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[Music]
I've always asked myself a lot of
questions
foreign
s were answered except for the important
ones I spent the time daydreaming
thinking about the world
Easter Island the Pyramids of Giza Machu
Picchu mythical places which have all
made us dream at some point
you might ask yourself questions lots of
questions
but asking the right ones truly is an
art a Priceless art that everyone can
afford
this is how I found myself many years
later looking into the past of our
planet far very far back in time
and what we discovered changed my vision
of the past forever
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foreign
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foreign
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thank you
foreign
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we did a lot of reading before
investigating on-site
many far-fetched contradictory confusing
things which could easily convince those
who know nothing about the subject that
nothing interesting is to be found in
the ruins of our ancient people
yet the Perfection found in these
ancient constructions defies modern
reason
I decided to surround myself with
competent people who could enlighten me
and avoid any Hasty deductions
as the investigation progressed
uncovering new elements along the way I
saw the look in their eyes change and so
did mine
I had to set aside my prejudices what
the French philosopher Descartes called
wiping the Slate clean
I had to remember the time when I looked
at the world differently in a more
simple way and this reassured me
inspired me and gave me hope as New
Perspectives are always brighter than
what we can imagine
[Music]
let us start with one of the most
well-known ancient sites on earth a
minuscule Island Lost in the middle of
the Pacific Ocean Rapa Nui Easter Island
foreign
[Music]
the big trip it was Rapa Nui
Easter Island is a speck of Earth in the
middle of the Pacific Ocean located
3700 kilometers away from the coast of
Chile and about 4 000 kilometers away
from French Polynesia
in a period of a hundred years the
people from rapanui are believed to have
sculpted about 1 000 volcanic stone
giants the moai made from Stone quarried
from a crater
[Music]
[Applause]
finished these statues inserted at the
bottom of the volcano were stood up
through a great effort by the people
some of them were erected on pedestals
the owl set at various places on the
island here are the main ones
tongariki the largest moai formation
to pitakura the navel of the world with
the largest moai transported from the
Quarry
in the Bay of anakena where the moai are
capped with their red pacao
Thai where they have restored the white
eyes of the moai
vinapu the most ancient Arrow of the
island according to archaeological
studies
[Music]
and akivi the only formation where the
moai look to the Sea and more
specifically to the Equinox Sun
let's quickly review the history of the
island before getting to the important
questions
the extraordinary Saga of the rapanui
People starts there in the anakena bay
where King hotumatua who left Polynesia
with his bravest Men first landed
It is believed that they had built a
prosperous society and the most accepted
hypothesis is that the Rapa Nui
collapsed following Clan Wars throughout
the centuries while deforestation
occurred because of the statutes
however in the latest archaeological
discoveries reality might have been
quite different
epidemics introduced by the Spanish
Navigators at the end of the 18th
century slave raids at the end of the
19th century almost exterminated the
population we have to remember that the
population here was reduced to 110 or 11
people at one point the loss of the
Guardians of the rapanui culture who
became forced laborers in the Peruvian
mines and the Christian evangelization
campaigns almost exterminated the
culture of these people the rapanui may
have originated from hivoa about 3 600
kilometers to the Northwest you don't
embark on this kind of trip lightly you
must think about food and especially
water because a 30 to 50 day trip by
boat implies a certain level of
logistics there must be enough supplies
for the trip back in case of failure
when talking about the history of the
arrival of the first known King of the
first major Lord maybe
we know that two pyros landed but we
don't know how many is left
it's hard to comprehend what such an
expedition could entail you can eat fish
but enough water needs to be provided
for such a long trip you need to know
ahead of time how many days at Sea there
are before reaching land
either hota mature first sent Scouts in
various directions and by chance one of
them discovered Easter Island or they
left randomly and out of sheer luck they
discovered this Speck of land in the
Pacific Ocean
alternatively they might have known the
position of the island beforehand which
raises the question as to how could they
have known about it
linguists cite the resemblance of the
Rapa Nui language with the original
Polynesian language the former would
have in fact evolved during migrations
this confirms the oral history of the
rapanui they claim to have accomplished
this trip straight from hivo Island if
it's true that they all migrated from
this place hiva
the linguistic evidence suggests that
Rapa Nui left that group of people first
and came here of course they were all
speaking the same language at that time
it's difficult to reconstruct the true
story of the rapanui people as it's been
terribly damaged by multiple invasions
recent archaeological studies go against
the accepted idea of a nation of
Warriors according to the American
Anthropologist Carl lipo the obsidian
blades long considered weapons may have
actually been tools for sculpting and
gardening noting their lack of appointed
tip there are also no traces of
fortresses on the island
and then there are movies that show very
little respect for the people of Rapa
Nui after filming on the island an
American production company just threw a
concrete moai that was no longer useful
out into the ocean
but let's get technical the giant moai
of the Rano raraku which measures 22
meters high and weighs about 250 tons is
often shown but we seldom see the moai
which was sculpted in the crater wall
this complicated their future extraction
you could think they were not sculpted
to be extracted however since they are
not visible at ground level why go to
that much trouble
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these moai weigh between 40 and 60 tons
and are located about 15 kilometers away
from the Quarry
some of the moai were capped with a
picayo hats made of red volcanic tough
extracted here at the site of punapal 12
kilometers from the Quarry over steep
Terrain
the papaya were transported hoisted up
and set on top of the moai's heads
sometimes at a height of 8 meters how
very simple according to this
information panel
foreign maybe someone has a better
explanation but no one has yet thought
it would be useful or important to
specify it here in fact no one really
knows we may have a vague hypothesis
regarding the transportation and we
believe the moai might have been erected
to protect the houses they were gazing
at although the statues tend to look
more to the skies than to the ground
experiments have been set up on flat
surfaces to simulate a transportation of
a five-ton moai however it's impossible
to confirm that the same process would
have been possible with an 80-ton moai
like this one
ahu vinapu is different from other sites
because of its massive architecture and
it leads to some unsettling questions
being the most ancient and still in
place it demonstrates that this way of
building was the most resilient
therefore the safest it was the best
advertisement for this technique
true to the idea of linear progress by
Homo sapiens you would expect the
subsequent sites to be built in a
similar fashion or even better and the
problem is that actually all the ahu
built after this one were never as large
nor as precise in their assemblage and
all ended up collapsing but not a
hovenapu so the questions are amongst
the builders at Rapa Nui who followed
none of them noticed that the only
viable technique was the one utilized at
ahu vinabu and if they did why not
reproduce this technique therefore
either the secret of this structure is a
unique case lost in history or the
people of Rapa Nui had nothing to do
with its construction their strong
similarities in the style between ahu
vinapu and the structures attributed to
the Incas in Peru genetic analysis of
the island chickens show there was
contact between both places but we don't
know in which direction
destination Peru more specifically Cusco
the old Inca Capital but like Rapa Nui
was called the world's belly button
either both tribes see themselves as the
center of the world or maybe the Earth
has numerous belly buttons
if we said a picture of this wall and a
picture of an Inca wall we would say
this is an Inca wall here in the end
he's it is everywhere like this so I
would say it is more appropriate on our
side to believe that indeed they came
from the Andes the problem in Peru is
that there's very little information
about the time before the arrival of the
Catholic Inquisition it means that you
can be confused about the history of the
buildings and their techniques
there was an interruption in the process
of History the Catholics at the time
were not interested in getting knowledge
with regards to the ancient techniques
they just wanted to Prevail
this church was built directly over the
Inca temple of coricancha covering it
entirely however the Catholic church was
not alone in the use of this rather
high-handed method as it was practiced
Everywhere by conquerors and settlers
like here this mosque over the Temple of
Luxor in Egypt or again the Temple of
Jupiter in balbach and Lebanon where
Romans preferred to build on top of
existing foundations which is
understandable as each block weighs over
1 000 tons here the church sought to
destroy the archives of these people
until everyone accepted the popular
image of the barbaric and bloodthirsty
Incas engaging in human sacrifice
it's very sad to see how the immense
knowledge of these very ancient people
were discarded knowledge that we are
just beginning to ReDiscover especially
in the field of medicine and in politics
as well
the priority was to give the opportunity
for everybody to fit in
and because they did not succeed at
integrating all the people at one point
they separated from the time new
Christians arrived
the people who did not succeed in
fitting in became allies with the
Christians and this is the reason why
the Empire weakened
and in the end it's the fall
it was important to avoid any further
Rebellion for that they had a radical
option it was to kill the leaders the
Chiefs the sages then it would be easier
to control the people you kill the
leaders spreading confusion amongst the
people and the Rebellion is stopped the
excuse to execute them to kill them was
that it serves them right this method is
as old as the world itself well actually
maybe not 45 centuries before the
arrival of the Europeans life was quite
different on the Pacific coast of Peru
civilization has been there for a very
long time the oldest American city to
date Carol suppai Bears witness to this
[Music]
this vast city was remarkably organized
with streets squares housing
amphitheaters and temples in the shape
of pyramids
it dates back 5 000 years according to
the egyptologist dating this gigantic
mother city was contemporary to the
Pyramids of Giza
archaeological studies show that Corral
was destroyed about 3 800 years ago
following earthquakes or other
climate-related catastrophes
the city is kind of a problem for those
who studied it as no fortresses or
weapons were ever found and so they have
to admit the incredible possibility that
this city lived in peace for over a
thousand years
it seems improbable to modern humans
that people could live in peace for vast
periods of time
when they discover sites like corral the
main difficulty for archaeologists is
the state it's in which renders the
Reconstruction of daily life challenging
we can find small blocks of stone joined
together by Clay cement the same
technique as we might find at a later
stage at Machu Picchu or at oyon Tai
Tambo which will later evolve towards
greater precision
[Music]
they may have started to build Corral
with small stones and it would have been
completed with a refined technique as we
can see on the most recent parts of the
Machu Picchu site
this would be the normal evolution of
the technique throughout time
discovered in 1911 at a time where in
Europe Incas were still believed to be
