Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,286 --> 00:00:05,353
♪ WELL, I'M NOT THE
KIND TO KISS AND TELL ♪
2
00:00:05,422 --> 00:00:08,173
♪ BUT I'VE BEEN
SEEN WITH FARRAH ♪
3
00:00:08,242 --> 00:00:10,809
♪ I'VE NEVER BEEN
WITH ANYTHING LESS ♪
4
00:00:10,878 --> 00:00:13,561
♪ THAN A NINE SO FINE ♪
5
00:00:13,631 --> 00:00:15,480
♪ I'VE BEEN ON FIRE
WITH SALLY FIELD ♪
6
00:00:15,549 --> 00:00:19,518
♪ GONE FAST WITH
A GIRL NAMED BO ♪
7
00:00:19,586 --> 00:00:23,672
♪ BUT SOMEHOW THEY
JUST DON'T END UP AS MINE ♪
8
00:00:23,741 --> 00:00:27,426
♪ IT'S A DEATH-DEFYIN'
LIFE I LEAD ♪
9
00:00:27,494 --> 00:00:29,878
♪ I TAKE MY CHANCES ♪
10
00:00:29,946 --> 00:00:33,047
♪ I DIE FOR A LIVIN' IN
THE MOVIES AND TV ♪
11
00:00:34,902 --> 00:00:37,502
♪ BUT THE HARDEST
THING I EVER DO ♪
12
00:00:37,571 --> 00:00:40,906
♪ IS WATCH MY LEADING LADIES ♪
13
00:00:40,958 --> 00:00:45,393
♪ KISS SOME OTHER GUY
WHILE I'M BANDAGIN' MY KNEE ♪
14
00:00:45,463 --> 00:00:48,213
♪ I MIGHT FALL FROM
A TALL BUILDIN' ♪
15
00:00:48,281 --> 00:00:51,283
♪ I MIGHT ROLL A BRAND-NEW CAR ♪
16
00:00:51,352 --> 00:00:53,869
♪ 'CAUSE I'M THE
UNKNOWN STUNTMAN ♪
17
00:00:53,938 --> 00:00:56,904
♪ THAT MADE
REDFORD SUCH A STAR ♪
18
00:00:56,973 --> 00:01:00,008
♪♪
19
00:01:03,514 --> 00:01:06,448
♪ I'VE NEVER SPENT
MUCH TIME IN SCHOOL ♪
20
00:01:06,516 --> 00:01:09,351
♪ BUT I'VE TAUGHT
LADIES PLENTY ♪
21
00:01:09,419 --> 00:01:12,788
♪ IT'S TRUE I HIRE MY
BODY OUT FOR PAY ♪
22
00:01:12,856 --> 00:01:14,556
♪ HEY, HEY ♪
23
00:01:14,625 --> 00:01:17,559
♪ I'VE GOTTEN BURNED
OVER CHERYL TIEGS ♪
24
00:01:17,628 --> 00:01:20,195
♪ BLOWN UP FOR RAQUEL WELCH ♪
25
00:01:20,264 --> 00:01:24,132
♪ BUT WHEN I WIND UP IN
THE HAY, IT'S ONLY HAY ♪
26
00:01:24,201 --> 00:01:25,567
♪ HEY, HEY ♪
27
00:01:25,636 --> 00:01:28,653
♪ I MIGHT JUMP AN
OPEN DRAWBRIDGE ♪
28
00:01:28,722 --> 00:01:30,488
♪ OR TARZAN FROM A VINE ♪
29
00:01:30,557 --> 00:01:32,941
♪ 'CAUSE I'M THE
UNKNOWN STUNTMAN ♪
30
00:01:33,010 --> 00:01:36,711
♪ THAT MAKES EASTWOOD
LOOK SO FINE ♪♪
31
00:01:51,461 --> 00:01:54,729
THIS IS THE STORY OF ONE OF
AMERICA'S GREAT UNSUNG HEROES.
32
00:01:54,798 --> 00:01:58,499
I MEAN, YOU'VE SEEN HIM, BUT
YOU NEVER KNEW WHO HE WAS.
33
00:01:58,568 --> 00:02:00,852
YOU'VE CHEERED FOR
HIM AND CRIED FOR HIM,
34
00:02:00,921 --> 00:02:04,089
WOMEN HAVE WANTED
TO DIE FOR HIM.
35
00:02:04,157 --> 00:02:08,376
BUT DID HE EVER GET ANY
CREDIT? OR THE GIRL? NO.
36
00:02:08,445 --> 00:02:10,462
HE WAS WHAT WE CALL A STUNTMAN.
37
00:02:10,531 --> 00:02:13,215
AND THE REASON I'M TALKIN'
SO FONDLY ABOUT HIM IS...
38
00:02:13,284 --> 00:02:15,400
WELL, BECAUSE IT'S
ME, COLT SEAVERS.
39
00:02:15,468 --> 00:02:18,954
ANYWAY, PICTURE WORK ISN'T
WALL-TO-WALL EMPLOYMENT.
40
00:02:19,022 --> 00:02:22,691
SO MAYBE YOU WONDER HOW A
GUY KEEPS HIS HEAD TOGETHER.
41
00:02:22,759 --> 00:02:25,277
WELL, ONE WAY IS TO
WAIT BY THE PHONE...
42
00:02:25,346 --> 00:02:27,979
AND WAIT... AND WAIT.
43
00:02:28,048 --> 00:02:30,765
THE OTHER IS TO TAKE AN OCCASIONAL
JOB FOR THE COURT SYSTEM...
44
00:02:30,834 --> 00:02:32,934
OF THE UNITED STATES OF AMERICA,
45
00:02:33,003 --> 00:02:35,937
WHERE A MAN IS CONSIDERED
INNOCENT UNTIL PROVEN GUILTY.
46
00:02:36,006 --> 00:02:39,273
UNFORTUNATELY, SOMETIMES
A LOT OF THESE PEOPLE...
47
00:02:39,342 --> 00:02:42,561
GET OUT OF JAIL ON
WHAT WE CALL BAIL.
48
00:02:42,629 --> 00:02:45,263
AND THEY RUN LIKE HELL.
49
00:02:45,332 --> 00:02:49,651
THAT'S WHERE I COME IN. I SOMETIMES
PICK UP RENT MONEY TRYIN' TO FIND THEM...
50
00:02:49,720 --> 00:02:51,569
AND BRING THEM BACK TO JUSTICE.
51
00:02:51,638 --> 00:02:53,938
"A" CAMERA READY.
"B" CAMERA READY.
52
00:02:54,007 --> 00:02:56,553
"C" CAMERA READY.
OKAY, FELLAS, LOOK SHARP!
53
00:02:56,577 --> 00:02:58,760
HERE COMES THE PLANE.
54
00:02:58,828 --> 00:03:01,179
HEADS UP, GUYS!
I'M BRINGIN' IT IN!
55
00:03:01,247 --> 00:03:05,083
I'M WAITIN' FOR YOU, JODY.
NOW MAKE IT NICE AND SMOOTH.
56
00:03:06,487 --> 00:03:08,754
JODY, YOU'RE OFF LINE!
57
00:03:08,822 --> 00:03:12,123
BACK OFF! YOU'RE UP TOO FAR!
58
00:03:12,192 --> 00:03:15,493
NO GOOD, GUYS.
LET'S DO IT AGAIN.
59
00:03:15,562 --> 00:03:18,713
OKAY, RON, SLIDE
OVER. TAKE THE WHEEL.
60
00:03:28,141 --> 00:03:30,642
WHOA, KID! SMOOTH!
SMOOTH! KEEP IT SMOOTH!
61
00:03:30,711 --> 00:03:33,661
LET'S TRY ANOTHER ONE.
62
00:03:36,132 --> 00:03:38,332
OKAY. LOOKS GOOD. LOOKS GOOD.
63
00:03:40,604 --> 00:03:43,931
I HIT SOME AIR TURBULENCE!
I CAN'T HOLD HER, COLT!
64
00:03:43,955 --> 00:03:45,824
YES, YOU CAN! YES, YOU CAN!
65
00:03:45,893 --> 00:03:48,159
YOU'RE DOIN' GREAT.
66
00:03:52,049 --> 00:03:56,285
- KID, YOU ALMOST
TOOK MY HEAD OFF.
- SORRY, COLT.
67
00:03:59,790 --> 00:04:03,675
OKAY, THIS ONE'S A
PRINT. I CAN FEEL IT, COLT.
68
00:04:04,745 --> 00:04:07,345
WELL, I HOPE YOU'RE RIGHT, JODY.
69
00:04:07,414 --> 00:04:11,199
ONE MORE TIME FOR COLT
SEAVERS. I COULD GET OLD DOIN' THIS.
70
00:04:19,760 --> 00:04:22,243
GOOD! GOOD, JODY, GOOD!
71
00:04:26,950 --> 00:04:30,769
NOW DON'T CUT ME IN HALF! I DON'T
THINK YOU COULD STAND TWO OF ME!
72
00:04:32,422 --> 00:04:34,839
HEY, COWBOY, YOU WANT A RIDE?
73
00:04:34,908 --> 00:04:36,842
DON'T MIND IF I DO.
74
00:04:41,615 --> 00:04:43,865
OKAY, I'M ON. WE GOT A PRINT.
75
00:04:46,219 --> 00:04:50,738
AU REVOIR JEANS. FOR THE MAN WHO
LIKES TO LIVE BY THE SEAT OF HIS PANTS.
76
00:04:58,198 --> 00:05:01,133
THAT'S THE DUMBEST THING I EVER
SAW. WHAT A WASTE OF GOOD STUNTS.
77
00:05:01,201 --> 00:05:04,236
I MEAN, HOW DID YOU EVER TALK ME INTO
DOING TWO MORE OF THOSE COMMERCIALS?
78
00:05:04,304 --> 00:05:06,582
WELL, WE NEEDED THE MONEY. YOU
KNOW, THE STRIKE HURT EVERYONE.
79
00:05:06,606 --> 00:05:08,539
THERE ARE BETTER
WAYS TO MAKE MONEY.
80
00:05:08,608 --> 00:05:11,888
I'M GLAD YOU SAID THAT, BECAUSE BIG JACK
WANTED TO DROP BY AND SEE YOU TONIGHT.
81
00:05:11,912 --> 00:05:14,174
BIG JACK IS NOT A BETTER
WAY. AH, BE REASONABLE, COLT.
