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[music- dv8, "nasty habits"]

Hey, wake up, asshole.

[slurps]

My father wrote this song 10 years ago, remember?

Yeah, it's really good.

It's going to be in a Blimpie commercial.

You watch TV, don't' you?

No, no.

[music- dv8, "nasty habits"]

Casanova out your call.

Yeah, we say I'm a real crowd pleaser.

Good times are guaranteed for all.

I got Nasty Habits.

I keep bad company.

If there's something I want I just grab it.

You know, he's driving me crazy.

He's been showing up at my set every day.

Well, what do you mean?

Well, I figured I would partial in the slave class.

So he's been coming on the set and ruining everything.

We're over scheduled, we're over budgeted.

It's horrible.

[music - dv8, "nasty habits"]

If its' a good time, that's all right though.

Honey, I'm the man to call.

I got nasty habits.

I keep bad company.

If there's something I want, I just grab it.

He says he's looking for his girlfriend

but she left him 10 years ago.

Then that would have to be your mother.

Oh, no.

She left him 20 years ago.

What's he doing now, I mean besides driving you nuts.

Nothing.

Nothing?

He owns all this land as far as you can see.

Well then, I think I'm going to be able to help him out

with his problems and if he's as rich as you say he is he

can help me out with mine.

It's going to work out very well, I think.

RAE: How did he get so rich?

He got lucky.

He was out looking for his girlfriend one night

and he got hit by a Rolls Royce.

He was so stoned, he didn't feel a thing.

But he got tons of money because they thought

he suffered brain damage.

DR. LIDDLEDICK: Good guess.

Why are we stopping?

We'd better put our seat belts on.

Why is that?

My father says the best way to take this next part,

is to get it over with fast.

[LAUGHING]

DR. LIDDLEDICK: Oh my God!

Oh, Jesus!

Oh! [music - dv8, "nasty habits"]

company.

If there's something I want, I just grab it.

Honey, I don't set rules.

Yeah, I've got nasty habits.

I keep bad company.

If there's something I

DR. LIDDLEDICK: Oh, slow down.

Just slow down a little bit, please.

RAE: Whoa!

DR. LIDDLEDICK: What is this?

Hands up there!

Oh, my God.

[music - dv8, "nasty habits"]

I've got nasty habits.

I got more than I need.

Nasty habits.

DR. LIDDLEDICK: Oh, whew.

Well, we made it.

If I could puke, I'd feel better.

I just have a thing against puking.

Ah!

That was something, huh?

Oh,-- - Just get my bag.

I forgot to tell you something.

Yeah.

My dad's got weird eating habits.

So don't take food if he offers it to you.

He's a gourmet?

You'll see.

[loud rock and roll music]

Dad!

Dad!

Dad!

Hi!

Hi, honey!

I have someone here I want you to meet.

What?

He's here to help you.

I want you to meet a friend of mine.

Huh?

Could you turn the music down?

Huh?

I can't hear you because of the music it's...

I can't hear you.

I have to turn the music down.

[YELLING] OK, OK.

Hey! Hey!

Charlie!

Charlie!

Thank you.

Aw, man that's the first time we came in together.

This is Dr. Liddledick.

Little what?

Um, dick.

But it's pronounced "Lie-del" dick.

Well, nice to meet you, Mr. Liddledick.

Um, you know, I'm going to go after rehearsal.

Oh honey. Honey, where you rehearsing?

I'll come and see you.

Uh, I don't know.

But I'm late so.

Well, how am I supposed to get back to town?

Oh he'll give you a ride.

Thank you, darling.

OK.

Bye.

[LAUGHING] Liddledick, huh?

Well, at least you got one.

BOY OUTSIDE SCHOOL: Yeah, when the skipper,

you know, he got mad at Gilligan, remember that?

Oh, that's fine.

Excuse me?

Do you know where the principal is?

[water running]

Excuse me?

Tree, did we have an appointment?

You know how I am about time.

Well, you wanted to see me about my son.

Oh, Kyle.

I'm afraid I'm going to have to ask

you to take Kyle out of school

TREE: Out of school?

Well, that's a bummer.

WEEBEE COOL: Here at New Age High School,

we have only two rules: no book reading and no homework.

And Kyle has broken both of them.

TREE: Double bummer.

WEEBEE COOL: He just doesn't seem to understand

our television technique.

The children sit in front of the television sets

and watch "Gilligan's Island."

Afterwards, we have a little discussion of the hidden

meanings and life lessons.

Everybody is very happy except for Kyle.

Oh, he's so weird.

And

I think Kyle needs therapy.

Therapy?

Rock and roll therapy.

Have you ever heard of "The Farts"?

"The Farts?"

Well, "The Farts" are the loudest rock

and role group in the world.

I have tickets for their next concert.

Perhaps if you and the boys father were to take Kyle.

His father?

I haven't seen his father in 10 years.

DR. LIDDLEDICK: Have you ever been hypnotized before Mr. Man?

FAR OUT MAN: Uh, hypnotized?

DR. LIDDLEDICK: Yeah.

Is that like--

Well, you know, I was in jail once.

And these guys tried, you know,

No, no, no.

That's completely different.

And this is painless.

Well, that's what they said, man.

It's painless and drug free.

Oh, bummer.

DR. LIDDLEDICK: OK, now watch this very closely.

You're getting sleepy.

Very sleepy.

You will like this film.

You will tell a friend.

Now, I want you to go back in time.

Way back, further, further.

[CRYING LIKE A BABY]

DR. LIDDLEDICK: No, no, no, not that far back.

Very sleepy.

Good.

OK, now, Mr. Man.

I'm going to say a word, I want you to give me the first word

that comes into your mind.

Pussy.

No, we haven't started yet.

First word will be, dog.

Tree.

Tree.

OK, that's excellent.

The next word is, salami.

Tree.

OK, that's good.

Oh, Jesus! Ouch.

FAR OUT MAN: Tree. - Shit.

FAR OUT MAN: Tree.

DR. LIDDLEDICK: No, no, we are just about--

FAR OUT MAN: Tree.

Tree.

This-- exactly what kind of tree is

this that we're talking about?

Blonde.

Blue eyes.

Nice personality.

[CHUCKLES] So this tree is a woman.

Is this-- is this your woman?

She left me.

She left me and took my baby.

Took everything.

Took her Joni Mitchell record and she split, man.

Why did she leave you?

Now, think back.

Said she couldn't sing, man.

Oh boy, she couldn't sing.

Whoa.

It's a big hassle, man.

[SINGING] I'm a black man.

[SINGING] I'm a black man.

[SINGING] I'm a militant black, man.

[SINGING] I'm a militant black man.

[SINGING] I'm a kill you, black man.

[SINGING] I'm a kill you black man.

Hey, man.

Hold it, hold it, hold it, hold it, hold it.

