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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,333 --> 00:00:05,000 [ DRAMATIC MUSIC PLAYS ] 2 00:00:31,500 --> 00:00:35,375 [ SIRENS WAILING, HELICOPTER PASSING ] 3 00:00:35,458 --> 00:00:38,000 [ INDISTINCT CONVERSATIONS ] 4 00:00:42,958 --> 00:00:45,792 [ POLICE RADIO CHATTER ] 5 00:00:54,875 --> 00:00:57,958 BELIEVE ME, GOD DID US A FAVOR. 6 00:00:58,042 --> 00:01:00,292 WE'D BE RIGHT BACK HERE IN EIGHT YEARS, 7 00:01:00,375 --> 00:01:02,292 ARRESTING THAT LITTLE VATO'S ASS, 8 00:01:02,375 --> 00:01:04,958 OR AT LEAST ZIPPING HIM UP IN A BIGGER BODY BAG. 9 00:01:05,042 --> 00:01:08,250 WHAT DID YOU SAY? HEY, I'M JUST TRYING TO KEEP IT REAL, BABY GIRL. 10 00:01:08,333 --> 00:01:10,250 "KEEP IT REAL, BABY GIRL"? 11 00:01:10,333 --> 00:01:12,958 MAN, THAT'S SOMEBODY'S KID. 12 00:01:13,042 --> 00:01:14,458 [ CAMERA SHUTTER CLICKS ] 13 00:01:14,542 --> 00:01:17,125 MOST GOOD COPS ARE PASSIONATE COPS. 14 00:01:17,208 --> 00:01:18,625 PUT ENOUGH OF THEM TOGETHER, 15 00:01:18,708 --> 00:01:22,000 AND OCCASIONALLY THOSE PASSIONS EXPLODE. 16 00:01:22,083 --> 00:01:24,500 Munoz: OH, FROSTY THE SNOW MAN. 17 00:01:24,583 --> 00:01:26,375 Nate: DOESN'T LOOK JOLLY TO ME. 18 00:01:26,458 --> 00:01:29,167 LOOKS LIKE HE CAUGHT A FEW HOT ONES AND MELTED. 19 00:01:29,250 --> 00:01:32,000 AH, THERE'S ONE GOOD ONE FOR MY COLLECTION HERE. 20 00:01:32,083 --> 00:01:34,250 REMEMBER HIS BROTHER BIGFOOT, FUNERAL HE HAD -- 21 00:01:34,333 --> 00:01:36,333 STRETCH HUMMERS, STRIPPERS THROWING CASH? 22 00:01:36,417 --> 00:01:37,958 YEAH, BIGFOOT HAD STYLE. 23 00:01:38,042 --> 00:01:41,333 BUT FROSTY AIN'T HAVING NO PARADE -- TELL YOU THAT MUCH. 24 00:01:41,417 --> 00:01:42,917 NOBODY SHOT FROSTY? 25 00:01:43,000 --> 00:01:45,542 DID I STUTTER? NOBODY SHOT HIM. 26 00:01:45,625 --> 00:01:50,333 SO THE BULLETS JUST FELL OUT OF THE SKY LIKE RAINDROPS, 27 00:01:50,417 --> 00:01:51,500 LANDED ON MY MAN. 28 00:01:51,583 --> 00:01:53,167 WHAT ELSE YOU WANT ME TO SAY? 29 00:01:53,250 --> 00:01:55,000 START WITH THE TRUTH, ASSHOLE. 30 00:01:55,083 --> 00:01:57,333 I AIN'T GETTING KILLED OVER THIS SHIT. 31 00:01:57,417 --> 00:02:00,583 NOBODY DID IT. THAT'S ALL I'M SAYING. 32 00:02:00,667 --> 00:02:02,667 YOUR BUDDY OVER THERE -- 33 00:02:02,750 --> 00:02:06,292 HE'S GOT A MOTHER, A GIRLFRIEND, A SISTER. 34 00:02:06,375 --> 00:02:08,792 DOESN'T MATTER, 'CAUSE I'M GONNA HAVE TO TELL THEM 35 00:02:08,875 --> 00:02:10,708 THAT NOBODY SHOT THEIR BABY THREE TIMES 36 00:02:10,792 --> 00:02:12,625 AND HOLD THEM AS THEY CRY THEIR EYES OUT. 37 00:02:12,708 --> 00:02:14,792 I'M STANDING IN LIVING ROOMS FOUR TIMES A WEEK 38 00:02:14,875 --> 00:02:16,250 'CAUSE OF ASSHOLES LIKE YOU. 39 00:02:16,333 --> 00:02:18,042 I HATE IT. 40 00:02:18,125 --> 00:02:20,458 SO DON'T TELL ME NOBODY DID THIS. 41 00:02:20,542 --> 00:02:22,417 DON'T TELL ME THAT. 42 00:02:22,500 --> 00:02:24,792 LOOK AT ME! DON'T TELL ME THAT! 43 00:02:24,875 --> 00:02:26,042 SAMMY. 44 00:02:26,125 --> 00:02:29,167 WHAT YOU GETTING ALL LOCO ON THIS KID FOR? 45 00:02:29,250 --> 00:02:31,250 NOBODY, MY ASS. HE'S LYING, NATE. 46 00:02:31,333 --> 00:02:33,250 [BLEEP] LYING. 47 00:02:38,792 --> 00:02:40,542 NOBODY IS SOMEBODY. 48 00:02:40,625 --> 00:02:42,542 [ DOG BARKS, CAR ALARM BLARES ] 49 00:02:42,625 --> 00:02:44,583 YOU ALL RIGHT? 50 00:02:44,667 --> 00:02:46,792 COME ON. KEEP IT TOGETHER. 51 00:03:18,167 --> 00:03:19,583 [ ENGINE REVS ] 52 00:03:19,667 --> 00:03:22,500 Hill: IT'S HOT IN JANUARY. 53 00:03:22,583 --> 00:03:25,167 FROSTY FROM WESTSIDE RIDAZ 54 00:03:25,250 --> 00:03:27,250 WAS SHOT DEAD THIS MORNING OFF FLORENCE. 55 00:03:27,333 --> 00:03:28,917 Man: THE INJUSTICE. 56 00:03:29,042 --> 00:03:31,792 DOWNTOWN CALLED HALF AN HOUR AFTER HE STAINED THE SIDEWALK. 57 00:03:31,875 --> 00:03:33,708 WE DON'T WANT OCTOBER ALL OVER AGAIN, 58 00:03:33,792 --> 00:03:35,458 WITH THE RIDAZ AND LATIN HUSTLAZ 59 00:03:35,542 --> 00:03:37,625 LIGHTING EACH OTHER UP ON EVERY OTHER BLOCK. 60 00:03:37,708 --> 00:03:40,667 THE LAST THING OUR NEW CHIEF WANTS IS A RACIAL GANG WAR 61 00:03:40,750 --> 00:03:42,750 TO BREAK OUT OVER THE MLK HOLIDAY. 62 00:03:42,833 --> 00:03:46,042 SHOOTOUT ON KING BOULEVARD! HEY! [ APPLAUSE ] 63 00:03:46,125 --> 00:03:48,917 HEY, I LEAVE FOR FOUR MONTHS, AND THE WHOLE WORLD FALLS APART. 64 00:03:49,000 --> 00:03:51,833 YOU FORGOT HOW TO READ YOUR WATCH IN REHAB, OFFICER DUDEK? 65 00:03:51,917 --> 00:03:53,458 SORRY ABOUT THAT, SIR. WON'T HAPPEN AGAIN. 66 00:03:53,542 --> 00:03:55,625 GODDAMN RIGHT. FIND A SEAT. 67 00:03:55,708 --> 00:03:59,958 THESE FLYERS HAVE INFORMATION ON CLOTHING, 68 00:04:00,042 --> 00:04:01,917 HAND SIGNS, GRAFFITI, 69 00:04:02,000 --> 00:04:05,167 KNOWN HANGOUTS OF THE RIDAZ AND HUSTLAZ. 70 00:04:05,250 --> 00:04:07,875 YOU SEE ANY TRAFFIC INFRACTIONS, WRITE THEM UP. 71 00:04:07,958 --> 00:04:09,208 TOW THE CAR IF YOU CAN. 72 00:04:09,292 --> 00:04:10,875 THE MORE GANGSTERS WE GET OFF THE STREET, 73 00:04:11,000 --> 00:04:13,375 THE BETTER CHANCE WE HAVE OF THIS THING NOT ESCALATING. 74 00:04:13,458 --> 00:04:15,833 ALL RIGHT? THAT'S IT FOR NOW. 75 00:04:15,917 --> 00:04:17,208 STAY FROSTY. 76 00:04:17,292 --> 00:04:19,208 Man: HOPEFULLY BETTER THAN HIM. [ LAUGHTER ] 77 00:04:19,292 --> 00:04:21,292 BROWN, A35, WITH SHERMAN. 78 00:04:21,375 --> 00:04:25,333 GONZALEZ, A25, WITH ROKOS. 79 00:04:25,417 --> 00:04:28,708 A10 IS ROBINSON WITH LISCO. HEY, YOU AND ME, ROMEO. 80 00:04:29,625 --> 00:04:31,583 WHAT'S GOING ON, SARGE? 81 00:04:31,667 --> 00:04:33,333 DEWEY'S RIDING WITH YOU IN A43. 82 00:04:33,417 --> 00:04:36,333 LOOK. I CAN'T STICK HIM IN A U-BOAT BY HIMSELF. 83 00:04:36,417 --> 00:04:37,750 HE'S BEEN OUT FOR MONTHS. 84 00:04:37,833 --> 00:04:40,125 YOU'RE THE BEST I GOT. GET HIM BACK IN THE SADDLE. 85 00:04:40,208 --> 00:04:42,458 OKAY? ALL RIGHT. 86 00:04:43,667 --> 00:04:46,208 [ LAUGHS ] 87 00:04:48,167 --> 00:04:49,917 [ SIREN CHIRPS ] 88 00:04:50,833 --> 00:04:54,375 REDHEAD SALLY? YOU? REALLY? 89 00:04:54,458 --> 00:04:58,083 YEAH. SALLY. WHAT'S SO GODDAMN FUNNY? 90 00:04:59,167 --> 00:05:01,500 WHAT? 91 00:05:01,583 --> 00:05:04,042 [ DOOR CLOSES, ENGINE TURNS OVER ] 92 00:05:04,125 --> 00:05:07,792 [ POLICE RADIO CHATTER, CAMERA SHUTTER CLICKING ] 93 00:05:11,958 --> 00:05:15,458 MAN, SHE WASN'T EVEN HOME FIVE MINUTES. 94 00:05:15,542 --> 00:05:17,167 THIS IS UGLY. 95 00:05:19,292 --> 00:05:21,708 [ SIGHS ] 96 00:05:21,792 --> 00:05:25,208 [ SIREN WAILS ] 97 00:05:27,125 --> 00:05:29,083 [ DOG BARKING IN DISTANCE ] 98 00:05:29,167 --> 00:05:31,583 Josie: YOU LOOK AT THIS? 99 00:05:31,667 --> 00:05:34,333 THE GUN IS STILL SMOKING IN HIS HAND, 100 00:05:34,417 --> 00:05:36,667 WITH A HANDWRITTEN SUICIDE NOTE. 101 00:05:36,750 --> 00:05:40,500 AND HIS WALLET HAS A RECEIPT FOR THE GUN AND THE BULLETS. 102 00:05:40,583 --> 00:05:44,500 WE'RE GONNA BE OUT OF HERE BY 5:00. THIS IS BEAUTIFUL. 103 00:05:45,958 --> 00:05:49,125 IT JUST SEEMS WEIRD. SHE'LL BE AS BIG AS A HOUSE. 104 00:05:49,208 --> 00:05:51,583 MISSIONARY'S OUT OF THE QUESTION AFTER THE FIFTH MONTH. 105 00:05:51,667 --> 00:05:53,333 BUT IF TAMMI'S ANYTHING LIKE MARIELLA WAS, 106 00:05:53,417 --> 00:05:55,083 SHE'S GONNA BE ALL OVER YOU. 107 00:05:55,167 --> 00:05:57,333 Sammy: I JUST CAN'T GET MY HEAD AROUND IT, THAT'S ALL. 108 00:05:57,417 --> 00:05:58,750 HEAD AROUND WHAT -- THE CASE 109 00:05:58,833 --> 00:06:00,792 OR YOUR WIFE'S RAPIDLY EXPANDING ASS? 110 00:06:00,875 --> 00:06:03,083 WE EVEN GOT A NAME FOR THIS SHOOTER YET? 111 00:06:03,167 --> 00:06:04,917 WE GOT NOBODY, BOSS. 112 00:06:05,000 --> 00:06:07,458 YOU SAY THAT WITH SOME PRIDE, BRYANT. 