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1
00:00:02,333 --> 00:00:05,000
[ DRAMATIC MUSIC PLAYS ]
2
00:00:31,500 --> 00:00:35,375
[ SIRENS WAILING,
HELICOPTER PASSING ]
3
00:00:35,458 --> 00:00:38,000
[ INDISTINCT CONVERSATIONS ]
4
00:00:42,958 --> 00:00:45,792
[ POLICE RADIO CHATTER ]
5
00:00:54,875 --> 00:00:57,958
BELIEVE ME,
GOD DID US A FAVOR.
6
00:00:58,042 --> 00:01:00,292
WE'D BE RIGHT BACK HERE
IN EIGHT YEARS,
7
00:01:00,375 --> 00:01:02,292
ARRESTING
THAT LITTLE VATO'S ASS,
8
00:01:02,375 --> 00:01:04,958
OR AT LEAST ZIPPING HIM UP
IN A BIGGER BODY BAG.
9
00:01:05,042 --> 00:01:08,250
WHAT DID YOU SAY?
HEY, I'M JUST TRYING TO
KEEP IT REAL, BABY GIRL.
10
00:01:08,333 --> 00:01:10,250
"KEEP IT REAL, BABY GIRL"?
11
00:01:10,333 --> 00:01:12,958
MAN, THAT'S SOMEBODY'S KID.
12
00:01:13,042 --> 00:01:14,458
[ CAMERA SHUTTER CLICKS ]
13
00:01:14,542 --> 00:01:17,125
MOST GOOD COPSARE PASSIONATE COPS.
14
00:01:17,208 --> 00:01:18,625
PUT ENOUGH OF THEM TOGETHER,
15
00:01:18,708 --> 00:01:22,000
AND OCCASIONALLYTHOSE PASSIONS EXPLODE.
16
00:01:22,083 --> 00:01:24,500
Munoz:
OH, FROSTY THE SNOW MAN.
17
00:01:24,583 --> 00:01:26,375
Nate:
DOESN'T LOOK JOLLY TO ME.
18
00:01:26,458 --> 00:01:29,167
LOOKS LIKE HE CAUGHT
A FEW HOT ONES AND MELTED.
19
00:01:29,250 --> 00:01:32,000
AH, THERE'S ONE GOOD ONE
FOR MY COLLECTION HERE.
20
00:01:32,083 --> 00:01:34,250
REMEMBER HIS BROTHER BIGFOOT,
FUNERAL HE HAD --
21
00:01:34,333 --> 00:01:36,333
STRETCH HUMMERS,
STRIPPERS THROWING CASH?
22
00:01:36,417 --> 00:01:37,958
YEAH,
BIGFOOT HAD STYLE.
23
00:01:38,042 --> 00:01:41,333
BUT FROSTY AIN'T HAVING
NO PARADE -- TELL YOU THAT
MUCH.
24
00:01:41,417 --> 00:01:42,917
NOBODY SHOT FROSTY?
25
00:01:43,000 --> 00:01:45,542
DID I STUTTER?
NOBODY SHOT HIM.
26
00:01:45,625 --> 00:01:50,333
SO THE BULLETS JUST FELL
OUT OF THE SKY LIKE RAINDROPS,
27
00:01:50,417 --> 00:01:51,500
LANDED ON MY MAN.
28
00:01:51,583 --> 00:01:53,167
WHAT ELSE YOU WANT ME
TO SAY?
29
00:01:53,250 --> 00:01:55,000
START WITH THE TRUTH,
ASSHOLE.
30
00:01:55,083 --> 00:01:57,333
I AIN'T GETTING KILLED
OVER THIS SHIT.
31
00:01:57,417 --> 00:02:00,583
NOBODY DID IT.
THAT'S ALL I'M SAYING.
32
00:02:00,667 --> 00:02:02,667
YOUR BUDDY OVER THERE --
33
00:02:02,750 --> 00:02:06,292
HE'S GOT A MOTHER,
A GIRLFRIEND, A SISTER.
34
00:02:06,375 --> 00:02:08,792
DOESN'T MATTER, 'CAUSE I'M GONNA
HAVE TO TELL THEM
35
00:02:08,875 --> 00:02:10,708
THAT NOBODY SHOT
THEIR BABY THREE TIMES
36
00:02:10,792 --> 00:02:12,625
AND HOLD THEM AS THEY CRY
THEIR EYES OUT.
37
00:02:12,708 --> 00:02:14,792
I'M STANDING IN LIVING ROOMS
FOUR TIMES A WEEK
38
00:02:14,875 --> 00:02:16,250
'CAUSE OF ASSHOLES
LIKE YOU.
39
00:02:16,333 --> 00:02:18,042
I HATE IT.
40
00:02:18,125 --> 00:02:20,458
SO DON'T TELL ME
NOBODY DID THIS.
41
00:02:20,542 --> 00:02:22,417
DON'T TELL ME THAT.
42
00:02:22,500 --> 00:02:24,792
LOOK AT ME!
DON'T TELL ME THAT!
43
00:02:24,875 --> 00:02:26,042
SAMMY.
44
00:02:26,125 --> 00:02:29,167
WHAT YOU GETTING ALL LOCO
ON THIS KID FOR?
45
00:02:29,250 --> 00:02:31,250
NOBODY, MY ASS.
HE'S LYING, NATE.
46
00:02:31,333 --> 00:02:33,250
[BLEEP] LYING.
47
00:02:38,792 --> 00:02:40,542
NOBODY IS SOMEBODY.
48
00:02:40,625 --> 00:02:42,542
[ DOG BARKS, CAR ALARM BLARES ]
49
00:02:42,625 --> 00:02:44,583
YOU ALL RIGHT?
50
00:02:44,667 --> 00:02:46,792
COME ON.
KEEP IT TOGETHER.
51
00:03:18,167 --> 00:03:19,583
[ ENGINE REVS ]
52
00:03:19,667 --> 00:03:22,500
Hill:
IT'S HOT IN JANUARY.
53
00:03:22,583 --> 00:03:25,167
FROSTY FROM WESTSIDE RIDAZ
54
00:03:25,250 --> 00:03:27,250
WAS SHOT DEAD THIS MORNING
OFF FLORENCE.
55
00:03:27,333 --> 00:03:28,917
Man:
THE INJUSTICE.
56
00:03:29,042 --> 00:03:31,792
DOWNTOWN CALLED HALF AN HOUR
AFTER HE STAINED THE SIDEWALK.
57
00:03:31,875 --> 00:03:33,708
WE DON'T WANT OCTOBER
ALL OVER AGAIN,
58
00:03:33,792 --> 00:03:35,458
WITH THE RIDAZ
AND LATIN HUSTLAZ
59
00:03:35,542 --> 00:03:37,625
LIGHTING EACH OTHER UP
ON EVERY OTHER BLOCK.
60
00:03:37,708 --> 00:03:40,667
THE LAST THING OUR NEW CHIEF
WANTS IS A RACIAL GANG WAR
61
00:03:40,750 --> 00:03:42,750
TO BREAK OUT
OVER THE MLK HOLIDAY.
62
00:03:42,833 --> 00:03:46,042
SHOOTOUT ON KING BOULEVARD!
HEY!
[ APPLAUSE ]
63
00:03:46,125 --> 00:03:48,917
HEY, I LEAVE FOR FOUR MONTHS,
AND THE WHOLE WORLD FALLS APART.
64
00:03:49,000 --> 00:03:51,833
YOU FORGOT HOW TO READ YOUR
WATCH IN REHAB, OFFICER DUDEK?
65
00:03:51,917 --> 00:03:53,458
SORRY ABOUT THAT, SIR.
WON'T HAPPEN AGAIN.
66
00:03:53,542 --> 00:03:55,625
GODDAMN RIGHT.
FIND A SEAT.
67
00:03:55,708 --> 00:03:59,958
THESE FLYERS HAVE INFORMATION
ON CLOTHING,
68
00:04:00,042 --> 00:04:01,917
HAND SIGNS, GRAFFITI,
69
00:04:02,000 --> 00:04:05,167
KNOWN HANGOUTS OF THE RIDAZ
AND HUSTLAZ.
70
00:04:05,250 --> 00:04:07,875
YOU SEE ANY TRAFFIC INFRACTIONS,
WRITE THEM UP.
71
00:04:07,958 --> 00:04:09,208
TOW THE CAR IF YOU CAN.
72
00:04:09,292 --> 00:04:10,875
THE MORE GANGSTERS
WE GET OFF THE STREET,
73
00:04:11,000 --> 00:04:13,375
THE BETTER CHANCE WE HAVE
OF THIS THING NOT ESCALATING.
74
00:04:13,458 --> 00:04:15,833
ALL RIGHT?
THAT'S IT FOR NOW.
75
00:04:15,917 --> 00:04:17,208
STAY FROSTY.
76
00:04:17,292 --> 00:04:19,208
Man:
HOPEFULLY BETTER THAN HIM.
[ LAUGHTER ]
77
00:04:19,292 --> 00:04:21,292
BROWN, A35, WITH SHERMAN.
78
00:04:21,375 --> 00:04:25,333
GONZALEZ, A25, WITH ROKOS.
79
00:04:25,417 --> 00:04:28,708
A10 IS ROBINSON WITH LISCO.
HEY, YOU AND ME, ROMEO.
