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Welcome, everyone.

Today is dynamic poses classes introduction.

My name is Sol Ferrari. Mostly known as

SolKorra in the social media.

I am having the opportunity to have

this collaboration course

together with coloso.

And here we will be talking about mostly

how to reach

those dynamic poses, how you can improve

your poses to get them more

as the course name says dynamic

with the movement. More powerful.

So this course we have some different

videos that

will help you to reach

those

as soon as possible.

And will help you to improve

as you wish in

your sketches as well. So the first part of

the course, we will be talking

about the base

movement and flow. Basically

the basis of how you can study,

Subtitled by online-courses.club We compress knowledge for you!

how you can reach at first

the movement of the poses.

How to study that to get

incorporate that to your work.

So we will be talking about gesture and

simplification. What is gesture?

What is doing gesture being a really,

really important part

of make your pose dynamic.

Also we will be talking about how you make

your lines. How work more faster

in general and how to make them more

clear. And at the end, we will be talking

an important point that is

the movement is the protagonist. We will be talking about

how the line

of movement of the body

because we are talking mostly in

characters that

are humanoids. How that line, that edge of movement

are placed to your characters. And how

works

mostly. So

those will be the important points

of this first part.

For the second part of this course,

we will be talking about

the movement and the anatomy.

How important these 4 things

are and how they play together

because usually we see anatomy

and movement

apart. And not usually go together.

But it's important to have in mind that

the anatomy and movements go together

because naturally they go and how we can

separate them

and know how to simplificate them.

And make what we want with

pose at the end showing some anatomy. So

important points will be how to simplify

the anatomy, how we can see

the different parts of the body and

put them in the correct way

interfere

the different poses and the curves.

How the curves

affect directly the pose.

And at the final point that

we will be talking all the

points we talked before.

It's like how to make your

work interesting.

So we will be talking about

the important point that is related to

the posing that is for shortening.

For shortening, it's a really, really

important thing that you need to

apply to your work.

And it's an important key that makes

your work interesting. So we will be talking about

that in that point.

And lastly, not less important we will be

talking about the composition and the

movement. How we can play with the movement

and make that composition interesting. So

we will be talking about that movement

and how we go from old pose to the objects

that we will be putting in our illustration,

how we can relate those.

Also we want to talk about

what you want to show because

the idea of make the composition also

is the key to

direct

the eye of the person. So

when we are looking at your work,

to the part of illustration you want.

So we will be talking a bit about that.

And at the final point,

I will be talking about some recommendations

and final work.

And of course,

recommendation for give

not only related to your poses but also

give life to your characters because

your characters have life

at the end.

So you need to think about how

the personality of them are,

how

the aspirations, how

they will act

in some situations you would put them. So

it's a really important point to talk about

and have in consideration at the end.

So those are the most important points

of this course.

And the different videos will be separated

in those thematics.

I really hope you like

what we will be talking about this course.

And I am waiting you to start it. So enjoy

what we will be talking about.

The dynamic poses and how we can

apply them to our

personal work.