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Ok, welcome again.

We are here to talk about

show what you want to show

specifically because

here we have our illustration.

Already

little bit done.

And I want to ask you

what are the things to do first,

things you are

seeing in this picture.

What are the things that

all the objects

are sent

to your

eyes to watch.

The first thing you will be seeing and

the attention you will have is to the face

because everything

in this picture is going to the face.

As you can see,

curve is going to the face.

Here

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helps with make this good

this way so

you have like

this line as

perimeter of

all the lines. Also this

takes you this.

So all the lines of this illustration

sends to,

send your eyes to her head

because

I want you to have attention of

in her face.

So

this is systematic of this point.

I will turn off all this.

So

you will have some

different compositions everytime

we are working with

different characters and different poses.

And it depends also in your intention

in the illustration

in what you want to show.

But the first thing I will recommend you

in this case is

think about what you want to show at first.

If you want the character face

to be looking at it. So

every element

in the illustration will

help your eyes to go

to the face of the character.

Okay.

For example, something like this.

And like this. And it's

a bit more exaggerated.

But here we have this arm here.

And if you have the hair

going something like this,

make the head a little bit more small.

So here you have the, the hair

for example, with the arms finished

in the face. And we have like

a box here that

all the attention,

the body also is going up.

This,

the hair is

also

going into some way as the body. But

going to the

face.

We can intensify that with

more hair if we want

that also ends like this.

So you are intensifying the face

in that case. And

the body,

the arms, the legs

and the different elements can help you

to make

your eyes go to the

things you want to show.

For example, if I want you to

see this wall

and make

the person secondary.

I can do it with

for example,

a bright.

It's important

to call the attention.

We need like

maybe this person don't have long hair but

maybe have a cave

that finish

close to this wall.

We can like this line,

something like this.

And we want

some curves also to help.

And attention to

this wall.

So in this composition, we have this.

So we are

putting the attention.

I can make it a bit more open I think.

That will be better.

When you have the attention to this,

have the cave that

ends here.

So he is doing something like this.

The clothes also are helping,

okay?

And the bright also calls attention for the

line here and the line here.

So make it like a point.

Okay?

So

you need to think about

not only the body

when you are trying to give

the attention of something

more specific than other thing that they

face for example.

But it's important to manage

and know what curves

and what is

the position of the body to play with

the different elements.

Right?

And play with in,

in different curves.

So

you can call the attention

really easy

with the help

not only of the body but also

of the elements.

With that, also it's important,

but also it's important to know what

curves you have in your figure.

And know also the area you are

working on because not

same have the area.

Like a movie

that you have all this

layer for work.

Right? And maybe you have like

a field.

And you want attention here.

Okay? Not is the same, something like that.

Or you want attention in,

in some composition that

have more than one character

for the angle

which

leaves the attention to

this character.

It goes also,

you have this.

This lines that

and the perspective also helps.

You can make also the character

with something like this.

And you will have the attention to

this part.

So you need to think

not only the pose but also the movements

and the lines of the pose to

add elements. And play with

them to help you to

move the attention to the place you want.

So coming back to

our illustration

it's the same here, as you can see,

because, for example, the hand not is,

this hand not is like

trying to

give us to the face but the length that

this handmade here

makes

our vision limited

to this area and this area.

But you can think like

if we have like what areas

is so seperated,

why this one not call more attention

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than this one?

Especially because this one is more

big. But

it's because all the rest of elements is not

only this line. This line is principal line.

But the body

gives you to the face.

This hand

limits

again

this part.

So we are making the point of attention

more small.

This power also

gives you to the face.

The hair

gives you to the face.

Both hairs

give you to the face.

And in some way, the body also have like

this curve

here.

It's like finishing in the head.

So

everything is gonna lead you

to here.

So when you are doing your poses and or

when you are trying to use them to

make an illustration, a specific

illustration, try to play

with the pose and the curves that makes.

And the elements

that intensify the pose for

try to call attention of the eye.

And try to see where

drives you

because

it's really easy. It's something that

will be taking a bit of time to get used

to see it easy.

But

everytime you are finishing a piece,

I will recommend you to put like small.

And try to close your eyes and open again.

And try to see where are

the first thing your eyes are looking at.

So the first thing that

your eyes are looking at,

it will be the element that have

all the attention of

the illustration. In my case,

it's the face.

So

try to play with that elements because

I will explain it how to

get the attention to that.

And I hope

that little tips help you

to understand how to get

your eye to

the points that you want.