Original subtitles

[ puffs inhaler ]

Zin.

Well, well. I'm disappointed in you--very disappointed.

I was waiting in Paris to take care of him as you wanted.

But his plane was delayed. I lost him at the airport.

He changed hotels.

The plan was so simple.

You get him out of the country, away from the tracker,

kill him, dispose of his body.

What could be easier? You failed.

[ puffs inhaler ]

What exactly was it that you did on Nodul?

I worked for the Ministry of Finance.

[ Zin chuckles ] That's right.

And you made off with half their treasury.

Perhaps I selected the wrong man for the job.

Zin, just give me another chance, please.

You know I'd do anything for the cause.

Ah.

It just so happens

that I do have something else in mind for you,

but it requires a small sacrifice.

No sacrifice is too great.

I'm glad you see it that way.

Nice work.

I never was too fond of Nodulians.

Yes, I know. I know.

You need another earthly body or you will die.

Well, unfortunately, uh,

all these bodies are taken.

Yes, I agree with you.

A life force is a terrible thing to waste.

But it is for a good cause.

[ gavel banging ]

JUDGE: Will the defendant please rise?

Troy Montana, you were accused of murdering Adam Curtis

with malice and forethought. How do you plead?

Not guilty.

MEL: Cole didn't murder anyone.

Come on, Mel.

You saw the surveillance video on the 6:00 news.

It shows him pulling the trigger.

I knew there was something odd about this guy

the first time I met him.

The man in that video was not Cole.

I know. It's Troy Montana.

Exactly!

Cole and Montana are the same person.

No, they aren't.

Look Mel, your friend can't even produce

a birth certificate or a driver's license

saying he's the mysterious Cole.

I don't even know if this guy has a last name!

Of course he does.

It's...um...

Hauser.

- Hauser. - Cole Hauser.

Who has been living with me-- you know what I mean--

at the bar for the last few months.

And no one can vouch for Montana's whereabouts

the past 6 months. Look, face facts, Mel.

You've been living with a part-time actor.

You're wrong, Vic.

I can't tell you how I know...

But I know.

[ sighs ] Fine.

MEL: Fletcher!

How's Cole doing?

I take it you're talking about Mr. Montana.

He's taking it in stride.

Doesn't seem to faze him that the prosecution

has the evidence to put him on death row.

What's our strategy?

Ms. Porter, the state of Illinois

has dropped 16 cases in my lap,

so our strategy will be to try and strike some kind of a deal

with the prosecution.

With any luck, your Cole there

walks out of Joliet in about 20 years.

That's totally unacceptable.

What do you want me to do?

They've got a videotape of your boy lying in wait

and then gunning down Curtis.

We'd be extremely fortunate

if they offered us any kind of deal.

Excuse me.

Hello, Mel.

[ door closes ]

How are you holding up?

I'm not holding anything up.

How is everything going?

Oh. Good.

But this prison is very different than SAR-TOP.

Well, for one thing, you're on the other side of the bars.

There were no bars on SAR-TOP, Mel.

The prisoners were restrained by neurodebilitators--

That's not so important right now Cole.

Did you know that your lawyer's thrown in the towel?

- That's good? - No.

It means he's given up.

He's talking about making a deal.

That would be good if he could get me out of here.

It would in about two decades.

That would not be good.

No.

The videotape the prosecution accidentally leaked

is killing us.

I guess when I got here,

I took the image of the wrong man.

And I haven't had any luck finding this guy,

this Montana. He hasn't been home,

which no one else finds strange,

because they all assume he's sitting in jail.

The only way to clear you and get you out of here

is to find Troy Montana.

I know you'll find him, Mel.

I'm convinced Zin is behind this.

With me in prison, there's no one to stop him.

All the kids today, they want to be Sammy Sosa.

When I was growing up, it was Ryne Sandberg,

still the greatest Cub to strap on the cleats.

How about you? Who's your idol?

Robert Oppenheimer.

Oh, yeah.

What team did he play for?

Hmm. Has the prosecution made an offer yet?

Yeah. I called the D.A.'s office today.

I think we'll be able to get Mr. Montana out

in 20, 25 years.

Either would be sufficient, but the longer, the better.

I still don't understand your interest in this case.

I've got a lot of questions.

Well, I have a lot of answers.

[ sighs ]

25,000 of them, to be precise.

Take care of your end, and the money's yours.

JESS: Here you go.

Hey, thanks Jess.

