Original subtitles

[music playing]

Give us the money!

No.

We questioned everyone.

We ran up suspects.

We'll find these bastards as soon as we can.

RAY: Did have me a mate on the inside, might get him off.

You know what?

They're looking for someone I trust.

Right?

RAY: You're either an Arab, or you're a cop.

GREG: Don't think they respect you.

OK?

Because at the end of the day, you're one of us.

Hold your fire.

Ah!

You're a murdering bastard.

And you're a mad hero.

And I'm gonna do you.

[music playing]

[THEME - GUY GROSS, "EAST WEST 101"]

[music playing]

Know him?

He has no ID.

He's not gonna say who he is.

ADAM (ON TV): Bad heroin is flooding Redfern.

It's killing our youth.

Now, I walk the streets.

And I see dealers just openly selling--

SARAH: Where have you been? - Sh.

(ON TV) I've contacted the police.

I've named--

You probably should be home to talk to Kari.

Hey. In a minute.

ADAM (ON TV): What?

Indifference? Corruption?

No. Now.

Give me back that remote.

You have family responsibilities.

Give me back the remote so I can watch my interview.

No.

You promised you'd be home at 8:00 to talk to Kari.

You promised more help around the house.

If you don't take out the rubbish, we're gonna miss it.

Aw, the rubbish.

That's all we ever bloody talk about these days.

Here, son. Put it back on.

I'll be back in a minute.

[music playing]

ADAM (ON TV): I'm sorry.

Now, why is this word so hard to say?

Because of legal ramifications.

Because if they say sorry for the rape,

and for the theft, and the destruction of our ancient--

[gunshots] --we the aboriginal people--

[gunshots]

--may demand reparation, restitution--

SARAH: Adam?

Adam?

Adam!

Call the police!

Kari, go call an ambulance!

Somebody help me!

Get up!

Adam?

Adam?

Go call the police!

[music playing]

Look at this.

He has bought and paid for one ticket; one ticket only.

OK, so.

Look, I need a dog before I see Mecca.

You can't go to Mecca alone.

AMINA (ON PHONE): Hello?

[non-english speech]

RAHMAN: I must go and see my country.

AMINA: Your escape route.

- Hello. - This is all--

Give me a second. I'm on the phone.

My money is all right.

One second.

My money's OK, except--

Nana, keep going.

- My head is apples. - All right.

I'll meet you there.

For the healing properties, I must go.

Will you please? Not again.

- I must see Mecca. - You can't go to Mecca now.

I have to be [inaudible].

It's very important to me to go.

MARIAM: [non-english speech]

OFFICER GRANT: Now you stop there.

Police only. - My name's Detective Malik.

What's your name? - Officer Grant.

Officer Grant, we come in all shapes and colors these days.

Thanks very much.

POLICE OFFICER: Back [inaudible]..

Back with me.

RAY: Well, someone's not a survivor.

Victim's Adam King.

That's Adam King.

RAY: Adam King-- a high profile criminal lawyer--

you can just see the headlines now, can't you?

Is that kid related to the victim?

JUNG: Yeah, it's his son.

RAY: Get him out of here, will you?

So what have we got?

JUNG: King's wife heard two shots around 9:20.

Ballistics found two projectiles.

The first one missed him.

Second in the side of his head. Killed him.

Did the kid see the shooter?

JUNG: Says not. - Any witnesses?

Nah. None of them.

They're all bloody useless.

So what's your theory?

RAY: Well, It wasn't a robbery.

He still had his wallet on him.

What's happened, I think, the shooters had a go at him

with the first shot, missed him, and then

clicked at him in the skull with the second one.

Lucky shot.

ZANE: Ladies and gentlemen, this is a crime scene.

Please move back. We want the same as you.

All right?

We want to find whoever's responsible for this.

POLICEMAN: Come on. Settle down, eh.

Come on.

You want to start a riot?

RAY: Well, it is Redfern.

No?

When you say you want my clothes as evidence,

evidence of what?

Of the why he died.

- He was shot. - I know.

But there's still questions.

And maybe he was planning-- - Fine.

You want my clothes?

You can have them.

Kari, I know this is hard for you.

Can we get back to what you were saying?

