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>> sarah: where is she? Where is raggedy ann?
>> krystina: where's my dolly? I can't find my dolly anywhere.
>> sarah: is this the doll You were looking for?
Is this your raggedy ann? >> krystina: she's my favorite,
And she's very happy. >> sarah: oh-ho-ho.
Is that a secret, Or do you want to tell me why?
>> krystina: she likes it When you play with us.
>> sarah: oh, and I like Being with both of you, too.
>> krystina: don't go, sarah. >> sarah: one day soon,
I'll have to go, But you've got
Your mommy and daddy, Who love you very, very much.
>> krystina: don't you love me? >> sarah: oh, of course I do.
We'll always be friends. From time to time,
We'll visit each other. I'll come to colorado,
And you can go to wyoming -- With raggedy ann, of course.
It will be fun. It'll be lots of fun.
Mm. >> krystina: oh, I can't wait.
>> sarah: yes, my darling. Now, what game do you want
To play with raggedy ann? >> krystle: you see, darling?
Sarah realizes she can't Stay with us forever.
>> blake: yes. It's reassuring
To hear her talk like that. >> krystle: well,
She just needed a little time. >> blake: yes.
It looks that way. I'm glad I was wrong.
>> sammy jo: good morning. >> steven: morning.
>> sammy jo: how long Have you been awake?
>> steven: most of the night. >> sammy jo: something wrong?
>> steven: yeah. We're wrong.
>> sammy jo: what Are you talking about?
>> steven: I'm talking About us --
About me. Last night --
>> sammy jo: steven, We made love last night.
I wasn't pretending. Were you?
>> steven: it's not a matter Of pretending.
>> sammy jo: then what is it? >> steven: sammy jo, you --
You think because we made love That -- that everything's fine.
You think I've changed, But I haven't.
I can't. >> sammy jo: I'm not asking you
To change. >> steven: no, but that's
What you're hoping for, And it's wrong.
It's wrong for me. It's wrong for you.
>> sammy jo: it's not wrong For me.
I love you, And I love being with you
And holding you. People change, steven.
>> steven: part of me is never Going to change, sammy jo.
Don't you understand that? I can't be the kind of man
You want me to be, And I can't lie to myself
About it. >> sammy jo: well,
Then what do you want? >> steven: I don't know,
But it can't be this. >> sammy jo: what are
We going to do?
>> steven: I wish I knew.
I'm sorry. >> dirk: thank you.
Thank you very much, Ladies and gentlemen.
You have been most kind And most interesting.
I hope I said good things. >> alexis: why don't you
Give them your profile? It's your best side.
>> dirk: thank you. One second, alexis.
We're almost through. Thank you. Thank you very much.
Come. >> alexis: so...
>> dirk: sit down. >> alexis: you see what happens
When you become The new cover story
On "World finance" magazine? >> dirk: mm-hmm.
>> alexis: no, thank you. >> dirk: how'd you find out?
>> alexis: my sources. >> dirk: tell me something,
Alexis -- is there anything You don't know?
>> alexis: no. If there is, it's not worth
Knowing, anyway. >> dirk: you're as sure
Of yourself As you are beautiful.
>> alexis: come now, dirk, You didn't invite me here
Just to flatter me. >> dirk: well, then you must
Know why I called you. >> alexis: well, of course.
Trueville industries. >> dirk: right again.
>> alexis: oh, I know How you operate.
That company has been mismanaged And has been operating
In the red, And you want to take it over.
>> dirk: no, alexis, I'm going to take it over.
And you're going to join me, Be my partner.
>> alexis: no, no, no, Thank you very much.
Taking over companies Is not my style.
>> dirk: you don't seem To understand.
We have an obligation To the stockholders to cut away
All the dead wood, the fat. >> alexis: the perks.
No more taking The company jet for vacations.
"Take the bus, boys, Not the limo."
Like that? >> dirk: exactly like that.