Savages this city was unknown to the
Spanish during the time of their
occupation of Peru it shows impressive
technical expertise especially in the
management of water and its distribution
system
its Stone assemblages are harmoniously
integrated into the environment however
aside from the incredible feat of
bringing the materials to the site it
does not present any particular
difficulty
but what surprised us was at the heart
of the site built in a totally different
style huge andesite blocks of very hard
Stone had been assembled with Precision
without any seal Stone against Stone
if this Stone comes from a quarry from
the other side of the valley then you
really wonder how could they have
transported these heavy blocks on such a
steep slope and why such a different
style
one must not confuse the function of
certain structures and spaces like for
example the temples and palaces which
have always been sophisticated buildings
almost perfect well-assembled masonry in
contrast with the more functional
structures like for example a house
you might not use the same techniques
for buildings intended for rituals as
for buildings intended for housing which
I can understand but then why are some
of the walls mixed
this could be due to repairs but then
the question would be why was it not
repaired identically you can clearly see
that the Big Blocks are more ancient
compared to the smaller blocks why quite
simply the small blocks are set on top
of the big ones
similarly to Easter Island the builders
have assembled complex polygonal shapes
which do not seem to present any kind of
difficulty let's draw some comparisons
which make no sense according to
archeology as the sites we're going to
compare are separated by thousands of
years and kilometers here you can see an
assemblage from an angle of a wall in
Machu Picchu and another one from the
Temple of the valley in Giza Egypt
[Music]
you might notice the same type of
General symmetry in the shape like here
still at the Temple of the valley in
Egypt and there at the heart of Machu
Picchu
at Machu Picchu
and in the temple of the valley
you could explain these parallels by the
fact that confronted with the same
problem human beings will all find the
same solution simply you don't randomly
assemble blocks and that when needed
they were cut to create these patterns
which gives us just an idea of the level
of Mastery required
how's this for logic you start by
assembling extremely resistant
constructions with massive stones and
then as time passes you build less and
less resistance structures with the
stones the size of bricks
long-lived progress
these Stones disjointed by one or more
earthquakes allow us to understand two
things
first of all the internal wall surfaces
fit together precisely
the face of the stone on the left is
slightly twisted and the block on the
right exactly mirrors this twist do you
realize the difficulty of achieving this
this complex work does not seem to be
useful in any way
if these walls are an evolution of the
techniques in corral a millennium
earlier
[Music]
then where does this style with the
enormous stones come from where is the
logic in all of this
[Music]
it's even more obvious it's a woman The
Fortress with its three enclosures
overhanging the city of Cusco the
ancient capital of the Incas
three levels made of blocks weighing a
few dozen tons assembled with very great
Precision over more than 400 meters long
the angled Stones weigh over 200 tons
and the others up to 60 tons
what is the purpose of this Fortress
military speaking we find numerous weak
points
if this was simply a way to appear
strong they might have gone a bit too
far
[Music]
at the site the guides are happy to tell
us that the whole site represents the
head of a puma and that this Fortress
represents its teeth the rest being made
of the outer walls of the ancient Cusco
you might be able to see this as an eye
it's a beautiful story but how confident
can we be that it is one what we notice
is that the builders must have been able
to transport hoist and assemble Stones
weighing dozens of tons but when
repairing the stones that were damaged
or disappeared this is what they must
have done
at oontai Tambo still in Peru we find
the same thing walls made of small
stones classically of the Inca era and
these
here the first traces of settlements
date back to around 600 BCE
if these were the same Builders then
they lost their know-how along the way
because for some unknown reason they
were unable to complete them or repair
them identically
the style the quality of the stone and
the difficulty of the work are in no way
the same as the repairs are to be found
on the upper layers of the walls it
means the stones underneath are older
the builders here again started by
assembling gigantic stones with very
great precision and to finish off with
smaller ones assembled with less
precision
at Oyen taitambo our eyes were drawn to
Black Stones carved in a certain way
our guide said that there was a link
between this side and the site of
Tijuana Cove in Bolivia that similar
techniques had been utilized from what
was said the sites were not dated from
the same time but then again this was
rather unclear we decided to head off to
tijuanaka through the Andes on the other
side of the famous Titicaca Lake
between 800 and 1100 kiwanaco
administered a very large territory
[Music]
what makes the plateau interesting is
the following a vast enclosure made of
walls and pillars an entryway leading to
a door except none of this is authentic
[Music]
it is in fact a reconstruction based on
the vision of an archaeologist here is
the site pictured before its Restoration
in 1892.
foreign
no one tells you anything there's not
even a sign telling you when it was
actually restored you could believe this
was an authentic site
but curiously this creative
archaeologist did not find it useful to
look at the site of Pumapunku located
about one kilometer from Tijuana
its Builders are said to be pre-inker
therefore before the Incas
and they would have built all this
foreign
[Music]
but what happened here why was the site
destroyed a dispute between shamans is
mentioned if this was actually the
reason then it's probably best not to
anger a shaman or they'll smash you like
a dozen Tom block
we asked Eric Gontier geologist to come
with us as we wanted his advice on the
technical process so this you can get
with some small shards of rather flat
and slightly abrasive rocks and then
it's just a question of time meaning
that you will need to get in and come
out you see coming and going like this
but it's an enormous amount of work
Eric told us that in India stonecutters
are still using the same or almost the
same methods as the one used thousands
of years ago except the use of hardened
steel too soft so it was replaced by
carborundum or other hard alloy tips
when using hardened steel tools the
Stone Cutters usually hit at most five
or six times before sending them again
to the quench Eric insisted on the fact
do not underestimate human capabilities
because as soon as you question the
academic version others will assume that
you believe it was built by aliens
that's what he meant by not
underestimating human capabilities
no this was handmade
some people automatically use the
Extraterrestrial solution to resolve the
issue of the tools
but to tell you the truth although we
cannot explain the methods used we don't
feel that this was something made by
Ancient Aliens
with a copper lamella then you go over
again and again there are technical
gestures you cross then start again and
so on
we advise Eric to wait a bit before
making a decision
foreign
the next day he will use our roughness
measuring device a tool that measures
the surface flatness thanks to a
minuscule Diamond tip maneuvered by a
computerized arm we will try and find
the spot that has been knowingly
Polished by hand
acknowledging the fact that there are
natural little grooves which are gas
bubbles that remain trapped in the
endocyte which is here
the first measurements on randomly
selected Stones provide interesting
results then as we start to choose the
stones the numbers get more accurate 76
5 16. oh my goodness we then returned to
the stone we were looking at this
morning Eric places the roughness
measuring device over it look here
amazing we're curious to know the result
as the block appears to be particularly
smooth a graph that appears is very flat
31653 wow wow
of variance between the highest and the
lowest points on the surface one micron
equals 0.001 millimeter and you need 1
000 microns to make one millimeter 30
microns is 0.03 millimeters this surface
is ten times smoother than modern flat
concrete already spotted by Christopher
Dunn an aviation engineer who based his
career on Precision in the hotel room we
cleared off a table that had a glass
table top the glass table top was within
seven thousandths of an inch of being
flat going out to Pumapunku and taking
that instrument is within half a
thousandth of an inch
surfaces deteriorate over time to give
you an idea here is the roughness of
everyday materials
they reached an absolutely exceptional
level of polishing
nowadays we would only get this with the
use of powerful machines including
lasers and rotating mechanical equipment
are very very high precision
remember he was talking about copper and
abrasion you can be sure he is carefully
choosing his words
another thing we observe here is the
place where these arseneca and black
Basalt blocks are coming from
black Basalt comes from 300 kilometers
away in Tijuana
300 kilometers away transporting rocks
weighing a few tons across the Andes and
over such a distance does not seem to
surprise him that much nothing will ever
replace an actual visit although
sometimes from a distance we can
discover certain things
you might notice this pattern on a slab
a researcher told us this pattern was
also present at another enigmatic site
in Peru over 700 kilometers away as the
crow flies
Nazca
on this Darren Plateau immense lines and
representations of animals have been
drawn on the ground by the people of
Nazca dating back around 2 300 years
except for a few stylized
representations of animals you can
observe mainly straight lines some very
long the whole site covers thousands of
square kilometers
we often hear about the tracks of Nazca
and some in the past have called these
Landing strips for extraterrestrials
how could you seriously consider that
people capable of flying across the
universe might need a landing strip
drawn on the ground
[Music]
this sounds as stupid as the hypothesis
stating that the patterns were designed
to ask the gods for water rare in this
area
you might have had better things to do
rather than wasting your time in a
Barren area where nothing grows
here again we know nothing
although these figures are gigantic
their creation might have been difficult
but far from impossible what interests
us is the why we are often shown animal
drawings but the lines are far more
impressive and both curiously overlap in
some places as if we're looking at two
different eras and two different styles
on one hand we have animal drawings and
representations of living beings though
none of them lived in this region on the
other we find abstract and immense
geometrical lines this is inconsistent
with the people supposed to have
possessed only primitive technology
similarly to the h-shaped blocks of
Pumapunku from the people of rapanui to
the Inca Empire partly because of the
foreign invasions we do not know for
certain the why and how of all these
constructions but we can see they have
usually been executed in inaccessible
areas in the desert on top of Hills or
on very steep Mountain sites each time
there seems to be at least two different
eras and two different styles and the
most ancient era appears to have a taste
for abstract geometric patterns
[Music]
Peru is a vast and magnificent land like
its people
[Applause]
[Music]
it is said there are over 1 200 sites
listed and you would need a lot of time
in order to see them all sometimes we
just trust our intuition and let
ourselves be guided by the people we
meet this is how we discovered the next
site
after a drive of about 30 kilometers of
dirt track this site is difficult to
access
[Music]
a low stone wall covers the back wall
[Music]
another stone wall outside leads us to
believe that we're in some kind of
Sheepfold up until now nothing abnormal
except for the fact for some unknown
reason the other sidewall has been cut
[Music]
and as we turned around we discovered
that the entry of this cave the stones
have been entirely sculpted
[Music]
[Applause]
here again the feeling that you are
facing two different eras in the
building of the structure is strong this
feeling is confirmed by these outer