Mom and Dad were fighting?

So you were sitting over there on the lounge?

And your Mom and Dad were outside?

Is that when you heard the shots?

You don't care.

You're glad my father's dead.

SONNY: Kari, we admired your father.

He worked his butt off for his people.

ZANE: Did you hear anything when you were outside?

Anything.

SARAH: I prefer if you talk to my son in front of me.

Fine.

Take your seat.

Get comfortable.

Now, was there anything unusual happening?

Was he worried about anything?

The world?

Global warming.

Our people.

SONNY: Any threats?

Threats?

All the time.

We reported them.

And the police did nothing.

I was always afraid my husband would be taken from me.

ZANE: How were things between you?

Perfect.

KARI: Dad got killed because he spoke out against drug dealers

and cops.

Kari, we're going to do whatever

we can to find the person that killed your dad.

If that was a police officer, he'll be charged.

[music playing]

PATRICIA: I heard the locals were restless.

?

Yeah, Malik tried to get in the safe box.

And he couldn't cut it.

Maybe you'd have thought maybe the squad

isn't the right place for a sensitive New Age male

of Middle Eastern appearance?

ZANE: So when people really are out to get you,

that's not paranoia.

SONNY: Man, you want to talk about paranoia,

you need to take a look at these.

Nutters.4

PATRICIA: I want every single letter read,

examined, and followed up.

And if you've still got a private life--

SONNY: [non-english speech]

Consider it canceled.

What have we got from crime scene.

JUNG: Well, it looks as if the gunman was

waiting here behind this bush.

Victims come out. Gunman shot him.

Forensics have extracted the projectile from King.

It's a hollow-point round, 38 Special.

Possibly fired by a Smith & Wesson Model 10.

RAY: So the shooter has missed because he

or she is either nervous or inexperienced.

Domestic maybe?

Could be. There was an argument.

And the son's holding something back.

Kid's been conditioned to hate police.

- That means you've got cause. - King's dead.

Long live the King.

There's a vacancy for a king on the crusade.

Might be able to show you. - Maybe the son's right.

Maybe King was killed because he was trying

to get heroin out of Redfern. And maybe that's unrelated.

Maybe he was killed because he's a prick.

- Well, that's helpful. - You can say that.

You can [inaudible].

You can stand there and pose all you want.

But King got his jollies humiliating young coppers

on the witness box. Do I give a shit he's dead?

No. I don't.

Well, let's just say you're not the only one in the force

who feels like that. OK.

Questions.

Has King been ignored?

Who did he speak to at Redfern?

And who was the dealer he named?

I'll take care of that one.

ZANE: Let's get everything we can

on drug-related deaths in Redfern-- victims, [inaudible]..

You got any sources we can tap?

Uh, no, no.

No junkies, informants?

RAY: Oh, junkies, mate.

They're a waste of time, you know.

They only exchange information for one reason--

to put shit in our minds.

Well, information's information.

RAY: Yeah, well, It's been a while

since you worked with them.

[music playing]

How are ya?

I'm looking for Paul. He inside?

Nah.

He hasn't been here for months.

The band broke up.

Well, if you see him, you give him a message.

Tell him to call me.

He was busking the central a few weeks back.

Then how about that lawyer got himself whacked in Redfern--

crusader rabbit.

You know anything about that?

The word is he was talking too much.

And someone wanted to shut him down.

Any idea who?

No.

You got any idea who's controlling the drug

runs in Redfern these days.

No, I don't know.

Well, you want to find out for me.

Mate, I've got my own work to do here, you know.

You want to remember why you're a free man

and who you owe.

You just find out for me.

Yeah.

[music playing]

FIONA: I don't know who Adam's source was.

If Adam was getting his information

about the bad drugs in Redfern from a client,

then the heroin wasn't theirs.

They'll talk to us just to get rid of the opposition.

I don't have that client for you.

Were there any clients who were causing trouble?

No.

Any dissatisfied clients?

All our clients are lambs.

Well, you're being very helpful.

- Thanks. - All right.

Where were you at 9:20?

Working back here.

We all were except Adam. He went home.

SONNY: What time? FIONA: 6:00.

Apart from the drugs, was there anything else

he was worried about?

