All language subtitles for Scarecrow and Mrs. King S01E18 Filming Raul.DVDRip.NonHI.en.WB.EN

- Good morning, Scotty. Heh.
- Hi, Mrs. King.

Ticket please?

Uh, it's 2.50.

Just give me a second.
I'll get your change.

Oh, my God!

Oh, my gosh, would you look
what you've done to my car?

You've broken the
light, you've smashed it.

It doesn't look that bad.

- It's falling apart.
- I'm in a hurry.

I can tell you're in a
hurry by the way you drive.

I don't have time to argue.

I don't wanna argue,
I wanna point out...

what you have done to my car.

- There's Raul.
- Mm-hm.

- I have a perfect driving record...
- Tell me what it costs.

How am I supposed to know...?

Tell me how much it
costs, I'll pay you now.

I don't know what it's gonna cost.
- I'm kind of in a hurry.

How am I to know that? I
need your insurance number.

Sir? Sir, please don't do this to
me. I need your insurance number.

Please don't do this to me.

I need your license. I
need something. I... Oh!

There's a kid back there
with a bloody camera.

Are you all right?

Oh, I'm all right, Scotty, but
look what that man did to my car.

He hit it twice. I didn't get his
name or his license number.

Don't know what I'm gonna
tell my insurance company.

You don't have to tell them a
thing. I got it all right here on film.

Not the first hit,
but the second one.

While that man was hitting
my car you were filming it?

I would've stopped
him if I could've.

But it happened so fast.

I figured the least I could do
is preserve the moment on film.

You see, I'm a filmmaker.

I mean, uh, I do work here at the lot,
but that's just so I can eat and stuff.

It's not my life.
This is my life.

Are you telling me
that on this film...

you've got the license number
of the car that hit my car?

Are you kidding? He
was moving pretty good.

- I kept him in focus the whole time.
- Aw, that's wonderful.

I'll shoot the rest of this
cassette. I'll have it developed.

- It's all the evidence...
- I'm gonna need that cassette now.

I'll need to give it to
my insurance man...

There's all this action on this cassette.
I'd hate to have anything happen to it.

It's gonna look great with
the other stuff I have on you.

- Other stuff you have on me?
- Uh-huh.

I guess it's all
right to tell you now.

Uh, it's 95 percent in the can.

It's a documentary I've
been shooting. You're in it.

And so is Mr. Stetson.

And Mr. Melrose, and
Francine, and Fred Fielder...

and, gosh, don't get me started.

I love the cinema so much, I
could talk you right into the ground.

Well, I'd like to hear about it, Scotty,
in fact, I think I probably should.

- Ha.
- Okay.

- Good morning, Mrs. Marston.
- Good morning.

Mrs. King.

I'm sorry, Mrs. Marston, I'm
afraid I've forgotten it again.

I'm a little rattled. Someone hit my car
twice in the parking lot and drove away.

You know how a thing like that
can make your mind a total blank.

Uh, Mr. Stetson gave me the new
password yesterday, so you could call him.

- That is not procedure, Mrs. King.
- No, it isn't. Uh...

Oh! Ha. Well, you know, I
think I have it written down.

I know that isn't procedure,
so please don't tell anyone.

I put it in a place that no one would
find it if I were to lose my wallet.

But I would be sure to be
able to find it if I needed it.

But if my wallet should fall into
the wrong hands, it wouldn't...

Ha, you see, it's right there
on the back of my checkbook.

Backlash.

You know, the way you keep
changing this password so often...

I bet this happens all the time.

- Here you are, Mrs. King.
- Or not.

Thank you, Mrs. Marston.

Francine. I was just up to
Crypto for a few minutes.

- Did Raul check in while I was gone?
- No, sorry, Lee.

Ah. I don't understand
what could be keep...

Never mind.

Oh, Billy. Look, Raul is late.

Late? Caught-in-traffic
late or time-to-worry late?

He was due in from Rio station
this morning. With the Malvrin report.

That's pretty hot stuff.

Couriers are accustomed to carrying
hot stuff. It's all part of the job.

