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Subtitling made possible by
RLJ Entertainment
[ Jazz music playing ]
Whoo!
[ Speaks indistinctly ]
[ Cheering ]
Ladies and gentlemen, may I have
your attention, please?
As you know,
Beatrice and Evangeline Eliott
sail for England tomorrow
aboard the Laconia.
Now, while I'm happy
to wish them bon voyage,
I'm not going to say goodbye.
I would much prefer to say
au revoir.
The Eliott collection
has been an enormous success
with both the press
and the public.
And as the director
of the company,
may I say Sears Roebuck is proud
to be associated with them.
[ Cheering ]
So would you join me
in a toast, please,
to Beatrice and Evangeline --
the House of Eliott.
[ Cheering ]
Bea. Bea, Evie.
- Thank you.
- You're welcome.
Thank you
not only for allowing us
to show our designs in America
and embark on what promises
to be a successful venture,
but also for all the warmth
and hospitality
you've shown us.
Evie.
Well, we've had
a wonderful time,
and we're looking forward
to our next visit.
Thank you.
[ Cheers and applause ]
[ Slow jazz music plays ]
So how are you?
Glad to be going home?
Mm, in a way.
We really had
a terrific time here, though.
WOMAN: Yes.
Beatrice looks very happy.
Yes, Donald's been very kind
to us both.
This trip has done us
the world of good.
Is, um...
Is Beatrice fond of Donald?
Yes.
BEATRICE:
Oh, please, Donald.
There are so many people
I want to say goodbye to.
All right.
I'll find us some fruit cup.
I'm not going to
spoil a party with business,
but tell me something.
Are you now going to consider
designing ready-to-wear gowns
on a more regular basis?
Oh, I don't know.
I think with the season
coming up at home,
we're going to be pretty tied up
with the couture collection.
Oh, of course.
As long as your experience
with Sears Roebuck
hasn't put you off
the whole idea.
Not at all.
It's been very interesting
to see
just how much demand there is
for high-quality gowns
in your stores.
It hasn't put us off anything.
Good.
Oh, excuse me.
There's Harry.
He'll want to say goodbye to you
as well.
"Pretty tied up"?
[ Laughs ]
We've only been here six weeks.
You're beginning to sound
like an American.
So?
- Hi!
- [ Both laugh ]
What have I done?
I think "gone native"
is the expression.
Oh, well, no more of that
after tomorrow, eh?
No, I suppose not.
Still, we have plenty
to look forward to in England.
Can I have the next dance,
please?
Why, of course.
[ Laughs ]
[ Cheering ]
[ Horn honks ]
[ Thunder rumbling ]
I'm gonna be late
if I don't watch out.
Percy's coming at my house
at 7:00.
Oh, come on.
It's not even 6:00 yet.
Oh, it's as near
as makes no difference.
- I'm off home.
- Evie!
[ Laughs ]
You're back!
[ Indistinct conversations ]
- How are you, Tilly?
- Fine.
Everything's fine
since you left home.
[ Indistinct conversations ]
Welcome back!
You should have let us know
when you were arriving.
We could have had someone
meet you.
Well, we wanted to
surprise you.
Miss Eliott.
I had no idea.
How are you?
How have you been managing?
I'm not sure where to start.
Please don't give me
the details this minute.
Everything looks
well under control.
We just about managed.
Madge, if you want to
get off home, then, please do.
Oh, thank you, Miss Evie.
I suppose I ought.
My mother-in-law's expecting me
straight back.
Good night, Madge.
See you tomorrow.
[ Indistinct conversations ]
- Good night.
- Night.
I'm just gonna say hello
to Alice, and then --
- Ah...
- What do you mean, "Ah"?
Perhaps we should go through
to your office.
It was very difficult.
Well, what was?
What's happened to her?
Mrs. Burgoyne received
a most generous offer
from Maison Gilles --
première vendeuse.
That's ridiculous.
Alice wouldn't walk out
for a better job.
Well, she walked out of Hazaar's
for us.
Mrs. Burgoyne and I, we --
It was fine at first,
and then we found we...
Well, I'm not laying
all the blame on her, mind.
It was just...
Perhaps I was a little
overzealous in my duties.
I was anxious to make sure
everything went smoothly.
I can see that Mrs. Burgoyne
might have regarded that
as interference.
Did she say as much?
She pointed out that I was
a bookkeeper, not a couturier,
and, well, she was quite right.
- When did all this happen?
- Last week.
She didn't even wait to take her
wages and left on the Friday.
Well, what about our clients?
Who's been attending to them?
I've done my best.
Tilly's been most helpful.
Oh! Hello, Mum.
Hello, Madge.
Wipe your feet.
I don't know.
You turn your back for five
minutes, and look what happens.
Thanks, Tilly.
It weren't
all his fault, though.
She was dead set on going.
Well, I find it hard to imagine
Joseph upsetting anyone
that much.
Did you see much
of what went on?
Some.
Couldn't help it half the time.
