:09:27,581 [ GROANING ] 2057 01:09:27,622 --> 01:09:28,874 SO, YOU KNEW 2058 01:09:27,622 --> 01:09:28,874 ABOUT THESE RISKS, 2059 01:09:28,916 --> 01:09:30,291 AND YOU DIDN'T TELL US? 2060 01:09:30,333 --> 01:09:31,668 THERE WEREN'T MEANT 2061 01:09:30,333 --> 01:09:31,668 TO BE ANY RISKS. 2062 01:09:31,710 --> 01:09:33,712 I DIDN'T KNOW WE'D BE DEALING 2063 01:09:31,710 --> 01:09:33,712 WITH A LOAD OF GUNFIRE. 2064 01:09:33,754 --> 01:09:34,922 YOU HAD NO RIGHT. 2065 01:09:34,963 --> 01:09:36,673 THIS WAS THE ONLY WAY 2066 01:09:34,963 --> 01:09:36,673 TO GO THREE LAYERS DEEP. 2067 01:09:36,715 --> 01:09:38,592 AND YOU. 2068 01:09:38,633 --> 01:09:39,968 YOU KNEW ABOUT THIS 2069 01:09:38,633 --> 01:09:39,968 AND WENT ALONG WITH IT? 2070 01:09:40,010 --> 01:09:41,177 I TRUSTED HIM! 2071 01:09:40,010 --> 01:09:41,177 YOU TRUSTED HIM? 2072 01:09:41,219 --> 01:09:42,387 WHEN? WHEN HE PROMISED 2073 01:09:41,219 --> 01:09:42,387 YOU HALF HIS SHARE? 2074 01:09:42,429 --> 01:09:44,639 NO. HIS WHOLE SHARE. 2075 01:09:44,681 --> 01:09:45,974 BESIDES, HE SAID 2076 01:09:44,681 --> 01:09:45,974 HE'D DONE IT BEFORE. 2077 01:09:46,016 --> 01:09:47,642 OH, HE'D DONE IT BEFORE. 2078 01:09:46,016 --> 01:09:47,642 WHAT, WITH MAL? 2079 01:09:47,684 --> 01:09:48,560 'CAUSE THAT WORKED 2080 01:09:47,684 --> 01:09:48,560 SO GOOD? 2081 01:09:48,602 --> 01:09:49,853 THAT HAS NOTHING 2082 01:09:48,602 --> 01:09:49,853 TO DO WITH IT. 2083 01:09:49,895 --> 01:09:51,855 I DID WHAT I HAD TO DO 2084 01:09:49,895 --> 01:09:51,855 TO GET BACK TO MY CHILDREN. 2085 01:09:51,897 --> 01:09:53,273 SO YOU LED US 2086 01:09:51,897 --> 01:09:53,273 INTO A WAR ZONE 2087 01:09:53,314 --> 01:09:54,232 WITH NO WAY OUT. 2088 01:09:54,274 --> 01:09:55,191 THERE IS A WAY OUT. 2089 01:09:54,274 --> 01:09:55,191 ALL RIGHT? 2090 01:09:55,233 --> 01:09:56,443 WE CONTINUE ON 2091 01:09:55,233 --> 01:09:56,443 WITH THE JOB, 2092 01:09:56,484 --> 01:09:58,028 AND WE DO IT 2093 01:09:56,484 --> 01:09:58,028 AS FAST AS POSSIBLE, 2094 01:09:58,070 --> 01:10:00,822 AND WE GET OUT USING THE KICK, 2095 01:09:58,070 --> 01:10:00,822 JUST LIKE BEFORE. 2096 01:10:00,864 --> 01:10:03,700 FORGET IT. WE GO ANY DEEPER, 2097 01:10:00,864 --> 01:10:03,700 WE JUST RAISE THE STAKES. 2098 01:10:03,742 --> 01:10:05,869 I AM SITTING THIS ONE OUT 2099 01:10:03,742 --> 01:10:05,869 ON THIS LEVEL, BOYS. 2100 01:10:05,911 --> 01:10:08,204 FISCHER'S SECURITY 2101 01:10:05,911 --> 01:10:08,204 IS SURROUNDING 2102 01:10:05,911 --> 01:10:08,204 THIS PLACE AS WE SPEAK. 2103 01:10:08,246 --> 01:10:10,749 10 HOURS OF FLIGHT TIME 2104 01:10:08,246 --> 01:10:10,749 IS A WEEK AT THIS LEVEL. 2105 01:10:10,791 --> 01:10:13,043 THAT MEANS EACH AND EVERY ONE 2106 01:10:10,791 --> 01:10:13,043 OF US WILL BE KILLED. 2107 01:10:13,085 --> 01:10:14,628 THAT I CAN GUARANTEE YOU. 2108 01:10:14,669 --> 01:10:16,671 WE HAVE NO OTHER CHOICE 2109 01:10:14,669 --> 01:10:16,671 BUT TO CONTINUE ON 2110 01:10:16,713 --> 01:10:18,339 AND DO IT 2111 01:10:16,713 --> 01:10:18,339 AS FAST AS POSSIBLE. 2112 01:10:20,258 --> 01:10:22,844 DOWNWARDS IS 2113 01:10:20,258 --> 01:10:22,844 THE ONLY WAY FORWARDS. 2114 01:10:22,886 --> 01:10:26,056 GET READY. 2115 01:10:26,098 --> 01:10:27,641 YOU, COME ON. 2116 01:10:26,098 --> 01:10:27,641 LET'S GO SHAKE HIM UP. 2117 01:10:30,560 --> 01:10:32,353 [ BREATHING HEAVILY ] 2118 01:10:32,395 --> 01:10:35,398 I'M INSURED AGAINST KIDNAPPING 2119 01:10:32,395 --> 01:10:35,398 FOR UP TO 10 MILLION. 2120 01:10:35,440 --> 01:10:37,275 THIS SHOULD BE VERY SIMPLE. 2121 01:10:37,317 --> 01:10:38,735 SHUT UP! 2122 01:10:37,317 --> 01:10:38,735 IT WON'T BE. 2123 01:10:38,777 --> 01:10:40,528 IN YOUR FATHER'S OFFICE, 2124 01:10:38,777 --> 01:10:40,528 BELOW THE BOOKSHELVES, 2125 01:10:40,570 --> 01:10:42,114 IS HIS PERSONAL SAFE. 2126 01:10:42,156 --> 01:10:43,907 WE NEED THE COMBINATION. 2127 01:10:43,949 --> 01:10:46,367 [ SIGHS ] 2128 01:10:43,949 --> 01:10:46,367 I DON'T KNOW ANY SAFE. 2129 01:10:46,409 --> 01:10:48,662 THAT DOESN'T MEAN 2130 01:10:46,409 --> 01:10:48,662 YOU DON'T KNOW THE COMBINATION. 2131 01:10:50,288 --> 01:10:52,248 TELL US WHAT IT IS. 2132 01:10:52,290 --> 01:10:55,043 I DON'T KNOW. 2133 01:10:56,920 --> 01:10:59,714 [ FOOTSTEPS DEPARTING ] 2134 01:10:59,756 --> 01:11:02,092 WE HAVE IT ON GOOD AUTHORITY 2135 01:10:59,756 --> 01:11:02,092 YOU DO KNOW. 2136 01:11:02,134 --> 01:11:04,469 YEAH? WHOSE AUTHORITY? 2137 01:11:04,511 --> 01:11:07,430 $500, THIS COST? 2138 01:11:07,472 --> 01:11:09,307 WHAT'S INSIDE IT? 2139 01:11:09,349 --> 01:11:11,559 CASH, CARDS, I.D... 2140 01:11:11,601 --> 01:11:13,187 AND THIS. 2141 01:11:17,899 --> 01:11:19,943 USEFUL? 2142 01:11:19,985 --> 01:11:21,903 MAYBE. 2143 01:11:21,945 --> 01:11:24,280 Cobb: YOU'RE ON. 2144 01:11:21,945 --> 01:11:24,280 YOU'VE GOT AN HOUR. 2145 01:11:24,322 --> 01:11:26,950 AN HOUR? 2146 01:11:26,992 --> 01:11:29,285 I WAS SUPPOSED TO HAVE ALL NIGHT 2147 01:11:26,992 --> 01:11:29,285 TO CRACK THIS. 2148 01:11:26,992 --> 01:11:29,285 [ KNOCKING ] 2149 01:11:29,327 --> 01:11:31,454 AND SAITO WASN'T SUPPOSED 2150 01:11:29,327 --> 01:11:31,454 TO BE SHOT IN THE CHEST. 2151 01:11:31,496 --> 01:11:32,789 YOU'VE GOT ONE HOUR. 2152 01:11:32,831 --> 01:11:35,125 NOW, GET US SOMETHING 2153 01:11:32,831 --> 01:11:35,125 USEFUL, PLEASE. 2154 01:11:35,167 --> 01:11:37,794 [ SCREAMING ] 2155 01:11:37,836 --> 01:11:39,129 WHAT'S THAT? 2156 01:11:39,171 --> 01:11:40,338 GOOD AUTHORITY. 2157 01:11:40,380 --> 01:11:43,800 [ SCREAMING CONTINUES ] 2158 01:11:43,842 --> 01:11:46,011 [ Softly ] 2159 01:11:43,842 --> 01:11:46,011 UNCLE PETER. 2160 01:11:46,053 --> 01:11:48,388 JUST -- 2161 01:11:46,053 --> 01:11:48,388 JUST MAKE THEM STOP. 2162 01:11:48,429 --> 01:11:50,140 THE COMBINATION. 2163 01:11:50,182 --> 01:11:51,850 I DON'T KNOW IT. 2164 01:11:51,892 --> 01:11:54,644 WHY DOES BROWNING 2165 01:11:51,892 --> 01:11:54,644 SAY YOU DO? 2166 01:11:51,892 --> 01:11:54,644 I DON'T KNOW. 2167 01:11:54,686 --> 01:11:56,897 JUST LET ME TALK TO HIM, 2168 01:11:54,686 --> 01:11:56,897 AND I'LL FIND OUT. 2169 01:11:58,565 --> 01:11:59,816 [ GRUNTS ] 2170 01:11:59,858 --> 01:12:02,069 YOU HAVE ONE HOUR! 2171 01:11:59,858 --> 01:12:02,069 START TALKING. 2172 01:12:02,110 --> 01:12:03,361 [ HANDCUFFS CLICK ] 2173 01:12:03,403 --> 01:12:04,905 AHH. 2174 01:12:03,403 --> 01:12:04,905 YOU ALL RIGHT? 2175 01:12:04,946 --> 01:12:06,948 [ DOOR SLAMS ] 2176 01:12:04,946 --> 01:12:06,948 AAH. 2177 01:12:06,990 --> 01:12:08,408 YOU OKAY? 2178 01:12:08,449 --> 01:12:11,786 [ BREATHING HEAVILY ] 2179 01:12:11,828 --> 01:12:15,415 THOSE BASTARDS HAVE HAD AT ME 2180 01:12:11,828 --> 01:12:15,415 FOR TWO DAYS. 2181 01:12:15,456 --> 01:12:18,626 THEY HAVE SOMEONE WITH ACCESS 2182 01:12:15,456 --> 01:12:18,626 TO YOUR FATHER'S OFFICE, 2183 01:12:18,668 --> 01:12:20,795 AND THEY'RE TRYING 2184 01:12:18,668 --> 01:12:20,795 TO OPEN HIS SAFE. 2185 01:12:18,668 --> 01:12:20,795 YEAH. 2186 01:12:20,837 --> 01:12:22,422 THEY THOUGHT I'D KNOW 2187 01:12:20,837 --> 01:12:22,422 THE COMBINATION, 2188 01:12:22,463 --> 01:12:24,007 BUT I DON'T KNOW IT. 2189 01:12:24,049 --> 01:12:25,550 YEAH, WELL, 2190 01:12:24,049 --> 01:12:25,550 NEITHER DO I, SO... 2191 01:12:25,592 --> 01:12:26,968 WHAT? 2192 01:12:27,010 --> 01:12:28,845 MAURICE TOLD ME 2193 01:12:27,010 --> 01:12:28,845 THAT WHEN HE PASSED, 2194 01:12:28,887 --> 01:12:30,972 YOU WERE THE ONLY ONE 2195 01:12:28,887 --> 01:12:30,972 THAT WOULD BE ABLE TO OPEN IT. 2196 01:12:31,014 --> 01:12:33,600 NO, HE NEVER -- HE NEVER 2197 01:12:31,014 --> 01:12:33,600 GAVE ME ANY COMBINATION. 2198 01:12:33,641 --> 01:12:35,643 MAYBE HE DID. 2199 01:12:35,685 --> 01:12:38,438 MAYBE YOU JUST DIDN'T KNOW 2200 01:12:35,685 --> 01:12:38,438 IT WAS THE COMBINATION. 2201 01:12:38,479 --> 01:12:40,774 WELL, WHAT, THEN? 2202 01:12:38,479 --> 01:12:40,774 I DON'T KNOW. 2203 01:12:40,815 --> 01:12:42,609 SOME MEANINGFUL COMBINATION 2204 01:12:40,815 --> 01:12:42,609 OF NUMBERS 2205 01:12:42,650 --> 01:12:46,071 BASED ON YOUR -- 2206 01:12:42,650 --> 01:12:46,071 YOUR EXPERIENCES WITH MAURICE. 2207 01:12:46,113 --> 01:12:47,781 [ SCOFFS ] 2208 01:12:47,822 --> 01:12:50,200 WE DIDN'T HAVE 2209 01:12:47,822 --> 01:12:50,200 VERY MANY, UM... 2210 01:12:50,242 --> 01:12:52,452 MEANINGFUL EXPERIENCES 2211 01:12:50,242 --> 01:12:52,452 TOGETHER. 2212 01:12:52,493 --> 01:12:54,412 PERHAPS 2213 01:12:52,493 --> 01:12:54,412 AFTER YOUR MOTHER DIED. 2214 01:12:55,663 --> 01:12:57,291 [ SIGHS ] 2215 01:12:57,332 --> 01:12:58,625 AFTER MY MOTHER DIED, 2216 01:12:58,666 --> 01:12:59,960 YOU KNOW WHAT HE TOLD ME? 2217 01:13:00,001 --> 01:13:03,671 "ROBERT, 2218 01:13:00,001 --> 01:13:03,671 THERE'S REALLY... 2219 01:13:03,713 --> 01:13:06,716 NOTHING TO BE SAID." 2220 01:13:06,758 --> 01:13:09,094 OH, WELL, 2221 01:13:06,758 --> 01:13:09,094 HE WAS BAD WITH EMOTION. 2222 01:13:09,136 --> 01:13:11,972 I WAS 11, UNCLE PETER. 2223 01:13:12,013 --> 01:13:13,140 HOW'S HE DOIN'? 2224 01:13:13,181 --> 01:13:15,516 HE'S IN A LOT OF PAIN. 2225 01:13:15,558 --> 01:13:17,435 WHEN WE GET DOWN 2226 01:13:15,558 --> 01:13:17,435 TO THE LOWER LEVELS, 2227 01:13:17,477 --> 01:13:19,062 THE PAIN WILL BE 2228 01:13:17,477 --> 01:13:19,062 LESS INTENSE. 2229 01:13:19,104 --> 01:13:21,189 AND IF HE DIES? 2230 01:13:21,231 --> 01:13:22,899 WORST-CASE SCENARIO? 2231 01:13:22,941 --> 01:13:26,820 WHEN HE WAKES UP, 2232 01:13:22,941 --> 01:13:26,820 HIS MIND IS COMPLETELY GONE. 2233 01:13:26,861 --> 01:13:28,613 Saito: COBB... 2234 01:13:26,861 --> 01:13:28,613 [ PANTING ] 2235 01:13:28,655 --> 01:13:31,325 I'LL STILL HONOR 2236 01:13:28,655 --> 01:13:31,325 THE ARRANGEMENT. 2237 01:13:31,366 --> 01:13:32,659 I APPRECIATE THAT, SAITO. 2238 01:13:32,700 --> 01:13:34,702 BUT WHEN YOU WAKE UP, 2239 01:13:34,744 --> 01:13:36,537 YOU WON'T EVEN REMEMBER 2240 01:13:34,744 --> 01:13:36,537 THAT WE HAD AN ARRANGEMENT. 2241 01:13:36,579 --> 01:13:38,790 LIMBO IS GONNA BECOME 2242 01:13:36,579 --> 01:13:38,790 YOUR REALITY. 2243 01:13:38,832 --> 01:13:41,042 YOU'RE GONNA BE LOST 2244 01:13:38,832 --> 01:13:41,042 DOWN THERE SO LONG 2245 01:13:41,084 --> 01:13:43,128 THAT YOU'RE GONNA 2246 01:13:41,084 --> 01:13:43,128 BECOME AN OLD MAN. 2247 01:13:43,170 --> 01:13:44,879 FILLED WITH REGRET? 2248 01:13:44,921 --> 01:13:47,299 WAITING TO DIE ALONE. 2249 01:13:47,341 --> 01:13:49,217 NO. 2250 01:13:49,259 --> 01:13:51,511 I'LL COME BACK. 2251 01:13:51,552 --> 01:13:54,472 AND WE'LL BE YOUNG MEN 2252 01:13:51,552 --> 01:13:54,472 TOGETHER AGAIN. 2253 01:13:56,474 --> 01:13:58,101 [ BREATHING RAGGEDLY ] 2254 01:14:00,145 --> 01:14:01,896 BREATHE. 2255 01:14:01,938 --> 01:14:03,273 THESE PEOPLE 2256 01:14:01,938 --> 01:14:03,273 ARE GONNA KILL US 2257 01:14:03,315 --> 01:14:04,649 IF WE DON'T GIVE THEM 2258 01:14:03,315 --> 01:14:04,649 THE COMBINATION. 2259 01:14:04,691 --> 01:14:06,109 THEY JUST 2260 01:14:04,691 --> 01:14:06,109 WANT TO RANSOM US. 2261 01:14:06,151 --> 01:14:07,944 I HEARD THEM. 2262 01:14:07,986 --> 01:14:09,779 THEY'RE GONNA LOCK US 2263 01:14:07,986 --> 01:14:09,779 IN THAT VAN, 2264 01:14:09,821 --> 01:14:11,323 AND THEN DRIVE IT 2265 01:14:09,821 --> 01:14:11,323 INTO THE RIVER. 2266 01:14:11,365 --> 01:14:12,866 ALL RIGHT. 