>> alexis: you know, I don't really think you care
About those stockholders at all. >> dirk: then what do you think
I'm after? >> alexis: power,
Like everyone else. >> dirk: well,
As the man once said, Power and sex --
What else is there? >> alexis: there's love.
And power and sex Can never replace that.
>> dex: alexis. >> alexis: hello, dex.
>> dirk: I'd ask you to join us, Mr. Dexter, but I'm sure
Our conversation would be Over your head.
>> dex: whatever you have To say, like alexis,
I've heard it all before. Excuse me.
Mr. Sheffield call down? Thank you.
>> dirk: so, that's the love That can't be replaced?
>> adam: what the hell Are you doing here?
>> neal: I need to talk to you. >> adam: about what?
That private eye you had Following me last night?
>> neal: what? >> adam: mcvane,
Call off your detective. >> neal: detective?
I don't have to have you Followed.
I can always find you -- At the nearest bar.
>> adam: then who is it? >> neal: I wouldn't know.
The next time you see him, Why don't you ask him?
But right now I want To discuss maurier.
He wants something From your mother,
And I want to know what that is. Remember, that's our agreement.
>> adam: agreements have been Known to be -- what's the word?
Rescinded? >> neal: yes.
But the problem is, In this case,
The word will get out That adam carrington
Is not adam carrington. Just remember that,
Mr. Torrance. >> adam: you really are
A pig, mcvane. >> neal: and you're
A pathetic fraud. Now I want that information.
Is that understood? I asked you a question.
Is that understood? >> adam: yes!
That's understood. >> neal: good.
That's good. >> neal: and I want it quickly.
>> adam: how come you're here? >> dana: I'm here to pick up
Some papers from mrs. Goram. >> adam: ahh.
The goram deal. >> dana: you could call it that.
>> adam: you could also say That this is the morning shift,
And you're on duty. >> dana: do I know
What that means? >> adam: oh, I think so.
Someone was following me Last night,
And now here you are. That's more than a coincidence,
Dana. >> dana: oh, adam, please,
What is going on? Are you ever going
To level with me? >> adam: are you ever
Going to leave me alone? >> dana: to be seen with a man
Like neal mcvane -- A convicted felon,
A disgraced congressman. Clearly something is going on.
I am not following you, no. But maybe somebody should.
>> danny: which hand is it in? >> steven: this one.
No, must be that one. >> danny: that's me
And valez. Mommy took it.
>> steven: yeah. That's really nice.
Listen, danny? >> danny: yes?
>> steven: when we moved here, I thought that it would be
Best for all of us. >> danny: it is, daddy.
It's great. >> steven: no, it's not.
Your mommy and I Tried to live together once,
And it didn't work. >> danny: but you and mommy
Love each other. >> steven: yes, we do.
But it's not that simple.
I have to -- I have to leave.
>> danny: you can't leave, Daddy.
>> steven: I can't explain this To you now, but...
You just have to know That I love you,
And your mommy loves you. >> danny: did I do
Something wrong? I promise I'll never do it
Again. >> steven: no, danny,
You didn't do anything wrong. You didn't do anything wrong.
It's not you. It's mommy and me.
I love you. >> danny: no, you don't.
You hate me.
>> sammy jo: come on, Sweetheart.
Come here. Do we have to do this, steven,
To each other and to danny? >> steven: oh, thanks.
He was really crying. He's been so happy
These past few weeks, And then to see the tears,
To know it was my fault... >> blake: well, you said
What you felt you had to say. >> steven: I should have
Thought it through. I shouldn't have gone back
With sammy jo. I only made things worse.
>> blake: no. No, you wanted to be
A family again. You've always needed that,
Steven. It's been a strong part of you.
I must confess to you That I wanted you all
To be a family again Every bit as much as you did.
>> steven: I'm worried About danny.
>> blake: oh, he'll understand One day.