I know, but I'm feeling kind
of strange about this one.

A lot of people would like to
get their hands on that material.

Scarecrow, do yourself a favor.
If you're gonna get people jobs...

don't feel responsible for them.

- Hello, Amanda. FRANCINE:
Raul's doing just great.

He's making good money,
he's got a chance to travel.

- Something I can do for you?
- Uh, yes, my expense vouchers.

But the most unbelievable
thing just happened to me.

- I pulled into the parking lot...
- Amanda, Amanda, please.

- Could this wait? We're very busy here.
- No.

You see, a man hit my car, not once,
but twice, and then he drove away.

I didn't get his name or his license
number or his insurance company...

I really hate what he did to my car,
but it was probably a very good thing.

Is that supposed to make sense?

Yes, you see, if it hadn't
been for the accident...

I wouldn't have known
about the documentary.

If I didn't know, then you
wouldn't know about it.

The minute that I found out, I knew
that you would want to know about it...

because he's been doing it for weeks
and he said it's 95 percent in the can...

and you don't know about it.

She's just been
in a car accident.

I'm sorry, sir.

If you'll give me
just a moment, I'll...

I'll collect my thoughts.

Why don't we all meet back here,
say, a week from next Tuesday?

Francine.

I think the first thing we
should do is develop the film.

- I mean, uh, the movies.
- Movies?

Yes, the ones Scotty
took of the accident.

- Scotty?
- Wha...?

- Our Scotty, from the parking lot?
- Yes, sir.

He has been filming
people coming and going.

Okay, ho, ho.

Are you saying that Scotty
in the lot where we park...

has been taking movies of
everyone who enters and leaves?

- Yes.
- We don't know about it?

That's right. He's
doing a documentary.

The point is to
catch you off-guard.

Now, the minute I heard about
it, I knew you would want to know.

Now, I got this
cassette from him.

The only thing I need from it is
the license number of the car...

that hit my car,
if you don't mind.

- How long has he been doing this?
- Oh, for weeks, for weeks.

And, uh, he spent
a fortune on film.

I did tell him that I would give
him another cassette for that one.

I'm gonna get this developed.

Yes, sir, I hope it comes out.

You know, I have such terrible,
terrible luck with my home movies.

Well, at least it took your
mind off Raul for a minute, huh?

- Who's Raul?
- The question is, where's Raul?

Hold it.

All right, give me
the documents.

Pass them over.

- It's okay.
- Let's go.

- Be careful.
- Come on.

Be careful, man. Be careful.

It's okay, it's okay.

I know the feeling.

I never knew that
coat made me look so...

Big.

Oh, it doesn't.

Oh, boy.

Well, I didn't have a chance to, I
mean, I was late for a staff meeting.

Oh, wait, that's Raul.

- You know him?
- Yeah, he's an agency courier.

He's the man I've
been waiting for.

Oh, there's a face
you'll never forget.

Let's circulate
it for an ID, huh?

I'll get blow-ups
on both of them.

- Francine, you run a make on the plate.
- Good, I couldn't see the numbers.

Since Raul works
with the agency...

it should be easier to get
the station wagon fixed.

Stop worrying about that car.

It's the only way I
have to get around.

I know it. Look, I wanna
talk to Scotty about this film.

He's been shooting these for
weeks. Why didn't you tell me?

I told you as soon I found out.
He was very discreet about it.

- He wanted it to be revealing.
- It's revealing.

It's too damn
revealing. Let's go.

We've got the Malvrin
report, we've got Raul.

I say kill him and
get on with business.

We need that film. We can't
terminate Raul until we get it.

Let me handle it.

What if the kid recognizes us?

- Then we'll handle it a different way.
- Yeah.

Excuse us.

- Hi. May I help you?
- Uh, insurance inspectors.

We're following
up on the accident.

- Mrs. King's?
- Yes, Mrs. King's.

Boy, you guys work really
fast. It's right over here.

I saw the whole thing, you
know, if you, uh, need a witness.

She was parked here and
this guy came in and hit her.

Look at this damage.

Check the glove compartment.

Why check the glove compartment?