113 00:06:07,542 --> 00:06:11,125 NOBODY, AS IN JUAN "NOBODY" VARGAS, 114 00:06:11,208 --> 00:06:12,542 LATIN HUSTLAZ. 115 00:06:12,625 --> 00:06:14,417 HIS MOTHER HASN'T SEEN HIM. NEITHER HAS HIS P.O. 116 00:06:14,500 --> 00:06:15,667 HE'S OUT AND ABOUT. 117 00:06:15,750 --> 00:06:18,500 SO NOBODY'S SEEN NOBODY. CUTE. 118 00:06:18,583 --> 00:06:20,292 WE NEED TO GET HIM INTO CUSTODY 119 00:06:20,375 --> 00:06:23,167 BEFORE SOMEBODY DECIDES TO EVEN THE SCORE FOR FROSTY. 120 00:06:23,250 --> 00:06:25,958 YOU HAVE ANY SPECIFIC STREET CORNERS WE CAN HIT? 121 00:06:26,042 --> 00:06:27,292 I GOT A C.I. I CAN TALK TO 122 00:06:27,375 --> 00:06:29,042 WHO KNOWS THE LATIN HUSTLAZ PRETTY WELL. 123 00:06:29,125 --> 00:06:30,833 OKAY. LET'S DO THAT, ALL RIGHT? 124 00:06:30,917 --> 00:06:32,708 NOBODY. 125 00:06:32,792 --> 00:06:33,958 SEE, THAT'S THE PROBLEM 126 00:06:34,042 --> 00:06:36,167 WITH THESE NEW-SCHOOL GANGSTERS THESE DAYS -- 127 00:06:36,250 --> 00:06:38,500 NO AMBITION. 128 00:06:38,583 --> 00:06:41,125 [ SNIFFS ] AHH. 129 00:06:41,208 --> 00:06:42,958 YOU SMELL THAT, HUH? 130 00:06:43,042 --> 00:06:46,125 GARBAGE AND PISS. [ LAUGHS ] 131 00:06:46,208 --> 00:06:49,458 THAT'S LIFE, BABY. THAT IS LIFE. 132 00:06:49,542 --> 00:06:53,250 I USED TO THINK I COULD SEE STUFF WHEN I WAS DRINKING. 133 00:06:53,333 --> 00:06:54,958 BLIND AS A BAT, MAN. 134 00:06:55,042 --> 00:06:57,417 MY EYES ARE WIDE OPEN NOW, BABY. 135 00:06:57,500 --> 00:06:59,833 ♪ I CAN SEE CLEARLY NOW ♪ 136 00:06:59,917 --> 00:07:03,625 ♪ THE RAIN IS GONE ♪ 137 00:07:03,708 --> 00:07:05,750 JOHN, YOU KNOW WHAT THIS JOB IS ABOUT? 138 00:07:05,833 --> 00:07:07,458 ABOUT STEP NUMBER FOUR, MY MAN. 139 00:07:07,542 --> 00:07:09,917 YOU HAVE TO BE WILLING TO TAKE A SERIOUS, 140 00:07:10,000 --> 00:07:12,125 DEEP-ASS INVENTORY OF YOURSELF. 141 00:07:12,208 --> 00:07:15,167 I MEAN, IF YOU WANT TO BE OUT HERE CATCHING DEMONS, JOHN, 142 00:07:15,250 --> 00:07:17,417 YOU GOT TO KNOW YOUR OWN DEMONS, BROTHER. 143 00:07:17,500 --> 00:07:19,708 SURE, PEOPLE ARE GONNA FIGHT. THEY'RE GONNA [BLEEP] 144 00:07:19,792 --> 00:07:21,167 THEY'RE GONNA KILL EACH OTHER. 145 00:07:21,250 --> 00:07:23,375 I MEAN, WE CAN'T DO ANYTHING ABOUT THAT. 146 00:07:23,458 --> 00:07:25,208 I MEAN, THEY'RE DRIVING THE CARS. 147 00:07:25,292 --> 00:07:27,333 WE'RE JUST THE GUARDRAILS, BABY. WE DON'T GOT ANY REAL POWER. 148 00:07:27,417 --> 00:07:29,583 THE REAL POWER IS FROM THE MAN UPSTAIRS. 149 00:07:29,667 --> 00:07:31,333 HEY, LOOK AT ME. 150 00:07:31,417 --> 00:07:33,167 THE SOONER YOU REALIZE THAT, 151 00:07:33,250 --> 00:07:36,833 YOU START UNDERSTANDING HOW IT ALL WORKS, MAN. 152 00:07:36,917 --> 00:07:39,542 YOU SEEING THIS? WHOA. 153 00:07:39,625 --> 00:07:41,167 LIGHT 'EM UP. 154 00:07:41,250 --> 00:07:42,875 [ SIREN CHIRPS ] 155 00:07:48,250 --> 00:07:49,542 AHH. YOU READY FOR THIS? 156 00:07:49,625 --> 00:07:51,125 YOU KIDDING ME? 157 00:07:51,208 --> 00:07:53,792 I WAS DOING THIS FOR THREE YEARS BEFORE YOU EVER BECAME A BOOT. 158 00:08:07,250 --> 00:08:08,958 CAN YOU ROLL THE WINDOW DOWN, PLEASE? 159 00:08:11,625 --> 00:08:13,708 I'M GONNA HAVE TO ASK YOU TO STEP OUT. 160 00:08:13,792 --> 00:08:16,625 CAN -- CAN EVERYBODY STEP OUT OF THE CAR? 161 00:08:34,125 --> 00:08:37,125 STEP ON THROUGH, PLEASE. EVERYBODY OUT. 162 00:08:42,292 --> 00:08:44,542 LET'S GO. EVERYBODY OUT. 163 00:08:46,083 --> 00:08:49,375 COME ON. EVERYBODY. EVERYBODY. 164 00:08:51,875 --> 00:08:53,417 OFFICERS, I'M SORRY. 165 00:08:53,500 --> 00:08:56,083 WE ALWAYS TAKE TWO CARS, BUT TODAY ONE BROKE DOWN. 166 00:08:56,167 --> 00:08:58,583 WE'RE LATE FOR A GIG AT MY COUSIN'S RESTAURANT. 167 00:08:58,667 --> 00:09:00,083 IT'S THEIR GRAND OPENING. 168 00:09:00,167 --> 00:09:02,708 AND IF WE DON'T MAKE IT, SHE'S GONNA KILL ME. 169 00:09:02,792 --> 00:09:04,792 SHE'LL KILL ME. 170 00:09:04,875 --> 00:09:07,625 YOU, UH -- YOU KNOW "CIELITO LINDO"? 171 00:09:07,708 --> 00:09:12,167 [ DOWN-TEMPO R&B PLAYING, INDISTINCT CONVERSATIONS ] 172 00:09:15,250 --> 00:09:16,625 ESE, CHECK IT OUT. 173 00:09:16,708 --> 00:09:18,250 WE'RE HAVING AN MLK UNITY CAR SHOW THIS SUNDAY. 174 00:09:18,333 --> 00:09:20,000 FAT TERRY'S GONNA BE THERE. YOU SHOULD COME BY. 175 00:09:20,083 --> 00:09:21,458 OH, YEAH? YEAH. 176 00:09:21,542 --> 00:09:23,750 WHAT EVER HAPPENED TO FAT TERRY'S GOLD SIX-TREY IMPALA? 177 00:09:23,833 --> 00:09:25,500 OH, MAN, THAT VATO SOLD THAT 178 00:09:25,583 --> 00:09:27,000 SO HE COULD GET THAT LAP-BAND THING DONE, MAN. 179 00:09:27,083 --> 00:09:28,458 ACTUALLY, HE'S JUST TERRY NOW, 180 00:09:28,542 --> 00:09:30,000 'CAUSE HE AIN'T FAT NO MORE, YOU KNOW? 181 00:09:30,083 --> 00:09:31,625 OH, THAT'S MESSED UP, MAN -- MAKE A MAN CHOOSE 182 00:09:31,708 --> 00:09:33,042 BETWEEN HIS HEALTH AND HIS SHOW CAR. 183 00:09:33,125 --> 00:09:34,667 SHIT, THAT'S WHAT I'M SAYING, HOMES. 184 00:09:34,750 --> 00:09:38,542 YO, UH, WHAT ARE YOU HEARING ABOUT FROSTY AND NOBODY? 185 00:09:39,958 --> 00:09:41,292 MAN, I AIN'T NO SNITCH. 186 00:09:41,375 --> 00:09:43,458 I'M OFF THE PAPER NOW, YOU KNOW? 187 00:09:43,542 --> 00:09:46,458 WE'RE NOT GONNA PUT YOUR NAME ANYWHERE NEAR THIS SHIT, MAN. 188 00:09:46,542 --> 00:09:48,417 JUST TELL US WHAT THE STREET'S SAYING. 189 00:09:50,083 --> 00:09:52,417 COME ON, DUDE. YOU CAN TRUST ME. 190 00:09:52,500 --> 00:09:55,000 WELL, I HEARD THAT NOBODY'S COUSIN LETI 191 00:09:55,083 --> 00:09:57,167 WAS CREEPING ACROSS TOWN WITH FROSTY, HOMES. 192 00:09:57,250 --> 00:09:59,042 LIKE ROMEO AND JULIET? 193 00:09:59,125 --> 00:10:01,833 [ SPEAKING SPANISH ] 194 00:10:01,917 --> 00:10:03,500 HE'S MY PARTNER, MAN. HE'S GOOD. 195 00:10:03,583 --> 00:10:05,500 DON'T WORRY ABOUT IT, ALL RIGHT? 196 00:10:05,583 --> 00:10:07,625 YEAH, YEAH, THAT BLACK AND BROWN TOGETHER 197 00:10:07,708 --> 00:10:09,167 AND ALL THAT SHIT, HOMES. 198 00:10:09,250 --> 00:10:11,250 HEY, THEY WERE IN GLENDALE, AT THE CHEESECAKE FACTORY. 199 00:10:11,333 --> 00:10:13,542 AND SOME HEINA THAT WORKS ACROSS THE WAY AT THE MALL 200 00:10:13,625 --> 00:10:15,000 CAUGHT THEM SLIPPING, DOG. 201 00:10:15,083 --> 00:10:17,375 SO WORD GOT BACK TO NOBODY, AND NOBODY HIT UP FROSTY, 202 00:10:17,458 --> 00:10:19,542 AND FROSTY SLAPPED THE SHIT OUT OF HIM, HOMES, 203 00:10:19,625 --> 00:10:21,000 IN FRONT OF ALL THE HOMIES. 204 00:10:21,083 --> 00:10:24,500 THIS WHOLE THING IS OVER A STUPID GIRL? 205 00:10:24,583 --> 00:10:25,667 [ SCOFFS ] 206 00:10:25,750 --> 00:10:27,375 IF YOU'D SEEN THIS GIRL, HOMES, 207 00:10:27,458 --> 00:10:29,750 YOU WOULDN'T THINK IT WAS SO STUPID, ESE. 208 00:10:30,708 --> 00:10:31,833 WOW. ALL RIGHT, MAN. 209 00:10:31,917 --> 00:10:33,167 YOU'RE ALWAYS HELPFUL, MAN. 210 00:10:33,250 --> 00:10:34,625 [ "CIELITO LINDO" PLAYING ] 211 00:10:34,708 --> 00:10:35,750 Dewey: HEY! 212 00:10:35,833 --> 00:10:37,833 THERE WAS A TIME RIGHT ABOUT NOW 213 00:10:37,917 --> 00:10:40,750 WHEN I'D HAVE TO BE FIRING UP A COUPLE OF MARGARITAS, 214 00:10:40,833 --> 00:10:42,292 BUT I-I DON'T DO THAT NOW. 215 00:10:42,375 --> 00:10:44,583 I KNOW WHAT YOU'RE SAYING. I GOT THREE YEARS IN. 216 00:10:44,667 --> 00:10:45,875 SHUT THE HELL UP! 217 00:10:45,958 --> 00:10:47,208 YOU JUST HAVE TO KEEP DOING THE STEPS 218 00:10:47,292 --> 00:10:48,375 EVERY SINGLE DAY, HERMANO. 