Hey, man.

Hold it, hold it, hold it, hold it.

Hey man.

Hold it, hold it.

Hey man. Hey man.

Hold it, hold it.

Wait man, wait.

Wait, hold it, hold it.

Come here, let me talk to you, come here.

Just hold on for a minute.

Come here.

Told you before, man.

The woman can't sing, boy.

You got to get rid of her, Jack.

We have work to do.

And I ain't-- got to get rid of her.

What are you talking about, man?

I'm talking about my blue booty, boy.

You got to get rid of her.

You understand what I mean?

I mean, she can't carry a tune in a wheelbarrow, man.

You know what I mean?

Get with-- Go on, you tell her now, man.

You told me you were going to tell her before.

I told you she couldn't sing.

Got them--

I'll think of something.

[MOANING]

That was so groovy.

Oh!

[MOANING]

Bunny, let's do it again.

Ah!

Come on, Bunny I'm still horny.

[COUGHING]

Let's get it on, again.

I'm still horny.

Oh, shit I'm late.

Look at the time, man.

Oh, I got to go.

I'm late. Oh damn.

What do you mean, you're late?

I got to rehearsal, man.

Oh!

We've got a rehearsal?

Oh, honey.

Why didn't you tell me?

I've gt to get ready.

I've got to get a babysitter.

Ah, you don't need a babysitter, man.

Yeah, cool.

I'll just bring him with me.

Ah, you don't need to come, man, you're not in the band

anymore.

What do you mean, I'm not in the band?

Well, - We had a meeting, man.

And we decided it'd be better if you were out of the band

until we got a record contract, man.

Then after that, it'll be cool.

You can come on the road with us, man, and sing.

You know?

Just like before, with the mic off and everything, you know?

With the mic off?

Yeah, except for the other day, man.

Someone left your mic on by mistake, man.

Wow.

We-- we couldn't figure out where

that sound is coming from, man.

I thought I blew a speaker or something.

Oh, Christ.

I got to pick up that girl, too.

Yeah, Bobby met this chick, man.

She's a topless dancer but she sings her ass off, man.

She looks great.

And I got to go pick her up, man.

[ominous music]

So how do I look?

Huh?

I don't know about this outfit, man.

Do you-- Do you think it's cool enough?

You know, I think I'm ready for a new look.

What do you think?

[FABRIC TEARING]

Hey!

What are you doing, man?

She cut all the patches off my jeans, man, and left me.

And took the kid and the patches with her.

OK.

Let's go back to the very, very beginning with you

and this, this Tree.

When did you meet her?

Think back, now.

What do you see?

Salad.

Whoa.

Lettuce, tomato, salad oil.

Salami, strawberries, pasquedos.

Yeah.

Squishy stuff.

More squishy stuff.

Sourdough bread and Mexican busboys.

White people, Iranian cashiers and oh,

waitresses with nice titties.

[DROPS KNIFE]

[saxophone solo]

[opera music]

Oh, sorry, man.

DR. LIDDLEDICK: That's all right.

I'll get it, Mr. Man.

How's the breakfast, man?

[LAUGHING] I'm sorry.

It's a little rubbery.

I'm sorry.

Hey, I'll make you pancakes--

No, no, no.

That's all right.

Let's just get on with your therapy.

After your wife and child left you, then what did you do?

[exhaling into condom]

I started Hippyland, man.

[MUSIC - TOMMY CHONG, "HIPPYLAND RAP"]

When my woman left, I had a brilliant flash

I started Hippyland, man, just to raise some cash.

I wanted it to be just like Disneyland, man.

For all the hippy dippy people right across this land.

With a big bong ride that would suck you inside.

Spin you round and round while everybody got down.

Making love, not war 'til their bodies got sore.

Then you work out all your cramps in the lava lamps.

But the baddest ride of all would

be The Free Fall Balls that take you way up in the sky.

Groovy way to get high.

But first you stand in line for this real fun time

and you better not cry when it's your turn to fly.

And don't look down when you're way up off the ground.

Oop, I changed my mind, I don't want to go.

Hey, wait a minute bro.

Can we take this slow?

Say fool, oh, lord, look out below.

[YELLING]

Hey, it's OK.

Now, don't run away because the next ride you take

will be a piece of cake.

And you don't have to stand for what we've got planned.

This is going to be fun, unless you're too dumb to come.

Just hang on tight and we will make it all right.

Now, blast off time for a real space flight.

And don't get sick inside this dick.

We'll spin you round and round way above the ground.

Are we having fun?

Rides almost done.

Look out below, I think I'm going to come.

Things are going fine I was building

the ride when old Bobby came by and somehow snuck inside.

I didn't know he was there 'til I raised him in the air.

He was screaming so loud, I didn't

know what was the matter 'til I saw him hanging there

and I ran and got a ladder.

While I was getting him down, I gave the balls a little touch

and Bobby took off.

He didn't like it very much.

Hey man what are you doing?

Nose bleeds when I'm in an elevator.

Don't worry about it, man.

I'll fix it I just gotta get a ladder.

I'll be right up.

Don't go away, OK?

Get me down, fool.

Get me down.

Hey listen, man.

The truck's stuck in the up position.

But don't worry, man.

I'll have you down before you know it.

[YELLING]

DR. LIDDLEDICK: The operating modes of the sweep delayer

indicated by the LED lamp located at the right

of the delay slighting switch.

The switch intersects the light...

OK.

OK, I want you try this on.

- Testing one, two-- - No, no, no.

It goes right on your head.

There you go.

OK.

What kind of tape recorder is this?

No, it's not a tape recorder.

What I want to do is I'm going to be testing your brain waves.

You're not a reporter?

No, no, no.

I'm a psychiatrist.

Oh, I thought you were a reporter

from "High Times," man.

No.

Been waiting for my little gift.

Well, that's funny.

Let me see something.

Just for a second here.

[HAT BEEPING]

Yeah, well it's not the hat.

Let me try this.

[HAT BEEPING]

Try it again.

[MACHINE BEEPS]

Amazing.

Just amazing.

Well, according to your brainwave charts,

your solution is pretty darn simple.

You need a job.

A blow job?

No, no, no, no.

Money.

- Sure, I'll pay, man. - No, no, no.

You see, you're getting way off the track here.

What you need is some sort of occupation that can just get

your mind right off that Tree.

- Who? - Tree.

Your woman.

You remember, the one you're trying to forget?

Yeah right.

According to this, you are actually well-suited

for four different occupations.

I have to tell you, though, that you didn't test

too high on the chart here.

You're somewhere between plankton and toaster.

But that still leaves four jobs open for you.

Either politician, lawyer, boat anchor, or roadie.

I'm a roadie, man.

I really am.

I got a truck and everything.

Well, splendid.

Then when I snap my fingers, you'll be a roadie.

