Original subtitles

[explosion]

[middle eastern music]

[gunfire]

The lead was a key suspect.

He'd been courting the drug lord in Kandahar,

pretending to be a buyer, but the drugs were gone.

And he was not among the dead.

PATRICIA WRIGHT: We better hope for a quick recapture

of Hunter.

He's a suspect in the massacre that Khan investigated,

and he may also be a conspirator in his murder.

I've met other guys who've been in Iraq,

and they're just fine.

Neil, he refused to talk about it.

STERLING: You are dead. You are dead.

- Don't say it! - You're dead.

Don't say it.

NEIL TRAVIS: Ran into Sterling last night.

He needs help.

It's going to take some money.

I'll handle it.

If he knows something, he's not sharing it.

[camera snapping]

[middle eastern music]

[sirens blaring]

[energetic music]

[sirens blaring]

Get me the photos from Khan's phone.

See here?

With Khalid.

And Travis knows him.

What else does he know?

Why isn't he telling us?

Telling you what?

This guy you're with at Sterling's funeral.

Who is he?

He's a piece of shit who hit on my wife

when he knew I was away.

We got another job.

It's a double murder at Bare Island.

Hey.

Hey.

The kids have been shot while fishing.

ZANE MALIK: Who's the woman?

It's there mother, Yelena Moyan.

We need to get her off the crime scene.

She won't leave.

Yelena.

I'm Zane Malik.

I'm a detective.

Are these your boys here?

Can you tell me their names?

Dejan.

Micka, his brother.

They came here to fish.

I call at 11:30.

No answer.

[sniffles] I have a bad feeling.

I come here.

It's dark.

I-- [sniffles] I could see nothing.

I-- I use my phone to call Micka.

I could hear the phone ringing.

(SOBBING) Then I see him lying there.

I try to make him breathe.

After a while, I--

I know my baby's gone.

Can you stand up for me?

You find out who did this.

You kill them.

[intense music]

I need you to stand up for me.

[sobs]

My boys were born in war.

I wanted them to live in peace.

Now they're dead.

And I'm alive.

Why?

What is there to live for?

Two boys.

Jesus.

Hey, that buddy of yours.

Which one?

The one you visited one night, all night.

Was it Sterling? - No.

I just thought maybe it was.

Yeah.

Well, you thought wrong.

We got an ejected casing here, 9 millimeter.

OK.

We need to widen the crime scene.

Get divers to search the whole perimeter of the island.

Anything at the house, Malik?

Nothing.

Just two boys who loved fishing.

No enemies, no secrets.

SONNY KOA: I just called Callas.

She's onto the boats and shifts, but it's a long shot.

No one's come to collect the Statesman yet.

Yeah.

It was parked last night when the uniforms turned up.

JUNG LIM: We check the rego.

It belongs to an Adam Tyler, a couple of suburbs over.

Tried calling, but there was no answer.

OK.

His car is parked outside a crime scene, so go talk to him.

Yeah? - OK.

Koa.

[knock]

You Adam Tyler?

Yeah.

We're detectives Lim and Koa from Major Crime.

Are you the registered owner of a 2004 Blue Statesman,

registration number GAR00W?

Yeah.

Who was driving it last night?

Me, I guess.

What's happened to it?

You guess?

I got a little tanked last night.

Left it somewhere.

SONNY KOA: Where exactly?

Uh.

Somewhere near Bare Island.

What were you doing at Bare Island?

Having a few beers?

You with someone?

What's with all the questions, mate?

We're investigating a murder, Mr. Tyler.

So you were by yourself?

Aren't we all in the end?

How'd you get back?

Bus.

Kept it legal.

What time?

I don't know.

It would have been 10:00, 11:00ish.

You remember the number?

L94.

JUNG LIM: You working, Mr. Tyler?

Unemployed bludger.

What do you normally work at?

I'm normally unemployed.

We need the keys to your car.

Oh, I think I lost them.

I'll get a locksmith come down pick it up.