2267 01:14:11,365 --> 01:14:12,866 WHAT IS IN THE SAFE? 2268 01:14:12,907 --> 01:14:15,243 SOMETHING FOR YOU. 2269 01:14:15,285 --> 01:14:16,870 MAURICE ALWAYS SAID 2270 01:14:16,911 --> 01:14:19,914 IT WAS HIS MOST PRECIOUS GIFT 2271 01:14:16,911 --> 01:14:19,914 TO YOU -- 2272 01:14:19,956 --> 01:14:21,749 A WILL. 2273 01:14:21,791 --> 01:14:23,459 MAURICE'S WILL 2274 01:14:21,791 --> 01:14:23,459 IS WITH PORT AND DUNN. 2275 01:14:23,501 --> 01:14:25,170 THAT'S AN ALTERNATE. 2276 01:14:25,212 --> 01:14:27,881 THIS WOULD SUPERSEDE THE OTHER 2277 01:14:25,212 --> 01:14:27,881 IF YOU WANT IT TO. 2278 01:14:27,922 --> 01:14:30,591 IT SPLITS UP THE COMPONENT 2279 01:14:27,922 --> 01:14:30,591 BUSINESSES OF FISCHER MORROW. 2280 01:14:30,633 --> 01:14:34,470 IT'D BE THE END OF THE ENTIRE 2281 01:14:30,633 --> 01:14:34,470 EMPIRE AS WE KNOW IT. 2282 01:14:34,512 --> 01:14:37,515 DESTROYING 2283 01:14:34,512 --> 01:14:37,515 MY WHOLE INHERITANCE. 2284 01:14:37,557 --> 01:14:40,352 WHY WOULD HE SUGGEST 2285 01:14:37,557 --> 01:14:40,352 SUCH A THING? 2286 01:14:40,394 --> 01:14:41,728 I JUST DON'T KNOW. 2287 01:14:43,813 --> 01:14:46,649 HE LOVED YOU, ROBERT. 2288 01:14:46,691 --> 01:14:48,402 IN HIS OWN WAY. 2289 01:14:48,443 --> 01:14:51,154 "IN HIS OWN WAY"? 2290 01:14:51,196 --> 01:14:53,698 AT THE END... 2291 01:14:53,740 --> 01:14:56,534 HE CALLED ME IN 2292 01:14:53,740 --> 01:14:56,534 TO HIS DEATHBED. 2293 01:14:56,576 --> 01:14:59,579 HE COULD BARELY SPEAK. 2294 01:14:59,620 --> 01:15:04,418 BUT HE TOOK THE TROUBLE 2295 01:14:59,620 --> 01:15:04,418 TO TELL ME ONE LAST THING. 2296 01:15:06,336 --> 01:15:08,629 HE PULLED ME CLOSE. 2297 01:15:10,673 --> 01:15:14,052 AND I COULD ONLY 2298 01:15:10,673 --> 01:15:14,052 MAKE OUT... 2299 01:15:14,094 --> 01:15:15,720 ONE WORD. 2300 01:15:18,723 --> 01:15:21,809 "DISAPPOINTED." 2301 01:15:23,353 --> 01:15:27,148 [ BREATHES DEEPLY ] 2302 01:15:27,190 --> 01:15:28,316 WHEN WERE YOU IN LIMBO? 2303 01:15:29,943 --> 01:15:31,778 YOU MIGHT HAVE THE REST 2304 01:15:29,943 --> 01:15:31,778 OF THE TEAM CONVINCED 2305 01:15:31,819 --> 01:15:33,113 TO CARRY ON 2306 01:15:31,819 --> 01:15:33,113 WITH THIS JOB, 2307 01:15:33,154 --> 01:15:34,322 BUT THEY DON'T KNOW 2308 01:15:33,154 --> 01:15:34,322 THE TRUTH. 2309 01:15:34,364 --> 01:15:35,823 TRUTH? WHAT TRUTH? 2310 01:15:35,865 --> 01:15:37,992 THE TRUTH THAT, 2311 01:15:35,865 --> 01:15:37,992 AT ANY MINUTE, 2312 01:15:38,034 --> 01:15:40,328 YOU MIGHT BRING A FREIGHT TRAIN 2313 01:15:38,034 --> 01:15:40,328 THROUGH THE WALL. 2314 01:15:40,370 --> 01:15:44,832 THE TRUTH THAT MAL IS BURSTING 2315 01:15:40,370 --> 01:15:44,832 THROUGH YOUR SUBCONSCIOUS. 2316 01:15:44,874 --> 01:15:47,335 AND THE TRUTH THAT, 2317 01:15:44,874 --> 01:15:47,335 AS WE GO DEEPER INTO FISCHER, 2318 01:15:47,377 --> 01:15:49,254 WE'RE ALSO GOING DEEPER 2319 01:15:47,377 --> 01:15:49,254 INTO YOU. 2320 01:15:49,296 --> 01:15:53,049 AND...I'M NOT SURE 2321 01:15:49,296 --> 01:15:53,049 WE'RE GONNA LIKE WHAT WE FIND. 2322 01:15:56,511 --> 01:15:58,430 WE WERE WORKING TOGETHER. 2323 01:15:58,472 --> 01:16:01,516 WE WERE EXPLORING THE CONCEPT 2324 01:15:58,472 --> 01:16:01,516 OF A DREAM WITHIN A DREAM. 2325 01:16:01,557 --> 01:16:03,059 I KEPT PUSHING THINGS. 2326 01:16:03,101 --> 01:16:05,437 I WANTED TO GO DEEPER 2327 01:16:03,101 --> 01:16:05,437 AND DEEPER. 2328 01:16:05,479 --> 01:16:07,272 I WANTED TO GO...FURTHER. 2329 01:16:07,314 --> 01:16:10,024 I JUST DIDN'T UNDERSTAND 2330 01:16:07,314 --> 01:16:10,024 THE CONCEPT 2331 01:16:10,066 --> 01:16:13,194 THAT HOURS COULD TURN 2332 01:16:10,066 --> 01:16:13,194 INTO YEARS DOWN THERE, 2333 01:16:13,236 --> 01:16:16,364 THAT WE COULD GET TRAPPED 2334 01:16:13,236 --> 01:16:16,364 SO DEEP THAT WHEN WE... 2335 01:16:16,406 --> 01:16:21,244 WHEN WE WOUND UP ON THE SHORE 2336 01:16:16,406 --> 01:16:21,244 OF OUR OWN SUBCONSCIOUS, 2337 01:16:21,286 --> 01:16:23,704 WE LOST SIGHT 2338 01:16:21,286 --> 01:16:23,704 OF WHAT WAS REAL. 2339 01:16:28,960 --> 01:16:32,172 WE CREATED, WE BUILT THE WORLD 2340 01:16:28,960 --> 01:16:32,172 FOR OURSELVES. 2341 01:16:32,213 --> 01:16:36,634 WE DID THAT FOR YEARS. 2342 01:16:36,676 --> 01:16:40,054 WE BUILT OUR OWN WORLD. 2343 01:16:40,096 --> 01:16:41,889 HOW LONG 2344 01:16:40,096 --> 01:16:41,889 WERE YOU STUCK THERE? 2345 01:16:41,931 --> 01:16:45,685 SOMETHING LIKE 50 YEARS. 2346 01:16:47,854 --> 01:16:51,065 JESUS. 2347 01:16:51,107 --> 01:16:53,485 HOW COULD YOU STAND IT? 2348 01:16:53,527 --> 01:16:57,155 IT WASN'T SO BAD AT FIRST, 2349 01:16:53,527 --> 01:16:57,155 FEELING LIKE GODS. 2350 01:16:57,197 --> 01:16:59,740 THE PROBLEM WAS KNOWING 2351 01:16:57,197 --> 01:16:59,740 THAT NONE OF IT WAS REAL. 2352 01:16:59,782 --> 01:17:02,076 EVENTUALLY, 2353 01:16:59,782 --> 01:17:02,076 IT JUST BECAME IMPOSSIBLE 2354 01:17:02,118 --> 01:17:04,078 FOR ME TO LIVE LIKE THAT. 2355 01:17:04,120 --> 01:17:05,497 AND WHAT ABOUT FOR HER? 2356 01:17:07,541 --> 01:17:10,502 SHE HAD LOCKED 2357 01:17:07,541 --> 01:17:10,502 SOMETHING AWAY, 2358 01:17:10,544 --> 01:17:14,297 SOMETHING 2359 01:17:10,544 --> 01:17:14,297 DEEP INSIDE HER. 2360 01:17:14,339 --> 01:17:17,425 A TRUTH THAT SHE HAD 2361 01:17:14,339 --> 01:17:17,425 ONCE KNOWN, BUT... 2362 01:17:17,467 --> 01:17:19,344 BUT CHOSE TO FORGET. 2363 01:17:21,262 --> 01:17:22,263 [ LOCK CLICKS ] 2364 01:17:22,305 --> 01:17:25,892 LIMBO BECAME HER REALITY. 2365 01:17:25,933 --> 01:17:28,269 WHAT HAPPENED 2366 01:17:25,933 --> 01:17:28,269 WHEN YOU WOKE UP? 2367 01:17:28,311 --> 01:17:30,021 WELL, TO WAKE UP 2368 01:17:28,311 --> 01:17:30,021 FROM THAT 2369 01:17:30,063 --> 01:17:32,524 AFTER -- AFTER YEARS, 2370 01:17:30,063 --> 01:17:32,524 AFTER DECADES... 2371 01:17:32,566 --> 01:17:35,693 TO BECOME OLD SOULS 2372 01:17:35,735 --> 01:17:37,904 THROWN BACK INTO YOUTH 2373 01:17:35,735 --> 01:17:37,904 LIKE THAT? 2374 01:17:37,945 --> 01:17:40,532 I KNEW SOMETHING WAS WRONG 2375 01:17:37,945 --> 01:17:40,532 WITH HER. 2376 01:17:40,574 --> 01:17:43,868 SHE JUST 2377 01:17:40,574 --> 01:17:43,868 WOULDN'T ADMIT IT. 2378 01:17:43,910 --> 01:17:46,704 EVENTUALLY, 2379 01:17:43,910 --> 01:17:46,704 SHE TOLD ME THE TRUTH. 2380 01:17:46,746 --> 01:17:50,375 SHE WAS POSSESSED 2381 01:17:46,746 --> 01:17:50,375 BY AN IDEA -- 2382 01:17:50,417 --> 01:17:56,172 THIS ONE VERY SIMPLE IDEA 2383 01:17:50,417 --> 01:17:56,172 THAT CHANGED EVERYTHING. 2384 01:17:56,214 --> 01:17:59,551 THAT OUR WORLD 2385 01:17:56,214 --> 01:17:59,551 WASN'T REAL. 2386 01:17:59,593 --> 01:18:03,304 THAT SHE NEEDED TO WAKE UP 2387 01:17:59,593 --> 01:18:03,304 TO COME BACK TO REALITY, 2388 01:18:03,346 --> 01:18:04,931 THAT... 2389 01:18:04,972 --> 01:18:07,850 IN ORDER 2390 01:18:04,972 --> 01:18:07,850 TO GET BACK HOME... 2391 01:18:07,892 --> 01:18:10,061 WE HAD TO KILL OURSELVES. 2392 01:18:16,734 --> 01:18:18,903 WHAT ABOUT YOUR CHILDREN? 2393 01:18:18,945 --> 01:18:20,905 SHE THOUGHT 2394 01:18:18,945 --> 01:18:20,905 THEY WERE PROJECTIONS, 2395 01:18:20,947 --> 01:18:22,490 THAT OUR REAL CHILDREN 2396 01:18:20,947 --> 01:18:22,490 WERE WAITING FOR US 2397 01:18:22,532 --> 01:18:23,783 UP THERE SOMEWHERE. 2398 01:18:23,824 --> 01:18:25,118 Mal: I'M THEIR MOTHER! 2399 01:18:25,159 --> 01:18:26,702 CALM DOWN. 2400 01:18:26,744 --> 01:18:28,121 DON'T YOU THINK 2401 01:18:26,744 --> 01:18:28,121 I CAN TELL THE DIFFERENCE? 2402 01:18:28,162 --> 01:18:29,914 IF THIS IS MY DREAM, 2403 01:18:28,162 --> 01:18:29,914 WHY CAN'T I CONTROL THIS? 2404 01:18:29,956 --> 01:18:31,374 BECAUSE YOU DON'T KNOW 2405 01:18:29,956 --> 01:18:31,374 YOU'RE DREAMING! 2406 01:18:31,416 --> 01:18:33,960 SHE WAS CERTAIN THERE WAS 2407 01:18:31,416 --> 01:18:33,960 NOTHING I COULD DO, 2408 01:18:34,001 --> 01:18:35,795 NO MATTER HOW MUCH 2409 01:18:34,001 --> 01:18:35,795 I BEGGED, 2410 01:18:35,836 --> 01:18:37,755 NO MATTER HOW MUCH 2411 01:18:35,836 --> 01:18:37,755 I PLEADED. 2412 01:18:40,383 --> 01:18:44,095 SHE WANTED TO DO IT, 2413 01:18:40,383 --> 01:18:44,095 BUT SHE COULD NOT DO IT ALONE. 2414 01:18:44,137 --> 01:18:46,847 SHE LOVED ME TOO MUCH, 2415 01:18:44,137 --> 01:18:46,847 SO... 2416 01:18:46,889 --> 01:18:50,602 SHE CAME UP WITH A PLAN 2417 01:18:46,889 --> 01:18:50,602 ON OUR ANNIVERSARY. 2418 01:18:58,859 --> 01:18:59,860 [ GLASS CRUNCHES ] 2419 01:19:16,169 --> 01:19:18,129 SWEETHEART, 2420 01:19:16,169 --> 01:19:18,129 WHAT ARE YOU DOING? 2421 01:19:18,171 --> 01:19:20,131 JOIN ME. 2422 01:19:20,173 --> 01:19:22,467 JUST -- JUST STEP BACK INSIDE. 2423 01:19:20,173 --> 01:19:22,467 ALL RIGHT? 2424 01:19:22,509 --> 01:19:24,010 JUST STEP BACK INSIDE NOW. 2425 01:19:22,509 --> 01:19:24,010 COME ON. 2426 01:19:24,051 --> 01:19:25,886 NO. 2427 01:19:25,928 --> 01:19:28,431 I'M GOING TO JUMP, 2428 01:19:25,928 --> 01:19:28,431 AND YOU'RE COMING WITH ME. 2429 01:19:28,473 --> 01:19:30,475 NO, I'M NOT. 2430 01:19:30,517 --> 01:19:32,435 N-NOW, YOU LISTEN TO ME. 2431 01:19:32,477 --> 01:19:35,730 IF YOU JUMP, YOU'RE NOT 2432 01:19:32,477 --> 01:19:35,730 GONNA WAKE UP, REMEMBER? 2433 01:19:35,771 --> 01:19:37,148 YOU'RE GONNA DIE. 2434 01:19:37,190 --> 01:19:39,442 NOW, JUST -- 2435 01:19:37,190 --> 01:19:39,442 JUST STEP BACK INSIDE. 2436 01:19:39,484 --> 01:19:41,068 COME ON. 2437 01:19:41,110 --> 01:19:43,070 STEP BACK INSIDE 2438 01:19:41,110 --> 01:19:43,070 SO WE CAN TALK ABOUT THIS. 2439 01:19:43,112 --> 01:19:45,406 WE'VE TALKED ENOUGH. 2440 01:19:46,157 --> 01:19:47,867 MAL. 2441 01:19:47,908 --> 01:19:50,161 COME OUT ONTO THE LEDGE, 2442 01:19:47,908 --> 01:19:50,161 OR I'LL JUMP RIGHT NOW. 2443 01:19:50,203 --> 01:19:51,245 OKAY. 2444 01:19:54,332 --> 01:19:57,627 WE'RE GONNA TALK ABOUT THIS. 2445 01:19:57,669 --> 01:19:59,504 ALL RIGHT? 2446 01:19:59,546 --> 01:20:02,423 I'M ASKING YOU 2447 01:19:59,546 --> 01:20:02,423 TO TAKE A LEAP OF FAITH. 2448 01:20:02,465 --> 01:20:04,467 NO, HONEY. 2449 01:20:04,509 --> 01:20:06,886 NO, I CA-- 2450 01:20:06,927 --> 01:20:09,055 YOU KNOW I CAN'T DO THAT. 2451 01:20:09,096 --> 01:20:11,725 TAKE A SECOND, 2452 01:20:09,096 --> 01:20:11,725 THINK ABOUT OUR CHILDREN. 2453 01:20:11,766 --> 01:20:14,728 THINK ABOUT JAMES. 2454 01:20:14,769 --> 01:20:16,521 THINK ABOUT PHILLIPA NOW. 2455 01:20:16,563 --> 01:20:18,898 IF I GO WITHOUT YOU, 2456 01:20:16,563 --> 01:20:18,898 THEY'LL TAKE THEM AWAY ANYWAY. 2457 01:20:18,939 --> 01:20:20,734 WHAT DOES THAT MEAN? 2458 01:20:20,775 --> 01:20:22,485 I FILED A LETTER 2459 01:20:20,775 --> 01:20:22,485 WITH OUR ATTORNEY, 2460 01:20:22,527 --> 01:20:25,488 EXPLAINING HOW I'M FEARFUL 2461 01:20:22,527 --> 01:20:25,488 FOR MY SAFETY. 2462 01:20:28,866 --> 01:20:30,326 HOW YOU'VE THREATENED 2463 01:20:28,866 --> 01:20:30,326 TO KILL ME. 2464 01:20:33,162 --> 01:20:34,664 WHY DID YOU DO THIS? 2465 01:20:34,706 --> 01:20:36,123 I LOVE YOU, DOM. 2466 01:20:36,165 --> 01:20:38,876 WHY DID YOU -- 2467 01:20:36,165 --> 01:20:38,876 WHY WOULD YOU DO THIS TO ME? 2468 01:20:38,918 --> 01:20:41,170 I'VE FREED YOU FROM THE GUILT 2469 01:20:38,918 --> 01:20:41,170 OF CHOOSING TO LEAVE THEM. 2470 01:20:41,212 --> 01:20:44,215 WE'RE GOING HOME 2471 01:20:41,212 --> 01:20:44,215 TO OUR REAL CHILDREN. 2472 01:20:44,257 --> 01:20:46,509 OH, NO, NO, NO. MAL, 2473 01:20:44,257 --> 01:20:46,509 YOU LISTEN TO ME, ALL RIGHT? 2474 01:20:46,551 --> 01:20:47,802 MAL, LOOK AT ME, 2475 01:20:46,551 --> 01:20:47,802 PLEASE?! 