You'll be back on the road again.

Forgetting all about this Tree business.

And write me a check for $10,000.

Cool.

You know what?

Come to think of it, make it for 20.

Because after all, I did make a house call.

Which reminds me, I have to be in Torrance in an hour.

So why don't you call me a cab?

Sorry. [SNAPS FINGERS]

Hey, you're a cab.

I'm a roadie.

I have to been in Torrance in an hour.

[STRUMS GUITAR]

Excuse me, man.

Just a minute.

Let me plug that one in.

OK.

[SCREAMING]

Yeah, yeah, yeah, yeah.

It's got a short in it, man.

I've got to get this thing fixed.

Gotta be in Torrance in an hour, man.

What about my check?

Oh yeah, your check.

And you're a cab.

Thank you.

20.

$20.00! - OK, Bill.

This is our last supper for a while, man.

Because I'm on the road.

Here you are.

Seems I forgot which one's yours.

Well, here.

You choose.

Oh, man.

Well, I'm hungry, Bill.

Yum.

I think you're fooling me, Bill.

Yum.

Hmm.

[FARTS]

[classical music]

Honey.

Kyle.

Always reading.

It's not healthy.

That's why you're having so much trouble in school.

Mom, that school sucks.

The Principal's a kook.

C. Thomas puts out a lot of money for that school.

So, he's a kook, too.

C. Thomas is a kook?

How dare you talk about him like that.

If it wasn't for C. Thomas, we wouldn't have all of this.

He takes good care of us.

Come on, honey.

You just got to make more of an effort.

Watch more TV.

When I was your age that's all I did, was watch TV

and listen to music.

Mom, I do listen to music.

Yeah, but what kind of music?

Beethoven?

So, I like Beethoven.

Well, tonight we're going to go see "The Farts."

So come on, honey.

Get ready.

[classical music]

Oh baby, are you dirty!

Oh!

I missed you.

Hey, we're back on the road, though.

Oh, wow , a roach.

Hey!

I'll save this for later.

OK, are you going to start for me or what?

[TRUCK STARTS]

Check this out, man.

Dude calls up Keith and says he wants

me to come in and audition.

You know, what does he think, I'm Rob Lowe or something?

You know, I'm a professional, man.

I know I get offers on films.

You know, I don't read for nobody.

I'm C. Thomas Howell.

I don't need this.

I'll go do a film in the Mediterranean,

with Franco Zepherelli.

With my fine babe and my kid here, man.

That's what I'll do.

Thank you very much. - Torrance, man.

Where the hell's Torrance?

Torrance.

I better look at a map.

OK.

Torrance.

Torrance.

Well, here's Venice.

I'd better go ask that dude.

Hey, excuse me, man.

Hey, is this Tampa City or Almani, man?

I can't figure this map out.

Where you want to go?

I have to be in Torrance in an hour.

Hey, tell you what, man.

You help me start the car, I'll take you there.

What's wrong with it, man?

I don't know, it's my cousin, Julio's.

He;s getting married, man.

I'm late, too.

I think I've got.

Yeah, start it up.

Yeah, hey start it, man.

All right.

Go for it.

Go for it, man.

[BLOWS HORN] Hey, hold it, man.

Stop guy.

[YELLS IN SPANISH]

Stop, stop, stop.

[YELLING IN SPANISH]

All right.

Por que, man.

I'll follow you.

MEXICAN: I ought to kill you, son of a bitch.

Crazy hippy.

[metal music]

Oh, shit.

My nylon's come undone.

C. Thomas, wait.

Hey, Kyle, you gotten laid yet?

You're so mean to me.

I'm trying to help the guy out.

Give him a break.

Only the best, now.

Look, look, grab a couple of beers and meet us in the back.

[music - dv8, "moving target"]

Track him down.

Like bursting out of the dark.

Come on.

[music - dv8, "moving target"]

All I feel is the pain in my heart.

She's a moving target.

One I've missed before.

She's a moving target.

Yeah,

FAR OUT MAN: Well, we made it.

This is Torrance.

Hey, that must be the gig.

[music - dv8, "moving target"]

My name's been on your lips.

Wonder who you're kissing now.

Wonder who's next on your list?

Like a gunshot out of the dark.

I'm feeling the pain in my heart.

She's a moving target.

Cannonball.

[SCREECHING BRAKES]

[music - dv8, "moving target"]

Get one more shot to even up the score.

GIRL 1: The guy's a jerk.

GIRL 2: Yeah, but he's great in bed, come on.

GIRL 3: Oh, you're still seeing him or can I get his number?

[COUGHING]

[CLATTER]

What, do you got shit for brains?

Man, I'm sorry.

I'm going to kick your ass, man.

Oh, shit.

Get him.

You little kid bastard.

You're mine, all mine.

[quirky music]

OK, split up.

OK.

[quirky music]

Woah!

What the fuck is this?

Sorry I'm late, man.

I had a map and everything, man.

And somehow I ended up in Almani.

So then I asked directions, you know?

And then I ended up in Wilmington, man.

And I asked directions again and I ended up in Compton.

I didn't ask anybody there, man.

I just drove out of Compton and ended up in Pasadena.

And finally found a hitchhiker, man.

And they were coming here, so I ended up here, man.

I'm sorry I'm late, man.

Where's Dave?

Uh, Dave's not here, man.

I can see, Dave's not here.

But where is he?

He's sick. he's sick.

Sick my dick He's probably somewhere fucked up.

Little no talking, black ass, junkie bastard.

Right.

Whoa, Look here, forget that.

The gig is over.

Look, you're headed for Fresno, now.

Tomorrow, / You know where that is?

Fresno?

I got the address here.

There you go.

Oh, wrong address.

[LAUGHS]

That's the wrong address.

Not to walk on by, Fresno is up near San Francisco.

You can't go up there with your ass hanging out like that.

Did you really pay for this shit?

God damn, look like your barber and your tailor are fucking.

Can you beat this?

You got anything better than this Stevie Wonder outfit?

Yeah, I've got my clothes with me, man, in the truck.

Well please bring the mother fuckers with you.

Go on, hippy.

Fresno, right?

Fresno.

[MUSIC - DV8, "ANYTHING FOR THE MONEY"]

Seems like I'm working for nothing.

That ain't nothing new.

[BRAKES SCREECHING]

I know my bills are always late.

Car payments six months overdue.

Come on, stay awake, stay awake.

[MUSIC - DV8, "ANYTHING FOR THE MONEY"]

Sure someday I'll have it all.

Girls and all the money I spend on you.

Now, I'm going to have to hawk this new guitar

to pay the rent.

Hey!

Hey, Far Out Man, what the road, man.

You're going to get us killed, golly.

Cheech?

Huh?

[SNORING]

[CAR HORNS BEEPING]

Hey, man! I said wake up.