The damage is back here.

Wanna make sure
everything is in order.

Everything is in order.

No one's been near the
car since Mrs. King left it.

- Why do you need the registration?
- Standard procedure.

You want Mrs. King to have
everything she's got coming to her?

Yeah, sure. Uh, Mrs.
King is a real nice lady.

Yes, she's very nice.

She said you have
a film of the accident.

She wants you to give
it to us for evidence.

If you are who you say you are
and you've spoken with Mrs. King...

you'd know that I've
given her the film.

You're the two guys who
chased that other guy.

What do you think?

This Mrs. King has to come back
for the car, so we'll just wait for her.

You're upset, but you'll feel
better once you've talked to Scotty.

I will feel better when I have
every bit of film he has taken.

It wasn't as if he was gonna
open it up with a big premiere.

He was only making
the documentary for you.

- For me?
- Yes.

He believes International
Film Fed is a real company.

It's just our cover, Amanda.

Twice a year, we grind out
a couple of documentaries...

on the romance of
earthworms, and that's it.

I know, but people are supposed
to believe that the cover is real.

Aren't they? Scotty believes
that IFF is a real film company.

He wants to talk
to you about a job.

- Great.
- Well, come on...

you do make a couple of movies.
You made the one about tractors.

Then the one
about crop rotation...

- Amanda.
- That was interesting.

I know, but that is just
to protect our cover.

Now, look...

we have got couriers,
technicians, double agents...

people who are known within
the intelligence community.

If they can be connected
with IFF, our cover is blown.

A lot of people are in
jeopardy. Don't you see that?

Of course I see that, why do
you think I gave you the cassette?

Look, you'll talk to Scotty, he'll
understand, everything will be all right.

You'll know what to
say. He's a very nice boy.

He takes very nice
movies and he's talented.

You saw his movies, they're
clear, sharp and in focus.

That might seem basic to you.

If you'd taken as many
out-of-focus pictures as I have...

Who the hell is she with?

Eh, I don't know.

I'll say.

- Scotty wouldn't just leave.
- Yeah?

Where is he?

- Huh?
- I don't know.

She's gonna find the kid.

So she finds him.

I say we make our move now.

We're not looking for trouble,
Levik, we're looking for a film.

If she has it now,
she'll have it later.

What the heck is it?

- Somebody's in there.
- Yeah.

Hold on, we'll get you out.

Here, this one should do it.

- There.
- There you go.

Scotty. Oh, my gosh,
what have they done to you?

Come on. You're all right.

Oh. Oh!

Two guys. After my film. Ugh...

They... They, uh, came
on like insurance adjustors.

I pegged them for
phonies from the start.

What an experience. I
wish I had gotten it on film.

Look what they did
to your poor cheek.

It's nothing, it's nothing.

Can you describe them?

Sure, right down to
their wing-tipped Oxfords.

I've got an eye for details.

- I'm like a camera.
- Yeah, yeah.

It's the same guys who chased
the guy who hit Mrs. King.

Oh, I gotta go move some cars.

Bu... Uh... Uh.

The same guys who
chased your friend Raul.

Now, why do you
suppose they came back?

After the film, obviously.

Scotty has got the two of
them in living black-and-white.

- That just might save his life.
- Whose life?

We're talking about Raul.
Raul's life, remember?

- I don't understand.
- They must have caught Raul.

- If they hadn't, he would have phoned in.
- Right.

I hope they don't try to dispose
of him before they get that film.

I mean, that Super 8 is
like a signed confession.

- And you have the film.
- They don't know that.

Do you think Scotty
told them that I have it?

We'd better find out.

Ah, what a day.

First the accident, and then
those two goons after my film.

I guess I shouldn't complain.

It's the first time anyone's been
interested in anything I've shot.

Yeah, well, uh, about
those two goons...

I knew they were phonies...

when they took Mrs. King's
registration from her wagon.

They took my registration?

- They took my registration.
- I know.

Why would they
want my film? I mean...

I feel like I'm a character
in a Truffaut movie.

Except that they never asked
that question in a Truffaut film.