82
00:05:14,198 --> 00:05:16,815
WE HAVEN'T BEEN OUT ON A CASE
SINCE YOU GOT OUT OF TRACTION.
83
00:05:16,884 --> 00:05:18,800
THAT LAST ONE PUT ME
IN TRACTION, REMEMBER?
84
00:05:18,869 --> 00:05:22,604
I'M NOT GOING OUT ON
ANOTHER BOUNTY HUNT. COLT.
85
00:05:22,673 --> 00:05:24,784
I TOLD YOU THAT'S FINAL.
86
00:05:24,808 --> 00:05:26,742
NOW HIS NAME IS
E. CHARLES NEIMAN.
87
00:05:26,810 --> 00:05:29,010
HE'S A VERY PROMINENT
BEVERLY HILLS BUSINESSMAN...
88
00:05:29,079 --> 00:05:31,724
YES. WHO WAS ARRESTED FOR EMBEZZLING
10 MILLION DOLLARS' WORTH OF BONDS...
89
00:05:31,748 --> 00:05:33,682
FROM HIS OWN BROKERAGE HOUSE.
90
00:05:33,750 --> 00:05:35,828
I DO KEEP UP WITH THE NEWS.
WHERE'D HE SKIP OFF TO?
91
00:05:35,852 --> 00:05:38,131
LONDON? ROME? PARIS? YOU
KNOW HOW MUCH I LIKE TO TRAVEL.
92
00:05:38,155 --> 00:05:40,889
HOWIE, HE DIDN'T SKIP OFF
ANYWHERE. HE'S RIGHT HERE IN TOWN.
93
00:05:40,957 --> 00:05:43,558
LOOK, IF HE HASN'T JUMPED BAIL,
THEN WHY ARE YOU BOTHERING ME?
94
00:05:43,626 --> 00:05:46,528
TO BRING HIM DOWNTOWN
SO I CAN REVOKE HIS BOND.
95
00:05:46,596 --> 00:05:51,332
I WANT ABSOLUTELY NOTHING TO DO
WITH E. CHARLES NEIMAN. WELL, WHY NOT?
96
00:05:51,401 --> 00:05:53,334
A WELL-TO-DO
WHITE-COLLAR CRIMINAL.
97
00:05:53,404 --> 00:05:57,138
HE'LL PROBABLY HIRE HIMSELF A TEAM OF
EXPENSIVE LAWYERS AND GET OFF SCOT-FREE.
98
00:05:57,207 --> 00:06:01,375
THAT'S WHAT I THOUGHT WHEN I POSTED
THE BOND TO THE TUNE OF $500,000.
99
00:06:01,444 --> 00:06:05,180
THAT IS A HEFTY SUM. I HOPE
YOU GOT SOME COLLATERAL.
100
00:06:05,249 --> 00:06:08,149
I CERTAINLY DID. HIS
MALIBU BEACH HOUSE.
101
00:06:08,218 --> 00:06:10,818
WELL, THEN, YOU'RE
WELL PROTECTED.
102
00:06:10,887 --> 00:06:14,589
EXCEPT FOR ONE THING. HE
SOLD IT RIGHT AFTER THAT.
103
00:06:14,657 --> 00:06:16,624
I DIDN'T THINK HE COULD DO THAT.
104
00:06:16,693 --> 00:06:20,578
I DIDN'T EITHER. BUT WE'RE
DEALING WITH THE PRIVILEGED CLASS.
105
00:06:20,647 --> 00:06:25,666
HE'S A SPOILED EGOMANIAC WHO THINKS
HE CAN BEND THE RULES TO SUIT HIMSELF.
106
00:06:27,237 --> 00:06:30,371
JACK, YOU KNOW HOW I
HATE TO RISK MY NECK.
107
00:06:30,440 --> 00:06:35,292
COLT, I'M PREPARED TO PAY YOU
HANDSOMELY FOR MY MISTAKE.
108
00:06:35,361 --> 00:06:37,162
$500 A DAY.
109
00:06:37,230 --> 00:06:39,876
ON THE OTHER HAND, I HATE TO
SEE YOU PLAYED FOR A SUCKER.
110
00:06:39,900 --> 00:06:44,435
NOW WHERE JUST MIGHT I
FIND THIS E. CHARLES NEIMAN?
111
00:06:47,774 --> 00:06:49,690
WHAT IS THIS CAVALIER
CLUB ANYWAY?
112
00:06:49,760 --> 00:06:53,027
IT'S A PRIVATE CLUB WHERE PEOPLE WITH
MONEY TO BURN CAN BUY SOME PRIVACY.
113
00:06:55,065 --> 00:06:57,181
LET ME GET TO THE POINT, AL.
114
00:06:57,250 --> 00:07:00,585
I THOUGHT I HAD COMMITTED
THE PERFECT CRIME.
115
00:07:00,653 --> 00:07:02,748
I NEVER EXPECTED THE BANK
TO DISCOVER IT THAT QUICKLY.
116
00:07:02,772 --> 00:07:06,274
WHO SAYS GOOD GUYS
DON'T GET BAD BREAKS.
117
00:07:06,342 --> 00:07:10,027
TELL ME, HOW CAN I RIGHT
THIS GROSS INJUSTICE?
118
00:07:10,096 --> 00:07:13,982
I AM SITTING ON 10 MILLION DOLLARS'
WORTH OF TRACEABLE BONDS.
119
00:07:14,050 --> 00:07:16,935
I NEED TO CONVERT THEM
INTO CASH. CAN YOU HELP ME?
120
00:07:17,004 --> 00:07:21,723
YOU GIVE ME TWO WEEKS AND I'LL
GET YOU 75 CENTS ON THE DOLLAR.
121
00:07:21,792 --> 00:07:24,859
I HAVEN'T GOT TWO WEEKS.
MY HEARING'S ON FRIDAY.
122
00:07:24,928 --> 00:07:26,894
I DON'T INTEND TO BE THERE.
123
00:07:26,963 --> 00:07:30,665
FRIDAY? CHARLIE, YOU'RE... YOU'RE
TALKING THE DAY AFTER TOMORROW.
124
00:07:30,733 --> 00:07:34,385
OR SOONER. I HAD TO UNLOAD
THE COLLATERAL FOR MY BAIL.
125
00:07:34,454 --> 00:07:37,021
THAT MEANS THE BONDING
COMPANY IS GONNA COME AFTER ME.
126
00:07:37,090 --> 00:07:41,492
AND THE LAST THING I WANT IS TO BE
PUT BACK IN JAIL ON A MERE TECHNICALITY.
127
00:07:47,300 --> 00:07:49,834
IS THIS A GAG? NO, IT'S A TRUCK.
128
00:07:49,903 --> 00:07:51,836
WELL, WHERE DO YOU
EXPECT ME TO PARK IT?
129
00:07:51,905 --> 00:07:55,539
PUT IT RIGHT OUT FRONT. SHOW IT
OFF. YEAH, IT'S A BEAUTIFUL TRUCK.
130
00:08:01,465 --> 00:08:04,031
MR. NEIMAN DOESN'T
EXACTLY KEEP A LOW PROFILE.
131
00:08:04,100 --> 00:08:06,551
THAT'S GREAT.
132
00:08:06,620 --> 00:08:08,665
YOU LIKE IT? THAT'S
A FUNNY JOKE.
133
00:08:08,689 --> 00:08:12,457
YEAH, AND IT'S MINE TOO. OH.
134
00:08:12,525 --> 00:08:14,809
COLT! HIYA, KID!
135
00:08:14,878 --> 00:08:18,246
HEY, MILTON, HOW ARE YOU? GOOD TO
SEE YOU. HEY, HOWIE, THIS IS MILTON BERLE.
136
00:08:18,314 --> 00:08:20,615
I DID A STUNT FOR
HIM ON A MOVIE ONCE.
137
00:08:20,684 --> 00:08:23,952
AT MY AGE, I NEED A STUNTMAN
TO PUT ON MY MAKEUP.
138
00:08:25,222 --> 00:08:28,022
- ENJOY THE CLUB.
- THANK YOU, MR. BERLE.
139
00:08:28,091 --> 00:08:31,092
I HEAR THIS IS THE TOP PLACE IN
THE CITY FOR FOOD AND DANCING.
140
00:08:31,161 --> 00:08:35,096
WHO KNOWS FROM DANCING? I
COME HERE FOR THE TAKEOUTS.
141
00:08:38,001 --> 00:08:41,252
COLT, THIS IS A PRIVATE CLUB. AREN'T WE
GONNA NEED A LITTLE PULL TO GET INSIDE?
142
00:08:41,320 --> 00:08:43,480
I'LL USE ONE OF MILTON'S LINES.
143
00:08:47,077 --> 00:08:49,110
HELLO. HELLO.
144
00:08:49,179 --> 00:08:52,847
CAN I HELP YOU? YES, WE'D LIKE
TO SPEAK TO MR. E. CHARLES NEIMAN.
145
00:08:52,916 --> 00:08:54,849
ARE YOU MEMBERS, MR...
146
00:08:54,918 --> 00:08:58,587
SEAVERS. COLT SEAVERS. NO, WE
JUST CAME IN TO REPORT THE ACCIDENT.
147
00:08:58,655 --> 00:09:02,657
- ACCIDENT?
- IN THE PARKING LOT. THAT IS
HIS ROLLS-ROYCE, ISN'T IT?
148
00:09:02,726 --> 00:09:06,311
- YES. WHAT HAPPENED?
- OH, NOTHING MUCH. YOU CAN
HARDLY SEE WHERE WE HIT IT.
149
00:09:06,379 --> 00:09:09,014
YES. SO I'D LIKE TO GIVE HIM THE
NAME OF MY INSURANCE COMPANY.
150
00:09:09,082 --> 00:09:13,835
- SO IF YOU'D PLEASE GET HIM.
- FRANK, YOU WATCH THE DOOR
WHILE I STEP INSIDE.
151
00:09:17,374 --> 00:09:21,309
- EXCUSE ME, MR. MAGLIA.
- OH, YES, SALLY?
152
00:09:21,378 --> 00:09:24,607
THERE'S A MR. SEAVERS AT THE
DOOR, WANTS TO SEE MR. NEIMAN.
153
00:09:24,631 --> 00:09:26,609
SAYS HE SMASHED INTO HIS CAR.
154
00:09:26,633 --> 00:09:28,616
NOT MY ROLLS?
THAT'S WHAT HE SAID.
155
00:09:28,685 --> 00:09:30,851
OH, PLEASE. HOLD IT. HOLD IT.