FIONA: He was a very public personality,

but a very private man.

He didn't confide.

Once he delegated, he left us alone.

All right.

Going back to the clients, he had a client that was here?

Ever heard of client-lawyer privilege?

It's a quaint custom we have in this country.

SONNY: Quaint custom.

What about the aboriginal custom of looking after your own?

I'll think about it.

Yeah, well while you're thinking,

we've got a list of our own.

People who thought this world was a better place

without your boss.

You recognize any?

Peter?

Have a look.

Adam certainly wasn't intimidated

by threats or abuse.

He said it proved he was doing a good job.

Where's Mr. King's diary?

His wife came and took it.

She came in early this morning.

Canvas got mixed.

No one saw the gunman.

They were all watching their hero on TV.

A fight in the King household, that was a daily event.

We loved each other.

Come on be honest.

Sometimes we fought.

Normal married life.

You fought all the time. Huh?

Adam was really at home?

Difficult to live with?

Is that right?

You know what a conundrum is?

It's like a riddle, isn't it?

Police got to university, too, these days you know.

Yeah, well, Adam was like a puzzle I couldn't solve.

He hid things from me-- fears, anxieties--

- And you didn't like it. - --what he was doing.

Does your wife?

You think one of those things killed him?

Perhaps.

You find what you were looking for in the diary?

SARAH: Could you give me five minutes alone with the police

officers, please?

- Why? - Kari.

I wasn't looking for anything.

I just didn't want the press getting hold of dirty laundry.

An affair?

Another woman?

Is that what you were fighting about?

I wanted another child.

Adam refused.

And there was no reason I could figure,

except there was another woman.

He was planning to leave.

He denied it.

SONNY: The night before, Wal Burnham--

the boxer, yeah-- what does your husband do with Wal?

SARAH: Community work.

ZANE: What kind of community work?

Drugs, violence, welfare.

Adam wanted heroin decriminalized.

He said it was what people did for the drug

that caused the real damage.

So Adam and Wal were friends.

Wal was a client.

WAL: All right, boys.

Come on.

Use your feet now.

Get the jab out there.

Give yourself a bit of room.

Throw that jab out.

ZANE: Hey, Wal.

WAL: Use your foot.

Hey.

[non-english speech]

- Yeah, a brother's death. - Yeah.

What were you and Adam talking about the night before he

was killed? - Black fella business.

[inaudible] place business?

What about last week? You didn't want to know.

ZANE: So now we do. What was it about?

14-year-old Maori girl drops dead in the street.

These kids are dropping like flies around here?

ZANE: 14? She a friend of Kari's?

Yeah. Country girl.

Sweet ass. ZANE: Does Kari use drugs?

I don't know.

You'll have to ask him that.

His father didn't know.

But he sure was worried.

14, they think they know it all.

They're just easy targets.

Adam said we've got to stop the drugs

from destroying our community.

If you lot wouldn't end it, then we'd have to.

ZANE: How were you going to intend to do that?

Said I was ought to talk with the dealer

who sold the girl the drugs.

SONNY: A talk.

Yeah, I may have used a bit bit of push and shove.

I told him face-to-face, man-to-man that he was

selling drugs that were bad.

Told me he wasn't.

I told him to stop doing it or we will

reprise the blackfellow law.

ZANE: You think this came back to bite King?

Now that I don't know.

Just have a look at these kids, mate.

You know what?

When Kathy ran on that rainy night in 2000?

She gave these kids someone to look up to.

This piece of shit will drag them straight

down there to the gutter.

Piece of shit got a name?

Yeah, Basha--

Jamal Basha.

[phone ringing]

That Basha's a lib.

Do you know him? - No.

He's got priors with heroin, eh?

He's a scumbag dealer. But is he a murderer?

Well, he shouldn't have heroin that's killing junkies.

Perhaps he just graduated to lawyers.

RAY: May be.

Sergeant Blight wants a word with you.

What about?

Some John Doe.

I just spoke to Inspector Kelly at Redfern.

He says he talked to King about the drug deaths.

Kelly suggested they cooperate.

He said King wasn't interested, hung up.

If King was worried about his son,

he gets Wal Burnham to throw Basha in.

It would be just as a warning.