I know he will. You two love each other
As we do. I want you to know, son,
No matter what happens, I'll always love you.
>> sarah: >> krystina: don't tell
The others. >> sarah: what,
That raggedy ann's Your favorite?
>> krystina: yes. >> sarah: why?
>> krystina: I don't want them To be sad.
>> sarah: oh... You know something?
>> krystina: what? >> sarah: you have such
A wonderful little heart. >> krystina: I like my heart.
>> sarah: I do, too. I always did.
>> adam: I'm a little late. I'm sorry.
>> blake: that's all right, Adam.
I know what traffic is This time of day.
Would you like Something to begin with?
>> adam: no, thank you. >> blake: tell you what.
Why don't you give us A couple of minutes,
And then we'll order, jack. All right, now, what is this?
What is this about your mother? >> adam: well, she's about
To have some business dealings With dirk maurier.
Father, you know the man's A corporate crook.
And he's manipulating her. >> blake: well,
She can handle him. She's a smart woman.
Your mother can play hardball With the big boys anytime.
>> adam: well, it's just that Right now she's very much alone,
And she's vulnerable. Somebody's got to stop her.
And she'll listen to you. >> blake: all right.
These business dealings With maurier, what are they?
What are the specifics? Look, I can't help her
If I don't know what's going on. >> adam: I realize that.
>> blake: aren't you going To tell me?
>> adam: I can't. I'm sorry. >> blake: you can't
Or you won't? Which is it?
>> adam: oh, forget I ever brought it up.
I'm sure you're right. She can handle herself.
>> blake: what is it, adam? There's more to this
Than just being worried About your mother, isn't there?
Isn't there? >> adam: no.
>> blake: well, damn it, are you Going to be honest with me?
All right, then I'll be Honest with you.
I've been so concerned About you, I hired
A private detective. >> adam: what?!
That man has been following me. You hired him?
>> blake: with good reason. The way you've been behaving?
I've been concerned about you. We all have been concerned
About you. >> adam: what else about me
Have you been investigating? >> blake: adam --
>> adam: is this what The carringtons are all about?
Father, I thought we were A family,
A family who trusted each other. Oh, my god, was I wrong.
>> alexis: come in.
>> jay: mrs. Colby? >> alexis: yes, jay?
>> jay: mr. Dexter is here. >> alexis: tell him, uh,
In the future That he has to call
For an appointment. >> jay: yes, mrs. Colby.
>> alexis: jay? Tell him he can come in.
>> dex: alexis, I, uh, I haven't wanted
To get involved, But I have to.
>> alexis: don't tell me. Let me guess -- you want
To warn me about something. >> dex: not something. Someone.
>> alexis: oh, another Dex dexter admission of mercy?
>> dex: call it anything You like, but somebody's
Got to get you to listen. >> alexis: listen to what?
>> dex: it's about maurier. >> alexis: oh.
>> dex: alexis, spare me The raised eyebrows.
I've dealt with the man. I've got the scars to prove it.
>> alexis: oh? >> dex: he suckered me
Into a deal once, and I lost. I was lucky
I was able to climb back up, But there were 50 silent
Partners, each with An investment of $100,000,
And they lost every cent of it. >> alexis: well, that's what
Happens when you invest. You risk,
And sometimes you lose. >> dex: but we all invested
In nothing. Maurier's deal wasn't worth
The paper it was written on. >> alexis: do you have any proof
Of that? >> dex: no.
He was too clever for that. But that doesn't --
>> alexis: don't bother To go on, all right?
You consistently warn me About everyone I've ever
Done business with -- Michael culhane, ben carrington,
Even blake. But I have always beaten them
At their own game. >> dex: alexis, listen to me.
>> alexis: no, no, You listen tome,
Because the only person That you didn't warn me about
Was you, dex dexter. And you're the one
Who really deceived me. >> alexis: this is a door.
