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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:17,010 --> 00:01:19,512 UHH, I CAN'T STAND SUSAN NOONAN. 2 00:01:19,512 --> 00:01:21,013 SHE'S SUCH A GOSSIP. 3 00:01:21,014 --> 00:01:24,017 DON'T EVER TRUST HER WITH ANYTHING, DIANE. 4 00:01:24,017 --> 00:01:25,518 YOU KNOW WHAT SHE ONCE TOLD ME? 5 00:01:25,518 --> 00:01:27,019 AND DON'T EVER SAY ANYTHING TO ANYONE 6 00:01:27,020 --> 00:01:29,522 'CAUSE I PROMISED HER I WOULDN'T TELL. 7 00:01:29,522 --> 00:01:31,524 SHE TOLD ME THAT HER SISTER WAS BORN 8 00:01:31,524 --> 00:01:34,026 BEFORE HER PARENTS WERE ACTUALLY MARRIED. 9 00:01:34,027 --> 00:01:36,029 ISN'T THAT COOL? 10 00:01:36,029 --> 00:01:37,797 I HAD TO HELP YOUR MOM WITH THE GROCERIES. 11 00:01:37,797 --> 00:01:40,866 OH, YOU WANTED TO HELP HER 'CAUSE I HAD YOU BEAT. 12 00:01:40,867 --> 00:01:42,368 YEAH, RIGHT. 13 00:01:42,368 --> 00:01:45,871 COME ON. I HAD YOU BY 5 POINTS TILL THE BUZZER CAME ON. 14 00:01:45,872 --> 00:01:46,873 I GOT TO GO, DIANE. 15 00:01:46,873 --> 00:01:48,875 THE 'RENTS JUST CAME IN. 16 00:01:48,875 --> 00:01:50,877 NO WAY. TELL ME. 17 00:01:50,877 --> 00:01:52,712 WHAT DID YOU BUY ME? 18 00:01:52,712 --> 00:01:54,547 NOTHING. GET OUT OF THERE. 19 00:01:54,547 --> 00:01:56,515 DAD, I THINK YOU SHOULD PUT A LIGHT OUTSIDE 20 00:01:56,516 --> 00:01:58,351 SO WE CAN PLAY BASKETBALL AT NIGHT. 21 00:01:58,351 --> 00:02:00,653 YOU KNOW, YOU GOT A LIGHT ON YOUR DESK 22 00:02:00,653 --> 00:02:03,222 SO YOU CAN DO YOUR HOMEWORK. 23 00:02:03,223 --> 00:02:05,725 DON'T DO THAT IN THE HOUSE. 24 00:02:05,725 --> 00:02:07,793 DARLENE. 25 00:02:07,794 --> 00:02:09,228 DARLENE, SET THE TABLE. 26 00:02:09,229 --> 00:02:10,530 I'LL DO IT! 27 00:02:10,530 --> 00:02:12,598 GO AHEAD, MR. SUCK-UP. 28 00:02:12,599 --> 00:02:15,602 NOBODY BUYS YOUR GOODY-GOODY ACT. 29 00:02:15,602 --> 00:02:17,604 MOMMY BUYS IT. 30 00:02:19,172 --> 00:02:20,740 HEY, YOU KNOW WHAT, KID? 31 00:02:20,740 --> 00:02:22,274 IT COULD BE PRETTY CLOSE THERE FRIDAY NIGHT. 32 00:02:22,275 --> 00:02:25,344 NO WAY. JORDAN IS UNSTOPPABLE. 33 00:02:25,345 --> 00:02:26,846 I DON'T KNOW. THINGS GET PRETTY HAIRY 34 00:02:26,846 --> 00:02:28,347 WITH FAT LEVER AT POINT GUARD. 35 00:02:28,348 --> 00:02:30,116 OH, PLEASE. 36 00:02:30,116 --> 00:02:31,750 WHAT'S A POINT GUARD? FORGET IT. 37 00:02:31,751 --> 00:02:34,253 MOM, I CAN'T REACH THE PLATES. 38 00:02:34,254 --> 00:02:36,155 BIG GAME FRIDAY NIGHT, BABY. 39 00:02:36,156 --> 00:02:37,157 WHAT KIND OF GAME? 40 00:02:37,157 --> 00:02:39,225 BASKETBALL. HOOPS. B-BALL. 41 00:02:39,225 --> 00:02:42,728 PULSES RACE AS THE TOWERING CHICAGO BULLS 42 00:02:46,900 --> 00:02:48,401 PAY ME. 43 00:02:48,401 --> 00:02:51,103 MOM, I CAN'T REACH THE GLASSES. 44 00:02:51,104 --> 00:02:53,473 HOW CAN SOMEONE NOT APPRECIATE BASKETBALL? 45 00:02:53,473 --> 00:02:55,541 WELL, IT'S EASY. 46 00:02:55,542 --> 00:02:58,044 YOU JUST SLOUCH ON THE SOFA NEXT TO YOUR HUSBAND, 47 00:02:58,044 --> 00:02:59,545 YOU WATCH THESE GUYS RUN UP AND DOWN THE COURT 48 00:02:59,546 --> 00:03:01,047 A COUPLE HUNDRED TIMES, 49 00:03:01,047 --> 00:03:02,882 AND THEN IT BECOMES ALMOST HYPNOTIC. 50 00:03:02,882 --> 00:03:04,250 YOU GET REALLY BORED. 51 00:03:04,250 --> 00:03:06,752 YOU'RE SITTING THERE THINKING, "WAIT A MINUTE. 52 00:03:06,753 --> 00:03:09,622 I HAVE NO LIFE." 53 00:03:09,622 --> 00:03:10,689 THIS MESSAGE WAS NOT BROUGHT TO YOU 54 00:03:10,690 --> 00:03:12,725 BY THE NATIONAL BASKETBALL ASSOCIATION. 55 00:03:12,725 --> 00:03:15,227 I THINK I'M GOING OUT WITH JIMMY ON FRIDAY NIGHT. 56 00:03:15,228 --> 00:03:17,730 TALK ABOUT HAVING NO LIFE. 57 00:03:17,730 --> 00:03:21,233 YEAH, I BET YOU HAVE SOME REAL MAJOR PLANS. 58 00:03:21,234 --> 00:03:23,035 I'M WATCHING THE GAME WITH DAD. 59 00:03:23,036 --> 00:03:24,103 AH, THE SON I NEVER HAD. 60 00:03:24,103 --> 00:03:26,605 HEY, I'M WATCHING THE GAME, TOO! 61 00:03:26,606 --> 00:03:27,607 OK. 62 00:03:29,842 --> 00:03:32,177 HONEY, I INVITED A FEW OF THE FELLAS OVER FRIDAY NIGHT. 