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-April 1954.

If you caught him looking towards the bay,

you would think he was an ordinary fisherman.

No one imagined that his binoculars had a built-in camera

with which he photographed everything happening in the bay.

The modest fisherman sent his message

in a letter to a company in Paris.

The letter contained an encrypted message which was addressed

to the Central Intelligence Agency, established in The City of Lights.

A microfilm had been implanted in the letter in the form of a dot.

That's how they were able to decrypt his message since it could easily be read

using an amplifying camera.

David, "My God, why did you forget me?"

The coded message was sent to the director

of the Central Intelligence Agency from the Counterintelligence Service.

The message was decrypted and described the new secret route

through which they would send weapons to Latin America.

The Counterintelligence Department Issued the necessary measures.

Thanks to an apparently humble fisherman,

they could get in the way of the biggest terrorist movement

in Latin America,

but they knew these extremists wouldn't stop.

They would try to carry out their plans, but the question was where, when, and how.

The Intelligence Department had no answers.

WE EXTEND OUR THANKS TO THE CIVIL AND MILITARY AUTHORITIES,

AS WELL AS TO ALL ALL INSTITUTIONS AND PEOPLE WHO GAVE US THEIR VALUABLE

COOPERATION IN ORDER TO FILM IN THE NATUARAL LOCATIONS OF

THE REPUBLIC OF ECUADOR.

-You did it again Alex.

You didn't have to risk it. We already had them.

- I thought they were escaping, and I wanted to catch them red-handed.

-Do you know how he'd smuggle the drugs?

-Yes, inspector.

Look, inspector, inside the banana.

That's a pretty big amount, don't you think?

-Very clever.

Now that everyone's here,

they'll have a good time in prison.

Alex, for your own good, stay away from my affairs.

They were about to escape only because you were impatient.

-All right, inspector, from now on, I'll follow your advice.

I've got a date

in Quito, you know? And I don't want to look bad.

-Hold on, Alex.

Be very careful with that, you'll just make things harder.

-You think so?

-See you soon, inspector.

Ladies and gentlemen, we're flying over the city of Guayaquil.

In a few minutes, we'll be landing at the Simon Bolivar Airport.

Thank you for choosing Peruvian Airlines.

It's been a pleasure serving you.

Please fasten your seat belts and remember inflight smoking is prohibited.

Thank you.

-Is everything ready?

-Dear Diana, we can't afford to fail.

-Excuse me, Miss, have you lost a key?

-You should know.

I don't need your password to know who you are.

I have perfectly studied all of our members' files.

Is the plane ready?

-Yes, Ms. Bristol.

-Let's go.

-Where will the convention take place?

-At the Quito Hotel.

-Really?

-Yes, everything was planned according to the instructions.

-Did the models show up?

-Yes, they're taking a commercial flight with Madame Rappiére.

-Is everything all right, Lucrécia?

-The operation will take place in Quito.

-Won't the other agents get in trouble?

-No.

Everything's settled. The only one who can't go through migrations is you.

The intelligence service will easily recognize your face.

-All right, Lucrécia, now I'm in your hands.

-We'll go to Quito in one of the emergency planes.

-Where should we meet?

-The secret landing area is not far.

-Anything in particular?

-Do you have any open American cigarettes?

-Blonde?

-20th Century.

-Only 15th Century.

Here, this is for you.

IN EXTREME CASE, MAKE CONTACT AT QUITO, KEY 100.

-When do we put it into action?

-It has to be soon. The members will arrive today.

-Agent One, SOS.

-Have you got a light?

My matches are wet.

-Yes.

-I'm Charlie, the S-board. - I know.

-How's it going? - I was waiting for you.

-Everything's set?

-All done, the meeting will be held in Quito.

Shall we?

-Let's go.

-Your attention please,

Ecuatoriana Airlines announces the arrival

of flight 422 traveling from Guayaquil.

-Something for the press?

-Please, tell us something about the convention.

-We selected our best models

to show you the most exclusive bathing suits.