Perhaps Basha turned on him.

If Wal was taking orders from King, then why top him?

What's the game?

Well, if King keep talking, the police

would be forced to act.

HELEN: Maybe Basha got greedy and wanted to expand,

needed King's silence.

ZANE: Did you take to Drug Squad?

What did they say? RAY: What?

ZANE: The drug squad.

RAY: No There's nothing there for us.

They got nothing.

Well, this is bullshit.

I'm going to talk to them myself.

RAY: Yeah, well mind it isn't [inaudible]..

Uh, blood, urine, bile, vitreous human concentrations

of morphine were 0.68, 0.49, 0.32 and 0.062 respectively.

Cause of death-- heroin.

But I also observed pulmonary edema.

The heroin was adulterated with quinine.

Where was he found?

FORENSIC PATHOLOGIST: Redfern Station.

When?

Two days ago.

RAY: Look.

I need you to sign the ID statement.

[music playing]

ZANE: Just uh, just pull up here, mate.

SONNY: Why? You want to pray.

ZANE: Yeah.

Nose on the ground, bum in the air.

You might as well paint a sign on my ass saying, rob me.

Yeah.

Well you prayed in the park yesterday.

Yeah, it left you out. But not a soul in sight.

When did a law appoint you as my conscience?

Yeah.

Well, I was thinking if we was going to pray,

I was going to order some flowers.

The band's been keeping her up here lately.

And she's very emotional.

It's her birthday.

Just give me five, will you?

Yeah, hi.

I was wondering if I could order a cactus?

Do you got any in flower?

Hey.

What was that?

What were you just doing?

What are you smoking? Chew?

Go on. ZANE: What is it?

Arrest me.

That'll make a headline. - I'm not here for headlines.

Empty your pockets. Come here.

Come here. Empty your pockets.

Get off me!

What do you got in there? What do you got in there?

- Fine. - Huh?

I know what you're up to.

You're going to smoke yourself stupid.

And now your dad's dead. Is that what you're going to do?

Huh?

You know he was worried about you.

All he was worried about was Redfern.

He didn't care.

You and dad, both full of shit.

Grow up.

I know you're angry, Kari.

Angry your dad's dead.

Angry someone shot him before you

got to deal with the issues.

He never even had time for you when he was around.

Now, if we're going to work together,

mate, I need your help.

And I don't have time for you to start being angry.

I need you to take a look at this for me.

All right?

See this guy?

His name's Basha.

You seen him before?

- Did he kill my dad? - No.

He's just a person of interest. All right?

Settle down, Kari. Settle down.

- Did he kill him? - Do you buy your drugs off him?

Your dad spoke about this guy.

All right?

Take it easy.

Where you going? Come here.

To the station.

Is that where this guy deals?

Is that where Basha deals?

He comes after 5:00.

The guys get off the train.

They buy the drugs and they get back on, if they're lucky.

All right.

Stay away from him.

[music playing]

Hey, hey, hey.

Hey, young. - Yeah.

Members only tonight, guys. - Well, I'm Detective Malik.

My friend who has you in a bear hug here is Detective Koa.

Ha, ha.

We believe we've just seen a drug deal between you

and your pal in the red car. So we're going to search you.

Yeah.

Well, I think it's a bit late to be asking for permission.

Don't you think?

Look, I'm not laughing at you guys.

But I'm actually saving something

up for very senior detective.

Yeah?

Who might that be?

Unless you give us his or her name,

we're taking you into the station.

Can you just relax on the arms, please man?

Yeah?

Detective Ray Crowley.

Ray?

Carol.

CAROL: I've come for Paul's things.

Well, he didn't have many things, Paul.

I found his address book, though.

I'm going to find that libber mate of his.

And I'm going to tell him what he's done.

Joe overdosed a year ago.

You want to blame someone?

Blame yourself.

I went, I went to see his counselor.

You know that? I went to see his counselor.

You know what she said?

Tough love.

That's what she said to me, tough love.

That's how you deal with addiction.

Tough love.

That's all he ever had.

And you were never there.

He stole from me.

From me.

A Rolex watch, two nights ago.

My father's watch.

You probably killed him.

You happy?

[music playing]

PATRICIA: Tell me why I'm here and why there's

an empty chair at the loaders.