Look you're going to get--

Just stay on the white line.

God damn.

Man, don't you have any coffee or anything here?

What am I doing in this movie, man?

I got development deal all over town.

I'm out of here.

[MUSIC - DV8, "ANYTHING FOR THE MONEY"]

I'm going to do anything for money.

Whew!

[MUSIC - DV8, "ANYTHING FOR THE MONEY"]

I'll do anything for money.

Oh, shit! [SNIFFS]

[MUSIC - DV8, "ANYTHING FOR THE MONEY"]

Honey, what can I do for you?

Money is the--

[TRUCK IDLING]

[GROANS]

[LIQUID RUNNING]

[LIQUID RUNNING]

[TRUCK ACCELERATING]

Hey, hey dude, wait!

Wait up!

Hey, stop!

Stop!

Oh, God.

Hey!

Yup, starting to hear things.

Hey!

[GRUNTS]

Hey, hop in.

Damn, I didn't even see you.

So where are you headed?

Home, I guess.

So where is home?

Palisades.

You're hitchhiking the wrong way, dude.

I'm heading for Fresno.

Fresno?

I don't want to go to Fresno.

No one wants to go to Fresno, man.

Hey, listen, my mom will pay you.

Relax, man.

Relax.

Say, I'll tell you what, dude.

You come to Fresno with me now, I'll give you a gig.

How long?

You could help me.

How long is it going to be?

Just a night.

Just a day and a night.

KYLE: OK, just a day and a night.

FAR OUT MAN: I'll have you home by tomorrow, man.

At the latest.

Kyle!

Honey, where are you?

Homer!

[upbeat music]

[BRAKES SCREECH]

[GROANS]

[MUSIC - SHERRY WESTON, "I LOVE A COWBOY"]

I love a cowboy in his tight blue jeans.

His boots with the pointed toes.

It's a sexy way to meet riding ropes at the rodeos.

I love a cowboy.

Can I borrow a

Oh, yeah.

You going to phone your mom?

Yeah.

Good idea.

[GROANS]

[PHONE RINGING]

OPERATOR [ON PHONE]: Operator recording.

How would you like to direct this call?

Collect call from Kyle.

[CALL WAITING BEEPS]

Oh, hold on.

There's a call on the other line.

Hello?

OPERATOR [ON PHONE]: I have a collect call from Kyle.

Will you accept the charges?

Yes.

Kyle?

Oh, honey.

Oh, thank God.

Where have you been?

KYLE [ON PHONE]: I'm with this guy.

I think we're in Fresno, now.

You're in Fresno?

OK. Music.

[MUSIC - SHERRY WESTON, "I LOVE A COWBOY"]

I love a cowboy in his tight blue jeans.

His boots with the pointed toes.

It's a sexy way to meet, riding ropes at the rodeos.

I love

Yeah, I'm with this guy.

What do you mean, you're this guy?

Too early in the morning to be listening to this shit, man.

[MUSIC - SHERRY WESTON, "I LOVE A COWBOY"]

He sweeps me off my feet.

Makes no difference if you're short

Got nothing but cowboy music on this thing.

[RECORD SCRATCHES]

Whoops.

RESTAURANT PATRON: Alabama slammer.

[GROANS]

FAR OUT MAN: Oh, good.

Here's something.

Oh, man.

[YELLING]

TREE [ON PHONE]: Kyle?

Shit.

[GRUNTING]

Come on, hit him.

Let's go.

Go, fight.

Go.

Get him.

[HOOTING AND HOLLERING]

Hit him, hard.

Get him.

[YELLING]

Come on, whack him.

Get him, get him again.

FAR OUT MAN: Wham.

Come on, man.

[celebratory music]

What was his problem, man?

KYLE: I don't know, man.

FAR OUT MAN: That guy was a jerk.

Come on, let's go find somewhere else, man.

Their too nuts around here.

I mean, did you see that dude, man?

I mean, let's give taxi over a rest or what.

Damn, man.

Hey, hey where'd the road go?

Oh, oh, hey.

Your journey is over here.

[TRUCK BEEPS]

Hi, this is Holly Turbo, From KASSTV Here at the famous White

Melon Airport.

Where, world famous Hollywood stars keep their airplanes.

In fact, here comes one of them, now.

Tree.

It's in my makeup bag.

Tom is somebody from the-- from the Rat

Pack or the Brat Pack or some--

Hi there.

I'm Holly Turbo from KASSTV.

Your-- what's your name?

- C. Thomas Howell. - Oh, that's it.

And what's her name? - This is Tree.

Oh, she's Tree.

She's one of those players in those bimbo movies

or something. - Please, please, please.

This is my fiance.

Oh, is this television? - Yes, it is.

Are we on?

Oh listen.

Everybody out in TV land--

Now Tree. Our son has--

- Tree, Tree. - --disappeared.

And I can't find him--

This is a serious interview program.

So I was wondering if anybody could get a hold of him,

could they please connect?

- Later hon. - We've got to get going.

We've got to get away. Thank you.

Could you tell us, do have an airplane here, sir?

Yes, I do actually.

I've got a couple of them in the back.

Oh, that's wonderful.

C. Thomas, ask her name so they know who to call for Kyle.

Ask her name.

Come on.

You know, we're-- our child's missing.

Well, what's his name?

Go ahead, what's his name?

His name is Kyle.

And he's about Tree's height. He's blonde.

- Blonde. - And--

And he doesn't have his braces on anymore.

Right, right.

So actually-- I'll tell you what.

I'd love to do an interview on you.

So anybody who knows--

Well, if you're back here tomorrow.

Honey, please please. I'm trying to talk.

OK?

I'll you're back here tomorrow, I'll give

you a full blown interview. - Same time?

But right now, we're in a very big hurry

and I appreciate your time.

- Same time, same station? - Absolutely

Oh, do you hear him ladies and gentlemen?

He'll be here.

Tune in.

TREE: Oh, I hope we find him.

C. THOMAS HOWELL: Hey, babe, don't worry about it.

I hired the A, number one detective in Fresno.

[MOANING]

[TRUCK HORN

BEEPS]

Oh, what was that?

Damn.

What the shit?

See listen, man.

I'm a little lost.

Do you know where this place is?

Christ, I never been to Fresno.

Sure smells weird here.

Fool, you're here.

The gig is in there.

Can I see some ID, man?

Oh, far out.

[music playing]

No, man.

Get off.

No, off the stage man.

I got the rest of the stuff in the truck, man.

No, no.

Hey, sorry I'm late, man.

Off the stage, man.

What?

Off.

I can't hear you, man.

Get off the stage.

Off the stage.

Yeah, that's it, man.

Take the guitar.

Backstage, OK, man.

I'm putting all this stuff backstage.

[music playing]

Hey, let me try that, man.

Let me try it.