I'm sure it will be a success.

-We hope so.

-Can I have a picture, please?

Thank you.

-No, wait, Adriana.

Stop, Adriana, it's me.

-Yes, I saw you.

-Stop, you're unbelievable.

I know you've gotten much better, you almost broke my neck.

-Why are you scaring me?

-I'll buy you a drink.

-When did you return?

-I've just arrived.

This is my first night off.

-Really?

Your first night off?

-Yes.

So, can I buy you a drink?

-See you tonight.

-Hey, Adriana, come here.

Wait.

-Sorry, excuse me.

-Alex.

-Inspector, what are you up to?

-Same as you, admiring the bikinis.

-Well, I don't think you've come all the way to Quito just for that.

- I don't think you're here for that either.

-You know, I'm always around beautiful women.

-I'll buy you a drink. -Let's go.

-Tell me, inspector, How was--?

-You were saying.

-No, I have to be somewhere. See you later.

-Didn't you get in trouble?

-No, everything is going smoothly, Ms. Bristol.

-Except for one thing, that girl, I think I've seen her somewhere.

-Which one?

-The redhead.

-Is she a member of the International Service?

- I don't know, but that's something we need to find out.

-There's no time for that, but there's a solution.

-Yes, we can't take any risks.

-I must be so lucky, this is my first night off.

What did you say your name was?

- I didn't tell you.

-It doesn't matter, that's the least important thing.

-I see you don't like wasting your time.

-Of course not.

-So, what are you doing here?

You won't find anything here.

-I'm okay with admiring the view.

- I thought you were bolder.

-You are right, I'm extremely shy.

-Tell me, do you still have the night off?

-Sure.

Adriana, no, wait.

-Yes, he has the night off.

-Lucrécia?

Lucrécia?

-Yes, Luigi?

-Come right away. I need to talk to you.

-Coming, just a moment.

-Luigi, what's up?

Why are you so nervous?

-It's one of the models,

I think I've seen her somewhere, but I don't remember where.

-Which one is it?

-The redhead.

-It's all in your head, Luigi.

She's one of the models I trust the most.

Do you really think all the measures our organization has taken are useless?

-It's just that we shouldn't take any risks.

I still think that us being here together is completely crazy,

a single slip-up on our part, and we could

destroy the whole organization In a single blow.

-You know we had to do it this way.

I have been working here for more than two months,

and I haven't seen anything out of the ordinary. Everything is running smoothly.

Please, Luigi, don't worry.

-Hey, Lucrécia, when is your number?

-It's about to start.

Don't you find it funny that I'm a showgirl at a nightclub now?

- I think it's funnier for you

now that I'm an established swimsuits designer.

-Can you help me, please?

-Yes.

-May I?

-Thank you.

-Congratulations.

You're a great swimmer.

-I've already said thank you. What else do you want me to say, Mr. Dinamo?

-You know my name, that means you know me.

-You're wrong. I know your name, but I have no interest in getting to know you.

-Alex, where were you? -Adriana.

- I was looking for you.

- I was just admiring this wonderful night,

getting some fresh air, and looking at the moon, yes.

-A moon with a blue bikini?

-No, you're wrong, Adriana.

I get so emotional when I think of yesterday

when everything in Venice reminded me of love.

Before my loneliness stands the sunset,

where your distant memory haunts me.

Such a quiet stillness, an endless sadness.

Venice is so different without you in it.

A gondola goes by, sheltering the love,

the love I gave you, tell me, where is it now?

I see your sadness, no, you don't look the same.

It's another Venice, colder, grayer.

The serene canal of romantic light

no longer has that charm that made you dream.

Such a quiet stillness, an endless sadness,

Venice is so different without you in it.

I saw the moon as it passed, it still shines as bright,

how sad and lonely is Venice without your love.

-Excuse me, madam, I forgot the bracelet.

We like to think

that in Venice, the love you swore to keep forever died.

There's still one goodbye I can't forget,

Venice, without you, my life is sad and lonely.