No. That won't be possible.

We've already towed your car.

It's an exhibit now.

We'll be in touch.

He never caught the L94.

Bus driver swears there was no pick up from Bare Island.

We got a profile on Tyler?

Did a full search on COPS.

No known criminal history.

Now, their bus driver says he saw the blue Statesman,

but he also saw another car, a dark colored one pull

up and park as he drove past.

There's another body in the bay, opposite Bare Island.

Hey.

Hey.

Local said he found him floating while he's

checking his crayfish pots.

Thought he'd drowned.

Doc found a bullet hole.

Entry wound.

He was shot in the back.

Could he have floated from Bare Island?

Maybe.

Depends on prevailing wind and tide.

I'll check it out.

If it checks out, his death might be related to the boys.

It's Hunter.

PATRICIA WRIGHT: Well, we have our [inaudible]..

It'll make some people happy that Hunter's off the streets.

You maybe think they're turning on each other.

First Kimberly, then Sterling.

Now, Hunter.

Sterling was a suicide.

OK.

Amir's death was just collateral damage.

That's what Hunter said.

It's nothing personal.

Well, it's personal now.

[honk]

We are all tested, all faced with loss

of wealth, health, family.

Yeah.

When you lose your children, that's the hardest test of all.

So you never doubted the will of Allah?

Do you?

I feel anger about Amir.

Now, these boys.

Even the Prophet lost close ones.

I don't know what sort of hope I can give her.

Hope of justice.

She doesn't care about justice.

She will.

She wants her boys back and the man who killed them dead.

What did you want me to translate?

Notes from the murdered police detective in Kandahar.

We've got to find out what's in them

made someone want to kill him.

He's concerned about corruption higher up.

Outraged by the lawlessness of one of

the private military companies.

He was angry.

I've got to go.

PATRICIA WRIGHT: So the murders of the Moyan

boys are connected to Hunter's.

Ballistics confirmed that the bullets that killed all three

were from the same gun, a 9 millimeter SIG Sauer.

So Hunter was shot in the back as he entered the water.

His tank was still full.

The bullet entered through his rib cage into his heart.

He wouldn't have seen who shot him.

But the boys did.

They saw the shooter.

That's why they're dead.

I've got Hunter's personal effects here.

That's cross Coptic.

The Statesman key's here. I bet you they fit Tyler's car.

Right.

I'll organize a search warrant and TOU.

I want Tyler under surveillance until we

can execute the warrant.

I can do a shift.

Travis, Lim, you go to Tyler's.

You watch him.

Put him to bed and don't move until we

go in with the TOU at dawn.

ZANE MALIK: So it looks like your boys witnessed a murder.

I think they were killed so they couldn't identify the shooter.

My sons were killed because they were a problem.

I want you to think back to what you did that night,

Yelena.

I walk down our street, then along the coastline

to the beach.

So concentrate on that moment.

Now, what do you see?

Any cars?

Anything?

Yes.

Two cars.

ZANE MALIK: All right.

There is a man on the path, coming away from the bridge.

He-- he's looking away, like he doesn't want any eye contact.

Can you describe this man for me?

He's your age.

Maybe your height.

He-- he's alert.

He-- he looks at me like--

[hyperventilating]

What?

Like he--

[hyperventilating] oh my god!

He killed my sons.

[mournful music]

You lied to me.

I checked Sterling's phone records, including

the night that you went out.

It was him you were with, wasn't it?

Yeah, it was.

So why lie?

If I tell you something, it's between me and you and no one

else. Do you understand?

Yeah.

Sterling saved my life.

We were in a convoy.

A car comes up beside us, and I turn around and check it out,

and I feel the heat.

Suicide bomber.

The next thing I know I'm in oblivion.

Sterling's got a chunk of metal in his gut,

and he still pulled me from the burning vehicle.

So what? What?

You think you owe him or something?

He killed a cop, Travis.

You think that's the worst you can do.

It's not.

What's the worst?