Bet he was waiting for Ray Crowley when we picked him up.

And he refuses to cooperate.

- Well, what does Crowley say? - I haven't told him.

PATRICIA: Why not?

I asked Crowley if he's got [inaudible]..

And that man told me he's up to something.

What are you suggesting?

It's be nice to be on the same page.

You go home to your wife and kids every night.

I have my girls night out once a month.

So before you pull this kind of stunt again, remember that.

Whatever you're up to, Crowley, drop it.

We need-- I need you.

ZANE: We got Frank Beatty with drugs.

He says he's your geek. So.

I asked you if you had sources in Redfern.

You said no. - So?

I'll bet he's involved in this shit that's flooding Redfern.

Don't you think that's relevant to our brief?

You got proof?

ZANE: I saw him take delivery from Jamal Basha.

Dog. ZANE: What?

Is there a problem, mate? Did I offend you?

RAY: You're a lib. - I'm Iraqi.

Same diff.

And what did the libs do to you anyway?

Where's Beatty?

- What do you want? - What do I want?

What do I want? What do I want?

He's owing a dog to back the truth when you tell it to.

I want to know my words aren't going

to vanish in a pit of filth.

I want the truth about the heroin in Redfern.

Because I came to ask you these things, didn't I?

I come up to you and said, what's going down here?

And what do you do? You--

[non-english speech]

BEATTY: Don't call me a dog.

You're actually responsible. You're selling the stuff.

Calling him a dog is not going to get his cooperation.

You're going to give me some tips

about interrogation techniques.

Mr. Beatty, where were you the night Adam King was murdered?

I was at the club.

The club owner will confirm it.

And so will two pimply cops on foot

patrol who asked questions.

RAY: You're chicken.

What about Basha?

Well, I didn't see him.

Well, maybe he was at the station.

I don't know. - Basha own a gun?

He'd know how to get one.

You should buy a weapon.

Oh, no.

Basha say anything about King's murder?

Basha's a dealer, man.

You know what I mean?

He said King got what he deserved.

You know.

He didn't look happy. You know?

It doesn't look too good for business.

But what do you want me to say to you guys, man?

You know where he lives?

BEATTY: No!

RAY: Then you, mate.

He comes to me.

No, no, no no.

Don't tell me lies because I don't like it.

I told you that.

[knock on window]

[inaudible] is that, pulling me out of the middle

of a bloody interview?

- No, you're out. - Hey.

PATRICIA: Stay out.

You leave this to the boys.

Oh, this is wonderful.

Isn't it?

We got a dead drug crusader.

We've got junkies dying.

We've got informers who don't tell the truth.

We've got a bureaucracy that's not interested in giving anyone

any justice. - I'm not a bureaucrat.

This has to hold up in court.

Ah, that little turd in there's in one piece, Pat,

so you go on.

Go ahead. Go to your party.

Go down and sleep.

Whatever you want to do.

[inaudible] is going to be coming after you.

And they won't be--

You know who's going home? You.

Hmm.

Have I ever told you that having you as a boss

is one hell of a bonus.

Every day you walk in the office, it just lights the day.

Are you drunk?

RAY: You need me.

You needed me.

There wasn't any word like cyber attached to the message.

Leave it to Malik to finish.

You're a mess.

I am a mess.

And tomorrow it'll be the same.

But inspector, you look lovely.

You do.

You look all right, you know?

You're lovely.

You should wear a dress more often, Patricia, you know.

Femininity impairs, it's really a combination-- hot.

And I think you'll like.

You can turn on the charm, Ray, but you're not going in.

[music playing]

BEATTY: Ah.

Ah.

Ah.

RAY: You call Basha.

BEATTY: No, I-- ah. RAY: Call him.

BEATTY: Ah.

RAY: The dudes upstairs, they're going to do a CCR on you.

The techies will trace him in minutes, hours at the most.

Call with him first.

What you're going to do is you're going to ring him up.

You're going to tell him the cops are on the way.

You're not happy and you want to set up a meeting.

Call him.

BEATTY: Ah, ah, ah.

[music playing]

RAY: Get up against the wall.

BASHA: What?

RAY: Get up against the wall.