-Sir.

Please hand this note to Mr. Dinamo in the casino.

-That's all?

-Red.

-I'll show you how to win this game.

-You don't say?

Whenever I come with you, I lose.

-17.

Trust me, I'm an expert.

-That's all?

7, red.

-This is the only time I haven't bet on the red seven, and now it comes out.

It's your fault for interrupting me just when I was about to play red 7.

-Don't worry, we'll win with 17.

-That's it.

10, black.

-Weren't you an expert?

-You'll see.

Hand me some tokens, please.

-Unlucky at cards, lucky in love.

-Let's see if that's true.

-Mr. Dinamo, a message for you.

-17, black.

-We won.

We won, Alex.

-What?

-17, black, we won.

-Wow.

-Lucky at cards, unlucky in love.

-We won.

-What? -Already?

-Yes.

-All right.

Thank you.

Here you go.

-You were amazing.

You looked beautiful.

-Stop with the compliments already.

You know very well that's not how we do it.

When's the meeting?

-Tonight, at 12:00 AM.

-And Uli?

-He's on a little mission.

-You're turning into a pretty dangerous Don Juan.

-Me? Why do you say so?

-I've got my reasons.

-Should I bring Mr. Dinamo's car?

-No, mine.

-Adriana, wait for me, wait for me.

-What happened?

You're a mess.

-I tried to catch a man who was about to shoot a woman.

-Who was it?

- I don't know, I couldn't see because it was too dark.

-What about the woman?

-Not a thing, I only saw her shadow.

- I see.

-What?

-There goes your ghost.

-Hey, no-- -Shame!

Sorry, I thought you were kidding.

-The message.

Get in, tonight we're going to Caballo Loco.

-Dinamo, 00100.

-So, it's you.

-I have something very important to tell you,

but we're being followed. It's too dangerous,

I'll get in touch with you.

Careful.

-Excuse me, Miss.

Did I hurt you?

-No, go on.

-Now you'll tell me you were in another fight

and they tried to kill you, right?

-Of course, look.

-We've been waiting three minutes.

-Excuse me, Ms. Bristol, but I just--

-There is no time for explanations.

Let's get to business.

Our best weapon has been and will always be terrorism.

It has given us incredible results

In many countries, which are already under control,

but what has happened in the countries you work in?

Nothing.

Nothing at all.

It's all talk and no action.

That's why we're gathered here today.

I need the reports on your activities.

I'll introduce you to new systems and new weapons.

-Where's the redhead?

-She left a few minutes ago, madam.

-The redhead was here with us.

She was in a hurry, but she didn't tell us where she was going.

-If she's not there on time, we'll start the show

with the special model, go, go.

-Yes, madam, I'm ready.

-We'll go on with the spring dream model,

and then in the order we've rehearsed.

-Yes, madam.

-Where were you?

-In the beauty parlor, madam.

-Hurry up, get ready, we're about to begin.

-Yes, madam.

-Good luck, girls, and don't be nervous.

-Hey, isn't that beautiful?

-Dear Adriana,

I haven't had time to look at the bathing suits.

-There's no doubt that our convention has been a success.

-We needed a meeting like this.

We'll work on the coordination of our plans and correct the mistakes.

-This model is beautiful, right?

-Yes, it's beautiful.

-I mean the--

-Bikini, yes, that's what I've said.

-This one is cute. It's just that I don't like the color.

-Why not? It's beautiful.

-It was an amazing idea if it hadn't been for--

-There is nothing to worry about. Everything is settled, madame.

CONVENT MEETS TONIGHT SAN FRANSISCO

-Will you tell me when we're having this date?

-You'll find out.

-That's too much mystery for a date, don't you think?

-Let's go.

We're next.

-Fine, if you want to put your nose in this case, do it.

A couple of skirts were enough to get your attention,

but I assure you one thing, we won't get any information

until we know everything that happened with the victim,

unless you know something, Alex.

What do you know?

-Not much, inspector. I only know who killed the model.