2476 01:20:47,843 --> 01:20:49,512 YOU'RE WAITING 2477 01:20:47,843 --> 01:20:49,512 FOR A TRAIN. 2478 01:20:49,554 --> 01:20:51,305 MAL, GODDAMN IT, 2479 01:20:49,554 --> 01:20:51,305 DON'T DO THIS! 2480 01:20:51,347 --> 01:20:54,141 A TRAIN THAT WILL TAKE YOU 2481 01:20:51,347 --> 01:20:54,141 FAR AWAY. 2482 01:20:54,183 --> 01:20:56,352 JAMES AND PHILLIPA 2483 01:20:54,183 --> 01:20:56,352 ARE WAITING FOR US! 2484 01:20:56,394 --> 01:20:58,104 YOU KNOW WHERE YOU HOPE 2485 01:20:56,394 --> 01:20:58,104 THIS TRAIN WILL TAKE YOU. 2486 01:20:58,145 --> 01:20:59,522 THEY'RE WAITING FOR US! 2487 01:20:58,145 --> 01:20:59,522 YOU CAN'T KNOW FOR SURE. 2488 01:20:59,564 --> 01:21:01,190 MAL, LOOK AT ME! 2489 01:21:01,232 --> 01:21:03,735 BUT IT DOESN'T MATTER. 2490 01:21:01,232 --> 01:21:03,735 MAL, GODDAMN IT! 2491 01:21:03,777 --> 01:21:05,737 BECAUSE YOU'LL BE TOGETHER. 2492 01:21:03,777 --> 01:21:05,737 MAL, LISTEN TO ME! 2493 01:21:05,779 --> 01:21:07,697 SWEETHEART! 2494 01:21:05,779 --> 01:21:07,697 LOOK AT ME! 2495 01:21:07,739 --> 01:21:09,532 MAL, NO!! 2496 01:21:09,574 --> 01:21:10,950 JESUS CHRIST! 2497 01:21:14,995 --> 01:21:16,289 SHE HAD HERSELF 2498 01:21:14,995 --> 01:21:16,289 DECLARED SANE 2499 01:21:16,330 --> 01:21:17,707 BY THREE DIFFERENT 2500 01:21:16,330 --> 01:21:17,707 PSYCHIATRISTS. 2501 01:21:17,749 --> 01:21:19,500 IT MADE IT IMPOSSIBLE 2502 01:21:19,542 --> 01:21:22,086 FOR ME TO TRY TO EXPLAIN 2503 01:21:19,542 --> 01:21:22,086 THE NATURE OF HER MADNESS. 2504 01:21:22,128 --> 01:21:24,046 SO, I RAN. 2505 01:21:24,088 --> 01:21:25,339 [ CHILDREN SHOUTING PLAYFULLY ] 2506 01:21:25,381 --> 01:21:28,008 RIGHT NOW... 2507 01:21:25,381 --> 01:21:28,008 OR NEVER, COBB. 2508 01:21:34,098 --> 01:21:36,684 Marie: JAMES! PHILLIPA! 2509 01:21:36,726 --> 01:21:38,728 COME ON IN! COME ON! 2510 01:21:38,770 --> 01:21:40,521 ALL RIGHT, LET'S GO. 2511 01:21:40,563 --> 01:21:42,690 Cobb: I LEFT 2512 01:21:40,563 --> 01:21:42,690 MY CHILDREN BEHIND, 2513 01:21:42,732 --> 01:21:44,692 AND I'VE BEEN TRYING TO BUY 2514 01:21:42,732 --> 01:21:44,692 MY WAY BACK EVER SINCE. 2515 01:21:44,734 --> 01:21:47,361 YOUR GUILT DEFINES HER. 2516 01:21:47,403 --> 01:21:49,530 IT'S WHAT POWERS HER. 2517 01:21:49,572 --> 01:21:52,826 BUT YOU ARE NOT RESPONSIBLE 2518 01:21:49,572 --> 01:21:52,826 FOR THE IDEA THAT DESTROYED HER. 2519 01:21:52,867 --> 01:21:56,579 AND IF WE ARE GONNA SUCCEED 2520 01:21:52,867 --> 01:21:56,579 IN THIS... 2521 01:21:56,621 --> 01:21:59,039 YOU HAVE 2522 01:21:56,621 --> 01:21:59,039 TO FORGIVE YOURSELF... 2523 01:21:59,081 --> 01:22:01,751 AND YOU'RE GONNA HAVE 2524 01:21:59,081 --> 01:22:01,751 TO CONFRONT HER. 2525 01:22:01,793 --> 01:22:03,377 BUT YOU DON'T HAVE 2526 01:22:01,793 --> 01:22:03,377 TO DO THAT ALONE. 2527 01:22:03,419 --> 01:22:04,754 NO, NO, YOU'RE NOT -- 2528 01:22:04,796 --> 01:22:06,339 I'M DOING IT 2529 01:22:04,796 --> 01:22:06,339 FOR THE OTHERS. 2530 01:22:06,380 --> 01:22:09,717 BECAUSE THEY HAVE NO IDEA 2531 01:22:06,380 --> 01:22:09,717 THE RISK THEY'VE TAKEN 2532 01:22:09,759 --> 01:22:11,719 COMING DOWN HERE 2533 01:22:09,759 --> 01:22:11,719 WITH YOU. 2534 01:22:16,182 --> 01:22:17,517 WE HAVE TO MOVE. 2535 01:22:17,558 --> 01:22:19,769 TIME'S UP. 2536 01:22:19,811 --> 01:22:21,771 ALL RIGHT. 2537 01:22:19,811 --> 01:22:21,771 I DON'T KNOW ANY COMBINATION. 2538 01:22:21,813 --> 01:22:23,189 NOT CONSCIOUSLY, ANYWAY. 2539 01:22:23,230 --> 01:22:25,149 HOW ABOUT INSTINCTIVELY, 2540 01:22:23,230 --> 01:22:25,149 HUH? 2541 01:22:25,191 --> 01:22:28,068 I GOT SOMEBODY STANDING IN 2542 01:22:25,191 --> 01:22:28,068 YOUR FATHER'S OFFICE RIGHT NOW 2543 01:22:28,110 --> 01:22:29,863 READY TO TAP IN 2544 01:22:28,110 --> 01:22:29,863 THE COMBINATION. 2545 01:22:29,904 --> 01:22:31,531 GIVE ME 2546 01:22:29,904 --> 01:22:31,531 THE FIRST SIX NUMBERS 2547 01:22:31,572 --> 01:22:33,407 THAT COME TO YOUR HEAD 2548 01:22:31,572 --> 01:22:33,407 RIGHT NOW. 2549 01:22:33,449 --> 01:22:36,160 I HAVE NO IDEA. 2550 01:22:33,449 --> 01:22:36,160 RIGHT NOW! 2551 01:22:36,202 --> 01:22:38,371 I SAID, RIGHT NOW! 2552 01:22:36,202 --> 01:22:38,371 RIGHT NOW! 2553 01:22:38,412 --> 01:22:40,832 FIVE, TWO, EIGHT... 2554 01:22:40,874 --> 01:22:42,208 FOUR, NINE, ONE. 2555 01:22:44,544 --> 01:22:47,254 [ SIGHS ] YOU'RE GONNA HAVE 2556 01:22:44,544 --> 01:22:47,254 TO DO BETTER THAN THAT. 2557 01:22:47,296 --> 01:22:49,757 ALL RIGHT. BAG 'EM. 2558 01:22:49,799 --> 01:22:51,467 YOU'RE GOING FOR A RIDE. 2559 01:22:55,722 --> 01:22:57,640 Fischer: WE'RE WORTH 2560 01:22:55,722 --> 01:22:57,640 MORE TO YOU ALIVE. 2561 01:22:57,682 --> 01:22:59,767 YOU HEAR ME? 2562 01:23:04,271 --> 01:23:05,690 WHAT'D YOU GET? 2563 01:23:05,732 --> 01:23:07,525 [ EXHALES SHARPLY ] 2564 01:23:07,567 --> 01:23:08,776 THAT BOY'S RELATIONSHIP 2565 01:23:07,567 --> 01:23:08,776 WITH HIS FATHER 2566 01:23:08,818 --> 01:23:09,819 IS EVEN WORSE 2567 01:23:08,818 --> 01:23:09,819 THAN WE IMAGINED. 2568 01:23:09,861 --> 01:23:11,278 THIS HELPS US HOW? 2569 01:23:11,320 --> 01:23:12,864 THE STRONGER THE ISSUES, 2570 01:23:12,906 --> 01:23:15,074 THE MORE POWERFUL 2571 01:23:12,906 --> 01:23:15,074 THE CATHARSIS. 2572 01:23:15,115 --> 01:23:17,827 HOW ARE WE GONNA RECONCILE THEM 2573 01:23:15,115 --> 01:23:17,827 IF THEY'RE SO ESTRANGED? 2574 01:23:17,869 --> 01:23:19,787 WELL, I'M WORKING ON THAT, 2575 01:23:17,869 --> 01:23:19,787 AREN'T I? 2576 01:23:17,869 --> 01:23:19,787 WORK FASTER. 2577 01:23:19,829 --> 01:23:22,289 THE PROJECTIONS 2578 01:23:19,829 --> 01:23:22,289 ARE CLOSING IN QUICK. 2579 01:23:22,331 --> 01:23:25,251 WE GOTTA BREAK OUT OF HERE 2580 01:23:22,331 --> 01:23:25,251 BEFORE WE'RE TOTALLY BOXED IN. 2581 01:23:31,674 --> 01:23:33,050 [ GUNFIRE, 2582 01:23:31,674 --> 01:23:33,050 BULLETS RICOCHET ] 2583 01:23:50,902 --> 01:23:52,612 [ GUNFIRE CONTINUES ] 2584 01:24:01,662 --> 01:24:05,416 WE MUSTN'T BE AFRAID TO DREAM 2585 01:24:01,662 --> 01:24:05,416 A LITTLE BIGGER, DARLING. 2586 01:24:05,458 --> 01:24:07,084 [ GUN COCKS ] 2587 01:24:21,474 --> 01:24:23,434 NOW WE NEED TO SHIFT HIS 2588 01:24:21,474 --> 01:24:23,434 ANIMOSITY FROM HIS FATHER 2589 01:24:23,476 --> 01:24:25,311 TO HIS GODFATHER. 2590 01:24:25,352 --> 01:24:27,062 YOU'RE GONNA DESTROY HIS ONE 2591 01:24:25,352 --> 01:24:27,062 POSITIVE RELATIONSHIP? 2592 01:24:27,104 --> 01:24:29,356 NO, WE REPAIR HIS RELATIONSHIP 2593 01:24:27,104 --> 01:24:29,356 WITH HIS FATHER 2594 01:24:29,398 --> 01:24:31,567 WHILST EXPOSING 2595 01:24:29,398 --> 01:24:31,567 HIS GODFATHER'S TRUE NATURE. 2596 01:24:31,609 --> 01:24:34,779 WE SHOULD CHARGE FISCHER 2597 01:24:31,609 --> 01:24:34,779 A LOT MORE THAN SAITO 2598 01:24:31,609 --> 01:24:34,779 FOR THIS JOB. 2599 01:24:34,821 --> 01:24:35,822 Arthur: 2600 01:24:34,821 --> 01:24:35,822 WHAT ABOUT HIS SECURITY? 2601 01:24:35,863 --> 01:24:37,573 IT'S GONNA GET WORSE 2602 01:24:35,863 --> 01:24:37,573 AS WE GO DEEPER. 2603 01:24:37,615 --> 01:24:40,367 I THINK WE RUN 2604 01:24:37,615 --> 01:24:40,367 WITH MR. CHARLES. 2605 01:24:37,615 --> 01:24:40,367 NO. 2606 01:24:40,409 --> 01:24:41,911 Eames: 2607 01:24:40,409 --> 01:24:41,911 WHO'S MR. CHARLES? 2608 01:24:40,409 --> 01:24:41,911 BAD IDEA. 2609 01:24:41,953 --> 01:24:44,204 THE SECOND WE GET INTO THAT 2610 01:24:41,953 --> 01:24:44,204 HOTEL AND APPROACH FISCHER, 2611 01:24:44,246 --> 01:24:45,873 HIS SECURITY 2612 01:24:44,246 --> 01:24:45,873 IS GONNA BE ALL OVER US. 2613 01:24:45,915 --> 01:24:48,125 WE RUN WITH MR. CHARLES 2614 01:24:45,915 --> 01:24:48,125 LIKE WE DID ON THE STEIN JOB. 2615 01:24:48,167 --> 01:24:50,503 SO YOU'VE DONE IT BEFORE? 2616 01:24:48,167 --> 01:24:50,503 Arthur: 2617 01:24:48,167 --> 01:24:50,503 YEAH, AND IT DIDN'T WORK! 2618 01:24:50,544 --> 01:24:52,505 THE SUBJECT REALIZED 2619 01:24:50,544 --> 01:24:52,505 HE WAS DREAMING, 2620 01:24:52,546 --> 01:24:54,340 AND HIS SUBCONSCIOUS 2621 01:24:52,546 --> 01:24:54,340 TORE US TO PIECES. 2622 01:24:54,381 --> 01:24:56,592 EXCELLENT. 2623 01:24:54,381 --> 01:24:56,592 BUT YOU LEARNED A LOT, RIGHT? 2624 01:24:56,634 --> 01:24:58,552 I'M GONNA NEED 2625 01:24:56,634 --> 01:24:58,552 SOME KIND OF DISTRACTION. 2626 01:24:56,634 --> 01:24:58,552 NO PROBLEM. 2627 01:24:58,594 --> 01:25:01,138 HOW ABOUT A LOVELY LADY 2628 01:24:58,594 --> 01:25:01,138 WHO I'VE USED BEFORE? 2629 01:25:01,180 --> 01:25:03,307 LISTEN TO ME. YOU DRIVE 2630 01:25:01,180 --> 01:25:03,307 CAREFULLY, ALL RIGHT? 2631 01:25:01,180 --> 01:25:03,307 YEAH. 2632 01:25:03,349 --> 01:25:05,685 EVERYTHING DOWN THERE 2633 01:25:03,349 --> 01:25:05,685 IS GONNA BE UNSTABLE AS HELL. 2634 01:25:09,730 --> 01:25:11,315 Arthur: 2635 01:25:09,730 --> 01:25:11,315 DON'T JUMP TOO SOON. 2636 01:25:11,357 --> 01:25:13,484 WE ONLY GOT ONE SHOT AT 2637 01:25:11,357 --> 01:25:13,484 THAT KICK. WE GOTTA MAKE IT. 2638 01:25:13,526 --> 01:25:14,986 I'LL PLAY THE MUSIC 2639 01:25:13,526 --> 01:25:14,986 TO LET YOU KNOW IT'S COMING. 2640 01:25:15,028 --> 01:25:17,196 THE REST IS ON YOU. 2641 01:25:17,237 --> 01:25:18,364 YOU READY? 2642 01:25:17,237 --> 01:25:18,364 READY! 2643 01:25:20,324 --> 01:25:21,575 SWEET DREAMS. 2644 01:25:21,617 --> 01:25:24,244 Woman: 2645 01:25:21,617 --> 01:25:24,244 AM I BORING YOU? 2646 01:25:24,286 --> 01:25:25,746 I WAS TELLING YOU 2647 01:25:24,286 --> 01:25:25,746 MY STORY. 2648 01:25:25,788 --> 01:25:28,082 I GUESS IT WASN'T 2649 01:25:25,788 --> 01:25:28,082 TO YOUR LIKING. 2650 01:25:28,123 --> 01:25:30,043 UH... 2651 01:25:30,084 --> 01:25:32,712 UM, I HAVE A LOT 2652 01:25:30,084 --> 01:25:32,712 ON MY MIND. 2653 01:25:32,753 --> 01:25:35,548 THERE GOES MR. CHARLES. 2654 01:25:40,011 --> 01:25:43,263 MR. FISCHER, RIGHT? 2655 01:25:43,305 --> 01:25:45,808 PLEASURE TO SEE YOU AGAIN. 2656 01:25:43,305 --> 01:25:45,808 ROD GREEN FROM MARKETING. 2657 01:25:45,850 --> 01:25:47,560 I...HMM. 2658 01:25:47,601 --> 01:25:48,686 AND YOU MUST BE? 2659 01:25:48,728 --> 01:25:49,979 LEAVING. 2660 01:25:53,900 --> 01:25:55,192 IN CASE YOU GET BORED. 2661 01:26:00,239 --> 01:26:01,991 SHE MUST'VE BLOWN YOU OFF. 2662 01:26:02,033 --> 01:26:03,450 THAT IS, 2663 01:26:02,033 --> 01:26:03,450 UNLESS HER PHONE NUMBER 2664 01:26:03,492 --> 01:26:04,577 REALLY IS ONLY SIX DIGITS. 2665 01:26:06,079 --> 01:26:08,372 FUNNY WAY TO MAKE FRIENDS, 2666 01:26:08,414 --> 01:26:11,959 SOMEONE STEALING YOUR WALLET 2667 01:26:08,414 --> 01:26:11,959 LIKE THAT. 2668 01:26:12,001 --> 01:26:13,002 [ PATS CHEST ] 2669 01:26:13,586 --> 01:26:15,212 [ SCOFFS ] 2670 01:26:15,254 --> 01:26:17,423 GODDAMN IT. THE WALLET ALONE 2671 01:26:15,254 --> 01:26:17,423 IS WORTH AT LEAST FIVE -- 2672 01:26:17,464 --> 01:26:18,841 ABOUT $500, RIGHT? 2673 01:26:18,883 --> 01:26:20,259 LISTEN, 2674 01:26:18,883 --> 01:26:20,259 DON'T WORRY ABOUT IT. 2675 01:26:20,300 --> 01:26:22,261 MY PEOPLE ARE ALREADY ON IT, 2676 01:26:20,300 --> 01:26:22,261 AS WE SPEAK. 2677 01:26:22,302 --> 01:26:24,097 WHO OR WHAT 2678 01:26:22,302 --> 01:26:24,097 IS MR. CHARLES? 2679 01:26:24,138 --> 01:26:26,682 IT'S A GAMBIT 2680 01:26:24,138 --> 01:26:26,682 DESIGNED TO TURN FISCHER 2681 01:26:26,724 --> 01:26:28,350 AGAINST 2682 01:26:26,724 --> 01:26:28,350 HIS OWN SUBCONSCIOUS. 2683 01:26:28,392 --> 01:26:30,310 AND WHY 2684 01:26:28,392 --> 01:26:30,310 DON'T YOU APPROVE? 