So did you get things straightened up

with your landlord?

Yeah, I sent that letter you wrote

with a copy to the Fair Housing Commission

and one to the Civil Liberties Union.

Next thing you know, the rent increase disappeared

and the plumbing was fixed.

It's funny, you know,

how the fear of the legal system

is more potent than the actual legal system itself.

Mel, how's Cole?

He's holding up,

but we'll get him out of there.

I kind of miss him

walking around in his underwear, you know?

Me, too.

Hey, Vic, thanks for coming.

Any news?

Nothing that's going to help you with your theory

that the wrong man was arrested.

Oh, come on Vic, give me something, anything.

A titbit, a morsel.

A rumor. Please?

[ sighs ] Okay. We got one call.

It just came in. We think it's a crank,

but a woman said she spotted a guy who looked like Montana

at O'Hare this morning.

- At the airport? - Yeah.

Great. He's fleeing the country.

Did you check with the airlines?

Of course I checked with the airlines.

What, do you think I'm new?

And?

And he wasn't on any outbound manifests.

Wait a minute.

Maybe that's the reason why no one's been able to find him.

Maybe he's been out of town and now he's back.

Was he seen at arrivals or departures?

The caller wasn't that specific, Mel.

Well, Vic, if he's been out of town and he's back,

he's probably on his way to his apartment.

Do you have a man over there?

Look, it's going to be impossible for me

to convince the department to put a man

outside Montana's place when Montana is sitting in jail.

Cole is sitting in jail.

Whatever.

Fine. I'll do it myself.

VIC: Mel.

Believe what you want, all right, but why

are you wasting your time running around chasing ghosts

when you should be spending your time trying to get

your friend whatever-his-name-is a good lawyer?

Because I can't afford it.

[ whispering ] Well, what about Carr?

Wasn't he, like, this legal genius?

Yeah, he's brilliant,

but he's also fried.

Come on Vic, you know the story.

He lost his wife, his practice,

and any desire he ever once had

to set his foot in a courtroom ever again.

But maybe he'll make an exception for you.

Why would he do that?

Well, because you can be pretty persuasive,

and you're tragically cute,

and you do this really cute thing with your lip.

You're doing it right now.

No way in hell.

MEL: Why not?

Because I have already helped a whole bunch of people

roam the streets freely who shouldn't be.

I told you, they're two different people.

Besides, I haven't practiced law in years.

That doesn't mean you've lost your edge.

They'll find Amelia Earhart before I find my edge.

Jonas...

you were the best.

Past tense.

[ sighs ]

Cole could really use your help.

Well, they're trying him in Oak Park, right?

- Yeah. - Well, then he's got

a County public defender.

Yes, he does and his name's Fletcher,

and he wants to cut a deal.

Ugh, Fletcher. That's because he's lazy.

He's nothing but a Johnnie Cochran wannabe

in an empty suit, but that doesn't--

That's why I need you.

Mel...

don't do this to me.

Do what?

Appeal to your sense of justice?

Put you in a position where you can right a heinous wrong?

Allow you the opportunity to free an innocent man

from spending the rest of his life in prison?

Oh, that's-- that's good.

Well?

Well, I'll tell you what.

You find this Montana,

and you show me that he's a separate,

living, breathing entity, and I will think about it.

- Okay. - But no promises here.

Got it.

Hello, Andrea. It's Troy.

Hey, baby. Listen. I know you're not there at the moment,

but I just got back from the south of France.

I'm sorry I didn't call you.

I missed you. I really did.

And all the time I was away,

I was really thinking about you.

So we really should get together. So call me.

Okay. Ciao.

Hey, Colin, it's Troy. I'm back.

You got any auditions for me, I'll be at the apartment.

Ciao.

Whoa!

You don't want to mess with me, pal.

I know Tae Bo.

Whoa!

Uh, what do you want, money?

I got these boots. They're Ferragamo.

They're $400 a pair.

Not my style.

Ohh! Oh, not the face.

[ alarm blares ]

Aah! Unh!

See?

You don't want to mess with me, pal.

[ indistinct ]

[ tires screech ]

Get in the car!

Why? Who are you?

- Get in the car. - Okay.

"Part-time actor Troy Montana,

charged with first-degree murder

of businessman Adam Curtis." This is crazy.

- Okay. Calm down. - Calm down?

Who are you to tell me to calm down, sweet cheeks, huh?

- And where are we? - My name's Mel,

and we're someplace safe we can talk.