-If you do, why won't you tell us?

-It was the murderer.

-You have a really bad taste for jokes.

-May I see your papers?

-Why would you need my papers?

No, I mean the

murdered model's papers, can I see them?

-What are you doing?

-I'm making sure these documents are real.

I'm very sorry to tell you, inspector,

that the victim will be hard to identify.

-So, you don't trust the police.

-Nothing like that, on the contrary.

You have all my respect,

but I can assure you these documents are false.

-Are you sure?

-Yes, completely sure.

-What are you doing?

-Taking some pictures.

-There's no doubt you're pretty clever,

but your artifacts have always been useless.

-Really, inspector?

Well, I'll take a look around and tell you everything.

-Wait, remember, I don't want any violence involved,

so, if anything comes up, call me right away.

Don't do it alone.

-Don't worry.

-Come here, please.

-Yes, inspector.

-I want you to analyze these papers and take a look at the passport picture.

-Right away.

-Wait, stay close to Dinamo,

I don't want him messing things up. I know he knows something else.

I want to know everything he's up to, all right?

-Yes, sir. -Go ahead.

-Good, very good.

I see you're a quick learner, Adriana.

-Thank you, madame.

-Remember you shouldn't think about what happened,

it was horrible,

but it's over, and we can't do anything about it. Let's think of it as a lesson.

I'm sure it was a passion crime.

Let's start. Let's see the following models.

-Good morning, Madame Rattie.

-Look, I don't let anyone interrupt my work,

so, if you're here to see your friend,

you'd better leave. I don't ever want to see your face again, allez.

-Sorry, I don't know which friend you're referring to.

-That would be me.

- I see you got the job, I'm glad.

-Yes, but she won't be here long If you don't leave immediately.

-Well, madame, actually I just wanted to interrogate the models.

-Are you a policeman?

-Not precisely--

-They have already asked them all kinds of questions,

and I don't want the girls to get nervous because of what happened, go away.

-In that case, forgive me.

I won't bother you again. Excuse me.

-All right, girls. Let's go.

-Diana?

-Who is it?

-Dinamo, I'd like to ask you a couple of questions.

-Come in, the door's open.

Grab a drink and make yourself comfortable. I'll be there in a second.

Why did it take you so long to come?

I've been waiting for a long time.

-I'll tell you why I'm visiting.

-Who cares why?

-I just want you to answer some questions about-

- I think it's better if you don't ask me anything.

Can I have a drink?

-A drink?

Double?

-Yes, if you want.

-Double. | just need you to answer one question.

-Is it okay if I say that I like you?

-What do you know about her?

-You mean the girl they murdered.

-Exactly.

- I know many things.

-Tell me.

-I know she was a model and that she came to a swimwear designers convention.

-What else?

-She was murdered.

Now, the only thing is, I don't know who did it.

Are you satisfied with my answer?

-No, I'm not.

-I'm sure you will be.

-S.O.S., he's in the elevator. He's on floor two,

probably heading that way.

-Open the door, Laura.

Do you need anything?

-I want some information about the girl who was murdered.

-Sit down, Mr.-?

-Dinamo.

-Sit down.

-Thank you.

-Do you smoke?

-You're very kind.

-Do you understand why we were uncomfortable

with the questioning?

-Mm hmm.

We aren't used to police questionings,

but I'll gladly collaborate with the little I know.

Hopefully, I can help you solve the case and catch the criminal.

-Miss Bristol, I would like to know more about-

-I'll save you some time. Laura, hand me what I've dictated to you about the case.

Here's everything I know about the poor girl,

when she was hired, how we met her, et cetera,

and I beg you not to bother me again, Mr.--

What did you say your name was?

-Forget it, it doesn't matter.

-You can lead him out.

-Thank you.

I need a a secretary like you.

If you ever quit, just know I'll be waiting for you with open arms.

- I would love to have you as a boss,

but I'm happy with my job. Goodbye, Mr. Dinamo.

- I don't like that guy at all.