She don't half got a voice
to that woman when she tries.
There were shouting matches?
Oh, no.
Not in front of the clients.
Never got that bad.
So, what actually happened?
Silly things.
Brewer's rang.
They had water damage
in their warehouse.
They'll have to get a new batch
of crepe in for us.
Maybe it was gonna be
a couple of days, that's all.
She went mad.
"Well,
who do you think you are?
You can't do this
to the House of Eliott.
Right, there will be
no more orders of us."
Slamming the telephone down.
And, I mean, they've been
good to us, Brewer's.
It's all right, now, though.
Mr. Wint got it all sorted out
in the end.
In fact, it wasn't
Joseph's fault at all?
No. [ Laughs ]
- Except...
- Go on.
He came in in a morning suit.
Pardon?
Well, after Mrs. Burgoyne left,
the Duchess of Chilham
made an appointment,
and Mr. Wint said
he'd better receive her, so...
He hired a morning suit.
And?
She was very gracious.
I mean, she shook hands with him
and all that
and said she'd better make
an appointment
when you two got back.
And Mr. Wint, he bowed.
[ Laughter ]
Ain't half glad you're home.
[ Laughter continues ]
It's a smashing cottage pie,
Mum.
Yeah, I wasn't expecting
to come home to a hot meal.
Well, it's a cold night.
And it's your favorite.
[ Thunder rumbles ]
Oh, they call it ground beef
in America,
and they make it into sort of
rissoles -- hamburgers!
- I don't think I'd fancy that.
- Oh, no, they're ever so tast--
We had a lovely capon for
our Christmas, didn't we, Gerry?
Bit too much for just the two
of us, but it was ever so nice.
Mum's been a real trouper
since you've been away, Madge.
Well, that's what I'm here for.
Oh, by the way, I cleared out
the back cupboard for you.
There was all sorts of rubbish
in there wanted throwing out.
That's very good of you.
Well, someone had to
hold the fort
while you was off gallivanting,
didn't they?
How long have we been back
in England?
About 12 hours.
Oh, seems like months.
[ Chuckles ]
Thank you.
Were you expecting
a letter from Jack?
No.
Why should I be?
There's a lovely telegraph
from Donald.
I mean, wire.
[ Chuckles ]
Oh, yes?
"Welcome home," stop.
"America's loss
is England's gain," stop.
"In touch soon," stop.
You made a great impression
on Donald Bradley.
Well, I should think so.
We brought a lot of prestige
to Sears Roebuck.
Is that all?
I obviously failed miserably
in how I brought you up.
You're far too nosy
for your own good.
I know.
Still, I didn't get a telegraph
from Franklin.
Or Jeffrey.
Or Arnold K. Winstanley Jr.
Was fun, wasn't it?
Yes. [ Chuckles ]
Do you know Miriam asked us
if we were considering doing
any more ready-to-wear?
Mm?
Well, do you think we ought to
look at the idea more seriously?
Well, all ideas
are worth looking at, Bea.
But it's not
what we do best, is it?
Well...
It says here
they're artificial silk.
It's called rayon.
Now, everyone wears
rayon stockings in America.
Well, it feels like silk.
Now, they don't darn
as easy as silk,
but, then,
they don't need it so often.
They wear ever so well, and you
can wash them and everything.
Very kind, I'm sure.
Oh, thanks ever so much, Madge.
I'm gonna wear them tonight
when I see Percy.
Oh!
Yes, and just before that,
you'll make a start on Miss
Hampton's collar, all right?
Yes, Mrs. Foss.
- Oh.
- [ Indistinct conversations ]
Mr. Charles?
Mr. Charles.
I didn't forget you.
Oh, why, thanks.
- Oh, they're from Havana.
- Oh!
I got some for you
and some for Mr. Wint.
Well, thank you very much,
Madge.
That's very kind of you.
Madge, will you give me
two minutes
to make sure everyone's set up,
and I'll show you
what's going on?
Yes.
Is she all right?
Well, she took
a lot of responsibility
when everyone was away,
especially when --
Oh, I know.
I heard.
She would have enjoyed
a trip to America.
Don't worry.
I won't rub her nose in it.
Mrs. Armstrong will be here
in 15 minutes.
Then there's no one
for the rest of the day.
Only Miss Hampton tomorrow.
I know it's my fault, but I just
didn't know what to do.
The ladies
wish to see other ladies,
and without Mrs. Burgoyne...
No one is blaming you, Joseph.
You obviously managed very well
under very trying circumstances.
They all said they'd rebook
once you were home.
Well, most of them did.
I'm sure they will, Joseph.
So, if you'll excuse me,
I have a good deal of
my own work to catch up with.
Of course.
Five appointments all week, Bea.
Do you think Alice just took
all her clients with her
to Maison Gilles?
I don't know.
She certainly didn't bring any
with her from Hazaar's to us.
Maybe we just underestimated
the importance
of actually being here
ourselves.
All the accounts are up to date.
