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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:00,000 Edited at https://subtitletools.com 2 00:00:04,190 --> 00:00:07,520 [ Man Narrating ] THIS IS THE STORY OF ONE OF AMERICA'S GREAT UNSUNG HEROES. 3 00:00:07,520 --> 00:00:11,310 I MEAN, YOU'VE SEEN HIM, BUT YOU NEVER KNEW WHO HE WAS. 4 00:00:11,310 --> 00:00:13,480 YOU'VE CHEERED FOR HIM AND CRIED FOR HIM, 5 00:00:13,480 --> 00:00:16,780 WOMEN HAVE WANTED TO DIE FOR HIM. 6 00:00:16,780 --> 00:00:21,040 BUT DID HE EVER GET ANY CREDIT? OR THE GIRL? NO. 7 00:00:21,040 --> 00:00:23,490 HE WAS WHAT WE CALL A STUNTMAN. 8 00:00:23,490 --> 00:00:25,990 AND THE REASON I'M TALKIN' SO FONDLY ABOUT HIM IS-- 9 00:00:25,990 --> 00:00:28,130 WELL, BECAUSE IT'S ME, COLT SEAVERS. 10 00:00:28,130 --> 00:00:31,580 ANYWAY, PICTURE WORK ISN'T WALL-TO-WALL EMPLOYMENT. 11 00:00:32,080 --> 00:00:35,380 SO MAYBE YOU WONDER HOW A GUY KEEPS HIS HEAD TOGETHER. 12 00:00:35,390 --> 00:00:38,310 WELL, ONE WAY IS TO WAIT BY THE PHONE... 13 00:00:38,300 --> 00:00:40,640 AND WAIT... AND WAIT. 14 00:00:40,640 --> 00:00:43,590 THE OTHER IS TO TAKE AN OCCASIONAL JOB FOR THE COURT SYSTEM... 15 00:00:43,590 --> 00:00:45,590 OF THE UNITED STATES OF AMERICA, 16 00:00:45,600 --> 00:00:48,570 WHERE A MAN IS CONSIDERED INNOCENT UNTIL PROVEN GUILTY. 17 00:00:48,570 --> 00:00:51,910 UNFORTUNATELY, SOMETIMES A LOT OF THESE PEOPLE... 18 00:00:52,400 --> 00:00:55,190 GET OUT OF JAIL ON WHAT WE CALL BAIL. 19 00:00:55,690 --> 00:00:58,020 AND THEY RUN LIKE HELL. 20 00:00:58,020 --> 00:01:02,410 THAT'S WHERE I COME IN. I SOMETIMES PICK UP RENT MONEY TRYIN' TO FIND THEM... 21 00:01:02,410 --> 00:01:04,200 AND BRING THEM BACK TO JUSTICE. 22 00:01:04,200 --> 00:01:07,670 IT CAN BE REAL INTERESTING WORK. 23 00:01:07,670 --> 00:01:10,170 I REMEMBER ONE CASE IN PARTICULAR. 24 00:01:10,170 --> 00:01:13,960 THE GUY USED THE DARNEDEST DISGUISES TO KEEP GETTING AWAY FROM ME. 25 00:01:14,460 --> 00:01:18,290 WHEN I FINALLY CAUGHT UP WITH HIM, IT GAVE ME QUITE A KICK. 26 00:01:33,230 --> 00:01:35,740 I'M SORRY, BUT YOU CAN'T COME IN HERE. 27 00:01:35,730 --> 00:01:38,030 OH, IT'S OKAY. I'M A RELATIVE. 28 00:01:38,030 --> 00:01:41,400 I KNOW, BUT MR. SMITH LEFT STRICT INSTRUCTIONS THAT NO ONE'S ALLOWED IN. 29 00:01:41,400 --> 00:01:44,820 OH, BUT, MISS, THE MERE SOUND OF MY VOICE WILL MAKE SUCH A DIFFERENCE IN HIS CONDITION. 30 00:01:44,820 --> 00:01:46,820 YOU HAVE NO IDEA. [ Grunting ] 31 00:01:46,820 --> 00:01:49,990 - YOU SEE? HE'S ALREADY UPSET. - IT'S ONLY BECAUSE HE DOESN'T KNOW IT'S ME. 32 00:01:49,990 --> 00:01:52,040 - I'LL COME A LITTLE CLOSER. - NO! 33 00:01:52,550 --> 00:01:55,060 I'M GONNA HAVE TO GET AN ORDERLY! I THINK THAT'S A GOOD IDEA. 34 00:01:55,550 --> 00:01:58,050 IT'S ME, COLT SEAVERS, YOUR FRIENDLY NEIGHBORHOOD BOUNTY HUNTER. 35 00:01:58,550 --> 00:02:00,050 YOU DIRTY, ROTTEN-- 36 00:02:01,750 --> 00:02:04,640 [ Grunting ] 37 00:02:04,640 --> 00:02:08,930 HARVEY, YOU'VE HAD SOME SURE GOOD DISGUISES IN THE PAST, 38 00:02:08,930 --> 00:02:11,930 BUT THIS ONE SURE TAKES THE CAKE. 39 00:02:17,820 --> 00:02:20,160 [ Gasps ] 40 00:02:21,740 --> 00:02:23,660 [ Nurse ] STOP! PLEASE STOP! 41 00:02:27,080 --> 00:02:30,030 THIS IS FOR THE WOMAN YOU SHOT IN THE BANK. 42 00:02:30,030 --> 00:02:33,540 THIS IS FOR THE OFFICER YOU RAN DOWN IN YOUR CAR. 43 00:02:33,540 --> 00:02:37,120 AND THIS IS FOR ME AND THREE MONTHS OF AGGRAVATION IN TRYING TO FIND YOU. 44 00:02:37,120 --> 00:02:39,960 [ Groans ] 45 00:02:39,960 --> 00:02:41,760 [ Gasps ] 46 00:02:45,800 --> 00:02:48,630 I KNEW HE'D BE REAL EXCITED TO SEE ME. 47 00:03:02,280 --> 00:03:05,370 COLT, YOU DID IT. YOU FOUND HIM. 48 00:03:05,370 --> 00:03:08,870 YOU'RE THE ONLY ONE IN THE WORLD THAT COULD HAVE. YOU'RE PROBABLY RIGHT. 49 00:03:08,870 --> 00:03:11,870 AH, DON'T FORGET MY CHECK. COLT, WAIT A MINUTE. WAIT A MINUTE. 50 00:03:11,870 --> 00:03:14,880 THERE'S ALL THIS PAPERWORK. YOU JUST CAN'T GO OFF AND LEAVE ME LIKE THIS. 51 00:03:14,880 --> 00:03:17,210 OH, YES, I CAN. 52 00:03:17,210 --> 00:03:19,080 COLT! WHERE YOU GOING? 53 00:03:19,080 --> 00:03:21,300 TO A FIRE. 54 00:03:22,300 --> 00:03:24,300 TO A FIRE? 55 00:03:59,420 --> 00:04:02,590 [ Woman Screaming ] [ Crowd Murmuring, Shouting ] 56 00:04:02,590 --> 00:04:04,680 [ Man ] OH, IT'S ON FIRE! 57 00:04:05,180 --> 00:04:08,100 [ People Chattering Excitedly ] 58 00:04:08,100 --> 00:04:10,520 [ Woman ] ISN'T SOMEBODY GONNA HELP HIM OUT? 59 00:04:11,880 --> 00:04:15,220 [ Sirens Wailing ] 60 00:04:23,900 --> 00:04:26,700 CUT! ALL RIGHT! 61 00:04:26,700 --> 00:04:29,280 [ Chattering, Applause ] 62 00:04:30,620 --> 00:04:33,120 HOLD IT! HOLD IT! DON'T PUT HIM OUT YET! 63 00:04:33,120 --> 00:04:37,410 [ Man ] HEY, GET HIM OUT OF HERE! WHO IS THAT IDIOT? 64 00:04:37,410 --> 00:04:39,290 WHO IS THAT GUY? GET RID OF HIM. 65 00:04:39,300 --> 00:04:42,760 COLT, THAT WAS FAR AND AWAY THE MOST EXCITING STUNT I'VE EVER SEEN IN MY LIFE. 66 00:04:42,750 --> 00:04:45,750 YEAH, IT FELT PRETTY GOOD. THOUGHT I'D DIED AND GONE TO HELL. 67 00:04:45,750 --> 00:04:47,500 WE'LL SEE YOU ON THE NEXT PICTURE. 68 00:04:47,500 --> 00:04:49,340 LET'S GET THE FIRST TEAM IN HERE. 69 00:04:49,840 --> 00:04:52,260 I WANT A CLOSE-UP OF JIM COBURN COMING OUT OF THE CAR, AND-- 70 00:04:52,260 --> 00:04:54,980 AND LOCK THAT IDIOT UP AND THROW AWAY THE KEY. 71 00:04:54,980 --> 00:04:58,560 DON'T THROW IT TOO FAR. HE'S A RELATIVE. 72 00:04:58,560 --> 00:05:00,850 COLT, THAT WAS UNBELIEVABLE! 73 00:05:00,850 --> 00:05:03,600 WHAT THE HELL ARE YOU DOIN' HERE? WELL, I CAME BACK. 74 00:05:03,600 --> 00:05:07,240 WHAT IS THIS, A SEMESTER BREAK OR SOMETHING? WELL, IT'S SORT OF A LONG STORY. 75 00:05:07,240 --> 00:05:09,660 JUST GIVE ME THE READER'S DIGEST VERSION. 76 00:05:09,660 --> 00:05:12,660 WE'RE READY FOR YOU, JIM. [ Coburn ] OKAY, I'LL BE RIGHT OUT. 77 00:05:12,660 --> 00:05:14,530 COLT! 78 00:05:15,780 --> 00:05:18,620 LISTEN, MAN, THAT WAS FANTASTIC, THAT STUNT. 79 00:05:18,620 --> 00:05:20,450 YOU'VE GOTTA BE INSANE. 80 00:05:20,450 --> 00:05:23,340 - THANK YOU. - YEAH, YOU'RE WELCOME, JIM. 81 00:05:23,340 --> 00:05:26,510 - GOOD LUCK WITH THE REST OF THE PICTURE. - AH. 82 00:05:26,510 --> 00:05:28,460 WASN'T THAT JAMES COBURN IN PERSON? 83 00:05:28,960 --> 00:05:30,710 YEAH. HE GENERALLY WORKS HIS PICTURES IN PERSON. 84 00:05:30,710 --> 00:05:33,550 THEY ALL NEED HELP, THOSE GUYS. 85 00:05:34,050 --> 00:05:36,050 MAJOR PSYCHIATRIC HELP. 86 00:05:36,050 --> 00:05:39,050 YOU'RE SUPPOSED TO BE IN THAT FANCY EASTERN COLLEGE. YEAH, WELL, I'M BACK. 87 00:05:39,560 --> 00:05:42,570 THE IVY LEAGUE TAUGHT ME EVERYTHING I NEED TO KNOW ABOUT BEING RICH AND FAMOUS LIKE YOU. 88 00:05:42,560 --> 00:05:46,480 I LEARNED IT ALL, COLT. RICH AND FAMOUS LIKE ME? YOU AIN'T LEARNED IT ALL. 89 00:05:48,110 --> 00:05:50,530 THE DRINK WAS LATE. 90 00:05:50,530 --> 00:05:52,530 WELL, I COULDN'T WATCH. 91 00:05:52,540 --> 00:05:55,550 I THOUGHT YOU WERE DEAD. THOUGHT YOU DIDN'T WATCH. 92 00:05:55,540 --> 00:05:57,540 WELL, I PEEKED. 93 00:05:57,540 --> 00:06:01,040 IT WAS TERRIBLE. I FIGURED THE CAR CRASH KILLED HIM. 94 00:06:01,040 --> 00:06:03,330 THEN WHEN I SAW THAT ROARING FIRE-- LORD! 95 00:06:03,330 --> 00:06:07,420 - I CAN'T WAIT TO GET IN ON THAT GOOD STUFF. - GET IN ON WHAT GOOD STUFF? 96 00:06:07,420 --> 00:06:10,420 COLT, I'VE COME TO PAY YOU BACK FOR PUTTIN' ME THROUGH SCHOOL. 97 00:06:10,420 --> 00:06:14,220 I DON'T WANT TO BE PAID BACK. YOUR DAD DID MORE FOR MY FAMILY THAN I COULD EVER REPAY. 98 00:06:14,220 --> 00:06:17,390 AH, WELL, LIKE FATHER, LIKE SON. I'M HERE TO HELP YOU, COLT. 99 00:06:17,390 --> 00:06:19,340 HELP ME DO WHAT? 100 00:06:19,850 --> 00:06:21,860 AH! FIRST OF ALL-- YOU DON'T MIND IF I SMOKE, DO YOU? 101 00:06:21,850 --> 00:06:23,680 YES. YES. 102 00:06:23,680 --> 00:06:26,900 FIRST OF ALL, I'M GONNA BE YOUR MANAGER. 103 00:06:26,900 --> 00:06:29,240 MY MANAGER? RIGHT. 104 00:06:29,240 --> 00:06:31,070 CONSIDERING ALL THE GREAT MOVIES YOU'VE DONE, COLT, 105 00:06:31,070 --> 00:06:33,940 YOU'D BE AMAZED AT HOW MANY OF MY FRIENDS AT SCHOOL HAVE EVER HEARD OF YOU. 106 00:06:33,940 --> 00:06:36,160 - YEAH? HOW MANY? - NONE. 107 00:06:36,160 --> 00:06:39,250 SECOND, YOU'RE GETTING ALONG IN YEARS, COLT, 108 00:06:39,250 --> 00:06:42,250 AND I HATE TO SEE YOU DOING THESE DANGEROUS STUNTS ON YOUR OWN. 109 00:06:42,250 --> 00:06:45,540 SO, I'VE THOUGHT IT OVER, AND I'M WILLING TO PITCH IN... 110 00:06:45,540 --> 00:06:49,120 AND SORT OF TAKE OVER AS YOU PULL BACK AND ENJOY YOUR GOLDEN YEARS. 111 00:06:49,130 --> 00:06:52,640 - GOLDEN YEARS? - AFTER YOU'VE WATCHED ME RUN THE BUSINESS A WHILE, 112 00:06:53,130 --> 00:06:56,260 YOU'LL PROBABLY BE ABLE TO TAKE OVER THAT PART OF IT, AND I'LL MOVE INTO THE LIMELIGHT. 113 00:06:56,270 --> 00:06:58,190 LET ME GET THIS THING STRAIGHT HERE. 114 00:06:58,680 --> 00:07:01,690 YOU SPENT SEVEN YEARS IN SCHOOL TO LEARN TO BECOME A STUNTMAN? RIGHT. 115 00:07:01,690 --> 00:07:04,640 BUT WITH ME AS YOUR PARTNER, WE'LL BOTH GO A LOT FURTHER... 116 00:07:05,140 --> 00:07:07,780 BECAUSE YOU'LL BE ABLE TO REAP THE BENEFITS OF MY LONG EDUCATION. 117 00:07:07,780 --> 00:07:11,110 - AH. CAN YOU TAKE A PUNCH? - CAN I WHAT? 118 00:07:11,110 --> 00:07:13,780 TAKE A PUNCH. YOU'VE SEEN STUNTMEN TAKE PUNCHES, HUH? 119 00:07:13,780 --> 00:07:17,650 OH, HELL, YES. I WAS ON THE YALE BOXING TEAM FOR ALMOST A YEAR. 120 00:07:17,650 --> 00:07:20,490 IN FACT, I-- [ Groans ] 121 00:07:22,580 --> 00:07:25,050 WAS THAT SOME KIND OF A TEST YOU GIVE STUNTMEN? 122 00:07:25,040 --> 00:07:29,050 NO. THAT WAS JUST ME TRYING TO KNOCK YOUR HEAD OFF. 123 00:07:35,470 --> 00:07:38,640 ♪ WELL, I'M NOT THE KIND TO KISS AND TELL ♪ 124 00:07:38,640 --> 00:07:41,480 ♪ BUT I'VE BEEN SEEN WITH FARRAH ♪ 125 00:07:41,480 --> 00:07:43,590 ♪ I'VE NEVER BEEN WITH ANYTHING LESS ♪ 126 00:07:44,100 --> 00:07:46,600 ♪ THAN A NINE SO FINE ♪ 127 00:07:46,600 --> 00:07:48,320 ♪ I'VE BEEN ON FIRE WITH SALLY FIELD ♪ 128 00:07:48,320 --> 00:07:52,490 ♪ GONE FAST WITH A GIRL NAMED BO ♪ 129 00:07:52,490 --> 00:07:56,660 ♪ BUT SOMEHOW THEY JUST DON'T END UP AS MINE ♪ 130 00:07:56,660 --> 00:08:00,410 ♪ IT'S A DEATH-DEFYIN' LIFE I LEAD ♪ 131 00:08:00,410 --> 00:08:02,950 ♪ I TAKE MY CHANCES ♪ 132 00:08:02,950 --> 00:08:05,870 ♪ I DIE FOR A LIVIN' IN THE MOVIES AND TV ♪ 133 00:08:05,870 --> 00:08:07,790 [ Siren Wailing ] 134 00:08:07,790 --> 00:08:10,340 ♪ BUT THE HARDEST THING I EVER DO ♪ 135 00:08:10,340 --> 00:08:13,960 ♪ IS WATCH MY LEADING LADIES ♪ 136 00:08:13,960 --> 00:08:18,210 ♪ KISS SOME OTHER GUY WHILE I'M BANDAGIN' MY KNEE ♪ 137 00:08:18,710 --> 00:08:21,470 ♪ I MIGHT FALL FROM A TALL BUILDIN' ♪ 138 00:08:21,470 --> 00:08:24,140 ♪ I MIGHT ROLL A BRAND-NEW CAR ♪ 139 00:08:24,140 --> 00:08:27,020 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 140 00:08:27,020 --> 00:08:29,860 ♪ THAT MADE REDFORD SUCH A STAR ♪ 141 00:08:30,140 --> 00:08:32,940 ♪ [ Women Vocalizing ] 142 00:08:35,650 --> 00:08:39,620 ♪ I'VE NEVER SPENT MUCH TIME IN SCHOOL ♪ 143 00:08:39,620 --> 00:08:42,370 ♪ BUT I'VE TAUGHT LADIES PLENTY ♪ 144 00:08:42,370 --> 00:08:46,040 ♪ IT'S TRUE I HIRE MY BODY OUT FOR PAY ♪ 145 00:08:46,040 --> 00:08:47,410 ♪ HEY, HEY ♪ 146 00:08:47,410 --> 00:08:50,380 ♪ I'VE GOTTEN BURNED OVER CHERYL TIEGS ♪ 147 00:08:50,380 --> 00:08:53,080 ♪ BLOWN UP FOR RAQUEL WELCH ♪ 148 00:08:53,080 --> 00:08:57,050 ♪ BUT WHEN I WIND UP IN THE HAY, IT'S ONLY HAY ♪ 149 00:08:57,050 --> 00:08:58,300 ♪ HEY, HEY ♪ 150 00:08:58,300 --> 00:09:01,560 ♪ I MIGHT JUMP AN OPEN DRAWBRIDGE ♪ 151 00:09:01,560 --> 00:09:03,470 ♪ OR TARZAN FROM A VINE ♪ 152 00:09:03,760 --> 00:09:05,810 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 153 00:09:05,810 --> 00:09:09,510 ♪ THAT MAKES EASTWOOD LOOK SO FINE ♪ 154 00:09:16,910 --> 00:09:19,420 WOW, I THOUGHT L.A. WAS FLAT. 155 00:09:19,410 --> 00:09:21,830 WHAT'S UP HERE, A RANGER STATION? 156 00:09:21,830 --> 00:09:24,080 MY HOUSE. 157 00:09:24,080 --> 00:09:28,080 OH, I'LL BET IT'S SOME KIND OF A HOLLYWOOD CASTLE, ISN'T IT? 158 00:09:28,080 --> 00:09:31,590 KID, EXACTLY WHAT DID YOU DO WITH ALL THOSE YEARS YOU WASTED IN SCHOOL? 159 00:09:31,590 --> 00:09:35,590 WASTED? DO YOU KNOW WHAT YOU'VE GOT WORKIN' WITH YOU? 160 00:09:35,590 --> 00:09:37,590 A WALKING ENCYCLOPEDIA. 161 00:09:37,590 --> 00:09:42,100 I HAD A YEAR OF ACCOUNTING AT OKLAHOMA, A YEAR OF PRELAW AT HARVARD, A YEAR OF BUSINESS AT-- 162 00:09:42,100 --> 00:09:43,880 NOW, WAIT A MINUTE. HOLD IT. 163 00:09:43,880 --> 00:09:47,180 I DON'T WANT TO KNOW WHAT YOU TOOK A YEAR OF HERE AND THERE. 164 00:09:47,190 --> 00:09:49,700 I WANT TO KNOW WHAT YOU GOT ALL THE WAY THROUGH. 