2685 01:26:30,352 --> 01:26:32,021 BECAUSE IT INVOLVES TELLING 2686 01:26:30,352 --> 01:26:32,021 THE MARK THAT HE'S DREAMING, 2687 01:26:32,063 --> 01:26:34,440 WHICH INVOLVES ATTRACTING 2688 01:26:32,063 --> 01:26:34,440 A LOT OF ATTENTION TO US. 2689 01:26:34,481 --> 01:26:36,442 DIDN'T COBB SAY 2690 01:26:34,481 --> 01:26:36,442 NEVER TO DO THAT? 2691 01:26:36,483 --> 01:26:38,444 MM. SO NOW YOU'VE NOTICED 2692 01:26:36,483 --> 01:26:38,444 HOW MUCH TIME 2693 01:26:38,485 --> 01:26:40,863 COBB SPENDS DOING THINGS 2694 01:26:38,485 --> 01:26:40,863 HE SAYS NEVER TO DO. 2695 01:26:40,905 --> 01:26:41,697 [ CHUCKLES ] 2696 01:26:43,616 --> 01:26:45,409 MR. SAITO, 2697 01:26:43,616 --> 01:26:45,409 CAN I HAVE A MOMENT? 2698 01:26:45,451 --> 01:26:46,911 I-I'M SORRY, BUT... 2699 01:26:46,953 --> 01:26:48,203 Man: HOLD ON! WAIT! 2700 01:26:48,245 --> 01:26:50,706 YOU LOOK A BIT PERKIER. 2701 01:26:50,748 --> 01:26:53,042 VERY AMUSING, MR. EAMES. 2702 01:26:57,337 --> 01:26:59,173 [ RUMBLING ] 2703 01:26:59,214 --> 01:27:01,216 TURBULENCE ON THE PLANE? 2704 01:27:01,258 --> 01:27:02,843 NO, IT'S MUCH CLOSER. 2705 01:27:02,885 --> 01:27:04,637 THAT'S YUSUF'S DRIVING. 2706 01:27:04,678 --> 01:27:06,472 [ TIRES SCREECHING ] 2707 01:27:10,893 --> 01:27:12,519 [ GLASSWARE CLINKING ] 2708 01:27:12,561 --> 01:27:14,897 UH, I'M SORRY. 2709 01:27:12,561 --> 01:27:14,897 WHO DID YOU SAY YOU WERE? 2710 01:27:14,939 --> 01:27:16,941 Cobb: ROD GREEN 2711 01:27:14,939 --> 01:27:16,941 FROM MARKETING. 2712 01:27:16,983 --> 01:27:19,485 BUT THAT'S NOT TRUE AT ALL, 2713 01:27:16,983 --> 01:27:19,485 IS IT? 2714 01:27:20,903 --> 01:27:24,490 MY NAME IS MR. CHARLES. 2715 01:27:20,903 --> 01:27:24,490 YOU REMEMBER ME, DON'T YOU? 2716 01:27:24,531 --> 01:27:27,367 I'M THE HEAD OF YOUR SECURITY 2717 01:27:24,531 --> 01:27:27,367 DOWN HERE. 2718 01:27:28,535 --> 01:27:30,204 GET OUT ON A DIFFERENT FLOOR 2719 01:27:28,535 --> 01:27:30,204 AND KEEP MOVING. 2720 01:27:30,245 --> 01:27:31,831 DUMP THE WALLET. 2721 01:27:31,872 --> 01:27:33,958 SECURITY WILL BE LOOKING 2722 01:27:31,872 --> 01:27:33,958 FOR THAT. 2723 01:27:31,872 --> 01:27:33,958 OKAY. 2724 01:27:34,000 --> 01:27:36,251 WE NEED TO BUY COBB 2725 01:27:34,000 --> 01:27:36,251 A LITTLE MORE TIME. 2726 01:27:37,962 --> 01:27:39,922 [ COUGHING ] 2727 01:27:39,964 --> 01:27:43,342 SECURITY, HUH? 2728 01:27:43,383 --> 01:27:45,302 YOU WORK FOR THE HOTEL? 2729 01:27:45,344 --> 01:27:47,096 NO, NO. 2730 01:27:47,138 --> 01:27:50,683 I SPECIALIZE IN A VERY 2731 01:27:47,138 --> 01:27:50,683 SPECIFIC TYPE OF SECURITY. 2732 01:27:50,724 --> 01:27:53,393 SUBCONSCIOUS SECURITY. 2733 01:27:53,435 --> 01:27:55,479 YOU'RE TALKING 2734 01:27:53,435 --> 01:27:55,479 ABOUT DREAMS? 2735 01:27:55,521 --> 01:27:57,148 ARE YOU TALKING ABOUT, 2736 01:27:55,521 --> 01:27:57,148 UM... 2737 01:27:57,190 --> 01:27:58,524 EXTRACTION? 2738 01:27:58,565 --> 01:28:01,777 I AM HERE TO PROTECT YOU. 2739 01:27:58,565 --> 01:28:01,777 YOU... 2740 01:28:01,819 --> 01:28:07,158 [ UTENSIL CLANKS, 2741 01:28:01,819 --> 01:28:07,158 INDISTINCT CONVERSATIONS ] 2742 01:28:10,203 --> 01:28:11,537 [ CONVERSATIONS HALT ] 2743 01:28:13,706 --> 01:28:17,334 MR. FISCHER, I'M HERE TO 2744 01:28:13,706 --> 01:28:17,334 PROTECT YOU IN THE EVENT 2745 01:28:17,376 --> 01:28:20,087 [ CONVERSATIONS RESUME ] 2746 01:28:17,376 --> 01:28:20,087 THAT SOMEONE TRIES TO ACCESS 2747 01:28:17,376 --> 01:28:20,087 YOUR MIND THROUGH YOUR DREAMS. 2748 01:28:20,129 --> 01:28:23,257 YOU'RE NOT SAFE HERE. 2749 01:28:23,298 --> 01:28:25,467 THEY'RE COMING FOR YOU. 2750 01:28:32,183 --> 01:28:33,517 [ OBJECT TUMBLING ] 2751 01:28:37,980 --> 01:28:39,481 OHH! 2752 01:28:39,523 --> 01:28:40,733 [ TIRES SCREECHING ] 2753 01:28:43,443 --> 01:28:45,946 STRANGE WEATHER, 2754 01:28:43,443 --> 01:28:45,946 ISN'T IT? 2755 01:28:47,156 --> 01:28:49,950 [ RUMBLING ] 2756 01:28:49,992 --> 01:28:51,911 YOU FEEL THAT? 2757 01:28:53,579 --> 01:28:55,330 WHAT'S HAPPENING? 2758 01:28:55,372 --> 01:28:56,582 COBB IS DRAWING 2759 01:28:55,372 --> 01:28:56,582 FISCHER'S ATTENTION 2760 01:28:56,623 --> 01:28:58,000 TO THE STRANGENESS 2761 01:28:56,623 --> 01:28:58,000 OF THE DREAM, 2762 01:28:58,042 --> 01:28:59,585 WHICH IS MAKING 2763 01:28:58,042 --> 01:28:59,585 HIS SUBCONSCIOUS 2764 01:28:59,626 --> 01:29:01,003 LOOK FOR THE DREAMER. 2765 01:29:01,045 --> 01:29:02,629 FOR ME. 2766 01:29:02,671 --> 01:29:04,048 QUICK, GIVE ME A KISS. 2767 01:29:09,262 --> 01:29:11,555 THEY'RE STILL 2768 01:29:09,262 --> 01:29:11,555 LOOKING AT US. 2769 01:29:11,597 --> 01:29:13,974 YEAH, 2770 01:29:11,597 --> 01:29:13,974 IT WAS WORTH A SHOT. 2771 01:29:14,016 --> 01:29:15,851 WE SHOULD PROBABLY 2772 01:29:14,016 --> 01:29:15,851 GET OUT OF HERE. 2773 01:29:20,355 --> 01:29:21,565 [ TIRES SCREECHING ] 2774 01:29:23,109 --> 01:29:27,571 [ DISTORTED, 2775 01:29:23,109 --> 01:29:27,571 SLOW-MOTION SOUNDS ] 2776 01:29:30,324 --> 01:29:32,826 [ GLASSWARE CLINKING ] 2777 01:29:30,324 --> 01:29:32,826 Cobb: YOU FEEL THAT? 2778 01:29:32,868 --> 01:29:35,579 YOU'VE ACTUALLY BEEN TRAINED 2779 01:29:32,868 --> 01:29:35,579 FOR THIS, MR. FISCHER. 2780 01:29:35,621 --> 01:29:38,249 PAY ATTENTION TO THE STRANGENESS 2781 01:29:35,621 --> 01:29:38,249 OF THE WEATHER... 2782 01:29:38,291 --> 01:29:39,541 THE SHIFT IN GRAVITY. 2783 01:29:39,583 --> 01:29:41,335 NONE OF THIS IS REAL. 2784 01:29:41,376 --> 01:29:42,628 YOU'RE IN A DREAM. 2785 01:29:46,882 --> 01:29:49,927 NOW, THE EASIEST WAY FOR YOU 2786 01:29:46,882 --> 01:29:49,927 TO TEST YOURSELF 2787 01:29:49,969 --> 01:29:52,221 IS TO TRY AND REMEMBER 2788 01:29:49,969 --> 01:29:52,221 HOW YOU ARRIVED AT THIS HOTEL. 2789 01:29:52,263 --> 01:29:53,931 CAN YOU DO THAT? 2790 01:29:53,973 --> 01:29:56,475 YEAH, I, I... 2791 01:29:56,516 --> 01:29:58,685 NOW, BREATHE, BREATHE. 2792 01:29:56,516 --> 01:29:58,685 REMEMBER YOUR TRAINING. 2793 01:29:58,727 --> 01:30:00,813 ACCEPT THE FACT 2794 01:29:58,727 --> 01:30:00,813 THAT YOU'RE IN A DREAM, 2795 01:30:00,854 --> 01:30:02,273 AND I'M HERE 2796 01:30:00,854 --> 01:30:02,273 TO PROTECT YOU. 2797 01:30:02,315 --> 01:30:03,607 GO ON. 2798 01:30:05,859 --> 01:30:07,444 MM-HMM. 2799 01:30:09,613 --> 01:30:12,283 YOU'RE NOT REAL? 2800 01:30:12,325 --> 01:30:13,867 NO, NO. 2801 01:30:13,909 --> 01:30:15,702 I'M A PROJECTION 2802 01:30:13,909 --> 01:30:15,702 OF YOUR SUBCONSCIOUS. 2803 01:30:15,744 --> 01:30:16,996 I WAS SENT HERE 2804 01:30:15,744 --> 01:30:16,996 TO PROTECT YOU 2805 01:30:17,037 --> 01:30:18,831 IN THE EVENT 2806 01:30:17,037 --> 01:30:18,831 THAT EXTRACTORS 2807 01:30:18,872 --> 01:30:21,083 TRIED TO PULL YOU 2808 01:30:18,872 --> 01:30:21,083 INTO A DREAM. 2809 01:30:21,125 --> 01:30:24,628 AND I BELIEVE THAT'S WHAT'S 2810 01:30:21,125 --> 01:30:24,628 GOING ON RIGHT NOW, MR. FISCHER. 2811 01:30:24,670 --> 01:30:26,046 [ BREATHES DEEPLY ] 2812 01:30:24,670 --> 01:30:26,046 YEAH. 2813 01:30:26,088 --> 01:30:28,174 OKAY. 2814 01:30:28,215 --> 01:30:31,302 OKAY. 2815 01:30:32,928 --> 01:30:34,054 CAN YOU GET ME 2816 01:30:32,928 --> 01:30:34,054 OUT OF HERE? 2817 01:30:34,096 --> 01:30:36,307 RIGHT AWAY. 2818 01:30:36,349 --> 01:30:38,433 FOLLOW ME. 2819 01:30:52,572 --> 01:30:53,866 HOLD ON A SECOND! 2820 01:30:56,785 --> 01:30:58,871 [ GUNFIRE ] 2821 01:30:58,912 --> 01:31:00,873 JESUS CHRIST! 2822 01:30:58,912 --> 01:31:00,873 WHAT ARE YOU DOING?! 2823 01:31:00,914 --> 01:31:03,458 THESE MEN WERE SENT HERE 2824 01:31:00,914 --> 01:31:03,458 TO ABDUCT YOU, ALL RIGHT? 2825 01:31:03,500 --> 01:31:06,003 IF YOU WANT MY HELP, 2826 01:31:03,500 --> 01:31:06,003 YOU HAVE TO REMAIN CALM. 2827 01:31:07,171 --> 01:31:09,840 I NEED YOU TO WORK WITH ME, 2828 01:31:07,171 --> 01:31:09,840 MR. FISCHER. 2829 01:31:19,392 --> 01:31:21,185 [ BREATHING HEAVILY ] 2830 01:31:21,227 --> 01:31:22,811 IF THIS IS A DREAM, 2831 01:31:22,853 --> 01:31:25,147 I SHOULD JUST KILL MYSELF 2832 01:31:22,853 --> 01:31:25,147 TO WAKE UP, RIGHT? 2833 01:31:25,189 --> 01:31:27,649 I WOULDN'T DO THAT 2834 01:31:25,189 --> 01:31:27,649 IF I WERE YOU, MR. FISCHER. 2835 01:31:27,691 --> 01:31:29,360 I BELIEVE 2836 01:31:27,691 --> 01:31:29,360 THEY HAVE YOU SEDATED, 2837 01:31:29,402 --> 01:31:30,777 AND IF YOU PULL 2838 01:31:29,402 --> 01:31:30,777 THAT TRIGGER... 2839 01:31:30,819 --> 01:31:32,905 YOU MAY NOT WAKE UP. 2840 01:31:32,946 --> 01:31:35,574 YOU MAY GO 2841 01:31:32,946 --> 01:31:35,574 INTO A FURTHER DREAM STATE. 2842 01:31:35,615 --> 01:31:38,160 NOW, YOU KNOW 2843 01:31:35,615 --> 01:31:38,160 WHAT I'M TALKING ABOUT. 2844 01:31:38,202 --> 01:31:42,164 YOU REMEMBER THE TRAINING. 2845 01:31:42,206 --> 01:31:44,583 REMEMBER WHAT I SAID 2846 01:31:42,206 --> 01:31:44,583 TO YOU. 2847 01:31:44,624 --> 01:31:46,585 GIVE ME THE GUN. 2848 01:31:48,045 --> 01:31:50,714 [ EXHALES SHARPLY ] 2849 01:31:58,472 --> 01:31:59,806 THIS ROOM 2850 01:31:58,472 --> 01:31:59,806 SHOULD BE DIRECTLY BELOW 528? 2851 01:31:59,848 --> 01:32:01,975 YEAH. 2852 01:32:02,017 --> 01:32:04,019 [ BEEPS ] 2853 01:32:10,443 --> 01:32:12,903 THINK, MR. FISCHER, 2854 01:32:10,443 --> 01:32:12,903 THINK. 2855 01:32:10,443 --> 01:32:12,903 [ SIGHS ] 2856 01:32:12,945 --> 01:32:15,364 WHAT DO YOU REMEMBER 2857 01:32:12,945 --> 01:32:15,364 FROM BEFORE THIS DREAM? 2858 01:32:15,406 --> 01:32:17,116 UH...THERE WAS, UM... 2859 01:32:17,157 --> 01:32:18,784 THERE WAS A LOT 2860 01:32:17,157 --> 01:32:18,784 OF GUNFIRE. 2861 01:32:18,825 --> 01:32:21,328 THERE WAS...RAIN. 2862 01:32:21,370 --> 01:32:23,914 UNCLE PETER. 2863 01:32:23,956 --> 01:32:25,832 OH, MY GOD, 2864 01:32:23,956 --> 01:32:25,832 WE'VE BEEN KIDNAPPED. 2865 01:32:25,874 --> 01:32:27,209 WHERE WERE THEY 2866 01:32:25,874 --> 01:32:27,209 HOLDING YOU? 2867 01:32:27,251 --> 01:32:29,836 UH... 2868 01:32:29,878 --> 01:32:32,381 THEY HAD US IN THE BACK 2869 01:32:29,878 --> 01:32:32,381 OF A VAN. 2870 01:32:32,423 --> 01:32:34,007 THAT EXPLAINS 2871 01:32:32,423 --> 01:32:34,007 THE GRAVITY SHIFTS. 2872 01:32:34,049 --> 01:32:36,469 YOU'RE IN THE BACK OF A VAN 2873 01:32:34,049 --> 01:32:36,469 RIGHT NOW. KEEP GOING. 2874 01:32:36,510 --> 01:32:39,012 IT HAD SOMETHING TO DO 2875 01:32:36,510 --> 01:32:39,012 WITH, UM... 2876 01:32:39,054 --> 01:32:42,682 SOMETHING TO DO 2877 01:32:39,054 --> 01:32:42,682 WITH A...A SAFE? 2878 01:32:42,724 --> 01:32:44,768 GOD, WHY IS IT SO HARD 2879 01:32:42,724 --> 01:32:44,768 TO REMEMBER? 2880 01:32:44,810 --> 01:32:47,854 IT'S LIKE TRYING TO REMEMBER 2881 01:32:44,810 --> 01:32:47,854 A DREAM AFTER YOU'VE WOKEN UP. 2882 01:32:47,896 --> 01:32:49,898 LISTEN, 2883 01:32:47,896 --> 01:32:49,898 IT TAKES YEARS OF PRACTICE. 2884 01:32:49,940 --> 01:32:52,443 YOU AND BROWNING HAVE BEEN 2885 01:32:49,940 --> 01:32:52,443 PULLED INTO THIS DREAM 2886 01:32:52,485 --> 01:32:55,070 BECAUSE THEY'RE TRYING TO STEAL 2887 01:32:52,485 --> 01:32:55,070 SOMETHING FROM YOUR MIND. 2888 01:32:55,112 --> 01:32:58,698 I NEED YOU TO FOCUS AND TRY 2889 01:32:55,112 --> 01:32:58,698 AND REMEMBER WHAT THAT IS. 2890 01:32:58,740 --> 01:33:00,159 WHAT IS IT, MR. FISCHER? 2891 01:32:58,740 --> 01:33:00,159 THINK! 2892 01:33:00,200 --> 01:33:02,119 OH, A C-COMBINATION. 2893 01:33:02,161 --> 01:33:04,579 THEY DEMANDED THE FIRST NUMBERS 2894 01:33:02,161 --> 01:33:04,579 TO POP INTO MY HEAD. 2895 01:33:04,621 --> 01:33:07,249 THEY'RE TRYING TO EXTRACT A 2896 01:33:04,621 --> 01:33:07,249 NUMBER FROM YOUR SUBCONSCIOUS. 