Everyone seems to be
paying their bills.
- Aha.
- What?
Top of page 10.
"Maison Gilles
winter collection --
100 glittering evening gowns."
We obviously have
a lot of catching up to do.
- Hello.
- Oh, good morning.
I'd like to see
the Eliott sisters, please.
And I know they're back.
- Look, Miss Keeble...
- Grace.
As I said to you last time,
Miss Keeble,
it would be much better if you
were to make an appointment.
Are they busy now?
They're with a client
this very moment.
How long will they be?
Couldn't really say.
I don't know --
10 minutes?
Half an hour?
- Possibly.
- Then I'll wait.
In here all right?
It's gorgeous.
I simply adore it.
Oh, I must say it has turned out
awfully well.
Mrs. Burgoyne looked after you,
I presume.
Yes.
Turn around, darling.
Oh, we were all most surprised
when Mrs. Burgoyne decamped
to Maison Gilles.
But she seemed
happy enough there.
Yes, that is charming.
Now, get changed quickly,
darling.
Thank you.
You will both come this evening,
won't you?
There's so many people dying to
talk to you about America.
Oh, yes, of course.
It's Jessica's 21st, isn't it?
Um, yes, the invitation was
waiting for us when we got home.
We are looking forward to it.
By the way, I hope I've done
the right thing, my dear.
I-I know things have been
awkward between you and Jack,
but he and the children
have been such chums.
Simon has been trying
to telephone him for weeks.
Well, he was in Germany
before Christmas.
Oh, well,
that's probably it, then.
Simon sent him an invitation.
So if he's there, he's there,
and if he's not, he isn't.
Jessie, darling, come on.
Quickly.
Oh, there's a young lady
to see you -- a Miss Keeble.
- A client?
- I don't know, Miss Eliott.
She came a couple of times
while you were away, but she --
Hello.
My name's Grace Keeble.
- Hello.
- Miss Keeble.
Thank you.
It's all right.
I haven't come to buy anything.
Then how may we help you?
Please sit down.
I've come to show you these.
What do you think?
Do you like them?
EVIE: Well, yes.
They're, uh, very good.
Would you like to buy them?
I beg your pardon?
I'm a fashion designer
like you.
Trouble is, unlike you,
I don't have a fashion house,
so I'm trying to sell me designs
to someone who does.
I'm afraid the House of Eliott
doesn't buy designs.
Why not?
Because my sister and I do
all the designing ourselves.
I see.
It's nothing to do
with the quality of the work.
No, of course not.
It's just never been our policy
to employ other designers.
Have you, um, ever had
any of these made up at all?
I've done this one.
Oh.
Where did you --
- I mean, who...
- I made it.
I've done dressmaking
and lady's tailoring
at the technical school
in Shoreditch.
Did you?
That's not bad.
But not good enough to get you
to buy my designs, eh?
If you're seeking employment,
Miss Keeble,
we occasionally have vacancies
in the workroom.
I've been in workrooms,
I've done outwork,
and it's not for me.
As I've said, I'm a designer,
and that's what I'm gonna do.
Well, I'm terribly sorry.
I only come to you 'cause I knew
you'd started from nothing.
Still, another time, eh?
Look, I am sorry
if we appear rude.
It's just, well,
no one's ever brought
their designs to us before.
You did rather take us
by surprise.
Your work is good.
You've obviously gone
to a great deal of trouble.
The designs are very promising.
I can't guarantee that they will
ever be sold or even made up,
but we would be prepared to buy
a couple of them as drawings.
Depending on the price,
of course.
Does five shillings each
sound reasonable?
A guinea the pair.
Very well.
I'll get my checkbook.
Cash.
[ Clears throat ] I'll, um,
go and see Joseph, shall I?
Oh, I'm sorry I'm late, Perce.
Been waiting long?
Long enough
to get flipping freezing.
Come on.
Let's go to a caff and warm up.
Yeah, all right.
Yeah, listen,
you got any cash on you, girl?
Only, I left me wallet at home,
see?
Oh, yeah, I've got enough
for our dinner.
Good girl.
I'll pay you back tonight.
Right, Mr. Baker, that's a gross
of black cotton, gross of white.
20 yards
of the narrow lace trim,
20 yards of the wide stuff.
Twopence a yard, we said?
Twopence three farthings
on orders less than 50 yards,
Mr. Cotter.
Twopence farthing, and I'll
make it 30 yards of each.
And I'll have a bolt of the same
interfacing I had last time
and a gross
of the silver-gilt buckles.
Dragonfly or pharaoh's head?
[ Chuckles ] Dragonfly,
if you please, Mr. Baker.
Can't even sell the Egyptian
look in Manchester anymore.
- Very well.
- [ Clears throat ]
Oh, Miss Eliott!
Please come in.
Come in.
Did you manage to find
those buttons for me yet?
- Not one kind, but two.
- Really?
I'll be with you in a tick,
Mr. Cotter.
Now...