Say, anybody seen that Brody?

You know the little raggedy mother fucker.

Hey, I'm over here, dude.

Over where?

Right here.

God damn, man, quit fucking around.

Look here this is serious.

That's cool, isn't it?

Yeah, yeah, that's nice.

Look at me, you got any shit?

What kind of shit?

Blow.

You got any?

Blow?

Blow.

[EXHALES]

Oh, that's funny, man.

I like that.

That's real funny.

I ask for blow, he blows.

Yeah, I don't do blow any more, man.

What kind of fucking roadie are you?

You don't do blow, man. Come on.

You guys always got the best shit.

It's bad for your, man.

It's ruined all my friends.

Fuck that, man.

- No, you get a habit. - Hey, man.

Some people can handle it, some people can't.

Me personally, I handle it.

I've been doing blow for years, I ain't got no habit.

Come on, now.

Need you to get medicine. Something.

You know, I don't need.

I just, like it every now and then.

It wakes me up.

No, I don't want to do that, man.

You know, like, I got a lot of work to do here.

I got to help set up the band.

Fuck that.

Forget that roadie shit.

From now on, you're my man.

All right?

You're my man.

Now go get me some blow, OK?

Oh, yes sir.

Can I help you?

Yeah, I need some coke.

Coke?

Certainly.

Would you like a straw with it?

Not that kind of Coke, man.

You know, some coke, some blow.

You know [SNIFFS]

Isn't that illegal?

Oh, I'm sorry, man.

I need something that just looks like coke.

Something white?

Right.

White powder.

Yeah.

A little more Niacin for the rush.

That stuff will really mess your head up.

Is that the shit?

Here you go, man.

[SNIFFS]

-

That's a lot for $1500.

Well, I got a real good connection in Fresno, man.

This is bullshit, man.

This much for $1,500?

From Baltimore to Kokomo I made my score with blow.

No that's good stuff, man.

It's 100% pure stuff.

Must be stepped on.

It's pure, man.

That's 100% pure.

Well, let's give it the ultimate test.

Whoo!

Shit!

[SCREAMS]

[GRUNTS]

God damn!

Shit!

Whoo!

Ow!

[SCATTING]

God damn!

Pshew!

Man, this is the meanest shit I ever tooted.

Yeah, it's pure, man.

Here go ahead.

Oh, no thanks, man.

I don't do that shit.

What?

What's wrong with the shit?

What do you mean?

Well, last time I did some coke,

man, I almost killed the guy that gave it to me.

Oh, well hey, don't worry about it.

That leaves more for me.

[DIALING PHONE]

OPERATOR [ON PHONE]: For operator assistance,

press zero.

Operator, can I help you?

Hello, yeah. collect call from Kyle.

Lyle?

Kyle.

Kyle.

TREE [ON PHONE]: Hi this is Tree and you

could leave me a message.

Just wait for the beep.

OPERATOR [ON PHONE]: I'm sorry, there's no one

there to accept that call.

OK.

TREE: Oh, I hope he's all right.

C. THOMAS HOWELL: Honey, I checked him out myself.

I'm talking about Kyle.

Yippee.

Well?

He was here.

Where is he now?

He left.

What do you mean, he left?

Who was he with?

Well, now according to people here,

he was involved with some guys in a fight.

I don't know.

He was involved with the Indian, with the drunk.

They say he was--

Want some coffee?

No, thank you.

Say he was an Indian.

He was riding him, like a horse.

Now, the guy that Kevin was with--

It's Kyle.

K-Y-L-E.

K-Y-L-E. K-Y-L-E. I've got it.

I've got it.

According to what people said here,

your son is with an older man.

Probably in his 40s or 50s.

46, 47, 50.

You know, the long haired, hippy type?

Anyhow, you see what they did is they had breakfast.

And they had flapjacks and toast and eggs over easy.

I think it was three minute eggs.

WAITRESS: They didn't have any breakfast.

Three minute eggs. They didn't have any breakfast.

Oh, you see? They didn't have any breakfast.

And then they left together.

Then, they just left.

And then they left.

I don't want to hear this shit.

You're off the case.

Please lady, please.

I'm just a dick trying to do my job.

Hey!

FAR OUT MAN: Uh-oh.

The groupies are in the middle of the road.

Stop!

Yeah, yeah, we're with the band.

Jump in.

Hey, you guys with the band?

FAR OUT MAN: Yeah, party, man.

ROADIE: Oh, wow party.

Oh, that's great.

Oh, rock.

Hey, there's a party.

Yeah, come on.

[TRUCK ACCELERATES] Oh, yeah, yeah.

We're with the band.

He's a bass player.

Bye, see ya!

See you down there.

ROADIE 2: We're going to have to hitch a ride.

[YELLING]

[MUSIC - ERICA BEAL, "HOT FOR YOU"]

Can't you feel the fever in the air?

Hear my voice coming out for you and you can't resist.

When you taste the passion we both share?

'Cause you know one touch could make sparks fly,

I've got a secret that I can't hide.

Hold on baby and you will see.

[WATER SPLASHING]

God, it's so smokey out there.

I can't handle it.

It's all smoke.

Like smoking chimneys or something.

Ah, sounds like a good party going on out there.

Oh, that looks so good.

Do you mind if I join you?

Oh no, come on in.

God, that's great.

Pretty relaxing, huh?

Yeah, this is a honeymoon suite.

I lucked out.

It's killer, man, to sleep in.

Had to move the bed, cause every time I looked up in the mirror,

I thought someone was falling on top of me.

[LAUGHING]

Oh, God.

Can I have a hit off that?

Oh.

What's the matter?

I'm just a little bit shy.

Well, just pull up a dick and have a seat.

Cheap son of a bitch.

Come off the street.

Don't give me no money, snort up all my drugs and shit.

Now, your ass laying there dead.

Like I give a shit.

You cheap mother fucker.

And to spill my shit all over them polyester pants.

You didn't even have nothing in here I could steal.

God damn it, I should have know your old ass had a week heart.

So tell me, are you married?

Nope, nope, nope.

Not even a little bit.

No.

I'm not married at all.

[KNOCK ON DOOR]

That guy, that guy Od'ed.

You cocaine stealing bastard.

Look at this, a genuine cubic zirconium watch.

Why Got all them--

look at it.

Credit cards.

Sammy Smith.

John Johnson.

David Johnson.

Sara Johnson.

You don't look like no Sara Johnson.

He's got gold.

He's got gold.

LOOTER: Come on, hurry up hurry up.

I need something.

Just give me something, really quick.

LOOTER: I've got some pliers, dude.

Pull his teeth out.

Oh, come on baby.

Hey, hey, hey, hey.

Just a minute, man.

Hold it.

This man ain't dead.

He needs some mouth to mouth resuscitation.

Oh, no, Junior.