156
00:09:30,920 --> 00:09:35,673
YOU GO TELL HIM THAT MR. NEIMAN
WILL BE RIGHT THERE. OKAY? OKAY.
157
00:09:35,742 --> 00:09:38,292
I DON'T UNDERSTAND.
158
00:09:38,361 --> 00:09:42,080
CHARLIE, IF YOUR CAR WAS HIT, MY PARKING
LOT ATTENDANT WOULD HAVE REPORTED IT.
159
00:09:42,149 --> 00:09:46,601
I MEAN, WE CAN'T BE TOO CAREFUL
IF SOME BAIL BONDSMAN'S ONTO YOU.
160
00:09:46,670 --> 00:09:49,638
WELL, I TAKE MY
HAT OFF TO YOU, AL.
161
00:09:49,706 --> 00:09:51,840
LOOKS LIKE I CAME TO
THE RIGHT MAN AFTER ALL.
162
00:09:53,226 --> 00:09:55,293
HE'LL BE RIGHT OUT.
163
00:09:55,362 --> 00:09:59,364
OH, SO TELL ME, UH, WHAT KIND OF
PEOPLE BELONG TO THIS CLUB ANYWAY?
164
00:09:59,432 --> 00:10:03,234
IT'LL TAKE TWO GRAND AND A NEW SET
OF THREADS FOR YOU TO FIND THAT OUT.
165
00:10:03,303 --> 00:10:05,603
WELL, THERE'S ALWAYS SPACE
GAMES AND A SIX-PACK AT HOME.
166
00:10:11,294 --> 00:10:14,662
- COLT, WHERE ARE YOU GOING?
- SIT TIGHT. I'LL BE RIGHT BACK.
167
00:10:21,404 --> 00:10:23,805
HEY!
168
00:10:30,163 --> 00:10:33,131
HEY, WHERE'S MY TIP?
169
00:11:12,622 --> 00:11:15,089
SOMETHING TELLS ME YOU
WERE CHASING THAT CAR.
170
00:11:15,158 --> 00:11:17,152
THAT'S RIGHT,
OFFICER. I CAN EXPLAIN.
171
00:11:17,176 --> 00:11:19,927
I'LL BET. LICENSE AND
REGISTRATION, PLEASE.
172
00:11:19,996 --> 00:11:23,381
I WAS HIRED BY A BONDSMAN TO PICK UP THE
MAN DRIVING THAT CAR... E. CHARLES NEIMAN.
173
00:11:23,450 --> 00:11:25,494
WE HAVE REASON TO BELIEVE
HE'S ABOUT TO SKIP TOWN.
174
00:11:25,518 --> 00:11:27,518
I HAVE HIS BOND
RECEIPT RIGHT HERE.
175
00:11:30,506 --> 00:11:32,506
BE RIGHT BACK.
176
00:11:41,167 --> 00:11:45,470
DID YOU SAY YOU WANTED TO APPREHEND THE
MAN THAT WAS DRIVIN' THIS CAR? IS THAT HIM?
177
00:11:49,642 --> 00:11:53,928
THAT'S HIM, OFFICER. THAT'S THE CREEP
THAT WAS HUSTLIN' ME ALL THROUGH LUNCH.
178
00:11:53,996 --> 00:11:57,632
SCARED ME TO DEATH. THANK GOD
YOU CAME ALONG WHEN YOU DID.
179
00:11:57,701 --> 00:12:00,663
- WAIT A MINUTE...
- IT'S OKAY, MISS. YOU CAN GO NOW.
180
00:12:00,687 --> 00:12:02,687
THANK YOU.
181
00:12:04,590 --> 00:12:06,574
YOU FOLLOW ME, TURKEY.
182
00:12:14,300 --> 00:12:16,234
WHERE'D YOU GO, COLT?
183
00:12:16,302 --> 00:12:18,430
NEVER MIND. WHAT HAPPENED
BACK HERE? DID YOU SEE NEIMAN?
184
00:12:18,454 --> 00:12:19,886
YEAH. RIGHT AFTER
YOU TOOK OFF, THEY
185
00:12:19,910 --> 00:12:21,689
SLIPPED HIM OUT THE
BACK IN A BLACK PORSCHE.
186
00:12:21,758 --> 00:12:23,792
I COULDN'T GIVE THEM
MUCH OF A CHASE ON FOOT.
187
00:12:23,860 --> 00:12:26,394
GREAT! THIS IS SUPPOSED TO
BE ONE OF JACK'S SIMPLE PICKUPS.
188
00:12:26,463 --> 00:12:29,074
BUT I DID GET HIS LICENSE
NUMBER. FANTASTIC.
189
00:12:29,098 --> 00:12:32,333
GET IN.
190
00:12:32,402 --> 00:12:34,492
ACCORDING TO THE D.M.V.,
THE CAR THAT SMUGGLED
191
00:12:34,516 --> 00:12:36,354
NEIMAN RIGHT OUT
FROM UNDER OUR NOSES...
192
00:12:36,423 --> 00:12:39,357
IS REGISTERED TO AN
ALBERT MAGLIA OF BEL AIR.
193
00:12:39,425 --> 00:12:41,303
WHAT MAKES YOU THINK
NEIMAN IS AT THIS GUY
194
00:12:41,327 --> 00:12:43,410
MAGLIA'S HOUSE? I'VE
BEEN THROUGH THIS BEFORE.
195
00:12:52,722 --> 00:12:55,085
BOY, THE TROUBLE WITH
FINDING NEIMAN IS THAT
196
00:12:55,109 --> 00:12:57,441
EVERY PLACE HE'S
SUPPOSED TO BE, WE'RE NOT.
197
00:12:57,510 --> 00:12:59,588
YEAH, NOT IF WE DO
SOME ROLE-PLAYING, KID.
198
00:12:59,612 --> 00:13:01,572
THAT'S WHAT THIS
TOWN'S ALL ABOUT.
199
00:13:04,184 --> 00:13:06,667
HOW YOU DOING? I'M COLT SEAVERS.
200
00:13:06,736 --> 00:13:09,136
UH, TELLY SAID THERE
WOULD BE A PASS.
201
00:13:13,960 --> 00:13:16,094
I'M HIS HAIRDRESSER.
202
00:13:30,827 --> 00:13:33,027
THAT'S THE CAR.
203
00:13:36,666 --> 00:13:39,317
AND THAT'S NEIMAN INSIDE IT.
204
00:14:00,974 --> 00:14:03,557
THERE'S NO WAY THIS TRUCK'S
GONNA KEEP UP WITH THAT PORSCHE.
205
00:14:03,626 --> 00:14:05,809
WHY, YOU DON'T THINK SO?
206
00:14:05,878 --> 00:14:09,096
WELL, THAT CAR GOES FROM
ZERO TO A HUNDRED IN 10 SECONDS.
207
00:14:09,165 --> 00:14:13,000
ITS TOP SPEED'S 150. I'D CALL
THAT A LOST CAUSE, COLT.
208
00:14:13,069 --> 00:14:16,187
NOT WITH A FOUR-WHEEL DRIVE.
209
00:14:22,579 --> 00:14:24,945
HOW DO YOU KNOW WHERE
THIS TRAIL COMES OUT?
210
00:14:25,014 --> 00:14:27,931
I'VE SHOT EVERY INCH OF THESE
HILLS IN THE MOVIES WE'VE DONE.
211
00:14:32,338 --> 00:14:35,818
THIS IS WHAT WE CALL
"HEADING THEM OFF AT THE PASS."
212
00:14:59,416 --> 00:15:03,384
- WE'RE RUNNIN' OUT OF ROAD!
- HOLD ON, KID,
WE'RE GOIN' AIRBORNE!
213
00:15:18,818 --> 00:15:19,728
COLT! LOOK OUT!
214
00:15:19,752 --> 00:15:22,336
WHERE'D SHE COME FROM?
NEIMAN'S GETTING AWAY!
215
00:15:22,405 --> 00:15:24,722
WAIT. SHE LOOKS HURT.
216
00:15:31,648 --> 00:15:33,681
ARE YOU ALL RIGHT, MA'AM?
217
00:15:45,228 --> 00:15:47,595
HEY, WHAT'S THIS ALL
ABOUT? WHO ARE YOU, LADY?
218
00:15:47,663 --> 00:15:50,948
I WARN YOU. I'M QUITE
ACCUSTOMED TO USING FIREARMS.
219
00:15:51,017 --> 00:15:54,652
- LADY, GO EASY NOW. COME ON.
- WHY WERE YOU CHASING
MR. NEIMAN?
220
00:15:54,720 --> 00:15:56,937
WELL, YOU PUT THAT GUN
AWAY AND I MIGHT TELL YOU.
221
00:15:57,006 --> 00:16:01,526
I THINK FOR THE TIME BEING I FEEL
MORE IN CONTROL HAVING IT HANDY.
222
00:16:03,646 --> 00:16:06,681
ALL RIGHT. NOW YOU'VE DONE
IT. KID, THIS WAS ALL YOUR FAULT.
223
00:16:06,749 --> 00:16:09,650
WHAT ARE YOU... WAIT A MINUTE.
WHAT ARE YOU... WHAT ARE YOU...
224
00:16:09,719 --> 00:16:13,588
STOP IT! STOP IT, YOU TWO! YOU'RE
GOING TO GET US ALL ARRESTED!
225
00:16:13,656 --> 00:16:15,506
OH.
226
00:16:22,665 --> 00:16:27,267
OKAY, UM, I HAVE A LEGAL
PAPER TO BE CARRYING THAT GUN.
227
00:16:27,336 --> 00:16:29,804
I HAPPEN TO BE MR. NEIMAN'S
PERSONAL BODYGUARD,
228
00:16:29,872 --> 00:16:32,306
AND I WOULD LIKE TO KNOW WHY
YOU HAVE BEEN HARASSING HIM.
229
00:16:32,374 --> 00:16:35,571
KID, I GOT THE GUN. DON'T I
GET TO ASK THE QUESTIONS?
230
00:16:35,595 --> 00:16:37,723
THAT'S THE WAY I ALWAYS
UNDERSTOOD IT WORKED. YEAH.
231
00:16:37,747 --> 00:16:40,214
NOW COME ON, YOU
TWO. WHAT'S THE STORY?
232
00:16:40,283 --> 00:16:42,928
LADY, I DON'T THINK YOU'RE PAYING
ATTENTION. NOW THIS IS A COLT .45,
233
00:16:42,952 --> 00:16:46,019
AND YOU'RE OUT HERE IN THE MIDDLE
OF NOWHERE, PRACTICALLY HELPLESS.