This is the tortoiseshell
you wanted to see.
Mm-hmm.
And this one is Indian buffalo.
EVIE:
Oh, I like that.
I'll have a dozen
of both of those.
Of course.
I shall be with you directly.
Oh, forgive me
for interrupting your visit.
That's quite all right.
No trouble at all.
It is Miss Eliott of
the House of Eliott, isn't it?
- That's right.
- [ Chuckles ]
Well, now,
I'm very pleased to meet you.
Larry Cotter.
I've been an admirer of yours
for a long time.
How kind.
I remember when you showed
those nocturne gowns
a couple of years ago.
People were clamoring for violet
silk for months afterwards.
- Really?
- Oh, yes.
Couldn't get enough of it.
[ Chuckles ]
And your last collection,
even after
all the business with...
Well, uh, old water
under the bridge now.
I'm in the fashion business
myself, you know?
Not quite in the same circles
as yourself, obviously.
I'm so sorry
to have kept you waiting.
- That's all right.
- I'm more in ready-to-wear.
And of course
I've been reading great things
about your American tour.
Thank you very much.
- Pleasure.
- Good day.
So nice to talk to you,
Miss Eliott.
- I do hope we meet again.
- Yes, I hope so too.
Oh, uh,
let me give you my card.
Thank you.
Show me those buttons again.
You got anything like that
in Bakelite?
[ Jazz music playing ]
I did suggest a small orchestra
playing real music,
but she wouldn't hear of it.
Come on, Jessica.
Oh! My dears, hello.
The birthday girl.
Hello!
And the Americans have the most
wonderful cotton muslins.
Really fresh, vivid colors.
Isn't that what they use
the slaves for?
Uh, not anymore, no.
We have a consignment arriving
any day.
Maybe you would like to drop in
and see them.
Yes, I might.
When I have a moment.
Darlings, protect me.
If I have to listen
to one more oaf droning on
about the dangers
of modern living, I shall die.
- Happy birthday, Jess.
- Oh!
I say,
you look frightfully elegant.
That's not a Gilles number,
is it?
No, it's an Eliott.
Oh, I didn't think
of going there.
It's just that
everybody went along
to the Maison Gilles collection,
and I rather went along
with them.
And once one's there,
it's frightfully hard to resist,
isn't it?
Jessica, happy birthday.
Thank you!
Do you know there were
eight mannequins on parade
at the same time?
Gown after gown, and each one
more splendid than the last.
I see we shall have to
look to our laurels
if Maison Gilles
is going to mount
such an extravagant collection
each season.
Oh, my dear Beatrice,
I'm sure you have
no cause for concern.
None at all.
Good.
Would you excuse me a moment?
Having fun?
Not really. No.
- Oh, is --
- No, Jack's not here after all.
It's just if I see
one more Gilles gown....
Never mind.
I've extracted promises to visit
us from at least a dozen people.
Well done.
Beatrice! Evangeline!
The very people.
Jessica is driving me
to distraction.
It's been going on for weeks.
But when Colonel Stanhope
brought the subject up again,
her eyes positively lit up,
and I suddenly thought
you're just the ones
to solve the problem.
What exactly is the problem?
Well, Jessica is
quite determined
to take up
some sort of paid employment.
I can't imagine why.
It's not as if she needed money,
but there we are.
And I suddenly thought of you.
Well, Jessica could be
your new vendeuse.
Oh, well, we're certainly
very flattered
by Jessica's interest, but --
Oh, do say yes.
After all, you do need
a new vendeuse,
and Jessica knows
absolutely everyone.
Well, we could
certainly talk to her.
Splendid!
She'll be thrilled.
And to be quite honest,
I don't really mind
her doing that sort of thing.
After all, it's not what one
would call a real job, is it?
Jessica. Darling.
Oh, it's nice to be back
in me own bed again.
Oh, hurry up and get in
so I can warm me feet up.
In a minute, love.
Did you miss me
while I was away?
Yes, of course I did.
Don't know what I would have
done if Mum hadn't been so good.
That's not what I meant.
Eh?
Oh, never mind.
Give us a cuddle.
Yes, in a minute, love.
Only, I've got to be up early
tomorrow morning.
Mr. Simmons is down
with a bad tummy,
so I've got to do
all the timetables
as well as do
the ticket office.
Best get some sleep, then.
Yes, I think so.
[ Smooches ]
Good night.
Good night.
- [ Door opens ]
- Good morning.
Now, Jess, let us take you
through the vendeuse office,
and we will explain exactly
what the job entails.
This way.
I must say it'll be quite novel
ordering frocks
from one's own daughter.
Ah, Tilly, um,
perhaps Mrs. Armstrong
would like to see some designs
while we talk to Jessica.
- Of course.
- This way, Jessica.
Would you like a tea
or a coffee, Mrs. Armstrong?
Obviously, you've seen
what a vendeuse does
on your visits as a client.
Oh, absolutely.
Um, you show them the designs,
find out which one they want,
and make appointments.