2897 01:33:07,291 --> 01:33:08,792 IT CAN REPRESENT 2898 01:33:07,291 --> 01:33:08,792 ANYTHING. 2899 01:33:08,834 --> 01:33:11,253 WE'RE IN A HOTEL 2900 01:33:08,834 --> 01:33:11,253 RIGHT NOW. 2901 01:33:11,295 --> 01:33:12,754 WE SHOULD TRY HOTEL ROOMS. 2902 01:33:12,796 --> 01:33:15,132 WHAT WAS THE NUMBER, 2903 01:33:12,796 --> 01:33:15,132 MR. FISCHER? 2904 01:33:15,174 --> 01:33:17,759 TRY AND REMEMBER FOR ME. 2905 01:33:15,174 --> 01:33:17,759 THIS IS VERY IMPORTANT. 2906 01:33:17,801 --> 01:33:19,719 FIVE. 2907 01:33:19,761 --> 01:33:22,055 FIVE, TWO... 2908 01:33:19,761 --> 01:33:22,055 IT WAS SOMETHING... 2909 01:33:22,097 --> 01:33:23,557 IT WAS A LONG NUMBER. 2910 01:33:23,598 --> 01:33:25,058 WELL, THAT'S GOOD ENOUGH. 2911 01:33:23,598 --> 01:33:25,058 WE CAN START THERE. FIFTH FLOOR. 2912 01:33:25,100 --> 01:33:26,601 YEP. 2913 01:33:26,643 --> 01:33:27,769 SO DO YOU USE A TIMER? 2914 01:33:27,811 --> 01:33:30,022 NO, I HAVE TO JUDGE IT 2915 01:33:27,811 --> 01:33:30,022 FOR MYSELF. 2916 01:33:30,063 --> 01:33:32,316 WHILE YOU'RE ALL ASLEEP 2917 01:33:30,063 --> 01:33:32,316 IN 528, 2918 01:33:32,358 --> 01:33:34,067 I WAIT FOR YUSUF'S KICK. 2919 01:33:34,109 --> 01:33:36,529 WELL, HOW WILL YOU KNOW? 2920 01:33:34,109 --> 01:33:36,529 HIS MUSIC WARNS ME. 2921 01:33:36,570 --> 01:33:38,989 AND THEN WHEN THE VAN HITS 2922 01:33:36,570 --> 01:33:38,989 THE BARRIER OF THE BRIDGE, 2923 01:33:39,031 --> 01:33:40,657 THAT SHOULD BE 2924 01:33:39,031 --> 01:33:40,657 UNMISTAKABLE. 2925 01:33:40,699 --> 01:33:43,743 SO WE GET A NICE, 2926 01:33:40,699 --> 01:33:43,743 SYNCHRONIZED KICK. 2927 01:33:43,785 --> 01:33:46,830 IF IT'S TOO SOON, 2928 01:33:43,785 --> 01:33:46,830 WE WON'T GET PULLED OUT. 2929 01:33:46,872 --> 01:33:49,875 BUT IF IT'S TOO LATE, 2930 01:33:46,872 --> 01:33:49,875 I WON'T BE ABLE TO DROP US. 2931 01:33:49,916 --> 01:33:51,668 WELL, WHY NOT? 2932 01:33:51,710 --> 01:33:53,753 'CAUSE THE VAN 2933 01:33:51,710 --> 01:33:53,753 WILL BE IN FREE FALL. 2934 01:33:53,795 --> 01:33:55,839 CAN'T DROP YOU 2935 01:33:53,795 --> 01:33:55,839 WITHOUT GRAVITY. 2936 01:33:55,881 --> 01:33:57,299 RIGHT. 2937 01:33:57,341 --> 01:34:00,010 [ ELEVATOR BEEPING ] 2938 01:34:00,052 --> 01:34:02,095 [ SIGHS ] 2939 01:34:02,137 --> 01:34:03,472 THEY'RE WITH ME. 2940 01:34:03,514 --> 01:34:04,764 GO ON. 2941 01:34:28,955 --> 01:34:30,583 MR. CHARLES. 2942 01:34:30,624 --> 01:34:32,125 DO YOU KNOW WHAT THAT IS, 2943 01:34:30,624 --> 01:34:32,125 MR. FISCHER? 2944 01:34:32,167 --> 01:34:33,793 YEAH, I-I THINK SO. 2945 01:34:32,167 --> 01:34:33,793 YEAH. 2946 01:34:33,835 --> 01:34:35,712 THEY WERE TRYING 2947 01:34:33,835 --> 01:34:35,712 TO PUT YOU UNDER. 2948 01:34:35,754 --> 01:34:38,465 I'M ALREADY UNDER. 2949 01:34:35,754 --> 01:34:38,465 UNDER AGAIN. 2950 01:34:38,507 --> 01:34:41,093 WHAT DO YOU MEAN, 2951 01:34:38,507 --> 01:34:41,093 A DREAM WITHIN A DREAM? 2952 01:34:41,134 --> 01:34:44,179 HEY. 2953 01:34:41,134 --> 01:34:44,179 I SEE YOU'VE CHANGED. 2954 01:34:44,221 --> 01:34:46,348 I'M SORRY? 2955 01:34:46,390 --> 01:34:48,934 OH, I'M SORRY. 2956 01:34:46,390 --> 01:34:48,934 I M-MISTOOK YOU FOR A FRIEND. 2957 01:34:48,975 --> 01:34:50,603 [ CHUCKLES NERVOUSLY ] 2958 01:34:50,644 --> 01:34:53,313 WELL, GOOD-LOOKING FELLOW, 2959 01:34:50,644 --> 01:34:53,313 I'M SURE. 2960 01:34:53,355 --> 01:34:54,440 AH. 2961 01:34:54,481 --> 01:34:56,108 NO, NO, NO, NO. 2962 01:34:56,149 --> 01:34:58,026 THAT'S FISCHER'S PROJECTION 2963 01:34:56,149 --> 01:34:58,026 OF BROWNING. 2964 01:34:58,068 --> 01:34:59,445 LET'S FOLLOW HIM 2965 01:34:58,068 --> 01:34:59,445 AND SEE HOW HE BEHAVES. 2966 01:34:59,486 --> 01:35:00,946 WHY? 2967 01:35:00,987 --> 01:35:02,573 BECAUSE HOW HE ACTS 2968 01:35:00,987 --> 01:35:02,573 WILL TELL US 2969 01:35:02,615 --> 01:35:04,116 IF FISCHER IS STARTING 2970 01:35:02,615 --> 01:35:04,116 TO SUSPECT HIS MOTIVES 2971 01:35:04,157 --> 01:35:05,158 THE WAY WE WANT HIM TO. 2972 01:35:05,200 --> 01:35:06,535 Shh! 2973 01:35:10,372 --> 01:35:11,790 UNCLE PETER? 2974 01:35:11,831 --> 01:35:14,167 YOU SAID YOU WERE 2975 01:35:11,831 --> 01:35:14,167 KIDNAPPED TOGETHER? 2976 01:35:14,209 --> 01:35:15,961 WELL, N-NOT EXACTLY. 2977 01:35:14,209 --> 01:35:15,961 THEY -- THEY ALREADY HAD HIM. 2978 01:35:16,002 --> 01:35:17,296 THEY WERE 2979 01:35:16,002 --> 01:35:17,296 TORTURING HIM. 2980 01:35:17,337 --> 01:35:18,797 AND YOU SAW THEM 2981 01:35:17,337 --> 01:35:18,797 TORTURE HIM? 2982 01:35:18,838 --> 01:35:20,382 [ BREATHING HEAVILY ] 2983 01:35:25,887 --> 01:35:28,348 THE KIDNAPPERS 2984 01:35:25,887 --> 01:35:28,348 ARE WORKING FOR YOU? 2985 01:35:28,390 --> 01:35:30,809 OH, ROBERT. 2986 01:35:30,850 --> 01:35:32,894 YOU'RE TRYING TO GET 2987 01:35:30,850 --> 01:35:32,894 THAT SAFE OPEN? 2988 01:35:32,936 --> 01:35:34,813 TO GET 2989 01:35:32,936 --> 01:35:34,813 THE ALTERNATE WILL? 2990 01:35:34,854 --> 01:35:37,357 FISCHER MORROW HAS BEEN 2991 01:35:34,854 --> 01:35:37,357 MY ENTIRE LIFE. 2992 01:35:37,399 --> 01:35:39,359 I CAN'T LET YOU 2993 01:35:37,399 --> 01:35:39,359 DESTROY IT. 2994 01:35:39,401 --> 01:35:42,028 I'M NOT GONNA THROW AWAY 2995 01:35:39,401 --> 01:35:42,028 MY INHERITANCE! WHY WOULD I?! 2996 01:35:42,070 --> 01:35:46,199 I COULDN'T LET YOU RISE 2997 01:35:42,070 --> 01:35:46,199 TO YOUR FATHER'S LAST TAUNT. 2998 01:35:46,241 --> 01:35:47,826 WHAT TAUNT? 2999 01:35:47,867 --> 01:35:49,995 THE WILL, ROBERT. 3000 01:35:47,867 --> 01:35:49,995 THAT WILL? 3001 01:35:50,036 --> 01:35:51,871 THAT'S HIS LAST INSULT. 3002 01:35:51,913 --> 01:35:56,001 A CHALLENGE FOR YOU TO BUILD 3003 01:35:51,913 --> 01:35:56,001 SOMETHING FOR YOURSELF 3004 01:35:56,042 --> 01:35:59,879 BY TELLING YOU YOU'RE NOT WORTHY 3005 01:35:56,042 --> 01:35:59,879 OF HIS ACCOMPLISHMENTS. 3006 01:36:03,216 --> 01:36:05,385 [ BREATHING HEAVILY ] 3007 01:36:05,427 --> 01:36:08,972 WHAT, BUT THAT -- THAT HE WAS, 3008 01:36:05,427 --> 01:36:08,972 UM, DISAPPOINTED? 3009 01:36:09,014 --> 01:36:11,558 HMM? 3010 01:36:09,014 --> 01:36:11,558 I'M SORRY. 3011 01:36:11,600 --> 01:36:13,435 BUT... 3012 01:36:13,477 --> 01:36:15,354 HE'S WRONG. 3013 01:36:15,395 --> 01:36:18,148 YOU CAN BUILD A BETTER COMPANY 3014 01:36:15,395 --> 01:36:18,148 THAN HE EVER DID. 3015 01:36:18,190 --> 01:36:19,816 Cobb: MR. FISCHER? 3016 01:36:19,858 --> 01:36:21,401 HE'S LYING. 3017 01:36:21,443 --> 01:36:23,278 HOW DO YOU KNOW? 3018 01:36:23,320 --> 01:36:24,779 TRUST ME, IT'S WHAT I DO. 3019 01:36:23,320 --> 01:36:24,779 HE'S HIDING SOMETHING, 3020 01:36:24,821 --> 01:36:26,281 AND WE NEED TO FIND OUT 3021 01:36:24,821 --> 01:36:26,281 WHAT THAT IS. 3022 01:36:27,658 --> 01:36:29,660 I NEED YOU TO DO 3023 01:36:27,658 --> 01:36:29,660 THE SAME THING TO HIM 3024 01:36:29,702 --> 01:36:31,286 THAT HE WAS 3025 01:36:29,702 --> 01:36:31,286 GOING TO DO TO YOU. 3026 01:36:33,747 --> 01:36:35,290 WE'LL ENTER 3027 01:36:33,747 --> 01:36:35,290 HIS SUBCONSCIOUS 3028 01:36:35,332 --> 01:36:37,000 AND FIND OUT WHAT 3029 01:36:35,332 --> 01:36:37,000 HE DOESN'T WANT YOU TO KNOW. 3030 01:36:38,460 --> 01:36:40,003 ALL RIGHT. 3031 01:36:44,049 --> 01:36:45,884 [ GRUNTS ] 3032 01:36:45,925 --> 01:36:48,094 HE'S OUT. 3033 01:36:45,925 --> 01:36:48,094 WAIT. 3034 01:36:48,136 --> 01:36:49,388 WHOSE SUBCONSCIOUS 3035 01:36:48,136 --> 01:36:49,388 ARE WE GOING INTO EXACTLY? 3036 01:36:49,429 --> 01:36:50,972 WE'RE GOING 3037 01:36:49,429 --> 01:36:50,972 INTO FISCHER'S. 3038 01:36:51,014 --> 01:36:52,432 BUT I TOLD HIM 3039 01:36:51,014 --> 01:36:52,432 IT WAS BROWNING'S 3040 01:36:52,474 --> 01:36:54,727 SO HE'D COME BE A PART 3041 01:36:52,474 --> 01:36:54,727 OF OUR TEAM. 3042 01:36:54,768 --> 01:36:58,230 HE'S GONNA HELP US BREAK 3043 01:36:54,768 --> 01:36:58,230 INTO HIS OWN SUBCONSCIOUS. 3044 01:36:54,768 --> 01:36:58,230 Cobb: THAT'S RIGHT. 3045 01:36:58,271 --> 01:37:01,066 SECURITY'S GONNA RUN 3046 01:36:58,271 --> 01:37:01,066 YOU DOWN HARD. 3047 01:37:01,107 --> 01:37:03,443 AND I WILL LEAD THEM 3048 01:37:01,107 --> 01:37:03,443 ON A MERRY CHASE. 3049 01:37:03,485 --> 01:37:05,111 JUST BE BACK 3050 01:37:03,485 --> 01:37:05,111 BEFORE THE KICK. 3051 01:37:05,153 --> 01:37:06,739 GO TO SLEEP, MR. EAMES. 3052 01:37:09,949 --> 01:37:13,203 Arthur: YOU GOOD? 3053 01:37:15,497 --> 01:37:17,666 HEY. YOU READY? 3054 01:37:17,708 --> 01:37:19,251 YES, YES. 3055 01:37:17,708 --> 01:37:19,251 I'M -- I'M FINE. 3056 01:37:19,292 --> 01:37:20,877 I'M -- I'M READY. 3057 01:37:32,639 --> 01:37:35,100 Ariadne: COBB? 3058 01:37:35,141 --> 01:37:36,602 COBB. 3059 01:37:36,643 --> 01:37:37,936 WHAT'S DOWN THERE? 3060 01:37:41,189 --> 01:37:43,776 HOPEFULLY, THE TRUTH 3061 01:37:41,189 --> 01:37:43,776 WE WANT FISCHER TO LEARN. 3062 01:37:43,817 --> 01:37:46,027 I MEAN, 3063 01:37:43,817 --> 01:37:46,027 WHAT'S DOWN THERE FOR YOU? 3064 01:37:54,077 --> 01:37:55,746 [ TIRES SCREECH, ENGINE REVS ] 3065 01:37:55,788 --> 01:37:58,081 [ GUNSHOT ] 3066 01:37:55,788 --> 01:37:58,081 OHH! 3067 01:38:15,432 --> 01:38:17,601 [ GUNSHOT ] 3068 01:38:17,643 --> 01:38:19,352 [ TIRES SCREECHING ] 3069 01:38:19,394 --> 01:38:20,979 [ GUN COCKS ] 3070 01:38:19,394 --> 01:38:20,979 WHOA! 3071 01:38:23,356 --> 01:38:24,399 [ TIRES SCREECHING ] 3072 01:38:42,584 --> 01:38:43,585 OHH! 3073 01:38:48,006 --> 01:38:49,591 [ TIRES SCREECHING ] 3074 01:38:58,851 --> 01:39:01,978 [ SCREAMING ] 3075 01:39:09,778 --> 01:39:13,198 [ SCREAMING ] 3076 01:40:13,425 --> 01:40:15,218 [ GUNSHOT ] 3077 01:40:18,847 --> 01:40:20,014 [ GUN THUDS ] 3078 01:40:20,056 --> 01:40:22,183 [ LAUGHS ] 3079 01:40:22,225 --> 01:40:23,810 DID YOU SEE THAT? 3080 01:40:42,704 --> 01:40:45,123 Cobb: 3081 01:40:42,704 --> 01:40:45,123 EAMES, THIS IS YOUR DREAM. 3082 01:40:45,164 --> 01:40:46,917 I NEED YOU TO DRAW THE SECURITY 3083 01:40:45,164 --> 01:40:46,917 AWAY FROM THE COMPLEX. 3084 01:40:46,959 --> 01:40:48,001 YOU UNDERSTAND? 3085 01:40:48,042 --> 01:40:49,294 WHO GUIDES FISCHER IN? 3086 01:40:49,335 --> 01:40:51,170 NOT ME. 3087 01:40:51,212 --> 01:40:52,965 IF I KNOW THE ROUTE, 3088 01:40:51,212 --> 01:40:52,965 EVERYTHING COULD BE COMPROMISED. 3089 01:40:53,006 --> 01:40:54,299 I-I DESIGNED THE PLACE. 3090 01:40:54,340 --> 01:40:55,634 NO, YOU'RE WITH ME. 3091 01:40:55,675 --> 01:40:57,803 I COULD DO IT. 3092 01:40:57,844 --> 01:41:00,096 ALL RIGHT. YOU BRIEF HIM 3093 01:40:57,844 --> 01:41:00,096 ON THE ROUTE INTO THE COMPLEX. 3094 01:41:00,138 --> 01:41:02,474 FISCHER, 3095 01:41:00,138 --> 01:41:02,474 YOU'LL BE GOING WITH HIM. 3096 01:41:02,515 --> 01:41:04,517 ALL RIGHT. 3097 01:41:02,515 --> 01:41:04,517 WHAT ABOUT YOU? 3098 01:41:02,515 --> 01:41:04,517 [ COUGHING ] 3099 01:41:04,559 --> 01:41:05,685 YOU KEEP THIS LIVE. 3100 01:41:05,727 --> 01:41:07,687 I'LL BE LISTENING 3101 01:41:05,727 --> 01:41:07,687 IN THE WHOLE TIME. 3102 01:41:07,729 --> 01:41:09,397 THE WINDOWS ON THAT UPPER 3103 01:41:07,729 --> 01:41:09,397 FLOOR ARE BIG ENOUGH 3104 01:41:09,439 --> 01:41:11,483 FOR ME TO COVER YOU FROM 3105 01:41:09,439 --> 01:41:11,483 THAT SOUTH TOWER. YOU SEE IT? 3106 01:41:11,524 --> 01:41:13,443 YEAH. 3107 01:41:11,524 --> 01:41:13,443 YOU'RE NOT COMING IN? 3108 01:41:13,485 --> 01:41:15,153 IN ORDER TO FIND OUT 3109 01:41:13,485 --> 01:41:15,153 THE TRUTH ABOUT YOUR FATHER, 3110 01:41:15,194 --> 01:41:16,696 YOU'RE GONNA NEED TO 3111 01:41:15,194 --> 01:41:16,696 BREAK INTO BROWNING'S MIND 3112 01:41:16,738 --> 01:41:19,365 ON YOUR OWN. 3113 01:41:16,738 --> 01:41:19,365 [ BREATHES DEEPLY ] 3114 01:41:19,407 --> 01:41:20,492 COME ON, FISCHER! 