165 00:09:49,690 --> 00:09:51,970 WHAT DID YOU GET YOUR DIPLOMA IN? 166 00:09:54,560 --> 00:09:57,560 HELLO? COME IN, KID. 167 00:09:57,560 --> 00:10:00,450 COLT, I'M UPSET AT YOUR TONE OF VOICE. 168 00:10:00,450 --> 00:10:02,900 WELL, MUST BE THE ALTITUDE. 169 00:10:02,900 --> 00:10:04,790 NO, IT'S YOUR ATTITUDE. 170 00:10:04,790 --> 00:10:08,160 YOU'D THINK THE OLD COCK WAS AFRAID OF THE NEW ROOSTER IN TOWN OR SOMETHING. 171 00:10:08,160 --> 00:10:10,880 THAT'S IT. 172 00:10:12,290 --> 00:10:14,300 WHAT DID WE HIT? 173 00:10:14,300 --> 00:10:16,300 ROCK BOTTOM. 174 00:10:16,300 --> 00:10:19,050 MY UNCLE TURNED OUT A DRY HOLE. 175 00:10:19,050 --> 00:10:21,840 WHY ARE WE STOPPING HERE? WHERE'S YOUR HOLLYWOOD MANSION? 176 00:10:21,840 --> 00:10:25,510 IS IT TOO MUCH TO ASK YOUR HIGHNESS, WOULD YOU MIND GRABBING A COUPLE OF BAGS? 177 00:10:36,320 --> 00:10:38,690 IS SOMETHING DISTURBING COLT? 178 00:10:50,030 --> 00:10:54,040 SURE YOU DON'T WANT ME TO HELP YA, JODY? JUST TRY NOT TO GET LOST. 179 00:10:59,510 --> 00:11:02,380 WHAT A GREAT PLACE FOR A MANSION. 180 00:11:05,130 --> 00:11:08,720 AND LOOK AT THAT VIEW. WOW! 181 00:11:10,550 --> 00:11:12,470 HEY, COLT! 182 00:11:12,970 --> 00:11:15,470 WANT ME TO STOW THIS GEAR IN THAT SHED? 183 00:11:15,980 --> 00:11:18,490 THIS ISN'T A SHED. IT'S MY HOUSE. 184 00:11:18,480 --> 00:11:20,280 THAT'S YOUR HOUSE? 185 00:11:20,280 --> 00:11:22,200 I'LL TAKE THESE BAGS. 186 00:11:22,700 --> 00:11:25,200 THAT'S WHAT I'VE BEEN TRYING TO TELL YOU, KID. 187 00:11:25,700 --> 00:11:28,200 PEOPLE DON'T ALL LIVE IN MANSIONS OUT HERE. 188 00:11:28,700 --> 00:11:30,200 THAT'S ALL RIGHT, COLT. 189 00:11:30,710 --> 00:11:34,710 WE'LL BUILD YOUR BIG HOUSE AS SOON AS THE MONEY STARTS ROLLING IN AND WE'VE GOT IT MADE. 190 00:11:34,710 --> 00:11:37,710 KID, NOBODY HAS IT MADE IN THIS TOWN, AND THE MONEY RARELY ROLLS IN. 191 00:11:37,710 --> 00:11:40,920 ARE YOU TRYING TO TELL ME THEY DON'T PAY YOU BIG MONEY TO SET YOURSELF ON FIRE? 192 00:11:40,920 --> 00:11:43,800 SURE, I CAN MAKE AS MUCH AS $5,000 IN A DAY. 193 00:11:43,800 --> 00:11:46,550 BUT IT ONLY COMES ALONG EVERY ONCE IN A WHILE. 194 00:11:46,560 --> 00:11:49,900 THE REST IS A FEW HUNDRED HERE, A FEW HUNDRED THERE. 195 00:11:49,890 --> 00:11:52,760 NOT THE KIND OF THING YOU SPEND SEVEN YEARS IN SCHOOL TO GET IN ON. 196 00:11:52,760 --> 00:11:55,510 [ Horses Whinnying ] HEY, YOU'VE GOT HORSES! 197 00:11:55,510 --> 00:11:57,310 [ Colt ] WE'LL TAKE A RIDE LATER. 198 00:11:57,320 --> 00:12:00,240 COLT, TELEPHONE. 199 00:12:01,070 --> 00:12:03,940 IT'S SOAPY. 200 00:12:05,940 --> 00:12:10,690 I HOPE YOU LISTEN TO HIM. WHATEVER HE TELLS YOU TO DO, WELL, THAT'S GONNA BE GOSPEL. 201 00:12:10,700 --> 00:12:12,510 EVEN IF IT MEANS GOING BACK HOME. 202 00:12:13,000 --> 00:12:15,370 LOOK, DON'T WORRY ABOUT ME MESSIN' UP YOUR RELATIONSHIP WITH COLT. 203 00:12:15,370 --> 00:12:17,870 I'M JUST LOOKING FOR A LITTLE SPACE OF MY OWN HERE. 204 00:12:18,370 --> 00:12:23,040 MY RELATIONSHIP WITH COLT? LOOK, I AM NOTHING BUT A HIRED HAND. OKAY? 205 00:12:23,040 --> 00:12:26,930 I CAN THINK OF A LOT OF THINGS I'D HIRE YOU FOR, AND YOUR HANDS WOULDN'T EVEN BE ON THE LIST. 206 00:12:26,930 --> 00:12:29,430 UNLESS YOU WANT TO SPEND THE NIGHT PICKING UP YOUR TEETH, 207 00:12:29,930 --> 00:12:32,430 YOU'LL WATCH THE WAY YOU TALK AND LOOK AT ME. 208 00:12:32,430 --> 00:12:35,940 DO WE UNDERSTAND EACH OTHER? YES, MA'AM. I'M ALL BUSINESS. 209 00:12:35,940 --> 00:12:37,940 GOOD. 210 00:12:39,440 --> 00:12:42,560 - WON'T BE DOING ANY RIDING TONIGHT. - SAYS WHO? 211 00:12:42,560 --> 00:12:46,110 - SAYS SAMANTHA. - WHO? 212 00:12:46,120 --> 00:12:49,910 SOAPY, I CAN'T HELP YA. I GOT A RELATIVE IN TOWN. I GOTTA GET HIM STRAIGHTENED OUT. 213 00:12:49,900 --> 00:12:52,400 COLT, WHO PICKS YOU UP OFF THE SIDEWALK... 214 00:12:52,400 --> 00:12:55,120 WHEN YOU CAN'T MAKE THE PAYMENTS ON YOUR SHINY NEW TRUCK? 215 00:12:55,120 --> 00:12:57,710 IT SEEMS TO ME I'VE HELPED KEEP YOU GOING TOO, SOAPY. 216 00:12:57,710 --> 00:13:01,000 BUT THIS IS ONE TIME I REALLY NEED YOU. 217 00:13:01,000 --> 00:13:03,300 AND YOU CAN HELP A FRIEND TO BOOT. 218 00:13:03,300 --> 00:13:05,720 - COUNTRY JOE? WHAT'D HE DO? - AGGRAVATED ASSAULT. 219 00:13:05,720 --> 00:13:07,720 HE PUNCHED OUT HIS MANAGER. 220 00:13:07,720 --> 00:13:10,670 - THAT DOESN'T SOUND LIKE COUNTRY JOE. - REALLY? 221 00:13:10,670 --> 00:13:13,970 HOW ABOUT JUMPING BAIL AND FAILING TO SHOW UP FOR HIS HEARING? 222 00:13:13,980 --> 00:13:18,660 I'M ON THE HOOK FOR A $5,000 BOND, AND THEY TELL ME HE'S RIGHT HERE IN THE CITY. 223 00:13:18,650 --> 00:13:24,440 COLT, THIS IS THE THIRD GUY THAT'S RUN OUT ON ME THIS MONTH. 224 00:13:24,440 --> 00:13:27,940 LOOK, SOAPY, I CAN'T SPEND ALL NIGHT CHASING HIM. 225 00:13:27,940 --> 00:13:30,940 BUT MAYBE I CAN MAKE A COUPLE OF CALLS AND GET HIM TO TURN HIMSELF IN. 226 00:13:30,940 --> 00:13:33,780 - GIVE ME WHAT INFORMATION YOU GOT. - THANK YOU, COLT. 227 00:13:33,780 --> 00:13:37,110 - I WON'T FORGET YOU FOR THIS. - ALL RIGHT-- 7-4-2-0. 228 00:13:37,120 --> 00:13:39,630 HOW DO I LOOK? 229 00:13:41,340 --> 00:13:43,920 LIKE YOU STOLE WILLIE NELSON'S CLOTHES. 230 00:13:43,920 --> 00:13:48,540 BORROWED. I LOOK ON THIS LIKE IT'S THE ARMY. I CAN'T BE OUT OF UNIFORM. 231 00:13:48,540 --> 00:13:51,800 UH, DO YOU HAVE SOMETHING IN A LITTLE BIGGER BELT BUCKLE? 232 00:13:51,800 --> 00:13:53,760 JODY. 233 00:13:57,940 --> 00:13:59,850 TYPE OUT THIS WARRANT, WILL YOU? 234 00:14:00,360 --> 00:14:01,870 IS COUNTRY JOE IN TROUBLE? 235 00:14:01,860 --> 00:14:03,860 AH, HE PUNCHED OUT DOC RYDER. 236 00:14:03,860 --> 00:14:05,860 OH, THAT DOESN'T SOUND LIKE JOE. 237 00:14:05,860 --> 00:14:08,200 JUMPING BAIL DOESN'T SOUND RIGHT EITHER. 238 00:14:08,200 --> 00:14:10,650 [ Rings ] 239 00:14:12,150 --> 00:14:14,570 - HELLO? - UH, COLT SEAVERS. 240 00:14:14,570 --> 00:14:18,490 I HATE TO BE MAKIN' THIS CALL, BUT, MRS. WALKER, I NEED TO GET IN TOUCH WITH JOE. 241 00:14:18,490 --> 00:14:23,240 - HE'S NOT HERE. - I DON'T KNOW HOW TO PUT THIS EXCEPT STRAIGHT ON. 242 00:14:23,250 --> 00:14:26,590 YOU KNOW HE'S JUMPED BAIL AND, WELL, I'VE GOT TO SEE THAT HE TURNS HIMSELF IN. 243 00:14:26,580 --> 00:14:28,550 WELL, JOE'S GOT THESE NEW FRIENDS, 244 00:14:29,050 --> 00:14:32,050 AND I DON'T KNOW HOW HE GOT MIXED UP WITH THEM OR WHY, 245 00:14:32,050 --> 00:14:34,840 BUT THEY'RE RESPONSIBLE FOR THE TROUBLE HE'S IN. 246 00:14:34,840 --> 00:14:39,140 ANY IDEA WHERE THESE PEOPLE ARE? NO. HE COULD BE AT ANY ONE OF A DOZEN HANGOUTS. 247 00:14:39,140 --> 00:14:41,900 AND, COLT, IF THEY'RE WITH HIM, WATCH OUT. 248 00:14:41,900 --> 00:14:45,820 THANKS, MRS. WALKER. I'LL TRY AND TAKE CARE OF JOE TOO. 249 00:14:47,820 --> 00:14:49,600 WHERE ARE YOU GOING? 250 00:14:51,690 --> 00:14:53,570 TO GO GET JOE. 251 00:14:55,080 --> 00:14:57,360 YOU DON'T PACK THAT THING UNLESS YOU'RE EXPECTING TROUBLE. 252 00:14:57,360 --> 00:15:00,360 IT'S A MOVIE GUN, JODY. THREE-QUARTER LOAD BLANKS. 253 00:15:00,370 --> 00:15:02,630 I ONLY PACK IT TO IMPRESS PEOPLE. 254 00:15:05,420 --> 00:15:09,370 COLT, IF YOU'RE GONNA PLAY COP, AT LEAST USE REAL BULLETS. WHERE WE GOIN'? 255 00:15:09,880 --> 00:15:12,390 WELL, "WE" AREN'T GOING ANYWHERE. I GOT AN ERRAND TO RUN. 256 00:15:12,880 --> 00:15:15,380 JODY'LL FIX YOU A SANDWICH BEFORE SHE GOES HOME. 257 00:15:15,880 --> 00:15:18,880 BUNK IN ON THE COUCH AND I'LL SEE YOU BEFORE YOU LEAVE IN THE MORNING. 258 00:15:18,880 --> 00:15:21,390 WAIT A MINUTE. SLOW DOWN! 259 00:15:21,390 --> 00:15:24,140 COLT, MAYBE YOU'D BETTER EXPLAIN SOMETHING TO ME. 260 00:15:24,640 --> 00:15:27,310 IF YOU LOOK IN THE GLOVE BOX, YOU'LL FIND THE FEDERAL LAW... 261 00:15:27,310 --> 00:15:30,310 THAT DEFINES LEGAL RESTRICTIONS IN GOING AFTER A DANGEROUS FUGITIVE. 262 00:15:30,310 --> 00:15:33,400 - NOW, HOW'D YOU KNOW THAT'S WHAT I WAS GONNA ASK? - THAT'S WHAT EVERYBODY ASKS. 263 00:15:33,400 --> 00:15:37,650 "HOW IS IT THAT A PRIVATE CITIZEN CAN GO PLACES AND DO THINGS THAT SOME POLICE CAN'T?" 264 00:15:37,650 --> 00:15:40,700 IT'S ALL IN THAT OLD LAW ON THAT ONE PIECE OF PAPER. 265 00:15:40,710 --> 00:15:43,880 WOW, COLT! ACCORDING TO THIS, YOU DON'T NEED WARRANTS OR COURT ORDERS OR ANYTHING. 266 00:15:43,880 --> 00:15:48,140 AND IT'S A GOOD THING, 'CAUSE FUGITIVES USUALLY DON'T WAIT AROUND FOR YOU TO GET HELP. 267 00:15:48,130 --> 00:15:52,750 COLT, UM, WHAT HAPPENS IF A FUGITIVE TRIES TO, UM-- 268 00:15:52,750 --> 00:15:54,640 WHAT, KILL ME? MMM. 269 00:15:55,140 --> 00:15:57,640 MAY AS WELL SAY IT. DESPERATE MEN DO DESPERATE THINGS. 270 00:15:57,640 --> 00:16:02,140 - WHAT DO YOU DO? - I'M JUST A HOLLYWOOD STUNTMAN IN BETWEEN PICTURES. 271 00:16:02,140 --> 00:16:04,900 - SO I TRY TO SWEET-TALK 'EM. - AND IF THAT DOESN'T WORK? 272 00:16:04,900 --> 00:16:09,150 WELL, HOPEFULLY, I FALL BACK ON SOME OF THE STUNTS AND TRICKS I'VE LEARNED OVER THE YEARS. 273 00:16:09,150 --> 00:16:13,350 LISTEN, LEVEL WITH ME, COLT. DO YOU EVER REALLY HAVE TO LOAD THAT GUN OF YOURS? 274 00:16:13,360 --> 00:16:15,330 OH, SURE. 275 00:16:15,820 --> 00:16:17,610 WHEN I GO HUNTING. 276 00:16:24,030 --> 00:16:26,670 - LOOK OUT! - [ Tires Screech ] 277 00:16:27,840 --> 00:16:29,750 BOY, THIS JUST ISN'T YOUR DAY. 278 00:16:30,260 --> 00:16:32,470 IT'S NOT HIS EITHER. LOOK AT HIM WEAVE. 279 00:16:33,710 --> 00:16:37,680 - [ Woman Giggling ] - WOW, IS THIS A GOOD TIME. 280 00:16:39,770 --> 00:16:41,780 - LOOK OUT! - [ Tires Screech ] 281 00:16:41,770 --> 00:16:43,850 OH, GEEZ! 282 00:16:45,440 --> 00:16:48,610 YOU HIT HIM! YOU HIT THE BOY! 283 00:16:50,060 --> 00:16:53,280 [ Colt ] BREAKER! BREAKER! ANYBODY. THIS IS AN EMERGENCY. 284 00:16:53,280 --> 00:16:57,060 ACCIDENT AT YUCCA AND GOWER. WE GOT A CHILD DOWN IN THE STREET. WE NEED THE PARAMEDICS. 285 00:17:02,990 --> 00:17:05,740 DON'T MOVE, SON. YOU'LL BE ALL RIGHT. 286 00:17:05,740 --> 00:17:08,080 JUST DON'T MOVE RIGHT NOW. OKAY? 287 00:17:08,580 --> 00:17:12,550 I'M A DOCTOR. WILL YOU LET ME HAVE A LOOK AT HIM? GREAT, DOC. JUMP IN THERE. 288 00:17:12,550 --> 00:17:16,880 I'LL CHECK TO SEE IF WE GOT AN AMBULANCE ON THE WAY. YOU'RE IN GOOD HANDS NOW, KID. 289 00:17:27,680 --> 00:17:31,230 I KNOW. I KNOW. THEY'RE ALL FALSE ARRESTS. RIGHT, FELLAS? 290 00:17:31,230 --> 00:17:33,230 [ Chuckling ] 291 00:17:33,240 --> 00:17:37,330 - OH, HI, BILL. - HI, BIG JACK. WHAT BRINGS YOU TO THE SLUMS TODAY? 292 00:17:37,320 --> 00:17:40,610 A JOHN CRAMER. EVERYTHING IS TAKEN CARE OF. 293 00:17:40,610 --> 00:17:42,610 YEAH, EVERYTHING IS HERE. 294 00:17:43,110 --> 00:17:46,110 I'LL HAVE HIM BROUGHT UP RIGHT AWAY. GOOD. 295 00:17:46,620 --> 00:17:50,010 OKAY, LET'S SEE NOW. YOU WANT A ROOM WITH A BATH, RIGHT? 296 00:17:52,120 --> 00:17:54,120 [ Big Jack ] WELL, I HAVE TO WAIT FOR HIM HERE. 297 00:17:54,120 --> 00:17:56,590 WAIT A MINUTE. I'LL CALL YOU BACK. 298 00:17:57,090 --> 00:17:58,590 MR. CRAMER. SAMANTHA JACK. 299 00:17:59,090 --> 00:18:03,430 OH. OH, YEAH. WELL, YOU CERTAINLY TOOK A LONG TIME GETTING ME OUT. 300 00:18:03,430 --> 00:18:08,390 BELIEVE ME, MR. CRAMER, I DON'T ENJOY SITTING AROUND FOR FOUR HOURS ANY MORE THAN YOU DO. 301 00:18:08,390 --> 00:18:12,020 NOW, YOU UNDERSTAND, YOU MUST STAY NEARBY UNTIL YOUR ARRAIGNMENT. 302 00:18:12,520 --> 00:18:14,020 ARE YOU DOUBTING ME? 303 00:18:14,030 --> 00:18:19,040 NO. BUT YOU HAVE BEEN ARRESTED ON A FELONY HIT-AND-RUN AND IT'S A VERY SERIOUS OFFENSE. 304 00:18:19,030 --> 00:18:21,950 JACK, YOU CHECKED MY CREDENTIALS. 305 00:18:21,950 --> 00:18:25,950 I'M A LAWMAN AND A VERY SUBSTANTIAL CITIZEN. 306 00:18:25,950 --> 00:18:29,370 YES, IT SEEMS THAT YOU DO OWN HALF A TOWN-- ELMO, ARIZONA. 307 00:18:29,370 --> 00:18:32,160 AND I'M SORRY-- YOU WILL HAVE TO STAY HERE IN TOWN. 308 00:18:32,660 --> 00:18:34,160 MISS JACK, I'LL KEEP MY COMMITMENT. 309 00:18:34,660 --> 00:18:37,160 I HAVE NO INTENTION OF LEAVING TOWN. YOU HAVE MY LOCAL ADDRESS. 310 00:18:37,170 --> 00:18:40,680 YES, THE PRESIDENTIAL SUITE AT THE BEVERLY HILLS HOTEL. 311 00:18:41,170 --> 00:18:44,170 COULD I ADVISE YOU TO RETAIN, UH, A LOCAL COUNSEL? 312 00:18:44,170 --> 00:18:47,390 OH, I'VE ALREADY MADE ARRANGEMENTS. THANK YOU. THANK YOU, YES. 313 00:18:47,390 --> 00:18:50,390 THAT WAS A TERRIBLE THING THAT HAPPENED. 314 00:18:50,400 --> 00:18:54,410 MISS JACK, I CAN'T TELL YOU WHAT AN EXCEPTION THAT WAS. 315 00:18:54,400 --> 00:18:58,400 I HAVE A VERY CORRECT AND PROPER LIFESTYLE. BELIEVE ME. 316 00:18:58,400 --> 00:19:02,110 MR. CRAMER, IF I DIDN'T BELIEVE YOU, I WOULDN'T BE HERE. 317 00:19:02,110 --> 00:19:04,410 COULD I GIVE YOU A LIFT BACK TO THE HOTEL? NO, NO. 318 00:19:04,410 --> 00:19:06,910 I DON'T WANT TO TAKE YOU OUT OF YOUR WAY. I'LL CALL A TAXI. 319 00:19:06,910 --> 00:19:12,250 THANK YOU. ALL RIGHT. BUT I'LL SEE YOU BEFORE THE ARRAIGNMENT. BYE. 320 00:19:18,260 --> 00:19:20,760 PRESIDENTIAL SUITE, PLEASE. 