Well, it's a little more
complicated than that.
You must check with the workroom
at each stage of the process,
make sure they can get the work
done in time for the fittings,
and make sure
either Madge or Tilly
are free to attend the fittings.
And, ideally, you should make
every client feel
that she is the most
important person you know.
Yes. Mrs. Burgoyne
was awfully good at that.
Almost like a best friend,
really.
You could tell her
absolutely everything.
I'm sure I don't have to
remind you, Jess,
that the fitting room
has the same confidentiality
as the priest's confessional.
Hear and instantly forget,
Jess.
Gosh, yes.
Another aspect of the job
is to woo the client.
Encourage them to visit
the House of Eliott
as opposed to, say...
Maison Gilles, for instance.
Well, can't people
go where they like?
Yes, of course they can,
but we'd much prefer it
if they came here.
Yes, I suppose you would.
Well, that's all right.
Everyone will think
it's the most enormous wheeze
to come and buy from me.
Ah, what about other clients --
people you don't actually know?
Do you feel you could
introduce yourself socially,
as well as balance
the business side of things?
Oh, yes.
I'm terribly sociable.
Well, I think that's all
for the moment.
Jess, would you care to join
your mother in the reception?
Evie and I will just see
if there's anything else
we haven't discussed yet.
All right.
Triumph or disaster?
Difficult to say.
It could be either.
She has
all the right connections,
but she must try and cultivate
a more professional attitude.
It would only be temporary.
- Let's give her a try.
- [ Knock on door ]
Miss Bea,
there's a telephone call for you
from Barak's Pictures Studio.
I'll just come through.
Oh, Evie, will you finish off
the Armstrongs?
Yes, of course.
Mrs. Armstrong, Jessica.
[ Indistinct conversations ]
Mr. Barak, hello.
How nice to hear from you.
I'm fine.
How are you?
No, I haven't heard from him.
All I know is
Jack was staying in Germany
till the film was finished.
I-I assumed he'd be back by now.
Well, yes,
I'll tell him if I see him.
Goodbye.
Tilly, will you tell Evie
I'll be out over the lunch hour?
- Yes, Miss Bea.
- Thank you.
And we saw Greta Garbo
in "The Temptress." Oh!
All those men
chasing after her.
Oh, you'll have to go and see it
when it comes here, Mr. Charles.
It's lovely.
Well, that's the great beauty
of the motion picture, isn't it?
It takes you right out of
yourself into a whole new world.
Oh, it's just like being there.
Are you keen on the pictures,
then?
Love them, Madge.
Do you know,
I saw "The Sheik" five times?
- You never!
- I did.
[ Both laugh ]
Yeah, I must say, though, I do
envy you your trip to America.
That must have been wonderful.
It was really something,
as they say.
I'm getting really brassed off
with all this talk
about America.
I bet you are, too,
aren't you, Tilly?
No. Not really.
Madge ain't told me
too much about it.
So could you start tomorrow?
10:00.
8:30 is when we usually
like to get started.
Isn't this exciting?
Calm down, dear.
Now, will Jess
be dealing exclusively
with your couture clients
or will she be expected to meet
the ready-to-wear people
as well?
We've only designed
one ready-to-wear collection,
and that was in America.
Oh!
You sound surprised.
Well, I thought I saw
that particular gown
in a shop in Kensington
just this morning.
- No, it couldn't have been.
- Oh, yes.
It had exactly the same collar.
So distinctive.
It's rather nice, actually.
I mean, one doesn't buy
ready-to-wear oneself, but --
Which shop was it, exactly?
[ Clattering ]
[ Knocks ]
Yes?
Who on earth are you?
Good afternoon, madam.
May I help you?
I'm not sure.
I was just looking at this dress
in the window.
Would madam care to try it on?
Uh, no.
I don't think so.
It's just...
I wondered who designed it.
It's not a Paris copy, is it?
It's not a copy at all, madam.
It's a Grace Keeble original.
Grace Keeble.
I don't think
I've ever heard of her.
She trained in Paris at Worth
and then with Poiret.
She's also designed
for the House of Eliott.
I'm afraid I haven't got a clue
where he is.
I haven't heard from
the old so-and-so for weeks.
I was starting
to get a bit concerned.
Tons of letters for him.
Have you heard anything?
No, I haven't.
Forgive me -- What are you
actually doing here?
Human anatomy at the moment.
The final
is coming up in the summer.
Jack said I could look after the
flat while he was in Germany.
And he's still there?
Well, if he isn't,
he hasn't told me.
I see.
I say, you don't mind me
being here, do you?
- Only Jack did say --
- We're separated. Yes.
No, I don't mind you
being here.
Did you want to pick up
some of your things?
Yes, but not at the moment.
I am just a little concerned
as to Jack's whereabouts.
That's all.
Hello.
You come to tell me
you're making up my designs?
I most certainly have not.
I've come to ask you
what the devil
you think you're playing at.
In what way?