3115 01:41:25,705 --> 01:41:29,459 [ ALARM BUZZING ] 3116 01:41:48,436 --> 01:41:50,313 [ TIRES SQUEALING ] 3117 01:42:16,214 --> 01:42:18,925 SOUND THE ALARM! 3118 01:42:16,214 --> 01:42:18,925 SOUND THE ALARM! 3119 01:42:18,967 --> 01:42:19,801 GO, GO, GO! 3120 01:42:19,843 --> 01:42:21,553 MOVE! 3121 01:42:22,721 --> 01:42:24,263 GO! 3122 01:42:29,435 --> 01:42:31,187 [ GUNFIRE ] 3123 01:42:39,445 --> 01:42:40,363 SOD IT! 3124 01:42:51,207 --> 01:42:53,459 I HOPE YOU'RE READY. 3125 01:42:53,501 --> 01:42:58,006 [ "NON JE NE REGRETTE RIEN" 3126 01:42:53,501 --> 01:42:58,006 PLAYS ] 3127 01:43:02,301 --> 01:43:03,803 NO, IT'S TOO SOON. 3128 01:43:06,681 --> 01:43:09,893 [ FAINT MUSIC PLAYING ] 3129 01:43:09,935 --> 01:43:11,770 COBB, DO YOU HEAR THAT? 3130 01:43:11,811 --> 01:43:13,980 I first noticed it 3131 01:43:11,811 --> 01:43:13,980 about 20 minutes ago. 3132 01:43:14,022 --> 01:43:15,398 I THOUGHT IT WAS 3133 01:43:14,022 --> 01:43:15,398 THE WIND UP HERE. 3134 01:43:15,440 --> 01:43:17,901 YEAH, I HEAR IT. 3135 01:43:15,440 --> 01:43:17,901 IT'S MUSIC. 3136 01:43:17,943 --> 01:43:19,652 SO, WHAT DO WE DO? 3137 01:43:19,694 --> 01:43:21,279 WE MOVE FAST. 3138 01:43:27,077 --> 01:43:28,286 YUSUF IS 10 SECONDS 3139 01:43:27,077 --> 01:43:28,286 FROM THE JUMP. 3140 01:43:31,247 --> 01:43:32,457 WHICH GIVES ARTHUR 3141 01:43:31,247 --> 01:43:32,457 THREE MINUTES. 3142 01:43:34,333 --> 01:43:37,253 HEY! 3143 01:43:34,333 --> 01:43:37,253 THAT'S HIM! 3144 01:43:37,295 --> 01:43:39,131 WHICH GIVES US WHAT? 3145 01:43:37,295 --> 01:43:39,131 60 MINUTES. 3146 01:43:39,172 --> 01:43:40,715 CAN THEY MAKE THAT ROUTE 3147 01:43:39,172 --> 01:43:40,715 IN UNDER AN HOUR? 3148 01:43:40,757 --> 01:43:42,675 THEY STILL HAVE TO CLIMB DOWN 3149 01:43:40,757 --> 01:43:42,675 TO THE MIDDLE TERRACE. 3150 01:43:42,717 --> 01:43:44,427 WELL, THEN, THEY NEED A NEW 3151 01:43:42,717 --> 01:43:44,427 ROUTE, A MORE DIRECT ROUTE. 3152 01:43:44,469 --> 01:43:46,471 [ GUNFIRE ] 3153 01:43:48,264 --> 01:43:50,224 [ INDISTINCT SHOUTING ] 3154 01:43:56,522 --> 01:43:57,732 IT'S DESIGNED 3155 01:43:56,522 --> 01:43:57,732 AS A LABYRINTH. 3156 01:43:57,774 --> 01:43:59,317 THERE MUST BE ACCESS ROUTES 3157 01:43:59,358 --> 01:44:00,819 THAT CUT THROUGH THE MAZE, 3158 01:43:59,358 --> 01:44:00,819 RIGHT? 3159 01:44:00,860 --> 01:44:01,903 EAMES? 3160 01:44:24,801 --> 01:44:26,427 DID EAMES 3161 01:44:24,801 --> 01:44:26,427 ADD ANY FEATURES? 3162 01:44:26,469 --> 01:44:27,887 I DON'T THINK 3163 01:44:26,469 --> 01:44:27,887 I SHOULD TELL YOU. 3164 01:44:27,929 --> 01:44:29,806 IF MAL FINDS OUT, THEN -- 3165 01:44:27,929 --> 01:44:29,806 WE DON'T HAVE TIME FOR THIS! 3166 01:44:29,848 --> 01:44:30,932 DID HE ADD ANYTHING? 3167 01:44:32,391 --> 01:44:34,352 HE ADDED AN AIR-DUCT SYSTEM 3168 01:44:32,391 --> 01:44:34,352 THAT CAN CUT THROUGH THE MAZE. 3169 01:44:34,393 --> 01:44:35,854 GOOD. 3170 01:44:34,393 --> 01:44:35,854 EXPLAIN IT TO THEM. 3171 01:44:35,895 --> 01:44:36,980 Saito? 3172 01:44:35,895 --> 01:44:36,980 GO AHEAD. 3173 01:44:47,991 --> 01:44:48,950 [ GUNFIRE ] 3174 01:44:47,991 --> 01:44:48,950 AH! 3175 01:45:03,923 --> 01:45:05,508 LOOK. 3176 01:45:09,303 --> 01:45:11,890 PARADOX. 3177 01:45:11,931 --> 01:45:14,142 [ SCREAMING ] 3178 01:46:14,702 --> 01:46:16,871 [ GROANS ] 3179 01:46:16,913 --> 01:46:18,456 [ BREATHING HEAVILY ] 3180 01:46:21,834 --> 01:46:24,087 WHAT WAS THAT? 3181 01:46:21,834 --> 01:46:24,087 THE KICK. 3182 01:46:24,129 --> 01:46:26,464 COBB! COBB, 3183 01:46:24,129 --> 01:46:26,464 DID WE MISS IT? 3184 01:46:26,505 --> 01:46:28,341 YEAH, WE MISSED IT. 3185 01:46:28,382 --> 01:46:30,426 MAN. 3186 01:46:30,468 --> 01:46:33,638 COULDN'T SOMEONE HAVE 3187 01:46:30,468 --> 01:46:33,638 DREAMT OF A GODDAMN BEACH?! 3188 01:46:33,679 --> 01:46:36,390 HUH? 3189 01:46:33,679 --> 01:46:36,390 MM-HMM. 3190 01:46:36,432 --> 01:46:37,892 EAMES: What the hell 3191 01:46:36,432 --> 01:46:37,892 do we do now?! 3192 01:46:37,934 --> 01:46:39,852 WE FINISH THE JOB 3193 01:46:39,894 --> 01:46:41,562 before the next kick. 3194 01:46:39,894 --> 01:46:41,562 WHAT NEXT KICK? 3195 01:46:41,604 --> 01:46:43,315 WHEN THE VAN HITS THE WATER. 3196 01:47:05,795 --> 01:47:07,463 Female computerized voice: 3197 01:47:05,795 --> 01:47:07,463 IF YOU'D LIKE TO MAKE A CALL, 3198 01:47:07,505 --> 01:47:08,673 PLEASE HANG UP AND TRY AGAIN. 3199 01:47:08,714 --> 01:47:10,633 IF YOU NEED HELP, HANG UP... 3200 01:47:10,675 --> 01:47:14,553 HOW DO I DROP YOU 3201 01:47:10,675 --> 01:47:14,553 WITHOUT GRAVITY? 3202 01:47:17,098 --> 01:47:19,517 ARTHUR HAS A COUPLE MINUTES, 3203 01:47:17,098 --> 01:47:19,517 AND WE HAVE ABOUT 20. 3204 01:47:24,063 --> 01:47:26,482 [ COUGHING ] 3205 01:47:40,788 --> 01:47:42,207 [ COUGHING ] 3206 01:47:42,248 --> 01:47:44,667 YOU OKAY? 3207 01:47:48,796 --> 01:47:51,883 Man: RUN! TURN AROUND! 3208 01:47:48,796 --> 01:47:51,883 MOVE TO BASE! 3209 01:47:51,924 --> 01:47:54,135 MOVE TO BASE! 3210 01:47:57,096 --> 01:47:58,348 THERE'S SOMETHING WRONG. 3211 01:47:58,390 --> 01:47:59,807 THEY'RE HEADING YOUR WAY 3212 01:47:58,390 --> 01:47:59,807 LIKE THEY KNOW SOMETHING. 3213 01:48:02,018 --> 01:48:04,937 JUST -- JUST BUY US MORE TIME, 3214 01:48:02,018 --> 01:48:04,937 ALL RIGHT? COME ON! 3215 01:48:04,979 --> 01:48:06,398 ON MY WAY. 3216 01:48:06,439 --> 01:48:07,940 Man: COME ON! MOVE! 3217 01:48:21,162 --> 01:48:25,166 [ GUNSHOTS ] 3218 01:49:45,913 --> 01:49:48,833 THAT'S THE ANTECHAMBER 3219 01:49:45,913 --> 01:49:48,833 OUTSIDE THE STRONG ROOM. 3220 01:49:48,874 --> 01:49:50,835 DOES THE STRONG ROOM 3221 01:49:48,874 --> 01:49:50,835 HAVE ANY WINDOWS? 3222 01:49:50,876 --> 01:49:52,670 NO, I MEAN, IT WOULDN'T BE 3223 01:49:50,876 --> 01:49:52,670 VERY STRONG IF IT DID. 3224 01:49:52,711 --> 01:49:54,630 WELL, LET'S HOPE FISCHER 3225 01:49:52,711 --> 01:49:54,630 LIKES WHAT HE FINDS IN THERE. 3226 01:49:56,549 --> 01:49:58,592 ARE THOSE PROJECTIONS JUST 3227 01:49:56,549 --> 01:49:58,592 A PART OF HIS SUBCONSCIOUS? 3228 01:49:58,634 --> 01:50:00,428 YES. 3229 01:50:00,470 --> 01:50:02,013 ARE YOU DESTROYING THOSE PARTS 3230 01:50:00,470 --> 01:50:02,013 OF HIS MIND? 3231 01:50:02,054 --> 01:50:03,264 NO, NO. 3232 01:50:02,054 --> 01:50:03,264 THEY'RE JUST PROJECTIONS. 3233 01:50:25,495 --> 01:50:27,288 [ BREATHING HEAVILY ] 3234 01:50:29,290 --> 01:50:30,666 WE'RE HERE. 3235 01:50:30,708 --> 01:50:32,126 YOU'RE CLEAR, BUT HURRY. 3236 01:50:32,168 --> 01:50:33,336 THERE'S AN ENTIRE ARMY 3237 01:50:32,168 --> 01:50:33,336 HEADED YOUR WAY. 3238 01:50:59,404 --> 01:51:01,155 I'M IN. 3239 01:51:06,744 --> 01:51:07,828 THERE HE IS! 3240 01:51:50,663 --> 01:51:51,997 THERE'S SOMEONE ELSE 3241 01:51:50,663 --> 01:51:51,997 IN THERE. 3242 01:51:52,039 --> 01:51:53,165 FISCHER, IT'S A TRAP. 3243 01:51:52,039 --> 01:51:53,165 GET OUT! 3244 01:51:54,542 --> 01:51:56,794 COME ON. 3245 01:51:54,542 --> 01:51:56,794 COME ON, A LITTLE LOWER. 3246 01:52:02,174 --> 01:52:05,177 COBB. NO. 3247 01:52:05,219 --> 01:52:07,221 SHE -- SHE IS NOT REAL. 3248 01:52:07,263 --> 01:52:09,014 HOW DO YOU KNOW THAT? 3249 01:52:09,056 --> 01:52:10,642 SHE'S JUST A PROJECTION. 3250 01:52:10,683 --> 01:52:12,726 FISCHER. 3251 01:52:10,683 --> 01:52:12,726 FISCHER IS REAL! 3252 01:52:14,562 --> 01:52:16,397 [ GROANS ] 3253 01:52:16,439 --> 01:52:18,899 HELLO. 3254 01:52:18,941 --> 01:52:19,984 [ GUNSHOT ] 3255 01:52:22,861 --> 01:52:25,990 EAMES! EAMES, 3256 01:52:22,861 --> 01:52:25,990 GET TO THE ANTECHAMBER NOW! 3257 01:53:09,617 --> 01:53:10,618 WHAT HAPPENED? 3258 01:53:10,660 --> 01:53:13,412 MAL KILLED FISCHER. 3259 01:53:15,206 --> 01:53:17,416 I COULDN'T SHOOT HER. 3260 01:53:17,458 --> 01:53:19,377 LOOK, THERE'S NO USE 3261 01:53:17,458 --> 01:53:19,377 IN REVIVING HIM. 3262 01:53:19,418 --> 01:53:21,420 HIS MIND'S ALREADY 3263 01:53:19,418 --> 01:53:21,420 TRAPPED DOWN THERE. 3264 01:53:21,462 --> 01:53:22,714 IT'S ALL OVER. 3265 01:53:22,755 --> 01:53:25,966 SO THAT'S IT, THEN? 3266 01:53:22,755 --> 01:53:25,966 WE FAILED? 3267 01:53:26,008 --> 01:53:28,678 WE'RE DONE. I'M SORRY. 3268 01:53:28,720 --> 01:53:30,471 [ SIGHS ] 3269 01:53:30,513 --> 01:53:32,640 [ SNIFFS ] 3270 01:53:32,682 --> 01:53:34,684 WELL, IT'S NOT ME THAT DOESN'T 3271 01:53:32,682 --> 01:53:34,684 GET BACK TO MY FAMILY, IS IT? 3272 01:53:35,685 --> 01:53:37,144 IT'S A SHAME. 3273 01:53:35,685 --> 01:53:37,144 I REALLY WANTED TO KNOW 3274 01:53:37,186 --> 01:53:40,022 WHAT WAS GONNA HAPPEN IN THERE. 3275 01:53:37,186 --> 01:53:40,022 I SWEAR WE HAD THIS ONE. 3276 01:53:40,064 --> 01:53:41,232 LET'S SET THE CHARGES. 3277 01:53:43,859 --> 01:53:45,194 NO, THERE'S STILL ANOTHER WAY. 3278 01:53:46,320 --> 01:53:48,322 WE JUST HAVE TO FOLLOW 3279 01:53:46,320 --> 01:53:48,322 FISCHER DOWN THERE. 3280 01:53:48,364 --> 01:53:50,449 NOT ENOUGH TIME. 3281 01:53:50,491 --> 01:53:54,119 NO, BUT THERE WILL BE 3282 01:53:50,491 --> 01:53:54,119 ENOUGH TIME DOWN THERE. 3283 01:53:54,161 --> 01:53:55,705 AND WE WILL FIND HIM. 3284 01:53:55,747 --> 01:53:57,956 OKAY, AS SOON 3285 01:53:55,747 --> 01:53:57,956 AS ARTHUR'S MUSIC KICKS IN, 3286 01:53:57,998 --> 01:53:59,917 JUST USE THE DEFIBRILLATOR 3287 01:53:57,998 --> 01:53:59,917 TO REVIVE HIM. 3288 01:53:59,958 --> 01:54:02,670 WE CAN GIVE HIM HIS OWN KICK 3289 01:53:59,958 --> 01:54:02,670 DOWN BELOW. 3290 01:54:02,712 --> 01:54:04,630 LOOK, YOU GET HIM IN THERE. 3291 01:54:04,672 --> 01:54:08,342 AS SOON AS THE MUSIC ENDS, 3292 01:54:04,672 --> 01:54:08,342 YOU BLOW UP THE HOSPITAL, 3293 01:54:08,384 --> 01:54:11,679 AND WE ALL RIDE THE KICK 3294 01:54:08,384 --> 01:54:11,679 BACK UP THE LAYERS. 3295 01:54:11,721 --> 01:54:14,390 WELL, IT'S WORTH A SHOT, 3296 01:54:14,432 --> 01:54:17,309 IF SAITO CAN HOLD THE GUARDS OFF 3297 01:54:14,432 --> 01:54:17,309 WHILE I SET THE CHARGES. 3298 01:54:17,351 --> 01:54:18,894 SAITO WILL NEVER MAKE IT, 3299 01:54:17,351 --> 01:54:18,894 WILL HE? 3300 01:54:18,936 --> 01:54:20,854 [ MUTTERING ] 3301 01:54:20,896 --> 01:54:22,607 COBB, COME ON. 3302 01:54:20,896 --> 01:54:22,607 WE'VE GOTTA TRY THIS. 3303 01:54:22,648 --> 01:54:24,316 GO FOR IT. 3304 01:54:24,358 --> 01:54:25,901 BUT IF YOU ARE NOT BACK 3305 01:54:24,358 --> 01:54:25,901 BEFORE THE KICK, 3306 01:54:25,943 --> 01:54:27,486 I AM GONE 3307 01:54:25,943 --> 01:54:27,486 WITH OR WITHOUT YOU. 3308 01:54:27,528 --> 01:54:28,904 SHE'S RIGHT. 3309 01:54:27,528 --> 01:54:28,904 SHE'S RIGHT. 3310 01:54:33,951 --> 01:54:36,454 CAN I TRUST YOU TO DO 3311 01:54:33,951 --> 01:54:36,454 WHAT NEEDS TO HAPPEN HERE? 3312 01:54:36,495 --> 01:54:38,456 I MEAN, MAL'S GONNA 3313 01:54:36,495 --> 01:54:38,456 BE DOWN THERE. 3314 01:54:38,497 --> 01:54:40,499 I KNOW WHERE TO FIND HER. 3315 01:54:38,497 --> 01:54:40,499 SHE'LL HAVE FISCHER. 3316 01:54:40,541 --> 01:54:41,584 HOW DO YOU KNOW? 3317 01:54:41,626 --> 01:54:44,336 BECAUSE, SHE WANTS ME 3318 01:54:41,626 --> 01:54:44,336 TO COME AFTER HIM. 3319 01:54:44,378 --> 01:54:47,131 SHE WANTS ME BACK DOWN THERE 3320 01:54:44,378 --> 01:54:47,131 WITH HER. 3321 01:54:57,015 --> 01:54:58,934 [ GASPING ] 3322 01:55:13,658 --> 01:55:15,117 YOU ALL RIGHT? 