-Calm down, Pascual, calm down.

-I'm sick of this.

-C3, go ahead.

-S.O.S. reporting, Alex Dinamo IS getting there, follow instructions.

-Got it.

- I would happily beat the hell out of that bastard.

-There's no need for you to listen to our conversation

like that, Mr. Dinamo. We have nothing to hide.

-In that case, I'm only hoping you can answer some questions related to-

-Yes, we know.

Here's everything you want to know.

I hope our information can help you

solve this case and catch the criminal.

-Funny thing, I've just heard those same

words come out of Ms. Bristol's mouth.

I can tell your organization is flawless.

No, Mr. Dinamo.

We are men of action, businesspeople,

executives in important companies,

and we don't usually waste our time.

-What's wrong, Alex?

Are you still a detective,

or do you enjoy jumping into the water fully clothed?

-That's right, inspector,

don't you see I'm modeling the new suit

I'll be using at the convention?

-Good morning, Alex.

-Good Morning.

-Come in, I was expecting you.

-Thanks.

-Too bad I can't offer you anything but this,

but I think you may be interested in it.

-I can see you don't like wasting time.

-We are men of action, businessmen,

executives in import-

-In important companies, yes, I know that dialogue well.

To tell the truth, your organization is too perfect

for a simple convention,

but you aren't that smart,

see you soon.

-Mr. Dinamo.

-Yes?

- I didn't know that apart from being

skeptical and a great observer, you were fond of photography.

-Pardon? -May I have your lighter?

-My lighter?

-Yes, your camera.

-Well, I see you've noticed it already.

I just wanted to take pictures

of the important people attending the convention, that's all.

-Mr. Dinamo, you're just a vulgar detective. Did you think

you were able to trick specialized agents?

I'd advise you not to move.

That's a great idea.

The Intelligence Department could have seen my camera,

but I assure you that won't be the case.

Stay still, Mr. Dinamo.

It seems you fail to understand that inside

this book, there's an automatic firearm

and a silencer ready to fire.

All right, I'll show you.

Lucrécia, call them.

-Central, do you copy?

Central, do you copy?

-Go ahead, Lucrécia.

-We've got Dinamo.

-All right.

The S.O.S.

will deal with him.

-S.O.S. roger.

S.O.S. Agents

one and two,

you're in charge of bringing us Dinamo dead or alive.

General calling, general calling, we'll be holding a meeting immediately, over.

-Mr. Dinamo, thanks to you, our plans will have to come ahead of time.

Get rid of him.

-All right, should we go?

-I'm sure this is too dangerous for our organization.

Well, we have to prepare for the meeting, we don't have much time.

-Follow him.

-Agent S.O.S.

four to unit one?

Unit one, do you copy?

Attention, unit one?

S.O.S. Agent

four to unit one?

Attention, unit one?

-Unit one, go ahead.

-There's a car following you.

There's a car following you.

-Got it.

Hurry, speed up.

We have to lose them.

-All right, take a break.

I'll let you know if we have another lead.

Ms. Adriana, hold on, I need to talk to you.

-Yes, madam.

-Attention, attention, Lucrécia speaking.

We've got Adriana. You can come for her.

-Yes, madam.

-Don't panic, Miss,

you'll just keep your friend Mr. Dinamo company.

We don't want to take any risks.

-You better do as we say, my dear.

-Don't move, or I'll shoot.

Take her.

I'll personally take care of her.

-Kill him.

-Yes.

-Careful.

-Are you all right, Dinamo?

-Yes, inspector.

This is bigger than you imagine.

We're looking into the S.O.S.

-S.O.S., the Secret Organization Service, what are they doing here?

- I don't know, inspector, but we have no time to waste.

Tell your men to surround the hotel and wait there

for my signal.

Can I use one of your cars?

-Alex, please, we can't take any more risks.

We can catch them all.

-We will, inspector,

but I don't want to miss the chance to catch the entire organization together.

Unfortunately, my only witnesses are there.

-Give the order so that the patrols can join us.