Oh, well, Mel, this is great.

I didn't kill anyone.

- I know. - You know?

Wait a minute. I'm on trial for murder.

Wait a minute. How can I be on trial for murder?

I'm here, and they're there,

so they must have the wrong man.

[ laughs ] Okay. That's really good.

I'm very happy about that. Heh heh.

Mind you, look at this picture they put in here.

[ scoffs ]

"Part-time actor"? Heh heh.

Did anyone ever tell them

I had a recurring role on Tides of Love.

TROY: So they told me it was some sort of low-budget film.

They weren't kidding. They didn't even serve lunch.

Wait a minute. I think that's some sort of union violation.

You were hired to play a killer, right?

Yeah, and I nailed it.

Hey, whose place is this, anyway?

It's mine.

- Yeah? Do I get free drinks? - Sure.

Good. I'll have an apple martini, then.

Okay. I'm just gonna make a phone call.

I'll get that right to you.

All right. Uh, on the rocks.

Sure.

Hey, Cole. Are you okay?

I'm fine.

Well, you're looking good.

So do you. Heh heh heh.

Ohh. Heh.

MEL: Uh, Jess!

Why don't you get him a drink?

Sure.

Well, being locked up

has really given you new perspective on things.

Yeah. I like being locked up.

Stop it.

You know, if I wasn't with Gordon...

Dump him.

Jonas, it's Mel.

I found him.

No, I'm not hallucinating.

He's right here in the bar.

Excuse me. Do I know you?

And he said he was hired to play a killer,

which must be where they got the videotape.

Thanks.

Thanks so much.

Okay. Get here as soon as you can.

[ phone beeps ]

Where is he?

I don't know.

He was there a minute ago.

Damn it!

JUDGE: We'll now hear the prosecution's opening remarks.

Thank you, Your Honor.

Ladies and gentlemen of the jury,

my opening statement will be short and to the point.

The prosecution's job

will be to prove beyond the shadow of a doubt

that the accused, Troy Montana,

did murder with intent and malice, Adam Curtis.

Our job in this case is relatively easy.

Given the fact that we have a videotape which,

as many of you know,

shows the actual murder taking place,

your job is simple: listen to the facts

and then return an appropriate verdict.

I have no doubt as to what it'll be.

Thank you.

FLETCHER: You heard for yourself.

They have him dead to rights.

Look, we're in recess for the rest of the day.

I'll try and reach the prosecution,

see what I can get out of them.

What kind of attitude is that?

I mean, just because you have to work a little harder,

dig a little deeper, you're just gonna

throw your hands up and give up?

I spent 3 years at law school, clerked for the Superior Court,

and I've been with the Office of the State Appellate Defender

for 7 years. I'm not a quitter,

but I know a loser when I see one,

and this case has got "loser" written all over it.

That's not the only thing that has "loser" written all over it.

Meaning?

You're fired.

Jonas has agreed to take your case.

That's great, right?

Sure. Yeah, it's great.

Good, but we have another problem.

What?

I sensed a life force in the courtroom.

Who?

I don't know, but it came from somewhere in front of me.

Which means it could have been one of the jury,

one of the lawyers, or the judge.

That's not good.

No.

[ sighs ]

And we've got this videotape thing to deal with.

I sure could use your help.

It would be easy for me to break out of here, but--

I know. You could do that face-changing thing you do

or just zip out of here with your super-speed.

Yeah and then I'd be a hunted man,

which is exactly what Zin wants.

Well, I've thought of something.

If I can find Montana again,

keep him in the same place for more than 5 minutes,

then you two can change places.

Mel, it would be very dangerous for him in here.

It'll be safer for him in here

than it will be on the street, Cole.

I have an idea that might work.

MEL: Hi, Mr. Levy.

MR. LEVY:[ on phone] Hello. Yes?

Hi. It's Gloria MacNee.

I'm the new casting director on Tides of Love.

Gloria!

How are you, doll?

Fine.

Didn't I meet you at, uh,

Bob Wagner's Christmas party last year?

Maybe.

I breezed in and out so fast, it was all a blur.

So, what can I do for you?

We're interested in bringing back

Troy Montana's character,

and I was wondering about his availability.

Uh, have you read the newspapers lately?

Actually, I've been on a two-week safari in Kenya.

Why?

Oh, no reason. Troy's kind of booked right now,

but, uh, let me see what I can do, and I'll call you back.

Perfect. Ciao.