321 00:19:20,760 --> 00:19:24,760 ESTHER. YEAH, I'M OUT. I'LL BE RIGHT THERE. 322 00:19:25,760 --> 00:19:29,850 ♪ [ Country ] 323 00:19:32,440 --> 00:19:36,020 WE SURE SEEN A LOT OF WILD PLACES, COLT. WELL, WE'RE GONNA SEE ONE MORE. 324 00:19:46,200 --> 00:19:48,990 ♪ [ Continues ] 325 00:19:50,990 --> 00:19:53,820 - SORRY, SHOW'S SOLD OUT. - IT'S OKAY, MELODY. HE'S WITH ME. 326 00:19:53,830 --> 00:19:56,970 COLT, HONEY. WHERE HAVE YOU BEEN? BEEN WORKING ON A COBURN FILM. 327 00:19:57,460 --> 00:20:00,210 RIGHT NOW, I'M LOOKIN' FOR COUNTRY JOE WALKER. IS HE AROUND? 328 00:20:00,220 --> 00:20:03,060 BACK IN THE DRESSING ROOM. BUT YOU DON'T WANT TO SEE HIM. 329 00:20:03,050 --> 00:20:05,500 HE'S GOT A MEAN BUNCH WITH HIM. YEAH, I'VE HEARD. 330 00:20:05,500 --> 00:20:07,420 BABYSIT THE KID, OKAY? HEY, UH-- 331 00:20:07,920 --> 00:20:11,430 COME ON, HON. ON THE OTHER HAND, A MAN'S GOTTA KNOW WHEN TO TAKE ORDERS, RIGHT? 332 00:20:11,430 --> 00:20:13,430 WE'RE PARTNERS. 333 00:20:24,610 --> 00:20:26,410 [ Woman Gasps ] WHAT DO YOU WANT? 334 00:20:27,690 --> 00:20:30,080 EXCUSE ME, MA'AM. IS EVERYTHING ALL RIGHT? 335 00:20:30,080 --> 00:20:32,280 - WHO ARE YOU? - CLUB SECURITY. 336 00:20:32,780 --> 00:20:35,580 I DIDN'T SEND FOR YOU. GET OUT OF HERE! THANK YOU, MA'AM. 337 00:20:36,080 --> 00:20:38,590 [ Woman ] HELLO? HELLO? GET ME THE MANAGER. 338 00:20:38,590 --> 00:20:40,870 ♪ [ Continues ] 339 00:20:40,870 --> 00:20:43,340 [ Chattering, Laughing ] 340 00:20:43,340 --> 00:20:46,210 HEY, JOE. SOAPY ASKED ME TO HAVE A WORD WITH YOU. 341 00:20:47,960 --> 00:20:50,680 - UH, GOTTA BE GOIN', COLT. - I WISH YOU WOULDN'T. 342 00:20:50,680 --> 00:20:52,680 THINGS'LL BE WORKED OUT. YOU JUST STAY CLEAR. 343 00:20:54,440 --> 00:20:58,480 - WHY DON'T YOU COME ON BACK WITH ME? - UH, IT WAS BETWEEN ME AND DOC. 344 00:20:58,470 --> 00:21:01,860 WELL, THAT'S NOT EXACTLY TRUE ANYMORE. YOU'VE GOT THE POLICE INVOLVED. 345 00:21:01,860 --> 00:21:05,730 MAYBE I CAN GET DOC TO DROP THE ASSAULT CHARGE. YOU'RE NOT GETTING THE SIGNAL. 346 00:21:05,730 --> 00:21:08,450 DOC IS NO LONGER INVOLVED IN JOE'S CAREER. 347 00:21:08,450 --> 00:21:10,980 I AM NOW MANAGING MR. WALKER. 348 00:21:10,990 --> 00:21:12,880 OH. NEW MANAGER. 349 00:21:13,370 --> 00:21:18,460 NOW I'M GETTING A CLEAR PICTURE. WHICH ONE OF THESE TURKEYS REALLY BEAT UP DOC? 350 00:21:18,460 --> 00:21:20,880 THAT'S IT, DUDE-- HEY, HEY. LET HIM BE. LET HIM BE. 351 00:21:21,380 --> 00:21:24,750 LISTEN. YOU TELL MISS SAMANTHA SHE'S GONNA GET HER BAIL MONEY BACK. YOU GOT MY WORD ON THAT. 352 00:21:24,750 --> 00:21:27,220 WHAT ABOUT THE COURT, JOE? YOU GOTTA TURN YOURSELF IN. 353 00:21:27,220 --> 00:21:29,640 I THINK WE'VE BEEN REASONABLE. 354 00:21:29,640 --> 00:21:33,220 HOWEVER, IF THIS GENTLEMAN INSISTS ON BUTTING IN TO MY CLIENT'S BUSINESS, 355 00:21:33,230 --> 00:21:35,150 BREAK HIS HEAD OPEN. 356 00:21:35,640 --> 00:21:37,640 JOE-- 357 00:21:39,560 --> 00:21:42,400 YOU REMEMBER WHAT MY ASSOCIATE HERE DID TO DOC RYDER'S JAW? 358 00:21:42,400 --> 00:21:44,650 WELL, HE'S MY WEAKER BROTHER. 359 00:21:46,820 --> 00:21:50,990 AT THE PRICE OF GOLD, I HOPE YOU CAREFULLY REMEMBER WHERE YOUR TEETH LAND. 360 00:21:51,690 --> 00:21:53,830 [ Grunts ] 361 00:21:54,700 --> 00:21:58,030 [ Screams ] GET ME THE MANAGER! 362 00:21:58,030 --> 00:22:00,950 - DO I DO THE SAME TO YOU, OR DO YOU GET THE IDEA? - HE JUST BROKE THE DOOR DOWN! 363 00:22:00,950 --> 00:22:02,920 COME ON. [ Woman ] YES! YES! 364 00:22:03,420 --> 00:22:06,840 I WON'T STAY HERE ANOTHER MINUTE WITH ALL THIS STUFF GOING ON. NO, I ABSOLUTELY WILL NOT! 365 00:22:06,840 --> 00:22:10,510 - [ Hammer Cocks ] - NO, THIS IS A DIFFERENT SEX MANIAC! 366 00:22:10,510 --> 00:22:12,880 [ Screams, Gasps ] 367 00:22:12,880 --> 00:22:15,880 EXCUSE ME, MA'AM. OH, IT'S YOU AGAIN. 368 00:22:15,880 --> 00:22:19,220 I'D, UH, GET THIS DOOR FIXED. WHAT'S A GIRL TO DO? 369 00:22:19,220 --> 00:22:22,020 ♪ [ Continues ] [ Patrons Exclaiming ] 370 00:22:24,360 --> 00:22:26,690 HEY, YOU OWE ME FOR THAT, PAL! 371 00:22:29,780 --> 00:22:32,570 DON'T JUST SIT THERE. HELP ME. WHOA! 372 00:22:36,660 --> 00:22:38,880 [ All Shouting ] 373 00:22:41,040 --> 00:22:44,240 [ Tires Screeching ] 374 00:22:44,250 --> 00:22:46,260 JOE! COME BACK HERE! 375 00:22:52,140 --> 00:22:54,470 [ Grunting ] 376 00:22:54,470 --> 00:22:57,220 [ Siren Wails ] 377 00:22:57,230 --> 00:23:00,270 NOT THE MOUTH! NOT THE MOUTH! NOT THE BEAUTIFUL SMILE! 378 00:23:00,260 --> 00:23:02,260 HOLD IT! GLAD TO, OFFICER. GLAD TO. 379 00:23:02,260 --> 00:23:04,260 HE'S ALL YOURS. WHAT'S THIS? 380 00:23:04,270 --> 00:23:06,110 IT'S A FUGITIVE WARRANT. 381 00:23:06,100 --> 00:23:08,240 I SEE WE GOT OUR MAN. 382 00:23:10,320 --> 00:23:12,320 YEAH, WE DID. 383 00:23:13,110 --> 00:23:14,990 YEAH, OKAY. 384 00:23:15,490 --> 00:23:17,240 OFFICER, HE'S ALL YOURS. 385 00:23:17,250 --> 00:23:19,120 NO, YOU'RE WRONG. 386 00:23:19,610 --> 00:23:21,110 HE'S ALL YOURS. 387 00:23:21,620 --> 00:23:25,620 WAIT A MINUTE. WOULDN'T YOU GUYS LIKE A NICE FUGITIVE COLLAR FOR YOUR RECORD? 388 00:23:25,620 --> 00:23:28,590 THERE'S NO COLLAR IN THIS FOR US, MR. BOUNTY HUNTER. 389 00:23:29,090 --> 00:23:32,680 SEE, WE ARRESTED HIM ONCE BEFORE AND THE COURT LET HIM GO. HE'S YOUR PROPERTY. 390 00:23:32,680 --> 00:23:36,630 YOU CAN SPEND YOUR NIGHT SHUFFLING HIM BACK AND FORTH BETWEEN THE COURTHOUSE AND JAIL. 391 00:23:37,130 --> 00:23:39,130 COME ON, NELSON. LET'S GET OUTTA HERE. 392 00:23:40,440 --> 00:23:43,360 JOE, I'M GONNA GET YOU FOR THIS. 393 00:23:43,860 --> 00:23:46,620 'CAUSE I GOT A 5:00 CALL IN THE MORNING. 394 00:23:46,610 --> 00:23:49,940 LET ME TURN MYSELF IN. I DIDN'T HIT DOC RYDER. IT WAS THOSE TWO DUDES, MAN. 395 00:23:49,950 --> 00:23:51,960 THEM BIG DUDES. 396 00:23:51,950 --> 00:23:55,200 NO, BUT IT WAS YOU WHO RAN OUT ON YOUR HEARING. 397 00:23:58,370 --> 00:24:00,320 YOU SAW 'EM. YOU CHASED 'EM OFF. 398 00:24:00,820 --> 00:24:03,620 WHAT WOULD YOU HAVE DONE IN MY PLACE? GIVE ME A BREAK, COLT. 399 00:24:06,290 --> 00:24:10,460 LET ME TURN MYSELF IN. IF I DON'T, THEY'RE GONNA LOCK ME UP FOR A LONG TIME. 400 00:24:10,470 --> 00:24:12,180 WEEKS AND WEEKS. 401 00:24:13,340 --> 00:24:16,230 ALL RIGHT. I'LL TELL YOU WHAT I'LL DO. 402 00:24:16,220 --> 00:24:19,470 I'LL HOLD THAT BIG CADILLAC OF YOURS UNTIL YOU CLEAR YOURSELF WITH THE COURT. 403 00:24:19,470 --> 00:24:23,390 BUT I'M ONLY DOING IT TO SPARE MYSELF FROM SHUFFLING PAPERS ALL NIGHT. 404 00:24:23,400 --> 00:24:25,740 OTHERWISE, I'D LET YOU SIT AND SPIN FOR RUNNING OUT ON ME. 405 00:24:27,150 --> 00:24:29,650 LISTEN. YOU'RE A REAL FRIEND. 406 00:24:29,650 --> 00:24:31,650 AND I REALLY APPRECIATE IT. 407 00:24:33,660 --> 00:24:36,170 KID, GIVE HIM A RIDE DOWNTOWN. IN HIS CAR. 408 00:24:36,660 --> 00:24:38,160 RIGHT, PARTNER. 409 00:24:38,660 --> 00:24:41,160 OH, LOOK, IS THERE ANY HURRY IN GETTING BACK TO YOUR PLACE? 410 00:24:41,660 --> 00:24:45,170 THAT LITTLE LADY ACROSS THE STREET SEEMED REAL FRIENDLY, 411 00:24:45,170 --> 00:24:47,450 AND I FIGURED IT'D BE GOOD TO START MAKING LOCAL CONTACTS. 412 00:24:47,950 --> 00:24:51,450 YEAH, WELL, JUST DON'T WAKE ME WHEN YOU COME IN... ALONE. 413 00:25:55,900 --> 00:25:57,690 WHAT IS IT, FELLAS? 414 00:25:57,690 --> 00:25:59,490 WE WANT COUNTRY JOE. 415 00:25:59,990 --> 00:26:02,490 YOU FOLLOWED THE WRONG VEHICLE. HE'S IN THE OTHER ONE. 416 00:26:02,490 --> 00:26:05,250 RIGHTEOUS TOLD ME HE SAW YOU CUFF HIM AND PUT HIM IN THE TRUCK. 417 00:26:05,250 --> 00:26:08,830 WHILE HE WAS TELLIN' YOU THAT, I UNCUFFED HIM AND HE LEFT IN HIS OWN CAR. 418 00:26:08,830 --> 00:26:11,750 SO WOULD YOU MIND GOING HOME SO I COULD GET SOME SLEEP? 419 00:26:12,250 --> 00:26:15,590 WELL, WE'D LIKE TO SEE FOR OURSELVES. BE MY GUEST. 420 00:26:17,960 --> 00:26:20,760 OH, MR. SEAVERS, IF YOU LOOK THROUGH THAT SIDE WINDOW, 421 00:26:20,760 --> 00:26:24,970 YOU'LL NOTICE RIGHTEOUS THERE HAS A GUN POINTED AT YOU. 422 00:26:31,640 --> 00:26:34,440 NO HARD FEELINGS, UH, FROM EARLIER TONIGHT, I HOPE. 423 00:26:34,440 --> 00:26:39,030 NOW, IF YOU'LL BE GOOD ENOUGH TO STEP DOWN AND LEAVE YOUR GUN ON THE SEAT. 424 00:26:50,460 --> 00:26:52,290 YOU'RE THE MANAGER. 425 00:26:52,290 --> 00:26:55,460 - NOW, WHERE'S COUNTRY JOE? - HE'S TURNING HIMSELF IN. 426 00:26:55,460 --> 00:26:58,970 - YOU DON'T EXPECT ME TO BELIEVE THAT. - IT'S CALLED HONESTY. 427 00:26:58,970 --> 00:27:00,970 I MEAN, YOU SHOULD BE PLEASED. 428 00:27:00,970 --> 00:27:03,800 IT'S HARD TO BOOK A GUY WHEN YOU CAN'T USE HIS REAL NAME. 429 00:27:03,810 --> 00:27:06,680 SMART BOY. 430 00:27:06,670 --> 00:27:10,010 SHOW HIM HOW WE HANDLE SMART BOYS. 431 00:27:10,010 --> 00:27:13,230 [ Groaning ] 432 00:27:15,650 --> 00:27:17,650 ♪ [ Classical ] 433 00:27:17,650 --> 00:27:20,150 [ Punches Landing ] [ Groaning Continues ] 434 00:27:36,920 --> 00:27:40,370 [ Punches Continue Landing ] [ Groaning Continues ] 435 00:27:45,350 --> 00:27:47,350 [ Punch Lands ] [ Body Thuds ] 436 00:27:47,350 --> 00:27:50,130 - [ Colt Groans ] - ♪ [ Stops ] 437 00:27:51,140 --> 00:27:54,950 NOW THEN, MR. SEAVERS, ARE WE READY FOR A LITTLE MORE CANDOR? 438 00:27:54,940 --> 00:27:56,860 [ Groaning ] 439 00:27:57,360 --> 00:28:00,360 JUST WHAT DID COUNTRY JOE PAY YOU OR TRADE YOU TO LET HIM GO? 440 00:28:01,860 --> 00:28:03,700 HIS WORD. 441 00:28:03,700 --> 00:28:07,980 HOW MUCH DID HE TELL YOU? AND WHAT DID HE PROMISE YOU TO TURN HIM LOOSE? 442 00:28:07,990 --> 00:28:12,880 LOOK, WHAT DO YOU WANT? YOU DON'T JUST DO THIS FOR SOME SMALL-TIME COUNTRY SINGER. 443 00:28:14,330 --> 00:28:16,050 WHEN YOU'RE RIGHT, YOU'RE RIGHT. 444 00:28:16,040 --> 00:28:18,710 [ Groaning ] 445 00:28:18,710 --> 00:28:22,420 GET RID OF MR. SEAVERS. DON'T MAKE IT ANY EASIER ON THE POLICE THAN WE HAVE TO. 446 00:28:22,420 --> 00:28:25,500 USE HIS OWN GUN. YOU WON'T HAVE TO GET RID OF THAT FINE PIECE OF YOURS. 447 00:28:25,500 --> 00:28:29,840 WAIT A MINUTE. YOU DON'T JUST CUT A MAN DOWN WITH HIS OWN GUN. 448 00:28:31,510 --> 00:28:34,560 WHAT KIND OF GUYS ARE YOU? 449 00:28:40,180 --> 00:28:42,190 [ Shouts ] 450 00:28:43,990 --> 00:28:45,770 DUMP THE GUN. 451 00:28:51,700 --> 00:28:53,920 GOOD NIGHT, SUCKER. 452 00:28:58,620 --> 00:29:01,370 [ Engine Starts ] 453 00:29:21,940 --> 00:29:25,280 I GUESS I HAD TO SPEND HALF THE NIGHT HELPING YOU TURN YOURSELF IN. 454 00:29:25,280 --> 00:29:28,280 YOU REALLY KNOW HOW TO MAKE A GUY FEEL BAD, DON'T YOU? 455 00:29:28,280 --> 00:29:31,900 - DIDN'T YOU HAVE EYES ON THAT LADY BACK AT THE CLUB? - THERE'S ALWAYS ANOTHER LADY. 456 00:29:31,900 --> 00:29:34,070 - RIGHT? - WRONG. 457 00:29:34,070 --> 00:29:38,410 LISTEN. I PUT YOU AND COLT THROUGH ENOUGH ALREADY. THANK COLT FOR GIVING ME THIS CHANCE. 458 00:29:38,410 --> 00:29:42,330 IF I WERE YOU, I'D GO BACK AND CHECK THAT LADY OUT AT THE PALOMINO. 459 00:29:42,330 --> 00:29:44,830 I'LL SEE YOU LATER. 460 00:30:01,350 --> 00:30:04,350 [ Rings ] 461 00:30:05,350 --> 00:30:07,320 - HELLO. - HI, BABY. 462 00:30:07,320 --> 00:30:10,860 - OH, JOE, WHERE ARE YOU? - I'M AT THE JAIL. I'M TURNING MYSELF IN. 463 00:30:10,860 --> 00:30:15,160 WHAT KIND OF TROUBLE ARE YOU IN? THERE'S SOME MEN OUTSIDE. THEY'RE THERE RIGHT NOW. 464 00:30:15,160 --> 00:30:18,110 - WELL, I GOTTA TURN MYSELF IN. - NO, YOU GOTTA GET OUTTA TOWN. 465 00:30:18,120 --> 00:30:21,130 NOW, LOOK, THOSE MEN ARE LOOKING FOR YOU, 466 00:30:21,120 --> 00:30:24,620 AND THEY TOLD ME TO TELL YOU THAT THEY'RE GONNA KILL ME AND THE BABY. 467 00:30:24,620 --> 00:30:28,010 NOW, WHAT IS IT THEY WANT? WHAT KIND OF TROUBLE ARE YOU MIXED UP IN? 468 00:30:28,010 --> 00:30:31,010 HEY, I CAN'T TELL YOU RIGHT NOW, BUT I'LL TELL YOU WHAT. 469 00:30:31,010 --> 00:30:33,800 PACK UP SOME THINGS, TAKE THE BABY AND GO TO YOUR MOTHER'S HOUSE. 470 00:30:33,800 --> 00:30:36,630 I'LL SEE YOU THERE A LITTLE LATER. NO, JOE, WAIT. 471 00:30:37,140 --> 00:30:38,650 L-- Y-YOU GOTTA GET HELP. YOU-- 472 00:30:39,140 --> 00:30:42,440 [ Click, Buzzing ] JOE? JOE? 473 00:31:27,350 --> 00:31:29,770 ♪ [ Whistling ] 474 00:31:37,580 --> 00:31:39,860 COLT! YO, COLT! 475 00:31:39,860 --> 00:31:42,330 HEY, COLT, AREN'T YOU UP YET? 476 00:31:42,330 --> 00:31:45,840 COLT! HEY! DO YOU KNOW WHAT TIME IT IS? [ Moaning ] 477 00:31:48,340 --> 00:31:50,670 LORD ALMIGHTY. 478 00:31:50,680 --> 00:31:53,890 - WHAT HAPPENED TO YOU? - THEY LEFT ME FOR DEAD. 479 00:31:53,880 --> 00:31:56,600 WELL, YOU LOOK IT. DID YOU CALL THE POLICE? 480 00:31:56,600 --> 00:31:58,430 DON'T ASK SO MANY QUESTIONS. 481 00:31:58,430 --> 00:32:01,470 - COLT, I THINK WE OUGHTA GET YOU TO A DOCTOR. - MM-MMM. 482 00:32:01,470 --> 00:32:04,470 WE GOTTA GET TO THE STUDIO. JODY'S MAKING A JUMP THIS MORNING. 483 00:32:04,470 --> 00:32:07,270 - SHE MUST BE GOING CRAZY. - WHAT HAPPENED? WHY? 484 00:32:07,280 --> 00:32:09,790 TAKE MY WORD FOR IT-- THE LESS YOU KNOW, THE BETTER. 