Use it. >> dex: you know something,
Alexis? I should be one happy guy,
Because I know maurier's Gonna sock it to you.
I should be, But I'm not.
>> krystina: I like my hair Like this.
>> sarah: it reminds me When I used to --
I like it, too. >> dominique: you know,
Krystina, my daughter jackie Used to love to wear her hair
Just like that. >> krystina: is jackie
Coming back ever? >> dominique: I hope so,
Darling, as soon As she's all better.
>> krystina: I miss jackie. >> dominique: do you?
Well, I will tell her that The next time I see her.
>> krystle: has anybody seen Krystina?
>> krystina: I'm right here, Mommy.
>> krystle: of course. I didn't recognize you.
>> sarah: I hope you don't mind, Krystle.
>> krystle: no, of course not. She looks wonderful.
Did you thank sarah? >> sarah: thank you.
I like it a lot. >> sarah: thank you, sweetheart.
>> leslie: and we can save A lot of time and money
By tunneling through here. Are you paying attention?
>> clay: total. >> leslie: you didn't hear
A word I said. >> clay: I'm sorry.
I'm just thinking how much My mother would have liked you.
I'm sorry the two of you Never met.
>> leslie: so am I. I'm sure she was very special.
>> clay: ah, she was. I could talk to her
About anything. You know, the two of us
Used to set aside A special time every day
Where we would just talk About whatever came to mind.
She -- she had a great laugh. God, I miss her.
>> leslie: strange, isn't it, How much we have in common?
Losing our mothers, And both of us
Missing them so much. >> clay: what was
Your mother's name? >> leslie: melissa.
>> clay: melissa. Do you look like her?
>> leslie: quite a bit. At least, that's what
Everyone says. >> clay: do you dream about her?
>> leslie: yes, I do. >> clay: yeah, I dream
About mine, too. First I'm a kid,
And I'm on a baseball field With my father.
And I drop the ball, And he starts screaming at me.
But my -- my mom saves the day With a mitten big enough
To catch a football in. Then --
>> leslie: then what? >> clay: then I see her
Walking along this dark road. And this car is coming
Around the corner, And I scream, "Mom, watch out!
Watch out." She doesn't hear me.
Damn it! It shouldn't have been --
>> leslie: shouldn't have been What, clay?
>> clay: it shouldn't have been My mother that died
In that accident. It should have been my father.
>> leslie: oh, clay. >> clay: I don't know
Why she stayed married to him. >> leslie: maybe she loved him.
>> clay: love buck fallmont? Come on, you've met him.
>> leslie: look at me. I don't care
About buck fallmont. But I am beginning to care
A great deal about his son. >> dirk: I was surprised
You called me, alexis. This morning you told me
You had no interest In the trueville proposal.
>> alexis: well, This morning I didn't.
Now I do. >> dirk: mm.
So, what changed your mind? >> alexis: not what. Who.
I changed my mind. All right, dirk, count me in.
>> dirk: done. >> alexis: and I want copies
Of profits and income On my desk by tomorrow morning.
>> dirk: not on your desk, Alexis -- in your hands.
This is all confidential. >> alexis: you mean
For my eyes only? >> dirk: when we talk,
It's in person, Not over the phone,
And you don't make copies Of anything.
>> alexis: I'm not your student, Dirk, I'm your partner.
And I don't need lessons In security from you.
>> dirk: I wasn't suggesting You did.
>> alexis: good. Just understand one thing.
I don't take orders From anyone.
Trueville industries Is part of us now, agreed?
>> dirk: how could I disagree With you?
>> alexis: see that you don't. >> dominique: sarah?
Sarah? >> dominique: the dress she made
For krystina is a duplicate Of her daughter's.
She not only dressed krystina To look like cathy,
Now the same hairstyle. Krystle, what is going on?
>> krystle: I'm not sure. But I think
I'd better talk to her. >> dominique: but what can you
Say? Suppose she doesn't even realize
What she's doing. >> krystle: I don't know
What I'm going to say. Blake could be right.