Shit you don't want to know about.

[scoffs] Fine.

Look.

I knew he killed Khan.

I went to his flat to confront him.

I said, "You made your own choice.

You have to face the music."

He says, like you, like me.

Fuck him.

Fuck him.

I made a different choice.

He looks at me.

He surrendered.

He pulls a gun.

The next thing I know there's blood and shit everywhere,

and I think I'm dead.

I realize it's Sterling.

One minute I'm talking to him.

The next minute he's fucking dead.

He killed himself.

You have to tell Wright.

I'm not telling anyone anything.

You tell her, Travis, or I will.

You made a promise to me, Lim.

I'm going to hold you to it.

He's got a visitor.

[camera snapping]

JUNG LIM: They're going to find pieces

of you in that flat, you know?

DNA, prints.

When the results come back in, you won't be able to deny it.

It's a crime scene.

You lot witnessed it.

He's coming out the door.

[camera snapping]

Do you want to go after him?

NEIL TRAVIS: No.

Wright said to put Tyler to bed.

Wait for the TOUs at dawn.

[sirens blaring]

Don't move!

[interposing voices]

There's someone here.

Don't move!

Police!

[interposing voices]

Who the hell are you?

Do you even want to solve this?

What do you mean by that?

Your instructions were to put Tyler to bed.

Make sure he didn't leave the house.

Now, what the hell happened?

- Well, I'd say a substitution. - Under your watch?

JUNG LIM: A man in a hoodie carrying a sports bag

walked in, and a man in a hoodie carrying a sports bag

walked out. OK.

Kimberly got away from us by dressing as someone else.

What? No one learns anything?

Hey, listen. There were two of us, OK?

And we both missed it.

We've got a witness.

That idiot doesn't know anything.

Some guy gave $350 to come here.

He doesn't even have a name. - Oh, and you believe him.

Do you, Malik? - Yeah.

I believe him.

Tyler got a warning, and he's done a runner.

So what are you saying?

Are you saying there's a rat in the office?

Oh, I don't know, Travis. Is there?

Look.

Tyler had a little time to take anything.

I'd say he's taking guns and ammo if he had them.

Let's just see what he's left behind.

Sippar Country Club.

He's a soldier.

SONNY KOA: Boss.

Found this in the laundry.

Could be linked to Hunter.

You get it to prints.

Hunter, Tyler, Sterling, Khalid.

They all seem to have an Afghanistan connection.

These men knew how to use explosives,

and they know how to shoot straight.

We're dealing with the people who pulled

off the armored van robbery.

[cell phone chimes]

Got to go.

KHODER: Khan's notes detailed corruption.

The war was making his job nearly impossible,

but still he kept on monitoring the drugs and weapons trade.

OK.

Does he mention any names?

Tyler? Hunter?

Sterling?

Hunter.

Hunter.

What about Khalid?, Asha Khalid?

Yes.

Khalid was dealing with the Taliban, and drug lords,

and the private military Goodman Brummer.

Goodman Brummer.

Khan, he got no cooperation from Goodman Brummer.

He tried to contact the man running

things in Southern Afghanistan, an Australian James Kendrick.

Uh-huh.

Kendrick disappeared.

Khan heard later he'd driven over the border to Pakistan.

This is great.

Thanks.

Before Afghanistan, Kendrick worked in Iraq.

What?

Where there were more killings,

five civilians, slaughtered at Tell Abu Habbah.

There was a survivor in Iraq, a woman, Saja Saddiq.

Her aunt told Khan she came here.

Through your contacts with refugee groups,

do you think we could get in touch with her?

- Yes. - We need to speak with her.

Yes.

It was Saja Khan hoped to find and speak with.

James Kendrick.

Have we got anything on him on our files?

Yeah.

Kendrick likes to drive fast.

Run red lights and park in "no parking."

He was a soldier.

Some thought he was a good one.

You don't?

We served at different times.

I never fought with him, except over my wife.

So the man you had words with at Sterling's

funeral, that was Kendrick?