BASHA: I thought Beatty is dead.

Did you get rid of the car?

BASHA: Mate, I don't have it.

Get it out of the car.

Don't touch me, mate. Search me.

Search the car. I haven't got an idea.

All right? - You.

BASHA: Don't lay a hand on me.

You sold heroin to Paul.

Paul?

Paul who? [non-english speech]

Paul.

Young bloke, 19.

He always carried a guitar.

You know who I'm talking about don't you?

You.

People are dying in Redfern because of you.

It all comes back to you. You and your heroin.

Your heroin laced with quinine.

Eh?

Get your hands off me.

Were you with him?

Were you there with him when he hit up?

BASHA: I told you.

I don't know nothing.

RAY: Did you bind his arm?

You didn't help him, did you?

Did you strike the line?

Did you stroke the vein where it was found?

[inaudible]

I know your face!

I'll come after you. - Look at me.

Because you killed my son.

You killed my son.

BASHA: I don't know your son.

But if he plays hammer, daddy, it's because he loves it.

All right? - Ray!

Ray! Ray!

RAY: [inaudible] This isn't how it ends.

This isn't how it ends. BASHA: Yeah?

I'm coming after you. SONNY: Ray!

Come on [inaudible]. RAY: You understand?

- Break it up. - You don't escape!

You don't escape!

[music playing]

ZANE: Adam King spoke out about heroin dealers in Redfern.

He named you. Did you hear about that?

No.

ZANE: Anyone ever tell you to leave Redfern, stop dealing?

Some black boss [inaudible] of me.

Warned me off.

I said it's a free country, man. I'll do what I like.

Did that make you angry?

Yeah.

SONNY: Where were you Tuesday at 9:20 PM?

BASHA: Melbourne.

I caught a 5:00 flight for my cousin's wedding.

- Tuesday. - Mate.

The second marriage, you know?

The reception was at the Palace.

Plenty of people saw me.

Well, plenty of people saw you dealing your smack at Redfern.

SONNY: They want to lynch you out there.

ZANE: Perhaps you'd like to be placed in protective custody.

I don't need no protect-- ZANE: But you know something.

Tell us.

Otherwise, for your own protection,

I'm going to suggest-- BASHA: Because it's what?

Killing a junkie.

Huh, you say what I do, I say I sell car parts on eBay.

I come across this guy drunk telling me

he's looking for a hit man.

You give him any names?

He's an amateur, mate. Trouble.

ZANE: And what's this got to do with the hit on King?

BASHA: Redfern.

He just told me there's going to be a hit in Redfern.

And then boom. King's blown away.

What's this guy look like?

BASHA: Gay guy, calendar boy, man.

He's someone's ho. ZANE: Describe him.

Blond hair, blue eyes, soft cock, mate.

Can I go now? - No.

Now we've got to go through [inaudible] look

for this soft-cock calendar boy.

You can't make me do that.

He wasn't a saint.

You've got to ask yourself why he pissed off a fag.

Redfern's full of fags.

Fags and blacks.

Maybe he got one who was both.

His alibi checked out. We had to let him go.

[music playing]

You kept me in there more than four hours.

I'll report you. [music playing]

We've got all the time in the world for you.

You might, but I don't.

[music playing]

RAY: Hey, what does Muhammad say about a man

who takes the life of another.

A man who was killed, his life can be taken in return.

It's up to the relatives of the dead.

They can be merciful.

Or not.

[music playing]

RAHMAN: (SINGING)

What are you doing now?

(SINGING)

What are you doing?

I'm flying to Mecca.

No, Baba.

Not today.

We'll save up.

We'll go as a family.

We'll go to Mecca for the--

RAHMAN: For how long? - You've got to wait.

For how long?

Come on.

Let's go to bed.

Come on.

Let's go.

It's late.

Let's go to bed, too.

[music playing]

Your father listened to what you said

about not going to Mecca alone.

He's taking Amir.

Oh, I've cancelled the trip.

Oh, are there two broken hearts

now, not one that you'll be dealing with?

You're looking handsome today.

Yeah?

There's a lot of love for Adam.

It's good for Kari to know that.

Any news?

We think Adam may have been the victim

of a professional hit.