234
00:16:46,088 --> 00:16:48,255
HOW COME IT IS YOU'RE
NOT EVEN NERVOUS?
235
00:16:48,324 --> 00:16:51,225
THAT'S BECAUSE I KNOW SOMETHING
THAT YOU DON'T, GENTLEMEN.
236
00:16:51,294 --> 00:16:53,360
YEAH, WHAT?
237
00:16:57,767 --> 00:16:59,700
OH, NO, NOT AGAIN.
238
00:16:59,769 --> 00:17:02,503
I WON'T MAKE A
FUSS IF YOU WON'T.
239
00:17:02,572 --> 00:17:04,605
I'LL SEE YOU ROT IN JAIL.
240
00:17:04,674 --> 00:17:07,975
OH, COME ON, YOU DON'T WANT TO SPEND
ALL DAY DOWNTOWN SORTING THIS OUT.
241
00:17:08,043 --> 00:17:11,796
I THOUGHT I RECOGNIZED THE
TRUCK. WHAT IS IT THIS TIME?
242
00:17:11,865 --> 00:17:14,727
OH, NOTHING, OFFICER. JUST
HELPING A STRANDED MOTORIST.
243
00:17:14,751 --> 00:17:16,730
WHY, OFFICER, DON'T
YOU BELIEVE HIM. WHY,
244
00:17:16,754 --> 00:17:18,903
THIS LUNATIC TRIED TO
DRIVE ME OFF THE ROAD.
245
00:17:18,971 --> 00:17:22,723
WELL, THANK HEAVENS YOU CAME ALONG. I
WAS SO AFRAID OF WHAT MIGHT HAPPEN NEXT.
246
00:17:22,792 --> 00:17:24,703
LOOK, PAL, WHAT IS IT WITH YOU?
247
00:17:24,727 --> 00:17:26,677
YOUR CREDENTIALS SAY
YOU'RE LOOKING FOR A GUY,
248
00:17:26,701 --> 00:17:28,546
AND YOU SPEND HALF
YOUR TIME CHASING WOMEN.
249
00:17:28,614 --> 00:17:32,683
- I'M FUNNY THAT WAY.
- YEAH, BUT I'M NOT LAUGHING.
250
00:17:32,752 --> 00:17:35,430
LADY, WOULD YOU LIKE TO SWEAR OUT
A COMPLAINT FOR THIS MAN'S ARREST?
251
00:17:35,454 --> 00:17:38,339
- I'D BE GLAD TO HAUL HIM IN.
- HAUL HIM IN?
252
00:17:38,407 --> 00:17:40,774
UH, NOW WHAT WOULD
THAT ENTAIL, OFFICER?
253
00:17:40,843 --> 00:17:44,796
WELL, YOU JUST FOLLOW US DOWNTOWN AND YOU
SWEAR OUT A CHARGE FOR ATTEMPTED ASSAULT.
254
00:17:44,864 --> 00:17:49,250
NO, I DON'T THINK THAT
WOULD BE NECESSARY.
255
00:17:49,319 --> 00:17:52,453
BUT I DO BELIEVE WE SHOULD
DO SOMETHING ABOUT THAT GUN.
256
00:18:00,196 --> 00:18:03,564
ALL RIGHT, LET'S
GO, TURKEY. AGAIN.
257
00:18:13,242 --> 00:18:15,676
WHAT A WASTE OF TIME.
258
00:18:18,814 --> 00:18:20,781
DON'T TAKE IT SO
PERSONALLY, COLT.
259
00:18:20,850 --> 00:18:23,528
YOU KNOW, A LOT OF PEOPLE GET
ARRESTED. YEAH? WELL, I'LL KILL HER.
260
00:18:23,552 --> 00:18:25,486
YOU'RE GETTING
EMOTIONALLY INVOLVED.
261
00:18:25,554 --> 00:18:28,234
AS A FORMER POLICE SCIENCE MAJOR, I
CAN TELL YOU THAT THAT'S DANGEROUS.
262
00:18:28,258 --> 00:18:30,336
I'LL SHOW YOU DANGEROUS
WHEN I GET MY HANDS ON HER.
263
00:18:30,360 --> 00:18:33,961
OH, YOU DUG HER, DIDN'T YOU?
KID, WILL YOU GO FEED THE HORSES...
264
00:18:34,029 --> 00:18:37,264
BEFORE I GIVE YOU A LITTLE OF WHAT I
GOT PLANNED FOR LITTLE MISS BODYGUARD.
265
00:18:37,333 --> 00:18:40,534
AGGRESSION TRANSFERENCE. THAT'S
NORMAL. IT'S UNHEALTHY, BUT IT'S NORMAL.
266
00:18:40,603 --> 00:18:44,438
I TOOK ALMOST A YEAR OF
PSYCHOLOGY... OKAY, I'M GOING.
267
00:18:49,362 --> 00:18:52,196
COME IN. COME IN.
COME IN. COME IN.
268
00:18:55,935 --> 00:18:58,519
THAT'S VERY GENEROUS OF YOU,
CONSIDERING THIS IS MY HOUSE.
269
00:18:58,587 --> 00:19:03,257
THANKS FOR THE BEER. WELL, WE HAD
KIND OF A LONG WAIT. I HOPE YOU DON'T MIND.
270
00:19:03,326 --> 00:19:05,804
YEAH, WELL, I DO MIND. WHAT
ARE YOU DOIN' HERE? COME ON.
271
00:19:05,828 --> 00:19:08,229
DON'T TAKE THAT ATTITUDE.
272
00:19:08,298 --> 00:19:10,864
WE ALL KNOW THAT FRIENDS
ARE MERELY ACQUAINTANCES...
273
00:19:10,934 --> 00:19:14,218
WHO HAD THE OPPORTUNITY TO GET TO
KNOW EACH OTHER A LITTLE BIT BETTER.
274
00:19:14,287 --> 00:19:17,772
WE'RE VERY HEAVILY INTO
FRIENDS, MR. SEAVERS.
275
00:19:17,840 --> 00:19:22,560
YOU'VE BEEN BOTHERING ONE OF
OURS. A VERY, VERY DEAR, DEAR MAN.
276
00:19:22,629 --> 00:19:25,312
E. CHARLES NEIMAN. BINGO!
277
00:19:25,380 --> 00:19:30,183
LOOK, FRIENDS, UH, YOUR FRIEND PROMISED
MY FRIEND THAT HE'D SHOW UP IN COURT.
278
00:19:30,252 --> 00:19:32,049
NOW IT LOOKS LIKE
YOUR FRIEND IS TRYIN' TO
279
00:19:32,073 --> 00:19:34,154
STIFF MY FRIEND. THAT'S
NOT BEING VERY FRIENDLY.
280
00:19:34,223 --> 00:19:37,908
COME ON. WHY DON'T
YOU GIVE HIM A BREAK?
281
00:19:37,976 --> 00:19:39,911
THE HEARING'S NOT FOR
A COUPLE OF DAYS YET.
282
00:19:39,979 --> 00:19:43,397
THEN TELL HIM TO COME ON IN, WE'LL
TALK ABOUT IT. THAT'S FAIR, ISN'T IT?
283
00:19:43,466 --> 00:19:46,834
YOU KNOW ALL THESE
FAMOUS PEOPLE?
284
00:19:46,902 --> 00:19:49,982
YEAH, I'VE WORKED WITH
MOST OF THEM. IS THAT RIGHT?
285
00:19:50,006 --> 00:19:52,739
GEE, THESE PICTURES MUST
BE VERY IMPORTANT TO YOU.
286
00:19:52,808 --> 00:19:55,742
THIS ONE, FOR INSTANCE.
ISN'T THIS BJÖRN... BJÖRN...
287
00:19:55,812 --> 00:19:57,812
BJÖRN BORG STANDING
HERE WITH YOU?
288
00:19:57,880 --> 00:20:00,815
- YES. HE'S A GOOD FRIEND.
- HEY!
289
00:20:03,268 --> 00:20:06,903
LOOK, FELLAS, UP UNTIL,
UH... UP UNTIL THIS TIME,
290
00:20:06,972 --> 00:20:10,007
YOUR FRIEND HAS JUST BEEN BENDING
THE LAW, BUT NOW I THINK HE'S BROKEN IT.
291
00:20:10,076 --> 00:20:13,026
BINGO! ROY, SHOW HIM
WHAT HAPPENS NEXT.
292
00:20:13,095 --> 00:20:18,231
YEAH. WELL, UH, THIS
ROBERT MITCHUM, RIGHT?
293
00:20:22,188 --> 00:20:26,123
PAUL NEWMAN. HE MUST BE
A REAL FAVORITE OF YOURS.
294
00:20:26,192 --> 00:20:29,994
HEY, DO YOU KNOW WHAT HAPPENS, MR. SEAVERS,
WHEN HE RUNS OUT OF PICTURES TO BREAK?
295
00:20:30,062 --> 00:20:32,396
HE'S GONNA START BREAKING YOU,
296
00:20:32,464 --> 00:20:35,683
UNLESS YOU JUST GIVE US A
PROMISE THAT YOU'RE GONNA BACK OFF.
297
00:20:35,752 --> 00:20:40,921
- SUPPOSING I SAY I WILL?
- WELL, THEN
I'D BE VERY GRATEFUL...
298
00:20:40,990 --> 00:20:43,591
AND LEAVE YOU THIS ENVELOPE.
299
00:20:43,659 --> 00:20:48,795
IT'S YOUR FEE. IT CONTAINS IT TO, UH, BACK
OFF, YOU KNOW, NOT PICK UP OUR MR. NEIMAN.
300
00:20:48,864 --> 00:20:52,799
BUT JUST IN CASE THAT YOU, YOU KNOW,
GET SENTIMENTAL OVER THESE OLD PICTURES...
301
00:20:52,869 --> 00:20:55,870
AND YOU DECIDE MAYBE
TO CHANGE YOUR MIND,
302
00:20:55,938 --> 00:20:58,372
I JUST WANT TO GIVE
YOU SOMETHING TO,
303
00:20:58,440 --> 00:21:00,574
WELL, KEEP OUR WHOLE
CONVERSATION FRESH.
304
00:21:00,642 --> 00:21:03,577
YOU KNOW WHAT I MEAN? ROY.
305
00:21:09,519 --> 00:21:12,068
REAL... FRESH.