80
00:04:29,625 --> 00:04:31,583
WHAT'S GOING ON, SARGE?
81
00:04:31,667 --> 00:04:33,333
DEWEY'S RIDING WITH YOU
IN A43.
82
00:04:33,417 --> 00:04:36,333
LOOK. I CAN'T STICK HIM
IN A U-BOAT BY HIMSELF.
83
00:04:36,417 --> 00:04:37,750
HE'S BEEN OUT FOR MONTHS.
84
00:04:37,833 --> 00:04:40,125
YOU'RE THE BEST I GOT.
GET HIM BACK IN THE SADDLE.
85
00:04:40,208 --> 00:04:42,458
OKAY?
ALL RIGHT.
86
00:04:43,667 --> 00:04:46,208
[ LAUGHS ]
87
00:04:48,167 --> 00:04:49,917
[ SIREN CHIRPS ]
88
00:04:50,833 --> 00:04:54,375
REDHEAD SALLY?
YOU? REALLY?
89
00:04:54,458 --> 00:04:58,083
YEAH. SALLY.
WHAT'S SO GODDAMN FUNNY?
90
00:04:59,167 --> 00:05:01,500
WHAT?
91
00:05:01,583 --> 00:05:04,042
[ DOOR CLOSES,
ENGINE TURNS OVER ]
92
00:05:04,125 --> 00:05:07,792
[ POLICE RADIO CHATTER,
CAMERA SHUTTER CLICKING ]
93
00:05:11,958 --> 00:05:15,458
MAN, SHE WASN'T EVEN HOME
FIVE MINUTES.
94
00:05:15,542 --> 00:05:17,167
THIS IS UGLY.
95
00:05:19,292 --> 00:05:21,708
[ SIGHS ]
96
00:05:21,792 --> 00:05:25,208
[ SIREN WAILS ]
97
00:05:27,125 --> 00:05:29,083
[ DOG BARKING IN DISTANCE ]
98
00:05:29,167 --> 00:05:31,583
Josie:
YOU LOOK AT THIS?
99
00:05:31,667 --> 00:05:34,333
THE GUN IS STILL SMOKING
IN HIS HAND,
100
00:05:34,417 --> 00:05:36,667
WITH A HANDWRITTEN
SUICIDE NOTE.
101
00:05:36,750 --> 00:05:40,500
AND HIS WALLET HAS A RECEIPT
FOR THE GUN AND THE BULLETS.
102
00:05:40,583 --> 00:05:44,500
WE'RE GONNA BE OUT OF HERE
BY 5:00. THIS IS BEAUTIFUL.
103
00:05:45,958 --> 00:05:49,125
IT JUST SEEMS WEIRD.
SHE'LL BE AS BIG AS A HOUSE.
104
00:05:49,208 --> 00:05:51,583
MISSIONARY'S OUT OF THE
QUESTION
AFTER THE FIFTH MONTH.
105
00:05:51,667 --> 00:05:53,333
BUT IF TAMMI'S ANYTHING
LIKE MARIELLA WAS,
106
00:05:53,417 --> 00:05:55,083
SHE'S GONNA BE
ALL OVER YOU.
107
00:05:55,167 --> 00:05:57,333
Sammy: I JUST CAN'T GET MY HEAD
AROUND IT, THAT'S ALL.
108
00:05:57,417 --> 00:05:58,750
HEAD AROUND WHAT --
THE CASE
109
00:05:58,833 --> 00:06:00,792
OR YOUR WIFE'S
RAPIDLY EXPANDING ASS?
110
00:06:00,875 --> 00:06:03,083
WE EVEN GOT A NAME
FOR THIS SHOOTER YET?
111
00:06:03,167 --> 00:06:04,917
WE GOT NOBODY, BOSS.
112
00:06:05,000 --> 00:06:07,458
YOU SAY THAT
WITH SOME PRIDE, BRYANT.
113
00:06:07,542 --> 00:06:11,125
NOBODY,
AS IN JUAN "NOBODY" VARGAS,
114
00:06:11,208 --> 00:06:12,542
LATIN HUSTLAZ.
115
00:06:12,625 --> 00:06:14,417
HIS MOTHER HASN'T SEEN HIM.
NEITHER HAS HIS P.O.
116
00:06:14,500 --> 00:06:15,667
HE'S OUT AND ABOUT.
117
00:06:15,750 --> 00:06:18,500
SO NOBODY'S SEEN NOBODY.
CUTE.
118
00:06:18,583 --> 00:06:20,292
WE NEED TO GET HIM
INTO CUSTODY
119
00:06:20,375 --> 00:06:23,167
BEFORE SOMEBODY DECIDES
TO EVEN THE SCORE FOR FROSTY.
120
00:06:23,250 --> 00:06:25,958
YOU HAVE ANY SPECIFIC
STREET CORNERS WE CAN HIT?
121
00:06:26,042 --> 00:06:27,292
I GOT A C.I. I CAN TALK TO
122
00:06:27,375 --> 00:06:29,042
WHO KNOWS THE LATIN HUSTLAZ
PRETTY WELL.
123
00:06:29,125 --> 00:06:30,833
OKAY.
LET'S DO THAT, ALL RIGHT?
124
00:06:30,917 --> 00:06:32,708
NOBODY.
125
00:06:32,792 --> 00:06:33,958
SEE, THAT'S THE PROBLEM
126
00:06:34,042 --> 00:06:36,167
WITH THESE NEW-SCHOOL
GANGSTERS THESE DAYS --
127
00:06:36,250 --> 00:06:38,500
NO AMBITION.
128
00:06:38,583 --> 00:06:41,125
[ SNIFFS ]
AHH.
129
00:06:41,208 --> 00:06:42,958
YOU SMELL THAT, HUH?
130
00:06:43,042 --> 00:06:46,125
GARBAGE AND PISS.
[ LAUGHS ]
131
00:06:46,208 --> 00:06:49,458
THAT'S LIFE, BABY.
THAT IS LIFE.
132
00:06:49,542 --> 00:06:53,250
I USED TO THINK I COULD
SEE STUFF WHEN I WAS DRINKING.
133
00:06:53,333 --> 00:06:54,958
BLIND AS A BAT, MAN.
134
00:06:55,042 --> 00:06:57,417
MY EYES ARE WIDE OPEN NOW,
BABY.
135
00:06:57,500 --> 00:06:59,833
♪ I CAN SEE CLEARLY NOW ♪
136
00:06:59,917 --> 00:07:03,625
♪ THE RAIN IS GONE ♪
137
00:07:03,708 --> 00:07:05,750
JOHN, YOU KNOW
WHAT THIS JOB IS ABOUT?
138
00:07:05,833 --> 00:07:07,458
ABOUT STEP NUMBER FOUR,
MY MAN.
139
00:07:07,542 --> 00:07:09,917
YOU HAVE TO BE WILLING
TO TAKE A SERIOUS,
140
00:07:10,000 --> 00:07:12,125
DEEP-ASS INVENTORY
OF YOURSELF.
141
00:07:12,208 --> 00:07:15,167
I MEAN, IF YOU WANT TO BE
OUT HERE CATCHING DEMONS, JOHN,
142
00:07:15,250 --> 00:07:17,417
YOU GOT TO KNOW
YOUR OWN DEMONS, BROTHER.
143
00:07:17,500 --> 00:07:19,708
SURE, PEOPLE ARE GONNA FIGHT.
THEY'RE GONNA [BLEEP]
144
00:07:19,792 --> 00:07:21,167
THEY'RE GONNA KILL
EACH OTHER.
145
00:07:21,250 --> 00:07:23,375
I MEAN, WE CAN'T
DO ANYTHING ABOUT THAT.
146
00:07:23,458 --> 00:07:25,208
I MEAN,
THEY'RE DRIVING THE CARS.
147
00:07:25,292 --> 00:07:27,333
WE'RE JUST THE GUARDRAILS, BABY.
WE DON'T GOT ANY REAL POWER.
148
00:07:27,417 --> 00:07:29,583
THE REAL POWER
IS FROM THE MAN UPSTAIRS.
149
00:07:29,667 --> 00:07:31,333
HEY, LOOK AT ME.
150
00:07:31,417 --> 00:07:33,167
THE SOONER
YOU REALIZE THAT,
151
00:07:33,250 --> 00:07:36,833
YOU START UNDERSTANDING
HOW IT ALL WORKS, MAN.
152
00:07:36,917 --> 00:07:39,542
YOU SEEING THIS?
WHOA.
153
00:07:39,625 --> 00:07:41,167
LIGHT 'EM UP.
154
00:07:41,250 --> 00:07:42,875
[ SIREN CHIRPS ]
155
00:07:48,250 --> 00:07:49,542
AHH.
YOU READY FOR THIS?
156
00:07:49,625 --> 00:07:51,125
YOU KIDDING ME?
157
00:07:51,208 --> 00:07:53,792
I WAS DOING THIS FOR THREE YEARS
BEFORE YOU EVER BECAME A BOOT.
158
00:08:07,250 --> 00:08:08,958
CAN YOU ROLL THE WINDOW DOWN,
PLEASE?
159
00:08:11,625 --> 00:08:13,708
I'M GONNA HAVE TO ASK YOU
TO STEP OUT.
160
00:08:13,792 --> 00:08:16,625
CAN -- CAN EVERYBODY
STEP OUT OF THE CAR?