-The weapon shipments will take place

in several locations, and we'll use different codes for each shipment.

In front of the envelopes, you'll find an encrypted

microfilm with the instructions and enough money

to reach the countries they have been assigned.

Our contacts will be the same, and you already know the plans.

We'll start as soon as possible.

-You already know

our plans follow

the ideologies and traits of each of the chosen countries.

Now, I can only remind you that the success

of this mission is in your hands.

-Gentlemen, our meeting is over.

Staying here another day would be too dangerous.

Stay strong and good luck.

-S.O.S.

in general meeting, go ahead.

-Agent four reporting an emergency.

Unit one has crashed, and members one, two, and three have died.

Alex Dinamo escaped and is heading to that place.

The police are on their way to surround the building.

-Stop him.

It's now impossible to carry out plan number one and leave by plane from Quito.

We'll go by land to Guayaquil and execute plan number two, understood?

-Inspector!

They fired off that roof, but they fled.

-It won't be long, get the corpse,

and the rest, follow me. Let's go.

-Ready.

-One of your men has to stay here. Nobody is leaving the hotel.

-You heard him, disconnect both elevators.

-Go ahead, hurry.

-This way.

-We're late, inspector.

-Check the entire hotel. They shouldn't be far.

-Come on.

-They're here.

-Listen, inspector, it's Adriana's signal.

-We have a lead, come on.

-Considering the distance and direction, they're heading to Guayaquil.

-Guayaquil? Are you sure?

- I think so, inspector.

-Cancel all flights. Nobody's leaving.

Inform all patrol boats.

We'll be all over Guayaquil.

-Is it ready? Does it have gas? -Yes, Sir.

Do you want me to come with you? -I wouldn't do that if I were you.

Hurry, release the boat.

-Contact the pilot and tell them to be ready.

Yes, Miss Bristol.

-Central to Moscas, Central to Moscas, Central to Moscas.

-Moscas to Central, go ahead.

-This is an emergency. We need plane 336 ready to carry out plan number two.

-We'll carry out plan number two.

-Tell them to send us a plane in case we need some cover.

-Send the plane to the river in case we need cover.

-Roger that. We're ready.

-Captain, the radar has detected a boat approaching us from the stern.

-It's Dinamo. Prepare your weapons.

-Prepare your weapons.

-Attention, light helicopters patrolling the entire area.

-Attention yacht club, Vickins calling the yacht club, over.

-Yacht club, copy, go ahead Vickins.

-Miss, please call the police inspector

and tell him I'm following the S.O.S. Organization's yacht,

12 miles upstream by the salty estuary, 12 miles, over.

-Copy, Mr. Dinamo.

-Out, thank you.

-Hold on, we'll do it my way. Bring the girl.

Let her go.

Here, so he can see her.

Mr. Dinamo, come closer if you want to see your partner alive.

Hide the weapons.

When he gets closer, we'll finish him.

Fire, finish them.

-Attention, Mosca Anfibio to Central.

-Go ahead, Mosca.

-We're ready in the estuary to carry out plan number two,

We're ready in the estuary to carry out plan number two.

Plane one took off, over.

-Anfibio, get ready for immediate takeoff

and prepare rockets for action.

-Alert the coast guard, tell them to stay alert.

Let's go.

-Careful with that grenade.

Turn the rudder to starboard.

Rudder to starboard.

Follow the girl, follow the girl.

Don't let her go, get the girl.

-Attention, Mosca Anfibio to Central, over.

Go ahead, what's going on?

-You deal with the boat while we disembark on the runway.

Deal with the boat while we disembark on the runway.

Come.

-Shoot, shoot.

-You're crazy, they'll finish us.

Stop the boat.

-We've intercepted the planes

at the secret airport. I caught them all together like wasps in a honeycomb.

-What do you mean you've caught them? -We've caught them, inspector.

-Well, yes, we've caught them.

-Let's not argue.

I'll buy you a bottle of champagne at the bar.

Shall we?