219 00:10:48,458 --> 00:10:50,625 LOOK, LOOK. FOUR MONTHS, BABY. 220 00:10:50,708 --> 00:10:52,875 YOU'RE MY HERO! COME HERE! 221 00:10:52,958 --> 00:10:55,917 [ LAUGHS ] OKAY. ALL RIGHT. STOP, STOP. OKAY, STOP. 222 00:10:56,000 --> 00:10:58,208 SIR, YOU HAVE 11 PEOPLE IN YOUR VEHICLE. 223 00:10:58,292 --> 00:11:00,333 IT'S A SEVEN-SEATER, CORRECT? YES. 224 00:11:00,417 --> 00:11:03,500 OKAY. YEAH, THAT MANY PEOPLE IN A VAN IS DANGEROUS. 225 00:11:03,583 --> 00:11:04,958 YOU CAN CAUSE AN ACCIDENT. 226 00:11:05,042 --> 00:11:07,000 I'M VERY SORRY, BUT WE REALLY NEED THIS GIG. 227 00:11:07,083 --> 00:11:09,250 NO, I UNDERSTAND THAT, BUT YOU'RE GONNA HAVE TO -- JOHN, JOHN, LISTEN. 228 00:11:09,333 --> 00:11:11,333 LET'S -- LET'S JUST THROW A COUPLE OF THEM IN THE BACK OF THE CAR. 229 00:11:11,417 --> 00:11:12,792 IT'S ONLY A FEW BLOCKS AWAY. WE'LL GIVE THEM A RIDE DOWN THERE. 230 00:11:12,875 --> 00:11:14,250 NO, WE'RE NOT GONNA DO THAT, OKAY? 231 00:11:14,333 --> 00:11:15,708 NO, WE'RE NOT GIVING ANYBODY A RIDE. 232 00:11:15,792 --> 00:11:17,375 NO, SIR, YOU NEED TO HANDLE THIS ON YOUR OWN. 233 00:11:17,458 --> 00:11:19,417 GET THE VAN -- WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 234 00:11:19,500 --> 00:11:21,000 JOHN, JOHN, THIS IS MY FAVORITE PART. 235 00:11:21,083 --> 00:11:24,167 ♪ AY, AY, AY, AY ♪ 236 00:11:24,250 --> 00:11:27,833 ♪ CANTA Y NO LLORES ♪ 237 00:11:27,917 --> 00:11:30,875 ♪ PORQUE CANTANDO SE ALEGRAN ♪ 238 00:11:30,958 --> 00:11:32,625 ♪ CIELITO LINDO ♪ 239 00:11:32,708 --> 00:11:34,833 ♪ LOS CORAZONES ♪ 240 00:11:34,917 --> 00:11:38,583 [ MUSIC CONTINUES ] 241 00:11:54,417 --> 00:11:56,000 SOMEBODY SHOT NOBODY. 242 00:11:56,083 --> 00:11:59,208 SOMEBODY JUST MESSED UP OUR WEEKEND. 243 00:11:59,292 --> 00:12:01,167 [ SIRENS WAILING ] 244 00:12:01,250 --> 00:12:05,125 YOU MEAN NOBODY MESSED UP OUR WEEKEND. 245 00:12:08,667 --> 00:12:10,625 THAT'S THE HARD PART, MAN -- 246 00:12:10,708 --> 00:12:12,292 THE FIRST SHARE, IN FRONT OF THE WHOLE GROUP. 247 00:12:12,375 --> 00:12:14,292 I MEAN, YOU'RE STANDING THERE THINKING, 248 00:12:14,375 --> 00:12:17,292 "THERE'S NO WAY I'M AS BAD AS THESE PATHETIC PIECES OF SHIT." 249 00:12:17,375 --> 00:12:20,292 BUT THE MORE YOU TALK, THE MORE YOU LISTEN, 250 00:12:20,375 --> 00:12:24,292 YOU START REALIZE, YOU KNOW, WE'RE ALL THE SAME, BROTHER. 251 00:12:24,375 --> 00:12:27,125 WE'RE JUST TRYING TO FIGURE IT OUT. 252 00:12:27,208 --> 00:12:28,292 [ SIGHS ] 253 00:12:28,375 --> 00:12:30,125 THERE'S THIS ONE GUY IN MY GROUP. 254 00:12:30,208 --> 00:12:31,500 YOU KNOW HIM, MAN. 255 00:12:31,583 --> 00:12:33,583 THE, UH -- HE'S LIKE THE DEPUTY MAYOR. 256 00:12:33,667 --> 00:12:36,500 OH, YOU THOUGHT I WAS BAD. JESUS. [ LAUGHS ] 257 00:12:36,583 --> 00:12:38,917 THE MAID RUN OUT SCREAMING. SHE WAS GOING CRAZY. 258 00:12:39,000 --> 00:12:40,708 WHICH ROOM? 42. 259 00:12:40,792 --> 00:12:42,917 SHE WAS CRYING, SPANISH. 260 00:12:43,000 --> 00:12:44,875 DID YOU CHECK IT OUT? 261 00:12:46,417 --> 00:12:48,000 WHAT ARE THE COPS FOR, THEN? 262 00:12:48,083 --> 00:12:49,167 YOU GOT A PASSKEY? 263 00:12:49,250 --> 00:12:52,292 YEAH. HERE. PASSKEY -- TAKE IT. 264 00:12:52,375 --> 00:12:54,250 WAIT INSIDE. 265 00:12:54,333 --> 00:12:55,750 [ HORN HONKS ] 266 00:12:57,292 --> 00:12:59,000 [ SIGHS ] 267 00:13:00,083 --> 00:13:02,083 D.B.? NO. 268 00:13:02,167 --> 00:13:03,917 HOT AS IT IS TODAY, 269 00:13:04,000 --> 00:13:06,708 WE'D HAVE SMELLED IT BEFORE WE HIT THE STAIRS. 270 00:13:14,208 --> 00:13:15,375 POLICE! OPEN UP! 271 00:13:15,458 --> 00:13:17,958 [ MUFFLED SHOUTING ] 272 00:13:24,917 --> 00:13:26,750 IT'S JAMMED. 273 00:13:27,958 --> 00:13:30,958 MAYBE WE SHOULD HEED THE SIGN. [ CHUCKLES ] 274 00:13:31,042 --> 00:13:33,458 YOU WANT ME TO GO BACK DOWNSTAIRS? 275 00:13:33,542 --> 00:13:36,542 [BLEEP] THAT. WE'RE ALREADY UP HERE. 276 00:13:36,625 --> 00:13:38,208 ALL RIGHT. 277 00:13:39,625 --> 00:13:42,667 [ MUFFLED SHOUTING ] 278 00:13:42,750 --> 00:13:45,708 CLEAR! 279 00:13:45,792 --> 00:13:46,875 [ GASPING ] 280 00:13:46,958 --> 00:13:48,583 WHAT'S YOUR NAME? 281 00:13:48,667 --> 00:13:50,125 DAN CHARNAS. 282 00:13:50,208 --> 00:13:52,625 WHAT HAPPENED HERE, MR. CHARNAS? 283 00:13:52,708 --> 00:13:53,958 MY GIRLFRIEND TIED ME UP. 284 00:13:54,042 --> 00:13:55,833 BY HERSELF? 285 00:13:55,917 --> 00:13:58,000 NO. SHE WAS WITH MY WIFE AND MY OTHER GIRLFRIEND. 286 00:13:58,083 --> 00:13:59,750 MY WIFE WAS THE ONE HOLDING THE GUN. 287 00:13:59,833 --> 00:14:00,958 PLAYER, PLAYER! 288 00:14:01,042 --> 00:14:02,583 [ CHUCKLES ] WHAT? 289 00:14:02,667 --> 00:14:04,542 I WAS CHECKING OUT SOME HIP-HOP IN REHAB, MAN. 290 00:14:04,625 --> 00:14:05,875 THERE WAS THIS BALLPLAYER. 291 00:14:05,958 --> 00:14:07,417 I CAN'T REALLY TELL YOU HIS NAME, 292 00:14:07,500 --> 00:14:09,333 BUT, UH, LET'S JUST SAY HE COMES OFF THE BENCH 293 00:14:09,417 --> 00:14:10,875 FOR THE LAKERS, BABY -- MONEY. 294 00:14:10,958 --> 00:14:13,000 LOOK, HEY, I GOT TO TAKE A PISS, MAN. 295 00:14:13,083 --> 00:14:14,792 ALL RIGHT. JUST GIVE ME A SECOND TO GET YOU UNTIED. 296 00:14:14,875 --> 00:14:18,042 NO, NO. HEY. THAT'S NOT THE PROBLEM, OFFICER. 297 00:14:20,333 --> 00:14:21,583 YEAH. 298 00:14:25,917 --> 00:14:27,667 AAH! OH! 299 00:14:27,750 --> 00:14:29,333 WHAT? DOES IT -- WHAT? DOES IT LOOK BAD? 300 00:14:29,417 --> 00:14:31,333 W-WHAT'D THE HELL DID SHE USE, KRAZY GLUE? 301 00:14:31,417 --> 00:14:32,750 YEAH. YEAH. 302 00:14:32,833 --> 00:14:34,500 ALL RIGHT. WE'RE GONNA NEED AN R.A. UNIT. 303 00:14:34,583 --> 00:14:36,125 OH, NO. COME ON. 304 00:14:36,208 --> 00:14:38,042 SHIT, I THOUGHT MY WIFE WAS PISSED. 305 00:14:38,125 --> 00:14:39,458 WHAT? 306 00:14:39,542 --> 00:14:41,000 A43, SEND AN R.A. UNIT TO OUR LOCATION. 307 00:14:41,083 --> 00:14:42,958 [ Dispatcher speaking indistinctly ] YEAH. 308 00:14:43,042 --> 00:14:44,458 WE GOT A STICKY SITUATION HERE. 309 00:14:44,542 --> 00:14:45,750 HEY. HEY, WHERE YOU GOING?! 310 00:14:45,833 --> 00:14:47,125 WHAT'S THE USE OF A TRAFFIC CAM 311 00:14:47,208 --> 00:14:48,792 IF ALL YOU GET IS A PARTIAL PLATE? 312 00:14:48,875 --> 00:14:51,333 AT LEAST WE GOT THE MAKE OF THE CAR RIGHT AFTER NOBODY GOT SHOT. 313 00:14:51,417 --> 00:14:52,833 THAT'LL NARROW IT DOWN. 314 00:14:52,917 --> 00:14:56,083 YOU KNOW HOW MANY CADILLAC ESCALADES THAT COULD BE? 315 00:14:56,167 --> 00:15:00,125 SO CHUY THINKS LETI STILL WORKS ON OLVERA STREET? 316 00:15:00,208 --> 00:15:02,500 YEAH. CHUY'S USUALLY GOT PRETTY GOOD INFO. 317 00:15:02,583 --> 00:15:05,375 WHAT'S SHE DOING DATING A GANGSTER, ESE? 318 00:15:05,458 --> 00:15:07,750 BETTER TO DATE A GANGSTER THAN A COP 319 00:15:07,833 --> 00:15:09,625 IN THIS NEIGHBORHOOD, HOMEY. 320 00:15:09,708 --> 00:15:11,417 Lydia: 30 YEARS OF MARRIAGE. 321 00:15:11,500 --> 00:15:14,250 THEY LOST $6 MILLION IN CONDOS THAT THEY INVESTED 322 00:15:14,333 --> 00:15:17,583 BEFORE THE MARKET CRASHED, AND HE FILED FOR BANKRUPTCY. 323 00:15:17,667 --> 00:15:19,542 HMM. 324 00:15:19,625 --> 00:15:21,167 AND OF COURSE, AT THAT EXACT TIME 325 00:15:21,250 --> 00:15:22,667 IS WHEN SHE FILED FOR DIVORCE. 326 00:15:22,750 --> 00:15:25,250 ROMANCE WITHOUT FINANCE IS A NUISANCE. 