63 00:03:32,178 --> 00:03:34,213 YEAH, ARE YOU ASKING ME OR TELLING ME? 64 00:03:34,214 --> 00:03:36,015 OH, COME ON. IT'S AN OCCASION. 65 00:03:36,015 --> 00:03:37,082 WELL, LET'S BREAK OUT 66 00:03:37,083 --> 00:03:39,585 THE HARVEY'S BRISTOL CREAM, SHALL WE? 67 00:03:39,586 --> 00:03:41,354 WHAT TIME'S THE KICKOFF? 68 00:03:41,354 --> 00:03:44,223 TIP-OFF IS AT 7:00. 69 00:03:44,224 --> 00:03:45,792 WELL, YOU AIN'T GONNA WATCH IT ANYWAYS, DARLENE, 70 00:03:45,792 --> 00:03:46,793 UNTIL YOU DO YOUR HOMEWORK. 71 00:03:46,793 --> 00:03:49,295 REMEMBER, WE HAD THIS DISCUSSION? 72 00:03:49,295 --> 00:03:50,796 YEAH, BUT THIS IS A FRIDAY NIGHT. 73 00:03:50,797 --> 00:03:53,533 SINCE WHEN DO I HAVE TO DO MY HOMEWORK ON A FRIDAY NIGHT? 74 00:03:53,533 --> 00:03:55,735 SINCE I GOT YOUR LAST REPORT CARD. 75 00:03:55,735 --> 00:03:57,803 WELL, THE ONLY HOMEWORK I'M GONNA HAVE TO DO THIS WEEKEND 76 00:03:57,804 --> 00:04:00,106 IS TO WRITE A STUPID POEM FOR ENGLISH. 77 00:04:00,106 --> 00:04:01,207 WELL, YOU CAN WRITE A POEM. 78 00:04:01,207 --> 00:04:04,043 YEAH, BUT IT HAS TO BE STUPID. 79 00:04:04,043 --> 00:04:05,110 OH, KNOCK IT OFF, YOU GUYS. 80 00:04:05,111 --> 00:04:07,613 ANYWAYS, WRITING POETRY'S KIND OF FUN, YOU KNOW? 81 00:04:07,614 --> 00:04:10,350 YOU GET TO BE CREATIVE AND EXPRESSIVE. 82 00:04:10,350 --> 00:04:12,352 I DON'T WANT TO BE EXPRESSIVE. 83 00:04:12,352 --> 00:04:14,854 I COULDN'T CARE LESS ABOUT POETRY. 84 00:04:14,854 --> 00:04:16,355 I JUST WANT TO GRADUATE HIGH SCHOOL 85 00:04:16,356 --> 00:04:17,357 SO I CAN GET ON WITH MY LIFE 86 00:04:17,357 --> 00:04:21,394 SO I CAN GET A JOB AND GET OUT OF THIS HELLHOLE TOWN! 87 00:04:21,394 --> 00:04:23,462 BUT IF YOU COULD BE EXPRESSIVE, 88 00:04:23,463 --> 00:04:24,831 WHAT WOULD YOU SAY? 89 00:04:34,240 --> 00:04:37,243 HEY, HOW YOU DOING THERE, SYLVIA PLATH? 90 00:04:37,243 --> 00:04:38,744 WHO'S SYLVIA PLATH? 91 00:04:38,745 --> 00:04:41,247 OH, SHE WAS THIS BRILLIANT POET, 92 00:04:41,247 --> 00:04:44,750 FULL OF PASSION, ANGST, AND WHATEVER. 93 00:04:44,751 --> 00:04:48,254 SHE INSPIRED QUITE A FEW WOMEN. LIKE MOI. 94 00:04:48,254 --> 00:04:50,756 UH-OH. WHAT'S THAT? 95 00:04:50,757 --> 00:04:52,258 WELL, I WAS IN THE GARAGE, 96 00:04:52,258 --> 00:04:53,759 AND I WENT THROUGH THIS TRUNK, 97 00:04:53,760 --> 00:04:56,262 AND I FOUND ALL THESE POEMS I WROTE WHEN I WAS IN SCHOOL. 98 00:04:56,262 --> 00:04:57,763 I THOUGHT MAYBE IT'D HELP YOU. 99 00:04:57,764 --> 00:05:00,266 HELP? YOU SAVED ME. 100 00:05:00,266 --> 00:05:01,267 SO WHICH ONE SHOULD I COPY? 101 00:05:01,267 --> 00:05:02,768 HEY! 102 00:05:02,769 --> 00:05:03,770 OW. 103 00:05:05,271 --> 00:05:09,275 "THE SKY... DRIPS DOWN... 104 00:05:09,275 --> 00:05:11,277 LIKE DRAGON'S TEETH." 105 00:05:12,779 --> 00:05:15,782 "THE EARTH SIGHS... 106 00:05:15,782 --> 00:05:18,384 "BENDING TO MY TOUCH. 107 00:05:18,384 --> 00:05:21,453 I AM MELTING." 108 00:05:26,092 --> 00:05:28,761 YOU HAD TO BE THERE. 109 00:05:28,761 --> 00:05:31,463 WELL, I GUESS "THERE" MUST MEAN MARS. 110 00:05:31,464 --> 00:05:32,531 WELL, THERE'S OTHER POEMS IN THERE 111 00:05:32,532 --> 00:05:35,535 THAT AREN'T QUITE SO EARTHY. 112 00:05:35,535 --> 00:05:36,536 WHY'D YOU WRITE THESE? 113 00:05:36,536 --> 00:05:38,037 BECAUSE I WANTED TO. 114 00:05:38,037 --> 00:05:41,540 WELL, I CAN'T WRITE ABOUT THIS KIND OF STUFF. 115 00:05:41,541 --> 00:05:43,042 WHAT DO YOU MEAN? 116 00:05:44,544 --> 00:05:46,045 "WRITE A POEM 117 00:05:46,045 --> 00:05:49,048 "ABOUT SOMETHING THAT GIVES YOU A HAPPY FEELING. 118 00:05:49,048 --> 00:05:50,049 "FOR EXAMPLE-- 119 00:05:50,049 --> 00:05:56,055 A TREE, A RAINBOW, YOUR--HEH HEH--FAMILY." 120 00:05:56,055 --> 00:05:58,290 YOU CAN WRITE ABOUT WHATEVER YOU WANT. 121 00:05:58,291 --> 00:06:03,129 YEAH, AS LONG AS IT GIVES ME "A HAPPY FEELING." 122 00:06:03,129 --> 00:06:05,197 OH, COME OFF IT, DARLENE. 123 00:06:05,198 --> 00:06:06,699 JUST 'CAUSE YOUR TEACHER'S A LITTLE WET 124 00:06:06,699 --> 00:06:09,201 DOESN'T MEAN THAT ALL POETRY STINKS. 