Did Adam have a run-in with any gay men that you know of?

Why?

SONNY: I'm just checking for information.

You mentioned earlier that you think Adam

may have been having an affair?

It's of no matter now.

ZANE: Well, [inaudible] pay off with monies.

Do you think this affair might have been with a man?

No.

Adam loves women. - OK.

I should go through the reasons again.

What were the things that made you

think he was having an affair?

It was the little things--

on the days he'd iron his shirt crisp and wear aftershave.

And the bigger things like not wanting to have another child.

ZANE: OK.

So who do you know that he was working with on the days

that he ironed his shirt?

We had a professional relationship across the court.

Just professional?

Occasionally we had lunch.

What's occasional to you?

Should I have a lawyer here?

Have you done something wrong? What's occasional?

Once a year? - Twice a week.

How's your boyfriend feel about that?

I don't have one.

So you and Adam confided in each other?

Yes.

Was there anything worrying him?

His wife-- wasn't happy.

Oh, and I guess she had her reasons.

Adam would never leave her.

She was a political plus.

Where were you the night Adam was killed?

We had a drink at around 6:00.

And then we rushed off.

And I watched him on the TV.

Where'd you meet?

My place.

Adam wanted to know about the powers of the New South Wales

legal investigating body--

RPA.

I wondered if he was concerned about being investigated.

I was worried for him.

SONNY: You're sure about that?

All right. Thanks.

- And? - The RPA can't help us?

They're not investigating King.

It's he who rung them.

[music playing]

What the hell is going on?

We're removing client files, company

records, and trust accounts, approved by court, of course.

Why didn't you tell us Adam had contacted the RPA?

I didn't know.

Did you?

ZANE: Interesting.

[music playing]

Callas has a memo here from Peter Smith

dated the week before King was killed.

Peter is expressing concern that the trust

account is being mishandled.

If Adam was mishandling the money,

why would he call up the dogs?

Adam was running on empty, you know?

Too much pro bono, too many handouts.

So when you [inaudible] your concerns

about how he was managing the trust funds,

how did he respond? - Oh, he said he'd look into it.

Into what?

Was there money missing?

PETER: Well, no.

I just wanted a more consistent and regular way

of dealing with the accounts.

HELEN: How many people could sign these?

Could Fiona Baker sign?

PETER: Fiona? No.

Not legitimately, no.

Checks were signed by Adam and countersigned by me.

HELEN: Needed two signatures?

No.

Adam could sign by himself.

And you?

No.

Now see, Adam had no sense of responsibility.

You see, he was always attending meetings, or appearing on TV,

or seeking out injustice like he was a one-man crusade.

You know?

He, he never had time for the business side of the practice.

He took no responsibility there.

Sweaty uncomfortable.

Peter Lugetti?

No.

I saw a photo of a young man in his wallet.

SONNY: Son?

Could be our calendar boy-- Basha's pal.

Let's take a look.

HELEN: Before you do, check this out.

Just had it faxed from the bank.

ZANE: Peter, Peter.

Now why would you lie about something so basic?

HELEN: Don't get too cocky.

There are financial puzzles in there

and accounting skills to solve.

And [inaudible]?

Where's Crowley?

He's called in sick.

Malik asked me to chase up the people who died as a result

of the drugs in Redfern.

One was a Paul Crowley.

You think he could be a relative?

Yeah.

That's his son.

[music playing]

Peter, when we spoke to you earlier,

you gave us the impression that Adam's

signature was needed on checks? PETER: Did I?

But you could also sign them. Is that right?

PETER: In an emergency.

It seems that there were quite a few emergencies.

Can you explain these?

Those were all signed before.

Adam was otherwise engaged.

Now who's Image Proprietary Limited?

They're a studio.

They do commercials, photography.

Adam agreed to give it seed money.

Some seed.

More like a forest.

Who runs this company?

I don't know.

It was an investment.

So it was more your idea than Adam's.

No.

Did he even know about it?

Can I see your wallet, please?

Sure.

Here.

There's a photo of a young man in this wallet.

What's his name?

His name's Greg.

ZANE: Greg who?

Greg, Greg Small.

ZANE: Boyfriend?

PETER: We live together.

SONNY: Where does he work?