327 00:15:25,333 --> 00:15:27,292 [ CHUCKLES ] GUESS HE DIDN'T TAKE IT WELL. 328 00:15:27,375 --> 00:15:29,750 YOU KNOW, I READ SOMEWHERE THAT AS A BLACK WOMAN OVER 30, 329 00:15:29,833 --> 00:15:31,667 I HAVE A BETTER CHANCE OF GETTING SHOT 330 00:15:31,750 --> 00:15:32,833 THAN GETTING MARRIED. 331 00:15:32,917 --> 00:15:34,458 I GOT SHOT WHEN I WAS AT NEWTON. LOOK. 332 00:15:34,542 --> 00:15:36,000 AND I'VE BEEN DIVORCED TWICE. 333 00:15:36,083 --> 00:15:40,250 TRUST ME, NENA, BOTH EXPERIENCES ARE OVERRATED. 334 00:15:40,333 --> 00:15:42,708 OH, THE DAUGHTER -- SHE'S FLYING IN FROM ATLANTA, 335 00:15:42,792 --> 00:15:44,250 AND SHE WANTS TO SPEAK WITH US 336 00:15:44,333 --> 00:15:45,333 AFTER SHE IDENTIFIES HER PARENTS. 337 00:15:45,417 --> 00:15:46,750 SPEAK TO US ABOUT WHAT? 338 00:15:46,833 --> 00:15:49,000 OUR JOB IS TO GET THE CASE DOWN. IT'S DOWN. 339 00:15:49,083 --> 00:15:50,625 BUT YOU GOT TO FEEL FOR THE DAUGHTER. 340 00:15:50,708 --> 00:15:52,250 I MEAN, BOTH OF HER PARENTS ARE DEAD 341 00:15:52,333 --> 00:15:54,125 AND HER FATHER'S THE KILLER? 342 00:15:54,208 --> 00:15:55,208 NO. 343 00:15:55,292 --> 00:15:57,000 I SAVE MY PITY FOR THE FAMILIES 344 00:15:57,083 --> 00:15:58,625 WHOSE MURDERERS WE CAN'T CATCH. 345 00:15:58,708 --> 00:16:00,875 THERE'S A SALE AT NORDSTROM THIS WEEKEND. 346 00:16:00,958 --> 00:16:02,042 YOU WANT TO GO? 347 00:16:02,125 --> 00:16:03,875 YOU'RE INCREDIBLE. 348 00:16:03,958 --> 00:16:05,917 THE DEN MOTHER? 349 00:16:06,000 --> 00:16:07,000 [ LAUGHS ] 350 00:16:07,083 --> 00:16:08,667 YOU PREFER BUGS THE BADGE BUNNY? 351 00:16:08,750 --> 00:16:10,083 THAT'S WHAT THEY USED TO CALL HER. 352 00:16:10,167 --> 00:16:12,333 SHE TRIED TO GET ME TO DO A THREESOME WITH HER ONCE. 353 00:16:12,417 --> 00:16:16,167 SHE STILL HAVE THAT AUTOGRAPHED "DIRTY HARRY" POSTER 354 00:16:16,250 --> 00:16:17,583 BY THE FRONT DOOR? 355 00:16:21,625 --> 00:16:22,583 UH-OH. 356 00:16:22,667 --> 00:16:24,333 SHIT. 357 00:16:24,417 --> 00:16:26,792 [ POLICE RADIO CHATTER ] 358 00:16:33,125 --> 00:16:35,250 SIR. 359 00:16:35,333 --> 00:16:37,125 YOU ALL RIGHT? 360 00:16:37,208 --> 00:16:39,417 YOU OKAY? 361 00:16:39,500 --> 00:16:41,042 IT'S MY GIRL ROSA. 362 00:16:41,125 --> 00:16:42,417 I DON'T KNOW WHY SHE'S TRIPPING LIKE THIS. 363 00:16:42,500 --> 00:16:43,917 DID SHE CUT YOU? 364 00:16:44,000 --> 00:16:45,458 IT WAS AN ACCIDENT, HOMES. SHE DIDN'T MEAN IT. 365 00:16:45,542 --> 00:16:47,375 ALL RIGHT. WHERE IS SHE? 366 00:16:47,458 --> 00:16:49,417 THE BACK OF THE CARRUCHA OVER THERE. 367 00:16:49,500 --> 00:16:50,292 RIGHT HERE? 368 00:16:51,542 --> 00:16:54,125 ALL RIGHT. WE'LL CHECK IT OUT. STAY HERE. 369 00:17:04,208 --> 00:17:06,333 [ DOG BARKS ] 370 00:17:10,458 --> 00:17:12,750 [ SIREN WAILING ] 371 00:17:12,833 --> 00:17:14,917 YOU GOT TO BE KIDDING ME. 372 00:17:15,000 --> 00:17:16,500 HIS BLOOD'S REAL. 373 00:17:23,458 --> 00:17:26,667 SIR, HOW'D YOU GET THAT CUT ON YOUR ARM? 374 00:17:26,750 --> 00:17:28,792 YOU DIDN'T SEE HER? YEAH, YEAH, YEAH. 375 00:17:28,875 --> 00:17:30,292 WE SAW HER. WE SAW HER. COME HERE. 376 00:17:30,375 --> 00:17:31,625 SO, WHAT HAPPENED? 377 00:17:31,708 --> 00:17:33,875 I JUST TOLD HER TO CHANGE HER CLOTHES, 378 00:17:33,958 --> 00:17:35,542 GO PUT ON SOMETHING NICE, EH? UH-HUH. 379 00:17:35,625 --> 00:17:37,750 SHE ALWAYS WANTS TO GO OUT LOOKING LIKE THAT. YEAH. 380 00:17:37,833 --> 00:17:39,292 THE MOVIES, THE PARK. 381 00:17:39,375 --> 00:17:41,083 AND THEN I GOT TO GET INTO FIGHTS WITH DUDES, 382 00:17:41,167 --> 00:17:42,667 'CAUSE -- 'CAUSE THEY BE LOOKING AT HER, 383 00:17:42,750 --> 00:17:44,167 THEN THEY BE LOOKING AT ME, TALKING SHIT. 384 00:17:44,250 --> 00:17:45,375 OKAY. ALL RIGHT. 385 00:17:45,458 --> 00:17:47,208 SO SHE CUT YOU WHEN SHE GOT MAD. 386 00:17:47,292 --> 00:17:48,917 YEAH. BUT I DIDN'T WANT TO, DOG. 387 00:17:49,000 --> 00:17:50,833 SHE MADE IT DO IT -- SHE STARTS YELLING, 388 00:17:50,917 --> 00:17:52,917 SHE LOSES IT, AND I JUST WANTED HER TO CALM DOWN. 389 00:17:53,000 --> 00:17:57,042 A35 REQUESTING AN R.A. UNIT AT 1200 EAST PLEASANT AVENUE, 390 00:17:57,125 --> 00:18:00,417 WILL THEN BE EN ROUTE FOR MENTAL EVALUATION. 391 00:18:00,500 --> 00:18:02,042 YOU EVER BEEN IN LOVE? 392 00:18:02,125 --> 00:18:04,125 IT'S A BITCH, ESE. 393 00:18:06,625 --> 00:18:07,958 WHAT'S IT GONNA BE, SAMMY JR. 394 00:18:08,042 --> 00:18:09,833 OR ONE OF THOSE WHITE-BOY VALLEY NAMES 395 00:18:09,917 --> 00:18:12,333 LIKE KYLE OR PRESTON, DYLAN? 396 00:18:12,417 --> 00:18:14,167 WAYNE, AFTER MY DAD. 397 00:18:14,250 --> 00:18:18,042 RACHEL, MAYBE -- MAYBE -- IF IT'S A GIRL. GOOD. 398 00:18:18,125 --> 00:18:19,958 AT LEAST IT'S NOT GONNA BE BRITTANY OR AMBER, 399 00:18:20,042 --> 00:18:21,625 OR ONE OF THOSE PORN-STAR NAMES, RIGHT? 400 00:18:21,708 --> 00:18:24,167 YOU'VE GIVEN THIS WAY TOO MUCH THOUGHT, MAN. 401 00:18:26,375 --> 00:18:28,625 DAMN. WAS THAT KID BORN SAGGING? 402 00:18:28,708 --> 00:18:31,292 PROBABLY DIDN'T HAVE MUCH OF A CHOICE. 403 00:18:31,375 --> 00:18:35,208 NOW THAT I'M GONNA BE A DAD, THIS WHOLE THING IS HITTING ME. 404 00:18:35,292 --> 00:18:36,917 YOU KNOW, ALL THE GUYS WE ARRESTED. 405 00:18:37,000 --> 00:18:38,333 ALL THE BODIES WE STOOD OVER -- 406 00:18:38,417 --> 00:18:40,375 HOW MANY OF THEM DO YOU THINK HAD FATHERS -- 407 00:18:40,458 --> 00:18:42,500 I MEAN IN THE HOUSE, AROUND? 408 00:18:42,583 --> 00:18:43,792 NOT TOO MANY, MAN. 409 00:18:43,875 --> 00:18:46,167 THIS WHOLE GANG PROBLEM IS ABOUT PARENTING. 410 00:18:46,250 --> 00:18:49,333 YOU WALK INTO THE LIVING ROOM, IT'S ALWAYS THE SAME SONG. 411 00:18:49,417 --> 00:18:52,000 "WHY, WHY, WHY? WHY DID THE LORD TAKE MY BABY?" 412 00:18:52,083 --> 00:18:54,208 AND I'M THINKING, "WELL, MAYBE HE'S DEAD 413 00:18:54,292 --> 00:18:57,542 "BECAUSE YOU'RE A CRACKHEAD AND DON'T KNOW WHO THE FATHER IS, 414 00:18:57,625 --> 00:19:01,083 "OR MAYBE HAD YOU RAISED HIM INSTEAD OF THE HOMIES, 415 00:19:01,167 --> 00:19:02,708 I WOULDN'T BE STANDING HERE." 416 00:19:02,792 --> 00:19:06,250 FATHER'S DAY IS THE MOST CONFUSING DAY IN THE GHETTO. 417 00:19:07,292 --> 00:19:09,042 THERE SHE IS. 418 00:19:09,125 --> 00:19:12,083 THE FACE THAT LAUNCHED A THOUSAND BULLETS. 419 00:19:12,167 --> 00:19:14,833 I'D DODGE A FEW BULLETS FOR A SHOT AT THAT ASS. 420 00:19:14,917 --> 00:19:16,875 YEAH. 421 00:19:16,958 --> 00:19:18,833 MAYBE FROSTY WASN'T SO CRAZY AFTER ALL. 422 00:19:18,917 --> 00:19:22,125 ONCE YOU GO BROWN, YOU STICK AROUND. 423 00:19:22,208 --> 00:19:25,167 I'M GONNA PRETEND YOU DIDN'T JUST SAY THAT. 424 00:19:25,250 --> 00:19:27,292 WHAT? 425 00:19:27,375 --> 00:19:28,917 A-AND I WON'T TELL MARIELLA 426 00:19:29,000 --> 00:19:30,625 WHAT YOU SAID ABOUT HER ASS, EITHER. 427 00:19:30,708 --> 00:19:32,750 [ LAUGHS ] [ CELLPHONE RINGS ] 428 00:19:32,833 --> 00:19:34,292 ALL RIGHT. 429 00:19:36,417 --> 00:19:38,958 GEEZ. WHAT? 430 00:19:41,333 --> 00:19:44,458 [ SIRENS WAILING, HELICOPTER PASSING ] 431 00:19:44,542 --> 00:19:47,167 [ INDISTINCT CONVERSATIONS ] 432 00:19:53,917 --> 00:19:55,250 NO! 433 00:19:55,333 --> 00:19:57,042 [ SCREAMING ] 434 00:19:57,125 --> 00:19:59,000 OH, MY BABY! 435 00:19:59,083 --> 00:20:02,625 OH! 436 00:20:02,708 --> 00:20:06,625 WHY?! WHY?! WHY?! 437 00:20:08,750 --> 00:20:11,042 DAMN. 438 00:20:11,125 --> 00:20:12,250 [ SIGHS ] 439 00:20:12,333 --> 00:20:13,958 WHAT THE HELL ARE WE DOING HERE? 440 00:20:14,042 --> 00:20:16,833 YOU JINXED US WITH ALL THAT LONG-WEEKEND AND NORDSTROM TALK. 441 00:20:16,917 --> 00:20:19,292 WHO THE HELL CARES IF JOKER SHOT LIL SCOOBY? 