Sarah being around krystina -- Maybe it has caused
More harm than good. But how do you say that
To someone who saved Your daughter's life?
>> alexis: what do you mean I'm all right?
Of course I'm all right. >> blake: well, I'm glad
To hear that. I wonder what adam
Was talking about. >> alexis: did he send you here?
>> blake: mm-hmm. I tell you, I think something
Is bothering the boy. That's really why I'm here.
Something is very, very wrong. >> alexis: I know,
But he's always been moody And unpredictable.
>> blake: well, I'm afraid It's more than that,
Which is why I hired someone To watch him.
>> alexis: hired someone? >> blake: mm-hmm.
Private detective. Just to keep an eye on him.
>> alexis: oh, my god. Blake, what do you think
Is happening with him? >> blake: I wish I knew.
>> alexis: but a private Detective?
What if he finds out? >> blake: he knows now.
And he's furious. But he is our son, and right now
He needs our help. Something tells me
He needs it desperately. >> krystle: sarah,
I was wondering If I could talk to you.
>> sarah: oh, krystle, I didn't even hear you
Come in. >> krystle: I didn't want
To disturb you, But your door was open.
>> sarah: oh, I was just, um, I was just thinking
How peaceful it is here -- You know, green.
Different from the ranch -- It can be so barren.
>> krystle: sarah, I want to talk to you
About you and krystina. >> sarah: oh?
>> krystle: this is hard For me to say.
>> sarah: you think it's time For me to leave.
Don't feel uncomfortable, Krystle.
I'm glad you're here. I've got something to say
To you, too. I think it's time
For me to leave, To get on with my life
And let you get on with yours. Thank you for everything --
Being a friend. I'll be leaving tomorrow.
>> krystle: if you ever Need anything,
You just have to let us know. >> sarah: I'll be fine.
Don't worry. I'll be just fine.
>> sammy jo: clay, What are you doing?
I gave this horse -- >> clay: I know.
You gave it to my mom as a gift. >> sammy jo: and I never
Expected or wanted you To bring her back.
>> clay: sammy jo, look at her. >> sammy jo: she looks
Depressed. What happened?
>> clay: she's off her feet, She's pacing the stall.
When mom died, dad stopped Paying attention to the things
She loved. >> sammy jo: that's awful.
Thanks for bringing her back. Beth, can you take her
To a stall, please? >> clay: how you doing,
Sammy jo? >> sammy jo: me?
>> clay: yeah. >> sammy jo: I'm fine.
There's so much work To be done around here.
And you know me. If I don't keep busy,
I get all jittery. >> clay: yeah, I do know you.
It's steven again, isn't it? >> sammy jo: it's that obvious?
>> clay: mm-hmm. >> sammy jo: well, there's a lot
Between steven and me -- Not only our love for danny,
But I thought we could Work things out for us.
>> clay: well, I'm sorry It didn't work out.
>> sammy jo: thanks for not Saying "I told you so."
>> clay: the old me would have. >> sammy jo: well,
Something tells me That the new you
Is finally over me And in love with someone else.
>> clay: you can tell? >> sammy jo: well,
Let's put it this way. It's as if you had the word
"Leslie" tattooed Across your forehead.
But I like her. I hope everything
Works out for both of you. >> clay: thank you, sammy jo.
I hope someday you find Whatever it is
You're looking for. >> steven: liz, did my father
Sign those drexler papers Before he got away?
>> liz: well, I have them Right here, mr. Carrington.
>> steven: oh, great. Would you run them down
To legal for me? >> liz: of course.
>> steven: thanks. >> alexis: hi.
Hi, steven. >> steven: hello, mother.
>> alexis: I came to see blake, But it's always nice to see you.
>> steven: well, dad's not here. Is there anything
I can help you with? >> alexis: no, no, it can wait.