What else do you know, Travis

He runs a PNC called Talos.

The base is at Waterloo.

And that's it?

That's it.

And Sterling worked for Kendrick, didn't he?

Let's talk to him.

Not so fast.

You two stay here.

Malik, Koa, you talk to Kendrick.

Callas, a thorough background check.

[music playing]

Mr. Kendrick, this is quite a business you got here.

Business runs the world, Detective.

Not politicians, not the state police.

Day or night, whatever the time, business must be kept going

whether there is war or peace.

And here at Talos, we don't take sides.

We work for whoever pays.

Protection, that's my business.

If I had it my way, the police would be privatized as well.

Lean, mean, and economical.

Let's move.

We're investigating an importation

of drugs involving security contractors who may have

worked for Goodman Brummer.

Uh-huh.

You ran teams for Goodman Brummer in Afghanistan.

I did.

Know a guy called Khalid?

Khalid?

I believe you and Khalid worked together

for two years in Kandahar.

The office at KF ran eight teams.

Over 200 POs, lots of Hajjis.

What's he done?

As well as drug importation, murder and a bank robbery.

[laughs] The people they let in.

So you knew he was in Australia.

I read the paper.

Yeah.

You know who we're talking about.

I don't believe so.

An Afghani police detective was on his way to talk to you

about Khalid, but he was shot.

Really?

To talk to me?

ZANE MALIK: AK-47.

Yeah.

Ticon version.

Originally designed by Mikhail Kalashnikov,

son of a peasant, a soldier.

Slanted muzzle brake to compensate for barrel rise

under recoil.

Fires 7.62 39 millimeter cartridge.

Authorized by Stalin himself with a muzzle velocity

of 700 meters per second.

But not accurate.

Effective in close combat.

600 rounds per minute.

Imagine.

Yeah, reliable.

Bury it in a rice paddy for six months,

and it'll still work if you kick the action.

That's what makes it so popular.

75 million worldwide.

In Somalia, Congo, cheap as $30.

The price in Kenya, four cows.

ZANE MALIK: Yeah.

And responsible for a quarter of a million deaths a year.

Primary weapon of choice of violent Islamic terrorist

groups in Iraq and Afghanistan.

When were you last in Afghanistan?

I'd have to check my diary.

I want a list of all the people who work here at Talos.

Take me to court.

That's the only way you'll get it.

Do you know or have you ever met Adam Tyler,

Ryan Hunter, or John Sterling?

KENDRICK: They don't work for Talos.

No, Goodman Brummer.

I worked for Goodman Brummer under a US government contract,

and I'm afraid that's classified.

Do you know Sterling or no?

You were at his funeral last week.

Sterling and I go back a long way, Bosnia, Iraq.

Iraq.

Tell Abu Habbah, wasn't it?

Five innocent civilians murdered.

Yeah.

Some sand niggers got killed.

Collateral damage.

I'll come back with a warrant.

You'll have no choice but to comply.

You've got no immunity over prosecution here.

You're from Iraq.

We let you in in spite of what appears to be mixed loyalties.

Me, you see, I don't have that quandary.

I know who I am.

I want a list of your personnel,

and I'm going to get it.

My men and women work in dangerous environments,

Detective.

They face bombs, bullets, insurgents all over the world.

It's my job to protect them.

I give you that list, and it ends up

in the hands of some Johnny Jihad in a Baghdad back street,

you get my people killed.

I can't allow that.

I'm in the business of stopping people getting killed.

You're not calling the shots here.

You're a tourist.

I'm done.

Goodbye.

[cell phone ringing]

What's Iraq got to do with our investigation?

Tyler's T-shirt, the Sippar Country Club.

Sippar's a city in Iraq.

It's near Tell Abu Habbah, archaeological digging

stopped in 2003 due to the armed conflict there.

Am I missing something here?

What's a Babylonian digging site got to do

with the murder of two boys?

The Sippar Country Club?

Sippar wasn't a country club.