You can forget that.

LOOTER: Well?

FAR OUT MAN: Do it.

He looks groovy, man.

OK, Kyle.

Hit it.

[SCREAMING]

[ELECTRICITY BUZZING]

[DROPS CHANGE]

[ELECTRICITY BUZZES]

Yeah, Spider?

This is Lou.

Have you seen that little no talking faggot, Bobby?

The sucker owes me money, man.

And he sent a little freaky hippy up here.

Tried to kill me.

[HUMMING ON

BOTTLE]

Yeah, gave me some bad blow, man.

And then he tried to kill me, with his guitar.

With a guitar.

Yeah.

So I sent the hippy back to LA.

And I'm on my way back.

Yeah, fuck it.

Bye.

[MUSIC - BOBBY TAYLOR, "FLY AWAY"]

If I could fly like a bird in the sky, I would find my love.

My love.

If I could sing like a mockingbird,

I'd sing the words that mean I love you.

I love you.

Fly away.

Fly away.

'Til we meet the setting sun.

Fly away together.

Free and happy for heaven and heaven.

OK, we'll drop the trailer here.

You guys stay with the instruments.

Keep an eye on everything, OK?

I'll go find some place to park this thing.

Oh, great Ali Pasha, please free my gypsy lover, Akbar.

I beseech you.

I'll let you ravish my body.

I'll let you pour honey on my toes

and get in a few good licks and I--

[TRUCK HORN BEEPING]

I hear something.

DIRECTOR: Oh Jesus, here comes the geek in the truck, again.

Rae Dawn, I've had it with this.

[TRUCK HORN

BEEPS]

I want this man off the set.

Hi, Daddy.

Hey, honey.

We're filming.

Yeah, I thought that was you.

Hey, guess what?

I'm a roadie, again.

I just got back from Fresno.

That's great.

And I'm over what's her name?

Tree?

Yeah.

Oh, I saw Tree, on TV.

At the White Man Airport.

She's going to be there today. - You saw Tree?

RAE: Yes. - Where?

RAE: At The White Man Airport.

You might be able to catch her.

You should go there, right now.

Peter, here.

I don't have to work this way.

I won't work this way.

I want you off the set, right now.

And I want her off the set, right now.

You get out of here.

Hey, Dawn Dawn, can I borrow your car?

DIRECTOR: Isn't helping the activities.

Making my life a living hell as if it

wasn't a living hell already.

FAR OUT MAN: Hey, I need a toy for my kid, man.

Oh, how about a a little gun?

Oh, yeah.

Great, man.

We've got a few guns here.

We've got a little dart gun with handcuffs

and here's a nice little Luger.

Hey, man, you got anything that looks real, man?

Like an Uzi or something?

I mean, these look like toys, man.

[LOCKS DOOR]

You want guns?

It's going to be easier to buy real guns

than it is to find these.

The Law, light anti-tank weapons.

Great, man. I'll take them all.

[MAKING GUN NOISES]

What the hell?

[STAMMERING]

Tower, this is security.

Tower, this is security.

Please come in.

Yes, we have an unauthorized personnel with weapons

on runway three, please.

Unauthorized--

DISPATCHER [ON RADIO]: What do you mean, unauthorized?

That means that this mother fucker as got guns

and he's out here to hurt somebody.

All available units respond to a crazy motherfucker

with a gun at the White Man Airport, over.

All available units respond to a crazy motherfucker with a gun.

[TIRES SCREECHING] [POLICE SIREN]

[MAKING TANK NOISES]

[URINATING]

Private, don't move.

I got you.

You Yankee dog, you going to die.

[LAUGHS]

You Yankee pig.

You come to my village, you steal my wife,

you rape my goat.

Now, you going to make my days.

All right you Yankee pig.

I want you to prepare to die, right now.

Don't move.

Go for that weapon and you're dead meat.

I'm going to let you make a run for it.

Then I'm going to shoot your balls off, one at a time.

Go ahead, make a run for it.

I'll get you.

Not if I don't get you first.

[GROWLS]

[BARKS LIKE A DOG]

[CONTINUES URINATING]

TREE: Oh, C. Thomas, what are you doing?

[SCREAMS]

Oh, my God.

C. THOMAS HOWELL: Relax.

Shut up!

I do this all the time.

Unbelievable.

I can't believe that.

A three pointer backwards, man.

I've never done that before.

TREE: That's it.

I'm never flying with you again.

Hey, if we hurry up, we can make the game.

We are not going home and watching the game.

I have to find Kyle.

Get in the car.

[POLICE SIRENS APPROACHING]

Now, you have to go.

Just go on.

Get in the car, the place is surrounded by machine guns.

TREE: Machine guns?

They're terrorists and they have guns.

Oh, God.

[POLICE SIRENS]

Hey you.

Hey.

Hey.

What's going on, man.

We've got some cars we got out of here like, now.

Move them.

I'm not the tow truck driver, man.

Well, you are now.

[MACHINE GUN FIRE]

Come on, move it.

[MACHINE GUN FIRE]

OK, babe.

Don't you fret.

My dad's a stunt man.

I've seen him rig one of these things before.

We'll be here about one second.

Let me just pop this hood up we'll be out of here.

Where the hell are we anyway?

Supposed to be right here, somewhere.

Oh my God.

Over here.

C. THOMAS HOWELL: Honey, check and see if the hood

latch is up there in the front.

What's the problem?

Oh my God.

Oh my God.

Oh my God.

Oh, I don't believe--

Tree?

Tree?

I believe it's you.

It's Tree.

Oh my God.

C. THOMAS HOWELL: Honey, I think you better

try and flag somebody down.

Is that my boy?

Honey?

Hey, talk about service, Dad.

This is unbelievable.

A tow truck from nowhere.

Unbelievable.

Great.

Easy easy.

I'll get you an autograph.

Look at you.

Look could you do me a favor.

Oh, man

Could you do a favor?

Could you just get behind me push me right down there

and I'll give you an autographed picture?

- Oh, sure, man. - Thanks a lot.

Thanks a lot.

Come on, come on ride with me.

That's a good idea, honey.

You should probably ride with him.

OK, honey, I'll ride with him.

OK, you know, just go really slow.

OK?

Because it's new car, man.

OK?

OK.

Unbelievable.

Wait a second.

This isn't going to work, man.

Wait a second, I don't got any by the brakes.

Wait a minute.

I don't have brakes in here man.

Sorry.

Hey get off your break, man.

This is not going to work, man.

Roach, man.

He's all grown up.

I thought he was a little bitty baby, man.

That's C. Thomas Howell.

Slow down!

Slow down!

Slow down.

Honey, that's not our son.

That's C. Thomas Howell, the actor.

Roach is an actor?

Far out, man.

You don't get it.

You don't get it.

I thought he was a little kid, man.