161
00:08:34,125 --> 00:08:37,125
STEP ON THROUGH, PLEASE.
EVERYBODY OUT.
162
00:08:42,292 --> 00:08:44,542
LET'S GO.
EVERYBODY OUT.
163
00:08:46,083 --> 00:08:49,375
COME ON. EVERYBODY.
EVERYBODY.
164
00:08:51,875 --> 00:08:53,417
OFFICERS, I'M SORRY.
165
00:08:53,500 --> 00:08:56,083
WE ALWAYS TAKE TWO CARS,
BUT TODAY ONE BROKE DOWN.
166
00:08:56,167 --> 00:08:58,583
WE'RE LATE FOR A GIG
AT MY COUSIN'S RESTAURANT.
167
00:08:58,667 --> 00:09:00,083
IT'S THEIR GRAND OPENING.
168
00:09:00,167 --> 00:09:02,708
AND IF WE DON'T MAKE IT,
SHE'S GONNA KILL ME.
169
00:09:02,792 --> 00:09:04,792
SHE'LL KILL ME.
170
00:09:04,875 --> 00:09:07,625
YOU, UH --
YOU KNOW "CIELITO LINDO"?
171
00:09:07,708 --> 00:09:12,167
[ DOWN-TEMPO R&B PLAYING,
INDISTINCT CONVERSATIONS ]
172
00:09:15,250 --> 00:09:16,625
ESE, CHECK IT OUT.
173
00:09:16,708 --> 00:09:18,250
WE'RE HAVING AN MLK
UNITY CAR SHOW THIS SUNDAY.
174
00:09:18,333 --> 00:09:20,000
FAT TERRY'S GONNA BE THERE.
YOU SHOULD COME BY.
175
00:09:20,083 --> 00:09:21,458
OH, YEAH?
YEAH.
176
00:09:21,542 --> 00:09:23,750
WHAT EVER HAPPENED TO FAT
TERRY'S GOLD SIX-TREY IMPALA?
177
00:09:23,833 --> 00:09:25,500
OH, MAN,
THAT VATO SOLD THAT
178
00:09:25,583 --> 00:09:27,000
SO HE COULD GET THAT LAP-BAND
THING DONE, MAN.
179
00:09:27,083 --> 00:09:28,458
ACTUALLY,
HE'S JUST TERRY NOW,
180
00:09:28,542 --> 00:09:30,000
'CAUSE HE AIN'T FAT NO MORE,
YOU KNOW?
181
00:09:30,083 --> 00:09:31,625
OH, THAT'S MESSED UP, MAN --
MAKE A MAN CHOOSE
182
00:09:31,708 --> 00:09:33,042
BETWEEN HIS HEALTH
AND HIS SHOW CAR.
183
00:09:33,125 --> 00:09:34,667
SHIT, THAT'S WHAT I'M SAYING,
HOMES.
184
00:09:34,750 --> 00:09:38,542
YO, UH, WHAT ARE YOU HEARING
ABOUT FROSTY AND NOBODY?
185
00:09:39,958 --> 00:09:41,292
MAN, I AIN'T NO SNITCH.
186
00:09:41,375 --> 00:09:43,458
I'M OFF THE PAPER NOW,
YOU KNOW?
187
00:09:43,542 --> 00:09:46,458
WE'RE NOT GONNA PUT YOUR NAME
ANYWHERE NEAR THIS SHIT, MAN.
188
00:09:46,542 --> 00:09:48,417
JUST TELL US
WHAT THE STREET'S SAYING.
189
00:09:50,083 --> 00:09:52,417
COME ON, DUDE.
YOU CAN TRUST ME.
190
00:09:52,500 --> 00:09:55,000
WELL, I HEARD
THAT NOBODY'S COUSIN LETI
191
00:09:55,083 --> 00:09:57,167
WAS CREEPING ACROSS TOWN
WITH FROSTY, HOMES.
192
00:09:57,250 --> 00:09:59,042
LIKE ROMEO AND JULIET?
193
00:09:59,125 --> 00:10:01,833
[ SPEAKING SPANISH ]
194
00:10:01,917 --> 00:10:03,500
HE'S MY PARTNER, MAN.
HE'S GOOD.
195
00:10:03,583 --> 00:10:05,500
DON'T WORRY ABOUT IT,
ALL RIGHT?
196
00:10:05,583 --> 00:10:07,625
YEAH, YEAH,
THAT BLACK AND BROWN TOGETHER
197
00:10:07,708 --> 00:10:09,167
AND ALL THAT SHIT, HOMES.
198
00:10:09,250 --> 00:10:11,250
HEY, THEY WERE IN GLENDALE,
AT THE CHEESECAKE FACTORY.
199
00:10:11,333 --> 00:10:13,542
AND SOME HEINA THAT WORKS
ACROSS THE WAY AT THE MALL
200
00:10:13,625 --> 00:10:15,000
CAUGHT THEM SLIPPING, DOG.
201
00:10:15,083 --> 00:10:17,375
SO WORD GOT BACK TO NOBODY,
AND NOBODY HIT UP FROSTY,
202
00:10:17,458 --> 00:10:19,542
AND FROSTY SLAPPED THE SHIT
OUT OF HIM, HOMES,
203
00:10:19,625 --> 00:10:21,000
IN FRONT OF ALL THE HOMIES.
204
00:10:21,083 --> 00:10:24,500
THIS WHOLE THING
IS OVER A STUPID GIRL?
205
00:10:24,583 --> 00:10:25,667
[ SCOFFS ]
206
00:10:25,750 --> 00:10:27,375
IF YOU'D SEEN
THIS GIRL, HOMES,
207
00:10:27,458 --> 00:10:29,750
YOU WOULDN'T THINK
IT WAS SO STUPID, ESE.
208
00:10:30,708 --> 00:10:31,833
WOW.
ALL RIGHT, MAN.
209
00:10:31,917 --> 00:10:33,167
YOU'RE ALWAYS
HELPFUL, MAN.
210
00:10:33,250 --> 00:10:34,625
[ "CIELITO LINDO" PLAYING ]
211
00:10:34,708 --> 00:10:35,750
Dewey: HEY!
212
00:10:35,833 --> 00:10:37,833
THERE WAS A TIME
RIGHT ABOUT NOW
213
00:10:37,917 --> 00:10:40,750
WHEN I'D HAVE TO BE FIRING UP
A COUPLE OF MARGARITAS,
214
00:10:40,833 --> 00:10:42,292
BUT I-I DON'T DO THAT NOW.
215
00:10:42,375 --> 00:10:44,583
I KNOW WHAT YOU'RE SAYING.
I GOT THREE YEARS IN.
216
00:10:44,667 --> 00:10:45,875
SHUT THE HELL UP!
217
00:10:45,958 --> 00:10:47,208
YOU JUST HAVE TO KEEP
DOING THE STEPS
218
00:10:47,292 --> 00:10:48,375
EVERY SINGLE DAY,
HERMANO.
219
00:10:48,458 --> 00:10:50,625
LOOK, LOOK.
FOUR MONTHS, BABY.
220
00:10:50,708 --> 00:10:52,875
YOU'RE MY HERO!
COME HERE!
221
00:10:52,958 --> 00:10:55,917
[ LAUGHS ]
OKAY. ALL RIGHT.
STOP, STOP. OKAY, STOP.
222
00:10:56,000 --> 00:10:58,208
SIR, YOU HAVE 11 PEOPLE
IN YOUR VEHICLE.
223
00:10:58,292 --> 00:11:00,333
IT'S A SEVEN-SEATER,
CORRECT?
YES.
224
00:11:00,417 --> 00:11:03,500
OKAY. YEAH, THAT MANY PEOPLE
IN A VAN IS DANGEROUS.
225
00:11:03,583 --> 00:11:04,958
YOU CAN CAUSE
AN ACCIDENT.
226
00:11:05,042 --> 00:11:07,000
I'M VERY SORRY,
BUT WE REALLY NEED THIS GIG.
227
00:11:07,083 --> 00:11:09,250
NO, I UNDERSTAND THAT,
BUT YOU'RE GONNA HAVE TO --
JOHN, JOHN, LISTEN.
228
00:11:09,333 --> 00:11:11,333
LET'S -- LET'S JUST
THROW A COUPLE OF THEM
IN THE BACK OF THE CAR.
229
00:11:11,417 --> 00:11:12,792
IT'S ONLY A FEW BLOCKS AWAY.
WE'LL GIVE THEM A RIDE
DOWN THERE.
230
00:11:12,875 --> 00:11:14,250
NO, WE'RE NOT GONNA
DO THAT, OKAY?
231
00:11:14,333 --> 00:11:15,708
NO, WE'RE NOT GIVING
ANYBODY A RIDE.
232
00:11:15,792 --> 00:11:17,375
NO, SIR, YOU NEED TO HANDLE THIS
ON YOUR OWN.
233
00:11:17,458 --> 00:11:19,417
GET THE VAN --
WAIT, WAIT, WAIT,
WAIT, WAIT, WAIT.
234
00:11:19,500 --> 00:11:21,000
JOHN, JOHN,
THIS IS MY FAVORITE PART.