442 00:20:19,375 --> 00:20:20,542 IT'S STILL MURDER. 443 00:20:20,625 --> 00:20:22,250 HEY, SAL. 444 00:20:22,333 --> 00:20:23,667 HEY, LYDIA. HOW ARE YOU? 445 00:20:23,750 --> 00:20:26,417 DETECTIVE OCHOA. HEY, SAL. 446 00:20:26,500 --> 00:20:28,583 HOW'S SUSAN? I DON'T KNOW. 447 00:20:28,667 --> 00:20:30,792 YOU PROBABLY TALK TO HER MORE THAN I DO THESE DAYS. 448 00:20:30,875 --> 00:20:33,333 OF COURSE, YOU KNEW THAT BEFORE YOU ASKED THE QUESTION, HUH? 449 00:20:33,417 --> 00:20:34,833 SO WHAT'S GOING ON? 450 00:20:34,917 --> 00:20:37,583 RIDAZ AND HUSTLAZ ARE AT IT AGAIN. 451 00:20:37,667 --> 00:20:40,250 METRO'S SENDING OUT BOY PLATOON FOR CRIME SUPPRESSION. 452 00:20:40,333 --> 00:20:41,792 IT'S THE THIRD BODY IN 10 HOURS. 453 00:20:41,875 --> 00:20:44,958 WE DON'T HAVE ENOUGH COPPERS TO COVER THE CASES. 454 00:20:45,042 --> 00:20:47,583 SO THIS IS OURS NOW? 455 00:20:47,667 --> 00:20:50,292 ALL GIFT-WRAPPED WITH A BOW. 456 00:20:50,375 --> 00:20:52,500 HEY, ONE MORE DEAD BODY, AND WE'RE GONNA END UP 457 00:20:52,583 --> 00:20:54,167 ON THE FRONT PAGE OF THE TIMES. 458 00:20:54,250 --> 00:20:57,042 AND ALL THE 11:00 NEWS SHOWS ARE GONNA MAKE US LOOK LIKE IDIOTS. 459 00:20:57,125 --> 00:20:59,667 NATE, SAM, YOU FINISH UP THE CANVASS 460 00:20:59,750 --> 00:21:03,667 AND THEN, UH, TAKE THESE GUYS BACK TO ALVARADO, DEBRIEF THEM. 461 00:21:03,750 --> 00:21:05,333 HOOK UP WITH METRO. 462 00:21:05,417 --> 00:21:07,958 SNATCH UP SOME GANGSTERS WHILE THEY'RE WORKING THE HOMICIDE. 463 00:21:08,042 --> 00:21:09,458 YOU GOT THAT? GOT IT. 464 00:21:09,542 --> 00:21:12,208 AND HEY, NO MORE DEAD BODIES THIS WEEKEND, OKAY? 465 00:21:12,292 --> 00:21:13,708 GOOD TO SEE YOU. 466 00:21:13,792 --> 00:21:16,458 SEE YOU LATER, SAL. 467 00:21:16,542 --> 00:21:20,292 IN MY NEWTON GANG-UNIT DAYS, WE NEVER NEEDED ANY HELP. 468 00:21:20,375 --> 00:21:22,500 WE WORKED TRIPLES BY OURSELVES -- ONE DETECTIVE. 469 00:21:22,583 --> 00:21:24,125 HIGHEST CLEARANCE RATE IN THE CITY. 470 00:21:24,208 --> 00:21:28,000 I HEARD THEY WERE WEEPING IN THE HALLS WHEN YOU LEFT. 471 00:21:28,083 --> 00:21:29,750 WHY DON'T YOU GO BACK? 472 00:21:35,625 --> 00:21:37,292 SEE YOU GUYS. 473 00:21:39,125 --> 00:21:41,458 I MEAN, IT'S COMMON KNOWLEDGE. I'M NOT ASHAMED OF IT. 474 00:21:41,542 --> 00:21:43,042 I'M A FREAK. PEOPLE KNOW THAT. 475 00:21:43,125 --> 00:21:44,667 KNOW WHAT I MEAN? ALL Y'ALL KNOW. 476 00:21:44,750 --> 00:21:47,000 I LIKE THAT SWINGING-FROM- THE-CHANDELIER STUFF. 477 00:21:47,083 --> 00:21:49,375 HELL, I DON'T EVEN CARE IF MONKEYS IS WATCHING. 478 00:21:49,458 --> 00:21:51,208 YOU KNOW? Chickie: [ LAUGHS ] 479 00:21:51,292 --> 00:21:53,792 AND SO WHEN SALLY BREAKS OUT THE POLAROID CAMERA, 480 00:21:53,875 --> 00:21:56,292 WELL, SHOOT, I GET CONFUSED, 481 00:21:56,375 --> 00:21:58,875 SINCE, YOU KNOW, NORMALLY I'M THE TECHNOLOGICAL ONE 482 00:21:58,958 --> 00:22:00,542 WHEN IT COMES TO STUFF LIKE THAT. 483 00:22:00,625 --> 00:22:03,958 I'M A GYNECOLOGIST IN MY SPARE TIME, RIGHT? MM-HMM. 484 00:22:04,042 --> 00:22:05,792 SO I BREAK OUT MY BRAND-NEW iPHONE, 485 00:22:05,875 --> 00:22:07,750 THINKING I'M GONNA GET A CHANCE TO USE 486 00:22:07,833 --> 00:22:09,375 SOME OF THAT H.D.-VIDEO ACTION. 487 00:22:09,458 --> 00:22:10,667 TAKE A LITTLE TRIP TO BRAZIL 488 00:22:10,750 --> 00:22:12,208 WITHOUT EVER GOING TO THE AIRPORT? 489 00:22:12,292 --> 00:22:13,625 OH, NOT EVEN, BROTHER. 490 00:22:13,708 --> 00:22:15,583 SHE WAS ALREADY DRESSED FOR WINTER. 491 00:22:15,667 --> 00:22:17,042 YEAH, SHE GOT THAT FUR COAT. 492 00:22:17,125 --> 00:22:18,125 [ LAUGHTER ] COME ON. 493 00:22:18,208 --> 00:22:19,375 YEAH. THAT'S THE DEAL. 494 00:22:19,458 --> 00:22:21,167 BOOT KNOWS WHAT I'M TALKING ABOUT. 495 00:22:21,250 --> 00:22:22,625 MM-HMM. UH-HUH, UH-HUH. 496 00:22:22,708 --> 00:22:25,083 WELL, ANYWAY, SHE STOPS ME -- FIRST TIME EVER. 497 00:22:25,167 --> 00:22:27,208 I MEAN, SHE REALLY WANTS THIS POLAROID. 498 00:22:27,292 --> 00:22:28,625 SO SHE STANDS ME UP AGAINST THE WALL, 499 00:22:28,708 --> 00:22:30,333 PULLS OUT HER CAMERA, AND TAKES A PICTURE 500 00:22:30,417 --> 00:22:32,833 LIKE WHEN WE SNATCH UP ONE OF THESE LITTLE BABY GANGSTERS 501 00:22:32,917 --> 00:22:34,583 TRYING TO MAKE A, UM -- F.I. CARD. 502 00:22:34,667 --> 00:22:37,083 EXACTLY, AND THEN SHE SIGNS MY NAME 503 00:22:37,167 --> 00:22:39,417 AND TOSSES THE POLAROID IN A SHOE BOX. 504 00:22:39,500 --> 00:22:41,417 John: SHE'S PROBABLY GOT HALF THE DIVISION IN THERE. 505 00:22:41,500 --> 00:22:42,750 THIS IS WHAT I'M SAYING. 506 00:22:42,833 --> 00:22:45,167 SO, DID SHE TAKE A PICTURE OF YOU YET, BOOT? 507 00:22:45,250 --> 00:22:46,875 NO. 508 00:22:46,958 --> 00:22:49,625 Dewey: ANYBODY GOT A BUCK? I'M TRYING TO GET ANOTHER COFFEE. 509 00:22:49,708 --> 00:22:51,500 JOHN, GIVE ME A DOLLAR. 510 00:22:53,000 --> 00:22:56,583 YOU'D THINK I ASKED YOU FOR YOUR FIRSTBORN OR SOMETHING. 511 00:22:58,750 --> 00:23:00,625 I DEALT WITH IT FOR FIVE YEARS. 512 00:23:00,708 --> 00:23:02,792 YOU CAN'T TAKE IT FOR FOUR HOURS? 513 00:23:02,875 --> 00:23:03,875 YOU KNOW WHAT? 514 00:23:03,958 --> 00:23:05,708 WHEN HE WAS DRUNK, IT WAS FUNNY. 515 00:23:05,792 --> 00:23:08,125 IF I GOT TO HEAR ONE MORE THING ABOUT A.A., 516 00:23:08,208 --> 00:23:11,042 I'M GONNA BRING BACK THE DARYL GATES CHOKE HOLD MYSELF. 517 00:23:11,125 --> 00:23:13,167 HEY, DID YOU GUYS HEAR ABOUT THAT SHOOTING 518 00:23:13,250 --> 00:23:15,708 DOWN AT EAST GAGE STREET BETWEEN THE RIDAZ AND THE HUSTLAZ? 519 00:23:15,792 --> 00:23:17,000 STUPID IDIOTS. 520 00:23:17,083 --> 00:23:19,292 IF THEY HAD A HALF A BRAIN BETWEEN THEM, 521 00:23:19,375 --> 00:23:22,250 THEY'D BELIEVE IN A HIGHER POWER AND SANITY COULD BE RESTORED. 522 00:23:22,333 --> 00:23:23,792 STEP NUMBER TWO, MY FRIENDS. 523 00:23:23,875 --> 00:23:25,083 ALL RIGHT. LET'S GO. 524 00:23:25,167 --> 00:23:27,292 YOU GET THAT FOR ME, PLEASE? YES. 525 00:23:27,375 --> 00:23:30,792 HEY, BOOT, SALLY EVER ASK YOU TO WEAR YOUR HAT? 526 00:23:30,875 --> 00:23:32,292 HUH? 527 00:23:32,375 --> 00:23:35,000 I USED TO KEEP MY SPARE SET OF BLUES IN HER CLOSET, MAN. 528 00:23:35,083 --> 00:23:38,292 SHE'S A FREAK! [ LAUGHS ] 529 00:23:39,750 --> 00:23:41,583 ♪ HEY, I KNOW I WANT YOU, WANT YOU ♪ 530 00:23:41,667 --> 00:23:43,500 ♪ I KNOW YOU WANT ME, WANT ME ♪ 531 00:23:43,583 --> 00:23:45,292 ♪ YOU KNOW I WANT YOU, WANT YOU ♪ 532 00:23:45,375 --> 00:23:47,333 ♪ I KNOW YOU WANT ME ♪ 533 00:23:47,417 --> 00:23:49,417 ♪ YOU KNOW I WANT YOU, WANT YOU ♪ 534 00:23:49,500 --> 00:23:51,792 ♪ 1, 2, 3, 4 ♪ 535 00:23:51,875 --> 00:23:54,083 ♪ UNO, DOS, TRES, CUATRO ♪ 536 00:23:54,167 --> 00:23:57,292 [ INDISTINCT CONVERSATIONS ] 537 00:23:57,375 --> 00:23:59,458 ♪ SI ES VERDAD ♪ 538 00:23:59,542 --> 00:24:02,542 ♪ QUE TU ERES GUAPA ♪ 539 00:24:02,625 --> 00:24:04,708 ♪ YO TE VOY A PONER GOZAR ♪ 540 00:24:04,792 --> 00:24:06,708 ♪ TU TIENE LA BOCA GRANDE ♪ 541 00:24:06,792 --> 00:24:08,500 ♪ DALE PONTE A JUGAR, COMO? ♪ 542 00:24:08,583 --> 00:24:11,292 ♪ 1, 2, 3, 4 ♪ 543 00:24:11,375 --> 00:24:12,917 ♪ UNO, DOS, TRES, CUATRO ♪ 544 00:24:13,000 --> 00:24:15,792 [ GUNFIRE, SCREAMING ] 545 00:24:17,542 --> 00:24:19,125 [ DOG BARKING ] 546 00:24:22,458 --> 00:24:24,708 FIRST BODY WE CAUGHT WAS FROSTY, OF THE WESTSIDE RIDAZ. 547 00:24:24,792 --> 00:24:27,542 ORIGINALLY WE THOUGHT IT WAS TYPICAL BEEF OVER DRUG TERRITORY. 