>> steven: okay, well, I've got work to do.
Excuse me. >> alexis: steven,
Is everything all right? >> steven: yeah, I'm fine.
>> alexis: I don't believe you. I know you better than that.
>> steven: mother, Everything's fine.
>> alexis: it's that girl, Isn't it?
>> steven: that girl has a name. Sammy jo.
Look, let's just drop it. >> alexis: steven,
Why didn't you talk to me Before you went back to her?
>> steven: I don't need Your permission.
>> alexis: but at least You could have asked
For my advice. She's bad news, steven.
>> steven: mother, She's not bad news.
She's a wonderful girl. And in my own way, I love her.
And I know she loves me. >> alexis: no, she doesn't.
And she's made you unhappy Before, darling, and she can
Make you unhappy again. >> steven: no, you're wrong.
Whatever unhappiness I'm feeling Is my own doing.
Believe that. I'm sure dad will be back
In a few minutes. I've got a meeting in my office.
Excuse me. >> clay: excuse me.
>> clay: may I?
>> leslie: absolutely. >> clay: mm-hmm.
>> leslie: mmm... >> clay: mmm.
So this is slow dancing, huh? >> leslie: mm-hmm.
I think that's What they call it.
>> clay: you know, When I was a kid,
I used to think This was for grown-ups.
>> leslie: aren't you glad You finally grew up?
>> clay: if had known It was going to be like this,
I'd have grown up at 12.
>> clay: look at my forehead. Do you see anything?
>> leslie: I see... A beautiful forehead.
>> clay: that's strange, Because sammy jo said she saw
Your name tattooed across it. >> leslie: oh?
>> clay: yeah. >> leslie: when did you see
Sammy jo? >> clay: today.
And I'm glad that I did. It made me realize
That whatever the two of us Once had together
Is over. >> leslie: really?
>> clay: mm-hmm. >> leslie: you're no longer
In love? >> clay: oh, I'm in love,
All right, with -- What did you say
Your name was again? >> leslie: I thought you said
It was tattooed On your forehead.
You want a mirror?
>> leslie: you know, I didn't really plan on getting
Involved again, did you? >> clay: no.
I think both of us Were just taken by surprise.
And I like surprises. >> leslie: surprise.
>> clay: mmm. >> sammy jo: steven...
What are you doing? >> steven: thinking.
>> sammy jo: want some company? >> steven: no.
Thanks. >> sammy jo: it's late.
Why don't you come to bed? >> steven: look,
I-I really just need a little Bit of time to myself.
>> sammy jo: I was just trying To help.
>> steven: I'm not an invalid. >> sammy jo: I didn't say
You were. >> steven: but you act like it.
You're so damn careful Not to say the wrong thing
Or make the wrong move. >> sammy jo: well, with you,
Every move I make Is the wrong move.
I'm sorry. I didn't mean that.
>> steven: then what did You mean?
>> sammy jo: look, We're both tired.
Why don't we just talk About it in the morning?
>> steven: nothing's going To change in the morning,
Sammy jo. You've got to face it.
You've got to accept it. I cannot be something I'm not.
I cannot change who I am! >> sammy jo: steven!
Steven!
>> woman: the apartment Is immaculate.
You can see that everything Is in excellent condition.
>> sarah: yes, I can. >> woman: uh, the bedroom.
And there's everything here That you could possibly want,
Including privacy. You might see a neighbor
Maybe twice a year. >> sarah: well,
It's just perfect for my needs, And the fact that I can
Move right in is -- >> woman: oh, I can't tell you
How relieved I am. You know, my husband
Has been calling me every day Wanting to know
How soon I can join him. He's in mexico, you know?
>> sarah: yes, you told me. >> woman: oh, yes.
Um, well, my plane is leaving In three hours, and I was so
Afraid that I wouldn't be able To sublet in time.
I'm sure you'll be Very happy here.
>> sarah: would it be okay If I left a small suitcase?