125 00:06:09,202 --> 00:06:11,204 ANYWAY, POETRY'S REALLY COOL. 126 00:06:11,204 --> 00:06:12,205 I LOVED TO WRITE IT 127 00:06:12,205 --> 00:06:13,673 WHEN I WAS IN SCHOOL. 128 00:06:13,673 --> 00:06:16,008 WELL, YEAH, BUT YOU WERE A NERD. 129 00:06:16,008 --> 00:06:18,510 I WAS NOT A NERD. 130 00:06:18,511 --> 00:06:21,514 DAD SAID YOU WERE A NERD IN SCHOOL. 131 00:06:21,514 --> 00:06:25,017 WELL, CONSIDER THE SOURCE. 132 00:06:25,017 --> 00:06:26,518 ANYWAY, WHAT DO YOU THINK ABOUT THESE PEOPLE 133 00:06:26,519 --> 00:06:29,021 LIKE, YOU KNOW, EDIE BRICKELL OR CHRISSIE HYNDE 134 00:06:29,021 --> 00:06:30,489 OR RICKIE LEE JONES? 135 00:06:30,490 --> 00:06:31,991 YOU THINK THEY'RE NERDS? 136 00:06:31,991 --> 00:06:34,193 I GET THE POINT. 137 00:06:34,193 --> 00:06:36,862 SO, WHAT WOULD MAKE YOU HAPPY? 138 00:06:36,863 --> 00:06:39,932 I DON'T KNOW. A TREE! 139 00:06:46,439 --> 00:06:47,940 OK, DEEJ. 140 00:06:47,940 --> 00:06:48,941 YOU CALL US WHEN YOU'RE READY, 141 00:06:48,941 --> 00:06:50,442 AND WE'LL COME AND PICK YOU UP. OK, BYE. 142 00:06:50,443 --> 00:06:52,445 YEAH, GOOD LUCK. 143 00:06:52,445 --> 00:06:54,647 WHERE'S HE AT, AT JANET'S? 144 00:06:54,647 --> 00:06:57,716 YEAH. JANET'S MOM INVITED HIM TO STAY FOR DINNER. 145 00:06:57,717 --> 00:06:59,218 SAYS HE'S GOING TO MARRY JANET. 146 00:06:59,218 --> 00:07:01,119 SHE PROPOSED TO HIM. 147 00:07:01,120 --> 00:07:02,688 CAN YOU BLAME HER? 148 00:07:02,688 --> 00:07:04,456 HE'S GOT HIS DADDY'S CHARM. 149 00:07:04,457 --> 00:07:05,524 YEAH, AND EVERYTHING ELSE. 150 00:07:08,528 --> 00:07:10,530 AH, WELL, YOU TELL YOURSELF 151 00:07:10,530 --> 00:07:12,031 WHATEVER YOU WANT, DAN. 152 00:07:13,032 --> 00:07:14,767 IS DARLENE OUT THERE? 153 00:07:14,767 --> 00:07:16,935 SHE'S DOING HER HOMEWORK. 154 00:07:16,936 --> 00:07:18,003 IT'S A THEORY. 155 00:07:19,472 --> 00:07:21,040 YOU KNOW, I JUST DON'T GET IT. 156 00:07:21,040 --> 00:07:23,542 WRITING IS SOMETHING THAT DARLENE COULD BE REALLY, REALLY GOOD AT. 157 00:07:23,543 --> 00:07:25,545 I MEAN, SHE'S EXPRESSIVE, 158 00:07:25,545 --> 00:07:29,549 YOU KNOW, SHE'S CREATIVE, SHE HAS PENCILS. 159 00:07:29,549 --> 00:07:31,817 [TELEPHONE RINGS] 160 00:07:32,819 --> 00:07:33,820 HELLO. 161 00:07:33,820 --> 00:07:36,322 HEY, JOEY. IT'S JOEY L. 162 00:07:36,322 --> 00:07:37,823 JOEY, WHAT'S THE WORD? 163 00:07:37,824 --> 00:07:39,325 ARE YOU COMING OVER HERE 164 00:07:39,325 --> 00:07:41,827 TO WATCH THE GAME TOMORROW NIGHT? 165 00:07:41,828 --> 00:07:43,329 HEY, JUST TELL YOUR WIFE-- 166 00:07:43,329 --> 00:07:44,330 ONE SECOND. 167 00:07:44,330 --> 00:07:47,333 LET ME TAKE THIS IN THE HALL. 168 00:07:47,333 --> 00:07:50,336 SO WHERE'S YOU AND WHAT'S-HIS-FACE GOING ON FRIDAY? 169 00:07:50,336 --> 00:07:51,537 OUT. 170 00:07:51,537 --> 00:07:54,106 OH, WELL, YOU'LL HAVE A REAL GOOD TIME. 171 00:07:54,106 --> 00:07:56,675 YOUR DADDY AND I USED TO GO THERE ALL THE TIME. 172 00:07:56,676 --> 00:07:58,744 ARE YOU GONNA STAY HERE WITH DAD AND WATCH THE GAME? 173 00:07:58,744 --> 00:08:00,245 UH-UH. AUNT JACKIE'S COMING OVER. 174 00:08:00,246 --> 00:08:01,981 WHAT ARE YOU GUYS GONNA DO? 175 00:08:01,981 --> 00:08:05,050 DRINK BEER AND SHOOT AT MAILBOXES. 176 00:08:05,051 --> 00:08:06,352 COOL. 177 00:08:06,352 --> 00:08:09,154 GREAT. I'LL RESERVE THE BLUE CHAIR FOR YOU. 178 00:08:09,155 --> 00:08:10,156 HA HA HA HA HA! 179 00:08:10,156 --> 00:08:12,158 [DOORBELL RINGS] I'LL GET IT. 180 00:08:12,158 --> 00:08:15,161 ALL RIGHT. BREAK IT TO ME GENTLY. 181 00:08:15,161 --> 00:08:17,396 HOW MANY? FIVE, SIX TOPS. 182 00:08:17,396 --> 00:08:19,464 NOW YOU UNDERSTAND I'M NOT TALKING ABOUT THEIR I.Q.s. 183 00:08:19,465 --> 00:08:22,468 I'M TALKING ABOUT THE NUMBER OF YOUR NASTY FRIENDS 184 00:08:22,468 --> 00:08:24,736 THAT ARE GONNA BE IN MY LIVING ROOM ON FRIDAY. 185 00:08:24,737 --> 00:08:26,805 HONEY, IT'S JUST A COUPLE OF FRIENDS. 186 00:08:26,806 --> 00:08:28,207 WE'LL BE CIVILIZED, I PROMISE. 