Uh, can I get your number, please? Uh--

[ sighs ]

[ telephone dials ]

Montana here. Leave a message at the beep.

Ciao.

[ echoing ] Troy...

It's Colin Levy here.

Look, I don't know where you're hiding at,

but the new casting director of Tides of Love

wants to meet you for coffee tomorrow,

8 a.m., Alfresco's,

and in my opinion, it's well worth the risk.

Ciao.

[ sighs ]

[ sighs ]

Actors are such flakes.

[ sighs ]

[ whispers ] Troy.

Sit down.

Go away. I'm meeting someone.

I know.

Something about an acting job?

Oh, I'm out of here.

Please hear me out.

Why should I?

Five minutes. That's all I ask.

I'll buy you a coffee.

Well, okay.

How did you recognize me, anyway? I'm incognito.

You're a fairly recognizable fellow.

Yeah?

What do you take?

So, coffee,

latte, cappuccino, mocha? Something?

COLE: I don't think we have time now.

Cole?

I hope he's gonna be all right in there.

MEL: It's great to see you.

He'll be fine.

Come on. We have a lot of work to do.

Why does he wear these?

[ laughs ] I don't know.

Come on.

Oh. What's going on here?

It's--no, no--

Ohh! What's going on here?

Hello?!

MALE BAILIFF: All rise for The Honorable Judge Harriet Chapin.

We seem to be missing a few key players, Bailiff.

Where is the defendant?

He'll be here in a minute, your honor.

He, uh, had some kind of anxiety attack.

Needed a little sedation.

What about the defense counsel?

Did he need a little sedation as well?

I believe Mr. Carr

is, um, going over a few last-minute details.

If it would, um, please the Court...

- I'll go find him. - Yes.

It would please the Court very much.

[ sighs ]

How could I agree...

to go back into the courtroom?

Uhh...uhh...

You old man, you.

[ sighs ] You broken-down old man.

You got no business in front of a judge.

You got no business in front of a jury.

Who do I think I am?

The best trial lawyer in Illinois.

Well...how long have you been standing there?

Long enough to hear you

almost drown yourself in self-pity.

Oh. Oh, that's good.

It's self-realization.

I--I can't go in there.

Of course you can.

Jonas, I know this is hard for you--

[ groans ]

We're up against a wall here.

And you made a commitment to Cole,

and you made a commitment to me.

And you are not going to back out.

I--I--I'm confused.

I'm just--I--it...

Am I defending Cole, or am I defending Montana?

That doesn't matter.

In the eyes of the law, they're the same guy.

And in my eyes, they're both innocent.

[ sighs ]

All right. Well, I'll--listen.

Practicing law--

Practicing law is tough. It's--it--

but trying to prove that this--this...

schizophrenic is innocent--

I mean, I mean, you saw him this morning.

He's feeling much better now.

Oh, well, everything's-- it's impossible!

I'm sorry. Did you say "impossible"?

You've won tougher cases than this.

Dozens of them.

[ sighs ]

Now pull yourself together, get out there,

and kick some legal ass.

All right?

Uh, do I have a choice here?

VAX: Daggon.

Vax, nice to see you again.

I should have taken care of you at Cadon's night club.

Yes, you should have.

Well, as these humans say, if at first you don't succeed...

Uhh!

Unh! Uhh.

Oof!

Uhh!

[ panting ]

Where's the tape?

I'm not telling you anything.

I can make this easy

or slow and very painful.

JUDGE CHAPIN: We will now hear opening statements

from the defense.

Mr. Carr.

Your Honor-- Your Honor,

um, ladies and gentlemen of the, uh--

of the...jury. Ahem.

Um, it is our, uh...

Uh, job--task--

here to...

discover the truth.

TROY: Oh, my career is over.

Think of it as research.

JONAS: As--

[ whispers ] Sorry.

As I was saying...

it is the pr--the job of the prosecution...

to prove that Mr. Montana

is guilty!

TROY: But I didn't do anything.

Mr. Montana, you don't want me

to hold you in contempt.

But--but I'm not supposed to be here, Your Honor.

I'm an actor, not a killer.

The two are not mutually exclusive.

Your Honor, please!

Order!

Now let me make the rules of my court perfectly clear.

Mr. Montana, you will not speak until you are ordered.

Mr. Adderly, you will not comment

on the defense's opening statements,

and Mr. Carr,

you will, in the future, be prompt and prepared.

Now does everyone understand?

Yes, Your Honor.