structures in the same style as the
Sheepfold a later imitation
the work is clean and the cutouts are
beautiful but wait until you see the
next site located far far away from Peru
in India in the baihar region
[Music]
[Applause]
we find seven caves entirely excavated
from massive Granite blocks spread
across two main sites
four at barabar
and three at nagajuni
amongst them two remain unfinished
they are considered to be the oldest
caves in India and they may have been
built about 2 300 years ago under the
reign of King Ashoka according to the
scriptures carved at the entrance of
certain caves
there are many other caves in India but
these are unique because of their
Precision you can observe a reoccurring
theme that the more ancient the
structure the more modern it looks they
were dug into granite rocks a material
harder than hardened steel here the
surfaces appear to be cement but that's
an optical illusion due to the extreme
transparency of the granite crystal when
polished to the extreme
in reality they are like this
everywhere
we asked the late Jean Louis Boston an
experienced stonecutter who has been
working with granite for over 40 years
without any modern tools we didn't even
have the time to let him know these
images have been taken with a highly
sensitive camera that allows us to film
in the dark as if in full light in fact
with a normal camera this is what we got
here they're extremely accurate
extremely precise it means they had
powerful lights because to work in this
type of area you would need more than
just torches
also with torches you would suffocate
to get people to work in such an
environment they would need to be able
to breathe the dust coming from the
stone itself is considerable an
environment like this one especially
when you work with pigs
the granite produces sand shards this is
a problem of granulomatory but more
importantly it produces a lot of dust
silica that leads to silicosis
I would have liked to know how they
ventilated the work site to achieve
something as perfect as this
already the production of dust when we
are outside covers Us entirely we inhale
it if we don't wear a mask and we drink
a lot and that's when we're outside
so on the inside if you add up the smoke
from the Torches it becomes quickly
unbreathable and unworkable yeah
the tribological report meaning the
methods of abrasion used to produce this
rock is a lot harder to achieve on this
Granite than on the rocks of Pumapunku
foreign
this incredible sensation of
vitrification is rather surprising
it's absolutely incredible
it seems to be laser made
I mean no it's not laser made
this is handmade
but you would need thousands and
thousands of hours to obtain a Polish
like this one
fail man a perfect gloss obtained by a
sanding of the surface which is very
hard to get with the classical sanding
with a stone and water
that we can get with an abrasive very
very fine sand
there is a shine equivalent to that
obtained with our modern means
300 300 years old this dating relies
upon the inscriptions carved at the
entrance of three of them however when
looking at these inscriptions in detail
we can see the work is far from being as
clean as inside the caves in the most
complex cave the granite has literally
become flaky in some parts suggesting
that these caves may be older than we
think
in this massive Stone Hill two caves
have been carved on one side the one on
the left is fully completed inside and
the first one according to archeology
the one on the right displays a curved
porch Buddhist style corresponding to
the era of King Ashoka but the inside is
unfinished
the walls are polished but the ceiling
and the ground are still raw
we don't understand why the completed
cave is not the one with the porch
obviously special as it's the only cave
to have one but why was it not completed
when looking at the porch more closely
we can see the work is easy on the eye
so to speak but as beautiful as it may
look it cannot be compared to the work
accomplished inside the walls of the
cave
you stand slightly to the side you can
see the holes and the deformations here
there are no sharp edges it's completely
damaged
this is second class work
here the relief goes back up and then it
goes down again downward
there are no finished edges
everything is rowed inside
so here we are facing a much later work
we cannot associate this work with what
has been done previously inside the
rooms
this porch is off-center not vertical it
is nothing compared to the Precision and
the construction of the caves
foreign
to some archaeologists this uncompleted
cave could explain in detail how the
other caves could have been constructed
it's hard when looking at this work to
imagine it might look like this
[Music]
work is very badly initiated could not
result in anything looking at the state
it is in at this stage even more
impossible as some cuts on the ceiling
go too deep
when you have a perfectly Polished plane
as it is the case here it is out of the
question to exceed the surface and to
produce dents lower than the surface in
which case they would have to do it all
over again
but when resuming the work here there is
a splinter which broke
big Splinter that is gone leaving a hole
that is just irredeemable
this cave seems to show a failed attempt
may be done on a cave that was
discovered unfinished
[Music]
a king would not take over a cave
already completed but would more likely
finish a cave with some modifications
which would explain the difference in
the levels on the ground and maybe his
men did not succeed of course this is
pure speculation
the contrast between the Polish wall and
the rough ceiling seems to confirm the
idea of a reuse we would need to further
study this room in order to comprehend
fully the chronology in the work and
confirm or set aside this hypothesis we
measured the surfaces with the roughness
measuring device
foreign
[Music]
but otherwise to the touch and the naked
eye it's perfectly flat there is an
average difference a few microns these
surfaces are almost as smooth as glass
[Music]
the Precision tolerance varies between
two to five millimeters
The Taking of measurements with a
rangefinder is difficult because the
walls are slightly tilted
what tools were used to accomplish such
an exact work
some defects in the polishing do confirm
that these caves were handmade which
makes the need for accuracy even more
pronounced handmade could mean the use
of power tools Guided by hat instead of
chisels and hammers but why such
Precision what's the point
a gap of a few centimeters would be
difficult to see with the naked eye and
in full light
we were leaving barabar with the feeling
that these caves had more to offer
however we needed more precise equipment
from Easter Island to India via Peru we
can see two very different styles the
work that is the most ancient is also
the largest and most precise
it is the case on Easter Island at oyan
Tai Tambo
at Machu Picchu
at nopa Iglesia and in Egypt
but why this need for accuracy
we were leaving Egypt with Eric who was
becoming more and more embarrassed by
all of our discoveries
few scientists agree to appear in these
type of documentaries afraid to look
like raving lunatics in the eyes of
their colleagues but like us he wanted
to understand
neither of us had any hypothesis
[Music]
foreign
[Music]
the granite used to build the boxes
comes from one of the quarries in aswara
about 900 kilometers away from Sakara
located one kilometer away from the Nile
River from which the 22 boxes had to be
transported
for making this is a number of years I
don't know maybe four or five six years
at least to achieve this however despite
it being extraordinary work surfaces are
a little less precise than the ones
observed at barabar
what we can tell from the reflection is
that the Polish is absolutely amazing on
the other hand unlike a bar bar we do
not get this perfect flatness of the
cave
how did these 22 boxes and their Lids
get moved into such a small space
and why yet again the need for such
accuracy for the box is destined to hold
Bulls even if these Bulls were sacred
how did they work Underground how did
they get enough light to accomplish such
polishing what were their tools how did
they breathe have egyptologists looked
into these questions in their
Publications if this is the case we are
Keen to know the answers because these
are the type of tools shown when talking
about the stone cutting techniques of
ancient Egypt when we look into ancient
Egypt and we follow their civilization
over a 3000 year period
and we are told that they use very
simple tools at the beginning of their
civilization such as copper chisels
modern Malla Stone chisel Stone hammers
and then you follow the progress of that
Civilization over 3000 years and it ends
up they're still using the same tools
that they started with that doesn't make
sense Christopher Dunn offers his
opinion as an engineer no matter what
the techniques are the thought process
stays rigorously the same throughout the
ages especially regarding the complex
structures of ancient Egypt tools had to
evolve we go from a single Stone to a
stone attached to a handle then little
by little the tool is perfected however
despite the fact that masterpieces were
created for some unknown reason it might
not have happened that way
[Music]
foreign
[Music]
[Music]
particularly when you look at what they
created because the tools that are found
in the archaeological record are not
capable of creating the artifacts from
that period
convinced for over 20 years that the
Egyptians are indeed the creators of
these structures Christopher Dunn has
been tracking down their tools clearly
more advanced when looking at their
constructions which he explains in
detail in his work
[Music]
each Stone of the outer wall weighs
between 200 and 400 tons it is
completely surreal so much so that
nobody has tried to discover how they
could have done this
[Music]
these stones have been covered by
Granite Paving from as one as usual
[Music]
we noticed that these massive Stones all
have different shapes fitting together
accurately we have never read or heard
of any serious explanation regarding the
building of this Temple as if piling up
Stones weighing 200 to 400 tons was just
Child's Play
for some the builders could have used
ramps to raise them others mention
hoists get some information in regards
to the difficulty of transporting such
heavy loads and you will understand the
Enigma is far from being solved sight
switch according to our history have
nothing in common except for the fact
that they've been created by people who
are barely clothed
the valley Temple is located on the Giza
Plateau around 100 meters away from the
largest of all pyramids on the 30th
parallel about 4 500 years ago the Great
Pyramid of Giza would have been built if
we go by the dating of egyptology no
text mentions its construction nor the
construction of the median pyramid also
known as the coffrey pyramid nor the
small one also known as the macarenus
pyramid in fact this is not quite right
fragments of Papyrus dated from the end
of the fourth Dynasty discovered in
2013. do mention the transport of
Limestone blocks from Torah those used
for the cladding of the Great Pyramid
but nothing else no reference to the
more than 2 000 blocks of limestone that
came from other quarries
over 2 million Limestone blocks 230
meters on its side 140 meters in height
its construction remains a mystery to
this day the site of Giza is built over
a limestone Plateau originally made of
flattened Hills as we can see on the
Midian pyramid
for the Great Pyramid the builders kept
part of the Hill some kind of giant
pivot about six meters high around which
it was built
first they paved about 60 000 square
meters of surface minus the surface of
the pivot which allowed them to save a
lot of blocks for the construction
but these Paving blocks Weighing on
average one and a half tons are not all
identical and have complex shapes which
makes joining them even more complicated
this is even more complex as the ground
has been carved in order to insert these
blocks it is a giant puzzle in 3D once
this was completed they built the base
of the pyramid which is almost flat as
noted by the egyptologist mark laner he
detected a difference of only a few
centimeters from one end to the other
which spreads over 230 meters in length
we do wonder about the means to obtain
such Precision with the basic tools
commonly attributed to the Egyptians
that is if they were indeed the Builders
of this site then they piled up over 2
million Limestone blocks in successive
rounds up to the top there again we can
see the height of the rounds are not all
the same and the blocks all have
different shapes meaning that they did