485 00:32:10,280 --> 00:32:12,280 [ Rings ] 486 00:32:13,280 --> 00:32:16,150 - HELLO. - ALL RIGHT, COLT. 487 00:32:16,150 --> 00:32:19,400 I'LL GIVE YOU EXACTLY 10 SECONDS TO TELL ME WHAT YOU DID WITH COUNTRY JOE. 488 00:32:19,400 --> 00:32:21,960 - WHAT I DID WITH HIM? - THE BAILIFF GOT A CALL... 489 00:32:22,460 --> 00:32:24,960 THAT YOU HAD JOE IN CUSTODY AND YOU WERE BRINGING HIM IN. 490 00:32:25,460 --> 00:32:27,790 HE NEVER SHOWED. NOW, WHAT HAPPENED? 491 00:32:27,800 --> 00:32:32,060 I HAVEN'T GOT TIME TO EXPLAIN RIGHT NOW, BUT IF IT'S ANY CONSOLATION, I'VE GOT HIS CAR. 492 00:32:32,050 --> 00:32:35,920 - THAT SHOULD PAY FOR HIS BOND. - YOU HAVE HIS CAR? 493 00:32:35,920 --> 00:32:37,750 OH, COLT. 494 00:32:37,760 --> 00:32:41,230 HOW COULD I HAVE DOUBTED YOU? 495 00:32:41,230 --> 00:32:43,020 WHY DIDN'T YOU TELL ME? 496 00:32:43,010 --> 00:32:44,980 I JUST DID. 497 00:32:44,980 --> 00:32:48,310 I'LL GET IT IN TO YOU BEFORE THE END OF THE DAY, BUT I GOTTA RUN RIGHT NOW. 498 00:32:48,320 --> 00:32:51,030 YOU MEAN THAT SON OF A GUN WENT BACK ON HIS WORD? 499 00:32:51,020 --> 00:32:52,940 SHOCKING, AIN'T IT? 500 00:32:53,440 --> 00:32:56,240 AT LEAST WE GOT HIS CAR. THAT'LL PAY FOR SOAPY AND THE BOND. 501 00:32:56,240 --> 00:32:59,610 COLT, HOW DO YOU KNOW THAT COUNTRY JOE'S CAR IS PAID FOR? 502 00:33:00,110 --> 00:33:01,610 'CAUSE I WAS WITH HIM WHEN HE BOUGHT IT... 503 00:33:01,610 --> 00:33:04,110 WHILE I WAS WORKING WITH HIM ON A TV SHOW. 504 00:33:07,620 --> 00:33:10,620 WELL, WHERE IS IT, KID? IT WAS RIGHT HERE! 505 00:33:10,620 --> 00:33:14,120 COLT, I SWEAR IT WAS RIGHT THERE LESS THAN 15 MINUTES AGO. 506 00:33:18,130 --> 00:33:21,130 COLT, I DROVE IT UP HERE AND PARKED IT MYSELF. 507 00:33:21,130 --> 00:33:24,630 I MEAN, HEY, A CAR DOESN'T JUST UP AND WALK AWAY. 508 00:33:35,530 --> 00:33:37,810 COME ON, COLT. SAY SOMETHING. 509 00:33:38,320 --> 00:33:40,830 KID, IF YOU THINK YOU FEEL BAD THIS MORNIN', 510 00:33:41,320 --> 00:33:43,820 YOU OUGHTA TRY MAKIN' A SMILE THROUGH THIS FACE OF MINE. 511 00:33:44,320 --> 00:33:45,820 I CAN IMAGINE. 512 00:33:46,320 --> 00:33:48,830 LOOK, I'M NOT CHANGING MY MIND ABOUT WORKIN' WITH YOU OR ANYTHING. 513 00:33:49,330 --> 00:33:51,160 BUT DO YOU GET BEAT UP LIKE THIS OFTEN? 514 00:33:51,160 --> 00:33:53,630 NO, I USUALLY BREEZE THROUGH SLICK AS A WHISTLE... 515 00:33:53,630 --> 00:33:55,470 USING STUNTS I'VE LEARNED IN THE MOVIES. 516 00:33:55,470 --> 00:33:57,880 WELL, WHAT WENT WRONG LAST NIGHT? 517 00:33:57,890 --> 00:34:00,400 NOTHING. PRACTICALLY WENT PERFECT. 518 00:34:00,890 --> 00:34:03,390 THAT'S HOW YOU LOOK AFTER AN ALMOST PERFECT NIGHT? 519 00:34:03,390 --> 00:34:06,390 KID, STUNTMEN LIVE BY A RULE OF THUMB. 520 00:34:06,390 --> 00:34:09,650 ANY STUNT THEY CAN WALK AWAY FROM, THEY'RE A WINNER. 521 00:34:09,650 --> 00:34:13,430 YEAH, MAYBE, BUT I DON'T SEE HOW YOU'RE GONNA DO ANY WORK THIS MORNING. 522 00:34:13,430 --> 00:34:16,770 WELL, I'M NOT STUNTING THIS MORNING. I'M GAFFING A FALL FOR JODY. 523 00:34:16,770 --> 00:34:20,070 JODY'S A STUNTMAN, TOO? GONNA BE THE BEST ONE OF THESE DAYS. 524 00:34:20,070 --> 00:34:23,360 [ Jody On Radio ] BREAKER, BREAKER. CALLING FALL GUY. FALL GUY, DO YOU READ? 525 00:34:23,360 --> 00:34:26,080 YEAH, JODY, THIS IS FALL GUY. SORRY I'M LATE. 526 00:34:26,080 --> 00:34:28,700 WHAT'S YOUR STATUS? CAN THEY SHOOT AROUND YOU? I SHOULDN'T BE TOO MUCH LONGER. 527 00:34:29,200 --> 00:34:30,700 [ Jody ] I'M GONNA HAVE TO GO WITHOUT YOU. 528 00:34:30,700 --> 00:34:33,840 - [ Colt ] IS EVERYTHING SET UP JUST LIKE I SAID? - NOT EXACTLY. 529 00:34:33,840 --> 00:34:36,040 WHAT DO YOU MEAN? EITHER IT IS OR IT ISN'T. 530 00:34:36,040 --> 00:34:39,340 - THE DIRECTOR WANTS THE JUMP TO GO THROUGH AN AWNING. - WELL, FORGET IT. 531 00:34:39,340 --> 00:34:43,180 COLT, IF I DON'T DO IT, THEY'RE GONNA GET SOMEBODY ELSE. I CAN'T LET YOU WRECK MY CAREER. 532 00:34:43,180 --> 00:34:46,050 WRECK IT? I'M THE ONE THAT'S TRYING TO HELP YOU GET IT STARTED. 533 00:34:46,050 --> 00:34:49,970 - NOW IT'S TIME FOR ME TO BE MAKING IT ON MY OWN. - AW, THAT LITTLE RUNT! 534 00:34:49,970 --> 00:34:52,440 WE GOTTA GET OVER THERE QUICK. 535 00:34:52,440 --> 00:34:55,560 [ Big Jack On Phone ] MR. CRAMER? OH, YOU'RE STILL THERE. 536 00:34:55,560 --> 00:34:59,810 [ Laughs ] OF COURSE I'M HERE, MRS. JACK. WHERE ELSE WOULD I GO? 537 00:34:59,810 --> 00:35:01,700 I'M JUST CHECKING. 538 00:35:01,700 --> 00:35:03,700 UM, I HAVE TO SEE YOU. 539 00:35:03,700 --> 00:35:08,700 UM, I HAVE SOME NEW PAPERS FOR YOU TO SIGN AND, UM, I'LL NEED SOME MORE MONEY. 540 00:35:08,710 --> 00:35:12,840 - I DON'T UNDERSTAND. - MR. CRAMER, THE BOY DIED. 541 00:35:12,830 --> 00:35:16,080 THE CHARGES HAVE BEEN RAISED TO MANSLAUGHTER, 542 00:35:16,080 --> 00:35:18,630 AND THIS MAKES THE BOND A LOT HIGHER. 543 00:35:18,630 --> 00:35:20,970 OH, UH-- 544 00:35:21,970 --> 00:35:24,970 GIVE ME THREE HOURS TO WIRE FOR MONEY. 545 00:35:24,970 --> 00:35:27,810 THEN I'LL BE HERE ALL AFTERNOON AND ALL EVENING. 546 00:35:27,810 --> 00:35:30,730 ALL RIGHT, FINE. THANK YOU. 547 00:35:32,810 --> 00:35:34,810 [ Whispers ] JESUS. 548 00:35:35,820 --> 00:35:39,320 WHAT ARE YOU DOING? I'M DOING WHAT YOU'RE ABOUT TO DO. 549 00:35:39,320 --> 00:35:41,320 PACKING TO GET OUT OF HERE. 550 00:35:41,320 --> 00:35:43,320 HERE'S $500. 551 00:35:43,320 --> 00:35:47,280 YOU GO ON DOWN TO FLORIDA, WHERE YOU HAD SUCH A GOOD TIME, TILL THIS THING BLOWS OVER. 552 00:35:47,280 --> 00:35:49,280 I CAN'T GO TO FLORIDA. 553 00:35:49,280 --> 00:35:52,780 I GAVE MY NAME TO THE POLICE AS A WITNESS, AND I PROMISED I'D SHOW UP IN COURT. 554 00:35:55,750 --> 00:35:58,750 UH, LOOK, HERE'S, UH, 555 00:35:58,760 --> 00:36:01,270 $1,500. 556 00:36:01,760 --> 00:36:04,510 I DON'T WANT TO EVER SEE YOUR FACE AGAIN. 557 00:36:21,280 --> 00:36:23,560 [ Woman ] WE'RE ALL SET, JODY. 558 00:36:23,560 --> 00:36:26,870 COLT CALLED FOR DOUBLE BAGS, TWICE THAT AREA. 559 00:36:28,200 --> 00:36:32,120 THAT WOULD OVERHANG THE AWNING AND RUIN THE DIRECTOR'S SHOT. 560 00:36:32,120 --> 00:36:34,120 HOW MUCH LONGER BEFORE WE GET GOING? 561 00:36:34,630 --> 00:36:36,140 I'D SAY ABOUT TWO MINUTES AT MOST. 562 00:36:36,630 --> 00:36:40,130 WE'RE GONNA ROLL IN ABOUT TWO MINUTES. OKAY, STAND BY FOR THE JUMP. 563 00:36:40,130 --> 00:36:42,380 WHICH LINE DOES SHE COME DOWN ON? 564 00:36:42,380 --> 00:36:45,170 SAM, WHAT ARE YOU DOIN'? WHAT DO YOU MEAN? SHOOTING A MOVIE. 565 00:36:45,170 --> 00:36:47,890 WHAT ARE YOU DOING? I'M SAVING YOUR TAIL AND JODY'S. 566 00:36:48,390 --> 00:36:51,590 BECAUSE IF THIS IS THE NEW JUMP, JODY AIN'T MAKIN' IT. IT'S ALL BEEN CHECKED OUT. 567 00:36:51,590 --> 00:36:54,310 DIANA SAID IT'S SAFE. SHE WANTS TO PLEASE YOU, SAM. 568 00:36:54,810 --> 00:36:56,810 AND YOU WON'T BE PLEASED. THESE AIR BAGS ARE TOO CLOSE TO THE BUILDING. 569 00:36:57,310 --> 00:36:59,820 THE ARC FROM THAT HEIGHT WILL CARRY HER RIGHT INTO YOUR CAMERA. 570 00:37:00,320 --> 00:37:01,820 COLT, COME HERE, WILL YA! 571 00:37:01,820 --> 00:37:06,740 WHAT ARE YA GONNA DO? I'VE GOT TWO QUALIFIED STUNTMEN ARGUING OVER THE SAME STUNT. 572 00:37:06,740 --> 00:37:09,080 I'M GOING WITH THE ONE I HIRED. 573 00:37:09,080 --> 00:37:11,740 DIANA, COLT SEAVERS SAYS THE STUNT ISN'T GAFFED RIGHT. 574 00:37:11,750 --> 00:37:15,590 WELL, I'LL DO IT MYSELF AND PROVE HE'S WRONG. NO, I'LL DO IT! 575 00:37:15,580 --> 00:37:17,580 TOO BAD. 576 00:37:17,590 --> 00:37:19,350 - YOU'VE JUST BEEN FIRED. - WHAT? 577 00:37:19,340 --> 00:37:22,840 I'LL BE READY IN A FEW MINUTES, BY THE TIME YOU FINISH THE SETUP. 578 00:37:23,340 --> 00:37:25,590 HOLD IT. GET OUT OF HERE, COLT! 579 00:37:25,590 --> 00:37:28,790 - WHAT'S GOING ON UP THERE? - SAM, CAN YOU HEAR ME? 580 00:37:28,800 --> 00:37:31,440 COLT, GET OFF THAT ROOF! NOW! 581 00:37:31,430 --> 00:37:33,350 NOT UNTIL WE SETTLE A LITTLE BET. 582 00:37:37,640 --> 00:37:39,860 WHAT'S HE DOING UP THERE? 583 00:37:39,860 --> 00:37:43,110 I'M GONNA LET THIS LIGHT STAND TAKE A FREE FALL STRAIGHT DOWN. 584 00:37:43,110 --> 00:37:45,190 IF YOU THINK YOU KNOW WHAT YOU'RE DOING, 585 00:37:45,200 --> 00:37:48,820 YOU STAY RIGHT THERE WHERE ALL THOSE THOUSANDS OF DOLLARS' WORTH OF EQUIPMENT ARE. 586 00:37:48,820 --> 00:37:51,830 WHAT IS HE TALKING ABOUT? I THINK HE'S GONNA DROP THAT LAMP. 587 00:37:52,320 --> 00:37:55,120 COLT, YOU DROP THAT THING ON ME AND I'LL RUN YOU OUT OF TOWN. 588 00:37:55,120 --> 00:37:57,040 IS THAT YOUR FINAL WORD? 589 00:37:57,040 --> 00:38:02,240 ANYBODY MOVES, THEY LEAVE THE LOT RIGHT ALONG WITH THIS GRANDSTAND COWBOY. 590 00:38:02,250 --> 00:38:05,340 YEAH, COLT, THAT'S MY FINAL WORD. 591 00:38:05,330 --> 00:38:07,970 I WAS AFRAID IT WOULD BE. 592 00:38:10,590 --> 00:38:12,590 HE'S CRAZY. HE'S GONNA DROP IT. 593 00:38:13,090 --> 00:38:15,170 [ All Chattering ] 594 00:38:15,180 --> 00:38:16,900 [ Man ] THERE'S NO WAY I'M STAYING! 595 00:38:16,890 --> 00:38:18,730 [ Woman Screams ] 596 00:38:28,660 --> 00:38:33,950 ALL RIGHT, EVERYBODY TAKE A-- A SHORT BREAK, HUH? TAKE FIVE! 597 00:38:33,940 --> 00:38:39,280 TELL COLT, UH, I'D LIKE TO BUY HIM A DRINK IN MY TRAILER. ALL RIGHT? 598 00:38:46,090 --> 00:38:48,340 [ Knocking ] 599 00:38:54,220 --> 00:38:56,230 HELLO. HELLO. 600 00:38:56,220 --> 00:38:58,720 I'M LOOKING FOR A MR. CRAMER. 601 00:38:58,720 --> 00:39:01,720 OH, THERE'S NO ONE REGISTERED IN THIS ROOM. 602 00:39:01,720 --> 00:39:04,720 I'M GETTING IT READY FOR THE NEW GUESTS. 603 00:39:04,730 --> 00:39:06,740 OH. 604 00:39:14,540 --> 00:39:19,050 HELLO, I'M TRYING TO FIND A MR. JOHN CRAMER. HAS HE CHANGED ROOMS? 605 00:39:20,540 --> 00:39:22,540 OH, HE CHECKED OUT. 606 00:39:22,540 --> 00:39:24,540 THANK YOU. 607 00:39:31,050 --> 00:39:33,050 HI, IT'S SAMANTHA. 608 00:39:33,050 --> 00:39:35,550 PULL THE PLUG ON CRAMER. HE SKIPPED. 609 00:39:35,560 --> 00:39:40,070 OH. FIND COLT SEAVERS AND TELL HIM TO MEET ME IN MY OFFICE AS SOON AS POSSIBLE. 610 00:39:46,820 --> 00:39:48,730 YOU RIDE OKAY, KID. 611 00:39:49,240 --> 00:39:52,740 I SPENT SIX MONTHS STUDYING CAVALRY AT WEST POINT. OH, YEAH, I FORGOT. 612 00:39:53,240 --> 00:39:55,740 SO, WHAT ARE YOU GONNA DO NOW THAT YOU'RE UNEMPLOYED? 613 00:39:56,240 --> 00:39:58,990 WHAT I ALWAYS DO WHEN I RUN OUT OF STUNT WORK. 614 00:40:03,750 --> 00:40:06,750 HI, BIG JACK. HI, COLT. COME SIT DOWN. 615 00:40:06,750 --> 00:40:08,750 WHO'S YOUR FRIEND? OH, A RELATIVE. 616 00:40:08,760 --> 00:40:10,770 HOWIE MUNSON, SAMANTHA JACK. HELLO. 617 00:40:10,760 --> 00:40:14,630 I SOMETIMES CALL HER SOAPY-- HER LIFE IS ONE CONTINUOUS SOAP OPERA. 618 00:40:14,630 --> 00:40:17,130 ALL RIGHT, WHAT'S THE SOB STORY THIS TIME? 619 00:40:17,630 --> 00:40:21,470 WELL, A GUY RAN DOWN A KID AND THEY GOT HIM ON A HIT-AND-RUN CHARGE. 620 00:40:21,970 --> 00:40:25,550 LITTLE BOY ON A BICYCLE, AND THE MAN WAS APPARENTLY DRUNK. 621 00:40:25,560 --> 00:40:27,480 THAT WOULDN'T BE THE ONE ON YUCCA NEAR GOWER? 622 00:40:27,470 --> 00:40:30,440 - HOW'D YOU KNOW? - WE SAW IT. 623 00:40:32,450 --> 00:40:35,820 WHY DID YOU GO TO BAT FOR A GUY WHO'D RUN DOWN A KID? 624 00:40:36,320 --> 00:40:37,820 BECAUSE HE WAS SOBER BY THE TIME I GOT TO HIM, 625 00:40:38,320 --> 00:40:40,650 AND HE CONVINCED ME THAT HE WAS A LAW-ABIDING CITIZEN. 626 00:40:40,650 --> 00:40:43,960 ORIGINALLY, HIS BAIL WAS ONLY $15,000... 627 00:40:43,960 --> 00:40:47,740 AND THE MAN, CRAMER, PAID ME HIS FEE IN CASH-- 1,500-- 628 00:40:47,750 --> 00:40:51,510 AND HE GAVE ME ARIZONA REFERENCES THAT MADE HIM SOLID GOLD. 629 00:40:52,880 --> 00:40:54,250 THEN THE KID DIED. 630 00:40:54,250 --> 00:40:57,300 - HE DIED? - I'M AFRAID SO. 631 00:40:57,300 --> 00:41:00,670 THEN THEY RAISED THE AMOUNT OF BAIL BECAUSE OF THE NEW MANSLAUGHTER CHARGE. 632 00:41:00,670 --> 00:41:04,510 I PHONED CRAMER AT THE HOTEL, AND HE AGREED TO THE HIGHER FEE. 633 00:41:05,010 --> 00:41:07,510 I COVERED THE BAIL, HAD NEW PAPERS DRAWN UP, 634 00:41:08,020 --> 00:41:11,330 BUT WHEN I GOT TO THE HOTEL, HE'D ALREADY CHECKED OUT. 635 00:41:11,320 --> 00:41:13,490 YOU MEAN YOU PAID HIS BAIL BEFORE YOU GOT HIS MONEY? 636 00:41:13,490 --> 00:41:16,320 JACK, YOU ALWAYS MANAGE TO LIVE UP TO YOUR NICKNAME. 637 00:41:16,320 --> 00:41:20,030 SHE FALLS FOR EVERY SOB STORY. I DON'T SEE HOW YOU STAY IN BUSINESS. 638 00:41:20,030 --> 00:41:22,950 MY FATHER WOULDN'T HAVE HANDLED THIS ONE ANY DIFFERENTLY. 639 00:41:23,450 --> 00:41:25,660 BESIDES, HE WAS STAYING AT THE BEVERLY HILLS HOTEL. 640 00:41:25,670 --> 00:41:27,790 THE PRESIDENTIAL SUITE. 