I think
we should discuss this indoors.
- May I come in?
- No.
If you're gonna be rude,
you can say
what you've got to say out here.
I see.
Very well, Miss Keeble.
I've just come from
Miss Pemberton's dress shop
in Kensington...
Oh, yeah?
...where your dress, the one
whose design you sold to us,
was displayed in the window.
So?
You sold that design to us,
Miss Keeble.
I sold you
a couple of drawings.
You made it quite clear
you weren't gonna make them up.
They weren't good enough
for your clientele.
You never asked me
if I was selling anywhere else.
That is not the way
business is done!
Not in your world, perhaps,
Miss Eliott.
But in my world, you do business
any way you can.
Good night!
How dare she march
into our office
and sell us designs she's
already sold to someone else?!
And to actually tell that woman
she designed
for the House of Eliott.
And to leave me standing
on the doorstep.
I've never been so...
[ Sighs ] Don't you think
this is outrageous?
Well, I don't see
how it really affects us.
We weren't going to
make the designs up anyway.
That's not the point!
We might have done, Bea!
It's the principle.
I think you've just had
your nose put out of joint
because Mrs. Armstrong
thought they were good enough
to be your designs.
Oh, don't be so absurd.
Aren't you the least bit
interested in this?
Frankly, no.
Not very.
I have other things
to think about.
What's happened, Bea?
Nothing.
I can't find Jack.
No one can.
What?
That telephone call from
Abraham Barak this morning --
He's been trying to trace Jack
in Germany.
He isn't at the address
he said he'd be at.
He's not at the studio.
So I went 'round to the flat,
and there was a stranger there.
Jack's let the flat to a tenant
without even telling me,
without...
He didn't know
where Jack was, either.
What's happened to him, Evie?
Let's get home, have a nice cup
of tea, won't you?
Hear, hear.
You'll be all right soon,
won't you?
I beg your pardon?
When you and your fiancée
get married.
Come home to find a nice fire
already lit, won't you?
Supper on the table,
slippers by the arm.
Good cook, is she,
your fiancée?
- Yeah, excellent.
- What's her name?
- [ Bell dings ]
- Stand back, ladies!
- Ain't you got no manners?!
- [ Bell dings ]
Hmph! Better get home.
Won't you, Madge?
Yeah.
Tilly, what's the matter?
Miss Armstrong's just asked me
to make tea for her and her
clients in the fitting room.
Has she indeed?
What was I supposed to do?
I couldn't exactly say no
in front of them.
- It's not done, though, is it?
- No, it's not.
We'll do it this once, and I'll
have a word with Miss Armstrong.
All right.
Oh, by the way,
them flowers arrived for you
about 20 minutes ago.
I've just been running around
so much
I didn't have time to tell you.
- All right, Tilly. Thank you.
- You're welcome.
All right, I lied, but what
difference does it make?
You'd never have known if that
Eliott woman hadn't told you.
You liked the dress, didn't you?
It hasn't changed, has it?
I do not wish to discuss
the matter any further.
Are you telling me that a dress
is worth 30 guineas
if it's made by Grace Keeble
of the House of Eliott
and nothing if it's not?
Yes.
And now if you would be so good
as to return my money...
- [ Door opens ]
- WOMAN: Good morning.
Good morning!
How are you?
But it's the same color as the
one I tried on at Maison Gilles.
Oh, no, that was
a -- a more subtle shade.
Try the black one.
Mummy would have a fit.
She'd think I was in mourning.
[ Chuckles ]
Yes, but jolly elegant mourning.
Try it on for fun.
Oh!
[ Clears throat ] Hello.
Miss Eliott, may I present
Miss Charlotte Parker?
- Good morning.
- Miss Julia Colebrook.
Good morning.
I'll make sure
someone brings you an ashtray.
- Jessica, may I have a word?
- Yes.
Excuse me.
I've spoken
to just about everyone I know,
and they've all been
terribly kind.
Mrs. Fitzwalter's coming in
next week sometime,
and Mrs. Babbage
and her daughter, Pamela --
you know,
the one with the red hair --
they promised
to come and visit.
And you met
Julia and Charlotte.
They tried on
absolutely heaps of stuff.
Did they order anything?
Not exactly.
What about the others?
Have they made
any definite appointments?
More or less.
I mean, they will.
They all seem terribly keen,
which is saying something
when you think
how besotted everyone is
with Monsieur Gilles.
Jessica, I know you're new,
and I appreciate you
helping us out like this,
but, well, you must
try and cultivate
a more professional attitude.
We need solid orders.
Yes, Miss Eliott.
And no more coffee
and cigarettes
in the fitting room
or the office.
Just think what would happen
if something got spilled.
Sorry.
I will try and do better.
Honestly.
It's all right.
- Oh, Beatrice.
- Yes?
Daddy's taking a gun
at Ardinoch Castle this weekend.
He wants Mummy and me to go
to sort of a house party,
so I'd like to take Friday off.
[ Door opens ]
Madge. Madge.