187 00:08:28,207 --> 00:08:29,374 CIVILIZED? YEAH. 188 00:08:29,375 --> 00:08:31,176 THIS TIME WE'LL COOK THE WOOLLY MAMMOTH 189 00:08:31,177 --> 00:08:32,578 BEFORE WE EAT IT. 190 00:08:32,578 --> 00:08:33,946 HELLO, HELLO, HELLO. 191 00:08:33,946 --> 00:08:35,447 HI, CRYSTAL. 192 00:08:35,448 --> 00:08:38,918 I FINALLY GOT THAT EYE SHADOW YOU ORDERED-- 193 00:08:38,918 --> 00:08:41,287 VIOLET ICE. 194 00:08:41,287 --> 00:08:46,025 OH, SO THAT'S WHERE YOU AND JIMMY ARE GOING-- TO VEGAS. 195 00:08:46,025 --> 00:08:47,393 I'LL BE RIGHT BACK. 196 00:08:47,393 --> 00:08:49,395 I GOT SOMETHING FOR YOU, TOO, DAN. 197 00:08:49,395 --> 00:08:51,897 NOW, CRYSTAL, YOU KNOW I RARELY WEAR EYE SHADOW ANYMORE. 198 00:08:51,898 --> 00:08:53,900 BOYS ON THE JOB SITE 199 00:08:53,900 --> 00:08:56,402 GIVE ME SUCH GUFF ABOUT IT. 200 00:08:56,402 --> 00:08:57,403 NOW STOP. 201 00:08:57,403 --> 00:08:58,904 HERE YOU GO. 202 00:08:58,905 --> 00:09:01,407 OOH, STALLION. 203 00:09:02,875 --> 00:09:03,942 HE DON'T NEED THAT, CRYSTAL. 204 00:09:03,943 --> 00:09:05,444 HE ALREADY SMELLS LIKE A HORSE. 205 00:09:05,444 --> 00:09:06,912 DON'T YOU, HONEY? 206 00:09:06,913 --> 00:09:07,980 [WHINNYING] 207 00:09:09,448 --> 00:09:11,683 WHAT DID YOU BRING ME? 208 00:09:11,684 --> 00:09:13,252 OH, BATH BEADS, 209 00:09:13,252 --> 00:09:15,320 MADE WITH REAL MILK. 210 00:09:15,321 --> 00:09:17,389 WELL, GREAT. THEN WHEN I'M SOAKING AND I GET HUNGRY, 211 00:09:17,390 --> 00:09:18,824 I'LL JUST ADD SOME CHEERIOS. 212 00:09:21,227 --> 00:09:24,230 ROSEANNE, I GOT SOMETHING I WANT TO READ YOU. 213 00:09:24,230 --> 00:09:26,732 IT'S A POEM THAT LONNIE WROTE FOR SCHOOL. 214 00:09:26,732 --> 00:09:29,735 I JUST THOUGHT YOU'D GET A KICK OUT OF IT. 215 00:09:29,735 --> 00:09:30,736 "MY MOM. 216 00:09:30,736 --> 00:09:32,137 "BY LONNIE ANDERSON. 217 00:09:32,138 --> 00:09:35,508 "MY MOM THINKS ABOUT ME FIRST AND HERSELF LAST. 218 00:09:35,508 --> 00:09:38,811 "WHEN I'M GETTING DRESSED, SHE MAKES ME BREAKFAST. 219 00:09:38,811 --> 00:09:41,146 "SHE PUTS ME ON THE BUS AND COMBS MY HAIR, 220 00:09:41,147 --> 00:09:43,415 "AND WHEN I'M AT SCHOOL, SHE ISN'T THERE. 221 00:09:43,416 --> 00:09:45,384 "BUT SHE'S AT HOME WHEN I GET BACK. 222 00:09:45,384 --> 00:09:48,387 "FOR MAKING DINNER SHE HAS A KNACK. 223 00:09:48,387 --> 00:09:49,888 "IT'S NICE WHEN SHE PUTS ME IN BED 224 00:09:49,889 --> 00:09:52,892 BECAUSE IT'S LATE AND I'M TIRE-ED." 225 00:09:57,063 --> 00:09:58,364 "I LOVE MY MOM, 226 00:09:58,364 --> 00:10:00,866 "AND I'M GLAD THAT SHE'S MY MOM 227 00:10:00,866 --> 00:10:02,868 AND NOT SOMEBODY ELSE OR SOMETHING." 228 00:10:07,173 --> 00:10:10,176 ISN'T THAT THE SWEETEST THING YOU EVER HEARD? 229 00:10:10,176 --> 00:10:11,510 I THINK IT'S GREAT. 230 00:10:11,510 --> 00:10:14,980 OH, IT'S TERRIBLE, BUT IT'S JUST SO SWEET, ISN'T IT? 231 00:10:14,981 --> 00:10:16,615 IT'S ADORABLE. 232 00:10:16,616 --> 00:10:17,683 HERE YOU GO, CRYSTAL. 233 00:10:17,683 --> 00:10:18,684 3.50, RIGHT? 234 00:10:18,684 --> 00:10:20,185 THANK YOU, HONEY. 235 00:10:22,688 --> 00:10:25,190 SO, WHERE'S YOUR LITTLE POETIC GENIUS? 236 00:10:25,191 --> 00:10:27,126 WHAT ARE YOU TALKING ABOUT? 237 00:10:27,126 --> 00:10:29,094 WHY, DARLENE, SILLY. DIDN'T YOU HEAR YET? 238 00:10:29,095 --> 00:10:30,596 HEAR WHAT? 239 00:10:30,596 --> 00:10:33,031 WELL, MAYBE I OUGHT TO LET DARLENE TELL YOU. 240 00:10:33,032 --> 00:10:34,533 COME ON, CRYSTAL. 241 00:10:34,533 --> 00:10:37,102 DARLENE'S POEM GOT PICKED BEST IN HER CLASS. 242 00:10:37,103 --> 00:10:39,105 SHE'S GONNA READ IT FOR THE SCHOOL TOMORROW NIGHT. 243 00:10:39,105 --> 00:10:40,106 IT'S CULTURE NIGHT. 244 00:10:40,106 --> 00:10:41,073 YOU'RE KIDDING. 245 00:10:41,073 --> 00:10:43,508 HOW COME DARLENE DIDN'T SAY ANYTHING? 246 00:10:43,509 --> 00:10:46,011 I HOPE I DIDN'T SPOIL THE SURPRISE. 247 00:10:46,012 --> 00:10:49,415 DARLENE, WILL YOU COME DOWN HERE FOR A MINUTE? 248 00:10:49,415 --> 00:10:51,984 SWEETIE! 