3323 01:55:21,457 --> 01:55:23,459 THIS IS YOUR WORLD? 3324 01:55:23,501 --> 01:55:25,711 IT WAS. 3325 01:55:25,753 --> 01:55:27,797 THIS IS WHERE SHE'LL BE. 3326 01:55:27,839 --> 01:55:30,424 COME ON. 3327 01:55:51,821 --> 01:55:53,155 [ SIGHS ] 3328 01:56:07,044 --> 01:56:09,463 [ GROANS LIGHTLY ] 3329 01:56:12,925 --> 01:56:15,344 [ GUNFIRE, BULLET RICOCHET ] 3330 01:56:15,386 --> 01:56:17,429 SAITO. 3331 01:56:17,471 --> 01:56:20,265 SAITO. 3332 01:56:20,307 --> 01:56:22,100 I NEED YOU -- I NEED YOU 3333 01:56:20,307 --> 01:56:22,100 TO TAKE CARE OF FISCHER 3334 01:56:22,142 --> 01:56:23,561 WHILE I GO SET 3335 01:56:22,142 --> 01:56:23,561 SOME CHARGES, OKAY? 3336 01:56:23,602 --> 01:56:25,479 NO ROOM FOR TOURISTS 3337 01:56:23,602 --> 01:56:25,479 ON THESE JOBS. 3338 01:56:25,521 --> 01:56:27,981 [ CHUCKLES WEAKLY ] 3339 01:56:25,521 --> 01:56:27,981 [ CHUCKLES ] 3340 01:56:29,650 --> 01:56:30,693 DON'T BE SILLY. 3341 01:56:37,742 --> 01:56:40,118 [ TONE SOUNDS, 3342 01:56:37,742 --> 01:56:40,118 BULLETS RICOCHET ] 3343 01:57:02,433 --> 01:57:05,477 Ariadne: 3344 01:57:02,433 --> 01:57:05,477 YOU BUILT ALL THIS? 3345 01:57:05,519 --> 01:57:06,812 THIS IS INCREDIBLE. 3346 01:57:06,854 --> 01:57:08,313 WE BUILT FOR YEARS. 3347 01:57:08,355 --> 01:57:10,858 THEN WE STARTED IN 3348 01:57:08,355 --> 01:57:10,858 ON THE MEMORIES. 3349 01:57:17,740 --> 01:57:19,825 THIS WAY. 3350 01:58:00,699 --> 01:58:02,534 THIS WAS OUR NEIGHBORHOOD. 3351 01:58:02,576 --> 01:58:05,788 PLACES FROM OUR PAST. 3352 01:58:05,830 --> 01:58:07,790 THAT WAS 3353 01:58:05,830 --> 01:58:07,790 OUR FIRST APARTMENT. 3354 01:58:07,832 --> 01:58:10,125 THEN WE MOVED TO THAT BUILDING 3355 01:58:07,832 --> 01:58:10,125 RIGHT THERE. 3356 01:58:10,167 --> 01:58:12,753 AFTER MAL BECAME PREGNANT, 3357 01:58:10,167 --> 01:58:12,753 THAT BECAME OUR HOME. 3358 01:58:12,795 --> 01:58:15,297 YOU RECONSTRUCTED 3359 01:58:12,795 --> 01:58:15,297 ALL OF THIS FROM MEMORY? 3360 01:58:15,339 --> 01:58:17,716 LIKE I TOLD YOU, 3361 01:58:15,339 --> 01:58:17,716 WE HAD LOTS OF TIME. 3362 01:58:17,758 --> 01:58:19,301 WHAT IS THAT? 3363 01:58:19,343 --> 01:58:22,680 THAT'S THE HOUSE 3364 01:58:19,343 --> 01:58:22,680 MAL GREW UP IN. 3365 01:58:22,721 --> 01:58:24,306 WELL, 3366 01:58:22,721 --> 01:58:24,306 WILL SHE BE IN THERE? 3367 01:58:24,348 --> 01:58:27,392 NO. COME ON. 3368 01:58:27,434 --> 01:58:29,102 WE BOTH WANTED 3369 01:58:27,434 --> 01:58:29,102 TO LIVE IN A HOUSE, 3370 01:58:29,144 --> 01:58:30,771 BUT WE LOVED THIS TYPE 3371 01:58:29,144 --> 01:58:30,771 OF BUILDING. 3372 01:58:30,813 --> 01:58:33,983 IN THE REAL WORLD, WE'D HAVE 3373 01:58:30,813 --> 01:58:33,983 TO CHOOSE, BUT NOT HERE. 3374 01:58:39,030 --> 01:58:40,614 [ GROANS ] 3375 01:59:12,187 --> 01:59:14,398 [ BEEP ] 3376 01:59:14,439 --> 01:59:16,650 HOW ARE WE GONNA BRING 3377 01:59:14,439 --> 01:59:16,650 FISCHER BACK? 3378 01:59:16,692 --> 01:59:19,194 WE'RE GONNA HAVE TO COME UP 3379 01:59:16,692 --> 01:59:19,194 WITH SOME KIND OF A KICK. 3380 01:59:19,236 --> 01:59:21,113 WHAT? 3381 01:59:21,154 --> 01:59:23,032 I'M GONNA IMPROVISE. 3382 01:59:23,074 --> 01:59:25,325 LISTEN, THERE'S SOMETHING 3383 01:59:23,074 --> 01:59:25,325 YOU SHOULD KNOW ABOUT ME. 3384 01:59:25,367 --> 01:59:27,285 ABOUT INCEPTION. 3385 01:59:37,004 --> 01:59:39,882 [ BULLETS RICOCHET ] 3386 01:59:39,924 --> 01:59:42,927 AN IDEA IS LIKE A VIRUS. 3387 01:59:42,968 --> 01:59:44,803 RESILIENT. 3388 01:59:44,845 --> 01:59:47,264 HIGHLY CONTAGIOUS. 3389 01:59:47,305 --> 01:59:50,684 AND THE SMALLEST SEED 3390 01:59:47,305 --> 01:59:50,684 OF AN IDEA CAN GROW. 3391 01:59:50,726 --> 01:59:53,854 IT CAN GROW TO DEFINE... 3392 01:59:53,896 --> 01:59:56,774 OR DESTROY YOU. 3393 01:59:58,901 --> 02:00:02,654 THE SMALLEST IDEA, 3394 01:59:58,901 --> 02:00:02,654 SUCH AS... 3395 02:00:02,696 --> 02:00:06,117 "YOUR WORLD IS NOT REAL." 3396 02:00:06,158 --> 02:00:09,411 SIMPLE LITTLE THOUGHT 3397 02:00:06,158 --> 02:00:09,411 THAT CHANGES EVERYTHING. 3398 02:00:09,453 --> 02:00:12,998 SO CERTAIN OF YOUR WORLD. 3399 02:00:13,040 --> 02:00:15,167 OF WHAT'S REAL. 3400 02:00:15,208 --> 02:00:17,669 DO YOU THINK HE IS? 3401 02:00:17,711 --> 02:00:22,049 OR DO YOU THINK HE'S AS LOST 3402 02:00:17,711 --> 02:00:22,049 AS I WAS? 3403 02:00:22,091 --> 02:00:24,093 I KNOW WHAT'S REAL, MAL. 3404 02:00:26,637 --> 02:00:28,305 NO CREEPING DOUBTS? 3405 02:00:28,346 --> 02:00:31,266 NOT FEELING PERSECUTED, 3406 02:00:28,346 --> 02:00:31,266 DOM? 3407 02:00:31,308 --> 02:00:32,935 CHASED AROUND THE GLOBE 3408 02:00:32,977 --> 02:00:35,896 BY ANONYMOUS CORPORATIONS 3409 02:00:32,977 --> 02:00:35,896 AND POLICE FORCES? 3410 02:00:35,938 --> 02:00:39,108 THE WAY THE PROJECTIONS 3411 02:00:35,938 --> 02:00:39,108 PERSECUTE THE DREAMER? 3412 02:00:39,150 --> 02:00:42,736 ADMIT IT. 3413 02:00:42,778 --> 02:00:45,823 YOU DON'T BELIEVE 3414 02:00:42,778 --> 02:00:45,823 IN ONE REALITY ANYMORE. 3415 02:00:45,864 --> 02:00:48,033 SO CHOOSE. 3416 02:00:48,075 --> 02:00:50,285 CHOOSE TO BE HERE. 3417 02:00:50,327 --> 02:00:52,621 CHOOSE ME. 3418 02:00:52,663 --> 02:00:55,124 [ GRUNTING, BULLETS RICOCHET ] 3419 02:00:55,166 --> 02:00:57,626 AAH! 3420 02:00:57,668 --> 02:00:58,710 UNH! 3421 02:01:17,521 --> 02:01:19,356 YOU KNOW 3422 02:01:17,521 --> 02:01:19,356 WHAT I HAVE TO DO. 3423 02:01:19,397 --> 02:01:21,150 I HAVE TO GET BACK 3424 02:01:19,397 --> 02:01:21,150 TO OUR CHILDREN 3425 02:01:21,192 --> 02:01:22,526 BECAUSE YOU LEFT THEM. 3426 02:01:22,567 --> 02:01:25,362 BECAUSE YOU LEFT US. 3427 02:01:25,403 --> 02:01:27,280 YOU'RE WRONG. 3428 02:01:25,403 --> 02:01:27,280 I'M NOT WRONG. 3429 02:01:27,322 --> 02:01:29,700 YOU'RE CONFUSED. 3430 02:01:29,741 --> 02:01:33,537 OUR CHILDREN ARE HERE. 3431 02:01:33,578 --> 02:01:35,747 AND YOU'D LIKE TO SEE THEIR 3432 02:01:33,578 --> 02:01:35,747 FACES AGAIN, WOULDN'T YOU? 3433 02:01:35,789 --> 02:01:37,541 YES... 3434 02:01:37,582 --> 02:01:39,877 BUT I'M GONNA SEE THEM 3435 02:01:37,582 --> 02:01:39,877 UP ABOVE, MAL. 3436 02:01:39,918 --> 02:01:41,879 [ GUNFIRE ] 3437 02:01:43,839 --> 02:01:45,507 [ BEEP ] 3438 02:01:51,388 --> 02:01:53,015 [ COUGHING ] 3439 02:01:53,057 --> 02:01:55,684 "UP ABOVE"? 3440 02:01:55,726 --> 02:01:58,103 LISTEN TO YOURSELF. 3441 02:01:58,145 --> 02:02:00,105 THESE ARE OUR CHILDREN. 3442 02:02:00,147 --> 02:02:02,149 WATCH. 3443 02:02:02,191 --> 02:02:03,984 JAMES? PHILLIPA? 3444 02:02:04,026 --> 02:02:06,195 DON'T DO THIS, MAL. 3445 02:02:04,026 --> 02:02:06,195 PLEASE. 3446 02:02:06,237 --> 02:02:07,612 THOSE AREN'T MY CHILDREN. 3447 02:02:07,654 --> 02:02:08,989 YOU KEEP TELLING 3448 02:02:07,654 --> 02:02:08,989 YOURSELF THAT, 3449 02:02:09,031 --> 02:02:10,782 BUT YOU DON'T BELIEVE IT. 3450 02:02:09,031 --> 02:02:10,782 NO, I KNOW IT. 3451 02:02:10,824 --> 02:02:14,912 AND WHAT IF YOU'RE WRONG? 3452 02:02:10,824 --> 02:02:14,912 WHAT IF I'M WHAT'S REAL? 3453 02:02:14,953 --> 02:02:17,789 YOU KEEP TELLING YOURSELF 3454 02:02:14,953 --> 02:02:17,789 WHAT YOU KNOW. 3455 02:02:17,831 --> 02:02:21,793 BUT WHAT DO YOU BELIEVE? 3456 02:02:21,835 --> 02:02:23,795 WHAT DO YOU FEEL? 3457 02:02:23,837 --> 02:02:27,424 GUILT. 3458 02:02:27,465 --> 02:02:29,843 I FEEL GUILT, MAL. 3459 02:02:29,885 --> 02:02:32,721 AND NO MATTER WHAT I DO, 3460 02:02:29,885 --> 02:02:32,721 NO... 3461 02:02:32,763 --> 02:02:35,182 NO MATTER 3462 02:02:32,763 --> 02:02:35,182 HOW HOPELESS I AM, 3463 02:02:35,224 --> 02:02:37,350 NO MATTER HOW CONFUSED, 3464 02:02:37,392 --> 02:02:39,728 THAT GUILT 3465 02:02:37,392 --> 02:02:39,728 IS ALWAYS THERE, 3466 02:02:39,770 --> 02:02:42,022 REMINDING ME 3467 02:02:39,770 --> 02:02:42,022 OF THE TRUTH. 3468 02:02:42,064 --> 02:02:44,399 WHAT TRUTH? 3469 02:02:46,026 --> 02:02:49,905 THAT THE IDEA THAT CAUSED YOU 3470 02:02:46,026 --> 02:02:49,905 TO QUESTION YOUR REALITY 3471 02:02:49,947 --> 02:02:52,157 CAME FROM ME. 3472 02:02:54,451 --> 02:02:58,330 YOU PLANTED THE IDEA 3473 02:02:54,451 --> 02:02:58,330 IN MY MIND? 3474 02:02:58,371 --> 02:03:01,583 WHAT IS SHE TALKING ABOUT? 3475 02:03:01,625 --> 02:03:04,711 THE REASON I KNEW 3476 02:03:01,625 --> 02:03:04,711 INCEPTION WAS POSSIBLE 3477 02:03:04,753 --> 02:03:07,547 WAS BECAUSE I... 3478 02:03:04,753 --> 02:03:07,547 I DID IT TO HER FIRST. 3479 02:03:07,589 --> 02:03:09,841 I DID IT TO MY OWN WIFE. 3480 02:03:09,883 --> 02:03:11,551 WHY? 3481 02:03:11,593 --> 02:03:14,054 WE WERE LOST IN HERE. 3482 02:03:14,096 --> 02:03:19,476 I KNEW WE NEEDED TO ESCAPE, 3483 02:03:14,096 --> 02:03:19,476 BUT SHE WOULDN'T ACCEPT IT. 3484 02:03:22,313 --> 02:03:24,689 SHE HAD LOCKED 3485 02:03:22,313 --> 02:03:24,689 SOMETHING AWAY, 3486 02:03:24,731 --> 02:03:28,401 SOMETHING... 3487 02:03:24,731 --> 02:03:28,401 SOMETHING DEEP INSIDE. 3488 02:03:28,443 --> 02:03:31,196 THAT TRUTH 3489 02:03:28,443 --> 02:03:31,196 THAT SHE HAD ONCE KNOWN, 3490 02:03:31,238 --> 02:03:33,615 BUT CHOSE TO FORGET. 3491 02:03:33,657 --> 02:03:36,076 AND SHE COULDN'T 3492 02:03:33,657 --> 02:03:36,076 BREAK FREE. 3493 02:03:38,495 --> 02:03:42,207 SO I DECIDED 3494 02:03:38,495 --> 02:03:42,207 TO SEARCH FOR IT. 3495 02:03:42,249 --> 02:03:45,543 I WENT DEEP INTO THE RECESS 3496 02:03:42,249 --> 02:03:45,543 OF HER MIND 3497 02:03:45,585 --> 02:03:47,504 AND FOUND 3498 02:03:45,585 --> 02:03:47,504 THAT SECRET PLACE. 3499 02:03:47,545 --> 02:03:49,298 AND I BROKE IN... 3500 02:03:49,340 --> 02:03:52,425 AND I PLANTED AN IDEA. 3501 02:03:52,467 --> 02:03:55,595 A SIMPLE LITTLE IDEA 3502 02:03:52,467 --> 02:03:55,595 THAT WOULD CHANGE EVERYTHING... 3503 02:03:57,139 --> 02:03:59,599 [ TOTEM RATTLING ] 3504 02:04:01,185 --> 02:04:04,229 ...THAT HER WORLD 3505 02:04:01,185 --> 02:04:04,229 WASN'T REAL. 3506 02:04:15,740 --> 02:04:19,828 THAT DEATH 3507 02:04:15,740 --> 02:04:19,828 WAS THE ONLY ESCAPE. 3508 02:04:26,501 --> 02:04:28,545 YOU'RE WAITING 3509 02:04:26,501 --> 02:04:28,545 FOR A TRAIN. 3510 02:04:28,586 --> 02:04:30,381 [ RUMBLING ] 3511 02:04:30,422 --> 02:04:34,134 A TRAIN THAT'LL TAKE YOU 3512 02:04:30,422 --> 02:04:34,134 FAR AWAY. 3513 02:04:34,176 --> 02:04:37,346 YOU KNOW WHERE YOU HOPE 3514 02:04:34,176 --> 02:04:37,346 THIS TRAIN WILL TAKE YOU. 3515 02:04:39,806 --> 02:04:41,933 BUT YOU CAN'T KNOW 3516 02:04:39,806 --> 02:04:41,933 FOR SURE! 3517 02:04:41,975 --> 02:04:43,101 [ RUMBLING ] 3518 02:04:43,143 --> 02:04:44,395 YET IT DOESN'T MATTER! 3519 02:04:44,436 --> 02:04:46,897 NOW, TELL ME WHY! 3520 02:04:46,938 --> 02:04:48,648 BECAUSE YOU'LL BE TOGETHER! 3521 02:04:52,819 --> 02:04:55,155 BUT I NEVER KNEW 3522 02:04:52,819 --> 02:04:55,155 THAT THAT IDEA 3523 02:04:55,197 --> 02:04:57,699 WOULD GROW IN HER MIND 3524 02:04:55,197 --> 02:04:57,699 LIKE A CANCER, 3525 02:04:57,741 --> 02:04:59,910 THAT EVEN 3526 02:04:57,741 --> 02:04:59,910 AFTER SHE WOKE.... 3527 02:05:02,829 --> 02:05:04,998 THAT EVEN AFTER 3528 02:05:02,829 --> 02:05:04,998 YOU CAME BACK TO REALITY... 3529 02:05:08,377 --> 02:05:10,921 ...THAT YOU'D CONTINUE TO 3530 02:05:08,377 --> 02:05:10,921 BELIEVE YOUR WORLD WASN'T REAL. 3531 02:05:13,757 --> 02:05:16,176 THAT DEATH 3532 02:05:13,757 --> 02:05:16,176 WAS THE ONLY ESCAPE. 3533 02:05:16,218 --> 02:05:19,221 MAL, NO! JESUS! 