235
00:11:21,083 --> 00:11:24,167
♪ AY, AY, AY, AY ♪
236
00:11:24,250 --> 00:11:27,833
♪ CANTA Y NO LLORES ♪
237
00:11:27,917 --> 00:11:30,875
♪ PORQUE CANTANDO SE ALEGRAN ♪
238
00:11:30,958 --> 00:11:32,625
♪ CIELITO LINDO ♪
239
00:11:32,708 --> 00:11:34,833
♪ LOS CORAZONES ♪
240
00:11:34,917 --> 00:11:38,583
[ MUSIC CONTINUES ]
241
00:11:54,417 --> 00:11:56,000
SOMEBODY SHOT NOBODY.
242
00:11:56,083 --> 00:11:59,208
SOMEBODY JUST MESSED UP
OUR WEEKEND.
243
00:11:59,292 --> 00:12:01,167
[ SIRENS WAILING ]
244
00:12:01,250 --> 00:12:05,125
YOU MEAN NOBODY MESSED UP
OUR WEEKEND.
245
00:12:08,667 --> 00:12:10,625
THAT'S THE HARD PART, MAN --
246
00:12:10,708 --> 00:12:12,292
THE FIRST SHARE,
IN FRONT OF THE WHOLE GROUP.
247
00:12:12,375 --> 00:12:14,292
I MEAN, YOU'RE STANDING
THERE THINKING,
248
00:12:14,375 --> 00:12:17,292
"THERE'S NO WAY I'M AS BAD AS
THESE PATHETIC PIECES OF SHIT."
249
00:12:17,375 --> 00:12:20,292
BUT THE MORE YOU TALK,
THE MORE YOU LISTEN,
250
00:12:20,375 --> 00:12:24,292
YOU START REALIZE, YOU KNOW,
WE'RE ALL THE SAME, BROTHER.
251
00:12:24,375 --> 00:12:27,125
WE'RE JUST TRYING
TO FIGURE IT OUT.
252
00:12:27,208 --> 00:12:28,292
[ SIGHS ]
253
00:12:28,375 --> 00:12:30,125
THERE'S THIS ONE GUY
IN MY GROUP.
254
00:12:30,208 --> 00:12:31,500
YOU KNOW HIM, MAN.
255
00:12:31,583 --> 00:12:33,583
THE, UH --
HE'S LIKE THE DEPUTY MAYOR.
256
00:12:33,667 --> 00:12:36,500
OH, YOU THOUGHT I WAS BAD.
JESUS. [ LAUGHS ]
257
00:12:36,583 --> 00:12:38,917
THE MAID RUN OUT SCREAMING.
SHE WAS GOING CRAZY.
258
00:12:39,000 --> 00:12:40,708
WHICH ROOM?
42.
259
00:12:40,792 --> 00:12:42,917
SHE WAS CRYING, SPANISH.
260
00:12:43,000 --> 00:12:44,875
DID YOU CHECK IT OUT?
261
00:12:46,417 --> 00:12:48,000
WHAT ARE THE COPS FOR, THEN?
262
00:12:48,083 --> 00:12:49,167
YOU GOT A PASSKEY?
263
00:12:49,250 --> 00:12:52,292
YEAH. HERE.
PASSKEY -- TAKE IT.
264
00:12:52,375 --> 00:12:54,250
WAIT INSIDE.
265
00:12:54,333 --> 00:12:55,750
[ HORN HONKS ]
266
00:12:57,292 --> 00:12:59,000
[ SIGHS ]
267
00:13:00,083 --> 00:13:02,083
D.B.?
NO.
268
00:13:02,167 --> 00:13:03,917
HOT AS IT IS TODAY,
269
00:13:04,000 --> 00:13:06,708
WE'D HAVE SMELLED IT
BEFORE WE HIT THE STAIRS.
270
00:13:14,208 --> 00:13:15,375
POLICE!
OPEN UP!
271
00:13:15,458 --> 00:13:17,958
[ MUFFLED SHOUTING ]
272
00:13:24,917 --> 00:13:26,750
IT'S JAMMED.
273
00:13:27,958 --> 00:13:30,958
MAYBE WE SHOULD HEED THE SIGN.
[ CHUCKLES ]
274
00:13:31,042 --> 00:13:33,458
YOU WANT ME TO GO
BACK DOWNSTAIRS?
275
00:13:33,542 --> 00:13:36,542
[BLEEP] THAT.
WE'RE ALREADY UP HERE.
276
00:13:36,625 --> 00:13:38,208
ALL RIGHT.
277
00:13:39,625 --> 00:13:42,667
[ MUFFLED SHOUTING ]
278
00:13:42,750 --> 00:13:45,708
CLEAR!
279
00:13:45,792 --> 00:13:46,875
[ GASPING ]
280
00:13:46,958 --> 00:13:48,583
WHAT'S YOUR NAME?
281
00:13:48,667 --> 00:13:50,125
DAN CHARNAS.
282
00:13:50,208 --> 00:13:52,625
WHAT HAPPENED HERE,
MR. CHARNAS?
283
00:13:52,708 --> 00:13:53,958
MY GIRLFRIEND
TIED ME UP.
284
00:13:54,042 --> 00:13:55,833
BY HERSELF?
285
00:13:55,917 --> 00:13:58,000
NO. SHE WAS WITH MY WIFE
AND MY OTHER GIRLFRIEND.
286
00:13:58,083 --> 00:13:59,750
MY WIFE WAS THE ONE
HOLDING THE GUN.
287
00:13:59,833 --> 00:14:00,958
PLAYER, PLAYER!
288
00:14:01,042 --> 00:14:02,583
[ CHUCKLES ]
WHAT?
289
00:14:02,667 --> 00:14:04,542
I WAS CHECKING OUT SOME HIP-HOP
IN REHAB, MAN.
290
00:14:04,625 --> 00:14:05,875
THERE WAS THIS BALLPLAYER.
291
00:14:05,958 --> 00:14:07,417
I CAN'T REALLY TELL YOU
HIS NAME,
292
00:14:07,500 --> 00:14:09,333
BUT, UH, LET'S JUST SAY
HE COMES OFF THE BENCH
293
00:14:09,417 --> 00:14:10,875
FOR THE LAKERS, BABY --
MONEY.
294
00:14:10,958 --> 00:14:13,000
LOOK, HEY,
I GOT TO TAKE A PISS, MAN.
295
00:14:13,083 --> 00:14:14,792
ALL RIGHT. JUST GIVE ME A SECOND
TO GET YOU UNTIED.
296
00:14:14,875 --> 00:14:18,042
NO, NO. HEY.
THAT'S NOT THE PROBLEM, OFFICER.
297
00:14:20,333 --> 00:14:21,583
YEAH.
298
00:14:25,917 --> 00:14:27,667
AAH!
OH!
299
00:14:27,750 --> 00:14:29,333
WHAT? DOES IT -- WHAT?
DOES IT LOOK BAD?
300
00:14:29,417 --> 00:14:31,333
W-WHAT'D THE HELL DID SHE USE,
KRAZY GLUE?
301
00:14:31,417 --> 00:14:32,750
YEAH. YEAH.
302
00:14:32,833 --> 00:14:34,500
ALL RIGHT.
WE'RE GONNA NEED AN R.A. UNIT.
303
00:14:34,583 --> 00:14:36,125
OH, NO.
COME ON.
304
00:14:36,208 --> 00:14:38,042
SHIT, I THOUGHT MY WIFE
WAS PISSED.
305
00:14:38,125 --> 00:14:39,458
WHAT?
306
00:14:39,542 --> 00:14:41,000
A43, SEND AN R.A. UNIT
TO OUR LOCATION.
307
00:14:41,083 --> 00:14:42,958
[ Dispatcher
speaking indistinctly ]
YEAH.
308
00:14:43,042 --> 00:14:44,458
WE GOT A STICKY SITUATION
HERE.
309
00:14:44,542 --> 00:14:45,750
HEY.
HEY, WHERE YOU GOING?!
310
00:14:45,833 --> 00:14:47,125
WHAT'S THE USE
OF A TRAFFIC CAM
311
00:14:47,208 --> 00:14:48,792
IF ALL YOU GET
IS A PARTIAL PLATE?
312
00:14:48,875 --> 00:14:51,333
AT LEAST WE GOT THE MAKE OF THE
CAR RIGHT AFTER NOBODY GOT SHOT.
313
00:14:51,417 --> 00:14:52,833
THAT'LL NARROW IT DOWN.
314
00:14:52,917 --> 00:14:56,083
YOU KNOW HOW MANY CADILLAC
ESCALADES THAT COULD BE?
315
00:14:56,167 --> 00:15:00,125
SO CHUY THINKS LETI STILL WORKS
ON OLVERA STREET?
316
00:15:00,208 --> 00:15:02,500
YEAH. CHUY'S USUALLY GOT
PRETTY GOOD INFO.
317
00:15:02,583 --> 00:15:05,375
WHAT'S SHE DOING
DATING A GANGSTER, ESE?
318
00:15:05,458 --> 00:15:07,750
BETTER TO DATE A GANGSTER
THAN A COP
319
00:15:07,833 --> 00:15:09,625
IN THIS NEIGHBORHOOD, HOMEY.
320
00:15:09,708 --> 00:15:11,417
Lydia:
30 YEARS OF MARRIAGE.
321
00:15:11,500 --> 00:15:14,250
THEY LOST $6 MILLION IN CONDOS
THAT THEY INVESTED
322
00:15:14,333 --> 00:15:17,583
BEFORE THE MARKET CRASHED,
AND HE FILED FOR BANKRUPTCY.