In Bergman's, that's
all they ever do.

Why do we live,
why do we die, why...

Why did they take
my registration?

Mr. Stetson, I think I
know what you do at IFF.

- You do?
- You're a director, aren't you?

Ah. Well, it shows.

Well, uh, Buñuel told me
that after so many years...

a man should expect to
look like what he is. Heh.

Louis Buñuel?

The Andalusian Dog?

Well, I prefer Tristana.

- It was his preference too.
- I should call home.

You know, Louis knew so much
about the tricks of the medium.

But I've always declined
awards of any kind. Heh.

But then he told me one day:

"Awards are for the
people who give them."

You know, he's right?

I mean, you accept the award and
after a few moments, it's barely a memory.

- Wow. LEE: Yeah,
well, enough about me.

I understand you're working on a
film of your own. Tell me about it.

They have my registration.

It's called Parkers. It's a
study in the character quirks...

the personality quirks of
people parking their cars.

It's non-intrusive.

It's rough enough to
have that now-doc look.

- Mm.
- I started with Mrs. Marston.

She's the precise parker.

She's always in the center of her
space, the doors locked, she never varies.

I've got some great
footage of you, Mr. Stetson.

You do some things with your
car I bet you'd never notice.

Ah, yeah.

Well, I can't wait to see it.

Um... Waiter.

Just give me some
coffee, please.

I'll be back in a
moment, all right?

He's gonna look at my film.

Would you like to
order something?

- Something little.
- Yeah.

- Melrose here.
- Yeah, Billy. This is Scarecrow.

Everybody in place?

Since when do you
double-check on me?

Billy, those two guys
got Amanda's registration.

The house is surrounded,
okay? Nobody's going to get hurt.

- Yeah. What about Raul?
- Nothing on him yet.

But we did get
something off that film.

- License plate?
- Yeah. Rented car.

They used a phony ID.

- Great.
- It's not so great, but it's not so bad.

We have an APB out on it.

You get any make on those
two guys that were in the car?

Positive on one of them.

Jan Levik, information broker.

How he knew about the
Malvrin report, I'll never know.

But it'll hit the open
market if we don't stop him.

Okay, Billy, thanks.
I'll get back to you.

- Right.
- All right. Bye.

- We've got to make a move.
- What move? She's never alone.

Then we take the
best shot we can.

I'm really too nervous to eat.

You've been through
a terrible experience...

and I think it would probably
be better if we all just went home.

It's not that.

It's being here with a
director like Mr. Stetson.

Ha.

Uh, I've gotta go wash up.

Excuse me.

- I'll get the kid, you get the car.
- Right.

Look, Lee, I know that film
is very important to you...

and you are playing
a wonderful director.

But Philip and Jamie
and my mother are home...

and those men have my
registration with my address on it.

- I have...
- Amanda.

Your home is surrounded.

- My home is surrounded?
- Mm-hm.

Who is surrounding it?

The good guys, that's
the first phone call I made.

- It was?
- Yes.

So relax, huh? Billy's got
an APB out on the car...

and you didn't want
this salad, did you?

- No, I don't want the salad.
- Ha, ha, I didn't think so.

Ah, ahem.

- I feel better now.
- Good.

You're safe right here,
stay right where you are.

Oh. Oh!

Oh, Lee. Lee.

Hit it, Amanda,
they're getting away.

Ho, whoa! What are you doing?

- Shifting gears.
- Stripping the gears.

- Oh.
- Oh, just forget it, just forget it.

- You lost them.
- I'm sorry.

- I don't know how to drive a stick shift.
- No kidding.

I told you to stay
where you were.

You left your car keys. Did you
expect to be able to catch them on foot?

No.

Oh, I love it.

We've got an APB out and these
guys are driving like they're invisible.

And now they've got Scotty.

- Scotty? Why have they got Scotty?
- To get to you.

They figure you have the film
and Scotty's a bargaining chip.

Ugh.

Now, not only do we have to
worry about keeping Raul alive...

we've gotta worry
about Scotty too.

Oh, my gosh.

Have you ever read one of these
policies? It is a whole new experience.