Have I done something
to upset you?
No.
Why do you ask?
I've just got it into my head
that you're not speaking to me.
Oh, whatever made you
think that?
I don't know.
It's just that you've been
nattering on to everyone else
about America
and all that stuff,
and you haven't said
a single word to me.
I thought we were friends.
Oh, you daft apeth!
I thought you minded me going.
I thought
it seemed like gloating.
I've been dying to tell you.
I didn't think
you wanted to know.
Me, a daft apeth?
[ Both laugh ]
Here, come back and have
your tea at our house.
I can tell you
all about America,
and you can tell me all about
old Mrs. Burgoyne.
I can't 'cause Norman's
on nights tonight,
and I do want to get back and
see him before he goes to work.
- He's on days tomorrow, though.
- I'll make us a lardy cake.
Oh, no, don't.
- I've been eating so much.
- [ Laughs ]
Of course I remember you,
Mr. Cotter.
Well, I'm afraid I'm a bit busy
at the moment.
Oh, yes?
What sort of proposition?
Well, if you hold on,
I'll just check my diary.
[ Door closes ]
I'm afraid I'm busy all day,
Mr. Cotter.
- Really! Miss Keeble!
- What on earth is this?!
7:00 Friday.
Yes, I'll be there.
Who the hell
do you think you are?
- I beg your pardon?!
- You heard.
- How dare you?!
- How dare I?!
It's all right for her
to come storming 'round my home,
asking me what I'm playing at,
and it's not all right
me doing the same, eh?
I came to see you because
I thought you'd dealt with us
in an underhand manner!
And what did you lose by it?
Did you lose your living?
Did all the ladyships stop
coming to the House of Eliott
'cause you was conned out of
one rotten guinea?
Miss Keeble, what exactly
is your complaint?
Do you know how much
that material cost me?
Do you know how long
I've been trying to get someone
to look at my designs
and take them seriously?
A whole flaming year.
Hawking them
around fashion houses,
shops, warehouses,
begging introductions to women
who look down their noses at me
'cause I don't have
the right accent!
That frock
was the first one I sold.
Yeah, all right,
I spun her a bit of a line.
Otherwise she wouldn't have
looked twice at the dress!
I mean, it's not talent
that counts in this game, is it?
Do you know what she done --
Mrs. Pemberton --
after you'd gone
and stuck your nose in?
She demanded her money back,
said she only dealt
in exclusive couture designs.
So you have it.
You paid a guinea
for the exclusive design.
You have the dress!
I'm sorry.
I didn't realize.
'Cause you didn't flaming think,
did you?!
What does it take, eh?
What do I have to do
to get a job?
I thought you, of all people,
would understand.
I mean, I remember hearing
you actually nicked clients
from under Duroque's nose
when you first started.
You weren't proud then.
You didn't have
House of Eliott policies then.
But you've made it now,
haven't you?
You can afford policies.
Yeah, and pulling the ladder up
after you
is just one of them, I suppose.
Well, there's bigger fish
in the sea than you.
I hear Maison Gilles has
whole rooms full of designers.
Maybe he's grand enough
not to be scared of new talent.
Miss Keeble, would you mind
waiting in the reception
for five minutes?
I must speak with my sister.
What?
Yeah.
All right.
Thank you.
No, Bea.
Absolutely not.
Out of the question.
Perhaps for a trial period.
Say for a season.
Purely from our point of view,
I can see the benefit
of having a trainee designer.
Yes, so can I, but not her.
- Why not?
- Because!
Be--
Because she's awful!
You said yourself
she's very talented.
Perhaps she wouldn't be so awful
if she wasn't so frustrated
at every turn.
Think about it, Evie.
We've seen it for ourselves --
Gilles overwhelming us
with sheer weight of numbers.
Yes, well, she's not exactly
going to solve that problem
for us, is she?
Not yet, no.
But eventually we're gonna
have to take on someone
if we're to survive.
I'd rather it was someone
we trained ourselves,
perhaps to take on the day wear,
leave you more time
for the special evening gowns.
She's still got
a great deal to learn.
Mmm. Delicious.
I thought we were having
lardy cake.
You know,
I've tried making waffles
for Gerry and his mother,
and they wouldn't even try them.
Don't know
what they're missing.
Mind you,
since I've been expecting,
I've been a devil
for anything sweet.
That maple syrup...
Take it home with you.
Go on. I've got another jar
in the cupboard.
Oh, thank you, Madge.
I bet it's funny
being all ordinary back here
after being so grand in America.
How was your boat?
Did you get to sit
at the captain's table?
- [ Laughs ] No.
- [ Door closes ]
Oh, I must show you
what I nicked off the boat.
You what?
Oh, it's only a paper napkin
and one of them little
fancy menu cards,
but it says "S.S. Laconia"
on them in lovely gold letters.
Oh, Madge.
Oh. Hi, Tilly.
Hello.
Hey there, Gerry.