When I heard you were coming, man.

I went to the toy store and bought him some toys, man.

Look at this, I thought he was a baby.

Oh, fuck!

He's got a gun.

It's all your fault. See what happens?

What do you mean, my fault?

You left me, man.

C. THOMAS HOWELL: Shit!

Your son is missing.

What do you mean missing?

He's-- oh.

Where did he go?

Hey!

Hey, did you see me back there, buddy?

Huh?

Fabulous.

Oh god.

Oh god, am I glad to see you.

Hey!

Get off me.

All right, you're arrest.

Hey dude.

No, man.

My duty to inform you, you have the right--

Did you see Soul Man?

I am the black dude in Soul Man.

You have the right to remain silent.

C. THOMAS HOWELL: Aw, fuck.

I'm going to call my attorney, man.

Patty, Val, Shit.

Why did you come and find me?

Well, you left, man.

You just took off.

What do you mean, find you, man?

I looked all over for you.

Oh, sure you looked.

I looked, man.

No wonder our sons a mess.

But I couldn't find you.

You know why?

Why couldn't you find me?

Because I don't know your last name, that's why.

Tree.

that's why I couldn-- what are you going around asking,

hey man have you see Tree?

His legal name is Jimmy Henry Eric Clapton.

Just a minute.

I named him that.

It's Jimmy-- I named him after all the guitar players I know.

It's Jimmy Henry Clapton Berry Chuck--

Chuck?

Yeah, Chuck Richard Page Hooker Lee John John.

Chuck, C-H-U-C-K.

Here, this is a picture of him.

Oh, let me see, man.

That's my son.

That's not--

That's Kyle, man.

Yes, his name's Kyle.

That's what he calls himself.

No, that's Kyle.

Honey, show the man the picture.

Come on, man.

That's Kyle.

This is my son who's missing.

Listen, come on.

TREE: What are you talking about?

[MUSIC - REBEL FACTION, "BURNIN'"]

Crazies along the way.

Well, I just say that the judge can take dirty games

that you know that you play.

Whoa, I'm burning for you.

That's what you said, yeah.

If you know those guys you're crazy,

they haven't eaten for days.

So weird, man, that that kid's my son.

And he looks just like you.

You think so?

What the fuck, man?

What the fuck?

Hey, hey.

Back off, guys.

I'll handle this, man.

Hey, he didn't mean it.

Bitch, move.

Now, I'm going to kill this dog face.

Hey, man.

Mellow out, dude.

Get out of my face, asshole.

I'm going to kick that dork's ass, man.

Hey, you're really tense, man.

You got to change your diet.

I bet you eat meat.

[GRUNTS]

I knew it, man.

Look at your eyes, man.

You need calcium, man.

Listen, I've got some--

Lay off my baby.

Ah!

KYLE: Mom, are you OK?

OK, listen, man.

Take like two in the morning and two in the afternoon.

But don't ever take these on an empty stomach.

OK?

TREE: Bunny?

I'm not a hippy anymore.

Because I'm an actress, now.

And Bunny, I'm living with Tommy,

but, I mean, I don't love him.

Well, I mean, I don't love him like I love you.

I mean, he's going to get me a part in a movie.

Bunny, tomorrow I'm going to go to Italy with him because he's

going to do movies.

Zepherelli promised me a part.

I mean,

[SNORING]

he said I was going to get a part.

Better get that part.

So-- Bunny?

Good night.

I love you.

So what do I do? You want me to hang out?

MAN [ON PHONE]: No, sweetie, take it easy.

We got the lawyers on this thing--

He's in the middle of this all ready.

You guys are going to have a serious, serious problem

on your hands.

KEITH [ON PHONE]: Well, sweetie, how are you?

Are you OK?

Emotionally I'm fine.

I can deal with anything.

But this was pretty scary.

KEITH [ON PHONE]: Yeah, well, you're a strong guy.

But not to worry, I got fabulous news.

You got the Zepherelli film.

It's all set.

You're going to go.

One little hang up, sweetie.

On that other picture--

Wait a second, what are you saying to me

KEITH [ON PHONE]: What did I tell you?

They've decided to change their minds.

What do you mean, I didn't get the part?

Keith, the guy said he wrote the fucking script for me.

What do you mean, I didn't get that part?

KEITH [ON PHONE]: You just didn't get it.

You've been in negotiations for two weeks.

I don't want to hear this shit.

KEITH [ON PHONE]: Well, I can't help that.

You gotta--

Keith, I've been banking on this fucking movie for a month.

KEITH [ON PHONE]: Don't bank on it, sweetie.

Color and go. - Who's doing the movie?

Who's doing this?

Universal.

It's a Universal-- What do you mean Universal?

For what?

Who did they go with?

Well, they went with Judd.

They thought Judd was the--

Oh, my God.

He's a nobody.

KEITH [ON PHONE]: He's a nob-- - Did you see "From the Hip?"

KEITH [ON PHONE]: No. - Did you see "From the Hip?"

KEITH [ON PHONE]: No, i told you--

Judd Nelson. Judd Nelson.

He's an unknown.

KEITH [ON PHONE]: Well, he's not so unknown he--

[SCREAMING] No, I want this, OK?

No, I won't take this.

No, no, no.

I will not take no for an answer.

No!

No!

Oh, no!

That's it, pal.

No, you don't understand.

I wanted this movie.

DIRECTOR: Action, Rae Dawn.

Down on your knees Ali Pasha.

Do you think I, Princess Clitora,

would really let you lick my toes?

You sartin pig.

I spit on you.

I kill you, prepare to die.

[TRUCK HORN BEEPS]

DIRECTOR: Cut, cut.

Oh Jesus.

Rae Dawn, it's your father again.

Daddy, what are you doing?

I just came by to say goodbye, man.

I'm going back on the road with the guys.

Well, that's great.

Maybe you should get going.

We're filming.

DIRECTOR: It's drugs.

Oh, sorry.

Well, you better get going.

Before I lose this job.

Tree left me, again.

You're kidding.

Wait, Dad.

Five.

DIRECTOR: Five, take 10, take 20.

You're so god damn big.

You know what your problem is, Daddy?

You're too nice.

You're too 60's.

This is the 80s.

Almost the 90s.

You got to be rotten.

You're not going to let some wimpy actor with a name

like C. Thomas Howell take your woman away are you?

That's pathetic.

You got to be tough.

If you want her, Daddy, you have to go take her.

Go get her.

You've got to nail the bitch.

Get in there with both feet and jump on it.

Now, let's go,go go.

Oh, Daddy!

Whoa!

Oh, Jesus.

[GROANING]

Daddy!

[SPEAKING SPANISH] Honey how do

you say make a bag in Spanish?

[SPEAKING SPANISH] - I can't hear you.

The only thing I can hear is you getting

ready and getting in a car. That's all I can hear.