323
00:15:17,667 --> 00:15:19,542
HMM.
324
00:15:19,625 --> 00:15:21,167
AND OF COURSE,
AT THAT EXACT TIME
325
00:15:21,250 --> 00:15:22,667
IS WHEN SHE FILED
FOR DIVORCE.
326
00:15:22,750 --> 00:15:25,250
ROMANCE WITHOUT FINANCE
IS A NUISANCE.
327
00:15:25,333 --> 00:15:27,292
[ CHUCKLES ]
GUESS HE DIDN'T TAKE IT WELL.
328
00:15:27,375 --> 00:15:29,750
YOU KNOW, I READ SOMEWHERE
THAT AS A BLACK WOMAN OVER 30,
329
00:15:29,833 --> 00:15:31,667
I HAVE A BETTER CHANCE
OF GETTING SHOT
330
00:15:31,750 --> 00:15:32,833
THAN GETTING MARRIED.
331
00:15:32,917 --> 00:15:34,458
I GOT SHOT WHEN I WAS AT NEWTON.
LOOK.
332
00:15:34,542 --> 00:15:36,000
AND I'VE BEEN DIVORCED
TWICE.
333
00:15:36,083 --> 00:15:40,250
TRUST ME, NENA,
BOTH EXPERIENCES ARE OVERRATED.
334
00:15:40,333 --> 00:15:42,708
OH, THE DAUGHTER --
SHE'S FLYING IN FROM ATLANTA,
335
00:15:42,792 --> 00:15:44,250
AND SHE WANTS TO SPEAK
WITH US
336
00:15:44,333 --> 00:15:45,333
AFTER SHE IDENTIFIES
HER PARENTS.
337
00:15:45,417 --> 00:15:46,750
SPEAK TO US ABOUT WHAT?
338
00:15:46,833 --> 00:15:49,000
OUR JOB IS TO GET THE CASE DOWN.
IT'S DOWN.
339
00:15:49,083 --> 00:15:50,625
BUT YOU GOT TO FEEL
FOR THE DAUGHTER.
340
00:15:50,708 --> 00:15:52,250
I MEAN, BOTH OF HER PARENTS
ARE DEAD
341
00:15:52,333 --> 00:15:54,125
AND HER FATHER'S
THE KILLER?
342
00:15:54,208 --> 00:15:55,208
NO.
343
00:15:55,292 --> 00:15:57,000
I SAVE MY PITY
FOR THE FAMILIES
344
00:15:57,083 --> 00:15:58,625
WHOSE MURDERERS
WE CAN'T CATCH.
345
00:15:58,708 --> 00:16:00,875
THERE'S A SALE AT NORDSTROM
THIS WEEKEND.
346
00:16:00,958 --> 00:16:02,042
YOU WANT TO GO?
347
00:16:02,125 --> 00:16:03,875
YOU'RE INCREDIBLE.
348
00:16:03,958 --> 00:16:05,917
THE DEN MOTHER?
349
00:16:06,000 --> 00:16:07,000
[ LAUGHS ]
350
00:16:07,083 --> 00:16:08,667
YOU PREFER
BUGS THE BADGE BUNNY?
351
00:16:08,750 --> 00:16:10,083
THAT'S WHAT THEY USED TO
CALL HER.
352
00:16:10,167 --> 00:16:12,333
SHE TRIED TO GET ME TO DO
A THREESOME WITH HER ONCE.
353
00:16:12,417 --> 00:16:16,167
SHE STILL HAVE THAT AUTOGRAPHED
"DIRTY HARRY" POSTER
354
00:16:16,250 --> 00:16:17,583
BY THE FRONT DOOR?
355
00:16:21,625 --> 00:16:22,583
UH-OH.
356
00:16:22,667 --> 00:16:24,333
SHIT.
357
00:16:24,417 --> 00:16:26,792
[ POLICE RADIO CHATTER ]
358
00:16:33,125 --> 00:16:35,250
SIR.
359
00:16:35,333 --> 00:16:37,125
YOU ALL RIGHT?
360
00:16:37,208 --> 00:16:39,417
YOU OKAY?
361
00:16:39,500 --> 00:16:41,042
IT'S MY GIRL ROSA.
362
00:16:41,125 --> 00:16:42,417
I DON'T KNOW WHY SHE'S TRIPPING
LIKE THIS.
363
00:16:42,500 --> 00:16:43,917
DID SHE CUT YOU?
364
00:16:44,000 --> 00:16:45,458
IT WAS AN ACCIDENT, HOMES.
SHE DIDN'T MEAN IT.
365
00:16:45,542 --> 00:16:47,375
ALL RIGHT.
WHERE IS SHE?
366
00:16:47,458 --> 00:16:49,417
THE BACK OF THE CARRUCHA
OVER THERE.
367
00:16:49,500 --> 00:16:50,292
RIGHT HERE?
368
00:16:51,542 --> 00:16:54,125
ALL RIGHT. WE'LL CHECK IT OUT.
STAY HERE.
369
00:17:04,208 --> 00:17:06,333
[ DOG BARKS ]
370
00:17:10,458 --> 00:17:12,750
[ SIREN WAILING ]
371
00:17:12,833 --> 00:17:14,917
YOU GOT TO BE
KIDDING ME.
372
00:17:15,000 --> 00:17:16,500
HIS BLOOD'S REAL.
373
00:17:23,458 --> 00:17:26,667
SIR, HOW'D YOU GET
THAT CUT ON YOUR ARM?
374
00:17:26,750 --> 00:17:28,792
YOU DIDN'T SEE HER?
YEAH, YEAH, YEAH.
375
00:17:28,875 --> 00:17:30,292
WE SAW HER. WE SAW HER.
COME HERE.
376
00:17:30,375 --> 00:17:31,625
SO, WHAT HAPPENED?
377
00:17:31,708 --> 00:17:33,875
I JUST TOLD HER
TO CHANGE HER CLOTHES,
378
00:17:33,958 --> 00:17:35,542
GO PUT ON
SOMETHING NICE, EH?
UH-HUH.
379
00:17:35,625 --> 00:17:37,750
SHE ALWAYS WANTS TO GO OUT
LOOKING LIKE THAT.
YEAH.
380
00:17:37,833 --> 00:17:39,292
THE MOVIES, THE PARK.
381
00:17:39,375 --> 00:17:41,083
AND THEN I GOT TO GET
INTO FIGHTS WITH DUDES,
382
00:17:41,167 --> 00:17:42,667
'CAUSE -- 'CAUSE THEY BE
LOOKING AT HER,
383
00:17:42,750 --> 00:17:44,167
THEN THEY BE LOOKING AT ME,
TALKING SHIT.
384
00:17:44,250 --> 00:17:45,375
OKAY.
ALL RIGHT.
385
00:17:45,458 --> 00:17:47,208
SO SHE CUT YOU
WHEN SHE GOT MAD.
386
00:17:47,292 --> 00:17:48,917
YEAH.
BUT I DIDN'T WANT TO, DOG.
387
00:17:49,000 --> 00:17:50,833
SHE MADE IT DO IT --
SHE STARTS YELLING,
388
00:17:50,917 --> 00:17:52,917
SHE LOSES IT, AND I JUST WANTED
HER TO CALM DOWN.
389
00:17:53,000 --> 00:17:57,042
A35 REQUESTING AN R.A. UNIT
AT 1200 EAST PLEASANT AVENUE,
390
00:17:57,125 --> 00:18:00,417
WILL THEN BE EN ROUTE
FOR MENTAL EVALUATION.
391
00:18:00,500 --> 00:18:02,042
YOU EVER BEEN IN LOVE?
392
00:18:02,125 --> 00:18:04,125
IT'S A BITCH, ESE.
393
00:18:06,625 --> 00:18:07,958
WHAT'S IT GONNA BE,
SAMMY JR.
394
00:18:08,042 --> 00:18:09,833
OR ONE OF THOSE
WHITE-BOY VALLEY NAMES
395
00:18:09,917 --> 00:18:12,333
LIKE KYLE OR PRESTON,
DYLAN?
396
00:18:12,417 --> 00:18:14,167
WAYNE, AFTER MY DAD.
397
00:18:14,250 --> 00:18:18,042
RACHEL, MAYBE -- MAYBE --
IF IT'S A GIRL.
GOOD.
398
00:18:18,125 --> 00:18:19,958
AT LEAST IT'S NOT GONNA BE
BRITTANY OR AMBER,
399
00:18:20,042 --> 00:18:21,625
OR ONE OF THOSE
PORN-STAR NAMES, RIGHT?
400
00:18:21,708 --> 00:18:24,167
YOU'VE GIVEN THIS WAY
TOO MUCH THOUGHT, MAN.
401
00:18:26,375 --> 00:18:28,625
DAMN.
WAS THAT KID BORN SAGGING?
402
00:18:28,708 --> 00:18:31,292
PROBABLY DIDN'T HAVE
MUCH OF A CHOICE.
403
00:18:31,375 --> 00:18:35,208
NOW THAT I'M GONNA BE A DAD,
THIS WHOLE THING IS HITTING ME.
404
00:18:35,292 --> 00:18:36,917
YOU KNOW,
ALL THE GUYS WE ARRESTED.