249 00:10:51,984 --> 00:10:54,486 WELL, SHE FINALLY DOES GOOD IN SCHOOL, 250 00:10:54,487 --> 00:10:55,988 AND SHE DOESN'T EVEN TELL US ABOUT IT. 251 00:10:55,988 --> 00:10:58,323 PROBABLY STILL IN SHOCK. 252 00:10:58,324 --> 00:10:59,692 WHAT? 253 00:10:59,692 --> 00:11:03,262 LOOK. LOOK, IT'S THE FAMOUS PERSON AS A YOUNG CHILD. 254 00:11:03,262 --> 00:11:05,697 HOW COME YOU DIDN'T TELL US? 255 00:11:05,698 --> 00:11:08,333 CRYSTAL, YOU HAVE A BIG MOUTH. 256 00:11:08,334 --> 00:11:09,401 DARLENE. DARLENE. 257 00:11:09,402 --> 00:11:10,403 DARLENE. DARLENE. 258 00:11:10,403 --> 00:11:11,404 DARLENE. DARLENE. 259 00:11:11,404 --> 00:11:13,806 DARLENE. DARLENE. 260 00:11:13,806 --> 00:11:15,240 THIS IS EXACTLY THE REASON 261 00:11:15,241 --> 00:11:17,343 I'M NOT GOING TO CULTURE NIGHT. 262 00:11:17,343 --> 00:11:19,878 WHAT, ARE YOU ASHAMED OF YOUR TALENT? 263 00:11:19,879 --> 00:11:21,947 NO. I'M ASHAMED OF MY PARENTS. 264 00:11:23,382 --> 00:11:24,783 WELL, SO IS EVERYBODY. 265 00:11:24,784 --> 00:11:27,219 IT'S SUPPOSED TO BE LIKE THAT. 266 00:11:27,219 --> 00:11:29,221 MOM, I'M NOT GOING. YOU GOTTA SAY I'M SICK. 267 00:11:29,221 --> 00:11:30,655 BUT WHY WOULDN'T YOU WANT TO GO? 268 00:11:30,656 --> 00:11:32,157 I MEAN, THIS IS YOUR SHOT, 269 00:11:32,158 --> 00:11:34,793 THIS IS LIKE WINNING THE BIG GAME. 270 00:11:34,794 --> 00:11:36,362 MOM, YOU CAN'T MAKE ME GO. 271 00:11:36,362 --> 00:11:38,364 AND IF YOU TRY AND MAKE ME READ MY POEM 272 00:11:38,364 --> 00:11:39,865 IN FRONT OF THE GEEKOID MASSES, 273 00:11:39,865 --> 00:11:41,366 YOU'LL HAVE TO THROW A NET AROUND ME 274 00:11:41,367 --> 00:11:45,371 AND DRAG ME OUT OF THE HOUSE LIKE A DEAD SEAL. 275 00:11:45,371 --> 00:11:47,272 WHERE ARE YOU GOING? 276 00:11:47,273 --> 00:11:48,340 TO GET THE NET. 277 00:11:53,846 --> 00:11:57,349 YOU KNOW, I THINK YOU'RE JUST BEING PIGHEADED ABOUT THIS. 278 00:11:57,349 --> 00:12:00,352 WELL, I THINK YOU'RE BEING PIGHEADED ABOUT IT, ROSEANNE. 279 00:12:00,352 --> 00:12:01,853 YOU KNOW, YOU'RE STARTING TO SOUND LIKE MY DAD. 280 00:12:01,854 --> 00:12:03,355 "WORK SMART, DANNY, NOT HARD. 281 00:12:03,355 --> 00:12:05,357 BE A SALESMAN." 282 00:12:05,357 --> 00:12:06,358 I'M NOT--I'M NOT GONNA DO IT. 283 00:12:06,358 --> 00:12:07,359 I'M NOT GONNA PUSH OUR KIDS LIKE THAT. 284 00:12:07,359 --> 00:12:08,860 WELL, I DON'T WANT TO, EITHER. 285 00:12:08,861 --> 00:12:10,362 THEN WHAT'S THE BIG DEAL 286 00:12:10,362 --> 00:12:12,797 ABOUT MAKING DARLENE READ THIS STUPID POEM? 287 00:12:12,798 --> 00:12:17,235 IT IS CALLED POSITIVE REINFORCEMENT, DAN. 288 00:12:17,236 --> 00:12:19,738 YOU KNOW, JUST ONCE, IF MY PARENTS WOULD'VE EVER TOLD ME, 289 00:12:19,739 --> 00:12:21,240 "HEY, ROSEANNE, YOU'RE GOOD AT THAT," 290 00:12:21,240 --> 00:12:24,243 I MIGHT BE STANDING IN FRONT OF YOU RIGHT NOW 291 00:12:24,243 --> 00:12:27,246 MOPPING A BIGGER, MORE LUXURIOUS KITCHEN. 292 00:12:31,183 --> 00:12:33,685 IT'S WET! 293 00:12:33,686 --> 00:12:35,154 GO USE THE PHONE IN MY ROOM. 294 00:12:35,154 --> 00:12:36,688 I'M TALKING TO YOUR DAD. 295 00:12:36,689 --> 00:12:37,556 I DON'T NEED TO USE THE PHONE. 296 00:12:37,556 --> 00:12:40,592 OH, LET ME GET THAT ON TAPE. 297 00:12:40,593 --> 00:12:42,161 YOU KNOW, I REALLY DON'T THINK 298 00:12:42,161 --> 00:12:43,662 YOU SHOULD MAKE DARLENE GO TO CULTURE NIGHT. 299 00:12:43,662 --> 00:12:45,230 OH, YEAH? AND WHY IS THAT? 300 00:12:45,231 --> 00:12:46,298 BECAUSE IT'S TOTALLY GEEKY. 301 00:12:46,298 --> 00:12:48,300 I MEAN, YOU KNOW WHAT IT'S LIKE. 302 00:12:48,300 --> 00:12:49,801 THERE'S PAINTINGS, THE SCHOOL BAND, 303 00:12:49,802 --> 00:12:51,303 READINGS, AND STUFF. 304 00:12:51,303 --> 00:12:53,071 OH, YOU MEAN, LIKE ART? 305 00:12:53,072 --> 00:12:55,140 YEAH. BUT STRICTLY THE BOW TIE SET. 306 00:12:55,141 --> 00:12:57,143 I MEAN, EVERYONE'S GONNA THINK DARLENE'S A BIG SUCK-UP 307 00:12:57,143 --> 00:12:58,244 IF SHE GOES. 308 00:12:58,244 --> 00:12:59,311 WHY, THANK YOU, MISS CONNER. 309 00:12:59,311 --> 00:13:00,812 NO FURTHER QUESTIONS. 310 00:13:00,813 --> 00:13:04,950 YOU CAN TELL YOUR CLIENT SHE CAN GET HERSELF A NEW ATTORNEY. 