Is you getting the make up bag, you getting ready,

you getting ready, and you're getting ready.

Now go.

MAID: I don't know bag.

TREE: Donde es make up bag por favor.

MAID: Ay!

Que stupida.

Excuse me.

You don't happen to know who owns the--

C. THOMAS HOWELL: Judd? --that's parked right in the middle

of the street, right there.

Judd?

Judd Nelson. - Hi.

You're my favorite actor, man.

You're awesome.

Is the car yours?

I fucking love you.

Thank you.

You're out of sight.

Thanks a lot, man.

"From the Hip" is aces, man.

That's my favorite film.

What you did in that courtroom scene, unbelievable, man.

You know I almost did this gig you're doing in the Bahamas.

I was this close from doing it but I'm

doing the Zepherelli thing in Italy and I got tied up.

I had to turn it down.

Are you an actor?

Am I an actor?

"Soul Man," America's number one comedy 86'.

Thomas Howell, man.

Sorry, man.

I don't watch, I don't watch cable.

Well, did you see "The Hitcher?"

I'm sor-- I don't go, I don't go to the movies much.

If that car is yours--

"The Outsiders" I was Pony Boy, dude.

I was a Pony Boy, man.

It's probably the beard.

I was much younger, I was about this tall.

Pony Boy, look check me out.

That's great I'm sure I know you.

It's a pleasure. - Honey!

Can you please move the car?

Wait one second. You have to wait one second.

What are you yelling about now?

Look who's here.

- Moving it would be great. - Are you sure?

- If you just please-- - Oh.

Are you sure?

Secret admirer?

Nicolas Cage, oh my god.

I am such a fan of yours.

Thank you.

I love that movie "Moonstruck"

Well, Birdie is my best work, but thank you anyway.

Red Dawn?

If you could move the car.

Cher was fabulous.

Who did her make up?

I'm not sure, it was really crowded in the trailer.

Ay!

Charlie Sheen!

La camera.

La camera.

- We love you. - I was in "Hitcher."

Excuse me.

Is your name Tree?

Could be the beard, I didn't have a beard

when I was doing it then.

This is amazing.

I can't believe this.

I just saw this video at my managers

called "Garage Sale Bimbo's." That was you, right?

You saw "Garage Sale Bimbo's?"

We have a part for you.

And you never saw "The Hitcher?"

We have been looking for you.

My manager should have called by now.

We have a movie for you.

A role opposite me, four months in the Bahamas.

We think you'd be perfect.

Big bucks.

You saw, you saw "The Garage Sale Bimbo's"

and you never saw "Red Dawn?"

You can bring any makeup artist you want

and we're leaving in a week. - Wait a second.

Wait a second. I'm talking to you.

"Grandview, U.S.A."

We would love you.

We could bring you down early.

Get a little bit of a tan.

I mean rock my nation, baby.

You'd be per--

Hey, you're on my dick nerve, boy.

Just--

A star.

I knew I'd be a star one day.

Mom, Dad's hurt.

He's in the hospital.

HOSPITAL INTERCOM: Dr. Stoner, report to the administration.

Dr. Stoner.

Dr. Stoner, report to one of our--

Where is he?

He dead.

He what?

Girl, he died a half hour ago.

Nice man, too.

Oh, oh no. Bunny.

why did you have to die?

Wait.

I hear his spirit.

[toilet flushes]

Bunny, where are you?

Talk to me.

[explosion]

Hey, hey!

You're alive.

Hey, they serve Mexican food here, man.

Does he have any insurance?

Him?

Whoa, I can't believe you're my dad.

You going to come live with us?

I don't know.

Hey.

Hey.

What?

Are we can be living together again, man?

Can I be the singer in your band?

Yeah.

Yeah. Yeah.

No problem, man.

Yeah, but with the mic on?

With the mic on, man.

Hey listen, you know, your voice is really in style now.

Now?

OK.

All right!

Hey, hey Kyle.

Hey.

Come on, let's have a race.

OK.

What's the damage?

Watch out, Dad.

Whoa!

That was far out, man.

[MUSIC - TOMMY CHONG AND BOBBY TAYLOR, "I'M BLACK AGAIN"]

Yes, it's me and I'm back again.

Yes, I'm back to where it all began.

Yeah, I'm back to where I belong.

Having a ball while I sing this song.

I'm singing the blues in my orthopedic shoes.

Yes, it's me and I'm back again.

Yes, it's me and I'm back again.

Yeah, I'm back to where it all began.

Been living high and feeling good.

I've been treated like a good girl should.

I can't go back to that same old stuff.

I need it smooth.

I can't take it rough.

Yes, it's me and I'm back again.

You treat me right, I'll stay all night.

If you want the best, you've got to pass that test.

You want it nice, you've got to pay the price.

I'll be your toy but I won't be your

Boy.

Yes, it's me and I'm back again.

Yes, it's me and I'm back again.

Yes, I'm back to where it all began.

I've been away for too damn long.

It's been years since I sang this song.

I've been down, right to the ground.

Now, I'm me and I'm black again.

I'll be your lover but I won't be your wife.

I could live with you but I need my own life.

I can be true blue but I need someone

who will love me and hug me and talk nice not to me.

Yes, I'm back and I'm better than ever.

And you find out whenever we get together.

This is me and I'm back again.

You treat me right and I'll stay all night.

You want the best, you have to pass that test.

You want it nice, you've got to pay the price.

I'll be your toy but I won't be your boy.

Yes, it's me and I'm back again.

Yes, it's me and I'm back again.

Yes, it's me and I'm back again.

[MUSIC - THE BONEDADDYS, "HIPPIE CHILDREN"]

In the land of sky blue waters, I will fill

my A-frame cabin with a garden.

Living with so fear and Mama making positive vibrations.

Raise a golden shower on the never ending hippie nation.

Well I tried and I tried and I tried.

I tried so hard.

I wander this land with my home in my hands

seeking hippie mountain.

I share hippie food with my wandering friends.

We could groove forever.

But hippie nation slipped away.

Left me with a headache on a cold winter morning.

I got a job, got new clothes.

Put my hippy dreams in the dark.

But now hippie children, they're everywhere.

Hippie children love is everywhere.

Hippy children come on.

Hippy children all over this world

there are young boys and girls taking care of their mothers.

From every junior high, all the holes in the sky young girls

are thinking.

And out of this foolish vacation from learning

come new hippy nations.

Peace and love little girls talk about

ecology and working together.

Inner city college kids thinking about someone

besides themselves.

But now hippy children, they're everywhere.

Hippy children love everywhere.

Hippy children come on, come on, come on.

Hippy children come on yeah.

Now is the time for all the hippies

to come to the aid of the planet.

And the only pragmatic solutions are dreams about love.

Hippy children they're everywhere.