You would think that an uninsured
driver is a driver that is uninsured...

but, heh, not when
you're talking insurance.

I mean, there's three
pages of explanation in here.

Amanda?

- What are you looking for?
- Oh, I... I was...

Nothing, Mother, I
was listening to you.

Honey, don't let this
accident upset you.

- It wasn't your fault.
- Right.

It's more than
the car, isn't it?

Think there's
somebody out there?

Oh, no, Mother, come on,
there's nobody out there.

There's something very
unsettling about this evening.

Mother, everything is just fine.

I'm gonna check the
kitchen and the back door...

and you lock the
upstairs windows.

You really feel the
way I feel, don't you?

No, I don't.

Mother, nothing is the matter.
It's just time to lock up for the night.

- I'm not nervous, nothing.
- Okay. If that's how you feel.

- Psst, Amanda?
- Ah, I knew you would be here.

- Yeah, what?
- Now, look.

I don't see anybody outside,
but the house is surrounded, right?

If you see them, then the
whole thing doesn't work.

- Right, sure. Our phone line is tapped?
- Yes, yes, it is all done.

- When they call...
- You're sure they'll call?

- I am sure.
- Right. Yes.

- When they call you...
- I'm to say yes to anything that they ask.

- Right.
- Right.

Admit you have the film,
because that's the only thing...

that is keeping
Scotty and Raul alive.

- Right?
- Right.

What's the matter?

- Are you cold?
- No, I'm a little scared.

I guess I shouldn't admit that.

Hey, come on.

I'm scared too.

That isn't very reassuring.

Well, what I mean is, I feel
responsible for Scotty and Raul.

I wouldn't want anything
to happen to them.

- Or to you too. I mean...
- Yeah.

Hey, come on, Amanda, look.

You're going to be all right.

- You're protected by the best...
- I don't want the best, I want you.

I'm sorry. That didn't come
out the way that I meant it.

- Thanks a lot.
- It didn't sound right...

Well, I just...

- No, never mind, never mind.
- I'm sorry.

- Okay.
- Yeah.

- You'll stay right here.
- I will stay right here.

- Don't go anywhere.
- No.

- You're right here.
- I'm right here.

- Okay.
- Right.

- Yeah.
- Okay.

Ah-ah-ah.

- I'm staying right here.
- Right.

I'll get it.

Hello?

Mrs. King, this is Scotty.

These guys are serious.
You'd better do what they say.

- Did you get that?
- Uh, yes.

I want you to get in your car
and drive to 14th and Delaware.

There's a lumberyard.

Just drop the film out of your
car window and drive home.

The kid'll be on his
way as soon as we get it.

- Come alone. You understand?
- Yes, I... I have that.

We're gonna need
a new set of wheels.

Get there before the drop, maybe
set up something for a getaway.

Eh, you worry too much. We
just have a housewife to deal with.

We've got a lot of insurance.

Hi.

I didn't see you here
before. I'm Scotty.

Raul.

- You been here long, Raul?
- No.

- So, what do you do?
- I'm a hostage.

Me too.

- What's that smell?
- I think it's mushrooms.

I love mushrooms.

- You like mushrooms, Raul?
- Not anymore.

Hey, listen, we're gonna
get out of here soon.

They're making
a trade right now.

You're making a mistake, Amanda.

A man does not respect a
woman that he can call on a whim.

It isn't what you think, Mother.

You are seeing a
man, aren't you?

These burning passions, midnight
assignations, they don't work.

Mother, it's only 8:30.

I cannot manage
your life for you.

I mean, maybe you're
entitled to a meaningless affair.

Something passionate
and fiery, with no future.

Maybe I am.

- I'll be back in an hour.
- An hour?

Ugh!

One of those.

Francine's taking your
place for the film drop.

Why?

I could do it.

I don't want this to
sound like criticism...

but you read so much
about government spending...

and to call Francine in at night
when it's probably double time for her.

I'm already here, I'm
out and I'm dressed...

It just seems like such
an unnecessary expense.

I know you'll say it's probably
only a few dollars more...

but you multiply that by all the
government offices and the agencies...