311 00:13:04,950 --> 00:13:06,351 SO YOU'RE GONNA MAKE HER GO? 312 00:13:06,352 --> 00:13:08,420 NOBODY'S MAKING ANYBODY DO ANYTHING. 313 00:13:08,420 --> 00:13:09,487 GREAT. I'LL TELL HER. 314 00:13:09,488 --> 00:13:10,989 BECKY, MIND YOUR OWN BUSINESS. 315 00:13:10,990 --> 00:13:14,994 IF YOU REALLY WANT TO HELP AROUND HERE, JUST STAY OUT OF IT. 316 00:13:14,994 --> 00:13:16,495 FINE. IF YOU DON'T CARE ABOUT YOUR KIDS, 317 00:13:16,495 --> 00:13:18,497 I GUESS THERE'S NOTHING I CAN DO. 318 00:13:18,497 --> 00:13:19,998 SHE DIDN'T BUY IT, DARLENE. 319 00:13:19,999 --> 00:13:22,835 YOU WERE TERRIBLE. 320 00:13:22,835 --> 00:13:24,403 I'M JUST GETTING FED UP. 321 00:13:24,403 --> 00:13:26,405 WE OWE IT TO DARLENE TO MAKE HER DO THIS, 322 00:13:26,405 --> 00:13:27,839 AND SHE'S DOING IT. 323 00:13:27,840 --> 00:13:30,275 THAT'S FUNNY 'CAUSE I THOUGHT DARLENE HAD 2 PARENTS, 324 00:13:30,276 --> 00:13:33,279 AND THIS WAS A DECISION THAT BOTH OF THEM SHOULD BE INVOLVED IN. 325 00:13:33,279 --> 00:13:35,347 WELL, LOOK, OK, WE OBVIOUSLY DISAGREE, 326 00:13:35,347 --> 00:13:37,349 AND WE HAVE TO COME TO SOME KIND OF A DECISION. 327 00:13:37,349 --> 00:13:40,518 AND ONE OF US IS GONNA BE WRONG. 328 00:13:40,519 --> 00:13:43,588 NOW YOU JUST GIVE ME THE CHANCE TO BE WRONG THIS TIME. 329 00:13:45,591 --> 00:13:47,092 LOOK, NO MATTER WHAT WE DO, 330 00:13:47,092 --> 00:13:48,526 WE'RE GOING TO SCREW OUR KIDS UP. 331 00:13:50,663 --> 00:13:52,231 YOU LET ME MESS UP DARLENE, 332 00:13:52,231 --> 00:13:54,233 AND YOU CAN HAVE BECKY. 333 00:13:57,036 --> 00:13:58,537 WHAT ABOUT D.J.? 334 00:13:58,537 --> 00:14:00,105 WE'LL FLIP FOR IT. 335 00:14:18,824 --> 00:14:19,891 YOU KNOW, THIS WHOLE THING 336 00:14:19,892 --> 00:14:21,894 IS MISS MILLER'S FAULT. 337 00:14:21,894 --> 00:14:23,896 IF I'D KNOWN ANYONE ELSE WAS GONNA SEE THIS POEM, 338 00:14:23,896 --> 00:14:25,898 I NEVER WOULD'VE WRITTEN IT. 339 00:14:25,898 --> 00:14:26,899 I HAVEN'T SEEN IT. 340 00:14:26,899 --> 00:14:28,400 YOU'RE NOT GONNA. 341 00:14:28,400 --> 00:14:31,970 NO, BUT I AM GOING TO HEAR IT BEING READ. 342 00:14:31,971 --> 00:14:34,974 LIVE...AND ON STAGE. 343 00:14:34,974 --> 00:14:37,042 PLEASE, MOM, I'M BEGGING YOU. 344 00:14:37,042 --> 00:14:40,045 I'LL CLEAN WHATEVER YOU WANT ME TO CLEAN. 345 00:14:40,045 --> 00:14:42,547 I JUST REALLY, REALLY, REALLY, REALLY, REALLY, 346 00:14:42,548 --> 00:14:43,549 REALLY, REALLY, REALLY, REALLY, REALLY, 347 00:14:43,549 --> 00:14:45,350 REALLY DON'T WANT TO DO THIS. 348 00:14:45,351 --> 00:14:47,286 REALLY? 349 00:14:47,286 --> 00:14:49,354 COME ON, MOM. 350 00:14:49,355 --> 00:14:52,858 I WROTE THE POEM, OK? I DID MY ASSIGNMENT. 351 00:14:52,858 --> 00:14:55,393 WHY CAN'T WE JUST LEAVE IT AT THAT? 352 00:14:55,394 --> 00:14:57,462 WHAT ARE YOU SO AFRAID OF? 353 00:14:57,463 --> 00:14:59,465 I'M NOT AFRAID OF ANYTHING. 354 00:14:59,465 --> 00:15:02,468 WELL, YOU JUST GIVE ME ONE GOOD REASON, 355 00:15:02,468 --> 00:15:03,469 YOU GIVE ME THE TRUTH, 356 00:15:03,469 --> 00:15:05,604 AND MAYBE I WON'T MAKE YOU DO IT. 357 00:15:05,604 --> 00:15:07,172 THE TRUTH? 358 00:15:07,172 --> 00:15:11,709 YEAH. YOU KNOW, THE OPPOSITE OF WHAT YOU USUALLY TELL ME. 359 00:15:11,710 --> 00:15:15,280 THE TRUTH IS... 360 00:15:15,281 --> 00:15:18,284 MY POEM SUCKS. 361 00:15:18,284 --> 00:15:22,454 I WROTE IT IN, LIKE, 10 MINUTES. 362 00:15:22,454 --> 00:15:24,956 I JUST BLABBED IT OUT ON A PIECE OF PAPER. 363 00:15:26,926 --> 00:15:28,928 IT'S A JOKE. 364 00:15:30,229 --> 00:15:32,231 MISS MILLER DOESN'T THINK SO. 365 00:15:32,231 --> 00:15:33,799 WELL, MISS MILLER'S AN IDIOT. 366 00:15:33,799 --> 00:15:35,300 THE ONLY REASON SHE PICKED MY POEM 367 00:15:35,301 --> 00:15:37,469 IS 'CAUSE SHE THOUGHT IT WOULD ENCOURAGE ME. 368 00:15:37,469 --> 00:15:39,537 YOU KNOW, I'M REALLY SURPRISED AT YOU, DARLENE. 369 00:15:39,538 --> 00:15:42,107 WHAT'S EVERYBODY GONNA THINK IF YOU DON'T SHOW UP? 370 00:15:42,107 --> 00:15:43,842 WHO CARES WHAT EVERYBODY THINKS? 