641 00:41:29,620 --> 00:41:34,370 LOOK, NEEDLESS TO SAY, I'M OUT OVER $100,000 IF I DON'T PRODUCE HIM. 642 00:41:35,630 --> 00:41:38,890 I'LL PAY YOU 10,000 TO GO AND GET HIM. 643 00:41:42,880 --> 00:41:46,720 YOU SURE THAT THERE'S NOTHING ABOUT THIS CRAMER FELLA THAT YOU'RE NOT TELLING ME? 644 00:41:46,720 --> 00:41:50,720 - COLT, THERE IS NO CATCH. - OH, YES, THERE IS. THERE HAS TO BE. 645 00:41:50,720 --> 00:41:53,230 A SOLID-GOLD CITIZEN JUST RUNS OUT ON A BOND. 646 00:41:53,730 --> 00:41:55,730 - HE'S GOTTA KNOW YOU'RE GONNA COME AFTER HIM. - WELL, SOME PEOPLE PANIC. 647 00:41:56,230 --> 00:41:57,560 THEY'RE NOT AS BRAVE AS YOU. 648 00:41:57,560 --> 00:42:00,320 HERE IT COMES. I'M SERIOUS! 649 00:42:00,320 --> 00:42:05,240 FACING A MANSLAUGHTER CHARGE WAS APPARENTLY TOO MUCH FOR HIM. 650 00:42:05,240 --> 00:42:07,540 WHY ARE YOU ACTING SO SUSPICIOUS? 651 00:42:07,540 --> 00:42:12,160 BECAUSE I KNOW YOU. YOU ALWAYS LEAVE SOME LITTLE SURPRISE FOR AFTER I'VE TAKEN THE JOB. 652 00:42:12,160 --> 00:42:15,710 COLT, YOU DESERVE A SIMPLE ONE FOR A CHANGE. CAN'T YOU ACCEPT THAT? 653 00:42:15,720 --> 00:42:20,230 YOU'RE SURE HE'S NEVER BEEN ARRESTED OR SHOT HIS BROTHER-IN-LAW OR HIS DOG? 654 00:42:20,220 --> 00:42:22,300 EVEN IF IT NEVER GOT TO COURT OR WAS ACQUITTED? 655 00:42:22,310 --> 00:42:26,900 I CAN PERSONALLY GUARANTEE YOU THAT THIS MAN HAS NEVER BEEN ON THE WRONG SIDE OF THE LAW. 656 00:42:33,600 --> 00:42:35,600 HERE'S YOUR EXPENSE MONEY AND PHOTOGRAPH. 657 00:42:35,600 --> 00:42:37,600 GOOD LUCK. 658 00:42:37,600 --> 00:42:41,110 YOU KNOW, BIG JACK, THIS TIME I THINK YOU MADE A BAD DEAL. 659 00:42:41,110 --> 00:42:44,610 WHY? 'CAUSE I'D HAVE GONE AFTER THIS GUY FOR NOTHIN'. 660 00:42:48,120 --> 00:42:50,090 ♪ [ Fingers Snapping ] 661 00:42:50,080 --> 00:42:53,090 ♪ THEY'LL NEVER MAKE ME PRESIDENT ♪ 662 00:42:53,090 --> 00:42:55,590 ♪ BUT I GOT THE BEST FIRST LADIES ♪ 663 00:42:55,590 --> 00:42:59,590 ♪ SOME DAYS I'VE GOT 'EM AS FAR AS THE EYE CAN SEE ♪ 664 00:42:59,590 --> 00:43:01,090 ♪ OOH-WEE ♪ 665 00:43:01,100 --> 00:43:03,610 ♪ A MORNING DIVE WITH JACKIE SMITH ♪ 666 00:43:03,600 --> 00:43:06,100 ♪ I CRASH IN THE NIGHT WITH CHERYL ♪ 667 00:43:06,100 --> 00:43:11,300 ♪ BUT IN THE END THEY NEVER STAY WITH ME ♪ 668 00:43:11,310 --> 00:43:13,820 ♪ I MIGHT FALL FROM A TALL BUILDING ♪ 669 00:43:13,810 --> 00:43:16,810 ♪ SO BURT REYNOLDS DON'T GET HURT ♪ 670 00:43:16,810 --> 00:43:19,310 ♪ I MIGHT LEAP A MIGHTY CANYON ♪ 671 00:43:19,310 --> 00:43:22,310 ♪ SO HE CAN KISS AND FLIRT ♪ 672 00:43:22,320 --> 00:43:25,330 ♪ WHILE THAT SMOOTH TALKER'S KISSIN' MY GIRL ♪ 673 00:43:25,320 --> 00:43:27,320 ♪ I'M JUST KISSIN' DIRT ♪ 674 00:43:27,820 --> 00:43:30,320 ♪ YES I'M THE LONELY STUNTMAN ♪ 675 00:43:30,320 --> 00:43:33,330 ♪ THAT MADE A LOVER OUT OF BURT ♪ 676 00:43:33,330 --> 00:43:37,830 ♪ [ Women Vocalizing ] 677 00:43:37,830 --> 00:43:42,220 ♪ [ Ends ] 678 00:43:49,930 --> 00:43:54,600 YOU KNOW, I GOT A FUNNY FEELIN' ABOUT THIS CASE. WHY? 679 00:43:54,600 --> 00:43:57,520 ANYONE WHO CARRIES LOTS OF CASH AND STAYS AT THE BEVERLY HILLS HOTEL... 680 00:43:57,520 --> 00:43:59,850 MUST BE A PRETTY HIGH-PROFILE KIND OF A GUY. 681 00:43:59,850 --> 00:44:03,910 I'M WORRIED BECAUSE SOAPY OFFERED $10,000. 682 00:44:03,910 --> 00:44:05,740 SHE USUALLY STARTS AT 2,500. 683 00:44:05,740 --> 00:44:09,500 MEANING SHE KNOWS SOMETHING ABOUT THIS GUY CRAMER SHE HASN'T TOLD US? 684 00:44:09,500 --> 00:44:11,580 WHAT COULD IT BE? UH-OH. 685 00:44:11,580 --> 00:44:13,670 - WHAT'S THE MATTER? - CRAMER FEED AND GRAIN. 686 00:44:18,960 --> 00:44:21,770 CRAMER REAL ESTATE. 687 00:44:21,760 --> 00:44:24,510 AH, CRAMER FURNITURE. 688 00:44:24,510 --> 00:44:26,880 - WELL, ONE GOOD THING. - WHAT'S THAT? 689 00:44:26,880 --> 00:44:30,630 HE SHOULD BE A SNAP TO FIND. 690 00:44:42,360 --> 00:44:46,870 WELL, IT COULD BE REAL DICEY TRYING TO PICK UP THE GUY THAT OWNS THIS TOWN. 691 00:44:47,370 --> 00:44:50,370 WE BETTER MAKE SOME FRIENDS. LET'S GO. 692 00:44:51,240 --> 00:44:54,210 ♪ [ Country ] [ People Chattering ] 693 00:44:54,210 --> 00:44:58,380 ♪ WELL, DON'T BE WORRIED 'BOUT BEIN' IN A HURRY ♪ 694 00:44:58,380 --> 00:45:01,380 ♪ WITH LONG-TERM PLANS ♪ 695 00:45:02,880 --> 00:45:06,390 ♪ JUST KEEP THINKIN' WHILE WE KEEP DRINKIN' ♪ 696 00:45:06,390 --> 00:45:09,340 ♪ YOU'RE A WOMAN AND I'M A MAN ♪ 697 00:45:09,340 --> 00:45:12,220 WELL, YOU BOYS MUST BE NEW IN TOWN. THAT'S RIGHT. 698 00:45:12,230 --> 00:45:16,020 ♪ [ Continues ] WHAT IS IT EVERYBODY'S DRINKING OUT OF THOSE TALL PITCHERS? 699 00:45:16,010 --> 00:45:19,650 HOUSE SPECIALTY. SANGRIA. THE BEST IN THE SOUTHWEST. 700 00:45:19,650 --> 00:45:23,270 FULL OF FRESH FRUIT AND GUARANTEED TO KNOCK YOUR HAT OFF. 701 00:45:23,270 --> 00:45:25,990 - WOW, THAT SOUNDS GREAT! - YEAH, WELL, LET'S GO FOR IT. 702 00:45:25,990 --> 00:45:27,740 OKAY. UH, EXCUSE ME. 703 00:45:27,740 --> 00:45:30,830 WE'RE FRIENDS OF MR. JOHN CRAMER. DOES HE EVER COME AROUND? 704 00:45:30,830 --> 00:45:33,080 I'LL GET YOUR ORDER. 705 00:45:36,750 --> 00:45:39,750 - BOY, DID YOU TURN HER OFF. - YOU THINK IT WAS ME? 706 00:45:39,750 --> 00:45:43,040 ACTUALLY, I THINK SHE KIND OF LIKED ME. 707 00:45:44,790 --> 00:45:48,090 - HI THERE. - YOU TALKIN' TO ME? 708 00:45:48,100 --> 00:45:50,020 JUST BEIN' FRIENDLY. 709 00:45:50,010 --> 00:45:52,710 WE DON'T LIKE FRIENDS OF BIG JOHN CRAMER AROUND HERE. 710 00:45:52,720 --> 00:45:56,400 IN FACT, WE'D LIKE TO SEE YOU LEAVE. 711 00:45:56,390 --> 00:45:59,470 BUT WE JUST ORDERED A BIG PITCHER-- 712 00:46:02,190 --> 00:46:06,150 OKAY, PAL. I'M SORRY YOU DID THAT. 713 00:46:07,150 --> 00:46:09,150 [ Men Chuckling ] 714 00:46:09,150 --> 00:46:11,150 REALLY, REALLY SORRY. 715 00:46:11,150 --> 00:46:13,990 - [ Groans ] - [ Men Shouting, Grunting ] 716 00:46:15,820 --> 00:46:18,740 [ Woman Screaming ] COLT! HELP ME! 717 00:46:18,740 --> 00:46:20,630 I'M COMIN'! 718 00:46:28,470 --> 00:46:30,470 COLT! HUH? 719 00:46:30,470 --> 00:46:32,470 HOW'D WE GET INTO THIS MESS? 720 00:46:32,470 --> 00:46:35,470 IT SEEMED TO HAVE SOMETHING TO DO WITH MENTIONING BIG JOHN CRAMER. 721 00:46:37,760 --> 00:46:40,560 I REALIZE I'M JUST A JUNIOR PARTNER, BUT MAY I MAKE A SUGGESTION? 722 00:46:41,060 --> 00:46:43,070 THAT'S THE ONLY WAY YOU'RE GONNA LEARN. WHAT IS IT? 723 00:46:43,070 --> 00:46:44,930 LET'S GET OUTTA HERE! 724 00:46:47,150 --> 00:46:50,410 FOR YOUR FIRST SUGGESTION, KID, THAT'S EXCELLENT. REALLY EXCELLENT. 725 00:46:50,410 --> 00:46:52,190 LET'S GO. 726 00:46:54,950 --> 00:46:58,460 ♪ [ Continues ] [ Shouting, Grunting Continues ] 727 00:47:05,510 --> 00:47:07,520 WHAT HAPPENED? 728 00:47:07,510 --> 00:47:10,340 IT'S A NEW DANCE. EVERYBODY'S DOIN' IT. 729 00:47:11,710 --> 00:47:15,210 WE'LL BE BACK WHEN THEY'RE PLAYING SOMETHING SLOWER. 730 00:47:24,020 --> 00:47:26,530 WHAT'D YOU MAKE OF THAT? 731 00:47:26,530 --> 00:47:29,900 I THINK WE PICKED THE WRONG GUY IN TOWN TO ASK ABOUT BIG JOHN CRAMER. 732 00:47:29,900 --> 00:47:32,900 WELL, UH, WE'LL SEE YOU NEXT WEEK, MARYLOU. 733 00:47:33,400 --> 00:47:35,400 THANK YOU, MR. LOGAN. BYE-BYE. 734 00:47:42,410 --> 00:47:45,740 I WONDER IF YOU COULD HELP US. WELL, I'D CERTAINLY BE HAPPY TO TRY. 735 00:47:45,750 --> 00:47:49,420 HOW MIGHT WE FIND, UH, BIG JOHN CRAMER? 736 00:47:49,420 --> 00:47:51,310 WE'RE OLD FRIENDS OF HIS. 737 00:48:00,430 --> 00:48:03,430 WELL, AT LEAST WE KNOW EVERYONE'S HEARD OF CRAMER. 738 00:48:03,930 --> 00:48:06,730 ACTED MORE LIKE HE KNOWS WHAT CRAMER DID. 739 00:48:06,730 --> 00:48:10,070 IF THAT'S TRUE, THIS JOB'S GONNA BE A PIECE OF CAKE. 740 00:48:10,570 --> 00:48:14,570 EVERYBODY IN TOWN'LL BE STANDING IN LINE WITH CLUBS TO HELP US LOAD HIM INTO THE TRUCK. 741 00:48:14,570 --> 00:48:17,080 COLT, HOW ABOUT LETTING ME HANDLE THIS ONE? 742 00:48:17,080 --> 00:48:20,580 I THINK SHE TOOK A LIKING TO ME. I'LL PROBABLY GET MORE INFORMATION OUT OF HER. 743 00:48:20,580 --> 00:48:23,120 SHE'S ALL YOURS. UH, EXCUSE ME, MISS! 744 00:48:23,120 --> 00:48:25,950 EXCUSE ME, MISS. WE JUST PULLED INTO TOWN. 745 00:48:25,950 --> 00:48:29,250 WE'RE LOOKING FOR A MAN WHO GOES BY THE NAME OF BIG JOHN CRAMER. 746 00:48:31,090 --> 00:48:33,090 WHY DON'T YOU TRY THE JAIL? HUH? 747 00:48:33,090 --> 00:48:36,210 - [ Engine Starts ] - TRY THE JAIL! 748 00:48:37,680 --> 00:48:40,130 AAAH! OHH! 749 00:48:41,130 --> 00:48:43,140 OH! OH! 750 00:48:43,140 --> 00:48:47,140 YOU WERE RIGHT ABOUT ONE THING-- I WOULD'VE HANDLED IT MUCH DIFFERENT. 751 00:48:47,140 --> 00:48:49,640 DON'T LOOK SO SMUG! 752 00:48:50,830 --> 00:48:52,330 I FOUND OUT ONE THING, DIDN'T I? 753 00:48:52,830 --> 00:48:55,830 WHAT'S THAT? OUR TROUBLES ARE OVER. 754 00:48:55,830 --> 00:48:58,330 THEY NOT ONLY KNOW WHAT THAT MISERABLE MAN CRAMER DID, 755 00:48:58,340 --> 00:49:00,930 THEY'VE ALREADY GOT HIM LOCKED UP IN JAIL. 756 00:49:00,920 --> 00:49:03,760 NOW ALL WE HAVE TO DO IS FIND OUT WHERE THE JAIL IS. UH-HUH. 757 00:49:03,760 --> 00:49:07,060 THERE YOU GO AGAIN WITH THAT SULLEN, PESSIMISTIC ATTITUDE. 758 00:49:07,060 --> 00:49:08,930 YOU KNOW, I CAN HELP YOU WITH THAT. 759 00:49:08,930 --> 00:49:11,680 I TOOK CLOSE TO A YEAR OF PSYCHOLOGY AT PENN STATE. 760 00:49:11,680 --> 00:49:15,430 NEVER MIND PENN STATE. THIS WOMAN LOOKS AT LEAST LIKE A REASONABLE PERSON. 761 00:49:15,440 --> 00:49:19,030 EXCUSE ME. EXCUSE ME, MA'AM. WE'RE STRANGERS IN TOWN. 762 00:49:19,020 --> 00:49:20,740 WELL, HOW NICE. 763 00:49:21,580 --> 00:49:24,450 WE'RE LOOKING FOR THE JAIL. 764 00:49:24,950 --> 00:49:27,960 REALLY? WHY? YOU NEW DEPUTIES OR SOMETHING? 765 00:49:27,950 --> 00:49:32,080 SOMETHING LIKE THAT. WE'RE HERE ON ACCOUNT OF, UH, 766 00:49:35,370 --> 00:49:37,340 BIG JOHN CRAMER. 767 00:49:37,340 --> 00:49:39,590 YOU'RE PROBABLY GLAD TO HEAR THAT, I BET. 768 00:49:39,590 --> 00:49:42,460 WHY SHOULD I BE GLAD TO HEAR ANYTHING FROM ANYBODY... 769 00:49:42,460 --> 00:49:46,300 WHO'S ASSOCIATING WITH THAT EGG-SUCKING FERRET? 770 00:49:46,300 --> 00:49:48,380 GET OUT OF MY WAY! MA'AM! 771 00:49:51,350 --> 00:49:54,560 OH! GET OFF OF ME, YOU ANIMAL! GET OFF OF ME! 772 00:49:54,560 --> 00:49:59,110 GET OFF OF ME! ANIMAL! LEAVE ME ALONE! 773 00:49:59,110 --> 00:50:03,070 OH! NO, I'M ALL RIGHT. NO, I'M FINE. I'M FINE. 774 00:50:03,070 --> 00:50:05,230 THEY'RE WITH BIG JOHN CRAMER. THEY JUST GOT INTO TOWN. 775 00:50:05,740 --> 00:50:08,580 THEY'RE WORKING FOR HIM. TWO MORE OF 'EM COME TO RIP US OFF. 776 00:50:09,070 --> 00:50:12,040 I CAN'T BELIEVE IT. IT'S AS IF HE HASN'T DONE ENOUGH TO THIS TOWN. 777 00:50:12,540 --> 00:50:14,540 YOU GET OUT OF THIS TOWN! YOU DON'T BELONG HERE! 778 00:50:14,540 --> 00:50:16,550 GET OUT OF OUR TOWN! 779 00:50:19,470 --> 00:50:22,480 WHY DON'T WE TRY TO FIND THE JAIL ON OUR OWN? 780 00:50:22,470 --> 00:50:25,970 GOOD IDEA. THAT WAS A CLOSE ONE. YOU OKAY? 781 00:50:25,970 --> 00:50:29,980 YEAH, JUST MINOR ABRASIONS. I'LL CHECK 'EM OUT LATER. 782 00:50:29,980 --> 00:50:32,980 YOU KNOW, WHEN I WAS AT OHIO STATE, I TOOK A YEAR OF PREMED. 783 00:50:32,980 --> 00:50:34,850 PREMED. I KNOW. 784 00:50:49,950 --> 00:50:52,200 WHAT HAPPENED TO YA? 785 00:50:52,200 --> 00:50:55,420 UH, I SLIPPED ON A BANANA PEEL. UH-HUH. 786 00:50:55,420 --> 00:50:57,670 JUST WHAT CAN I DO FOR YOU BOYS? 787 00:50:57,670 --> 00:51:00,340 YOU MIGHT BE ABLE TO HELP US. WE'RE LOOKING FOR SOMEONE. 788 00:51:00,340 --> 00:51:04,130 IS THIS SOME KIND OF QUIZ, OR DOES THIS SOMEONE HAVE A NAME? 789 00:51:06,130 --> 00:51:08,850 [ Colt ] BIG JOHN CRAMER. 790 00:51:08,850 --> 00:51:10,880 YOU'VE GOT BUSINESS WITH BIG JOHN? 791 00:51:10,880 --> 00:51:12,770 [ Whispering ] COLT! IN A WAY. 792 00:51:13,270 --> 00:51:17,560 - COLT! - LOOK, BOYS, I'M ONLY GONNA ASK YOU ONCE MORE. 793 00:51:17,560 --> 00:51:19,940 STATE YOUR NAMES, YOUR PLACE OF BUSINESS... 794 00:51:19,940 --> 00:51:23,950 AND YOUR REASON FOR WANTIN' TO TALK TO SHERIFF CRAMER. 795 00:51:23,950 --> 00:51:28,370 IS SOMETHING EATIN' YOU? CAN'T YOU SEE I'M-- YOU SAY SHERIFF CRAMER? 796 00:51:28,370 --> 00:51:32,200 YOU BOYS ARE NOT ONLY STUPID, YOU'RE DEAF. NOW, WHY DO YOU WANT TO SEE HIM? 797 00:51:32,210 --> 00:51:35,050 - UH, WELL, UH-- - WELL, WHAT? 798 00:51:35,040 --> 00:51:37,880 I DON'T THINK BIG JOHN WOULD WANT ME TO TALK IN FRONT OF ALL THESE PEOPLE. 799 00:51:37,880 --> 00:51:41,750 - TALK ABOUT WHAT? - WELL, I GOT AN IDEA HE MIGHT APPRECIATE. 800 00:51:42,250 --> 00:51:45,500 YOU JUST TELL HIM COLT SEAVERS IS WAITIN' FOR HIM OVER AT THE BAJA CANTINA. HE'LL UNDERSTAND. 801 00:51:45,500 --> 00:51:48,090 LET'S GO, KID. 802 00:51:50,970 --> 00:51:52,890 - RENFRO! - YO! 803 00:51:53,390 --> 00:51:55,730 FRONT AND CENTER. YEAH. 804 00:51:55,730 --> 00:51:58,150 DID YOU HEAR THAT? 805 00:51:58,150 --> 00:52:01,150 HE SAID THE MAN WE'VE COME TO HOG-TIE IS THE SHERIFF. 806 00:52:01,150 --> 00:52:04,150 I HEARD THE MAN. KEEP MOVING. WHERE TO? 807 00:52:04,150 --> 00:52:06,660 HE OWNS THE COUNTY. HE'S THE LAW. 808 00:52:06,660 --> 00:52:08,660 WELL, THAT IS A TEMPORARY SETBACK. 