- Amanda, please? Hm?
- I bet it adds up to quite a lot.

- Francine is a qualified agent.
- I know that, Lee.

How much qualification does it
take to throw a cassette out a window?

That might seem
like a dumb question...

but it deserves an answer.

It doesn't take any
special qualifications.

I can do it?

- No.
- What do I do?

Billy thinks it's a terrific idea that you
stay with me until we get your car back.

- It would be a lot simpler the other way.
- And a lot quieter.

Francine makes the drop.

- How are you coming?
- Almost ready.

You realize I have never
done suburban frump before?

How's this?

- You don't think the scarf is overkill?
- No, no, it covers up the rollers.

You know, rollers are the hallmark
of the middle-American homemaker.

It's, uh... It's like a club
badge or something.

You know, my mother thinks
I'm involved in some kind of...

clandestine love affair.

Your mother should
know you better.

- Why?
- Why? You're not that type, that's why.

I don't know how you can say that my
mother should know me better than that.

I mean, you never can
tell who's the type for what.

I'm not the type to be a spy, but
look at me. I mean, you never...

You never really can tell what a
person would do under certain...

There's a local patrol car passing.
This looks much more natural.

Oh.

- Yeah, it's much more natural. Yeah.
- Yeah.

We bett... Uh...

- I think they're gone now.
- Yeah. They're gone. Ha.

Uh...

- Uh, look trade jackets with Francine.
- Sure.

You're wearing hair curlers.

I never wear curlers in
public. It's part of the disguise.

The cassette's got a transmitter signal we
can follow in case we lose visual contact.

Drop it in the lumberyard
and get back here.

The yard's covered,
we'll be right behind you.

- Okay.
- Be very careful with my station wagon.

Station wagon. Great.
Wouldn't you know it.

Take him. Take him.
We've lost the signal.

Scarecrow, moving in.

Federal agents, freeze!
- Freeze!

Freeze!

Wait.

All right, stall him as long as you can
while I try to get behind him. Ready?

It's over. Where are
you holding them?

If I don't show up in
an hour, they're dead.

I have nothing else to say.

I heard the gunfire.
Is everything all right?

Yeah, it's just great.

I did exactly what you told
me to do. I stayed right here.

- Well, that's a refreshing change.
- What's wrong?

We blew it, that's what's wrong.

We got one of the guys and
he is giving us absolutely zip.

Did he tell you if Scotty
and Raul are all right?

Yeah, yeah, yeah, they're fine.

Just fine, for about
the next forty minutes.

If he's not back there by then,
his partner's going to kill them.

Kill them.

Yeah, that's right.

Come on, I'll take
you back to your car.

What about the car
they found earlier?

- Maybe...
- Dead end.

It was spotted this afternoon down in
the warehouse district on the Potomac.

- The warehouse district by the Potomac.
- That's right.

Well, that pinpoints an area.

- That's something.
- That's nothing.

We followed it to a deserted
warehouse and that is where they lost it.

Did they search the warehouse?

Never mind. Of course they
searched the warehouse.

That's the first
thing they would do.

- They would search the warehouse.
- They searched it. It was empty.

- All right?
- All right.

You know...

If the police were looking for me
and I was looking for a place to hide...

I would try to find a place
that had a secret place.

When they came to search
the place where I was hiding...

I could hide in the secret
place, and when they left...

I could be pretty sure that
they wouldn't come back.

Oh, ho. Heh.

Look, I'm having a hard
time trying to follow this.

Like a subbasement
in a warehouse.

- What?
- See...

Well, once I was a tech advisor
on a food-growing project.

- Yeah?
- And we were looking for...

a class of Basidiomycetes that
would grow in subbasements.

- Basidio what?
- Those are mushrooms. It doesn't matter.

Anyway, we were looking for space
in subbasements of warehouses.

Right? So we went
down by the Potomac...

and most of those
sub-basements...

have, um, either been
flooded by the river water...

or the river water's leaked
in. So they've been sealed off.

So unless you knew they were there,
you wouldn't know they were there.