405
00:18:37,000 --> 00:18:38,333
ALL THE BODIES
WE STOOD OVER --
406
00:18:38,417 --> 00:18:40,375
HOW MANY OF THEM DO YOU THINK
HAD FATHERS --
407
00:18:40,458 --> 00:18:42,500
I MEAN IN THE HOUSE,
AROUND?
408
00:18:42,583 --> 00:18:43,792
NOT TOO MANY, MAN.
409
00:18:43,875 --> 00:18:46,167
THIS WHOLE GANG PROBLEM
IS ABOUT PARENTING.
410
00:18:46,250 --> 00:18:49,333
YOU WALK INTO THE LIVING ROOM,
IT'S ALWAYS THE SAME SONG.
411
00:18:49,417 --> 00:18:52,000
"WHY, WHY, WHY?
WHY DID THE LORD TAKE MY BABY?"
412
00:18:52,083 --> 00:18:54,208
AND I'M THINKING,
"WELL, MAYBE HE'S DEAD
413
00:18:54,292 --> 00:18:57,542
"BECAUSE YOU'RE A CRACKHEAD AND
DON'T KNOW WHO THE FATHER IS,
414
00:18:57,625 --> 00:19:01,083
"OR MAYBE HAD YOU RAISED HIM
INSTEAD OF THE HOMIES,
415
00:19:01,167 --> 00:19:02,708
I WOULDN'T BE
STANDING HERE."
416
00:19:02,792 --> 00:19:06,250
FATHER'S DAY IS THE MOST
CONFUSING DAY IN THE GHETTO.
417
00:19:07,292 --> 00:19:09,042
THERE SHE IS.
418
00:19:09,125 --> 00:19:12,083
THE FACE THAT LAUNCHED
A THOUSAND BULLETS.
419
00:19:12,167 --> 00:19:14,833
I'D DODGE A FEW BULLETS
FOR A SHOT AT THAT ASS.
420
00:19:14,917 --> 00:19:16,875
YEAH.
421
00:19:16,958 --> 00:19:18,833
MAYBE FROSTY WASN'T SO CRAZY
AFTER ALL.
422
00:19:18,917 --> 00:19:22,125
ONCE YOU GO BROWN,
YOU STICK AROUND.
423
00:19:22,208 --> 00:19:25,167
I'M GONNA PRETEND
YOU DIDN'T JUST SAY THAT.
424
00:19:25,250 --> 00:19:27,292
WHAT?
425
00:19:27,375 --> 00:19:28,917
A-AND I WON'T TELL MARIELLA
426
00:19:29,000 --> 00:19:30,625
WHAT YOU SAID ABOUT HER ASS,
EITHER.
427
00:19:30,708 --> 00:19:32,750
[ LAUGHS ]
[ CELLPHONE RINGS ]
428
00:19:32,833 --> 00:19:34,292
ALL RIGHT.
429
00:19:36,417 --> 00:19:38,958
GEEZ.
WHAT?
430
00:19:41,333 --> 00:19:44,458
[ SIRENS WAILING,
HELICOPTER PASSING ]
431
00:19:44,542 --> 00:19:47,167
[ INDISTINCT CONVERSATIONS ]
432
00:19:53,917 --> 00:19:55,250
NO!
433
00:19:55,333 --> 00:19:57,042
[ SCREAMING ]
434
00:19:57,125 --> 00:19:59,000
OH, MY BABY!
435
00:19:59,083 --> 00:20:02,625
OH!
436
00:20:02,708 --> 00:20:06,625
WHY?! WHY?! WHY?!
437
00:20:08,750 --> 00:20:11,042
DAMN.
438
00:20:11,125 --> 00:20:12,250
[ SIGHS ]
439
00:20:12,333 --> 00:20:13,958
WHAT THE HELL
ARE WE DOING HERE?
440
00:20:14,042 --> 00:20:16,833
YOU JINXED US WITH ALL THAT
LONG-WEEKEND AND NORDSTROM TALK.
441
00:20:16,917 --> 00:20:19,292
WHO THE HELL CARES
IF JOKER SHOT LIL SCOOBY?
442
00:20:19,375 --> 00:20:20,542
IT'S STILL MURDER.
443
00:20:20,625 --> 00:20:22,250
HEY, SAL.
444
00:20:22,333 --> 00:20:23,667
HEY, LYDIA.
HOW ARE YOU?
445
00:20:23,750 --> 00:20:26,417
DETECTIVE OCHOA.
HEY, SAL.
446
00:20:26,500 --> 00:20:28,583
HOW'S SUSAN?
I DON'T KNOW.
447
00:20:28,667 --> 00:20:30,792
YOU PROBABLY TALK TO HER
MORE THAN I DO THESE DAYS.
448
00:20:30,875 --> 00:20:33,333
OF COURSE, YOU KNEW THAT BEFORE
YOU ASKED THE QUESTION, HUH?
449
00:20:33,417 --> 00:20:34,833
SO WHAT'S GOING ON?
450
00:20:34,917 --> 00:20:37,583
RIDAZ AND HUSTLAZ
ARE AT IT AGAIN.
451
00:20:37,667 --> 00:20:40,250
METRO'S SENDING OUT BOY PLATOON
FOR CRIME SUPPRESSION.
452
00:20:40,333 --> 00:20:41,792
IT'S THE THIRD BODY
IN 10 HOURS.
453
00:20:41,875 --> 00:20:44,958
WE DON'T HAVE ENOUGH COPPERS
TO COVER THE CASES.
454
00:20:45,042 --> 00:20:47,583
SO THIS IS OURS NOW?
455
00:20:47,667 --> 00:20:50,292
ALL GIFT-WRAPPED
WITH A BOW.
456
00:20:50,375 --> 00:20:52,500
HEY, ONE MORE DEAD BODY,
AND WE'RE GONNA END UP
457
00:20:52,583 --> 00:20:54,167
ON THE FRONT PAGE
OF THE TIMES.
458
00:20:54,250 --> 00:20:57,042
AND ALL THE 11:00 NEWS SHOWS ARE
GONNA MAKE US LOOK LIKE IDIOTS.
459
00:20:57,125 --> 00:20:59,667
NATE, SAM, YOU FINISH UP
THE CANVASS
460
00:20:59,750 --> 00:21:03,667
AND THEN, UH, TAKE THESE GUYS
BACK TO ALVARADO, DEBRIEF THEM.
461
00:21:03,750 --> 00:21:05,333
HOOK UP WITH METRO.
462
00:21:05,417 --> 00:21:07,958
SNATCH UP SOME GANGSTERS WHILE
THEY'RE WORKING THE HOMICIDE.
463
00:21:08,042 --> 00:21:09,458
YOU GOT THAT?
GOT IT.
464
00:21:09,542 --> 00:21:12,208
AND HEY, NO MORE DEAD BODIES
THIS WEEKEND, OKAY?
465
00:21:12,292 --> 00:21:13,708
GOOD TO SEE YOU.
466
00:21:13,792 --> 00:21:16,458
SEE YOU LATER, SAL.
467
00:21:16,542 --> 00:21:20,292
IN MY NEWTON GANG-UNIT DAYS,
WE NEVER NEEDED ANY HELP.
468
00:21:20,375 --> 00:21:22,500
WE WORKED TRIPLES
BY OURSELVES -- ONE DETECTIVE.
469
00:21:22,583 --> 00:21:24,125
HIGHEST CLEARANCE RATE
IN THE CITY.
470
00:21:24,208 --> 00:21:28,000
I HEARD THEY WERE WEEPING
IN THE HALLS WHEN YOU LEFT.
471
00:21:28,083 --> 00:21:29,750
WHY DON'T YOU GO BACK?
472
00:21:35,625 --> 00:21:37,292
SEE YOU GUYS.
473
00:21:39,125 --> 00:21:41,458
I MEAN, IT'S COMMON KNOWLEDGE.
I'M NOT ASHAMED OF IT.
474
00:21:41,542 --> 00:21:43,042
I'M A FREAK.
PEOPLE KNOW THAT.
475
00:21:43,125 --> 00:21:44,667
KNOW WHAT I MEAN?
ALL Y'ALL KNOW.
476
00:21:44,750 --> 00:21:47,000
I LIKE THAT SWINGING-FROM-
THE-CHANDELIER STUFF.
477
00:21:47,083 --> 00:21:49,375
HELL, I DON'T EVEN CARE
IF MONKEYS IS WATCHING.
478
00:21:49,458 --> 00:21:51,208
YOU KNOW?
Chickie: [ LAUGHS ]
479
00:21:51,292 --> 00:21:53,792
AND SO WHEN SALLY BREAKS OUT
THE POLAROID CAMERA,
480
00:21:53,875 --> 00:21:56,292
WELL, SHOOT,
I GET CONFUSED,
481
00:21:56,375 --> 00:21:58,875
SINCE, YOU KNOW, NORMALLY I'M
THE TECHNOLOGICAL ONE
482
00:21:58,958 --> 00:22:00,542
WHEN IT COMES TO STUFF
LIKE THAT.
483
00:22:00,625 --> 00:22:03,958
I'M A GYNECOLOGIST
IN MY SPARE TIME, RIGHT?
MM-HMM.
484
00:22:04,042 --> 00:22:05,792
SO I BREAK OUT
MY BRAND-NEW iPHONE,
485
00:22:05,875 --> 00:22:07,750
THINKING I'M GONNA GET
A CHANCE TO USE
486
00:22:07,833 --> 00:22:09,375
SOME OF THAT
H.D.-VIDEO ACTION.