371 00:15:43,842 --> 00:15:44,909 WELL, IF YOU DON'T CARE WHAT EVERYBODY THINKS, 372 00:15:44,910 --> 00:15:46,244 THEN WHAT ARE YOU SO AFRAID OF? 373 00:15:49,648 --> 00:15:51,716 DAN, COME HERE QUICK! 374 00:15:51,717 --> 00:15:55,120 DARLENE'S SPEECHLESS! YOU GOT TO SEE THIS! 375 00:15:58,457 --> 00:16:00,792 YOU KNOW WHAT I THINK? 376 00:16:00,793 --> 00:16:02,628 WHAT? 377 00:16:04,897 --> 00:16:05,898 I THINK... 378 00:16:08,901 --> 00:16:10,903 I THINK YOU'RE AFRAID 379 00:16:10,903 --> 00:16:12,738 THAT YOUR POEM REALLY IS GOOD. 380 00:16:14,073 --> 00:16:15,074 I THINK YOU'RE AFRAID 381 00:16:15,074 --> 00:16:17,076 TO LET EVERYBODY SEE THAT YOU'VE GOT A BRAIN 382 00:16:17,076 --> 00:16:19,511 BECAUSE THEN THEY'LL EXPECT YOU TO USE IT. 383 00:16:19,511 --> 00:16:21,779 YEAH. RIGHT. 384 00:16:21,780 --> 00:16:23,348 I'M SO SURPRISED AT YOU. 385 00:16:23,349 --> 00:16:24,350 I MEAN, YOUR WHOLE LIFE 386 00:16:24,350 --> 00:16:25,851 YOU'RE RUNNING AROUND TO TAKE ALL THE CREDIT 387 00:16:25,851 --> 00:16:26,852 FOR EVERYTHING YOU'VE DONE WRONG, 388 00:16:26,852 --> 00:16:28,854 AND NOW SOMETHING REALLY GREAT HAPPENS. 389 00:16:28,854 --> 00:16:29,855 DON'T YOU WANT TO ENJOY IT? 390 00:16:29,855 --> 00:16:32,123 DON'T YOU WANT TO GET UP THERE AND TAKE YOUR BOW? 391 00:16:34,393 --> 00:16:35,927 NO. 392 00:16:35,928 --> 00:16:36,995 WELL, FINE. 393 00:16:36,996 --> 00:16:39,264 YOU DO WHAT YOU WANT. 394 00:16:39,264 --> 00:16:41,332 I JUST THOUGHT I'D GET A LITTLE JOY OUT OF IT, YOU KNOW? 395 00:16:41,333 --> 00:16:42,834 A FEW GOOSEBUMPS. 396 00:16:42,835 --> 00:16:43,836 I'D BE PROUD OF YOU... 397 00:16:43,836 --> 00:16:45,838 BUT I DON'T WANT YOU TO DO IT 398 00:16:45,838 --> 00:16:48,407 JUST BECAUSE YOU THINK YOU OWE IT TO ME. 399 00:16:48,407 --> 00:16:50,008 OK, I WONT. 400 00:16:50,009 --> 00:16:51,577 BUT YOU ARE DOING IT. 401 00:16:51,577 --> 00:16:52,578 WHY? 402 00:16:52,578 --> 00:16:55,380 BECAUSE I'M YOUR MOTHER, AND I SAID SO. 403 00:16:55,381 --> 00:16:56,448 OH, THAT'S FAIR. 404 00:16:56,448 --> 00:16:57,949 WHAT IF I FREAK OUT? 405 00:16:57,950 --> 00:17:00,786 WHAT IF I FAINT AND CRACK MY HEAD OPEN ON STAGE? 406 00:17:00,786 --> 00:17:02,854 WELL, THEN EVERYBODY WILL BE ABLE TO SEE 407 00:17:02,855 --> 00:17:03,789 THAT YOU'VE GOT A BRAIN. 408 00:17:10,763 --> 00:17:12,264 [ORCHESTRA PLAYING] 409 00:17:17,936 --> 00:17:21,105 I HOPE WE GET BACK IN TIME TO WATCH THE END OF THE GAME. 410 00:17:21,106 --> 00:17:24,509 OH, I'M SURE YOUR DADDY WILL GIVE US HIS FAMOUS HIGHLIGHTS SPEECH. 411 00:17:24,510 --> 00:17:26,845 OH, NO. 412 00:17:26,845 --> 00:17:27,912 OH, HI, DARLENE! 413 00:17:29,415 --> 00:17:31,417 HI, MARTIN. HOW YOU DOING? 414 00:17:31,417 --> 00:17:32,918 WELL, I'LL TELL YOU, DARLENE, 415 00:17:32,918 --> 00:17:34,920 I'M NOT REALLY INTO THIS HIGH-PRESSURE, 416 00:17:34,920 --> 00:17:36,421 HIGH-VISIBILITY STUFF. 417 00:17:36,422 --> 00:17:38,590 I'M REALLY MORE OF A RECLUSE. 418 00:17:38,590 --> 00:17:40,959 YOU WANT TO GET SOME PUNCH? YEAH. 419 00:17:40,959 --> 00:17:42,827 GO AHEAD. 420 00:17:54,840 --> 00:17:55,841 HI. 421 00:17:55,841 --> 00:17:56,842 HEY, I MADE IT. 422 00:17:56,842 --> 00:17:59,845 OH, ROSEANNE, THIS PLACE STILL SCARES ME. 423 00:17:59,845 --> 00:18:01,346 WE BETTER TAKE OUR SEATS 424 00:18:01,346 --> 00:18:04,349 OR ELSE THEY'LL MAKE US STAY AFTER. 425 00:18:04,349 --> 00:18:05,350 WHERE'S DAN? 426 00:18:05,350 --> 00:18:07,352 HE'S BOYCOTTING ON PRINCIPLE. 427 00:18:07,352 --> 00:18:09,354 SO HE'S HOME WATCHING THE GAME? 428 00:18:09,354 --> 00:18:10,855 AMONG OTHER THINGS. 429 00:18:14,326 --> 00:18:15,393 WHAT A BUNCH OF NERDS. 430 00:18:17,863 --> 00:18:18,864 JOKE! 431 00:18:22,701 --> 00:18:25,537 YOU THINK I DID THE RIGHT THING, DON'T YOU? 432 00:18:25,537 --> 00:18:27,605 YEAH. 433 00:18:27,606 --> 00:18:28,607 SURE. 434 00:18:30,109 --> 00:18:33,112 YEAH. I--I THINK THAT SHE'LL PROBABLY 435 00:18:33,112 --> 00:18:35,114 DESPISE YOU RIGHT NOW, 436 00:18:35,114 --> 00:18:39,118 BUT I--YOU... DID WHAT YOU HAD TO DO. 437 00:18:39,118 --> 00:18:40,619 AND... 438 00:18:40,619 --> 00:18:43,989 BESIDES, SHE STILL LOVES HER AUNT JACKIE. 