548 00:24:27,625 --> 00:24:29,083 TURNS OUT IT WAS OVER A GIRL. 549 00:24:29,167 --> 00:24:30,667 FROSTY WAS BANGING LETI VARGAS, 550 00:24:30,750 --> 00:24:33,625 FIRST COUSIN OF JUAN VARGAS, STREET NAME NOBODY, 551 00:24:33,708 --> 00:24:35,083 OF THE LATIN HUSTLAZ. 552 00:24:35,167 --> 00:24:38,208 Josie: SO NOBODY SHOT FROSTY, BUT WHO SHOT NOBODY? 553 00:24:38,292 --> 00:24:40,125 CAMS PICKED UP A SILVER ESCALADE 554 00:24:40,208 --> 00:24:41,958 LEAVING THE SCENE OF THE DRIVE-BY. 555 00:24:42,042 --> 00:24:43,208 DAVID MARCUS HAS THE CAR, 556 00:24:43,292 --> 00:24:45,083 AND THE PROFILE FITS THE DESCRIPTION. 557 00:24:45,167 --> 00:24:47,625 MIGHT HAVE THE CAR BUT DOESN'T FIT THE PROFILE. 558 00:24:47,708 --> 00:24:49,333 JUST GOT BACK FROM S.I.D. 559 00:24:49,417 --> 00:24:51,708 NO GSR MARKS ON HIS HAND, NO GUN. 560 00:24:51,792 --> 00:24:54,542 THIS KID DAVID MARCUS IS LITERALLY A CHOIR BOY. 561 00:24:54,625 --> 00:24:56,667 HE PLAYS THE DRUMS AT SECOND A.M.E. 562 00:24:56,750 --> 00:24:58,292 AND THIS TRUCK -- PAID FOR. 563 00:24:58,375 --> 00:24:59,750 PERFECT CREDIT, 564 00:24:59,833 --> 00:25:01,875 MANAGER OF A VIDEO-GAME STORE IN THE FOX HILLS MALL. 565 00:25:02,000 --> 00:25:03,292 NO TATS. 566 00:25:03,375 --> 00:25:05,250 HE DOESN'T EVEN HAVE ANY PARKING TICKETS. 567 00:25:05,333 --> 00:25:07,417 DIAMOND EARRINGS, BAGGY JEANS, 568 00:25:07,500 --> 00:25:10,875 DROVE A TRICKED-OUT S.U.V. BLASTING GLASSES MALONE. 569 00:25:10,958 --> 00:25:13,292 SO? THIS GUY COULD BE AN INNOCENT CIVILIAN. 570 00:25:13,375 --> 00:25:15,750 OR HE'S JUST ANOTHER ASSHOLE WE HAVEN'T CAUGHT YET. 571 00:25:15,833 --> 00:25:17,792 EITHER WAY, LOOK THE PART, PAY THE PRICE. 572 00:25:17,875 --> 00:25:19,750 OH, COME ON, MAN. 573 00:25:19,833 --> 00:25:21,708 IF -- IF DUDE WAS DRIVING A PRIUS, 574 00:25:21,792 --> 00:25:24,333 BUMPING JOHN MAYER, HE'D BE ALIVE RIGHT NOW. 575 00:25:24,417 --> 00:25:25,792 YOU KNOW IT. 576 00:25:25,875 --> 00:25:27,833 YOU SEE? 577 00:25:27,917 --> 00:25:29,958 THAT'S TONY IN FRONT OF HIS ESCALADE, 578 00:25:30,042 --> 00:25:31,792 RODRIGO, NEXT TO EDDIE, MY BABY. 579 00:25:31,875 --> 00:25:35,542 THEY ALL HAVE SHAVED HEADS, EARRINGS, BAGGY JEANS. 580 00:25:35,625 --> 00:25:36,958 THEY LOVE HIP-HOP. 581 00:25:37,042 --> 00:25:39,375 TONY'S A CAPTAIN IN AFGHANISTAN, 582 00:25:39,458 --> 00:25:41,750 RODRIGO JUST BECAME A P2 IN SOUTHEAST, 583 00:25:41,833 --> 00:25:43,083 AT EDDIE'S AT BERKELEY, 584 00:25:43,167 --> 00:25:45,292 AND YOU'RE GONNA TELL ME THAT MY BOYS 585 00:25:45,375 --> 00:25:46,667 DESERVE TO GET SHOT UP 586 00:25:46,750 --> 00:25:49,375 JUST BECAUSE THEY WEAR BAGGY JEANS AND LOVE HIP-HOP? 587 00:25:49,458 --> 00:25:50,917 I BET YOU IF THEY WERE WHITE 588 00:25:51,000 --> 00:25:52,792 AND THEY LIVED NEXT DOOR TO YOU IN SANTA CLARITA -- 589 00:25:52,875 --> 00:25:54,458 CASTAIC -- I LIVE IN CASTAIC. 590 00:25:54,542 --> 00:25:56,125 AND DON'T THROW THAT TIRED "WHITE BOY 591 00:25:56,208 --> 00:25:58,000 DOESN'T UNDERSTAND THE NEIGHBORHOOD" BULLSHIT AT ME. 592 00:25:58,083 --> 00:25:59,958 DON'T DO IT. WHERE DO YOU LIVE? 593 00:26:01,667 --> 00:26:02,958 LA CAÑADA FLINTRIDGE. 594 00:26:03,042 --> 00:26:06,083 OH, TIMES IS HARD. 595 00:26:06,167 --> 00:26:08,083 SO MUCH CRIME OUT IN THE FLINT. 596 00:26:08,167 --> 00:26:09,958 BODIES JUST STACKING UP. 597 00:26:10,042 --> 00:26:12,833 [ CELLPHONES RINGING ] 598 00:26:15,542 --> 00:26:18,583 [ SIRENS WAILING, HELICOPTER PASSING ] 599 00:26:24,375 --> 00:26:26,750 [ WOMAN SPEAKING SPANISH ] 600 00:26:53,208 --> 00:26:55,292 TONIGHT WE'RE AT THE SITE OF WHAT SHOULD BE 601 00:26:55,375 --> 00:26:56,667 A JOYOUS CELEBRATION -- 602 00:26:56,750 --> 00:26:58,917 A YOUNG GIRL'S FIRST STEP INTO WOMANHOOD, 603 00:26:59,000 --> 00:26:59,958 A QUINCEAÑERA. 604 00:27:00,042 --> 00:27:01,667 INSTEAD, IT'S A CRIME SCENE, 605 00:27:01,750 --> 00:27:03,417 WITH THE GUNMAN STILL AT LARGE 606 00:27:03,500 --> 00:27:05,667 AND TWO INNOCENT VICTIMS LEFT IN HIS WAKE. 607 00:27:05,750 --> 00:27:08,333 A YOUNG MOTHER AND HER 4-YEAR-OLD SON LIE DEAD, 608 00:27:08,417 --> 00:27:09,792 THE FOURTH AND FIFTH VICTIMS 609 00:27:09,875 --> 00:27:12,333 OF AN MLK WEEKEND FULL OF VIOLENCE, 610 00:27:12,417 --> 00:27:13,792 IN SHARP CONTRAST 611 00:27:13,875 --> 00:27:16,708 WITH MARTIN LUTHER KING'S MESSAGE OF NONVIOLENCE. 612 00:27:16,792 --> 00:27:19,375 [ HELICOPTER PASSING, HORN BLARING ] 613 00:27:19,458 --> 00:27:21,208 DETECTIVE SALINGER. 614 00:27:21,292 --> 00:27:23,708 IS THIS SHOOTING RELATED TO THE OTHER ONES? 615 00:27:23,792 --> 00:27:24,833 NO COMMENT. 616 00:27:24,917 --> 00:27:26,708 IS IT RACIALLY MOTIVATED? 617 00:27:28,958 --> 00:27:30,417 HEY, WHAT DO WE GOT? 618 00:27:30,500 --> 00:27:32,625 LYDIA AND I ARE CHECKING TRAFFIC CAMS 619 00:27:32,708 --> 00:27:34,958 TO SEE IF WE GET LUCKY AND CATCH A PLATE. 620 00:27:35,042 --> 00:27:37,667 WE'RE LOOKING FOR A DARK BLUE CHEVY SUBURBAN. 621 00:27:37,750 --> 00:27:39,458 ALL RIGHT. HANG IN THERE. 622 00:27:39,542 --> 00:27:43,000 THE FATHER OF THE BABY IS A LATIN HUSTLA. 623 00:27:43,083 --> 00:27:44,875 DID HE GET A GOOD LOOK AT THE SHOOTER? 624 00:27:44,958 --> 00:27:45,875 NOPE. 625 00:27:45,958 --> 00:27:48,917 DARK, CHEVY SUBURBAN, MAYBE. 626 00:27:49,042 --> 00:27:50,500 SHOOTER WAS BLACK. 627 00:27:50,583 --> 00:27:53,208 THE GUN? Sammy: AK-47, BASED ON THE SHELL CASINGS. 628 00:27:53,292 --> 00:27:55,833 S.I.D. IS RUNNING THE BALLISTICS NOW. 629 00:27:55,917 --> 00:27:58,042 GEEZ. AN AK? 630 00:27:58,125 --> 00:28:00,625 WASN'T EVEN A BULLET FRAGMENT THAT KILLED THE KID. 631 00:28:00,708 --> 00:28:02,417 IT WAS SHRAPNEL FROM THE CAR DOOR. 632 00:28:02,500 --> 00:28:04,417 Nate: THERE'S A LOT OF GUYS COMING UP FROM MEXICO. 633 00:28:04,500 --> 00:28:06,000 AK IS EASY MONEY ON THE STREET. 634 00:28:06,083 --> 00:28:08,833 HARDWARE THAT HEAVY, IT'S GOT TO BE A NEIGHBORHOOD GUN. 635 00:28:08,917 --> 00:28:11,958 THEY PASS IT AROUND THE GANG FROM CRIME TO CRIME. 636 00:28:12,042 --> 00:28:13,625 WELL, GOOD. 637 00:28:13,708 --> 00:28:16,042 IF IT'S BEEN USED BEFORE, MAYBE WE'LL CATCH A BREAK. 638 00:28:16,125 --> 00:28:18,875 LISTEN, FIND ME A GOOD WIT, ALL RIGHT? 639 00:28:21,083 --> 00:28:24,458 THERE'S NO WAY WE FIND A CASING THIS FAR FROM THE HOUSE. 640 00:28:24,542 --> 00:28:27,000 WELL, YOU NEVER KNOW. 641 00:28:27,083 --> 00:28:28,542 [ CHUCKLES ] 642 00:28:28,625 --> 00:28:30,542 HEY, THIS ONE TIME, WHEN I WAS A BOOT, 643 00:28:30,625 --> 00:28:33,792 THIS DRUNK LOST HIS GLASS EYE IN THE MIDDLE OF THE STREET. 644 00:28:33,875 --> 00:28:36,125 MY PARTNER AND I HAD TO LOOK FOR IT. 645 00:28:36,208 --> 00:28:38,500 JUST ABOUT THE TIME I'M GONNA GIVE UP 646 00:28:38,583 --> 00:28:41,042 AND GO ASK MY T.O. IF I COULD PUNCH OUT, 647 00:28:41,125 --> 00:28:43,458 KKKT! -- I STEPPED RIGHT ON THAT BITCH. 648 00:28:43,542 --> 00:28:46,000 [ LAUGHS ] OH. 649 00:28:46,083 --> 00:28:47,458 WHAT WAS THE KID'S NAME? 650 00:28:47,542 --> 00:28:50,375 THE HELL WOULD YOU WANT THAT IN YOUR HEAD FOR? 651 00:28:50,458 --> 00:28:53,625 BELIEVE ME, GOD DID US A FAVOR. 652 00:28:53,708 --> 00:28:55,000 THIS NEIGHBORHOOD, TWO GANGSTER PARENTS -- 653 00:28:55,083 --> 00:28:57,417 WE'D BE RIGHT BACK HERE IN EIGHT YEARS, 654 00:28:57,500 --> 00:28:59,000 ARRESTING THAT LITTLE VATO'S ASS, 655 00:28:59,083 --> 00:29:01,958 DAMN SURE BE ZIPPING HIM UP IN A BIGGER BODY BAG. 656 00:29:02,042 --> 00:29:03,833 THE UNIVERSE SAVED US A TRIP. 657 00:29:03,917 --> 00:29:07,042 WHAT DID YOU SAY? HEY, I'M JUST TRYING TO KEEP IT REAL, BABY GIRL. 658 00:29:07,125 --> 00:29:09,333 "KEEP IT REAL, BABY GIRL"? 