Goodman Brummer had a unit there.

Kendrick, he killed people, and he made a t-shirt out of it

because he thinks it's a joke.

Kendrick's got weapons, ammo, attitude, everything

to execute an armed robbery

You'd have to be a maniac to declare

war on your own country, Malik. ZANE MALIK: Yeah.

Or a greedy one.

Money, that's all he cares about.

Kendrick's a filthy murdering grub,

and I'm going to prove it.

[suspenseful music]

So what's going to happen now?

We have to pursue other options, Yelena.

Possibly an ex-soldier.

Soldier?

ZANE MALIK: Yeah.

You run away from things, and they follow you.

When my boys were small, they saw their father

being taken and shot.

I plead with the soldiers for the life of my boys.

Some strange reason, they were saved.

I treasured every moment of their lives.

Do you believe in fate?

No, I don't.

I think we make our own fate, but I

believe it's all God's will.

Before the civil war, Mostar Bridge was a symbol of unity.

Muslim and Christians mingle freely.

And the soldiers moved us from the west side of the bridge

to the east.

They bombed the bridge, divided us.

I know you must be suffering, I understand.

Do you?

How can you understand?

I should have protected my children.

You can take comfort in religion.

I don't.

Yelena, it wasn't your fault. Bad men--

[gunfire]

[screams]

[intense music]

Where's Yelena?

Waiting outside.

Did you see who did it?

Kendrick.

Or one of his men.

Why do you say that?

ZANE MALIK: Because I scared him.

I shook his cage.

NEIL TRAVIS: Gut instinct and evidence, it's two

different things, Malik.

Then we'll find the evidence.

I want every man and woman on this.

It's OK.

It's OK.

It's all right.

He's on leave.

You make sure he takes it.

Boss, in my office drawer there's a search warrant

and an Occupier's Notice.

Then we'll execute it.

Travis, come with me.

ZANE MALIK: Hey, give us a hand with this, will you?

Zane.

Give me my clothes.

Someone just aimed for your brain.

They missed by inches.

Hand me my pants please.

Zane, you're not leaving.

I'm getting a doctor.

ZANE MALIK: I'm going to take Yelena somewhere safe.

Get Kendrick in a line-up, all right.

And uh-- don't trust Travis.

[sirens blaring]

What the hell's going on?

We believe you're connected to an armed hold-up,

the importation of illegal substances,

the murder of a man, and two boys on Monday night,

the attempted murder of a cop.

I've been busy, busy and stupid.

You really think I'd use Talos guns

for armed robbery or murder?

So where were you on Monday night?

In congress with his wife.

You listen to me, you get my wife to lie for you it's

going to impact on my kids.

If my kids get hurt, this won't--

Travis! Travis!

[interposing voices]

You don't give the orders any more, dickhead.

PATRICIA WRIGHT: Cool off outside.

Now get out! - Get off me, Koa.

- Travis! - Get off!

Get outside!

[inaudible]

You're [inaudible].

Travis, get out!

I will sue you for harassment.

Were you with Angela Travis?

Were you with her all night?

I got there at 10:00.

Left after 2:00. - Good.

Then you'll consent to a lineup.

No.

If you think you can walk in here

and treat me like some criminal or some dumb grunt,

you're sorely mistaken.

You want my time, talk to my lawyer.

Well, that's fine. We got your computer.

We got your files. - Listen.

There are military documents in there

that you are not permitted nor need to see.

You're an observer.

We decide what we need and what we don't.

You can't take everything you lay your hands on.

Oh, you just watch me.

If I have to pop your cherry and bring

in my political contacts to this, I will.

This isn't in Afghanistan.

No.

If this was Afghanistan, I'd have your head on a stick.

[intense music]

Tracking device is now on Travis' car.

We got zip.

Computers have been wiped.

Techies are rebuilding it, but that's

going to take a bit of a time.

ZANE MALIK (ON PHONE): You think Kendrick was warned?

Don't know.