809 00:52:08,660 --> 00:52:11,990 TEMPORARY? LOOKS PERMANENT TO ME. 810 00:52:12,000 --> 00:52:15,510 LOOK, KID, I WANT YOU TO REMEMBER ONE THING. WHAT'S THAT? 811 00:52:15,500 --> 00:52:21,000 EVERYTHING ALWAYS LOOKS DARKEST JUST BEFORE IT GOES COMPLETELY BLACK. 812 00:52:26,460 --> 00:52:29,790 [ Phone Ringing ] 813 00:52:32,800 --> 00:52:36,300 HELLO? OH, COLT, DEAR. HOW'S IT GOING? 814 00:52:36,300 --> 00:52:38,800 OH, DON'T GIVE ME "HOW'S IT GOING?" JACK. 815 00:52:38,810 --> 00:52:40,700 YOU FORGOT TO TELL ME THAT CRAMER WAS A SHERIFF. 816 00:52:40,690 --> 00:52:44,890 WHAT'S THE DIFFERENCE, COLT? HE'S VERY SUBSTANTIAL. HE OWNS HALF THE TOWN. 817 00:52:44,890 --> 00:52:47,200 OH, IT COULD BE MORE THAN HALF. 818 00:52:47,200 --> 00:52:50,620 WELL, I HAVE ABOUT A HALF A MIND TO GET OUT OF HERE WHILE I STILL CAN. 819 00:52:50,620 --> 00:52:52,620 COLT, WE'VE GOT A PROBLEM. 820 00:52:53,120 --> 00:52:55,950 WHY DIDN'T YOU TELL ME THERE WERE THREE MEN AFTER COUNTRY JOE? 821 00:52:55,960 --> 00:52:58,380 WELL, NOW, JUST HOW IS THAT OUR PROBLEM? 822 00:52:58,380 --> 00:53:00,390 HOW'D YOU KNOW THREE GUYS WERE AFTER JOE? 823 00:53:00,380 --> 00:53:02,290 WELL, WHEN I CAME IN HERE THIS MORNING, 824 00:53:02,800 --> 00:53:06,310 THERE WERE THREE VERY LARGE MEN GOING THROUGH MY FILES. 825 00:53:06,300 --> 00:53:08,300 THEY ASKED ME WHERE THEY COULD FIND COUNTRY JOE, 826 00:53:08,300 --> 00:53:11,140 AND WHEN I SAID I WAS LOOKING FOR HIM MYSELF, THEY LEFT. 827 00:53:11,140 --> 00:53:15,060 WELL, JOE WILL JUST HAVE TO TAKE CARE OF HIMSELF TILL WE GET THIS MESS STRAIGHTENED OUT, 828 00:53:15,060 --> 00:53:17,340 WHICH I'M NOT SURE I WANNA TAKE ON, CONSIDERING. 829 00:53:17,340 --> 00:53:22,230 COLT, AFTER ALL THE TIMES THAT I'VE HELPED YOU OUT-- 830 00:53:22,230 --> 00:53:25,230 WHAT'S A WOMAN ALONE SUPPOSED TO DO? 831 00:53:25,240 --> 00:53:27,250 DO YOU WANT ME TO LOSE MY BUSINESS? 832 00:53:30,660 --> 00:53:33,160 WOMEN! 833 00:53:35,080 --> 00:53:39,530 COLT, WHAT DO YOU THINK THE SHERIFF WILL DO IF HE FINDS OUT WHY WE'RE REALLY HERE? 834 00:53:39,530 --> 00:53:41,530 OH, HE'LL HAVE US ESCORTED TO THE COUNTY LINE. 835 00:53:41,530 --> 00:53:45,040 THAT'S ALL? AND THEN HAVE US BURIED UNDER IT. 836 00:53:45,040 --> 00:53:47,540 OH, NO. HAVEN'T YOU TWO DONE ENOUGH? 837 00:53:48,040 --> 00:53:51,540 WE DIDN'T DO ANYTHING. IN FACT, WE BARELY ESCAPED WITH OUR LIVES. 838 00:53:51,540 --> 00:53:54,050 TABLE FOR TWO? WHY NOT? 839 00:53:54,050 --> 00:53:57,050 YOU'LL JUST REPORT US TO YOUR GOOD FRIEND, THE SHERIFF. 840 00:53:57,050 --> 00:53:59,050 COME ON. 841 00:54:03,560 --> 00:54:06,060 LOOK, WE'RE NOT REALLY THAT GOOD OF FRIENDS WITH THE SHERIFF. 842 00:54:06,060 --> 00:54:08,860 FACT IS-- THE FACT IS THAT WE'RE ONLY HERE BECAUSE WE HAVE TO BE. 843 00:54:08,860 --> 00:54:13,030 BUT WE'RE CURIOUS. WHY DOES EVERYBODY GO CRAZY WHEN WE MENTION HIS NAME? 844 00:54:13,030 --> 00:54:16,400 - BECAUSE HE CHEATED JUST ABOUT EVERYONE IN THIS TOWN. - CHEATED? 845 00:54:16,400 --> 00:54:19,820 HE FOUND OUT SOME CORPORATIONS WERE GONNA BUILD DEFENSE PLANTS DOWN HERE... 846 00:54:19,820 --> 00:54:23,240 WHEN THEY USED HIS OFFICES TO RUN SECURITY CHECKS. 847 00:54:23,240 --> 00:54:26,160 HE USED HIS INSIDE INFORMATION TO BUY UP ALL THE LAND, 848 00:54:26,160 --> 00:54:29,160 AND THEN PRACTICALLY ALL THE BUSINESSES WITH HIS PROFITS. 849 00:54:29,670 --> 00:54:32,560 - THERE'S MORE THAN A LITTLE RESENTMENT. - WE NOTICED. 850 00:54:32,550 --> 00:54:34,300 YEAH. 851 00:54:34,300 --> 00:54:37,560 [ Man On Radio ] HE SAID YOU'D KNOW WHO HE WAS. I NEVER HEARD OF HIM. 852 00:54:37,560 --> 00:54:40,480 WHAT KIND OF PLATES DID HIS VEHICLE HAVE? 853 00:54:40,480 --> 00:54:43,480 CALIFORNIA. THAT MEAN ANYTHING? 854 00:54:43,480 --> 00:54:47,350 TAGGART, I WANT THOSE BOYS PICKED UP, AND I WANT 'EM PICKED UP FAST. 855 00:54:47,350 --> 00:54:49,820 NOBODY'S TO TALK TO 'EM TILL I GET TO THEM. YOU HEAR? 856 00:54:50,320 --> 00:54:53,820 I HEAR. RENFRO! YO! YO. 857 00:54:53,820 --> 00:54:56,320 GIVE DISPATCH A DESCRIPTION OF THAT VEHICLE. 858 00:54:56,330 --> 00:54:58,620 WE'RE CLOSING DOWN THE COUNTY. YOU BET. 859 00:54:58,610 --> 00:55:01,030 [ Sirens Wailing ] 860 00:55:14,090 --> 00:55:16,090 INSIDE. I'LL JUST WAIT OUT HERE FOR YOU, COLT. 861 00:55:16,600 --> 00:55:18,360 BOTH OF YA! 862 00:55:26,520 --> 00:55:30,030 ALL RIGHT. WHICH ONE OF YOU IS THE LIAR? 863 00:55:30,030 --> 00:55:34,400 WELL, JUDGING FROM THAT HANDSOME PICTURE ON THE WALL OUT THERE, YOU MUST BE SHERIFF CRAMER. 864 00:55:34,400 --> 00:55:37,150 AND YOU'D BE COLT SEAVERS, HUH? 865 00:55:37,150 --> 00:55:39,950 - THAT'S RIGHT. - I NEVER HEARD OF YOU. 866 00:55:39,950 --> 00:55:43,150 WELL, DON'T FEEL GUILTY ABOUT IT. I'M USED TO IT. 867 00:55:43,160 --> 00:55:47,220 - YOU'RE USED TO WHAT? - BEING THE UNSUNG HERO. 868 00:55:47,210 --> 00:55:49,210 NEXT, YOU'LL BE TELLING ME YOU DIDN'T GET MY WIRE, 869 00:55:49,710 --> 00:55:52,080 WHICH IS OBVIOUS FROM THE WAY THESE CLOWNS OUT THERE HAVE BEEN TREATING ME. 870 00:55:52,580 --> 00:55:56,380 YOU CALLING MY DEPUTIES CLOWNS? YOU BETTER HAVE A STRONG NECK, BOY. 871 00:55:56,390 --> 00:55:59,230 WELL, I HOPE YOU GOT A LOT MORE DEPUTIES THAN I'VE SEEN SO FAR. 872 00:55:59,720 --> 00:56:01,220 AND BRIGHTER TOO. OTHERWISE, 873 00:56:01,720 --> 00:56:03,730 I'M-- I'M JUST GONNA HAVE TO TAKE MY BUSINESS ELSEWHERE. 874 00:56:03,730 --> 00:56:08,150 -COLT, UH-- -QUIET, OR I WON'T BE TAKIN' YOU ON ANY MORE LOCATION SCOUTS. 875 00:56:08,150 --> 00:56:10,520 YOU'RE PROBABLY THE ONE THAT SCREWED THAT TELEGRAM UP TO THE SHERIFF. 876 00:56:10,520 --> 00:56:12,980 NOW, DID YOU SEND THAT OR NOT? WELL, I, UH-- 877 00:56:12,990 --> 00:56:15,610 HOLD IT! I'M ASKING THE QUESTIONS HERE. 878 00:56:15,610 --> 00:56:18,330 WE FOUND THE PROBLEM. NEPOTISM. 879 00:56:18,320 --> 00:56:22,160 HOLLYWOOD IS CRAWLING WITH IT. I DON'T SEE HOW WE EVER MADE A MOVIE UNDER $20 MILLION... 880 00:56:22,160 --> 00:56:24,450 WITH COUSINS LIKE THAT RUNNIN' AROUND LOOSE. 881 00:56:24,450 --> 00:56:27,370 WELL, NOT EXACTLY ON THE LOOSE AT THE MOMENT, THANKS TO YOU, SHERIFF. 882 00:56:27,870 --> 00:56:30,370 YOU THINK WE COULD GET THESE HANDCUFFS OFF SO WE COULD GET DOWN TO-- 883 00:56:30,370 --> 00:56:32,670 YOU TALK FASTER THAN A PREACHER DURING COLLECTION. 884 00:56:32,670 --> 00:56:36,620 - COME ON. WHO ARE YOU? - BURT REYNOLDS. 885 00:56:37,590 --> 00:56:40,350 YOU AIN'T BURT REYNOLDS. 886 00:56:40,350 --> 00:56:42,710 TRUE. SOMETIMES, I'M ROBERT REDFORD. 887 00:56:46,300 --> 00:56:49,300 TAGGART. YES, SIR. 888 00:56:49,310 --> 00:56:53,150 CALL THE COUNTY KOOK SQUAD. WE GOT A MAJOR LOONY HERE. 889 00:56:53,140 --> 00:56:57,110 LOOK, SHERIFF, WHAT I'M TRYING TO TELL YOU IS THAT I'M A MAJOR HOLLYWOOD STUNTMAN, 890 00:56:57,110 --> 00:56:59,900 AND I'M HERE TO SET UP A SHOOTING SITE FOR OUR NEXT HIGH-BUDGET MOVIE. 891 00:56:59,900 --> 00:57:02,780 I MEAN, YOU CAN CHECK IT ALL OUT, PROVIDING IT'S WORTH THE EFFORT. 892 00:57:02,790 --> 00:57:06,710 NO POINT IN GETTING INTO BUSINESS, THOUGH, UNTIL I HEAR YOUR TERMS. 893 00:57:06,710 --> 00:57:10,840 - MY TERMS? TERMS FOR WHAT? - TO RENT YOUR DEPARTMENT. 894 00:57:10,830 --> 00:57:15,300 RENT MY DEPARTMENT? I MEAN OFFICERS, PATROL CRUISERS, UNIFORMS-- 895 00:57:15,300 --> 00:57:19,170 EVERYTHING WE'LL NEED TO STAGE A REAL HIGH-SPEED CHASE RIGHT THROUGH YOUR COUNTY. 896 00:57:19,170 --> 00:57:23,000 - THROUGH MY COUNTY? - WELL-- OR THE NEXT COUNTY. 897 00:57:23,010 --> 00:57:25,320 COUNTRY PRETTY MUCH LOOKS ALL THE SAME. 898 00:57:25,310 --> 00:57:28,480 I DON'T BELIEVE A WORD YOU'RE SAYIN'. 899 00:57:28,480 --> 00:57:31,260 LOOK, SHERIFF, I-I CAN PROVE WHO I AM. 900 00:57:31,260 --> 00:57:34,150 ALL YOU GOTTA DO IS CALL FALL GUY STUNT ASSOCIATION IN HOLLYWOOD. 901 00:57:36,990 --> 00:57:39,740 HOLLYWOOD. 902 00:57:44,030 --> 00:57:48,030 AND I WAS BEGINNING TO THINK THAT I WAS THE DUMB ONE IN THE FAMILY. 903 00:57:50,530 --> 00:57:52,030 SOMETHING BOTHERING YOU? 904 00:57:52,540 --> 00:57:55,550 NO, NO. HOW COULD YOU THINK THAT? 905 00:57:55,540 --> 00:57:59,040 HERE I AM WITH THE GREATEST LEGEND EVER TO COME OUT OF PEA FALLS. 906 00:57:59,040 --> 00:58:05,050 A MAN WHO JUMPS HIGH BUILDINGS, LEAPS OUT OF AIRPLANES, CRASHES INTO CONCRETE WALLS. 907 00:58:05,050 --> 00:58:07,050 MY HERO. 908 00:58:07,550 --> 00:58:11,050 AND WHAT HAPPENS ON THE FIRST JOB WE GO ON? 909 00:58:11,050 --> 00:58:14,560 I GIVE UP. WHAT HAPPENS? 910 00:58:14,560 --> 00:58:20,110 WE DIE, COLT. WE DIE LIKE DOGS, GUNNED DOWN IN OUR PRIME. 911 00:58:20,110 --> 00:58:22,730 YOU'RE EVEN SCARING ME. 912 00:58:22,730 --> 00:58:25,570 YOU'RE NOT TAKING THIS SERIOUSLY, COLT, AND I DON'T UNDERSTAND WHY. 913 00:58:25,570 --> 00:58:28,400 I HAVE A PLAN. A PLAN. 914 00:58:28,400 --> 00:58:31,710 THIS IS SOME PLAN. 915 00:58:31,710 --> 00:58:34,710 WHAT HAPPENS WHEN THEY CHECK YOU OUT AND FIND OUT WHY WE'RE REALLY HERE? 916 00:58:34,710 --> 00:58:38,130 OH, HE'S GONNA CALL THAT NUMBER I GAVE HIM IN LOS ANGELES, 917 00:58:38,130 --> 00:58:39,960 AND THEY'RE GONNA TELL HIM I'M A STUNTMAN. 918 00:58:39,970 --> 00:58:43,230 THEN HIS GREED TAKES OVER. 919 00:58:43,220 --> 00:58:46,970 THERE'S NO ONE IN THIS TOWN THAT COULD POSSIBLY TELL HIM WHY WE'RE REALLY HERE. 920 00:58:53,260 --> 00:58:56,260 THAT'S RIGHT, ISN'T IT? 921 00:58:56,770 --> 00:59:00,610 THERE'S NO ONE IN THIS TOWN WHO KNOWS WHY WE'RE HERE OR WHAT YOU DO FOR A SIDELINE. 922 00:59:00,600 --> 00:59:02,940 THAT'S RIGHT. 923 00:59:07,740 --> 00:59:09,610 JOE? YEAH? 924 00:59:10,110 --> 00:59:14,120 I HOPE WE'RE DOIN' THE RIGHT THING. WE DON'T HAVE ANY CHOICE. 925 00:59:14,120 --> 00:59:16,620 HONEY, LOOK, COLT SEAVERS IS DOWN HERE ON A BOUNTY HUNT. 926 00:59:16,620 --> 00:59:21,120 NOW, HE'S THE ONE MAN IN THE WHOLE WORLD THAT WE CAN TRUST TO SAVE OUR LIVES. 927 00:59:32,720 --> 00:59:34,720 YOU BOYS ARE FREE TO GO. 928 00:59:34,720 --> 00:59:39,220 SHERIFF SAYS HE'LL MEET YOU AT THE BAJA CANTINA AT 8:00 FOR DINNER. 929 00:59:39,230 --> 00:59:41,740 HIS GUESTS. WELL, YOU TELL THE SHERIFF WE'LL BE THERE. 930 00:59:41,730 --> 00:59:45,530 OKAY. YEE-HAW! 931 00:59:53,740 --> 00:59:56,740 BOY, YOU SURE DO DRIVE A HARD BARGAIN, SHERIFF. 932 00:59:56,740 --> 01:00:00,750 20,000 IT IS. NOW, YOU PROVIDE ALL 10 OF YOUR POLICE CARS WITH DEPUTIES. 933 01:00:00,750 --> 01:00:04,880 WHOO-HOO! WE'RE GONNA HAVE ONE FINE TIME, HUH? WAIT'LL YOU SEE MY BOYS DRIVE. 934 01:00:04,880 --> 01:00:10,840 - THEY'RE GOOD? - THERE AIN'T NOTHIN' ON WHEELS CAN OUTRUN ONE OF MY DEPUTIES. 935 01:00:10,840 --> 01:00:13,590 - THOUGH A LOT OF DEAD MEN HAVE TRIED. - THAT'S REASSURING. 936 01:00:13,590 --> 01:00:15,840 OH, IT'S GOOD TO KNOW THE LAW IS PREPARED. 937 01:00:16,180 --> 01:00:22,180 WHAT KIND OF FOLKS ARE YOU GONNA HAVE IN THIS HERE PICTURE? 938 01:00:22,190 --> 01:00:24,500 I MEAN, BESIDES YOUR "REDWOOD" AND, UH, "EASTFORD." 939 01:00:24,490 --> 01:00:27,770 OH, YOU MEAN WOMEN. [ Laughs ] HE MEANS WOMEN, KID. 940 01:00:27,770 --> 01:00:31,940 WELL, WE GOT, UH-- WE GOT ALL THE BEST WOMEN IN AMERICA COMING DOWN FOR THIS ONE, JOHN. 941 01:00:31,940 --> 01:00:34,160 YOU GOT ANY BLONDES? 942 01:00:34,160 --> 01:00:37,950 BLONDES. WELL, LET ME SEE. DO WE GOT ANY BLONDES IN THIS ONE, KID? 943 01:00:37,950 --> 01:00:40,450 I CAN'T THINK OF ANY. 944 01:00:40,450 --> 01:00:43,090 OH! 945 01:00:43,090 --> 01:00:46,510 - EXCEPT DOLLY PARTON. - DOLLY PARTON? 946 01:00:46,510 --> 01:00:48,790 - AND FARRAH FAWCETT. - IS SHE GONNA BE HERE TOO? 947 01:00:48,790 --> 01:00:51,050 ANN-MARGRET. SHE'S SORT OF BLONDE. 948 01:00:51,050 --> 01:00:54,970 - ANN-MARGRET? - AND, UH, CHERYL LADD AND LONI ANDERSON. 949 01:00:55,470 --> 01:00:59,270 NOW, HOLD IT RIGHT THERE, KID. NOW, LET'S SEE. NO, LONI-- LONI AIN'T FIRM. 950 01:00:59,270 --> 01:01:04,060 LONI ANDERSON AIN'T FIRM? 951 01:01:04,060 --> 01:01:06,310 SHE LOOKS REAL GOOD ON THE TV. 952 01:01:06,310 --> 01:01:09,860 - BY THE WAY, SHERIFF, ONE MORE THING ABOUT THE REHEARSAL. - THE REHEARSAL? 953 01:01:09,870 --> 01:01:11,790 YEAH. WE-- SEE, IT'LL BE NECESSARY... 954 01:01:12,290 --> 01:01:14,630 TO GATHER ALL YOUR DEPUTIES IN THE COUNTY TOGETHER AT ONCE. 955 01:01:14,620 --> 01:01:17,410 - WHAT FOR? - WELL, UH, DRIVING SKILLS. 956 01:01:17,410 --> 01:01:21,160 I MEAN, I GOTTA JUDGE WHO'S THE BEST, AND WE GOTTA SEE WHO CAN DO WHAT. 957 01:01:21,160 --> 01:01:23,580 WE DON'T WANT TO GET ANYBODY KILLED NOW. 958 01:01:23,580 --> 01:01:25,580 YEAH, YEAH. 959 01:01:25,580 --> 01:01:28,080 UH, WELL, JUST TELL ME WHAT YOU NEED AND WHEN. 960 01:01:28,080 --> 01:01:32,000 WELL, TOMORROW MORNING. AND WE'LL START RIGHT OUT IN FRONT OF THE JAILHOUSE. 961 01:01:32,510 --> 01:01:34,320 IS THERE A CHOPPER IN THIS COUNTY? 962 01:01:34,310 --> 01:01:36,590 YOU DIDN'T SAY NOTHING ABOUT A CHOPPER. 