439 00:18:49,061 --> 00:18:51,063 AWAY... 440 00:18:51,063 --> 00:18:52,898 AWAY... 441 00:18:52,898 --> 00:18:54,466 WHY... 442 00:18:54,466 --> 00:18:55,967 DO YOU STAY? 443 00:18:58,604 --> 00:19:00,906 FLY AWAY, BIRD. 444 00:19:02,207 --> 00:19:03,708 IT LOOKS AT ME. 445 00:19:05,244 --> 00:19:07,746 AND...STILL IT HOPS... 446 00:19:08,747 --> 00:19:10,715 AND HOPS... 447 00:19:12,184 --> 00:19:13,785 AND... 448 00:19:13,785 --> 00:19:14,852 HOPS. 449 00:19:16,355 --> 00:19:17,856 FLY AWAY. 450 00:19:18,857 --> 00:19:20,925 YOU GOT A GUN ON YOU? 451 00:19:24,763 --> 00:19:28,333 IT SPREADS ITS WINGS... 452 00:19:28,333 --> 00:19:29,834 AND FLIES AWAY. 453 00:19:31,336 --> 00:19:32,337 AWAY... 454 00:19:35,340 --> 00:19:37,842 IT DOES NOT... 455 00:19:37,843 --> 00:19:39,344 LOOK BACK. 456 00:19:42,214 --> 00:19:43,615 THAT'S IT. 457 00:19:49,321 --> 00:19:52,157 CAN YOU IMAGINE THAT KID'S HOME LIFE? 458 00:19:54,426 --> 00:19:56,494 GET A LOAD OF THAT-- 459 00:19:56,495 --> 00:19:58,997 EMBARRASSING YOUR KID IN FRONT OF THE WHOLE SCHOOL. 460 00:19:58,997 --> 00:20:01,566 MOM DID THAT TO ME. DRILL TEAM TRYOUTS IN THE EIGHTH GRADE. 461 00:20:01,567 --> 00:20:04,069 SHE SAT UP IN THE BLEACHERS WEEPING 462 00:20:04,069 --> 00:20:08,073 AND PULLING THOSE STIFF, USED KLEENEX OUT OF HER BAG. 463 00:20:10,576 --> 00:20:12,578 DO YOU GOT, LIKE, A MINT OR SOMETHING? 464 00:20:12,578 --> 00:20:14,580 MY STOMACH'S JUST KIND OF, YOU KNOW... 465 00:20:14,580 --> 00:20:17,583 OH, ROSEANNE, YOU'RE NERVOUS. 466 00:20:17,583 --> 00:20:22,087 OH, THAT'S SO CUTE. OOH, OOH, OOH. 467 00:20:23,589 --> 00:20:24,590 SHUT UP. 468 00:20:27,893 --> 00:20:30,695 THANK YOU SO MUCH FOR THAT FINE RENDITION. 469 00:20:30,696 --> 00:20:34,266 AND NOW, FROM MISS MILLER'S SEVENTH GRADE CLASS, 470 00:20:34,266 --> 00:20:36,868 DARLENE CONNER WILL READ HER POEM. 471 00:20:46,445 --> 00:20:48,947 TO WHOM IT CONCERNS. 472 00:20:48,947 --> 00:20:50,949 BY DARLENE CONNER. 473 00:20:53,452 --> 00:20:55,454 TO WHOM IT CONCERNS-- 474 00:20:55,454 --> 00:20:57,956 DARLENE'S WORK WILL BE LATE. 475 00:20:57,956 --> 00:20:59,958 IT FELL ON HER PANCAKES 476 00:20:59,958 --> 00:21:01,125 AND STUCK TO HER PLATE. 477 00:21:03,195 --> 00:21:05,497 TO WHOM IT CONCERNS-- 478 00:21:05,497 --> 00:21:08,433 MY MOM MADE ME WRITE THIS. 479 00:21:08,433 --> 00:21:10,435 AND I'M JUST A KID, 480 00:21:10,435 --> 00:21:12,937 SO HOW COULD I FIGHT THIS? 481 00:21:12,938 --> 00:21:15,440 TO WHOM IT CONCERNS-- 482 00:21:15,440 --> 00:21:18,443 I LOST MY ASSIGNMENT. 483 00:21:18,443 --> 00:21:20,945 MAYBE I'LL GET LUCKY. 484 00:21:20,946 --> 00:21:23,214 SOLITARY CONFINEMENT. 485 00:21:24,983 --> 00:21:27,986 TO WHOM IT CONCERNS-- 486 00:21:27,986 --> 00:21:30,188 DARLENE'S GREAT WITH A BALL, 487 00:21:30,188 --> 00:21:32,256 BUT GUYS DON'T WATCH TOMBOYS 488 00:21:32,257 --> 00:21:34,892 WHEN THEY'RE CRUISING THE HALL. 489 00:21:34,893 --> 00:21:37,262 TO WHOM IT CONCERNS-- 490 00:21:37,262 --> 00:21:39,831 I JUST TURNED 13. 491 00:21:39,831 --> 00:21:41,833 TOO SHORT TO BE QUARTERBACK, 492 00:21:41,833 --> 00:21:43,668 TOO PLAIN TO BE QUEEN. 493 00:21:45,470 --> 00:21:47,972 TO WHOM IT CONCERNS... 494 00:21:49,474 --> 00:21:51,409 I AM NOT MADE OF STEEL. 495 00:21:51,410 --> 00:21:53,478 WHEN I GET BLIND-SIDED, 496 00:21:53,478 --> 00:21:55,813 MY PAIN IS QUITE REAL. 497 00:21:57,149 --> 00:21:59,885 I DON'T MEAN TO SQUAWK, 498 00:21:59,885 --> 00:22:02,454 BUT IT REALLY BURNS. 499 00:22:02,454 --> 00:22:05,457 I JUST THOUGHT I'D MENTION IT 500 00:22:05,457 --> 00:22:06,424 TO WHOM IT CONCERNS. 501 00:22:29,614 --> 00:22:31,649 [ORCHESTRA PLAYING] 502 00:22:31,650 --> 00:22:34,653 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 503 00:22:34,703 --> 00:22:39,253 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 34949

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