Oh!

Sorry.

JUDGE CHAPIN: Fine.

You may proceed.

Thank you.

Thank you, Your Honor.

Uh, and, um,

and we will, uh...

show you that he is innocent.

Thank you.

[ whispers ] I think that went very well.

Mm-hmm.

[ buzz ]

You can clearly see

Mr. Montana jump up from behind that car.

He was waiting... like a hungry tiger

for his helpless prey to come into sight.

JONAS: Objection, Your Honor. He's drawing

characterizations. That is, uh--

JUDGE CHAPIN: Agreed.

Mr. Adderly, please avoid the hyperbole

and stick to the facts.

Yes, Your Honor.

Here's Mr. Montana, gun in hand,

approaching the victim.

I keep telling you, I was acting.

They put that together in post.

JONAS: Uh, Your Honor,

uh, uh, we'll cover that in your testimony.

Just--yeah.

You'll see the defendant fires three more times

to ensure the victim's death.

Rarely do we have the advantage of a camera being present

to capture the images of a crime in action.

I believe that picture

is worth far more than a thousand words.

I think this may be a good time

to take a recess.

We will resume after lunch.

Psst.

JONAS: Hmm?

Is it catered?

The surveillance tape has obviously been doctored.

I know that, and you know that,

and whoever made the tape knows that,

but how are we gonna convince the jury without any proof?

Well, hopefully, Cole is handling that end of things.

Oh, yes, the elusive Cole.

Jonas, Cole and Montana are two different people.

Yeah, but they'd never be at the same party together, right?

He'll come through for us. Come on,

- I'll buy you a coffee. - Good.

[ phone beeps ]

[ phone rings ]

Yes?

WOMAN: It's going well.

Well, it should be. The evidence we've provided

ought to put him away for a long time.

There is one thing, though.

The tracker is acting very...odd.

- Have you spoken to Vax? - No. Why?

I'm starting to wonder if he took care

of that loose end or not.

We can't have Montana on the streets.

Is there anything I can do to help?

Yes.

Just make sure the verdict goes our way.

It will.

BAILIFF: Do you swear to tell the truth, the whole truth,

and nothing but the truth, so help you God?

I do.

Mr. Montana, would you please tell the Court

where you were at 11:00 A.M. On December 3rd?

Oh, yes, I was in a parking garage in Oak Park.

I was hired to play an actor

in a small indie movie.

Mm-hmm. And you were hired

for the role of a killer?

Well, my character didn't have a name or anything.

There wasn't a script, per se.

It was more of a workshop kind of thing, you know?

Ad-libs and things.

Fascinating.

Tell us more about your character.

Why did you want to kill Mr. Curtis?

JONAS: Objection, Your Honor.

Prosecution is obviously leading the witness.

Sustained. Rephrase the question.

So, why did your character

shoot and kill Mr. Curtis?

Well, I wasn't quite sure about my motivation.

Um, I actually asked the director,

and he just said, "Jump out and shoot the guy."

"Just jump out and shoot the guy."

Yes.

And I did a very believable job.

Well, if your goal was to kill Mr. Curtis,

I'd say you were extremely successful.

Thanks.

So, what happened next?

Well, the director yelled, "Cut,"

and, um, well, I was wrapped.

And then you abruptly fled the country.

Well, I wouldn't exactly say "fled."

I mean, the producer loved my work

and immediately booked me for a long print job in Paris.

I've done several others.

I did the Cole underwear ad. Do you remember that one?

Anyway, uh, ahem, you know, I got into a limousine,

and two hours later, I was at the airport,

and--whoosh! Off.

ADDERLY: Mm-hmm. And that's the truth?

Yes.

And you always tell the truth?

Yes.

But isn't it true, Mr. Montana,

that you frequently fabricate stories

about yourself and your employment?

What do you mean?

Well, let me give an example.

Would you please tell the Court your real name?

Montana. Troy Montana.

Yes, your legal name, perhaps.

I'll rephrase the question.

What was your name given at birth?

[ gasps ]

No, it's okay. It's me, Mel.

Cole?

- JUDGE CHAPIN: Mr. Montana... - Yes.

answer the question.

[ whispering ] Percy Greenstein.

Excuse me. Could you speak up?

Get them to show this.

Percy Greenstein.

Mm-hmm. And I have a long list of people

who are willing to testify

that you regularly padded your resume

by lying about acting jobs.

- JONAS: Your Honor-- - What's he doing here?