659 00:29:09,417 --> 00:29:11,625 MAN, THAT'S SOMEBODY'S KID. 660 00:29:11,708 --> 00:29:13,542 YEAH. TWO [BLEEP] GANGSTERS. 661 00:29:13,625 --> 00:29:16,375 YOU SEE ANY BONA FIDE HUMANS AROUND HERE? 662 00:29:16,458 --> 00:29:18,458 [ INDISTINCT SHOUTING ] 663 00:29:18,542 --> 00:29:20,708 [BLEEP] GET BACK IN YOUR TUNA BOAT, BITCH! 664 00:29:20,792 --> 00:29:23,167 BITCH? I'LL SHOW YOU A BITCH! Sal: HEY, HEY! 665 00:29:23,250 --> 00:29:25,708 KNOCK IT OFF! KNOCK IT OFF! MEET ME IN A PARKING LOT OFF SHIFT! 666 00:29:25,792 --> 00:29:27,542 GOD DAMN IT, THERE'S CAMERAS EVERYWHERE! BITCH. 667 00:29:27,625 --> 00:29:29,000 SHUT HIM UP. LOOK AT ME. LOOK AT ME. 668 00:29:29,083 --> 00:29:30,708 EVERYBODY GET THE HELL OUT OF HERE NOW. 669 00:29:30,792 --> 00:29:32,083 GET HIM OUT OF HERE. John: ALL RIGHT. 670 00:29:32,167 --> 00:29:33,542 LET GET OF ME, MAN. JUST LET GO OF ME. 671 00:29:33,625 --> 00:29:35,500 LET GO. GET OUT OF HERE, ALL OF YOU. 672 00:29:35,583 --> 00:29:37,208 LYDIA. 673 00:29:43,917 --> 00:29:46,708 [ INDISTINCT CONVERSATIONS ] 674 00:29:50,750 --> 00:29:52,958 "I'LL SHOW YOU A BITCH, BITCH." 675 00:29:54,625 --> 00:29:56,833 TUNA BOAT, MY ASS. 676 00:29:56,917 --> 00:29:59,458 [ LAUGHS ] [ SCOFFS ] 677 00:30:01,958 --> 00:30:03,667 Dewey: ARE YOU KIDDING ME, MAN? 678 00:30:03,750 --> 00:30:05,208 ARE YOU FREAKIN' KIDDING ME?! 679 00:30:05,292 --> 00:30:06,792 THOSE STUPID BITCHES. 680 00:30:06,875 --> 00:30:08,542 JOHN, I'VE NEVER HIT A WOMAN IN MY LIFE. 681 00:30:08,625 --> 00:30:09,875 I'M NOT A WOMAN-BEATER, MAN. 682 00:30:09,958 --> 00:30:12,167 BUT TONIGHT I WAS THIS CLOSE 683 00:30:12,250 --> 00:30:14,375 TO BEATING BOTH THOSE BITCHES DOWN, MAN. 684 00:30:14,458 --> 00:30:16,750 ARMED OR UNARMED. I DON'T GIVE A SHIT! 685 00:30:16,833 --> 00:30:18,375 THE ONLY PIECE OF METAL 686 00:30:18,458 --> 00:30:21,125 THOSE BITCHES SHOULD BE ALLOWED TO CARRY IS A FRYING PAN! 687 00:30:21,208 --> 00:30:24,250 JESUS CHRIST! 688 00:30:24,333 --> 00:30:26,292 OH [BLEEP] JOHN, YOU KNOW WHAT? 689 00:30:26,375 --> 00:30:28,333 ALL I DID WAS TELL THE TRUTH, BRO. 690 00:30:28,417 --> 00:30:30,375 THAT IS IT, MAN. I TOLD THE TRUTH. 691 00:30:30,458 --> 00:30:31,708 YOU KNOW AS WELL AS I DO 692 00:30:31,792 --> 00:30:34,167 WE SHOULD BUS EVERY ONE OF THOSE DIRTY GANGSTERS 693 00:30:34,250 --> 00:30:37,250 DOWN TO THE COLISEUM, THROW IN SOME GUNS AND AMMO, 694 00:30:37,333 --> 00:30:39,250 LOCK THE DOOR, AND LET GOD SORT IT OUT. 695 00:30:39,333 --> 00:30:40,792 LET'S GET SOME MORE COFFEE. 696 00:30:40,875 --> 00:30:43,042 YES, LET'S GET SOME COFFEE. 697 00:30:43,125 --> 00:30:45,042 STUPID BITCHES. 698 00:30:45,125 --> 00:30:47,958 GET IN YOUR TUNA BOAT AND GET OUT OF MY FACE. 699 00:30:48,042 --> 00:30:49,750 OH, GREAT. 700 00:30:52,042 --> 00:30:53,833 YOU WANT YOUR COFFEE BLACK, RIGHT? 701 00:30:53,917 --> 00:30:54,750 YEP. 702 00:30:54,833 --> 00:30:57,000 NOT A WORD, BOOT. 703 00:30:57,083 --> 00:31:00,292 [ SIGHS ] LET'S ROLL. 704 00:31:00,375 --> 00:31:01,750 WHAT? 705 00:31:01,833 --> 00:31:03,167 COME ON. 706 00:31:08,125 --> 00:31:10,250 [ ENGINE TURNS OVER ] 707 00:31:13,000 --> 00:31:15,125 [ TIRES SCREECH, ENGINE REVS ] 708 00:31:17,167 --> 00:31:19,125 SON OF A BITCH! 709 00:31:24,667 --> 00:31:26,458 WE GOT AT LEAST FIVE DIFFERENT CASES 710 00:31:26,542 --> 00:31:28,875 WHERE AN AK WAS USED IN THE LAST THREE MONTHS. 711 00:31:28,958 --> 00:31:30,542 ALL NEAR RIDAZ TERRITORY. 712 00:31:30,625 --> 00:31:32,375 WOULDN'T THEY JUST TOSS THE GUN? 713 00:31:32,458 --> 00:31:34,083 TOSS AN AK? NO WAY, MAN. 714 00:31:34,167 --> 00:31:35,625 IT'S TOO HARD TO REPLACE. IT'S GOLDEN. 715 00:31:35,708 --> 00:31:38,667 ALEJANDRO JOAQUIN CUERVO. 716 00:31:39,833 --> 00:31:41,917 4 YEARS OLD. 717 00:31:42,958 --> 00:31:45,625 REMEMBER THE NAME. 718 00:31:45,708 --> 00:31:48,125 REMEMBER THE FACE. 719 00:31:48,208 --> 00:31:50,417 HE'S A REMINDER AS TO WHY WE DRAG OUR SORRY ASSES 720 00:31:50,500 --> 00:31:52,042 OUT OF BED EVERY MORNING 721 00:31:52,125 --> 00:31:54,625 IN THE SERVICE OF A CITY WHO JUST DOESN'T GIVE A DAMN. 722 00:31:54,708 --> 00:31:57,625 FIGHTING GANG CRIME IS LIKE PUNCHING WATER. 723 00:31:57,708 --> 00:32:00,208 NO MATTER HOW HARD YOU HIT, YOU JUST CAN'T SEEM TO LEAVE A DENT. 724 00:32:00,292 --> 00:32:02,833 BUT WHEN A BABY IS MURDERED, IT MAKES YOU REMEMBER 725 00:32:02,917 --> 00:32:05,750 WHAT IT FELT LIKE THE FIRST TIME YOU PUT YOUR BLUES ON 726 00:32:05,833 --> 00:32:07,167 AND STOOD IN FRONT OF A MIRROR. 727 00:32:07,250 --> 00:32:10,667 IT MAKES YOU REMEMBER WHY YOU BECAME A COP. 728 00:32:10,750 --> 00:32:12,833 THE MISSION'S CLEAR. 729 00:32:12,917 --> 00:32:16,083 PUNISH EVIL EVERYWHERE. 730 00:32:16,167 --> 00:32:18,542 THERE ARE HARDWORKING, DECENT FOLKS 731 00:32:18,625 --> 00:32:20,458 THAT LIVE IN THESE COMMUNITIES. 732 00:32:20,542 --> 00:32:22,625 CERTAIN LINES JUST CANNOT BE CROSSED. 733 00:32:22,708 --> 00:32:25,333 THERE'S ONLY ONE WAY TO SEND THAT MESSAGE SOMETIMES. 734 00:32:27,083 --> 00:32:30,000 SO WE'RE GONNA SEND OUR BOOTS SO FAR UP THESE GANGSTERS' ASSES, 735 00:32:30,083 --> 00:32:33,292 THEY WON'T EVEN DREAM ABOUT PULLING THIS BULLSHIT AGAIN. 736 00:32:33,375 --> 00:32:35,625 GOD DAMN IT, I WANT THE GUN. 737 00:32:35,708 --> 00:32:37,250 I WANT THE KILLER. 738 00:32:37,333 --> 00:32:40,417 I WANT THEM BOTH -- PRONTO. 739 00:32:41,792 --> 00:32:44,583 YOU KNOW WHAT WE'RE LOOKING FOR, RIGHT? 740 00:32:44,667 --> 00:32:46,250 YOU GUYS DON'T KNOW? 741 00:32:46,333 --> 00:32:51,333 WE'RE LOOKING FOR AN AK-47. YOU GUYS KNOW WHERE THAT IS? 742 00:32:51,417 --> 00:32:53,833 NOBODY KNOWS? 743 00:32:53,917 --> 00:32:54,875 WHAT ABOUT YOU? 744 00:32:54,958 --> 00:32:57,417 [ UP-TEMPO HIP-HOP PLAYING ] 745 00:32:57,500 --> 00:32:58,792 GET YOUR HANDS UP! 746 00:32:58,875 --> 00:33:00,583 [ INDISTINCT SHOUTING ] HANDS UP! 747 00:33:00,667 --> 00:33:02,167 HANDS UP RIGHT NOW! 748 00:33:02,250 --> 00:33:04,375 [BLEEP] HEY, MAN. Y'ALL GOT A WARRANT, MAN? 749 00:33:04,458 --> 00:33:05,792 WHAT THE HELL'S GOING ON, MAN? 750 00:33:05,875 --> 00:33:07,542 HEY, MAN, THAT'S MEDICINAL RIGHT THERE, MAN! 751 00:33:07,625 --> 00:33:09,833 I WANT NAMES, LOCATION, GUN, 752 00:33:09,917 --> 00:33:12,375 RIGHT NOW, OR I TAKE YOU IN. 753 00:33:12,458 --> 00:33:14,042 THREE STRIKES, YOU'RE OUT. 754 00:33:14,125 --> 00:33:17,875 SEE, BABY? THAT'S WHY YOU NEVER TRUST THE POLICE, MAN! 755 00:33:17,958 --> 00:33:20,208 [ DOG BARKING ] 756 00:33:20,292 --> 00:33:22,375 [ CAR ALARM BLARING ] 757 00:33:24,167 --> 00:33:25,833 WHERE'S THE AK? 758 00:33:25,917 --> 00:33:26,917 HUH? 759 00:33:27,000 --> 00:33:28,292 WHERE'S THE GUN?! 760 00:33:29,500 --> 00:33:32,083 GIVE ME THE OTHER HAND. GIVE ME THE OTHER HAND. 761 00:33:32,167 --> 00:33:34,292 TELL US WHERE THE SHIT IS. 762 00:33:34,375 --> 00:33:35,583 COME ON, BOYS. 763 00:33:35,667 --> 00:33:38,583 YOU WANT TO GO HOME, YOU WANT TO GO TO JAIL? 764 00:33:38,667 --> 00:33:41,250 WE WON'T PUT YOUR NAME ANYWHERE NEAR THIS. 765 00:33:41,333 --> 00:33:43,542 JUST TELL US WHERE THE GUN'S AT. 766 00:33:52,667 --> 00:33:54,042 TAKE HIM. 767 00:33:56,000 --> 00:33:57,167 GO! 768 00:33:57,250 --> 00:33:59,000 BACK DOOR! KITCHEN, KITCHEN, KITCHEN, KITCHEN! 