306
00:21:17,376 --> 00:21:20,377
COLT, WHAT IN THE
WORLD ARE YOU...
307
00:21:20,446 --> 00:21:24,315
COLT? HEY, COLT?
COLT, ARE YOU OKAY?
308
00:21:25,701 --> 00:21:28,502
COLT, ARE YOU OKAY?
309
00:21:28,571 --> 00:21:33,140
COLT! COLT! COLT! COLT,
IT'S ME JODY! JODY! IT'S JODY!
310
00:21:34,210 --> 00:21:37,912
- JODY?
- OH, EXCUSE ME.
311
00:21:39,131 --> 00:21:41,949
I THOUGHT I HEARD SOME
ACTIVITY OVER HERE, BUT I...
312
00:21:42,017 --> 00:21:44,218
KID, GET BACK HERE.
313
00:21:45,354 --> 00:21:47,604
JODY, I'M SORRY.
314
00:21:47,673 --> 00:21:49,773
WHAT HAPPENED?
315
00:21:49,842 --> 00:21:52,108
OHH! WHO DID THIS TO YOU?
316
00:21:52,177 --> 00:21:54,110
OW!
317
00:21:54,179 --> 00:21:57,280
I'LL TELL YOU WHO. STRANGERS
BEARING GUNS. GUNS?
318
00:21:57,350 --> 00:21:59,616
YEAH, TWICE IN THE SAME DAY,
319
00:21:59,685 --> 00:22:03,554
BUT IF YOU GOT ME THE D.M.V. MAKE ON THAT
WOMAN'S CAR, I CAN SURE NAIL ONE OF 'EM.
320
00:22:03,622 --> 00:22:06,468
OH, YEAH. I'VE GOT IT RIGHT
HERE IN MY... MY PURSE.
321
00:22:06,492 --> 00:22:08,492
MMM.
322
00:22:13,733 --> 00:22:15,799
I'M SORRY, JODY.
WHAT DOES IT SAY?
323
00:22:15,868 --> 00:22:20,838
UH, 33770 COLDWATER CANYON.
324
00:22:20,906 --> 00:22:23,157
UH, KAY FAULKNER.
325
00:22:23,226 --> 00:22:26,521
- WHO'S SHE?
- I DON'T KNOW.
326
00:22:26,545 --> 00:22:29,146
BUT SHE'S UP TO HER
MERCEDES IN THIS LITTLE SWINDLE.
327
00:22:41,660 --> 00:22:44,561
SHE'S TURNING IN TO
THAT COUNTRY CLUB.
328
00:22:44,630 --> 00:22:46,691
THERE'S NEIMAN'S BLACK PORSCHE.
329
00:22:46,715 --> 00:22:51,902
COLT, EVERY MINUTE WITH YOU IS AN
EDUCATION. SHE LED US RIGHT TO HIM.
330
00:22:51,970 --> 00:22:54,004
WELL, LET'S GO GET HIM. UH-UH.
331
00:22:54,073 --> 00:22:55,655
NO, THE LAST PRIVATE
CLUB WE ANNOUNCED
332
00:22:55,679 --> 00:22:57,708
OURSELVES GAVE NEIMAN
ALL THE WARNING HE NEEDED.
333
00:22:57,776 --> 00:22:59,860
IT ONLY HAD A FRONT
AND BACK DOOR.
334
00:22:59,928 --> 00:23:03,079
THIS ONE'S SURROUNDED
BY THREE MILES OF FENCE.
335
00:23:14,811 --> 00:23:17,477
ARE YOU ABSOLUTELY CERTAIN
ABOUT THIS VEGAS CONNECTION?
336
00:23:17,546 --> 00:23:20,058
IN 36 HOURS, YOU WON'T
HAVE A CARE IN THE WORLD.
337
00:23:20,082 --> 00:23:24,268
YOU WANT THE FLAG? NO. THANKS.
338
00:23:24,336 --> 00:23:27,087
- WHAT ABOUT THE PLANE?
- IT'S ALL TAKEN CARE OF.
339
00:23:27,156 --> 00:23:31,425
WITH THE ADDITIONAL $500,000, THE PLANE
WILL BE COMPLETELY AT YOUR DISPOSAL.
340
00:23:31,494 --> 00:23:34,578
I'VE INSTRUCTED THE PILOT TO
TAKE YOU ANYWHERE IN THE WORLD.
341
00:23:34,647 --> 00:23:36,880
EXCELLENT.
342
00:23:36,949 --> 00:23:39,149
THE MONEY WILL BE
ARRIVING TOMORROW NIGHT.
343
00:23:39,217 --> 00:23:41,885
WE'LL MEET IT AT THE AIRPORT. WE'LL
MAKE THE EXCHANGE AT THAT TIME.
344
00:23:41,954 --> 00:23:44,071
WHY DO I HAVE TO MEET
YOU LATER AT YOUR CLUB?
345
00:23:44,139 --> 00:23:46,757
BECAUSE I DON'T WANT
ANY OUTSIDE INTERFERENCE.
346
00:23:46,826 --> 00:23:49,076
WHAT OUTSIDE INTERFERENCE?
347
00:23:49,145 --> 00:23:52,596
IT MAY INTEREST YOU TO KNOW THAT
WE FOUND OUT WHO MR. SEAVERS IS.
348
00:23:52,664 --> 00:23:56,383
I DON'T LIKE THE LOOKS OF THAT
RAZOR-EDGED BARBWIRE UP THERE.
349
00:23:56,452 --> 00:23:58,772
WE'LL USE THE AIR RAMP
TO SHOOT ME OVER IT.
350
00:24:03,992 --> 00:24:06,179
COLT, I'VE NEVER
QUESTIONED YOUR ABILITY WITH
351
00:24:06,203 --> 00:24:08,562
THE STUNT GEAR, BUT THIS
DOESN'T LOOK VERY SAFE.
352
00:24:08,631 --> 00:24:10,598
WELL, YOU COULD BE
RIGHT ABOUT THAT, KID.
353
00:24:10,666 --> 00:24:13,634
HERE, PUT THIS
ANTENNA DOWN FOR ME.
354
00:24:13,703 --> 00:24:17,154
WELL, IT... WELL, IT STILL
LOOKS KINDA DANGEROUS TO ME.
355
00:24:17,222 --> 00:24:20,591
NOT IF YOU KNOW HOW TO LAND PROPERLY.
I'M ONLY USING 1,200 POUNDS OF PRESSURE.
356
00:24:20,659 --> 00:24:22,827
SORT OF A HUMAN
CHIP SHOT, HUH? YEP.
357
00:24:22,895 --> 00:24:25,579
ONCE ON THE FAIRWAY, I'LL FIND
OUR LITTLE SNAKES IN NO TIME.
358
00:24:25,647 --> 00:24:27,781
WELL, LOOKS LIKE WE'RE READY.
359
00:24:27,849 --> 00:24:30,600
LET'S GIVE IT A SHOT.
360
00:24:55,844 --> 00:24:57,956
OH, YOU HAVEN'T SEEN A
FIVE "X" AROUND HAVE YOU?
361
00:24:57,980 --> 00:25:00,915
YOU SEE, I'VE GOT
THIS, UH, TERRIBLE SLICE.
362
00:25:09,892 --> 00:25:11,891
BIRD-WATCHING?
363
00:25:13,329 --> 00:25:16,729
MR. SEAVERS. WHAT
HAPPENED TO YOU?
364
00:25:16,798 --> 00:25:20,200
FISH-WATCHING. DON'T BE
SO FORMAL. CALL ME COLT.
365
00:25:21,603 --> 00:25:24,070
COLT. HOW'D YOU FIND ME?
366
00:25:24,139 --> 00:25:26,219
I'VE BEEN FOLLOWING YOUR CAR.
367
00:25:26,275 --> 00:25:30,043
I DON'T SUPPOSE THAT'S OUR GOOD FRIEND
NEIMAN YOU'VE BEEN PROTECTING, IS IT?
368
00:25:30,112 --> 00:25:33,731
NO, AS A MATTER OF
FACT, IT IS NOT MR. NEIMAN.
369
00:25:37,336 --> 00:25:40,921
OH, OF COURSE IT ISN'T.
WELL, SOUND AND EVERYTHING.
370
00:25:40,990 --> 00:25:44,224
VERY FANCY, EVEN IF IT ISN'T
STANDARD BODYGUARD GEAR.
371
00:25:44,293 --> 00:25:46,371
WELL, THIS TIME YOU
DON'T HELP THEM GET AWAY.
372
00:25:46,395 --> 00:25:48,628
SEAVERS, STAY OUT OF IT.
373
00:25:48,697 --> 00:25:52,499
LOOK, YOU GOT ME HAULED OFF ONCE
BEFORE WITHOUT EVEN SO MUCH AS A GOOD-BYE.
374
00:25:52,567 --> 00:25:54,545
THIS TIME IT ISN'T
GONNA HAPPEN AGAIN.
375
00:25:54,569 --> 00:25:58,238
YOU DON'T UNDERSTAND. I DON'T
WANT HIM TAKEN YET. YEAH, WELL, I DO.
376
00:25:58,307 --> 00:26:00,573
JUST WAIT! WAIT A MINUTE!
377
00:26:00,642 --> 00:26:04,011
WHAT ARE YOU DOING? SEAVERS!
378
00:26:04,079 --> 00:26:08,615
THIS IS MY GOLF CART AND
A ONE-MAN SHOW! I AGREE.
379
00:26:08,684 --> 00:26:10,750
AAAH!
380
00:26:18,810 --> 00:26:23,247
THERE'S SOMEONE FOLLOWING
US. IT'S SEAVERS! STEP ON IT!
381
00:26:58,084 --> 00:27:01,384
HEY, WATCH OUT! HEY, MAN!
382
00:27:01,453 --> 00:27:05,272
WHAT ARE YOU DOING,
MAN? HEY, WHAT'S GOING ON?
383
00:27:11,547 --> 00:27:14,948
DAN! ROY! SEAVERS IS AFTER US!
HOLD HIM! WE'RE GETTING OUT OF HERE!
384
00:27:16,886 --> 00:27:20,820
HOLD IT RIGHT THERE, SEAVERS!
385
00:27:26,412 --> 00:27:29,396
SEAVERS!
386
00:27:29,465 --> 00:27:34,051
SEAVERS! GIVE ME BACK THAT
RECORDER AND TAPE! THAT'S MY PROPERTY!
387
00:27:38,173 --> 00:27:40,168
I SAID GIVE THAT BACK, SEAVERS!