JUDGE CHAPIN: Is there a problem here?

- Oh, you bet there is-- - Mr. Montana!

But that guy tried killing me over there!

- Mr. Montana! - But Your Honor, I--

Your Honor, I apologize for the behavior of my...

client.

Mr. Adderly, stop badgering the witness.

Either ask him a question or move on.

I believe we were talking about honesty, correct?

Yes.

Well, if you're asking

whether I stretch the truth sometimes, uh, yes.

I'm an actor, you know.

- That's what I do. - Jonas.

You know, it's my job in life to actually...

Jonas!

Don the costume, smear on the greasepaint,

blur the line between fact and fiction.

Precisely. And it's your expertise in that area

that makes it all the more difficult for us

to know when you're telling the truth

or when you're blurring that line.

- Yes. - Your Honor, this is a--

- Jonas! - What?

- What is going on over there? - Your Honor, just a--

Jonas, here's the tape. Be sure they see this.

Counselor?

Your Honor, permission to approach the bench.

What are you doing? I'm in the middle of questioning a witness.

Um, I have just come into some evidence

that will shed a whole new light

on these proceedings, Your Honor.

Mr. Carr, you are seriously out of order.

I will not allow this kind of behavior

in my courtroom.

If you have new evidence,

you must first share it with the prosecution, and then--

With all due respect, Your Honor, I--I, um, ahem,

I beg to differ with you.

There is legal precedence for this.

Not that I'm aware of.

1997, Grant v. Benson.

1998, Lenkov v. Cooper.

1999, Stewart v. Oakley,

a paramount case, Your Honor.

In each of these cases, critical evidence was allowed

and immediately taken into consideration

because it directly refuted

previously established evidence, Your Honor.

Now, to deny me this request, Your Honor,

would be tantamount to denying my client

his legal rights.

You may continue, Counselor.

Thank you. Now, Your Honor, this video...

will show-- w-w-will prove

beyond the shadow of a doubt...

that my client... is innocent.

ADDERLY: Your Honor, this--

just show the evidence, Counselor.

But I'm warning you,

if this isn't everything you've made it out to be,

there is going to be trouble.

[ muttering ] You can say that again.

Your Honor, objection, objection!

I'm innocent! Yes, yes! It was her!

JUDGE CHAPIN: Order!

Bailiff!

Order!

Bailiff!

Order!

Why'd you turn on us?

I think you've got me mistaken for someone else.

Tracker.

JUDGE CHAPIN: Order!

BAILIFF: You have the right to remain silent.

Anything you say may and can be used

in a court of law. Do you understand your rights?

[ groaning ]

Oh, no.

Oh!

Ohh!

No!

What do you want from me?

You need to go back inside.

I'm not going anywhere with you.

I'm not going to hurt you.

Oh, yes, like you didn't at the apartment, huh?

Hey, what's that?

Ohh! Oh, give me a break, come on!

Oh, I hurt my foot, I hurt my foot.

Oh, it hurts.

Oh, not the face.

Unh.

To our very own Clarence Darrow.

Thanks again for everything.

We got lucky, now listen,

the prosecution is still challenging

the validity of our tape,

but we've got a strong line of video experts,

and there's no way the court is gonna

reverse their decision to dismiss the charges, so...

- Hello, Mel. - Cole.

I wanted to thank you.

Yes.

So, uh, who are you now?

- I'm Cole. - JONAS: Mmhh.

And where is Mr. Montana?

- I don't know. - You know,

either you're taking this thing too far,

or you need to seek professional help.

What is it gonna take for you to believe me?

You know, Jess, what you're doing right now

is considered rude in some countries.

Just trying to figure out which one he is.

- I'm Cole. - I knew it.

No one else could have an ass like that.

COLE: Thank you.

I think.

TROY: Hey, Jess! Looking good.

Hey, what's up?

Whoa, whoa, whoa, whoa.

You--

Oh, my God.

What's he talking about?

Oh. You Cole?

People say we look alike.

COLE: So I've heard.

Well, personally, I don't see it.

I'm obviously taller,

and, uh, in better shape, don't you think?

Heh heh heh!

Anyway, we should celebrate, don't you think?

Come on. Celebration! Hmm? Apple martini?

Apple martinis on the house, right?

Apple martinis all around!

Nice to meet you, Cole.

Yes, yes, yes!

Ahh!

He has a lot of energy.

He certainly does.

Do you think I should dress like him?

No.

Okay.