He could have wiped them after our visit yesterday.

ZANE MALIK (ON PHONE): Or maybe Travis warned him.

Got to go.

You didn't come home last night.

I didn't think I'd be welcome.

Sleep in your car.

If you call it sleep.

You know, I'm going crazy, you know,

just wondering why is it if you know it's suicide

you don't go to Wright and tell them

to put forensics on Sterling.

You think I'm guilty of something, do you, Lim?

Let me tell you something.

I wake up every night sick with guilt. It sticks to me

like shit, and I stink of it.

I didn't kill my friend.

Goodman Brummer hit the jackpot

when the USA entered Iraq.

They went from a small US-based domestic company

to an international.

They've been struggling lately though.

Goodman Brummer are selling off their international arm,

and rumor has it that Talos is buying it.

Well, where would Kendrick get that kind of money

in a cautious market?

Put $36 million to work importing drugs,

and the only problem you've got is how to legitimize it.

Kendrick matches Yelena's description.

Yeah, but Kendrick won't consent to appear in a lineup.

We've got his photo.

You said he--

he killed my boys.

Did you see him actually firing the weapon?

No, but I know.

The look he gave me.

Cold like death.

OK.

Let's bring Kendrick in.

And you stay here.

Zane, tell her.

Tell me what?

Tell her, please.

The man that killed your sons, he's

also responsible for the death of our son.

[gasps] You--

your son is dead?

You're not alone.

[mournful music]

[sobbing]

He's not here.

The office is empty.

Staff, equipment, all gone.

So ask Callas to send out Tyler and Kendrick's photos.

Give it to all the media and the airports.

It's only a matter of time.

[bang]

[non-english] What is wrong, my son?

Kendrick's done a runner.

RAHMAN MALIK: Be aware of your anger.

An angel will come.

And what will he look like, Baba?

Khoder.

Alaymum Salaam.

I've found the woman from Iraq.

Five civilians were shot in a village near Sippar

in July 2006.

Can you tell me what happened?

In the war, it is hard for my father.

He's a doctor, but he has no medicine.

He works some days at the Red Crescent, some days

at the American clinic.

And I work assisting.

There is a private military company.

What's the name of the company?

Goodman.

Goodman Brummer.

They protect engineers.

Take them back and forth.

One day, one follows me.

He-- he forced me to.

He said they take whatever they want,

and what they don't want they kill.

So you were raped?

Ay, ay.

And did your family find out?

Was there trouble?

Ay.

Anger, crying, talk of dishonor.

My cousin killed the man who did this.

The company found that body.

A car-- a car pulls up.

Many men come out, screaming, shouting.

Break in the door.

Kill my father.

Shoot my mother.

[gunfire]

My sister.

[gunfire]

Kill my cousin.

[gunfire]

I tried to hide.

My little brother, Jamel.

[sobs] Tried to hide.

He-- the men come looking.

He jumped on one man.

Jamel's small.

The man he jumped is so big.

He--

[gunshot]

Then another one man comes in.

[gunshots]

Shoots me.

Then they all leave.

I crawled to Jamel.

I crawled to Jamel.

[sobbing]

Police came.

Someone put a gun in my cousin's hand.

The company said their men were attacked and defense.

That's not true.

Was this man there?

Ay.

He gave the orders.

Kill the desert niggers.

Do you know his name?

No.

But I know the name of the man who shot Jamel.

At the clinic he taught me English word,

to span a dangerous valley like a bridge.

[gunshot]

Travis.

Travis?

Are you sure that's his name?

SAJA: Ay.

Travis.

I need to have a talk, comrade.

Hey, get up.

Move.

How long will you be away for?

I don't know, mate.

You're coming back, aren't you?

What the hell do you think you're doing keeping the kids

up this late on a school night?

I can't spend some time with my kids?

You indulgent bastard.

Come on. - Now, just wait.

All right. Just wait.

Yeah, well, hurry up.

It's late.

I love you.

You too.

Come on.