388
00:27:40,192 --> 00:27:43,371
SORRY, DEAR, IT'S MY ONLY LEAD
TO WHERE NEIMAN'S GOING. SEAVERS!
389
00:27:43,395 --> 00:27:46,146
NO! OHH!
390
00:27:46,214 --> 00:27:49,333
SEAVERS, NO!
391
00:27:49,402 --> 00:27:52,903
NO! GIVE ME MY EQUIPMENT!
392
00:27:52,972 --> 00:27:55,288
NOT YOU AGAIN, TURKEY.
OH! WAIT A MINUTE.
393
00:27:55,357 --> 00:27:57,502
OFFICER, IT'S NOT
WHAT YOU THINK.
394
00:27:57,526 --> 00:28:00,522
I'M GONNA GET YOU PEOPLE SOMEPLACE
WHERE YOU CAN'T HURT ANYBODY OR YOURSELF.
395
00:28:00,546 --> 00:28:02,626
BUT YOU DON'T UNDERSTAND!
I DON'T EVEN KNOW THIS MAN!
396
00:28:02,681 --> 00:28:05,882
WAIT A MINUTE, YOU CAN'T ARREST
ME. I HAVEN'T COMMITTED ANY CRIME.
397
00:28:05,951 --> 00:28:08,685
I'M AN INNOCENT BYSTANDER.
ALL RIGHT. LET'S GO.
398
00:28:08,754 --> 00:28:11,074
OH. YOU'RE STARTING
TO GET ON MY NERVES.
399
00:28:27,907 --> 00:28:30,673
WHAT WERE YOU DOING PHOTOGRAPHING
AND RECORDING THOSE GUYS ANYWAY?
400
00:28:30,743 --> 00:28:33,143
THAT IS NONE OF YOUR BUSINESS.
401
00:28:33,212 --> 00:28:35,145
WHAT'D YOU HEAR?
WHAT'S THEIR PLAN?
402
00:28:35,214 --> 00:28:37,280
DO YOU HONESTLY
THINK I'D TELL YOU?
403
00:28:37,349 --> 00:28:39,682
WELL, ISN'T IT ABOUT TIME YOU
TOLD ME WHAT YOU'RE AFTER?
404
00:28:39,752 --> 00:28:43,220
I MEAN, I'M GONNA FIND OUT SOON ENOUGH NOW
THAT I KNOW YOU'RE NOT WORKING FOR NEIMAN.
405
00:28:45,523 --> 00:28:50,410
IF I DO TELL YOU, DO YOU AGREE NOT
TO PICK HIM UP UNTIL HE'S READY TO RUN?
406
00:28:50,479 --> 00:28:53,880
IF I WAIT TILL HE TRIES TO RUN, HE MIGHT
MAKE IT. I GOTTA GET HIM WHILE HE'S AROUND.
407
00:28:53,949 --> 00:28:56,077
YOU'RE DOING A
HELL OF A JOB. WHAT?
408
00:28:56,101 --> 00:28:59,018
YOU HEARD ME. GOD,
I'M SICK OF AMATEURS!
409
00:28:59,087 --> 00:29:01,650
LISTEN, I WOULD HAVE HAD NEIMAN
LOCKED UP EIGHT WAYS FROM SUNDAY...
410
00:29:01,674 --> 00:29:04,452
IF YOU'D HAVE STAYED OUT OF MY
WAY WITH THAT CANDY-APPLE ACT.
411
00:29:04,476 --> 00:29:07,544
WHAT IS ALL THAT GADGETRY? WHAT ARE
YOU, SOME KIND OF REPORTER OR SOMETHING?
412
00:29:09,164 --> 00:29:11,731
I'M SAMANTHA JACK. THIS
IS COLT SEAVERS'S RELEASE.
413
00:29:11,800 --> 00:29:14,434
HERE COMES THE
CAVALRY. IT'S BEEN AN HOUR.
414
00:29:14,503 --> 00:29:17,249
HEY, YOU'RE LUCKY SHE KNOWS YOU.
OTHERWISE IT COULD HAVE TAKEN ALL DAY.
415
00:29:17,273 --> 00:29:20,907
BESIDES, IF YOU JUMP BAIL, WHO WOULD I
SEND TO BRING YOU BACK? YOU'RE ALL HEART.
416
00:29:20,976 --> 00:29:23,510
THANK YOU, OFFICER.
417
00:29:26,248 --> 00:29:28,262
WAIT A MINUTE. OFFICER.
OFFICER, WAIT A MINUTE!
418
00:29:28,286 --> 00:29:30,150
WHAT ABOUT ME? I CALLED
FOR A BONDSMAN TOO.
419
00:29:30,219 --> 00:29:32,168
OH, WHO'D YOU CALL? AMALGAMATED.
420
00:29:32,237 --> 00:29:37,123
IT'S AN ANSWERING SERVICE. YOU COULD BE
HERE THROUGH CHRISTMAS. UH, WHO ARE YOU?
421
00:29:37,192 --> 00:29:39,292
ALL RIGHT. LISTEN,
I'M KAY FAULKNER...
422
00:29:39,361 --> 00:29:41,294
WHAT ARE THE CHARGES?
DON'T YOU DARE.
423
00:29:41,363 --> 00:29:43,607
SHE'S IN HERE FOR SETTING FIRE TO THE
MICKEY MOUSE MUSEUM. WAIT A MINUTE.
424
00:29:43,631 --> 00:29:45,566
AT DISNEYLAND. COLT! COME ON!
425
00:29:45,634 --> 00:29:48,162
WAIT A MINUTE! WAIT
A MINUTE, SEAVERS!
426
00:29:48,186 --> 00:29:50,353
I'M GONNA GET YOU, SEAVERS.
427
00:29:51,523 --> 00:29:54,002
BAIL HER OUT. BAIL HER
OUT? YOU JUST SAID...
428
00:29:54,026 --> 00:29:57,105
I KNOW WHAT I JUST SAID. I JUST DON'T
WANT HER TO KNOW YOU'RE INVOLVED.
429
00:29:57,129 --> 00:29:59,841
GET ONE OF YOUR FRIENDS
TO DO IT. COLT, WHO IS SHE?
430
00:29:59,865 --> 00:30:02,415
HER NAME IS KAY FAULKNER.
BUT WHAT SHE IS I DON'T KNOW.
431
00:30:02,484 --> 00:30:04,801
SHE WAS USING SURVEILLANCE
EQUIPMENT ON NEIMAN.
432
00:30:04,870 --> 00:30:06,638
SHE COULD BE A REPORTER,
A DETECTIVE OR EVEN
433
00:30:06,662 --> 00:30:08,454
A THIEF AFTER NEIMAN'S
MONEY FOR ALL I KNOW.
434
00:30:08,523 --> 00:30:10,751
GET HER CREDENTIALS
WHEN YOU BAIL HER OUT.
435
00:30:10,775 --> 00:30:13,960
- WELL, THEN WHAT HAPPENS?
- WELL, KAY WILL TELL US.
436
00:30:14,029 --> 00:30:17,780
SHE'S GOT SOMETHING ON THAT EQUIPMENT
THAT WILL GIVE US NEIMAN'S NEXT MOVE.
437
00:30:17,849 --> 00:30:21,301
IN OTHER WORDS, YOU'RE ASKING
ME TO HELP YOU USE THIS POOR GIRL.
438
00:30:21,370 --> 00:30:24,054
- ANY OBJECTIONS?
- I'LL GET RIGHT ON IT.
439
00:30:24,122 --> 00:30:26,350
THANKS. YOU'RE WELCOME.
440
00:30:26,374 --> 00:30:29,309
KID, LET THAT BE A LESSON TO
YOU. YOU HAVE TO HAVE INTEGRITY.
441
00:30:29,377 --> 00:30:31,812
WHAT DOES INTEGRITY HAVE TO
DO WITH BAILING KAY OUT OF JAIL?
442
00:30:31,880 --> 00:30:34,358
I DIDN'T SAY IT HAD ANYTHING
TO DO WITH BAILING HER OUT.
443
00:30:34,382 --> 00:30:37,817
I JUST SAID YOU OUGHT TO HAVE
INTEGRITY, SOONER OR LATER.
444
00:31:06,615 --> 00:31:10,200
PRETTY HOT MOVE.
NEIMAN'S GOT TO BE IN THERE.
445
00:31:10,269 --> 00:31:14,003
WE NEED SOMEBODY THAT CAN GET IN
THERE AND FLUSH HIM OUT IN THE OPEN.
446
00:31:14,072 --> 00:31:17,007
YEAH, COLT, I CAN GET
IN THERE. NO PROBLEM.
447
00:31:17,075 --> 00:31:19,092
I WAS THINKING OF USING JODY.
448
00:31:19,161 --> 00:31:23,546
- JODY?
- WHO'D HAVE A BETTER SHOT
OF LURING MR. NEIMAN OUT?
449
00:31:23,615 --> 00:31:25,932
I MEAN, YOU, ME OR JODY?
450
00:31:26,001 --> 00:31:29,903
WELL, I... YOU NEVER
KNOW. THIS IS CALIFORNIA.
451
00:31:29,972 --> 00:31:32,138
ALL RIGHT, I'LL CALL JODY.
452
00:31:34,176 --> 00:31:37,010
I HAVEN'T SEEN THIS
MANY GUNS SINCE KOREA.
453
00:31:37,079 --> 00:31:40,681
YEAH, THE WHOLE WORLD'S GONE
PARANOID. EVERYONE'S INTO GUNS.
454
00:31:40,749 --> 00:31:42,861
YOU KNOW, IT'S SOMETHING YOU
MIGHT CONSIDER, WHERE YOU'RE GOING...
455
00:31:42,885 --> 00:31:44,929
AND WITH ALL THE MONEY
YOU'LL BE CARRYING.
456
00:31:44,953 --> 00:31:48,321
I MAY TAKE YOU UP ON THAT. WELL,
GOOD. I'LL SET YOU UP ON THE RANGE.
457
00:31:48,390 --> 00:31:52,659
YOU'LL HAVE PLENTY OF TIME TO KILL
BEFORE TOMORROW MORNING. MORNING?
458
00:31:52,728 --> 00:31:55,328
AL, THIS IS MY LAST
NIGHT IN THIS COUNTRY.
459
00:31:55,397 --> 00:31:58,932
I'VE GOT FRIENDS THAT I GOTTA
SEE BEFORE I GO. NO DEAL, CHARLIE.