not place the blocks randomly
[Music]
the work was done with such Precision
that the edges of the pyramid remain
unbroken up to the top
today the blocks of the cladding made
from Limestone from Torah are missing
rocks may have fallen down following a
violent earthquake in the 14th century
cladding we can still see at the top of
the Midian pyramid
cladding that rendered the Great Pyramid
entirely smooth from the outside
[Music]
it was oriented with a stupefying
Precision to True North with a variation
of only a 500th of a degree Precision
that would take us thousands of years to
achieve again even with our modern
equipment
the first problem was to establish
guidelines on the ground with such
precision and the second to raise the 2
million block while maintaining this
precision
how did they do it no one knows
[Music]
the base of the Great Pyramid is not a
perfect square but is slightly octagonal
this indentation is visible in these
pictures as well as on satellite images
for unknown reasons the small pyramid
also has this Oddity
but not the median pyramid
on top of managing to raise each round
of blocks of various sizes they also had
to deal with this indentation right up
to the top considerably complicating the
construction the Great Pyramid was
totally smooth up to the point that it
was made impossible to see the entryway
on the North Face
how can we confirm this
because if this was not the case in the
9th century the men of the Khalif Alma
Moon would not have dug a long tunnel
within the Great Pyramid only a few
meters below the actual entryway
this confirms that still at the time no
entryway was visible
either they were well informed or they
got really lucky as the tunnel was dug
on the correct side of the pyramid and
precisely reached the junction of the
ascending and descending hallways
we notice in this hallway that all the
inside layers of blocks are set up
together so accurately it feels like it
could be one stone
according to Professor Andre poshon
mathematician physician and teacher at
Cairo High School in the 30s this
indentation would have allowed for what
he called the lightning phenomenon
precisely indicating the equinoxes as
seen in this aerial picture by the Royal
Air Force this led him to photograph
this phenomenon on the 21st of March
1934 using infrared cameras the height
of Technology at the time in order to
show the temperature differences on the
south face here in these three
photographs taken 15 seconds apart
thanks to this indentation when the Sun
reaches The Ridge at the time of the
Equinox it first lights up half of the
South face for a few seconds dividing it
into two equal parts it then goes on to
illuminate the whole of it leading to
what Professor prosha baptized the
lightning for some posha is mistaken as
according to them the cladding of the
Great Pyramid did not have any
indentation to confirm this they are
looking at the few cladding blocks still
visible on the North Face of the Great
Pyramid but look again these blocks are
not the original ones you can see them
here photographed by the Morton Brothers
despite some damage these blocks are in
excellent condition when compared to the
blocks behind them which have not been
exposed to the air since the 14th
century here you can see them a century
later quite eroded
[Music]
why would these Builders have
considerably complicated their work by
designing indented sides from blocks of
various sizes and after that to add
cladding blocks to fill this indentation
should Professor potion be right imagine
the complexity of both the design and
the execution here
let's move to the internal structure
considered by many to be a complicated
design in itself
it's made up of two hallways the
descending hallway crosses the
foundation to then plummet into the
Limestone Plateau oriented at 26 degrees
18 minutes remember this number leading
to The Unfinished underground chamber
the ascending hallway leads to the
median chamber and then to the high
chamber crossing the great Gallery it
also has a gradient of 26 degrees 18
minutes this internal structure defies
all logic we are moving from a one meter
by one meter hallway to a room 8.5
meters high to over 50 meters in length
whose purpose if any remains totally
unknown
the median chamber is entirely built of
limestone it has a Chevron ceiling and a
curiously off-center niche
and finally the high chamber
this chamber is made exclusively of
granite it's the only place in the
pyramid where they are found Granite
from Aswan located 900 kilometers away
from Giza
these slabs weigh between 12 and 70 tons
they were extracted here and may have
been transported up the Nile River and
raised 40 meters on the Giza plateau and
then another 50 meters in the pyramid to
be precisely configured to guarantee
this perfect horizontal and vertical
line
just this in itself defies all reason
they needed to build the king's chamber
at the same time as constructing the
pyramid itself why the sarcophagus for
example is too big to fit through the
tunnel therefore it needed to be placed
inside prior to erecting the sidewalls
[Music]
but let's talk about egyptology and what
that has to teach us
they would have had to have employed
about 15 000 men over a 20-year period
to build the Great Pyramid we know
nothing of the tools and we can at best
speculate about the methods we don't
know anything about the complex
management of the building site what did
they eat where did they sleep how did
they heal them if necessary since the
workers lacked gloves or any kind of
Footwear this great Endeavor was
reportedly undertaken to deliver a
cenotaph for King kiops when he died
meaning it was utilized during a
ceremony allowing the soul of the king
to rise towards the heavens once the
ritual was accomplished the pyramid
would be hermetically sealed and the
mummy would be transported elsewhere
there is no inscription anywhere no
gigantic statue no signature to this day
the only thing left from this
megalomaniac King is a seven centimeter
statue and the Very questionable
testimony of Herodotus written more than
two thousand years later for a long time
this was the only basis for the pyramid
Theory no matter what 20 or even 30
years to build Great Pyramid appears to
be totally impossible for example here
is the entry to the Temple of Karnak
that measures about 110 meters in length
40 meters in height and 15 meters in
width it would have taken 17 years to
build 10 years for the foundation and
seven years for the rest of the building
and it would have been erected a lot
later than the Great Pyramid
but let's go back to Pumapunku as I've
not told you everything about this site
it was during an interview that one of
the members of our team had the idea to
measure the h-shaped block
the Gap is exactly 22 centimeters
on another block it is 21.9 centimeters
or one millimeter difference
scientifically I would need a number of
measurements to be sure we are more or
less right
21.9 centimeters on a third one again
one millimeter difference in the middle
of the site are two h-shaped blocks in
excellent condition on the back of the
blocks you can see a pattern in the
shape of a cross
we decided to go and measure
so 30 centimeters and the other
exactly one meter
I'm not making any mathematical
calculations I'm just observing the
averages of these measurements
they are extremely close leading us to
believe they worked here with some
mechanical device
but it seems that at first glance we
could say it was handmade but there is
such a Precision that is literally
Troublesome
we have 60 centimeters we also found a
one meter block we are facing an
extremely accurate Decimal System
this means we are not dealing with
Randomness we could even say that the
blocks have been prefabricated meaning
that a template was used and all the
blocks were built from it
the h-shaped blocks are one meter high
the crosses are 30 centimeters in width
this Gap here 22 centimeters we are in
the metric system now the meter this is
extraordinary exactly one meter this
can't be coincidental this is a fact
and all those this unit logically cannot
exist because we would need to wait for
Napoleon to define the true meter
mathematically and scientifically here
I just don't know what to say I told you
Eric was a brave man the meter in a
pre-inker site is not very easy to
integrate into the accepted chronology
but why is this so amazing
because first of all the meter is based
on the measurements of the earth so we
cannot Define it without having measured
the Earth itself and secondly because
the Earth was measured and the meter
created in 1795 so unless you strongly
believe in coincidences logically we
shouldn't find it used before this date
and it's even more curious to find it on
blocks with such a modern looking design
this must have been popular because it
was identically reproduced at an
altitude of 4 000 meters in the middle
of nowhere measured in meters we
measured three h-shaped blocks as the
others were either too deteriorated or
unreachable they were more readily
available in 1892 when they were also
measured using the metric system
so here's the problem
because the meter is connected to the
measurement of the earth if pre-inker
people built this site they either did
it by chance they could measure the
Earth or this knowledge was given to
them whether it was deliberate or not
this meter is found elsewhere
let's go back to Egypt
this inscription would have been carved
at the entrance of the Plato Academy but
it might as well have been carved at the
entrance of the Great Pyramid
Egyptians were taking measurements in
qubits and the original dimensions of
the Great Pyramid including its cladding
are 440 cubits at the base and 280
cubits in height in 1859 the Englishman
John Taylor noticed that this Dimension
here divided by this one would give pi
egyptologists certify that the Egyptians
only had a very basic knowledge of
mathematics and they did not know about
Pi nor about the golden ratio the high
chamber however is built on a double
square which leads us to the golden
ratio geometry
maths isn't everyone's strong point but
stay with us
first of all let's quickly introduce the
golden ratio for those of you who do not
know
the Italian Leonardo Pisano publicized
in the 13th century the Fibonacci
sequence
where each number divided by the
previous one results in a number that
progressively approaches 1.618
it is a number
and more precisely a ratio between two
numbers that is endless just like Pi but
with amazing mathematical properties
but no need to remember all that all you
need to understand is the logic
since it's a ratio system we can use its
variations even its square root which is
equal to 1.272 it's been called The
Divine proportion because we can observe
it statistically on average just about
everywhere around us
it's in the angles of minerals in Plants
through the geometry of their leaves the
distribution of their seeds amongst
animal and man and art just like Da
Vinci showed us
building when using the geometry of the
golden ratio means attempting to imitate
nature
but put these numbers to one side we'll
come back to them
in order to take measurements you need a
reference the meter or the yard for
example in Egypt they use the qubit
which they say varied in size
but in the Great Pyramid its value can
be obtained with great certainty since
the high chamber is made with precisely
assembled granite
the value obtained through the
measurements of this room varies between
0.5235 and
0.5236 or 52 centimeters three
millimeters and five or six tenths of a
millimeter
it is the Royal Cubit used in the Great
Pyramid but then although these Builders
didn't know about the meter their Cubit
by some miracle is connected to it it
can be obtained easily through geometry
this Dimension is one
no unit just one the length of the
circle is this Dimension times pi so
here we have Pi we divide the circle
into six parts each part equals
0.5236 and what we have left equals
2.618 which is the golden ratio squared
these three numbers are connected by
this circle which has a diameter of one
we went to talk to a man who's been
working with ancient measurements for
decades the famous qubit measuring 52.36
If I multiply it by 6 I find 3.1416 so I
have a direct link to calculations to
Geometry the foot is 32.36 so if I
divide this by two it equals 16.18 I
have 1.618 and the golden ratio
if I want to measure this circle I will
need a measuring unit let's take the
yard
so this Dimension equals one yard and
this one here
0.5236 yards
it does not correspond to anything in
particular but if we choose the meter
then this Dimension equals
0.5236 meters which is the value of the
royal Cuba of the Great Pyramid
this can only be sheer luck as the meter
was adopted in 1795.