>> woman: oh, yes, of course, Of course.
Will there be just yourself Here?
>> sarah: oh, no. Didn't I tell you?
My daughter will be Living with me.
>> woman: oh, that's very nice. >> steven: hyah!
>> steven: hyah!
>> steven: hyah!
>> steven: hyah!
>> steven: valez? Valez.
>> sarah: good morning, blake.
>> blake: good morning, sarah. Gerard tells me you were out
Very early this morning. >> sarah: yes, I went downtown
To pick up my plane ticket Back to wyoming.
>> blake: plane ticket? I was planning on flying you
Back up there in our jet. >> sarah: oh, no, blake.
That's very sweet of you, But you and krystle
Have done enough for me already. >> blake: we couldn't begin
To thank you for all you -- >> sarah: besides,
I need to do things On my own now.
It's important. >> blake: of course.
I understand. What time is your flight?
I'd like to be back here in time To drive you out to the airport.
>> sarah: please. I hate long goodbyes.
Can we just say them here? Do you mind?
>> blake: all right, If that's what you want.
Well, got to go. Sarah...
If you ever need any help, Please contact us, will you?
Krystle and I Will never forget you
For your kindness And for how brave you were.
>> sarah: thank you. >> blake: bye.
>> sarah: goodbye. >> danny: valez!
Valez! Valez! >> steven: danny, I think
You better wait back here. >> danny: no, daddy,
I want to see valez. >> steven: no, son.
Why did you bring him here? He shouldn't see valez
Like this. >> sammy jo: I couldn't
Stop him. We were in the stables
When we heard. >> danny: daddy, what happened?
>> steven: he tripped, danny, He tripped.
>> man: whatever happened, Mr. Carrington,
It wasn't your fault. >> steven: I was riding him
Hard, though -- too hard. >> man: hard riding
Won't hurt an animal, Especially a fine,
Healthy specimen like valez. They need to be ridden hard.
>> steven: if I hadn't Been galloping --
>> man: it happens. Accidents happen.
That's all this was -- An accident.
>> sammy jo: is he going To be all right?
>> man: well, I'm afraid his leg's broken.
>> steven: what does that mean? >> man: well,
We won't have to put him down. We can set the break.
But he'll have to Be put out to pasture.
He just can't be ridden again. >> danny: I'll never
Get to ride him. >> steven: I'm sorry, danny.
>> danny: it's okay, daddy. It's not your fault.
>> sammy jo: no one Blames you, steven.
>> steven: except me. He couldn't wait till he was
Big enough to ride him. It was his dream.
>> sammy jo: steven -- >> steven: sammy jo, I want you
To take him back home. I'll join you as soon
As I'm done with the vet. We'll talk then.
>> sammy jo: come on, danny. Here.
Come on. >> clay: okay. Breakfast time.
>> leslie: ooh. I missed you. You said
You'd only be gone a minute. >> clay: yeah, I'm sorry.
They were 3-minute eggs. Good morning.
>> leslie: good morning. >> clay: okay, let's see, now,
We got hash browns, Eggs, bacon,
Wheat toast -- lightly buttered, And, of course,
The fallmont family recipe For orange marmalade.
>> leslie: oh, I can't believe it.
Good looking, bright, A lover in the great tradition,
And now this? What more could a girl ask for?
>> clay: oh, I'm sure You'll think of something.
What do you mean, "A lover In the great tradition," huh?
>> leslie: gable. >> clay: oh,
You knew him, did you? >> leslie: "Gone with the wind,"
"It happened one night" -- Oh, he was the perfect lover.
Oh, do you feel as good as I do? >> clay: I don't know.
How good do you feel, huh? >> leslie: ha ha.
Being with you Is one of the best things
That's happened to me In a long time,
And I think that it's time That the fallmonts
And the carringtons Declare a truce.
>> clay: well, maybe we have, But my father never will.