963 01:01:36,590 --> 01:01:39,980 OH, WE'LL JUST NEED IT TOMORROW MORNING, YOU KNOW, JUST TO JUDGE THE DRIVING. 964 01:01:39,980 --> 01:01:42,810 WHEN WE SHOOT HERE, YOU KNOW, NATURALLY WE'LL BRING OUR OWN. 965 01:01:42,820 --> 01:01:48,580 - CAN YOU DELIVER? - IS A DUCK WATERTIGHT? 966 01:01:48,570 --> 01:01:51,360 WELL, GOOD, SHERIFF. WELL, I GUESS THAT SETTLES ALL THE BUSINESS FOR TONIGHT. 967 01:01:51,360 --> 01:01:53,270 HEY, COLT, AIN'T WE GONNA PARTY? 968 01:01:53,280 --> 01:01:57,120 OH, NO. COME ON, KID. WE GOTTA TURN IN. WE GOTTA PLAN OUT OUR STUNTS FOR TOMORROW. 969 01:01:57,110 --> 01:02:00,360 - AW. - YEAH. WE DON'T WANT TO INSULT THE LADIES. 970 01:02:00,870 --> 01:02:03,450 - I MEAN, WE CAN'T BE RUDE. - MAYBE I'M NOT MR. SEAVERS' TYPE. 971 01:02:03,450 --> 01:02:06,370 MAYBE HE HAS A WIFE AND KIDS BACK HOME. 972 01:02:06,370 --> 01:02:09,010 [ Cramer ] WELL, IF THAT'S A FACT, YOU'RE IN LUCK. 973 01:02:09,010 --> 01:02:12,680 NO OUTSIDE MARRIAGES COUNT IN MY COUNTY. 974 01:02:12,680 --> 01:02:15,550 WE GOT SPECIAL LAWS. WELL, UH-- 975 01:02:15,550 --> 01:02:17,930 COLT! 976 01:02:17,930 --> 01:02:20,770 NOREEN, WHAT ARE YOU-- WE FOLLOWED YOU ALL THE WAY DOWN HERE. 977 01:02:20,770 --> 01:02:24,190 - COLT, WE NEED YOU. - YOU NEED ME? 978 01:02:24,190 --> 01:02:28,480 COME ON, LADIES. THESE FOLKS GOT SOME PERSONAL THINGS TO WORK OUT. 979 01:02:28,480 --> 01:02:31,480 WE'LL HAVE A LITTLE NIGHTCAP OVER AT MY PLACE. JUST A-- 980 01:02:31,480 --> 01:02:33,980 YOU SAID SOMETHING ABOUT AN ADVANCE. 981 01:02:33,980 --> 01:02:36,480 RIGHT AFTER I JUDGE THE DEPUTIES' DRIVING SKILLS TOMORROW. 982 01:02:36,490 --> 01:02:39,500 UH-HUH. UH-HUH. 9:00 IN THE MORNING. 983 01:02:39,490 --> 01:02:42,490 WE'LL BE THERE, SHERIFF. 984 01:02:42,490 --> 01:02:44,990 COLT-- COLT, LISTEN. 985 01:02:44,990 --> 01:02:48,300 IT'S ALL RIGHT. HE'S WITH ME. WE BETTER GET YOU OUT OF HERE. COME ON. 986 01:02:52,300 --> 01:02:54,300 WAS THAT A POLICE CAR HE DROVE OFF IN? 987 01:02:54,800 --> 01:02:56,300 NOREEN, YOU SHOULDN'T HAVE COME HERE. 988 01:02:56,810 --> 01:02:59,320 COUNTRY JOE AND I DIDN'T HAVE ANYBODY ELSE TO TURN TO. COUNTRY JOE? 989 01:02:59,310 --> 01:03:02,180 COUNTRY JOE IS DOWN HERE TOO? 990 01:03:02,180 --> 01:03:05,510 - [ Colt ] OH, NO. - HELLO, COLT. 991 01:03:05,510 --> 01:03:08,730 - I DON'T BELIEVE THIS! - JOE, YOU GOTTA GET OUTTA HERE FAST. 992 01:03:08,730 --> 01:03:11,070 THERE AIN'T NO PLACE FOR ME TO GO. THEY'RE CHASIN' ME. 993 01:03:11,070 --> 01:03:12,900 WHO? RANDY AND THEM TWO BIG DUDES. 994 01:03:12,910 --> 01:03:14,620 YOU MEAN THEY'RE COMING HERE? 995 01:03:14,610 --> 01:03:18,110 MAY I SUGGEST WE GO SOMEPLACE ELSE TO TALK? 996 01:03:18,110 --> 01:03:21,360 FOLLOW MY TRUCK. OKAY. 997 01:03:21,360 --> 01:03:25,120 [ Joe ] DRUGS. [ Colt ] DRUGS? YOU? I DON'T BELIEVE IT. 998 01:03:25,120 --> 01:03:29,040 NO, NOT ME. THE DUDES THAT WERE TRYING TO MUSCLE IN ON MANAGING ME. 999 01:03:29,040 --> 01:03:32,540 SEE, THEY WERE USING MY TOURING BUS AT CONCERTS TO DISTRIBUTE THE DRUGS AROUND THE COUNTRY. 1000 01:03:33,040 --> 01:03:36,210 THEY ALWAYS SHOW UP AT MY GIG, YOU KNOW. THEY WERE ALL FRIENDLY AND SMILING AND-- 1001 01:03:36,210 --> 01:03:38,210 IT WAS NO WONDER. THEY WERE STASHING AWAY... 1002 01:03:38,210 --> 01:03:40,720 ALL KINDS OF THINGS IN THE PANEL OF HIS BIG BUS. 1003 01:03:40,720 --> 01:03:43,890 THAT'S RIGHT. AND MY MISTAKE WAS ACCIDENTALLY FINDING THE DRUGS. 1004 01:03:43,890 --> 01:03:47,190 WHEN I FOUND 'EM, I GOT RID OF 'EM, OF COURSE. NO WONDER THEY'RE CHASING YOU. 1005 01:03:47,190 --> 01:03:49,140 BUT YOU TOLD 'EM WHAT YOU'D DONE WITH IT. 1006 01:03:49,140 --> 01:03:53,140 YOU THINK THEY BELIEVED ME? I WENT TO MY MANAGER AND TOLD HIM WHAT WAS HAPPENING. 1007 01:03:53,150 --> 01:03:56,740 SO HE CONFRONTED THEM AND TOLD THEM TO LET ME ALONE OR HE'D CALL THE POLICE. 1008 01:03:56,730 --> 01:03:59,480 - SO THEY BEAT HIM UP. - AND THEY USED MY NAME A LOT TOO, SEE? 1009 01:03:59,490 --> 01:04:02,000 AND HIS WIFE HEARD IT. THAT'S WHY SHE HAD ME PUT IN JAIL. 1010 01:04:02,490 --> 01:04:04,820 WHICH WAS FINE, 'CAUSE I WOULD BE SAFE THERE. BUT, SEE, 1011 01:04:04,820 --> 01:04:07,740 NOREEN DIDN'T KNOW WHAT WAS GOING ON, SO SHE CAME AND BAILED ME OUT. 1012 01:04:07,740 --> 01:04:10,210 THAT'S WHY I WAS AT THE PALOMINO CLUB TRYING TO RAISE ME A STAKE... 1013 01:04:10,210 --> 01:04:12,000 TO GET ME AND HER AND THE KID OUT OF TOWN. 1014 01:04:12,500 --> 01:04:14,750 THAT'S WHEN I SHOWED UP. BOY, AND DID YOU SAVE MY LIFE, COLT. 1015 01:04:14,750 --> 01:04:17,720 'CAUSE THAT WAS PAYOFF NIGHT, AND THEY WERE GONNA GET THEIR DRUGS, 1016 01:04:17,720 --> 01:04:20,560 OR THEY WERE GONNA TAKE ME AND NOREEN AND THE KID OUT AND WASTE US. 1017 01:04:20,560 --> 01:04:22,970 WHY DIDN'T YOU TELL ME? AT LEAST I COULD'VE GOTTEN SOME HELP. 1018 01:04:22,980 --> 01:04:24,990 COMIN' DOWN HERE WAS THE WORST THING YOU COULD'VE DONE. 1019 01:04:24,980 --> 01:04:26,760 YOU'RE RIGHT IN THE MIDDLE OF A WAR ZONE. 1020 01:04:26,760 --> 01:04:29,310 WELL, CAN'T WE GO TO THE LOCAL SHERIFF FOR PROTECTION? 1021 01:04:30,650 --> 01:04:34,150 GREAT IDEA. NEXT. 1022 01:04:34,150 --> 01:04:36,650 JOE, I CAN'T TELL YOU WHAT YOU STUMBLED INTO HERE, BUT YOU GOTTA LEAVE. 1023 01:04:36,660 --> 01:04:39,950 BUT I CAN'T. THEY'RE CHASING ME. THEY'RE ONLY HALF A DAY BEHIND ME. 1024 01:04:39,940 --> 01:04:42,740 COLT, IF THOSE GUYS PULL INTO TOWN-- YEAH, I KNOW. 1025 01:04:42,750 --> 01:04:46,210 LOOK, WE'LL HANDLE YOUR FRIENDS, BUT YOU GOTTA GET BACK ON THE ROAD, AND DON'T STOP. 1026 01:04:46,200 --> 01:04:49,950 - BUT WHERE? WHERE DO I GO? - GO SOUTH, THEN CUT OVER. TAKE THE INTERSTATE BACK TO L.A. 1027 01:04:49,950 --> 01:04:52,920 - AND THEN YOU GO STRAIGHT TO SOAPY. - ARE YOU SURE YOU CAN HOLD 'EM? 1028 01:04:52,920 --> 01:04:56,170 IF YOU HAD ANYBODY ELSE YOU COULD TRUST, WOULD YOU HAVE DRIVEN YOUR FAMILY THIS FAR? 1029 01:04:56,180 --> 01:04:58,550 I LOVE YOU FOR THIS, MAN, AND I WON'T FORGET IT, BELIEVE ME. 1030 01:04:58,540 --> 01:05:00,180 ONE LAST QUESTION. IT MIGHT MAKE THE DIFFERENCE... 1031 01:05:00,680 --> 01:05:02,680 WHETHER ANY OF US GET OUT OF THIS COUNTY ALIVE. 1032 01:05:02,680 --> 01:05:04,550 HOW DID YOU FIND ME? NO ONE WAS SUPPOSED TO KNOW WHERE I WAS. 1033 01:05:04,550 --> 01:05:08,140 THROUGH YOUR ANSWERING SERVICE. I CALLED 'EM, AND THEY SAID YOU WERE DOWN HERE. 1034 01:05:08,140 --> 01:05:10,020 THEY SAID I COULD REACH YOU THROUGH THE LOCAL SHERIFF. 1035 01:05:10,020 --> 01:05:12,470 WHO'D BE DUMB ENOUGH TO-- 1036 01:05:14,980 --> 01:05:18,280 COLT, YOU DIDN'T SAY ANYTHING ABOUT HAVING TO BE INCOGNITO DOWN HERE. 1037 01:05:18,280 --> 01:05:20,650 I THOUGHT WE'D BE WORKING CLOSELY WITH THE LOCAL SHERIFF, 1038 01:05:20,650 --> 01:05:23,650 AND SO I LEFT THE NUMBER IN CASE MY MOTHER-- 1039 01:05:23,650 --> 01:05:26,120 YOUR MOTHER? I'LL CANCEL IT. 1040 01:05:26,120 --> 01:05:28,290 JOE, WHAT DID YOU TELL THE SHERIFF? 1041 01:05:28,290 --> 01:05:32,540 WELL, I NEVER REALLY SAW HIM. I WAS ON MY WAY TO HIS OFFICE, AND THEN I SPOTTED YOUR TRUCK. 1042 01:05:32,550 --> 01:05:34,470 [ Sighs ] WELL, YOU'D BETTER GET GOING. 1043 01:05:34,960 --> 01:05:36,960 WE GOT A LOT TO DO IF WE'RE GONNA INTERCEPT YOUR FRIENDS. 1044 01:05:36,970 --> 01:05:38,730 YOU GOT IT. 1045 01:05:38,720 --> 01:05:42,050 WELL, WE'RE KIND OF BUSY DOWN HERE RIGHT NOW. 1046 01:05:42,050 --> 01:05:44,890 CAN'T YOU KEEP THAT CAT LOCKED UP OR SOMETHIN'? 1047 01:05:55,270 --> 01:05:58,240 PIECE OF CAKE. IT'S IMPOSSIBLE. 1048 01:05:58,240 --> 01:06:00,740 YOU'RE GONNA BREAK YOUR NECK GOIN' UP, OR YOU'RE GONNA GET SHOT COMIN' OUT. 1049 01:06:00,740 --> 01:06:02,740 GEEZ, HAVE A LITTLE FAITH, WILL YA? 1050 01:06:02,740 --> 01:06:04,740 IT'S WHAT I DO FOR A LIVIN', REMEMBER? 1051 01:06:06,950 --> 01:06:09,340 YOU STAY PUT. 1052 01:07:18,270 --> 01:07:21,770 YEP. I FIGURE I'M GONNA BUY ME THAT NEW SHOTGUN. 1053 01:07:32,030 --> 01:07:36,370 MY WIFE'S MOTHER WANTS A NEW SET OF DRAPES. WHAT? 1054 01:07:36,370 --> 01:07:38,170 YEAH. NEW SET OF DRAPES. 1055 01:07:38,170 --> 01:07:40,040 YOU JUST BOUGHT HER SOME FUZZY SLIPPERS. 1056 01:07:44,930 --> 01:07:47,880 MAN, THAT DON'T MAKE NO DIFFERENCE. 1057 01:07:47,880 --> 01:07:49,800 I BELIEVE SHE'S TAKIN' ADVANTAGE OF YOU. 1058 01:07:49,800 --> 01:07:52,720 LET ME HAVE SOME OF THAT LIZARD SWEAT SHE CALLS COFFEE. 1059 01:07:52,720 --> 01:07:55,690 - YOU BETTER BE GLAD YOU'RE GETTIN' ANYTHING. - JUST LET ME HAVE A SWIG OF IT. 1060 01:07:57,860 --> 01:08:01,190 I'LL BE GLAD WHEN THIS NIGHT'S OVER. 1061 01:08:08,700 --> 01:08:10,480 GOOD NIGHT. 1062 01:08:10,990 --> 01:08:12,490 GOOD NIGHT. HEY! 1063 01:08:12,990 --> 01:08:16,320 [ Phone Ringing ] SHERIFF'S OFFICE. 1064 01:08:21,330 --> 01:08:24,220 - TEN MILES. - SAY WHAT? 1065 01:08:24,220 --> 01:08:27,380 SIGN BACK THERE SAID 10 MORE MILES. 1066 01:08:36,510 --> 01:08:38,850 THAT'S THEM. ARE YOU SURE? 1067 01:08:38,850 --> 01:08:41,180 HOW COULD I FORGET? THEY KILLED ME. 1068 01:09:00,540 --> 01:09:02,550 UH-OH. YOU BETTER SLOW DOWN. 1069 01:09:02,540 --> 01:09:06,540 - I'M NOT SPEEDING. - WELL, YOU'RE DOIN' SOMETHING. THE MAN'S RIGHT BEHIND US. 1070 01:09:09,350 --> 01:09:11,060 PULL OVER HERE. 1071 01:09:37,120 --> 01:09:40,120 SEE YOUR OPERATOR'S LICENSE, PLEASE? 1072 01:09:53,640 --> 01:09:55,390 BE RIGHT BACK. 1073 01:09:58,760 --> 01:10:01,260 - BE COOL. BE COOL. - IT'S HIM! 1074 01:10:01,260 --> 01:10:03,680 - HIM WHO? - THE DUDE WE KILLED. 1075 01:10:03,680 --> 01:10:06,600 COME ON, RIGHTEOUS. HOW CAN IT BE THE DUDE WE KILLED IF WE KILLED HIM? 1076 01:10:06,600 --> 01:10:08,990 I DON'T KNOW! 1077 01:10:13,330 --> 01:10:17,120 WE KILLED HIM ONCE. THIS TIME, WE'RE GONNA BE SURE. 1078 01:10:25,000 --> 01:10:28,090 - HE'S GOT US! - GOT US? WHAT DO YOU MEAN, GOT US? HOW? 1079 01:10:28,090 --> 01:10:30,340 YOU TELL ME. THE WHEELS ARE JUST SPINNIN'. 1080 01:10:57,700 --> 01:11:00,150 BE SURE IT'S TIGHT. 1081 01:11:00,160 --> 01:11:03,670 HAVE A NICE DAY, FELLAS. WE'LL LEAVE A NOTE EXPLAINING YOU TO THE SHERIFF. 1082 01:11:34,740 --> 01:11:36,690 MORNIN', COLT. 1083 01:11:36,690 --> 01:11:39,580 MORNIN', SHERIFF. 1084 01:11:39,580 --> 01:11:41,950 BOY, THEY'RE GONNA BE GOOD IN THE MOVIE. 1085 01:11:42,450 --> 01:11:44,330 SOME OF 'EM LOOK REAL MEAN, DON'T THEY? YEAH. 1086 01:11:44,330 --> 01:11:47,840 REAL MEAN. THEY'LL BE FINE, SHERIFF. 1087 01:11:47,840 --> 01:11:52,210 YEP. NOW, EXACTLY, UH, WHAT DO YOU WANT MY BOYS TO DO? 1088 01:11:52,710 --> 01:11:55,090 WELL, I'LL LEAD THE WAY STRAIGHT SOUTH. 1089 01:11:55,090 --> 01:11:58,380 THEN IT'LL JUST BE UP TO YOUR DEPUTIES TO TRY AND CATCH ME. 1090 01:11:58,380 --> 01:12:00,550 [ Cramer ] THEY'RE ALL LOOKIN' FORWARD TO THAT, HUH? 1091 01:12:00,550 --> 01:12:02,770 SO AM I, SHERIFF. 1092 01:12:02,770 --> 01:12:06,350 WELL, WHEN I TAKE OFF, I WANT EACH OF YOUR BOYS NOW JUST TO TROMP ON THEM SUCKERS... 1093 01:12:06,860 --> 01:12:10,370 AND GO TILL THE RUBBER GETS SO HOT ON THEM TIRES, THEY JUST BEG FOR MERCY. 1094 01:12:10,360 --> 01:12:12,640 BEG FOR MERCY, EH? 1095 01:12:12,640 --> 01:12:16,980 HOW FAR DO YOU WANT MY BOYS TO GO? TILL I STOP. 1096 01:12:16,980 --> 01:12:19,450 THAT'S WHEN YOU'LL PICK ME UP IN THE CHOPPER. 1097 01:12:19,450 --> 01:12:21,950 AND THEN THAT WAY, I'LL GET A CHANCE TO, UH, OBSERVE 'EM FIRSTHAND... 1098 01:12:22,450 --> 01:12:24,240 AS THEY RACE EACH OTHER BACK TO TOWN. 1099 01:12:24,740 --> 01:12:27,490 AND THERE'LL BE A $1,000 BONUS FOR THE BOY WHO WINS. [ Men Cheering ] 1100 01:12:27,490 --> 01:12:30,330 [ Cramer ] A THOUSAND DOLLARS, HUH? [ Man ] I COULD USE THAT! 1101 01:12:30,330 --> 01:12:32,830 ALL RIGHT! WE'RE ALL SET! 1102 01:12:32,830 --> 01:12:35,720 ALL RIGHT, DON'T GET LOST, SHERIFF. I'M COUNTIN' ON YOU TO PICK ME UP. 1103 01:12:35,720 --> 01:12:38,170 COME ON, RENFRO. LET'S GO. 1104 01:12:45,390 --> 01:12:47,640 [ Spectators Cheering, Shouting ] 1105 01:13:11,950 --> 01:13:14,290 [ Cheering, Shouting Continue ] 1106 01:14:02,470 --> 01:14:04,970 YOU JUST RELAX AND ENJOY IT, RENFRO. 1107 01:14:04,970 --> 01:14:07,890 YOU'RE GONNA SEE SOME FANCY DRIVIN'. I'M READY. 1108 01:14:14,900 --> 01:14:17,400 [ Screaming ] 1109 01:14:24,690 --> 01:14:28,860 YOU KNOW, I ALWAYS WANTED TO BE A STUNTMAN IN THE MOVIES. 1110 01:14:28,860 --> 01:14:31,080 [ Screams ] LOOK OUT! 1111 01:14:31,080 --> 01:14:32,530 WHOA! 1112 01:14:49,020 --> 01:14:54,190 WHAT DO YOU CALL THAT TURN YOU DID BACK THERE? WHAT-- JUST LIKE THAT ONE THERE. 1113 01:14:56,690 --> 01:14:59,860 RENFRO, I THINK YOU'D MAKE A GREAT LEADING MAN, ACTUALLY. 1114 01:14:59,860 --> 01:15:00,860 DO YA? SURE. 1115 01:15:00,860 --> 01:15:02,860 WELL, MY MOTHER USED TO SAY THAT TO ME. 1116 01:15:02,860 --> 01:15:07,120 OH, MR. COLT, THIS MAKES ME FEEL LIKE I'M JUST RIGHT THERE IN THE MOVIES. 