after the Earth was measured
now let's take the measurements of the
Great Pyramid in meters
thanks to its proportion if we divide
this by that whichever measuring unit we
choose to use the result will be Pi if
we choose the meter this Dimension
divided by this one equals Pi but this
Dimension minus this one equals pi times
a hundred which only works with the
meter same dimensions a division and a
subtraction in regard to the king's
chamber out of all the choices of shape
they chose by chance a double square
using geometry they were not supposed to
know about the geometry of the golden
ratio
to build it out of all possible choices
in dimension the builders chose 10 by 20
qubits this Dimension here is pi times
10 meters this is only possible in
meters this Dimension here plus 2 meters
618 equals this Dimension plus 2 meters
618 equals this Dimension plus 2 meters
618 this Dimension this can only happen
because the room measures 10 by 20
cubits if it had been 9 times 18 or 11
times 22 we would have the golden ratio
and Pi in proportion but not in meters
all of this makes no sense the meter was
set in 1795. something's not right
need a break
in a book on the golden ratio we learn
that in the Middle Ages the Builders of
the churches and Cathedrals also use the
qubit which belongs to a measuring
system called the queen
everyone knew in the Middle Ages that
one foot contained 12 inches one inch
contained 12 lines
we have the measure of the span and then
the measure of the palm and after that
the hand which will give the Queen
the sequence of five units was organized
for centuries all the way up to the
Renaissance in a golden way
which means in its proportion with the
golden ratio we see how it's arranged
around the Pentagon
foreign
by studying ancient units of measurement
and especially ancient buildings I
realized that of course we have variable
systems of measurements depending on the
regions in the era but the one we find
across various regions is the Cubit here
measuring
52.36
amongst all these different qubits in
the Middle Ages one in particular the
Royal Cubit carries the same value as
the qubit of the Great Pyramid but where
does this medieval qubit come from
it is the same as the one using on the
frost
and in the central region
as power expanded it began to dominate
the territory little by little
and within the French crowd we would
have Royal Master Builders traveling
everywhere
it means that this Cubit was sanctioned
sanctioned by royalty
more than 3 500 years after the building
of the Great Pyramid
who just by chance ran into the same
unit of measurement
If I subtract 32.36 from 52.36 is an
observation I find this span small like
this that represents when I read it
today 20 centimeters exactly 20
centimeters which is surprising since
the span was widely established prior to
the meter
by the way how was the meter established
it was in 1795. in relation to the
meridenial circumference of our planet
the circle that goes around the earth
via the pole
it was decided that this circle would be
divided into 40 million parts or 40
million meters which then gave us the
length of the meter as we know it today
but instead of 40 million if the circle
had been divided into 50 million Parts
the meter would have been shortened by
about 20 centimeters
but why was it divided into 40 million
Parts why not 36 million which would
have been logical since we divide a
circle into 360 degrees
turns out this choice of 40 million has
surprising consequences
but before we discuss that let's talk
with Frenchman kantolipla who wanted to
statistically verify the presence of the
meter
the dimensions of the front door's
widths consisted of whole numbers in
meters or doors of one meter in width on
monuments from the 12th century
and with such frequency I decided it
could not be just by chance
because it can happen on a very large
number of buildings we may find standard
units of measurement
also in castles like the castle of
chamber where it is extremely obvious
the doors in fact to go from one Tower
to the other are one meter wide or 90
centimeters wide it is very troubling
since it is very accurate the difference
is 1.00 according to the laser
in a church in Santa in my region I saw
a fresco embedded into a wall and this
little Fresco was one meter wide below
it the stone also embedded was one cubit
wide obviously some will say that these
medieval Builders were not thinking in
meters but spans and that we should not
read one meter but five spans maybe when
we put all these facts back in order we
realize what history is usually asking
us to believe the fact that the Builders
of the Great Pyramid may have by chance
and without knowing it discovered a
value of a qubit connected with pi the
golden ratio and later the meter that in
the Middle Ages medieval Builders
accidentally may have implemented the
same Royal Cuba as the Builders of the
Great Pyramid
centuries later by chance someone
decided to divide the circumference of
the earth into 40 million Parts which
would have given still by chance a meter
equal to five spans and a royal Cubit
equal to pi divided by 6 and when we
chose the meter nobody realized that
five spans equaled precisely one meter
by chance I don't know about you but for
us it's not adding up would it not be
more rational to say that the person who
decided to divide the circumference of
the earth into 40 million Parts actually
knew what he was doing
and that as surprising as it may sound
it was a discreet and multi-millennial
transmission of information
because what we also see is that the
choice to divide the circumference of
the earth into 40 million parts means
that the diameter of our planet almost
equals the square root of the golden
ratio
[Music]
in any case based on facts the Royal
Cubit Pi the golden ratio and the meter
are all connected you can check this for
yourself and believe what you want but
be careful because what we believe
influences what we see
at this site which is at least 4 500
years old you can find these Alabaster
bowls and this second one it's a bit
different
[Music]
we are told these balls were used during
sacrifices to collect the blood of the
victims
they look more like filling holes rather
than evacuation holes since they are
raised but what for
don't you think these objects look like
they have a more technical function
rather than simply a religious or
ritualistic one
[Music]
thank you the schistisk with a diameter
of about 60 centimeters was discovered
in 1937 in the Tomb of Prince Sabu who
lived more than 5 000 years ago we can
tell this object was special to him
because he decided to be buried with it
however 80 years after its Discovery we
still have no idea what its use may have
been so it was just put in the category
of religious or decorative objects where
we put all the artifacts we don't
understand
foreign
looking at the Precision of this shape
we feel there's more to it it's Central
Hub seems like it was intended to rotate
but there is no proof it had a technical
function
on the other hand there is absolutely no
doubt about the function of this next
object at least 2 000 years later it
represents the mechanical Genius of
mankind
in the 50s a physician rediscovered this
misunderstood fragment coming from a
shipwreck of a boat that sank about 100
BC
convinced of its importance he spent the
rest of his life studying it but he died
20 years before technology could confirm
his intuition when the object was
internally scanned in detail
[Music]
mechanism was discovered in the stock
objects coming from the antichythera
Shipwreck this ship was sailing to Rome
around 60 BC and wrecked in front of the
small island of antique between Crete
and peloponnese
Derek the solar price specialist in gear
mechanisms arrived in Athens in the 50s
and went to the archeology Museum to see
the indicator mechanism
in the 50s and 60s we could only see its
outer parts
it was not before the 70s that Derek
price got the opportunity to work with a
nuclear scientist from the center for
nuclear studies in Athens a scientist
who proceeded to x-ray the fragments of
the antikythera mechanism and there what
they found on the main fragment was a
massive surprise
30 Gear wheels and the gears are very
visible on the X-ray
this could represent the sky at any
given time or be used to determine a
date from the specific rotation of the
planets
with just one button you could reproduce
all the movements of the visible planets
the Sun and the Moon
device is a miniature and mechanical
representation of the cosmos what we now
call the solar system
it's a continuous mechanism
design it
didn't know that the Earth was a sphere
and that the Stars rotated around the
Sun
had been established for a while since
at least Euclid who set the basis for
geometry Auto likos established the
basis of spherical astronomy they knew
precisely the cycles of each of the
planets including the issue of the
offset between the lunar and solar
calendars identified by the Greek metal
over the course of 19 years or 19 solar
years there are very precisely 235 lunar
months a calculation that would have
been fine-tuned a century later by
khalip De suzik if we take four times
the metin cycle which is 4 times 19
which equals 76 and then we remove one
day we then have a concordance of both
the lunar cycle and the solar cycle that
is much more precise and it's funny as
all these numbers the 19 the 235 and the
76 are all noted on the machine on the
inscriptions
initiative the Hublot Society decided to
reproduce it but the first time Mattie
has heard about it he thought it was a
joke
in 250 BCE we were capable of doing this
and you had gears like this like that
and then right away I said it was not
possible and what's next there were
aliens too and they came and they gave
knowledge to men and then they left
I thought it was a huge joke and then I
got angry so I went there saying I
needed to learn a bit more about it
then it was obvious it was possible it
existed it was there in front of me
the level of maths required is amazing
as the Antica theorem mechanism involves
complex movements
a person who designed the machine had a
long history of Performing calculations
that is a certainty because in order to
represent all these complex phenomena in
such a simple way
but yet very difficult to design and
Implement clearly this was not a dry run
the orbit of the moon around the earth
is not circular but elliptic which gives
it a variable speed from the Earth
This is complicated to reproduce as the
gears generate constant circular
movements
the wheels gear up one inside the other
they turn over a satellite but we also
know how to do that there are planetary
gears
but while they turn they will drift away
so they take more time to get to the
other gears so it slows down then as it
moves closer it goes faster so they
managed to get these gears to breathe
while working they move away and they
move closer and what does it actually do
it changes the gears ratio they created
something that is absolutely incredible
in its Simplicity and at the same time
it's genius and our civilization missed
it entirely you have to appreciate the
Mastery of this engineering
there are gears inside that show
extraordinary technique and creativity
the research and development meaning the
design of the object relies on the
knowledge that we have to begin with
because if we are learning while working
on it
it can take forever it could take an
entire lifetime what they won't dare to
say in front of the camera in fear of
upsetting some archaeologists is the
level of mathematics required to design
such a mechanism it's far beyond what is
usually attributed to the ancient Greeks
otherwise they would have needed
thousands of prototypes to reach such a
precise result but how to go from a
design to a mechanical implementation
this is still a mystery nowadays
yes because in practice it is way more
complicated than it looks take the main
wheel it has 223 teeth how do you easily
break down a circle into 223 equal parts
mechanism is not a unique argument it's
Unique for us this is the only one that
has reached us today thanks to the
Shipwreck but we are certain that there
will have been dozens
now with the knowledge of this device
some Greek scriptures sound different
a book came to us yeah he was copied by
the scribes from an astronomer who lived
roughly at the same time as a supposed
implementation of the antiquitura
mechanism
when you read this text I feel like
you're reading a description of the
antikythera mechanism if you needed
proof that tools or machines did not
survive the test of time this was only 2
000 years ago Egypt is 5 000 years ago
imagine what other technology could be
lost it was saved because it's sick that
is the Paradox had it stayed on land it
would have been melted recycled to do
something else that was the rule for all
metallic objects that were no longer
useful
and the device would still work had it
not remained underwater How could a
major chapter in the history of human
engineering have been lost from our
records but the device was lost is one
thing but that the very idea of its
existence was lost
what's even more surprising is that this
discovery was almost entirely overlooked
by archeology
if you ask a classical archaeologist
what the relationship of the elders was
the technology at best they would
possibly mention architecture
we can't miss the Acropolis obviously
for the elders Theory prevailed and
tangible work was for the slaves that's
a typical discourse which has continued
since the Romans
mechanism questions this discourse and
forces us to re-read and also to rewrite
a number of things
a stone's throw from the Acropolis yet
again we find the same type of wall what
a surprise
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if the Antica theorem mechanism makes us
reconsider the evolution of human
Science and Technology
then one site completely disrupts the
chronology of the timeline of human
history
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the site of Gobekli Tepe was discovered
in the 90s by Shepherds in Turkey
the site of cubic is certainly the most
archaic Temple that we know of today
Klaus Schmidt the German archaeologist
came to the site and started Excavating
in 1995 up until 2014.