Have you seen that paper napkin
that was in here?
You know, the one off the boat.
Oh, I threw it out.
Why?
You did what?!
Well, I'm sorry, Madge.
Didn't think it was important.
Anyway, we hardly need to keep
paper napkins, do we?
Any chance of a cup of tea?
Beatrice.
Hello.
Thank you for the flowers.
They are beautiful.
[ Laughs ]
And by the end of the day,
we'd actually taken on
the extraordinary Miss Keeble.
I think
you'll be glad you did.
Oh, you haven't met her.
No, but I've met people
like her.
Tough, hungry.
From the wrong side
of the tracks.
Yes.
They know what's needed
in shops and offices,
what Mrs. General Manager
is willing to pay
for a cocktail dress.
That hardly applies
to the House of Eliott.
The world is changing,
Beatrice.
Of course there will always be
a place for haute couture.
But mark my words --
It'll be a very bad mistake
to underestimate the power
of that woman
and of all the others like her.
Yes, Donald.
[ Both laugh ]
I'm sorry.
I didn't mean to take up our
first evening talking business.
No, neither did I.
It's so good to see you again.
Do you wish to order now, sir?
Charles, Joseph, ladies.
I would like to introduce
Miss Grace Keeble.
As from this morning,
she will be joining us
as a trainee designer.
Jess, I didn't say anything
at the time
because you had obviously
made all the arrangements,
but in future we would prefer it
if you didn't ask for days off
just like that.
If it's terribly important,
then I'm sure we can come
to some sort of arrangement.
I know.
I am awfully sorry.
But it was terribly useful.
Really?
And I've done it all properly.
Look.
Charlotte Parker at 10:00.
Julia at 11:00.
Mrs. Campbell
and Mrs. Prescott-White
in the afternoon.
And I've rather said, uh,
you'll do the fitting
for my godmother on Thursday.
That's the Duchess of Chilham.
She said on Saturday
she was dying to meet you.
[ Chuckles ] Really?
And I've given Madge and Tilly
a list
of all the appointments for next
week so there's no confusion.
How many appointments
are there?
Uh, about nine in all and half
a dozen or so for next week.
Is that all right?
Yes. Splendid.
Well done.
This is Tilly, our specialist
in beadwork and embroidery.
I did embroidery
at Barrett Street.
How many of these beads
per square inch can you use
without dragging the fabric?
I'm sure Tilly
will be happy to tell you
anything you don't know.
Look, what I need to know
is cutting. You said --
I said we'd train you to design
for the House of Eliott.
We'll start with fabrics.
Well, I shall be 'round
in about an hour, then.
Right. Good night.
Jack's tenant's
going out for the evening,
so I'm going to go 'round and
collect the rest of my things.
Where are you going?
Out to dinner with Larry Cotter.
Remember?
Not that I'm looking forward
to it.
I wouldn't have agreed to go at
all if Grace hadn't barged in.
I knew you'd find something
to blame her for.
You see, our worlds are merging,
Miss Eliott --
growing together, as it were.
But the aristocracy --
the well-off, so to speak --
they're not quite as well off
as they were,
and the people that's made do
with what they could always get,
well, they're getting paid more,
so they can get more.
Do you see what I mean?
I think so.
Thank you so much.
Anyway, somewhere in the middle
ground is the sort of woman
that wants couture style
at, well,
not quite high-street prices,
but, well, Bond Street prices,
if you follow my meaning.
- Yes, I follow you.
- Of course you do.
Now, this is the area where
someone such as yourself
might well do business
with someone such as myself.
You,
a highly respected couturier,
knows one end of the business,
and I've sold a thousand dresses
up and down every high street
in Britain.
Now, where you sell silk,
I'd sell cotton,
we'd sell good quality,
artificial silk.
Well, we've got a lot to learn
from each other, Miss Eliott.
That may be so, Mr. Cotter.
But, quite frankly, apart from
our one American venture,
I can't really see
the House of Eliott
going into ready-to-wear
on such a large scale.
No?
You've got full order books
till 1930, have you?
Is Lady Harriet Ponsonby-Smythe
still ordering 20 ball gowns
each season?
- Well, no, but --
- What's your annual profit?
Same as last year?
Mine's almost doubled.
Has yours?
Mr. Davenport?
What I've got in mind
is your artistry, your prestige,
coupled with my manufacturing
and retailing experience --
an exclusive label
sold in exclusive shops.
Sounds like a fascinating idea.
But quite honestly
I don't see my sister and I
being willing to compromise
the quality of our work
merely in order to attract
what may prove to be
a less discriminating clientele.
Man-made fabrics
are all very well --
I knew
you'd agree with me there.
I beg your pardon?
Well, I noticed
you were wearing rayon stockings
the minute you walked in.
Very nice, too, if I may say so.
Oh!
No, thank you.
Would you like a coffee,
Mr. Cotter?
[ Door unlocks ]
I'm so sorry, Mr. Davenport.
I thought --
[ Gasps ]
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