769 00:33:59,083 --> 00:34:00,167 HE'S RUNNING! 770 00:34:09,875 --> 00:34:11,583 PIGS CAN'T CATCH ME. 771 00:34:15,375 --> 00:34:17,542 [ GRUNTS ] [BLEEP] HEY THERE, DIRTY. 772 00:34:17,625 --> 00:34:20,667 CAN I GET YOU A CHAIR? 773 00:34:22,333 --> 00:34:23,292 Vern: MORETTA! 774 00:34:23,375 --> 00:34:24,958 PULL UP, MAN. 775 00:34:25,042 --> 00:34:28,125 WE GOT IT. IT WAS UNDER THE COUCH. 776 00:34:29,542 --> 00:34:31,875 AK-47 WITH YOUR SHEET -- 777 00:34:31,958 --> 00:34:33,542 MAN, YOU AIN'T EVER COMING OUT. 778 00:34:33,625 --> 00:34:34,917 PULL YOUR LEG UNDER. 779 00:34:35,000 --> 00:34:36,708 YOU KILLED A HUSTLA BABY. 780 00:34:36,792 --> 00:34:38,458 I KNOW A COUPLE VATOS IN FOLSOM 781 00:34:38,542 --> 00:34:39,958 THAT WOULD LOVE TO HOLLER AT YOU. 782 00:34:40,042 --> 00:34:41,625 MAN, I AIN'T KILL THAT KID, MAN. 783 00:34:41,708 --> 00:34:44,625 ON GOD, ONE OF THE HOMIES JUST DROPPED THAT GUN OFF, MAN. 784 00:34:44,708 --> 00:34:48,083 GIVE US A NAME. 785 00:34:48,167 --> 00:34:50,833 A NAME, ASSHOLE. 786 00:34:50,917 --> 00:34:52,417 G-RON, MAN. 787 00:34:52,500 --> 00:34:54,333 MAN, LOOK, G-RON KILLED THAT KID, MAN. 788 00:34:54,417 --> 00:34:56,875 I SWEAR TO GOD THAT'S ALL I KNOW. 789 00:35:01,833 --> 00:35:05,333 HOW DID DEWEY GET SO SCREWED UP? 790 00:35:05,417 --> 00:35:07,167 WAS HE ALWAYS LIKE THAT? 791 00:35:07,250 --> 00:35:10,000 NO. HE WAS PASSIONATE AND FOCUSED, LIKE YOU. 792 00:35:10,083 --> 00:35:12,167 THE JOB DOESN'T MAKE YOU SOMETHING. 793 00:35:12,250 --> 00:35:14,000 IT JUST BRINGS OUT WHO YOU ALREADY ARE. 794 00:35:14,083 --> 00:35:16,333 YOU CAN'T TELL ME DEAD BABIES DON'T BOTHER YOU ANYMORE. 795 00:35:16,417 --> 00:35:18,917 YOU GOT TO LEARN WHEN TO TURN OFF 796 00:35:19,000 --> 00:35:21,375 THE CAMERA INSIDE YOUR HEAD. 797 00:35:23,250 --> 00:35:25,083 HOW DO YOU DO THAT? 798 00:35:26,750 --> 00:35:28,375 WELL, WHEN YOU LEARN HOW TO DO THAT, 799 00:35:28,458 --> 00:35:30,375 YOU'RE READY TO BE A TRAINING OFFICER. 800 00:35:34,500 --> 00:35:36,375 SEE THE SUBURBAN? 801 00:35:36,458 --> 00:35:37,625 YEAH. 802 00:35:37,708 --> 00:35:40,417 LIGHT 'EM UP ON MY SIGNAL. 803 00:35:42,125 --> 00:35:43,333 [ TIRES SCREECH ] 804 00:35:43,417 --> 00:35:46,042 [ SIREN WAILING ] 805 00:35:46,125 --> 00:35:50,292 A43, SHOW US IN PURSUIT OF A DARK BLUE CHEVY SUBURBAN, 806 00:35:50,375 --> 00:35:55,625 LICENSE PLATE THREE-ADAM-BAKER FOUR-FIVE-SEVEN-DAVID. 807 00:35:55,708 --> 00:35:59,917 HEADING EAST ON VAN NESS, JUST PASSING SLAUSON. 808 00:36:00,000 --> 00:36:03,708 [ POLICE RADIO CHATTER ] 809 00:36:06,875 --> 00:36:10,208 [ ENGINE REVVING, TIRES SCREECHING ] 810 00:36:23,083 --> 00:36:25,583 [ TIRES SCREECH ] 811 00:36:53,875 --> 00:36:55,667 [ BOTH GRUNTING ] 812 00:36:55,750 --> 00:36:57,750 OW! SHIT! 813 00:36:57,833 --> 00:37:00,458 [ BREATHING HEAVILY ] 814 00:37:00,542 --> 00:37:01,583 GET UP. 815 00:37:01,667 --> 00:37:02,875 I AM. GET UP! 816 00:37:02,958 --> 00:37:04,500 WHAT'S YOUR NAME? GREG RONALDSON. 817 00:37:04,583 --> 00:37:06,250 WHAT'S YOUR STREET NAME?! YOU GOT THESE ON TOO TIGHT. 818 00:37:06,333 --> 00:37:07,333 YOUR STREET NAME! 819 00:37:07,417 --> 00:37:09,083 G-RON. 820 00:37:09,167 --> 00:37:10,583 WHAT? 821 00:37:10,667 --> 00:37:11,917 LET'S TAKE A TRIP, G-RON. 822 00:37:12,000 --> 00:37:14,458 LAY OFF, MAN. 823 00:37:14,542 --> 00:37:16,708 Josie: SO, HOW DOES A GOOD GUY LIKE DAVID MARCUS 824 00:37:16,792 --> 00:37:19,125 END UP WITH AN ASSHOLE BEST FRIEND LIKE YOU? 825 00:37:19,208 --> 00:37:20,375 WAS HE IN THE STREETS? 826 00:37:20,458 --> 00:37:21,583 HELL NAW. 827 00:37:21,667 --> 00:37:23,375 HIS POPS WOULD HAVE WHUPPED HIS ASS. 828 00:37:23,458 --> 00:37:26,667 BUT Y'ALL HUNG ANYWAY? SINCE MARKHAM ELEMENTARY. 829 00:37:26,750 --> 00:37:29,125 BUT HE DIDN'T END UP A RIDA. 830 00:37:29,208 --> 00:37:32,208 DID ALL YOUR FRIENDS END UP AS COPS? 831 00:37:32,292 --> 00:37:33,500 YOU GOT CHOICES. 832 00:37:33,583 --> 00:37:35,333 BUT YOUR PEOPLES ARE YOUR PEOPLES. 833 00:37:35,417 --> 00:37:37,292 HE EVER LET YOU BORROW THE CAR? 834 00:37:37,375 --> 00:37:38,708 THREE WEEKS AGO. 835 00:37:38,792 --> 00:37:40,333 BUNCH OF US TOOK SOME CLUCK-CLUCKS 836 00:37:40,417 --> 00:37:42,292 DOWN TO THE CHEESECAKE FACTORY IN GLENDALE. 837 00:37:42,375 --> 00:37:44,625 FROSTY'S GIRL -- SHE WAS THERE. 838 00:37:44,708 --> 00:37:48,125 YOUR FRIEND IS DEAD BECAUSE YOU BORROWED HIS CAR. 839 00:37:48,208 --> 00:37:50,958 THEY KNEW THE CAR. THEY THOUGHT THEY HAD YOU. 840 00:37:51,042 --> 00:37:52,958 BUT INSTEAD IT WAS DAVID WHO WAS SHOT. 841 00:37:53,042 --> 00:37:54,458 THAT'S NOT MY FAULT. 842 00:37:54,542 --> 00:37:57,250 I NEVER DID NO DIRT AROUND HIM. 843 00:37:57,333 --> 00:38:01,667 DAVID HAD DREAMS, A WIFE, KID. 844 00:38:01,750 --> 00:38:03,958 HE AIN'T DESERVE TO GO OUT LIKE THAT. 845 00:38:04,042 --> 00:38:06,333 SO YOU SHOOT UP A BIRTHDAY PARTY 846 00:38:06,417 --> 00:38:09,667 OUT OF LOYALTY TO A MAN WITH A WIFE, A KID, 847 00:38:09,750 --> 00:38:11,708 A MAN THAT WAS CHURCHGOING? 848 00:38:11,792 --> 00:38:13,583 HE WASN'T EVEN BANGING. 849 00:38:13,667 --> 00:38:16,500 YOU KILLED A BABY, ASSHOLE. 850 00:38:16,583 --> 00:38:21,125 IF I COULD DO IT AGAIN, I'D USE A MAC-10 NEXT TIME, 851 00:38:21,208 --> 00:38:23,833 MAKE SURE I TAKE EVEN MORE OF THEM OUT. 852 00:38:23,917 --> 00:38:25,542 [BLEEP] 'EM. 853 00:38:25,625 --> 00:38:29,083 [BLEEP] 'EM ALL AND ANYBODY WHO'S DOWN WITH THEM. 854 00:38:30,625 --> 00:38:35,708 [ INDISTINCT CONVERSATIONS, DOWN-TEMPO ROCK MUSIC PLAYING ] 855 00:38:49,458 --> 00:38:52,542 [ MUSIC CONTINUES ] 856 00:39:22,792 --> 00:39:25,625 YOU DON'T HAVE A SALLY STORY? 857 00:39:27,417 --> 00:39:28,583 NO. 858 00:39:32,167 --> 00:39:35,250 MY CAR IS PARKED AT HER PLACE. 859 00:39:35,333 --> 00:39:36,917 [ HORN HONKS ] 860 00:39:40,875 --> 00:39:44,375 AND I COULD REALLY USE A MASSAGE AFTER I TACKLED THAT DUDE. 861 00:39:44,458 --> 00:39:45,958 YOU'RE A GLUTTON FOR PUNISHMENT. 862 00:39:46,042 --> 00:39:47,875 YOU GUYS ARE JUST JEALOUS. 863 00:39:47,958 --> 00:39:48,958 YEAH. 864 00:39:49,042 --> 00:39:52,625 YOU HAVE BEEN WARNED, MY FRIEND. 865 00:39:52,708 --> 00:39:54,542 YOU HAVE BEEN WARNED. 866 00:39:54,625 --> 00:39:57,042 WHAT CAN I SAY? 867 00:39:57,125 --> 00:39:59,750 LOVE'S A BITCH, ESE. 868 00:40:01,208 --> 00:40:04,000 SEE YOU TOMORROW! 869 00:40:19,625 --> 00:40:20,958 [ CAR ALARM CHIRPS ] 870 00:40:23,708 --> 00:40:25,042 CAN I HELP YOU WITH SOMETHING? 871 00:40:25,125 --> 00:40:26,833 YEAH. I'M VICTOR CIFUENTES. YEAH? 872 00:40:26,917 --> 00:40:29,208 WE MET A COUPLE OF MONTHS AGO AT THE OPEN HOUSE. YEAH? 873 00:40:29,292 --> 00:40:31,750 I'M TAMMI'S PHOTOGRAPHY INSTRUCTOR. 874 00:40:31,833 --> 00:40:33,417 WHAT'S GOING ON? 875 00:40:33,500 --> 00:40:37,000 LISTEN, I DON'T KNOW HOW ELSE, YOU KNOW, I'M GONNA SAY IT, 876 00:40:37,083 --> 00:40:38,708 SO I'M JUST GONNA SAY IT. 877 00:40:38,792 --> 00:40:40,667 I'M IN LOVE WITH YOUR WIFE. 878 00:40:42,333 --> 00:40:44,333 WE NEED TO BE ADULT ABOUT THIS, 879 00:40:44,417 --> 00:40:45,792 FIGURE IT OUT, 880 00:40:45,875 --> 00:40:47,792 AND DO WHAT'S IN THE BEST INTERESTS OF THE BABY. 881 00:40:47,875 --> 00:40:49,208 THAT'S ALL I WANTED TO SAY. 882 00:40:57,250 --> 00:41:00,875 [ VEHICLE DOOR OPENS, CLOSES ] 883 00:41:03,542 --> 00:41:06,333 [ ENGINE TURNS OVER ] 64565

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