he brought out of the ground six
extraordinary vast enclosures which are
absolutely unique in the world at the
heart of the enclosures there are
Central pillars
these are two large anthropomorphous
pillars called twin pillars surrounded
by an outer wall divided at regular
intervals by other smaller pillars
the large pillars are about two and a
half meters high and weight about 16
tons
and this is where the problem starts
Humanity at that time did not even know
how to create a pottery vars they were
really very archaic there were the last
hunter-gatherers prior even to any
sedentary life and they managed to raise
pillars which weighs 16 tons that
requires coordination at all levels of
all workers it also acquires a main
contractor specialized workers and we
have to remember that over 12 000 years
ago there were only nomadic
hunter-gatherers with no specialty and
not even the same language to
communicate
according to history this is before
recognized civilization this doesn't
seem to fit the narrative what is
surprising is the refinement of all
these Engravings carved in the rounding
relief that we may have found everywhere
a refinement we never could have
imagined existed at that time during
Neolithic this calls into question all
of what we thought we knew about
natufion and Neolithic after that
we've been trying for months to
interview one of the best researchers in
the world in this subject the author of
Fingerprints of the Gods
Graham Hancock arrived just in time
he was going to give us the keys we were
missing
here we have a giant megalithic site
much larger than Stonehenge for example
which is 11 and a half thousand years
old which appears suddenly in a
community that apparently are entirely
hunter-gatherers where did they learn
the skills to to do this do we don't see
them practicing the oldest material that
go back to tapi is the best where did
they wake up one morning with some sort
of um magical inspiration that enabled
them to Quarry and cut stone to put up
the world's first perfectly north-south
aligned building which requires
astronomy what was the true purpose of
the site
it is a ritualistic temple there must
have been sacrifices surely there were
archaic rituals at that time but I also
think it is an astronomical Observatory
one of the pillars raises the issue of
agriculture
at the top you can see baskets behind we
can see stacks of wheat things like that
interwoven
it seems certain that this Temple was
there prior to agriculture
yet we already have these first baskets
the first perspective of Agriculture and
that is something that chronologically
does not fit
in the academic timeline nomadic people
would settle in one place and then they
would specialize their skills and be
able to build temples but here it all
happened in reverse
there must have been something some
event that led to a sedentary life and
to the development of human intelligence
agriculture appears Suddenly at the same
moment that Gobekli Tepe appears
actually when I spoke to the late Claus
Schmidt he felt that go back to Tempe
had functioned as a center of innovation
in that area that it was a place where
people were drawn to and were taught
skills and this raises a question in my
mind who taught them the skills because
what I think we're looking at at Gobekli
Tempe this sudden emergence of
megalithic architecture
the sudden emergence of evolved
agricultural knowledge it looks to me
like a transfer of Technology it looks
to me like people came to that area who
already knew how to make megalithic
architecture who already knew
Agriculture and who knew how to mobilize
and organize workforces and they put
that infrastructure into place there and
they passed on their skills in
megalithic construction and in
agriculture to the local
hunter-gatherers that they had settled
the Munch so who were these people
you can see on the pillars patterns
similar to others around the world
I don't know how much we should make of
these connections but it's interesting
to note for example the Gobekli tapi
megaliths are tall pillars sometimes
weighing as much as 20 tons with the
kind of shape of a letter T and the top
of the pillar the t-shape at the top of
the pillow represents a human head
you can say this for sure because many
of the pillars have arms carved into the
side and the hands meet in front of the
belly
the positioning of the hands on the
Gobekli Tepe figures is just identical
to the positioning of the hands on the
Easter Island statues on this belt is
cut the letter what we a sign that we
would recognize as the letter H and
oddly enough that exact same H shape as
you know appears in the H blocks at
tiwanaco there are certain creatures and
animals which are cut on the Gobekli
tapi megaliths which are reproduced
exactly in structures in Peru and I went
into this in some depth in my book
magicians of the Gods
you can see handbags on one of the
pillars this is also what got Graham
Hancock's attention since there are
similar types of handbags in the images
of the Mesopotamian God owanez who is
said to have brought civilization to
this part of the world a motif that we
can also find in Central America is the
hand of God who will later be called
ketzal koakla also a transmitter of
civilization what we are often seeing in
these similarities is what we would
expect to see if one culture on one side
of the world and another culture on the
other side of the world had both
received a legacy from the same
third-party culture however else can we
explain these parallels and what about
the sudden appearance of this Temple and
agriculture 12 000 years ago we have no
precedent prior to this site it feels
like they reached Perfection all at once
at the beginning we thought of sedentary
life had brought man to spirituality
that is to build temples then cities
we realized one thing and we have to go
backwards and think of spirituality
leading to sedentary life so for
archaeologists this is disturbing we
made a mistake in our thinking
it's interesting that Gobekli Tepe means
the hill of the navel another one as
Klaus Schmidt discovered this navel has
been deliberately buried this allowed
for it to be precisely dated 11 600
years ago with a margin of error of
about 150 years
but why go to the effort of building
this site for it later to be buried
did it need to be preserved
we could think of it as a message left
for posterity
we've noticed the date 9600 BCE
corresponds to the abrupt end of a Time
called the younger driest
as the Earth was getting warmer and was
progressively coming out of the last ice
age the temperature brutally fell by
seven degrees this younger dry ass
episode has for a long time been
mysterious to geologists we know it
happened
but they've not known why it happened
about 1 300 years later the temperature
suddenly climbed up again by 10 degrees
there was a second episode of cataclysm
a second episode of global flooding
geologists call it melt water pulse 1B
according to several scientific studies
these two events might have been due to
the comet impacts hitting the Earth
twice 1 300 years apart creating
cataclysms our ancestors would have
witnessed every account that I'm aware
of that exists of a former human
civilization that was brought Low by a
cataclysm there are no exceptions if
large debris did hit our planet you can
understand how people might have assumed
they were being punished by a divine
power this impact hypothesis is nowadays
considered a serious possibility by
science
in the layer of the Earth corresponding
to the beginning of the younger driest
period we find massive quantities of
platinum associated with Nano diamonds
and carbon spherols minerals melted at a
temperature of 2000 degrees and vast
quantities of Ash the result of global
fires
this points to the confirmation of the
impact hypothesis
we can constrain it to the period
between
12800 and 11 600 years ago again as
stated by Graham Hancock we do have
records as Plato wrote Solon was told
that Atlantis sank nine thousand years
prior to his visit in Egypt in 600 BCE
or 11 600 years ago which coincides with
the end of the younger driest period
we must not take all legends literally
but we must not dismiss them all either
let's talk about the legendary city of
Kamari kandam of the Tamal people in
Southern India
this very evolved civilization may have
occupied a vast extension of land with
massive libraries and universities
however 11 600 years ago the date of the
end of the younger dryas Kamari Camden
disappeared totally during a cataclysm
sea level has risen 120 meters
more than 27 million square kilometers
of land which is roughly Europe and
China added together was above water
during the last ice age and is
underwater now I would suggest that the
civilization we're dealing with was a
maritime seafaring civilization that it
occupied the very best lands that were
available in the Ice Age world and those
very best lands actually as is the case
today were the coastal lands lands close
to the Sea those were the lands that
were flooded by rising sea levels at the
end of the Ice Age local fishermen had
been complaining for a long time about
underwater structures which their Nets
were getting caught on but nobody
believed them they told this to Graham
Hancock who decided to go and dive with
them we went out and dived at
mahabalapuram with the local fishermen
in 2002 and lo and behold everything
that they'd said was true there is an
underwater city there and what's more it
extends more than five kilometers from
the shore down to down to depths of more
than 30 meters but during the 2004
tsunami when the ocean withdrew the bay
was exposed for about 30 minutes and
many people saw the ruins since then the
site is being studied but they're not
investigating it in a satisfactory
manner they have they have they're still
working in the intertidal zone down to a
depth of five meters they should be out
five kilometers from Shore at 30 meters
looking at what's lying down there
because it has the potential to rewrite
history because we know from sea level
studies that that area has been
underwater for about 11 and a half
thousand years exactly as is given in
the Kumari kandam store story with time
stories are often embellished changed or
disappear altogether is this the reason
why Egyptian priests engraved the
history of Egypt onto Temple walls
as my friend John Anthony West puts it
the ancient Egyptians are telling us
very clearly that their civilization was
not a development it was a legacy it was
a legacy from the first time and the
first time I associate with the arrival
of the survivors of A Lost Civilization
in Egypt around 12 800 years ago and
that story as a matter of fact is told
in full detail in the edford building
text the priests of that time around 330
BC had inherited The Archives of the
earlier temples
amongst those archives written on animal
skins and falling into pieces was the
story of the time when the gods came to
Egypt after the destruction of their
former Homeland which was an island
they came to Egypt and they brought the
gifts of civilization and the priests
decided to copy those crumbling ruined
and ancient texts and make them
permanent on the walls of the edfu
temple this is the story that was told
to Solon when he went to Egypt alone it
was later relayed to Plato
for some it's only a story but it's
important not to forget how seriously
respected Solon was a member of the
seven Wiseman Council
because his work contradicts the
timeline of History nowadays Plato is
accused of inventing the story or being
senile
however a similar story was written on
the walls of edu Temple Kamari kandam or
the anticothera mechanism remind us to
remain prudent only one or two
generations are enough to wipe out the
memory of a whole population how many
other objects or texts could have been
lost in the same way
we knew that 13 000 years ago our planet
was subject to major climate shifts the
ice caps melted in the Northern
Territories a mass extinction occurred
the level of the oceans Rose by over a
hundred meters and the cold came back
and prevailed for 1 300 years however we
cannot explain the brutal cause of it
all we also know that our ancestors
lived through this event that led to
migrations of entire populations but we
thought they were still only
hunter-gatherers gebekli Tepe reveals
this was not the case from there it's
only a small step to imagine the level
of development of civilization is
greater than what we thought we should
not expect the remnants of that
Civilization to be the same as our own
they're going to be very different and
may even be unrecognizable
as we have built all over the planet
mined and drilled underground in many
places our civilization has left
remnants everywhere
but what if civilization evolved
differently
the Legends describe all ancient sites
having some divine origin we personally
can't imagine they were built literally
by the hand of a god unless that God was
small enough to walk through the hallway
of the Great Pyramid
another way to explain how ancient sites
share common features is the fact they
are Simply Connected by Homo sapiens
having settled everywhere on the planet
and just happened to find the same
solutions to the same problems but how
do you explain the fact that humankind
started with precisely constructed
massive stones to end up with small
blocks and cement
but another connection defies this
hypothesis both in time and history
in 1965 the French Francis mazier talked
about a connection between Easter Island
Peru and Egypt stating that all three
are located according to him on some
sort of magnetic equator of the Earth
in 1997 an American Jim Allison baptized
it the great circle
a global Circle that was not possible to
see until we had mapped the entire Earth
foreign
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let's go from Easter Island taking a 30
degree orientation and draw a line about
a hundred kilometers wide
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strip passes through NASA in Peru then
Machu Picchu Ollie and taitambo Saxe
woman Cusco and nopo Iglesia
thank you
it crosses the Atlantic to go over the
sacred Caves at tasili and Ajer in
Algeria
then through the Oasis of sewa
by the Giza Pyramids in Egypt
over Petra and Jordan
ER in Iraq
persepolis in Iran
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Mohenjo-daro in Pakistan
kajuraho in India
in Burma sokotai in Thailand
and priyavia in Cambodia all highly
likely to be connected a long time ago
and then over to the little known
islands of netium in New Caledonia
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foreign
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spread out in time over thousands of
years
we are rather looking at their locations
most of them being built and rebuilt
over the ruins of ancient temples
let's first look at the distance ratio
between some of these sites
let's look at the Earth from above the
red circle that surrounds it is our
great circle
the distance between Ankara and Nazca