1117 01:15:15,830 --> 01:15:18,830 I HAD A COUSIN THAT WAS IN THE TEN COMMANDMENTS. 1118 01:15:18,830 --> 01:15:20,660 YEAH? SHE WAS AN EXTRA. 1119 01:15:29,810 --> 01:15:32,930 HE'S TAKIN' MY BOYS AN AWFUL LONG WAY SOUTH. 1120 01:15:37,570 --> 01:15:40,410 OKAY, GUYS, LET'S PLAY FOLLOW-THE-LEADER. 1121 01:15:42,400 --> 01:15:44,400 YOU DIDN'T SIGNAL BACK THERE. 1122 01:15:49,080 --> 01:15:51,080 GUESS YOU'D BETTER TIGHTEN THAT BELT UP. 1123 01:15:51,080 --> 01:15:54,780 THAT BELT IS ABOUT AS TIGHT AS I CAN GET IT RIGHT NOW. 1124 01:16:01,210 --> 01:16:04,020 I DON'T RECKON I CAN DO THIS EVERY DAY. 1125 01:16:04,930 --> 01:16:07,340 THAT LOOKS EASY, COLT. 1126 01:16:08,930 --> 01:16:11,130 WHOA! 1127 01:16:17,360 --> 01:16:19,870 [ Chatter On Police Radio ] 1128 01:16:46,840 --> 01:16:49,350 [ Man ] WHERE'D HE GO? I CAN'T SEE A THING! 1129 01:16:52,220 --> 01:16:55,480 [ Whistles ] 1130 01:16:55,480 --> 01:16:58,010 HEY, GUYS, I'M OVER HERE! 1131 01:17:02,980 --> 01:17:06,190 I RECKON YOU JUST REALLY GOTTA PAY ATTENTION TO WHAT YOU'RE DOIN', DON'T YA? 1132 01:17:10,360 --> 01:17:13,330 [ Renfro ] THAT SIGN SAYS THE BRIDGE IS OUT, MR. COLT! 1133 01:17:13,330 --> 01:17:16,410 JUST SIT THERE AND RELAX. 1134 01:17:17,670 --> 01:17:20,010 [ Renfro Screaming ] 1135 01:17:35,970 --> 01:17:41,190 I'LL TELL YOU, YOU'RE A GOOD DRIVER, MR. COLT. THANK GOD. 1136 01:17:46,060 --> 01:17:49,060 WHOA! WHAT ARE YOU DOING? 1137 01:17:51,070 --> 01:17:53,880 THAT BOY SURE CAN DRIVE. 1138 01:17:53,870 --> 01:17:57,790 OKAY, RENFRO, IT'S ALL YOURS. WHEN THOSE BOYS CATCH UP, YOU DO JUST LIKE I DID. 1139 01:17:57,790 --> 01:18:00,790 I KNOW YOU WON'T DO IT AS WELL, BUT YOU DO THE BEST YOU CAN. 1140 01:18:00,790 --> 01:18:04,290 OH, HE'S PULLING OVER NOW. SET THIS THING DOWN. 1141 01:18:25,320 --> 01:18:27,650 I WILL SAY THIS FOR YOU: YOU DO KNOW HOW TO DRIVE. 1142 01:18:27,650 --> 01:18:30,270 AND FLY TOO, SHERIFF. OUT. 1143 01:18:31,940 --> 01:18:33,940 WHAT IS THIS, MORE FUN AND GAMES? 1144 01:18:33,940 --> 01:18:37,440 NO GAMES, SHERIFF. JUST SIT BACK AND RELAX. 1145 01:18:37,450 --> 01:18:39,090 HEY, WHAT IS THIS? 1146 01:18:39,080 --> 01:18:41,830 WHO ARE YOU? A FRIEND OF THE COURT. 1147 01:18:53,850 --> 01:18:56,270 HEY, WHAT-- 1148 01:18:57,270 --> 01:18:59,360 NOW WHAT? 1149 01:18:59,350 --> 01:19:02,220 NOW WE CIRCLE BACK, MEET THE TRUCK AT THE COUNTY LINE. 1150 01:19:15,530 --> 01:19:17,650 YOU AIN'T GONNA GET AWAY WITH THIS. 1151 01:19:17,650 --> 01:19:20,450 WHO'S GONNA STOP US? 1152 01:19:23,990 --> 01:19:26,490 HOWDY. HOWDY. 1153 01:19:26,490 --> 01:19:29,500 HELP YOU GENTLEMEN? OH, I HOPE SO. 1154 01:19:29,500 --> 01:19:31,500 WE'RE LOOKING FOR THIS MAN. 1155 01:19:31,500 --> 01:19:34,080 WANTED IN LOS ANGELES FOR JUMPING BAIL. SEEN HIM AROUND? 1156 01:19:34,090 --> 01:19:36,760 - HAVEN'T SEEN HIM. - OH. 1157 01:19:36,760 --> 01:19:41,100 WELL, HIS WIFE COULD BE DRIVING A BIG RED CAR WITH HORNS ON THE FRONT. 1158 01:19:42,560 --> 01:19:45,560 HORNS ON IT? YEAH. 1159 01:19:45,560 --> 01:19:47,600 YOU BOYS BEEN DRINKIN'? 1160 01:19:47,600 --> 01:19:51,690 BREAKER, BREAKER. UNIT 12 TO HEADQUARTERS. THIS IS RENFRO. 1161 01:19:51,690 --> 01:19:53,690 THIS IS H.Q. WHAT IS IT, RENFRO? 1162 01:19:53,690 --> 01:19:55,660 WELL, YOU AIN'T GONNA BELIEVE THIS, 1163 01:19:56,160 --> 01:20:00,530 BUT THAT HOLLYWOOD FELLA KIDNAPPED THE SHERIFF BY GUNPOINT. 1164 01:20:00,530 --> 01:20:03,330 WHAT? WHERE ARE THEY NOW? 1165 01:20:03,330 --> 01:20:07,280 WELL, HE TOOK THE CHOPPER AND HE HEADED NORTH-- UH, SOUTH-- 1166 01:20:07,790 --> 01:20:12,100 WELL, HE'S HEADED TOWARD THE-- THE COUNTY LINE RIGHT NOW. 1167 01:20:12,090 --> 01:20:16,710 I FIGURE HE'S PROBABLY FIGURIN' ON MEETING UP WITH THAT PARTNER OF HIS IN THE PICKUP. 1168 01:20:18,550 --> 01:20:20,550 THINK HE BELIEVED ME? 1169 01:20:20,550 --> 01:20:26,140 ALL UNITS! ALL UNITS! STOP WHERE YOU ARE AND TURN AROUND. 1170 01:20:26,140 --> 01:20:28,640 COMMENCE A PURSUIT NORTH TO THE COUNTY LINE... 1171 01:20:28,640 --> 01:20:32,480 USING ANY MEANS NECESSARY TO STOP COLT SEAVERS. 1172 01:20:34,560 --> 01:20:36,780 YOU'LL BE SORRY FOR THIS DAY. 1173 01:20:36,780 --> 01:20:40,480 THE DAY I'LL NEVER FORGET IS THE ONE THAT YOU RAN DOWN A YOUNG BOY ON A BICYCLE, 1174 01:20:40,490 --> 01:20:43,300 LEFT HIM TO DIE. 1175 01:20:51,630 --> 01:20:55,470 - THAT'S COLT'S TRUCK. - DEPUTY DIDN'T SAY ANYTHING ABOUT COUNTRY JOE BEIN' IN IT. 1176 01:20:55,470 --> 01:20:57,800 WELL, IF HE ISN'T, THEY'LL KNOW WHERE HE IS. 1177 01:21:45,720 --> 01:21:49,100 WELL, WELL, WELL. 1178 01:21:49,100 --> 01:21:51,300 I KNEW MY DEPUTIES WERE LOYAL, 1179 01:21:51,310 --> 01:21:54,030 BUT NOW YOU SEE AN AVERAGE CITIZEN COME FORWARD... 1180 01:21:54,030 --> 01:21:56,990 READY TO AVENGE THE DESPOTISM... 1181 01:21:56,980 --> 01:22:00,400 THAT WOULD ROB THIS COMMUNITY OF ITS MOST BELOVED LEADER. 1182 01:22:00,400 --> 01:22:03,620 [ Bullet Ricochets ] [ Gasps ] WHAT THE HELL WAS THAT? 1183 01:22:03,620 --> 01:22:05,870 JUST ONE OF YOUR AVERAGE ADMIRERS. 1184 01:22:27,390 --> 01:22:31,510 - [ Gunfire Continues ] - ALL RIGHT, ALL RIGHT! I'LL SURRENDER MYSELF! 1185 01:22:31,510 --> 01:22:33,980 I'LL CALL MY DEPUTIES OFF. 1186 01:22:34,480 --> 01:22:36,820 OH, THANK YOU. THANK YOU, SHERIFF. YOU'RE DOING THE RIGHT THING. 1187 01:22:36,820 --> 01:22:40,270 UNFORTUNATELY, YOUR DEPUTIES ARE NOT THE PROBLEM. 1188 01:22:54,370 --> 01:22:57,200 LOOK AT THAT FOOL! HE'S GONNA RAM US! 1189 01:22:57,210 --> 01:23:00,720 HE CAN'T DO THAT. HE'D BE DEAD RIGHT ALONG WITH US. 1190 01:23:01,210 --> 01:23:03,340 YEAH, WELL, YOU BETTER TELL HIM. 1191 01:23:05,600 --> 01:23:09,350 JUST GIVE ME A HINT. HOW ARE WE GONNA DIE? 1192 01:23:09,350 --> 01:23:13,440 OH, NOTHING TO IT, SHERIFF. I DID THIS IN A COMMERCIAL ONCE. 1193 01:23:13,440 --> 01:23:15,140 HANG ON. 1194 01:23:27,290 --> 01:23:31,460 THAT GUY'S NUTS! HE WOULDN'T DARE. 1195 01:23:35,990 --> 01:23:39,710 GET THAT MANIAC! 1196 01:25:13,760 --> 01:25:16,640 [ Gunfire ] WHAT WAS THAT? 1197 01:26:04,690 --> 01:26:10,450 [ Randy ] GENTLEMEN, WE ARE IN SOME DEEP TROUBLE. 1198 01:26:23,580 --> 01:26:25,580 I SMELL SMOKE! 1199 01:26:25,580 --> 01:26:28,330 YEAH, IT'S JUST THE FIRE ON OUR TAIL. FIRE? 1200 01:27:16,210 --> 01:27:18,600 WELL, IT'S YOUR MOVE, SHERIFF. I'M GOING OUT. 1201 01:27:18,600 --> 01:27:22,470 IF YOU DON'T WANNA FOLLOW ME, THESE TWO STICKS BASICALLY FLY THIS BABY. 1202 01:27:25,190 --> 01:27:28,360 THAT'S MURDER! I'LL CRASH! I'LL DIE! 1203 01:27:28,360 --> 01:27:31,280 UH-UH. DON'T WORRY. YOU WON'T HAVE TIME. 1204 01:27:31,280 --> 01:27:34,530 THE EXPLOSION FROM THE FIRE'LL KILL YOU LONG BEFORE YOU FIGURE OUT HOW TO CRASH. 1205 01:27:34,530 --> 01:27:37,700 OH, LORD! 1206 01:27:37,700 --> 01:27:40,540 OPEN YOUR DOOR, GET READY FOR A QUICK EXIT. 1207 01:28:17,490 --> 01:28:20,860 IN THE NAME OF HEAVEN, COLT, ARE ALL YOUR CASES LIKE THIS? NO. 1208 01:28:20,860 --> 01:28:22,830 SOMETIMES, IT GETS REAL STICKY. 1209 01:28:22,830 --> 01:28:25,750 KEEP THE PEDAL TO THE METAL, KID, AND THEY'LL NEVER CATCH US. 1210 01:28:25,750 --> 01:28:30,790 IF I'D KNOWN YOU WAS GOING TO ALL THIS TROUBLE, I'D HAVE TURNED MYSELF IN. 1211 01:28:30,790 --> 01:28:33,260 WELL, BIG JOHN, THE WORLD IS FULL OF PEOPLE... 1212 01:28:33,260 --> 01:28:35,430 WHO MIGHT HAVE TURNED THEMSELVES IN BUT DIDN'T. 1213 01:28:35,430 --> 01:28:40,300 SO YOU REALLY OWE ME AND THE KID HERE YOUR HEARTFELT THANKS FOR KEEPING YOU FROM HARM. 1214 01:28:40,300 --> 01:28:44,350 - SO SAY "THANK YOU," BIG JOHN. - YOU'RE REALLY NUTS! 1215 01:28:44,350 --> 01:28:47,470 WELL, LET ME PUT IT ANOTHER WAY. 1216 01:28:47,470 --> 01:28:49,970 EITHER YOU SAY "THANK YOU" AND BEHAVE YOURSELF, 1217 01:28:49,970 --> 01:28:52,310 OR YOU'RE GONNA RIDE ALL THE WAY TO CALIFORNIA IN THE BACK. 1218 01:28:52,310 --> 01:28:55,700 COME ON! YOU WOULDN'T. 1219 01:28:58,450 --> 01:29:00,730 YEAH. I THINK YOU WOULD. 1220 01:29:02,070 --> 01:29:04,290 ALL RIGHT. 1221 01:29:05,710 --> 01:29:08,210 I WANNA THANK YOU FOR KEEPING ME FROM HARM. 1222 01:29:08,210 --> 01:29:11,660 YOU'RE WELCOME, BIG JOHN. YOU'RE WELCOME. 1223 01:29:33,430 --> 01:29:37,440 IT'S RENFRO. LOOKS LIKE THEY GOT BIG JOHN. 1224 01:29:37,440 --> 01:29:40,820 I'M AFRAID WE'VE SEEN THE LAST OF HIM. YOU SURE? 1225 01:29:40,830 --> 01:29:42,670 I'M SURE. 1226 01:29:42,660 --> 01:29:44,830 YEE-HAW! 1227 01:29:44,830 --> 01:29:47,700 ♪ I MIGHT FALL FROM A TALL BUILDING ♪ 1228 01:29:48,200 --> 01:29:50,700 ♪ SO BURT REYNOLDS DON'T GET HURT ♪ 1229 01:29:50,700 --> 01:29:53,700 ♪ I MIGHT LEAP A MIGHTY CANYON ♪ 1230 01:29:53,700 --> 01:29:56,210 ♪ SO HE CAN KISS AND FLIRT ♪ 1231 01:29:56,210 --> 01:29:59,210 ♪ WHILE THAT SMOOTH TALKER'S KISSIN' MY GIRL ♪ 1232 01:29:59,210 --> 01:30:01,710 ♪ I'M JUST KISSIN' DIRT ♪ 1233 01:30:01,710 --> 01:30:04,210 ♪ YES I'M THE LONELY STUNTMAN ♪ 1234 01:30:04,220 --> 01:30:07,810 ♪ THAT MADE A LOVER OUT OF BURT ♪ 1235 01:30:35,210 --> 01:30:39,550 ALL RIGHT, EVERYONE, GONNA TAKE A DRY RUN. STAND CLEAR. 1236 01:30:47,310 --> 01:30:49,810 [ Phone Ringing ] ALL RIGHT, EVERYONE, LET'S HAVE IT QUIET. 1237 01:30:49,810 --> 01:30:53,400 - THIS IS A TAKE. - NEW YORK STREET. 1238 01:30:53,400 --> 01:30:57,070 I'M TRYING TO REACH COLT SEAVERS. IT'S AN EMERGENCY. 1239 01:30:57,070 --> 01:30:59,900 SOAPY, HE'S RIGHT IN THE MIDDLE OF A SHOT. 1240 01:30:59,900 --> 01:31:03,410 IS THAT SOAPY? I THINK I'D BETTER HANDLE THIS. 1241 01:31:03,410 --> 01:31:06,910 HELLO? HEY, I SAID QUIET. 1242 01:31:06,910 --> 01:31:08,740 ROLL 'EM! THIS IS HOWIE MUNSON. 1243 01:31:08,750 --> 01:31:11,960 - I WANTED TO SPEAK TO COLT. - WHAT CAN I DO FOR YA? 1244 01:31:11,950 --> 01:31:15,870 [ Scoffs ] WELL, WHERE IS HE? I NEED TO TALK TO HIM. IT'S URGENT. 1245 01:31:15,870 --> 01:31:19,760 OH. WELL, HE'LL BE HERE IN A MINUTE. MAYBE I CAN HELP YOU. 1246 01:31:19,760 --> 01:31:23,930 WELL, TELL HIM THE RIO BROTHERS WERE SPOTTED IN MAUI. 1247 01:31:23,930 --> 01:31:26,260 LET ME GET THAT DOWN. JUST A MINUTE. 1248 01:31:26,260 --> 01:31:29,600 THE MAUI BROTHERS WERE JUST SPOTTED IN RIO. 1249 01:31:29,600 --> 01:31:34,890 NO, NO. THE RIO BROTHERS-- OH! WHERE'S COLT? 1250 01:31:34,890 --> 01:31:38,190 WELL, HE SHOULD BE DROPPING IN ANY SECOND. 1251 01:31:44,650 --> 01:31:46,950 [ Spectators Cheering ] 1252 01:31:59,660 --> 01:32:02,670 ALL RIGHT. ALL RIGHT, GREAT. NOW LET'S GET THE FIRST TEAM IN HERE... 1253 01:32:02,670 --> 01:32:04,500 AND GET A CLOSE-UP OF THE LEADING LADY. 1254 01:32:04,500 --> 01:32:07,970 - LET'S GO! - THAT WAS A GREAT STUNT, COLT. 1255 01:32:07,970 --> 01:32:11,340 [ Chuckles ] WELL, ANYTHING FOR MY LEADING LADY. 1256 01:32:11,340 --> 01:32:13,810 COME HERE. 1257 01:32:15,310 --> 01:32:17,680 - YOU TAKING CARE OF YOURSELF? - I ALWAYS DO. 1258 01:32:17,680 --> 01:32:20,930 NO, YOU DON'T. I KNOW YOU, REMEMBER? 1259 01:32:20,940 --> 01:32:24,280 - [ Man ] READY ON THE SET. - THANK YOU. 1260 01:32:24,270 --> 01:32:27,820 I GUESS I BETTER LET YOU GO. 1261 01:32:27,830 --> 01:32:29,840 YOU BE CAREFUL. 1262 01:32:29,830 --> 01:32:32,280 YOU TOO. 1263 01:32:36,670 --> 01:32:40,090 HEY. YOU STILL HAVE GREAT LEGS. 1264 01:32:42,710 --> 01:32:46,010 COLT, TELEPHONE. IT'S SOAPY. 1265 01:32:47,380 --> 01:32:50,380 YEAH, HI, SOAPY. 1266 01:32:50,380 --> 01:32:52,880 UH-HUH. UH-HUH. 1267 01:32:52,880 --> 01:32:55,380 UH-HUH. WELL, I DON'T KNOW. 1268 01:32:55,890 --> 01:32:57,890 THE IDEA OF GOIN' TO HAWAII SOUNDS REAL GOOD, 1269 01:32:57,890 --> 01:33:01,390 BUT CHASIN' THOSE TWO CRAZY GUYS AROUND THE ISLAND, I-- 1270 01:33:01,390 --> 01:33:04,890 THAT-- THAT SOUNDS LIKE IT'S KIND OF DANGEROUS. 1271 01:33:30,720 --> 01:33:33,840 ♪ THEY'LL NEVER MAKE ME PRESIDENT ♪ 1272 01:33:33,840 --> 01:33:36,310 ♪ BUT I GOT THE BEST FIRST LADIES ♪ 1273 01:33:36,310 --> 01:33:40,260 ♪ SOME DAYS I'VE GOT 'EM AS FAR AS THE EYE CAN SEE ♪ 1274 01:33:40,260 --> 01:33:41,900 ♪ OOH-WEE ♪ 1275 01:33:41,900 --> 01:33:43,770 ♪ A MORNING DIVE WITH JACKIE SMITH ♪ 1276 01:33:43,770 --> 01:33:46,850 ♪ I CRASH IN THE NIGHT WITH CHERYL ♪ 1277 01:33:46,850 --> 01:33:50,940 ♪ BUT IN THE END THEY NEVER STAY WITH ME ♪ 1278 01:33:51,940 --> 01:33:54,410 ♪ I MIGHT FALL FROM A TALL BUILDING ♪ 1279 01:33:54,410 --> 01:33:57,450 ♪ SO BURT REYNOLDS DON'T GET HURT ♪ 1280 01:33:57,950 --> 01:34:00,080 ♪ I MIGHT LEAP A MIGHTY CANYON ♪ 1281 01:34:00,580 --> 01:34:02,420 ♪ SO HE CAN KISS AND FLIRT ♪ 1282 01:34:02,420 --> 01:34:06,210 ♪ WHILE THAT SMOOTH TALKER'S KISSIN' MY GIRL ♪ 1283 01:34:06,210 --> 01:34:08,710 ♪ I'M JUST KISSIN' DIRT ♪ 1284 01:34:08,710 --> 01:34:11,340 ♪ YES I'M THE LONELY STUNTMAN ♪ 1285 01:34:11,350 --> 01:34:13,970 ♪ THAT MADE A LOVER OUT OF BURT ♪ 1286 01:34:26,980 --> 01:34:29,610 [ Man ] FALL GUY IS A GLEN LARSON PRODUCTION.110506