460
00:31:59,001 --> 00:32:03,170
THERE'S TOO MANY PEOPLE LOOKING FOR YOU
AND THIS IS ONE PLACE WHERE YOU'RE SAFE.
461
00:32:03,238 --> 00:32:05,572
WELL, I'VE SEEN THAT ALL RIGHT.
462
00:32:06,742 --> 00:32:09,792
SECURITY HERE IS TIGHTER
THAN A MILITARY BASE.
463
00:32:09,861 --> 00:32:12,862
OH, JUDY, RESERVE TWO
SPOTS FOR ME, WILL YOU?
464
00:32:15,717 --> 00:32:17,717
GORGEOUS.
465
00:32:43,411 --> 00:32:45,745
♪♪
466
00:32:53,021 --> 00:32:55,555
OH, MY! OH! OH!
ARE YOU ALL RIGHT?
467
00:32:55,624 --> 00:32:59,325
OH, I'M... I'M... THAT WAS VERY CLUMSY
OF ME, SIR. A-ARE YOU ALL RIGHT?
468
00:32:59,394 --> 00:33:02,629
YEAH. I'M FINE. I'M FINE. LOOK, IT WAS
AS MUCH MY FAULT AS IT WAS YOURS.
469
00:33:02,698 --> 00:33:06,132
OH, THANK YOU, SIR. PLEASE, SIR, I-I
APOLOGIZE. THAT'S ALL RIGHT. NO PROBLEM.
470
00:33:29,858 --> 00:33:32,538
- GOOD RECEPTION?
- GET OUT OF MY VAN. I'M WARNING YOU.
471
00:33:32,594 --> 00:33:35,295
YOU CAN'T DO THIS TO ME! WAIT!
472
00:33:35,363 --> 00:33:38,476
SORRY, KAY. I OFFERED TO COOPERATE AND
WORK WITH YOU, BUT YOU WOULDN'T DISCUSS IT.
473
00:33:38,500 --> 00:33:42,919
COLT, LISTEN TO ME. I WORK
FOR THE INSURANCE COMPANY.
474
00:33:42,988 --> 00:33:46,033
YOU'RE ONLY INTERESTED IN
KEEPING NEIMAN FROM SKIPPING TOWN.
475
00:33:46,057 --> 00:33:48,492
WE'VE GOT TO
RECOVER THOSE BONDS.
476
00:33:48,560 --> 00:33:51,077
CAN YOU HEAR ANYTHING?
477
00:33:51,146 --> 00:33:55,065
AHH! NOT ANYMORE.
478
00:34:07,262 --> 00:34:09,262
YOU GOT A MEMBERSHIP CARD?
479
00:34:09,331 --> 00:34:11,597
UH, NO. I'M A NONMEMBER.
480
00:34:11,666 --> 00:34:13,812
BUT THEY SAID IT WAS
ALL RIGHT AT THE DOOR.
481
00:34:13,836 --> 00:34:16,769
WHEN A LADY LOOKS LIKE
YOU, IT'S ALWAYS ALL RIGHT.
482
00:34:16,839 --> 00:34:19,105
GOTTA KEEP OUR MEMBERS HAPPY.
483
00:34:19,174 --> 00:34:21,174
THANKS.
484
00:34:48,603 --> 00:34:51,871
YOU'RE HOLDING IT WRONG.
485
00:34:51,940 --> 00:34:56,442
I BEG YOUR PARDON? WHEN YOU SHOOT,
YOU'RE HOLDING YOUR GUN WRONG.
486
00:34:57,613 --> 00:34:59,646
SHE MADE CONTACT.
487
00:34:59,715 --> 00:35:01,647
MAY I?
488
00:35:01,717 --> 00:35:05,685
WELL, I CERTAINLY BELIEVE IN
LETTING A LADY PROVE HERSELF.
489
00:35:05,754 --> 00:35:07,921
CAREFUL.
490
00:35:15,530 --> 00:35:19,833
UH, WHERE DID YOU LEARN
HOW TO SHOOT LIKE THAT?
491
00:35:19,901 --> 00:35:22,435
BUY ME A DRINK AND
I'LL TELL YOU MY SECRET.
492
00:35:25,040 --> 00:35:27,440
OKAY.
493
00:35:37,335 --> 00:35:39,202
HAS HE PUT THE MOVES ON HER YET?
494
00:35:39,271 --> 00:35:41,287
NO, THEY'RE JUST
GETTING A DRINK.
495
00:35:41,356 --> 00:35:43,707
YOU'RE GONNA BLOW EVERYTHING.
496
00:35:43,775 --> 00:35:46,325
I'LL BLOW EVERYTHING?
IF I WAIT, I MIGHT LOSE HIM.
497
00:35:46,394 --> 00:35:48,327
WHO CARES ABOUT NEIMAN?
498
00:35:48,397 --> 00:35:52,165
MY COMPANY'S ON THE HOOK FOR
10 MIL. NOW, COLT, LET'S MAKE A DEAL.
499
00:35:52,234 --> 00:35:53,964
LOOK, I MIGHT'VE
BEEN INTERESTED IN A
500
00:35:53,988 --> 00:35:56,168
COMPROMISE BEFORE.
BUT NOT NOW. IT'S TOO LATE.
501
00:35:59,507 --> 00:36:03,693
YOU KNOW, I DON'T THINK I HAVE
EVER MET A GIRL QUITE LIKE YOU.
502
00:36:03,761 --> 00:36:09,665
OR ONE THAT'S QUITE AS YOUNG, AND
AS BEAUTIFUL AND AS DEADLY. WOW!
503
00:36:09,734 --> 00:36:12,152
OH, HARDLY THAT. I JUST
LIKE TO TARGET SHOOT.
504
00:36:12,220 --> 00:36:16,656
- I DON'T WANT TO
SCARE ANYONE AWAY.
- WELL, THAT'S NICE TO KNOW.
505
00:36:16,725 --> 00:36:18,719
BAR'S CLOSING, FOLKS.
LAST CALL FOR DRINKS.
506
00:36:18,743 --> 00:36:21,777
IT'S TOO BAD YOU WEREN'T HERE EARLIER.
WE COULD'VE HAD QUITE A NIGHT OF IT.
507
00:36:21,846 --> 00:36:23,813
WHO SAYS WE STILL CAN'T?
508
00:36:23,881 --> 00:36:26,916
LOOK, AS LONG AS THIS PLACE IS CLOSING
UP, WHY DON'T WE GO SOMEWHERE ELSE?
509
00:36:26,984 --> 00:36:29,819
WHY DON'T YOU TWO USE
ONE OF THE SUITES UPSTAIRS?
510
00:36:29,887 --> 00:36:32,222
THEY'RE OPEN 24
HOURS TO MEMBERS.
511
00:36:32,290 --> 00:36:37,159
AL, UH, LOOK, I'LL BE BACK
IN A COUPLE OF HOURS.
512
00:36:37,229 --> 00:36:40,814
I ASSURE YOU, HONEY, IT'S QUITE DISCREET.
THE ONLY ENTRANCE IS BY PRIVATE ELEVATOR.
513
00:36:40,882 --> 00:36:42,882
I-I DON'T THINK SO.
514
00:36:43,985 --> 00:36:47,854
- I'M AFRAID I MUST INSIST.
- YOU INSIST?
515
00:36:49,340 --> 00:36:51,424
OH, RIGHT.
516
00:36:54,763 --> 00:36:57,430
AL! MR. NEIMAN, YOU'RE
UNDER MY PROTECTION.
517
00:36:57,499 --> 00:37:00,133
WHEN THIS, UH, YOUNG
LADY CAME IN HERE TONIGHT,
518
00:37:00,202 --> 00:37:03,403
SHE HAD TO LEAVE HER DRIVER'S LICENSE
AT THE DOOR, AND I HAD IT CHECKED.
519
00:37:03,472 --> 00:37:05,449
WELL, THAT'S ALL VERY
COMMENDABLE, BUT...
520
00:37:05,473 --> 00:37:07,940
THERE'S NO BUTS
ABOUT IT, CHARLIE.
521
00:37:08,010 --> 00:37:09,634
BY SOME STRANGE
COINCIDENCE, SHE HAPPENS TO
522
00:37:09,658 --> 00:37:11,422
BELONG TO THE FALL GUY
STUNTMAN'S ASSOCIATION.
523
00:37:11,446 --> 00:37:13,713
THE VERY SAME ONE THAT
OUR MR. SEAVERS BELONGS TO.
524
00:37:13,782 --> 00:37:16,466
TAKE HER UPSTAIRS.
525
00:37:18,820 --> 00:37:22,121
- WE GOT TROUBLE. LET'S GO.
- I CAN HELP.
526
00:37:22,190 --> 00:37:25,191
YEAH, SURE YOU CAN. COLT.
527
00:37:30,565 --> 00:37:32,832
VERY NICE. FIX US A
DRINK, WILL YOU, CHARLIE?
528
00:37:32,901 --> 00:37:34,834
MM-HMM.
529
00:37:34,903 --> 00:37:38,004
MAKE YOURSELF COMFORTABLE, HONEY.
WE'RE ALL GONNA BE HERE FOR AWHILE.
530
00:37:38,073 --> 00:37:40,951
WELL, IT'S NOT GONNA BE THAT
EASY. AND DON'T CALL ME HONEY.
531
00:37:45,646 --> 00:37:50,549
IF SHE'S WORKING WITH THAT BOUNTY HUNTER,
ISN'T HE LIKELY TO COME LOOKING FOR HER?
532
00:37:50,618 --> 00:37:52,551
WELL, THIS FLOOR
IS TOTALLY PRIVATE.
533
00:37:52,620 --> 00:37:54,553
THERE'S NO WAY
HE CAN GET UP HERE.
534
00:37:54,622 --> 00:37:58,024
I PROMISE YOU, CHARLIE,
YOU'RE PERFECTLY SAFE HERE.
535
00:38:13,474 --> 00:38:17,076
HEY, THERE'S SOMEBODY BREAKING
IN THE SECOND FLOOR CORRIDOR.
536
00:38:18,263 --> 00:38:20,930
EMERGENCY!
537
00:38:20,999 --> 00:38:22,932
ALL GUARDS TO THE SECOND FLOOR.
538
00:38:23,001 --> 00:38:26,135
EMERGENCY! ALL GUARDS
TO THE SECOND FLOOR.
539
00:38:31,542 --> 00:38:34,076
AL, WHAT'S GOING ON OUT THERE?