equals the distance between Mohenjo-daro
and Rapa Nui
and kavat to Mohenjo-daro equals
Mohenjo-daro to Giza and also Nazca to
Rapa Nui
at this stage of the investigation no
one is surprised to see the golden ratio
showing up again
the distance between angkavat and Giza
times the golden ratio equals Giza to
Nazca and Giza to Nazca times the golden
ratio equals the distance between Nazca
and angkowat
using the metric system in the same way
we did with the Great Pyramid let's
measure the distance between Easter
Island and Giza
ten thousand times the Golden Ratio or a
quarter of the way around the earth
times the golden ratio
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this is where Jim Allison stops as like
many other researchers they measure
distance in miles and not in meters
up until 2012 Google Earth gave the
figure as 16
179 kilometers between both sites today
it's 16
168 kilometers the reason the method of
calculation has changed so depending on
the method used the result can change
but seriously even with the difference
of about 20 kilometers to find an island
position on this tilted equator is
nothing short of a miracle
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once we check the distance on site with
the maps application for smartphones and
taking the GPS coordinates of the Great
Pyramid in Giza as the starting point we
were able to validate a new discovery by
Jim Allison
the point indicating precisely the 16
180 kilometers is located at the center
of the triangle created by three
remarkable points of this island
the two highest Summits teravaka and
poike and the center of the crater at
ranokeo and this triangle is even more
unique it is the portion of a golden
Pentagon connected to the golden ratio
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it's quite obvious that the volcanoes
are natural
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explain the distance
to sites being anything but deliberate
the answer is clear
the Builders of Giza had to position the
site according to Easter Island which
they must have known about same as the
metric system
a private geologist who is not seeking
recognition shared with us his
surprising observations
[Music]
first he found that Easter Island was
located on a hot point of the Earth
hotpoints are geological phenomena that
stay fixed to a point while the crust is
moving
[Music]
then he realized that the alignment of
the site on this great circle are
located on what we call points of
discontinuity of the crust
which means simply said it's a point of
weakness in the case of an earthquake
this is where it would break
there are obviously other points of
discontinuity on the crust but the
important fact is that each site of this
great circle is located precisely over a
discontinuity point this geologist could
not explain why they would have built
temples at places where they were at
most at risk of collapsing when only a
few kilometers away it would have been
much more stable
when the discontinuity point is at Sea
then the site must be built as close as
possible to land which is the case for
Nazca where the ocean and the Andes did
not leave them much choice for its
location
why are these discontinuity points so
important
the placement of sites around the world
at specific longitude distances from one
another and those longitude distances
are all part of the ancient system of
numbers that we find in myths and
traditions all around the world and that
system of numbers are generated by the
precessional wobble of the Earth's axis
it's a number system based on the number
72 and there's an astonishing number of
ancient monuments around the world that
have precisely separated from one
another in terms of degrees of longitude
by that number system these sites are
located on the great circle cool but not
just any Circle
the North Pole of this great circle is
in Canada and in the northwest of
British Columbia this happens to be the
place where the magnetic pole oscillates
the poles shown on a compass are the
same ones that enable life on Earth
it also generates a magnetic field that
filters solar radiation enabling life
and allowing us to produce electricity
is this the reason Francis mazier spoke
of a magnetic equator referring to
ancient esoteric tradition
like any group of humans the world of
esoterrorism is not free from dangerous
ideologies but this isn't a reason to
discard all information especially when
it could resonate with modern science
Englishman William Gilbert in 1600
discovered the Earth's magnetic field
and maybe it now allows us to better
understand the building of these ancient
sites
Ian s Stewart from the University of
Plymouth wondered why the ancient Greeks
decided to build temples precisely on
spots subject to seismic activity
journalists jokerly wondered whether
Greeks worshiped some sort of earthquake
cult because of course everything has to
be religious but for Stewart reasons
could be both spiritual and perhaps
medical since he realized that these
sites have pristine water sources
we don't believe any of this has much to
do with some ritualistic cult at least
not in the way we think of them
after asking an expert in civil
engineering a polygonal structure stands
a better chance against Earthquakes than
our modern walls made of the same size
bricks
so on earthquake-prone sites the
Ancients built earthquake-proof
structures
exactly like the hill of the nymphs in
Athens
and on Easter Island the site of to
pitakura this egg-shaped stone is
magnetic a lot of stones are magnetic
you can check with a compass but how
would you know about this without a
compass
is it yet again another coincidence that
sacred stone is magnetic and set on a
discontinuity point of the Earth's crust
and on a hot point
it's the same thing at Giza where the
Great Pyramid is located over a
remarkable point of the Earth's crust
where they built the king's chamber with
granite that they had to get from
painstakingly far away
[Music]
of course you can keep thinking the only
reason for this structure's existence
was to be the biggest tomb in the world
you can keep thinking that if you want
but what can we learn from all of this
that these sites are built in the most
earthquake sensitive areas in regard to
the geological activity of our planet
that they belong to the great circle our
magnetic equator which might be related
to the magnetic activity of our planet
that we carefully Place specific stones
in particular locations on Earth
the separation in degrees of longitude
between Giza and Angkor is 72 which is
yet another way we can talk about the
proportions between these sites on the
great circle that after discovering the
golden ratio and the metric system we
can go into degrees unless this is yet
another fluke we run into whole numbers
when measuring degrees between Giza and
Angkor that
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thank you
foreign
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foreign
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nothing in common at first glance right
but are you sure you saw everything take
this for example we're not looking at a
random positioning of the blocks this is
clear in regard to this vertical seal
the one opposite to it almost mirrors it
you have to admit that's rather
surprising the polygonal shape of stones
[Music]
the shape of the paving stones
a specific system to Anchor these stones
symmetrical similarities
foreign
but it is surprised
the stones are not particularly large
and their work closely resembles
European Cathedrals if Uncle wat to prom
and Bion really date back to the Middle
Ages they do seem to be inspired by the
same Styles found in Egypt Peru and
Easter Island the question is more about
their location as these temples were
built on the ruins of ancient complexes
and spread out almost 250 square
kilometers even the name Encore has a
meaning in the ancient Egyptian language
and core means life to the Horus uh
archaeologists say it's all a
coincidence but I wonder if something
deeper is going on some deeper game they
all share this common DNA this common
Legacy that goes right back to the
beginning Graham Hancock and John Grisby
demonstrated 1998 that the whole of the
site was also positioned according to
the stars on the constellation of the
Dragon this is another common factor
with all the archaeological sites of our
past to reflect a specific position of
the skies at a given time
Gobekli tapi encodes the winter solstice
12 800 years ago Giza encodes The
Equinox 12 800 years ago the three
pyramids on the ground the Great Sphinx
the constellation of Leo the
constellation of Orion the Milky Way
they're all part of the picture Mr
Laveau and Verma were also interested in
the connection between the site of Giza
and the Orion constellation same as
Robert Beval the Orion constellation is
Seven Stars Warframe stars and the three
stars on the Belt that's the three stars
we find in the shape of the pyramids we
need to include series The Star
dedicated to Isis Orion to Osiris and
Sirius to Isis that allows us to make
the connection with Egyptian mythology
these stars have particular movements
over time
from the earth we have a lower point for
Orion meaning that at a certain time
Ryan will be at the lowest point in the
sky and 13 000 years later it will be
much higher for the next 13 000 years it
will move downwards what is really
fabulous is that in 10 500 BCE at the
moment where Orion was at its lowest we
had a perfect right angle for no more
than 20 minutes we would have seen Orion
and Sirius even though serious that's
what we call proper motion being that it
shifts away from Orion during the cycle
of procession
10 500 BCE or twelve thousand five
hundred years ago a Time aligning very
closely with the beginning of the
younger driest period Graham Hancock
mentioned an astronomical cycle of the
earth called procession of the equinoxes
what is the reason why we often refer to
equinoxes and constellations
as explained by Matthew Laveau regarding
Giza these constellations once
transferred to the ground would work as
time stamps but what is it the
procession of the equinoxes
from the earth stars are not fixed in
time the sky looks like it's moving by a
whole degree every 72 years and you will
need almost 26 000 years for a whole
cycle
one turn of the celestial wheel it's
called a zodiac
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we connect the stars together to create
shapes which then allows us to easily
identify these periods in the sky
this is a gigantic astronomical clock
that never goes wrong
Plato wrote the tour of the zodiac lost
precisely 25
920 years modern science establishes it
at 25
760 years The Plato managed to get such
a close estimate 2 500 years ago it's an
enigma that does not seem to interest
anyone
let's give him credit and use 25 920
years which represents a big year
divided into 12 months or eras each
lasting about 2160 years when talking
about the modern era it's probably in
relation to the era of Pisces which
started about 2 000 years ago
each of the processional eras is
carefully represented at the ancient
sites
there's no doubt the Ancients paid
attention to this during the age of
Taurus the Bull was the primary icon in
ancient Egypt and in ancient Mesopotamia
as we shift into the age of Aries
suddenly Rams become the primary icon
just look at that column of ram-headed
sphinxes at Karnak for example as we
shift again into the age of Pisces
Suddenly It's the fish no the early
Christians used the fish as their symbol
so ancient cultures were aware of this
and these broad changes in the heavens
do seem to be accompanied by broad
changes on Earth
according to ancient myths and beliefs
of various people Earth fits into four
Cycles the most famous being that of the
Mayan Sons or that of the four ages of
the earth and as per the doctrine of
hermeticism the science of Hermes which
despite bearing the name of a Greek god
actually dates back to ancient Egypt so
it's a question of Cycles or periods of
time
throughout history the End of Time Has
often been mentioned but more in
reference to the end of a Time the end
of a processional era was this what the
French writer Andre malaru was referring
to when saying the 21st century shall be
spiritual or won't be at all
but what is the importance of the
procession of the equinoxes we don't
know but for them it was important they
were convinced that the planets the gods
often representing these planets had an
influence on the destiny of humankind
the idea of the planet gods is evident
in ancient Greece
where the antikythera mechanism could
have a new purpose
but if Aries and Taurus are correctly
marking the corresponding astronomical
eras what is to be said about the Sphinx
and Giza connected to the lion the
previous era of the lion started about
13 000 years ago just before the
beginning of the younger dryers period
we were wondering about the meaning of
all this then the results came back from
barabar
we decided to go back this time with a
3D scanner
a sound level meter for acoustic studies
and a laser level to measure the caves
precisely
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the images that you are about to see are
the result of the 3D scans done by our
laser with a rotating beam over all the
surfaces
they are the equivalent of an MRI scan
the lasers determine millions of points
allowing us to display the exact shapes
recorded with a Precision close to the
millimeter
we collected tri-dimensional images
which we will show you in the Raw format
no touch-ups
let's start with the two unfinished
caves
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foreign
caves we can see The Logical evolution
of the shapes
the first one is a trapeze-shaped cave
with a curved ceiling with an entryway
at the end
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the second one is trapeze shaped with a
curved ceiling and an entryway at the
side
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the third one is entirely curved the
entryway at the end and the back wall is
also curved
the fourth one is trapeze shaped with a
curved ceiling entryway at the side and
curved at each of its extremities
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the fifth one is more complex
trapeze shaped with a curved ceiling a
conical Dome cut at one end
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this was accomplished in Granite at
least 2 300 years ago in India
these caves are the oldest of their kind
and for some unknown reason all those
built in the centuries that followed
never managed to get the same level of
precision and finish
using a material harder than reinforced
steel complex shapes were built with a
degree of precision ranging from two to
eight millimeters over a length
exceeding 13 meters this is more than
good enough for the eye kind of work
these caves are almost vertically
symmetrical a real accomplishment
considering the tools at the time
foreign
let's put to one side the questions