3534 02:05:19,263 --> 02:05:21,473 YOU INFECTED MY MIND. 3535 02:05:21,514 --> 02:05:23,100 I WAS TRYING TO SAVE YOU. 3536 02:05:23,141 --> 02:05:24,517 YOU BETRAYED ME. 3537 02:05:24,559 --> 02:05:26,937 BUT YOU CAN MAKE AMENDS. 3538 02:05:26,978 --> 02:05:28,813 YOU CAN STILL 3539 02:05:26,978 --> 02:05:28,813 KEEP YOUR PROMISE. 3540 02:05:28,855 --> 02:05:32,443 WE CAN STILL BE TOGETHER, 3541 02:05:28,855 --> 02:05:32,443 RIGHT HERE, 3542 02:05:32,484 --> 02:05:34,694 IN THE WORLD 3543 02:05:32,484 --> 02:05:34,694 WE BUILT TOGETHER. 3544 02:05:40,367 --> 02:05:41,493 [ GUNSHOTS ] 3545 02:05:41,534 --> 02:05:42,994 [ COUGHING ] 3546 02:05:49,460 --> 02:05:51,836 [ BEEP ] 3547 02:05:51,878 --> 02:05:53,588 [ GUNFIRE ] 3548 02:06:00,178 --> 02:06:01,430 [ GUNFIRE CONTINUES ] 3549 02:06:03,307 --> 02:06:04,933 [ GRENADE RATTLES ] 3550 02:06:04,975 --> 02:06:06,059 [ EXPLOSION ] 3551 02:06:09,813 --> 02:06:11,940 [ GROANS ] 3552 02:06:28,873 --> 02:06:37,799 [ "NON JE NE REGRETTE RIEN" 3553 02:06:28,873 --> 02:06:37,799 PLAYS ] 3554 02:06:47,642 --> 02:06:49,394 [ ELECTRONIC SQUEALING ] 3555 02:06:51,855 --> 02:06:53,273 [ EXPLOSION ] 3556 02:06:54,691 --> 02:06:56,860 [ GASPING ] 3557 02:06:56,901 --> 02:06:58,570 COBB, 3558 02:06:56,901 --> 02:06:58,570 WE NEED TO GET FISCHER. 3559 02:06:58,611 --> 02:07:00,405 YOU CAN'T HAVE HIM. 3560 02:07:00,447 --> 02:07:03,408 IF I STAY HERE, 3561 02:07:00,447 --> 02:07:03,408 WILL YOU LET HIM GO? 3562 02:07:03,450 --> 02:07:04,659 WHAT ARE YOU 3563 02:07:03,450 --> 02:07:04,659 TALKING ABOUT? 3564 02:07:08,413 --> 02:07:11,082 FISCHER IS ON THE PORCH. 3565 02:07:11,124 --> 02:07:12,584 GO CHECK HE'S ALIVE, 3566 02:07:11,124 --> 02:07:12,584 ARIADNE. 3567 02:07:12,625 --> 02:07:14,294 COBB, YOU CAN'T DO THIS. 3568 02:07:14,336 --> 02:07:17,339 GO CHECK HE'S ALIVE RIGHT NOW. 3569 02:07:14,336 --> 02:07:17,339 DO IT. 3570 02:07:29,059 --> 02:07:30,435 [ ELECTRIC SHOCK ] 3571 02:07:30,477 --> 02:07:33,313 [ GRUNTING ] 3572 02:07:33,355 --> 02:07:35,982 HE'S HERE! AND IT'S TIME, 3573 02:07:33,355 --> 02:07:35,982 BUT YOU HAVE TO COME NOW! 3574 02:07:36,024 --> 02:07:37,692 TAKE FISCHER WITH YOU, 3575 02:07:36,024 --> 02:07:37,692 ALL RIGHT? 3576 02:07:37,734 --> 02:07:39,486 YOU CAN'T STAY HERE TO BE 3577 02:07:37,734 --> 02:07:39,486 WITH HER. 3578 02:07:41,321 --> 02:07:43,323 I'M NOT. 3579 02:07:43,365 --> 02:07:45,116 SAITO'S DEAD BY NOW. 3580 02:07:45,158 --> 02:07:46,743 THAT MEANS 3581 02:07:45,158 --> 02:07:46,743 HE'S DOWN HERE SOMEWHERE. 3582 02:07:46,784 --> 02:07:48,453 THAT MEANS 3583 02:07:46,784 --> 02:07:48,453 I HAVE TO FIND HIM. 3584 02:07:48,495 --> 02:07:50,372 [ THUNDER RUMBLES ] 3585 02:07:50,414 --> 02:07:52,165 I CAN'T STAY 3586 02:07:50,414 --> 02:07:52,165 WITH HER ANYMORE 3587 02:07:52,207 --> 02:07:53,875 BECAUSE SHE 3588 02:07:52,207 --> 02:07:53,875 DOESN'T EXIST. 3589 02:07:53,917 --> 02:07:57,295 I'M THE ONLY THING YOU DO 3590 02:07:53,917 --> 02:07:57,295 BELIEVE IN ANYMORE. 3591 02:07:57,337 --> 02:07:58,838 [ EXHALES DEEPLY ] 3592 02:07:58,880 --> 02:08:02,050 I WISH. 3593 02:08:02,092 --> 02:08:07,222 I WISH MORE 3594 02:08:02,092 --> 02:08:07,222 THAN ANYTHING, BUT... 3595 02:08:07,264 --> 02:08:09,349 I CAN'T IMAGINE YOU 3596 02:08:07,264 --> 02:08:09,349 WITH ALL YOUR COMPLEXITY, 3597 02:08:09,391 --> 02:08:11,976 ALL YOUR PERFECTION, 3598 02:08:09,391 --> 02:08:11,976 ALL YOUR IMPERFECTION. 3599 02:08:12,018 --> 02:08:14,145 YOU ALL RIGHT? 3600 02:08:12,018 --> 02:08:14,145 YEAH. 3601 02:08:14,187 --> 02:08:16,523 LOOK AT YOU. 3602 02:08:16,565 --> 02:08:18,816 YOU'RE JUST A SHADE. 3603 02:08:18,858 --> 02:08:22,362 YOU'RE JUST A SHADE 3604 02:08:18,858 --> 02:08:22,362 OF MY REAL WIFE. 3605 02:08:22,404 --> 02:08:25,198 AND YOU WERE THE BEST 3606 02:08:22,404 --> 02:08:25,198 THAT I COULD DO, BUT... 3607 02:08:25,240 --> 02:08:28,785 I'M SORRY, 3608 02:08:25,240 --> 02:08:28,785 YOU'RE JUST NOT GOOD ENOUGH. 3609 02:08:28,826 --> 02:08:31,121 DOES THIS FEEL REAL?! 3610 02:08:28,826 --> 02:08:31,121 AAH! 3611 02:08:31,162 --> 02:08:32,830 [ GUNSHOT ] 3612 02:08:32,872 --> 02:08:35,208 WHAT ARE YOU DOING?! 3613 02:08:32,872 --> 02:08:35,208 IMPROVISING. 3614 02:08:38,920 --> 02:08:42,799 [ GASPING ] 3615 02:08:43,925 --> 02:08:46,719 NO, NO! NO! 3616 02:08:46,761 --> 02:08:49,806 IN THERE, NOW. 3617 02:08:46,761 --> 02:08:49,806 GO. GO, GO, GO. 3618 02:09:10,661 --> 02:09:12,621 [ BREATHES DEEPLY ] 3619 02:09:13,871 --> 02:09:15,248 [ CLANKS ] 3620 02:09:32,599 --> 02:09:36,561 I WAS DIS... 3621 02:09:36,603 --> 02:09:40,273 I WAS DIS-- DISA... 3622 02:09:40,315 --> 02:09:41,566 I KNOW, DAD. 3623 02:09:41,608 --> 02:09:43,067 DISA... 3624 02:09:48,448 --> 02:09:53,453 I KNOW YOU WERE DISAPPOINTED 3625 02:09:48,448 --> 02:09:53,453 I COULDN'T BE YOU. 3626 02:09:53,495 --> 02:09:55,079 NO. 3627 02:09:55,121 --> 02:09:57,457 NO, NO, NO. 3628 02:09:57,499 --> 02:10:01,002 I WAS DISAPPOINTED... 3629 02:10:01,044 --> 02:10:03,838 THAT YOU TRIED. 3630 02:10:07,300 --> 02:10:09,052 [ RUMBLING ] 3631 02:11:03,273 --> 02:11:05,858 [ CLICKS TONGUE ] 3632 02:11:12,198 --> 02:11:13,908 [ SOBBING ] 3633 02:11:17,203 --> 02:11:20,957 [ EXPLOSIONS ] 3634 02:11:35,764 --> 02:11:37,599 [ OBJECTS RATTLING ] 3635 02:11:49,402 --> 02:11:51,279 THAT'S THE KICK, ARIADNE! 3636 02:11:51,321 --> 02:11:52,363 YOU HAVE TO GO NOW! 3637 02:12:05,585 --> 02:12:08,755 DON'T LOSE YOURSELF! 3638 02:12:05,585 --> 02:12:08,755 FIND SAITO AND BRING HIM BACK! 3639 02:12:08,797 --> 02:12:09,964 I WILL! 3640 02:12:34,906 --> 02:12:39,952 [ DISTORTED, 3641 02:12:34,906 --> 02:12:39,952 SLOW-MOTION SOUNDS ] 3642 02:12:48,002 --> 02:12:49,962 [ SIGHS ] 3643 02:12:50,004 --> 02:12:52,965 [ Straining ] YOU REMEMBER 3644 02:12:50,004 --> 02:12:52,965 WHEN YOU ASKED ME TO MARRY YOU? 3645 02:12:53,007 --> 02:12:55,009 YES. 3646 02:12:55,051 --> 02:12:58,012 YOU SAID YOU DREAMT 3647 02:12:55,051 --> 02:12:58,012 THAT WE'D GROW OLD TOGETHER. 3648 02:12:59,972 --> 02:13:02,350 BUT WE DID. 3649 02:13:02,392 --> 02:13:05,061 WE DID. 3650 02:13:05,102 --> 02:13:07,271 YOU DON'T REMEMBER? 3651 02:13:10,316 --> 02:13:15,154 I MISS YOU MORE 3652 02:13:10,316 --> 02:13:15,154 THAN I CAN BEAR, BUT... 3653 02:13:15,196 --> 02:13:19,075 WE HAD OUR TIME 3654 02:13:15,196 --> 02:13:19,075 TOGETHER. 3655 02:13:19,116 --> 02:13:22,579 AND I HAVE TO 3656 02:13:19,116 --> 02:13:22,579 LET YOU GO. 3657 02:13:22,620 --> 02:13:27,041 I HAVE TO LET YOU GO. 3658 02:13:27,083 --> 02:13:28,585 [ EXHALES SOFTLY ] 3659 02:13:31,838 --> 02:13:33,631 [ SMOOCHES ] 3660 02:13:48,229 --> 02:13:51,441 [ EXHALES DEEPLY ] 3661 02:14:06,915 --> 02:14:10,084 [ GASPING ] 3662 02:14:16,382 --> 02:14:18,301 I'M SORRY, ROBERT. 3663 02:14:40,072 --> 02:14:43,159 [ GRUNTING ] 3664 02:14:45,119 --> 02:14:46,913 YOU KNOW, THE WILL MEANS 3665 02:14:46,955 --> 02:14:49,874 THAT DAD WANTED ME 3666 02:14:46,955 --> 02:14:49,874 TO BE MY OWN MAN... 3667 02:14:49,916 --> 02:14:53,503 NOT JUST TO LIVE FOR HIM. 3668 02:14:53,544 --> 02:14:57,507 THAT'S WHAT I'M GONNA DO, 3669 02:14:53,544 --> 02:14:57,507 UNCLE PETER. 3670 02:14:57,548 --> 02:14:59,342 [ SIGHS ] 3671 02:15:05,932 --> 02:15:07,517 WHAT HAPPENED? 3672 02:15:07,558 --> 02:15:08,643 COBB STAYED. 3673 02:15:08,685 --> 02:15:10,061 WITH MAL? 3674 02:15:10,102 --> 02:15:11,270 NO, TO FIND SAITO. 3675 02:15:13,189 --> 02:15:14,524 HE'LL BE LOST. 3676 02:15:17,109 --> 02:15:19,278 NO, HE'LL BE ALL RIGHT. 3677 02:15:34,836 --> 02:15:37,755 Saito: 3678 02:15:34,836 --> 02:15:37,755 HAVE YOU COME TO KILL ME? 3679 02:15:41,968 --> 02:15:44,054 I'M WAITING FOR SOMEONE. 3680 02:15:49,183 --> 02:15:51,561 SOMEONE FROM 3681 02:15:49,183 --> 02:15:51,561 A HALF-REMEMBERED DREAM. 3682 02:15:53,771 --> 02:15:56,107 COBB? 3683 02:15:56,148 --> 02:15:57,817 [ SCOFFS ] 3684 02:15:57,859 --> 02:15:59,610 IMPOSSIBLE. 3685 02:15:59,652 --> 02:16:03,865 WE WERE YOUNG MEN 3686 02:15:59,652 --> 02:16:03,865 TOGETHER. 3687 02:16:03,907 --> 02:16:07,035 I'M AN OLD MAN. 3688 02:16:07,077 --> 02:16:10,454 FILLED WITH REGRET. 3689 02:16:12,874 --> 02:16:17,545 WAITING TO DIE ALONE. 3690 02:16:17,587 --> 02:16:20,965 I'VE COME BACK FOR YOU. 3691 02:16:23,634 --> 02:16:27,847 TO REMIND YOU... 3692 02:16:23,634 --> 02:16:27,847 OF SOMETHING. 3693 02:16:30,892 --> 02:16:35,312 SOMETHING YOU ONCE KNEW. 3694 02:16:35,354 --> 02:16:39,067 THAT THIS WORLD 3695 02:16:35,354 --> 02:16:39,067 IS NOT REAL. 3696 02:16:43,738 --> 02:16:48,618 TO CONVINCE ME TO HONOR 3697 02:16:43,738 --> 02:16:48,618 OUR ARRANGEMENT? 3698 02:16:48,659 --> 02:16:52,080 TO TAKE A LEAP 3699 02:16:48,659 --> 02:16:52,080 OF FAITH, YES. 3700 02:16:57,501 --> 02:16:59,420 COME BACK... 3701 02:17:01,547 --> 02:17:05,593 ...SO WE CAN BE YOUNG MEN 3702 02:17:01,547 --> 02:17:05,593 TOGETHER AGAIN. 3703 02:17:08,429 --> 02:17:10,389 COME BACK WITH ME. 3704 02:17:13,768 --> 02:17:15,603 COME BACK. 3705 02:17:24,904 --> 02:17:27,239 Flight attendant: 3706 02:17:24,904 --> 02:17:27,239 HOT TOWEL, SIR? 3707 02:17:27,281 --> 02:17:30,952 WE'LL BE LANDING IN LOS ANGELES 3708 02:17:27,281 --> 02:17:30,952 IN ABOUT 20 MINUTES. 3709 02:17:30,994 --> 02:17:33,496 DO YOU NEED 3710 02:17:30,994 --> 02:17:33,496 IMMIGRATION FORMS? 3711 02:17:34,538 --> 02:17:36,707 THANK YOU. 3712 02:17:36,749 --> 02:17:39,043 HOT TOWEL, SIR? 3713 02:17:39,085 --> 02:17:40,503 UH, NO. 3714 02:17:40,544 --> 02:17:42,296 DO YOU NEED 3715 02:17:40,544 --> 02:17:42,296 IMMIGRATION FORMS? 3716 02:17:43,756 --> 02:17:45,299 [ SIGHS ] 3717 02:18:17,540 --> 02:18:19,209 [ EXHALES SHARPLY ] 3718 02:18:20,751 --> 02:18:23,671 [ DIALING ] 3719 02:18:53,284 --> 02:18:55,161 WELCOME HOME, MR. COBB. 3720 02:18:55,203 --> 02:18:57,163 THANK YOU, SIR. 3721 02:19:41,082 --> 02:19:43,375 WELCOME. 3722 02:19:43,417 --> 02:19:45,169 THIS WAY. 3723 02:20:06,274 --> 02:20:09,693 JAMES? PHILLIPA? 3724 02:20:12,863 --> 02:20:14,698 LOOK WHO'S HERE. 3725 02:20:19,120 --> 02:20:21,622 HEY. 3726 02:20:21,664 --> 02:20:23,874 HEY, GUYS! 3727 02:20:21,664 --> 02:20:23,874 James: DADDY! 3728 02:20:23,916 --> 02:20:25,918 HEY! HOW ARE YOU? 3729 02:20:25,960 --> 02:20:27,920 DADDY! 3730 02:20:25,960 --> 02:20:27,920 HOW ARE YOU? 3731 02:20:27,962 --> 02:20:30,214 LOOK WHAT 3732 02:20:27,962 --> 02:20:30,214 I'VE BEEN BUILDING! 3733 02:20:30,256 --> 02:20:32,133 WHAT ARE YOU BUILDING? 3734 02:20:32,175 --> 02:20:34,093 WE'RE BUILDING A HOUSE 3735 02:20:32,175 --> 02:20:34,093 ON THE CLIFF! 3736 02:20:34,135 --> 02:20:35,886 ON THE CLIFF? 3737 02:20:35,928 --> 02:20:38,055 COME ON, 3738 02:20:35,928 --> 02:20:38,055 I WANT YOU TO SHOW ME. 3739 02:20:43,644 --> 02:20:46,605 [ TOTEM RATTLING ] 3740 02:20:54,780 --> 02:20:58,868 [ OMINOUS MUSIC PLAYS ] 3741 02:26:48,342 --> 02:26:50,802 [ "NON, JE NE REGRETTE RIEN" 3742 02:26:48,342 --> 02:26:50,802 PLAYS ] 3743 02:26:58,686 --> 02:27:04,107 ♪ NON, RIEN DE RIEN ♪ 3744 02:27:04,149 --> 02:27:09,739 ♪ NON, JE NE REGRETTE RIEN ♪ 3745 02:27:09,780 --> 02:27:15,244 ♪ NI LE BIEN QU'ON M'A FAIT ♪ 3746 02:27:15,285 --> 02:27:21,250 ♪ NI LE MAL 3747 02:27:15,285 --> 02:27:21,250 TOUT ÇA M'EST BIEN ÉGAL ♪ 3748 02:27:21,291 --> 02:27:26,463 ♪ NON, RIEN DE RIEN ♪ 3749 02:27:26,505 --> 02:27:31,677 ♪ NON, JE NE REGRETTE RIEN ♪ 3750 02:27:31,719 --> 02:27:37,224 ♪ CAR MA VIE, CAR MES JOIES ♪ 3751 02:27:37,266 --> 02:27:41,228 ♪ AUJOURD'HUI ♪ 3752 02:27:41,270 --> 02:27:44,022 [ OMINOUS MUSIC PLAYS ] 229137