And if you searched them,
you would never look there.

Do you see what I'm saying?

Yeah.

So you got me on possession of
a sub. Maybe attempted assault.

That's, uh, lightweight
stuff. Keep on talking.

You're running out of time.

- Melrose here.
- Hello, Billy.

I know this is a long shot...

there's a chance they're
underneath the warehouse.

See if you can bluff that guy.

I'll hang on.

- Book him.
- Which charge?

Kidnapping with
special circumstances.

- Where were they?
- In a basement under the warehouse.

And get the paperwork right. I
don't want to lose this one or Levik.

You know how it works. One of you
plea-bargains your way out of the chair...

you or Levik.

- First come, first served.
- Okay. I want a lawyer.

That's it. I'm sending
everything in right away.

And Scarecrow,
you lay back, got me?

Scarecrow?

I've got a red
override priority.

Get all units to that warehouse
we searched this afternoon.

TDY anyone you need.
I'm talking minutes.

I've gotta stall until
the backup gets here.

- Now, you stay right here.
- Right.

You guys just ran out of time.

Okay, I'll tell you
where the film is.

Good move, kid, but too late.

All right, hold it.

That's it, Levik.
It's all over, Levik.

Looks like you
need a tune-up, pal.

Looks like he needs
more than that.

Looks like I pulled
the right wires.

- I'm glad your friend Raul's all right.
- Heh.

- You were really worried about him.
- That's the last time I get anybody a job.

I can't stand the guilt when
something goes wrong.

- Is he quitting the spy business?
- No, he likes the work.

He's on his way to
Prague right now.

- Really?
- Yeah.

See? Now, for all your worrying,
everything turned out just fine.

- Yeah.
- You got back the report...

that those two men
stole and Scotty's okay...

and I even got my
station wagon fixed.

Boy, that was really
nice of Mr. Melrose.

You know, he didn't have to do
that. It wasn't the agency's fault.

No, no, in a
roundabout way, it was.

Mrs. King. Mr. Stetson.

- Hey.
- Hi, Scotty. How are you feeling?

I'll tell you as soon as, uh, Mr. Stetson
tells me what he thought of my film.

Oh, yes, uh, your
film. We looked at it...

every frame of it, and, uh...

it's very good.

- It is?
- Yep.

Wow. I wish I had gotten a couple
reels of what went down the other night.

How about that, me in
the middle of a shootout...

with feds running
all over the place?

It's a good thing you told
them what happened to me.

I don't know how they found us.

- Well, um, I guess...
- Probably...

- they have their ways.
- Have their ways.

Anyway, about your film...

I think you could edit it down to a
very interesting eight minutes or so.

But the, uh, legal
department wants a few things.

Like the city filming
permits and the PR-308s.

We can get the filming
permits if we pull a few strings.

But, hey, look, we really
need those PR-308s.

What's a PR-308?

- Uh...
- It's a, uh...

- The Personal...
- The Personal...

Personal Release forms
for the people that you film.

Yeah, you see, you can't,
um, use any of the footage...

you can't invade their
privacy without their consent.

- That's right. Correct.
- I guess I've got a lot to learn.

- But you have a lot of talent.
- Yeah, sure.

Well, thanks for
looking at it, anyway.

Thanks.

Oh, did you see his little face? It
just crumbled, he's so disappointed.

Yeah.

Uh, hey, Scotty?

Uh... Hey, listen.

How would you like
an assignment with IFF?

Huh? MAN: Hey, kid!

A short documentary on
the Cuyahoga River in Ohio...

the river that caught
fire a few years back?

Yeah?

- Hey, my car's blocked.
- Yeah.

Yeah. How about, uh, "The
River That Refused to Die"...

sort of, um... MAN: Come on!

Man's battle against
his own pollution?

That's it, that's it.

You run with that theme.

- All right. All right. Whoo!
- Ain't got all day.

- Yahoo!
- Ha-ha-ha.

- I knew you didn't mean it.
- Mean what?

All that stuff about never
helping a friend get a job again.

I... I just did that, huh?

- Yeah, I...
- What?