[intense music]

Nice boys.

Look up to their dad?

You stay the hell away from me.

When did you pick up it was Kendrick?

I'm not responsible for Kendrick.

So what are you responsible for, huh?

Sippar?

The death of five innocent civilians?

Innocent?

They weren't innocent. They had weapons.

They fired on us. - They didn't fire at you.

You went in.

You butchered them, a whole family.

They killed one of ours.

Yeah, for raping a woman, right?

Hey, listen.

I'd look at my mate in the dirt, right?

His throat's slit.

His balls cut off, and his dick stuffed in his mouth.

That's jihad justice for you.

Well, you showed them, didn't you, Travis?

Five dead and a faked crime.

That's your idea of justice.

What do you know about Iraq, Malik?

What do you know?

Alibaba comes up to you smiling with a bomb strapped--

You murdered civilians, a 12-year-old boy.

That woman survived, you know.

She saw the whole thing.

She saw you butcher her brother. - And what do you think?

You can just train someone to kill and then just switch

it off, fighting door to door.

Decent families mixed up with knobheads with guns.

That's your excuse, is it?

You couldn't switch it off?

That's the way it is!

That's the way you made it!

Don't you see?

That's the way you made it.

You know what your problem is, Malik?

You're one of them.

You're an Arab.

Yeah, that's right.

So whose side are you on?

Kendrick's?

Tell me the truth.

No one wants the truth.

It doesn't change anything. - So what?

Are you just going to live with a lie

for the rest of your life?

It's like a knife stuck in your gut.

Oh, are you going to remove it?

That lie's completely compromised you.

Kendrick's gone on to kill because of it.

The Moyan boys are dead because of it.

You've betrayed us, Travis!

Get up!

You betrayed us.

Go on.

I'm unarmed, just like they were.

Just like the Moyans.

I saved your life, you ungrateful bugger.

I saved your life! - Stop kidding yourself.

You saved your own life!

You're not going to want to hear this.

It's not going to sit well with your new appointment either.

Travis, Sterling, Tyler, and Kendrick all worked together

for Goodman Brummer in Iraq.

Malik's right.

I just got this photo off Kendrick's hard drive.

You've been sitting on that?

I just accessed the printer.

What else do you know?

He was there when Sterling shot himself.

How long have you been sitting on that?

At best the investigation's compromised.

At worst, he's part of the whole thing.

[intense music]

Callas. HELLEN CALLAS: Yeah.

OK.

I want the-- the files that Travis is working on.

You and I are going to go through every report

and every interview.

We're looking for anything that's been missed

and where the investigation could have been

steered in the wrong direction.

- Is Travis off the case? - Yeah.

It's yours.

Mine?

You're a good detective, Callas.

If you just believed in yourself, you'd be a great one.

Where is he, Sonny?

He's approaching Bare Island.

[suspenseful music]

Get out.

Move!

- You're dead. - Yeah.

Happened in Sippar.

Move.

[intense music]

Police, don't move!

[gunfire]

Kendrick!

[gunfire]

[grunts]

Don't kill him!

[gunshot]

Hang in there.

Travis.

Your son-- your son was proud of you.

What are my sons going to think of me?

With love.

They'll think of you with love.

NEIL TRAVIS: Do you know what a soldier calls a dead man?

An angel.

I'm far from that.

I'm-- I'm a coward.

Are they going to let me into Paradise, Malik?

It's not for me to decide.

NEIL TRAVIS: I'm holding a sword while I'm dying.

Doesn't that mean anything?

We all belong to God.

To Him we will return.

Travis.

[breath rattles]

Travis.

[mournful music]

[camera snaps]

[helicopters whirring]

[inaudible]

The media coming for their pound of flesh.

What are you going to tell them about Travis?

That he died in the line of duty.

I'm not sure that's how it was.

Well, that's how it looks, so that's how it's going to be.

He's a hero, so are you.

I'm done.

Malik.

Malik.

There are no bloody heroes.

[triumphant music]