Would it be Image Proprietary Limited?

OK.

This is, um, I want a lawyer if I can.

I know a very good one.

The best.

But now he's dead.

[music playing]

ZANE: So you took the money to help Greg.

PETER: I intended to pay it back.

ZANE: So what was the problem?

Why couldn't you do that?

Greg's business didn't go to plan.

Greg have a drug problem?

Yes.

Buy from a bloke called Basha?

I have no idea.

So you couldn't return the money.

Adam discovered the fraud.

And you had a problem you couldn't fix.

Yes.

ZANE: Now whose idea was it to shoot King?

Yours or your boyfriend's?

PETER: Greg didn't have anything to do with that.

ZANE: But we have to take Greg now.

We've got a witness that implicates him.

Did you kill King?

No.

Did Greg?

No.

So you hired someone.

I retain the right to remain silent.

SONNY: Killing Kari?

That's King's son.

His life's shattered now.

He deserves to know the truth.

ZANE: You've got an opportunity to do

something good here, Peter.

There's nothing good here.

You'll feel better when you tell us.

Adam called me in.

And he had this look of deep disappointment.

And I knew he wasn't going to let this go.

And I had no way of making this better.

I was trapped.

There was no way out.

And Greg depended on me.

[music playing]

No.

Two men, one address.

Yep. That's it.

Thanks. Appreciate the speed.

JUNG: This is the boyfriend.

And this is the gunman.

Found for assault and armed robbery.

HELEN: Got the warrant.

Why is Crowley tooling up?

Because he's the senior detective in this case.

- He's not fit. - Well, that's my decision.

[music playing]

Chin down a little.

Ah, that's hot, haughty.

ZANE: Vice! Get down!

[inaudible] get on the boot! I know!

Down!

Get down! Get down.

Get down! Get down!

Get down, I said! Don't move!

[inaudible] get down!

Get down!

Get down on the ground.

PHOTOGRAPHER: Don't hurt me, please.

[music playing]

Drop the weapon!

Drop the weapon now.

Drop it.

Drop it.

[music playing]

ADAM (ON TV): I am of the dreaming.

And I'm in my dreaming.

I have a dreaming.

And my dreaming is about sharing; about giving a future

to our children whether they be black,

white, Christian, or Muslim.

Give them a chance to live free from all poisons,

whether they be drugs, or even attitudes.

I believe in a unified nation.

We've arrested three men for the murder of your father.

One of them you know--

Peter Smith, your father's accountant.

Don't let the bad guys win, will you?

Huh?

Use the pain, you feel.

Will you try something?

It'll make your dad proud of who you are.

[music playing]

Hang in, mate.

WAL: The boys are waiting for you to speak.

You up to it?

[music playing]

MAN: What's up, mate.

PATRICIA: Ray, I don't know want to say.

You want a whiskey?

Yeah, just a small one.

Well, if you want to get a whiskey,

you'd better get yourself a glass.

Yeah.

Losing a son, um, it must be terrible.

So take off as much time as you need.

For what?

PATRICIA: For whatever you need to do

to deal with your son's death.

Well, that is--

this is doing the trick, I think.

Found out and sooner or later.

I hope you, uh, I hope he didn't feel alone when he died--

Paul-- alone.

Apparently it's painless.

Painless.

Heroin.

You just got to sleep happy.

Great.

He died happy.

Died with a smile on his face.

Good for him.

An addict told me once that it's better than sex.

RAY: That's good news.

I don't even know if my son ever had sex.

But whatever.

Because heroin is better than sex.

So-- I'm sorry.

I'm sorry.

For what?

Mm.

[music playing]

Ah.

[music playing]

What did the train driver say?

FORENSIC PATHOLOGIST: According to the notes,

the driver was looking at the signal ahead.

He saw Basha falling through his lights and brakes, too late.

Any other witnesses?

No witnesses located.

Driver saw a man running up the stairs.

There's bruising to the right ribs and the right jaw.

And there's also this.

[music playing]

I heard about your son.

I'm sorry.

[music playing]

Oh, well.

Just another junkie, eh?

Basha's dead.

Did you know that?

No, man.

I didn't.

But there is one death that won't make a jar of difference.

[music playing]