487
00:22:09,458 --> 00:22:10,667
TAKE A LITTLE TRIP
TO BRAZIL
488
00:22:10,750 --> 00:22:12,208
WITHOUT EVER GOING
TO THE AIRPORT?
489
00:22:12,292 --> 00:22:13,625
OH, NOT EVEN, BROTHER.
490
00:22:13,708 --> 00:22:15,583
SHE WAS ALREADY DRESSED
FOR WINTER.
491
00:22:15,667 --> 00:22:17,042
YEAH, SHE GOT
THAT FUR COAT.
492
00:22:17,125 --> 00:22:18,125
[ LAUGHTER ]
COME ON.
493
00:22:18,208 --> 00:22:19,375
YEAH.
THAT'S THE DEAL.
494
00:22:19,458 --> 00:22:21,167
BOOT KNOWS
WHAT I'M TALKING ABOUT.
495
00:22:21,250 --> 00:22:22,625
MM-HMM.
UH-HUH, UH-HUH.
496
00:22:22,708 --> 00:22:25,083
WELL, ANYWAY, SHE STOPS ME --
FIRST TIME EVER.
497
00:22:25,167 --> 00:22:27,208
I MEAN, SHE REALLY WANTS
THIS POLAROID.
498
00:22:27,292 --> 00:22:28,625
SO SHE STANDS ME UP
AGAINST THE WALL,
499
00:22:28,708 --> 00:22:30,333
PULLS OUT HER CAMERA,
AND TAKES A PICTURE
500
00:22:30,417 --> 00:22:32,833
LIKE WHEN WE SNATCH UP ONE
OF THESE LITTLE BABY GANGSTERS
501
00:22:32,917 --> 00:22:34,583
TRYING TO MAKE A, UM --
F.I. CARD.
502
00:22:34,667 --> 00:22:37,083
EXACTLY,
AND THEN SHE SIGNS MY NAME
503
00:22:37,167 --> 00:22:39,417
AND TOSSES THE POLAROID
IN A SHOE BOX.
504
00:22:39,500 --> 00:22:41,417
John: SHE'S PROBABLY GOT HALF
THE DIVISION IN THERE.
505
00:22:41,500 --> 00:22:42,750
THIS IS WHAT I'M SAYING.
506
00:22:42,833 --> 00:22:45,167
SO, DID SHE TAKE A PICTURE
OF YOU YET, BOOT?
507
00:22:45,250 --> 00:22:46,875
NO.
508
00:22:46,958 --> 00:22:49,625
Dewey: ANYBODY GOT A BUCK? I'M
TRYING TO GET ANOTHER COFFEE.
509
00:22:49,708 --> 00:22:51,500
JOHN, GIVE ME A DOLLAR.
510
00:22:53,000 --> 00:22:56,583
YOU'D THINK I ASKED YOU
FOR YOUR FIRSTBORN OR SOMETHING.
511
00:22:58,750 --> 00:23:00,625
I DEALT WITH IT
FOR FIVE YEARS.
512
00:23:00,708 --> 00:23:02,792
YOU CAN'T TAKE IT
FOR FOUR HOURS?
513
00:23:02,875 --> 00:23:03,875
YOU KNOW WHAT?
514
00:23:03,958 --> 00:23:05,708
WHEN HE WAS DRUNK,
IT WAS FUNNY.
515
00:23:05,792 --> 00:23:08,125
IF I GOT TO HEAR
ONE MORE THING ABOUT A.A.,
516
00:23:08,208 --> 00:23:11,042
I'M GONNA BRING BACK THE
DARYL GATES CHOKE HOLD MYSELF.
517
00:23:11,125 --> 00:23:13,167
HEY, DID YOU GUYS HEAR
ABOUT THAT SHOOTING
518
00:23:13,250 --> 00:23:15,708
DOWN AT EAST GAGE STREET BETWEEN
THE RIDAZ AND THE HUSTLAZ?
519
00:23:15,792 --> 00:23:17,000
STUPID IDIOTS.
520
00:23:17,083 --> 00:23:19,292
IF THEY HAD A HALF A BRAIN
BETWEEN THEM,
521
00:23:19,375 --> 00:23:22,250
THEY'D BELIEVE IN A HIGHER POWER
AND SANITY COULD BE RESTORED.
522
00:23:22,333 --> 00:23:23,792
STEP NUMBER TWO,
MY FRIENDS.
523
00:23:23,875 --> 00:23:25,083
ALL RIGHT.
LET'S GO.
524
00:23:25,167 --> 00:23:27,292
YOU GET THAT
FOR ME, PLEASE?
YES.
525
00:23:27,375 --> 00:23:30,792
HEY, BOOT, SALLY EVER ASK YOU
TO WEAR YOUR HAT?
526
00:23:30,875 --> 00:23:32,292
HUH?
527
00:23:32,375 --> 00:23:35,000
I USED TO KEEP MY SPARE SET
OF BLUES IN HER CLOSET, MAN.
528
00:23:35,083 --> 00:23:38,292
SHE'S A FREAK!
[ LAUGHS ]
529
00:23:39,750 --> 00:23:41,583
♪ HEY, I KNOW I WANT YOU,
WANT YOU ♪
530
00:23:41,667 --> 00:23:43,500
♪ I KNOW YOU WANT ME,
WANT ME ♪
531
00:23:43,583 --> 00:23:45,292
♪ YOU KNOW I WANT YOU,
WANT YOU ♪
532
00:23:45,375 --> 00:23:47,333
♪ I KNOW YOU WANT ME ♪
533
00:23:47,417 --> 00:23:49,417
♪ YOU KNOW I WANT YOU,
WANT YOU ♪
534
00:23:49,500 --> 00:23:51,792
♪ 1, 2, 3, 4 ♪
535
00:23:51,875 --> 00:23:54,083
♪ UNO, DOS, TRES, CUATRO ♪
536
00:23:54,167 --> 00:23:57,292
[ INDISTINCT CONVERSATIONS ]
537
00:23:57,375 --> 00:23:59,458
♪ SI ES VERDAD ♪
538
00:23:59,542 --> 00:24:02,542
♪ QUE TU ERES GUAPA ♪
539
00:24:02,625 --> 00:24:04,708
♪ YO TE VOY A PONER GOZAR ♪
540
00:24:04,792 --> 00:24:06,708
♪ TU TIENE LA BOCA GRANDE ♪
541
00:24:06,792 --> 00:24:08,500
♪ DALE PONTE A JUGAR, COMO? ♪
542
00:24:08,583 --> 00:24:11,292
♪ 1, 2, 3, 4 ♪
543
00:24:11,375 --> 00:24:12,917
♪ UNO, DOS, TRES, CUATRO ♪
544
00:24:13,000 --> 00:24:15,792
[ GUNFIRE, SCREAMING ]
545
00:24:17,542 --> 00:24:19,125
[ DOG BARKING ]
546
00:24:22,458 --> 00:24:24,708
FIRST BODY WE CAUGHT WAS
FROSTY,
OF THE WESTSIDE RIDAZ.
547
00:24:24,792 --> 00:24:27,542
ORIGINALLY WE THOUGHT
IT WAS TYPICAL BEEF OVER
DRUG TERRITORY.
548
00:24:27,625 --> 00:24:29,083
TURNS OUT
IT WAS OVER A GIRL.
549
00:24:29,167 --> 00:24:30,667
FROSTY WAS BANGING
LETI VARGAS,
550
00:24:30,750 --> 00:24:33,625
FIRST COUSIN OF JUAN VARGAS,
STREET NAME NOBODY,
551
00:24:33,708 --> 00:24:35,083
OF THE LATIN HUSTLAZ.
552
00:24:35,167 --> 00:24:38,208
Josie: SO NOBODY SHOT FROSTY,
BUT WHO SHOT NOBODY?
553
00:24:38,292 --> 00:24:40,125
CAMS PICKED UP
A SILVER ESCALADE
554
00:24:40,208 --> 00:24:41,958
LEAVING THE SCENE
OF THE DRIVE-BY.
555
00:24:42,042 --> 00:24:43,208
DAVID MARCUS HAS THE CAR,
556
00:24:43,292 --> 00:24:45,083
AND THE PROFILE FITS
THE DESCRIPTION.
557
00:24:45,167 --> 00:24:47,625
MIGHT HAVE THE CAR
BUT DOESN'T FIT THE PROFILE.
558
00:24:47,708 --> 00:24:49,333
JUST GOT BACK FROM S.I.D.
559
00:24:49,417 --> 00:24:51,708
NO GSR MARKS ON HIS HAND,
NO GUN.
560
00:24:51,792 --> 00:24:54,542
THIS KID DAVID MARCUS
IS LITERALLY A CHOIR BOY.
561
00:24:54,625 --> 00:24:56,667
HE PLAYS THE DRUMS
AT SECOND A.M.E.
562
00:24:56,750 --> 00:24:58,292
AND THIS TRUCK -- PAID FOR.
563
00:24:58,375 --> 00:24:59,750
PERFECT CREDIT,
564
00:24:59,833 --> 00:25:01,875
MANAGER OF A VIDEO-GAME STORE
IN THE FOX HILLS MALL.
565
00:25:02,000 --> 00:25:03,292
NO TATS.
566
00:25:03,375 --> 00:25:05,250
HE DOESN'T EVEN HAVE
ANY PARKING TICKETS.