540
00:38:34,145 --> 00:38:37,279
DON'T TELL ME SOMEONE'S
BROKEN IN? BINGO!
541
00:38:37,348 --> 00:38:39,894
ROY, TAKE CHARLIE OUT TO THE
CAR. DANNY, YOU COME WITH ME.
542
00:38:39,918 --> 00:38:41,929
HEY, WHAT ABOUT ME? SIT DOWN!
543
00:38:41,953 --> 00:38:46,255
THE MAID WILL BE BY EARLY IN THE
MORNING. NO, NO. WAIT, WAIT, WAIT!
544
00:38:52,130 --> 00:38:53,963
THEY'RE HEADED FOR
RANGE NUMBER TWO.
545
00:39:28,399 --> 00:39:30,499
KEEP THAT END COVERED.
546
00:39:35,073 --> 00:39:38,157
THERE THEY ARE!
547
00:39:46,668 --> 00:39:50,303
COLT, THEY'VE GOT ENOUGH FIREPOWER
TO BLAST US BACK TO PEA FALLS.
548
00:39:50,372 --> 00:39:52,672
LOOKS LIKE THEY'RE
NOT AFRAID TO USE IT.
549
00:39:52,740 --> 00:39:55,074
WE KNOW WHO YOU ARE
AND WHAT YOU'RE DOING HERE,
550
00:39:55,143 --> 00:39:59,545
BUT IF YOU DON'T COME OUT ON THE COUNT OF
THREE, WE'RE GONNA STOP ASKING QUESTIONS.
551
00:40:00,832 --> 00:40:03,433
ONE,
552
00:40:05,704 --> 00:40:08,137
- TWO...
- WHAT ARE YOU DOING?
553
00:40:08,206 --> 00:40:10,223
- SAVING OUR NECKS, I HOPE.
- THREE!
554
00:40:43,891 --> 00:40:46,259
JODY?
555
00:40:48,729 --> 00:40:52,331
- JODY? JODY?
- HELLO? ANYBODY OUT THERE?
556
00:40:52,400 --> 00:40:54,800
COLT, I'M IN HERE!
557
00:40:54,869 --> 00:40:57,570
HERE, LET ME HANDLE THIS
ONE, COLT. STAND BACK, JODY!
558
00:41:01,343 --> 00:41:03,409
GOOD, KID. GOOD.
559
00:41:08,316 --> 00:41:10,727
JODY, YOU ALL RIGHT? YEAH. BUT
NEIMAN'S LEAVING THE COUNTRY.
560
00:41:10,751 --> 00:41:12,918
COME ON. WE BETTER
GET OUT OF HERE.
561
00:41:16,057 --> 00:41:19,052
WELL, WHAT ARE YOU DOING SITTING
AROUND WHILE NEIMAN'S GETTING AWAY?
562
00:41:19,076 --> 00:41:22,946
WHAT ARE YOU DOING STANDING THERE
WHILE THOSE BONDS ARE GETTING AWAY?
563
00:41:23,014 --> 00:41:25,464
I KNOW HOW YOU FEEL. I'M
SORRY I HAD TO LOCK YOU UP.
564
00:41:25,533 --> 00:41:30,102
YOU'RE SORRY. YOU'RE GONNA KNOW WHAT SORRY
IS WHEN YOU GET THESE THINGS OFF OF ME.
565
00:41:30,171 --> 00:41:32,771
WELL, I'VE DECIDED TO GIVE YOU
ANOTHER CHANCE TO WORK WITH ME.
566
00:41:32,840 --> 00:41:36,341
GET THESE THINGS OFF OF
ME AND GET OUT OF MY SIGHT.
567
00:41:36,410 --> 00:41:39,690
NEIMAN AND MAGLIA ARE HEADING WHO KNOWS
WHERE. NOW, I THINK YOU CAN HELP FIND THEM.
568
00:41:40,615 --> 00:41:44,250
FIND THEM? OF
COURSE I CAN FIND THEM.
569
00:41:44,319 --> 00:41:46,970
IF HE'S STILL GOT THAT
BUG, I CAN FIND THEM.
570
00:41:47,038 --> 00:41:48,789
MAKE UP YOUR MIND,
DARLING. YOU GOT THE
571
00:41:48,813 --> 00:41:50,907
BUGGING EQUIPMENT, AND
YOU KNOW HOW TO USE IT.
572
00:41:50,976 --> 00:41:53,359
EXACTLY. SO WHY DO I NEED YOU?
573
00:41:53,428 --> 00:41:56,629
WELL, BECAUSE I HAPPEN TO HAVE THE
KEYS TO THE HANDCUFFS AND TO THE VAN.
574
00:41:56,697 --> 00:41:59,482
NOW WHAT DO YOU SAY?
575
00:42:00,652 --> 00:42:02,652
YOU DEVIL.
576
00:42:04,405 --> 00:42:08,157
OKAY, LET'S GO. YOU
DRIVE, I'LL DIRECT.
577
00:42:08,226 --> 00:42:10,146
YOU AND JODY
FOLLOW IN THE TRUCK.
578
00:42:12,313 --> 00:42:14,313
DO YOU THINK YOU CAN
SPEED THIS THING UP?
579
00:42:14,381 --> 00:42:16,360
THE SIGNAL'S SO WEAK, I DON'T
EVEN KNOW IF IT'S WORKING.
580
00:42:16,384 --> 00:42:19,519
WELL, THIS RIG ISN'T
EXACTLY A FERRARI. SHUSH.
581
00:42:19,587 --> 00:42:22,855
THERE HE IS. THERE HE IS.
582
00:42:22,924 --> 00:42:25,041
OKAY, MAKE IT A LEFT.
583
00:42:30,915 --> 00:42:33,933
NO. NO, WAIT A MINUTE,
COLT. I'M SORRY.
584
00:42:35,003 --> 00:42:37,019
MAKE A RIGHT.
585
00:42:39,357 --> 00:42:42,875
NO. YOU GOTTA DO A 180.
586
00:42:42,944 --> 00:42:45,211
UH-HUH.
587
00:42:51,602 --> 00:42:55,421
- DAMN! I THINK WE'VE LOST HIM.
- FORGET THAT THING.
588
00:42:55,490 --> 00:42:57,973
THERE'S ONLY ONE
AIRPORT IN THIS DIRECTION.
589
00:43:07,985 --> 00:43:10,753
SIT BACK. WE GOT
A TWO-HOUR DRIVE.
590
00:43:59,787 --> 00:44:02,188
NICE JOB, AL.
591
00:44:02,257 --> 00:44:05,091
THE PRIVILEGED CLASS HAVE
TO STICK TOGETHER, CHARLIE.
592
00:44:05,159 --> 00:44:07,927
ROY!
593
00:44:11,832 --> 00:44:14,133
AL, GET OUT OF THERE!
594
00:44:18,239 --> 00:44:20,740
HOLD IT!
595
00:44:25,914 --> 00:44:28,981
GET THOSE TWO!
596
00:46:02,793 --> 00:46:05,094
COLT, YOU'RE STILL IN ONE PIECE!
597
00:46:05,163 --> 00:46:07,946
GO PICK UP KAY AND THE
OTHERS. I'LL GET NEIMAN.
598
00:46:26,517 --> 00:46:30,752
WELL, MR. NEIMAN, I HOPE YOU HAD A PLEASANT
TRIP. MAY I HELP YOU WITH YOUR LUGGAGE?
599
00:46:41,933 --> 00:46:44,967
♪♪
600
00:46:57,047 --> 00:46:59,715
COME ON, COLT! YEAH! RIDE HIM!
601
00:47:08,025 --> 00:47:12,361
COME ON, COLT!
602
00:47:12,429 --> 00:47:15,514
ALL RIGHT! YEE-HEE! YEAH!
603
00:47:19,670 --> 00:47:24,941
AU REVOIR JEANS. FOR THE MAN WHO
LIKES TO LIVE BY THE SEAT OF HIS PANTS.
604
00:47:33,968 --> 00:47:35,968
I CAN'T STAND TO WATCH
ANY MORE OF THAT.
605
00:47:36,036 --> 00:47:39,037
I THOUGHT IT WAS GREAT. YOU
KNOW THE THUMB? THAT WAS AN AD-LIB.
606
00:47:39,106 --> 00:47:40,515
OH, I KNOW, DON'T
TELL ME. A HALF A
607
00:47:40,539 --> 00:47:42,341
SEMESTER OF IMPROVISATIONAL
THEATER AT YALE.
608
00:47:42,410 --> 00:47:45,188
NO, NORTHWESTERN. I DON'T
UNDERSTAND WHY YOU'RE SO DEPRESSED.
609
00:47:45,212 --> 00:47:47,190
THEY DID SHOOT
YOUR BEST SIDE, HMM?
610
00:47:47,214 --> 00:47:51,317
I'M GOING BACK IN. THE BEST ONE'S
COMING UP HERE. YEAH, WELL, SUIT YOURSELF.
611
00:48:05,900 --> 00:48:08,317
OOPS. CAR TROUBLE?
612
00:48:08,386 --> 00:48:12,355
IT MUST BE FLOODED.
613
00:48:12,423 --> 00:48:14,434
I DON'T REMEMBER
INVITING YOU ALONG.
614
00:48:14,458 --> 00:48:18,226
OH, WELL, I THOUGHT YOU WOULD WANT ME TO
COME ALONG, CONSIDERING I SAVED YOUR LIFE.
615
00:48:18,295 --> 00:48:21,063
SAVED MY LIFE? IT'S THE
OTHER WAY AROUND, ISN'T IT?
616
00:48:21,131 --> 00:48:23,098
LET'S NOT ARGUE ABOUT
THESE THINGS, COLT.
617
00:48:23,167 --> 00:48:26,201
I THINK YOU SHOULD ASK ME ALONG
BECAUSE WE HAVE SUCH FUN TOGETHER.
618
00:48:26,270 --> 00:48:29,504
IN THE WEEK I'VE KNOWN YOU, I CAN
REMEMBER ABOUT 30 SECONDS' WORTH OF FUN.
619
00:48:29,574 --> 00:48:32,124
COLT, BELIEVE ME,
YOU NEED ME. I DO?
620
00:48:32,193 --> 00:48:35,995
MM-HMM. I HAVE YOUR
DISTRIBUTOR CAP.
621
00:48:38,632 --> 00:48:40,632
UH, UH, UH.
622
00:49:23,794 --> 00:49:27,179
FALL GUY IS A GLEN
LARSON PRODUCTION.
53628
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.