about the tools that constructed the
caves and let's discuss about the
geometry of the shapes
vapiaka Karen Chopper gopika and the
sudama room all contain trapezoidal
sections the vertical walls are in fact
tilted with a constant angle of less
than three degrees
in the rooms with trapezoidal sections
the ceilings are shaped into roughly
half cylinders whose Central axis height
varies from one cave to the other in
vapiaka the axis is located
approximately 13 centimeters above the
floor in Caron Chopper it's
approximately 1 meter 20 above the floor
in sudama the axis is located
approximately 1 meter 13 above the floor
but in gopika it is more complicated
since the axis is located approximately
47 centimeters under the floor building
an arc whose access is located under the
floor greatly complicates The Taking of
measurements during its construction a
requirement to verify correct curvature
meaning you wouldn't choose to make a
ceiling like this unless someone
specifically asked you to
and everything has been made with a
glass finish
the builders wouldn't aim for such
Precision without a reason it must have
been a necessary part of the
architectural specifications
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studying them we can deduce the
incredible skills needed for their
construction which would have required
at least one engineer and several highly
skilled laborers
with respect to the Ashoka Builders the
finished results here appear to be too
advanced when compared to the knowledge
and the technical means available during
the period
okay but why construct such peculiar
rooms
something surprising about the caves is
the sound and the way it reverberates
due to the slight inclination of the
walls
it leads to a suppression of echo in
favor of acoustic residents this can't
be a coincidence
but if so where did they learn to do it
where is the evidence of the process
once again like with the antecaithera
mechanism it's necessary to experiment
to conceive prototypes caves of such
Precision are not created without first
becoming an expert yet no prototype is
found anywhere other than these two
incomplete caves
and the work performed in the following
centuries in India would never equal or
even come close to the level of work
here
these spaces behave like resonance
Chambers tests conducted in the sudama
cave show that when you stand in the
center of the Dome certain frequencies
make precise body parts vibrate
data analysis using a sonometer gives
incredible results for three of the
caves measurements in the last two are
not sufficient at the moment and will
need further completion let us start
with Karen chopar the cave resonates at
a frequency of 200 Hertz as well as at
multiples of this frequency 400 Hertz
800 Hertz a thousand Hertz and 1 200
Hertz kobika resonates at 200 Hertz 400
Hertz 800 Hertz and 1200 Hertz and
vadatika resonates at 200 and 1000 turns
do you realize what this means
those who conceived and built these
caves made them with specific shapes and
dimensions to resonate at different
frequencies
can we call this a coincidence precise
sound calculations 2 300 years ago how
did they calculate those dimensions
at this point we have no idea but we
will continue to investigate
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in regards to sudama the circular
diameter on the ground of the chamber
measures six meters to the millimeter on
this complex shape of a dome they placed
half a sphere about three meters in
radius with a five centimeter difference
this time the center is at one meter
above the ground give or take one
centimeter the length of the room is 6
meters as is the diameter of the ceiling
we can't say for sure but it's starting
to look like they use the meter six
meters in diameter means
18.8496 meters in Perimeter divided by 6
The Arc equals Pi in meters
what if I told you these Granite caves
are also located over a discontinuity
point of the Earth's crust
it's up to each of you to conclude what
you want when looking at these
masterpieces
with the help of chisels and Goodwill
Builders might have accomplished this
random Miracle or maybe we're looking at
an example of a science totally unknown
to us
We Believe historians are mistaken about
the true function of these ancient sites
if you spent so much energy maneuvering
such massive stones and fitting them so
precisely if you position them at
intersections on the magnetic equator on
discontinuity points if you build them
with such specific rocks utilizing such
special numbers if you meticulously
align these structures with the Stars
then there's obviously more to it
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we still have a lot to learn from
barabar and Giza
before placing the last unnecessary
piece of this puzzle we will recap what
we found
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enigmatic sites built with similar
techniques everywhere on the planet
implying a transmission of knowledge
absence of archives or explanations
about the means and techniques utilized
a particular care in the choice of rocks
unfinished elements
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an advanced design accompanied by
precise construction contradicting the
knowledge and means supposedly used at
the time
astronomical orientation of major sites
in reference to the cycle of procession
of the equinoxes an archaeological site
pushing back the timeline of human
civilization
an archaeological site implying the use
of sound frequencies for reasons still
unknown
presence of the golden ratio in Geometry
when it was not supposed to have been
known
a connection between the qubit of the
Great Pyramid the Royal queen and the
meter implying they knew the dimensions
of the earth before its measurement in
1795.
the positioning of ancient sites within
the great circle connected to the golden
ratio the degrees and the metric system
the location of sites at the
intersection of points of discontinuity
of the Earth's cross and the Magnetic
equator scriptures myths sacred texts
recording one or more advanced
civilizations Vanishing in a cataclysm
looking at all these facts we've
presented instead of chance we choose a
more rational explanation the existence
of an advanced civilization in the
Forgotten past who would have
disappeared following the cataclysms of
the younger dryas we have wondered how
the survivors might have attempted to
pass on their knowledge not knowing
whether it could be understood by other
civilizations after it when looking at
this beautiful work the thought suddenly
struck us it's either evidence of Genius
Builders or this is all in our
imagination
in the apocalypse according to Saint
John the prophetic text ending the New
Testament he mentioned to the end of a
particular era
you can read this rather enigmatic
sentence
the first Beast was like a lion and the
second beast like a calf and the third
Beast had the face of a man and the
fourth Beast was like a flying eagle
on the card of the Marse tarot the
Arcane 21 called the world you can find
three animals as well as the man
represented by an Angel we are told
about the astronomical constellations
Taurus Leo Scorpio that used to be an
eagle an aquarius formerly an angel
older Baron regulus antarus and formula
printed on a double square on the tarot
card
a double square opening to the golden
ratio geometry
contrary to popular belief Apocalypse in
Greek does not mean the end of the world
but disclosure of knowledge
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a religious scripture a card game
structures multiple communication
mediums conveying the same invisible
knowledge to those who don't know how to
read it but will keep playing it and
telling stories as humans have always
done
in the animal kingdom playing is the
most natural way for babies to learn
this is something we have in common but
humans have one step better storytelling
the process in which we encode
information for the Next Generation to
learn playing games and telling stories
could have been the best way to
discreetly transfer knowledge throughout
the ages because humans have the
disturbing Habit to always rewrite the
past
but they will always let people play and
tell Tales
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even through the church with its
tetramorph supposedly representing the
four gospels Matthew Mark Luke and John
were used without realizing this
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otherwise why would they invert The Lion
and the Taurus
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it may have been before our eyes
everywhere all this time
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different ways to encode information for
thousands of years almost impossible to
understand before reaching a certain
level of Enlightenment it's an
extraordinary active genius created by
these builders
and what an amazing lesson of humility
and self-sacrifice from our ancestors
who discreetly transmitted this
information throughout all time hoping
one day we might be able to fully
understand it again
given what we can see when we look at
these complex structures it appears that
we are still very far away from reaching
their level of knowledge
this makes it impossible to understand
for those who look without seeing
with the caves at barabar the science of
frequencies comes into play the moment
you step inside
the king's chamber in the great pyramid
at Giza also made of granite is possibly
a concentration of all our ancestors
knowledge
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the chamber protected by such an
inefficient security system that
considering their high level of
technical Mastery we can only interpret
as symbolic A system that would lead you
to expect a precious treasure but
there's nothing more than an empty
Granite box too big to pass through the
door and the hallways why
the ritualistic or religious explanation
that prevents further investigation
after all that we've seen its
significance is self-evident
this chamber contains the ultimate
treasure the Treasure of knowledge
it's a Sublime mathematical Symphony a
true Music of the Spheres written in the
universal language of numbers
considering we only spent a short time
in the chamber we recognize sound seems
to play an important role the Spectral
Audio analysis performed by using voice
recording data show us the use of set
frequencies similar to that found in the
first three caves of borobar is it
possible this structure is tuned to use
an ancient musical range based on 432
Hertz but all this requires further
analysis with more sophisticated
material
if what we suspect is proven the
repercussions are mind-blowing
the technical accomplishments all around
our planet in specific locations that
can only be found with the help of
scientific knowledge all these Clues
left everywhere around us in our opinion
they carry the Fingerprints of these
builders
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these Builders who seem to be lost in
the memory of mankind but we've
inherited Clues left in stone
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these Clues we also find in scriptures
to the readers of the Quran we wish to
dedicate this sentence they were more
numerous than them and mightier in
strength and in the traces in the land
yet all they used to earn availed them
not
and to those reading the Bible this one
I tell you if these were silent the very
Stones would cry out for the site at
Gobekli Tepe it doesn't cry out it
screams and it's not the only one
if we exclude from the investigation the
problematic elements then you'll not
find what you're looking for it's the
same thing when an archaeologist who
does not believe in the existence of
sophisticated mechanical tools of the
past does not see the point in measuring
a surface with a roughness measuring
device or to scan it in 3D if they are
already convinced that it is a byproduct
of basic tools then why bother checking
this goes against the true scientific
approach which since Descartes needs to
wipe the Slate clean of assumptions and
prejudices
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at the end of the 18th century a
scientist as brilliant as Lavoisier was
smiling at the fact that Stones might be
able to fall from the sky a few decades
before the existence of meteorites were
proven so we should be careful because
the science today will probably seem
medieval in 500 years time it's obvious
we have the best knowledge in the world
they were already saying that at the
time
who can tell if we are right or wrong no
simply our knowledge is expanding and
our technology progresses based on our
know-how
and our logic our brains continue to
evolve with all of it in 20 years time
what we say today might be totally
outdated
and thanks to all this science is
progressing now
Spanish civilization do you believe in
them or not they're not really matter in
any case the facts remain so today maybe
it is a heresy to look for information
where science does not dare to venture
or simply does not want to this is where
the problem lies
the hypothesis of A Lost Civilization is
provocative most of the time it's
ridiculed and those who defend the
theory as serious as they might be are
ignored which prevents them from
discussing their arguments as
intelligent as you might be no one is
exempt from their own emotions otherwise
how would you explain why this subject
bothers you so much for this reason we
wanted to pay respect to all these
researchers who are fighting silently
away from the media's chaos and the
mockeries of their colleagues because in
the end only the facts count what we're
trying to say is that we will most
likely need to change our way of
thinking if we want to understand the
science of the Builders of the ancient
world
I know it's not easy to reconsider the
founding principles of our society on
which we have built our current vision
of the world yet all these Kings
Emperors dictators political leaders and
religious heads throughout our history
have each time arranged the stories or
raised the record of the losers and
surely wiped out and rewrote our history
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structures from the past are speaking to
us if we try to listen to them the city
of Corral shows us it's possible to live
a long period of time without any
conflict in ancient Egypt also since it
didn't start any wars
the Inca Empire again who showed us that
if you don't unify the people sooner or
later conflict will ensue
our Earth is perhaps
perhaps our magnetic pole has sped up in
the past 30 years and you would need to
be blind not to see that our climate is
disrupted the ground is rumbling more
often and louder than ever we still have
so much to discover it's now up to you
to go and see these sites
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foreign
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thank you
foreign
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