>> leslie: oh, don't be so sure. I'm a pretty likable character,
You know. Maybe even old buck fallmont
Will grow to like me. >> clay: mm,
Even if he doesn't, I don't care.
>> leslie: oh, yes, you do. >> clay: no, I don't.
>> leslie: in spite Of everything we say,
We both care a great deal What our fathers think.
>> clay: well, What do you think
Old ben carrington would do If he saw me do this?
>> leslie: frankly, my dear, I don't give a damn.
>> clay: ha ha. >> sarah: I'm going
To miss you so much. >> krystle: I'm going
To miss you, too. >> woman: now, what color
Do you want this time? >> krystina: blue.
>> woman: blue? Okay. Paint the water, then.
Ha ha. Ah, krystina, that's good.
That's very, very good. >> sarah: there you are.
Come here. >> krystina: mommy said
You were going away. >> sarah: yes, I have to, honey.
>> krystina: when Will you be back?
>> krystle: sarah will Be back soon, sweetheart,
But right now, She has to go home.
>> sarah: I have So many things to do.
I have a big ranch with horses And cows to take care of.
You know. Look at this coloring book.
Did you color All of these things by yourself?
>> woman: excuse me, Mrs. Carrington.
Long distance for you. >> krystle: could you get
A number, jeannette? I'll call them back.
>> jeannette: they said It was important.
>> krystle: okay. Sarah, I'll be back in a minute.
>> sarah: okay. >> krystina: that's my medicine.
>> sarah: yes. It's cold out today.
I want you to put this on. Here, put your coat on.
>> krystina: are we going out? >> sarah: yes,
It's time for your walk. You like the walks we take,
Don't you? >> krystina: yes.
Yes. Can I bring raggedy ann?
>> sarah: of course you can. >> krystina: is mommy coming?
>> sarah: yes, just as soon As she gets off the phone.
>> sammy jo: how's valez? >> steven: the vet said
He'll be fine. His leg's been set.
Where's danny? >> sammy jo: he's in his room.
>> steven: is he okay? >> sammy jo: he's still crying.
>> steven: I want to see him. I don't even know
What to say to him. >> sammy jo: you don't
Have to say anything. He loves you.
>> steven: then all I do Is hurt him in return.
>> sammy jo: that's not true. >> steven: he needs you,
Sammy jo. And he needs the kind of father
That I can't seem to be to him. >> sammy jo: you're
A good father. You're the kindest, gentlest man
I've ever known. >> steven: no, I --
I can't live like this. I got to leave.
>> sammy jo: leave? Where will you go?
>> steven: I don't know. >> sammy jo: what about danny?
>> steven: you're his mother, Sammy jo.
He loves you. You're wonderful with him.
I can't think of anybody else I'd rather trust with his life.
>> sammy jo: what will you do? >> steven: I don't know,
But I can't go on Hurting the people I love.
>> steven: I got to go.
>> krystle: are you sure She's not upstairs?
>> jeannette: I've checked Her room again, mrs. Carrington,
And she's not there. I thought maybe she might be
With mrs. Curtis, But she's gone.
>> krystle: well, Have you looked in the library?
>> jeannette: yes, But I'll do so again.
>> gerard: uh, mrs. Carrington, I looked outside to see
If krystina was saying goodbye To mrs. Curtis,
But I didn't see either of them. >> krystle: would you
Call security, gerard? >> woman: mrs. Carrington,
I've checked All the downstairs rooms.
There's no sign of krystina. >> krystle: she couldn't
Have just disappeared. >> blake: krystle, what is it?
What's going on? >> krystle: blake,
We can't find krystina. >> blake: what?
>> krystle: we can't find her. She's gone.
>> gerard: I just checked With security.
Mrs. Curtis was seen Driving away in one of the cars
With krystina. >> blake: sarah took krystina?
>> krystle: oh, my god, blake. She's taken our daughter.
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