567
00:25:05,333 --> 00:25:07,417
DIAMOND EARRINGS,
BAGGY JEANS,
568
00:25:07,500 --> 00:25:10,875
DROVE A TRICKED-OUT S.U.V.
BLASTING GLASSES MALONE.
569
00:25:10,958 --> 00:25:13,292
SO? THIS GUY COULD BE
AN INNOCENT CIVILIAN.
570
00:25:13,375 --> 00:25:15,750
OR HE'S JUST ANOTHER ASSHOLE
WE HAVEN'T CAUGHT YET.
571
00:25:15,833 --> 00:25:17,792
EITHER WAY, LOOK THE PART,
PAY THE PRICE.
572
00:25:17,875 --> 00:25:19,750
OH, COME ON, MAN.
573
00:25:19,833 --> 00:25:21,708
IF -- IF DUDE WAS DRIVING
A PRIUS,
574
00:25:21,792 --> 00:25:24,333
BUMPING JOHN MAYER,
HE'D BE ALIVE RIGHT NOW.
575
00:25:24,417 --> 00:25:25,792
YOU KNOW IT.
576
00:25:25,875 --> 00:25:27,833
YOU SEE?
577
00:25:27,917 --> 00:25:29,958
THAT'S TONY
IN FRONT OF HIS ESCALADE,
578
00:25:30,042 --> 00:25:31,792
RODRIGO, NEXT TO EDDIE,
MY BABY.
579
00:25:31,875 --> 00:25:35,542
THEY ALL HAVE SHAVED HEADS,
EARRINGS, BAGGY JEANS.
580
00:25:35,625 --> 00:25:36,958
THEY LOVE HIP-HOP.
581
00:25:37,042 --> 00:25:39,375
TONY'S A CAPTAIN
IN AFGHANISTAN,
582
00:25:39,458 --> 00:25:41,750
RODRIGO JUST BECAME A P2
IN SOUTHEAST,
583
00:25:41,833 --> 00:25:43,083
AT EDDIE'S AT BERKELEY,
584
00:25:43,167 --> 00:25:45,292
AND YOU'RE GONNA TELL ME
THAT MY BOYS
585
00:25:45,375 --> 00:25:46,667
DESERVE TO GET SHOT UP
586
00:25:46,750 --> 00:25:49,375
JUST BECAUSE THEY WEAR
BAGGY JEANS AND LOVE HIP-HOP?
587
00:25:49,458 --> 00:25:50,917
I BET YOU
IF THEY WERE WHITE
588
00:25:51,000 --> 00:25:52,792
AND THEY LIVED NEXT DOOR
TO YOU IN SANTA CLARITA --
589
00:25:52,875 --> 00:25:54,458
CASTAIC --
I LIVE IN CASTAIC.
590
00:25:54,542 --> 00:25:56,125
AND DON'T THROW THAT TIRED
"WHITE BOY
591
00:25:56,208 --> 00:25:58,000
DOESN'T UNDERSTAND THE
NEIGHBORHOOD" BULLSHIT AT ME.
592
00:25:58,083 --> 00:25:59,958
DON'T DO IT.
WHERE DO YOU LIVE?
593
00:26:01,667 --> 00:26:02,958
LA CAÑADA FLINTRIDGE.
594
00:26:03,042 --> 00:26:06,083
OH, TIMES IS HARD.
595
00:26:06,167 --> 00:26:08,083
SO MUCH CRIME
OUT IN THE FLINT.
596
00:26:08,167 --> 00:26:09,958
BODIES JUST STACKING UP.
597
00:26:10,042 --> 00:26:12,833
[ CELLPHONES RINGING ]
598
00:26:15,542 --> 00:26:18,583
[ SIRENS WAILING,
HELICOPTER PASSING ]
599
00:26:24,375 --> 00:26:26,750
[ WOMAN SPEAKING SPANISH ]
600
00:26:53,208 --> 00:26:55,292
TONIGHT WE'RE AT THE SITE
OF WHAT SHOULD BE
601
00:26:55,375 --> 00:26:56,667
A JOYOUS CELEBRATION --
602
00:26:56,750 --> 00:26:58,917
A YOUNG GIRL'S FIRST STEP
INTO WOMANHOOD,
603
00:26:59,000 --> 00:26:59,958
A QUINCEAÑERA.
604
00:27:00,042 --> 00:27:01,667
INSTEAD, IT'S A CRIME SCENE,
605
00:27:01,750 --> 00:27:03,417
WITH THE GUNMAN
STILL AT LARGE
606
00:27:03,500 --> 00:27:05,667
AND TWO INNOCENT VICTIMS
LEFT IN HIS WAKE.
607
00:27:05,750 --> 00:27:08,333
A YOUNG MOTHER
AND HER 4-YEAR-OLD SON LIE DEAD,
608
00:27:08,417 --> 00:27:09,792
THE FOURTH AND FIFTH VICTIMS
609
00:27:09,875 --> 00:27:12,333
OF AN MLK WEEKEND
FULL OF VIOLENCE,
610
00:27:12,417 --> 00:27:13,792
IN SHARP CONTRAST
611
00:27:13,875 --> 00:27:16,708
WITH MARTIN LUTHER KING'S
MESSAGE OF NONVIOLENCE.
612
00:27:16,792 --> 00:27:19,375
[ HELICOPTER PASSING,
HORN BLARING ]
613
00:27:19,458 --> 00:27:21,208
DETECTIVE SALINGER.
614
00:27:21,292 --> 00:27:23,708
IS THIS SHOOTING RELATED
TO THE OTHER ONES?
615
00:27:23,792 --> 00:27:24,833
NO COMMENT.
616
00:27:24,917 --> 00:27:26,708
IS IT RACIALLY MOTIVATED?
617
00:27:28,958 --> 00:27:30,417
HEY, WHAT DO WE GOT?
618
00:27:30,500 --> 00:27:32,625
LYDIA AND I ARE CHECKING
TRAFFIC CAMS
619
00:27:32,708 --> 00:27:34,958
TO SEE IF WE GET LUCKY
AND CATCH A PLATE.
620
00:27:35,042 --> 00:27:37,667
WE'RE LOOKING FOR A DARK BLUE
CHEVY SUBURBAN.
621
00:27:37,750 --> 00:27:39,458
ALL RIGHT.
HANG IN THERE.
622
00:27:39,542 --> 00:27:43,000
THE FATHER OF THE BABY
IS A LATIN HUSTLA.
623
00:27:43,083 --> 00:27:44,875
DID HE GET A GOOD LOOK
AT THE SHOOTER?
624
00:27:44,958 --> 00:27:45,875
NOPE.
625
00:27:45,958 --> 00:27:48,917
DARK, CHEVY SUBURBAN,
MAYBE.
626
00:27:49,042 --> 00:27:50,500
SHOOTER WAS BLACK.
627
00:27:50,583 --> 00:27:53,208
THE GUN?
Sammy: AK-47, BASED ON
THE SHELL CASINGS.
628
00:27:53,292 --> 00:27:55,833
S.I.D. IS RUNNING
THE BALLISTICS NOW.
629
00:27:55,917 --> 00:27:58,042
GEEZ. AN AK?
630
00:27:58,125 --> 00:28:00,625
WASN'T EVEN A BULLET FRAGMENT
THAT KILLED THE KID.
631
00:28:00,708 --> 00:28:02,417
IT WAS SHRAPNEL
FROM THE CAR DOOR.
632
00:28:02,500 --> 00:28:04,417
Nate: THERE'S A LOT OF GUYS
COMING UP FROM MEXICO.
633
00:28:04,500 --> 00:28:06,000
AK IS EASY MONEY
ON THE STREET.
634
00:28:06,083 --> 00:28:08,833
HARDWARE THAT HEAVY, IT'S GOT
TO
BE A NEIGHBORHOOD GUN.
635
00:28:08,917 --> 00:28:11,958
THEY PASS IT AROUND THE GANG
FROM CRIME TO CRIME.
636
00:28:12,042 --> 00:28:13,625
WELL, GOOD.
637
00:28:13,708 --> 00:28:16,042
IF IT'S BEEN USED BEFORE,
MAYBE WE'LL CATCH A BREAK.
638
00:28:16,125 --> 00:28:18,875
LISTEN, FIND ME A GOOD WIT,
ALL RIGHT?
639
00:28:21,083 --> 00:28:24,458
THERE'S NO WAY WE FIND A
CASING
THIS FAR FROM THE HOUSE.
640
00:28:24,542 --> 00:28:27,000
WELL, YOU NEVER KNOW.
641
00:28:27,083 --> 00:28:28,542
[ CHUCKLES ]
642
00:28:28,625 --> 00:28:30,542
HEY, THIS ONE TIME,
WHEN I WAS A BOOT,
643
00:28:30,625 --> 00:28:33,792
THIS DRUNK LOST HIS GLASS EYE
IN THE MIDDLE OF THE STREET.
644
00:28:33,875 --> 00:28:36,125
MY PARTNER AND I
HAD TO LOOK FOR IT.
645
00:28:36,208 --> 00:28:38,500
JUST ABOUT THE TIME
I'M GONNA GIVE UP
646
00:28:38,583 --> 00:28:41,042
AND GO ASK MY T.O.
IF I COULD PUNCH OUT,
647
00:28:41,125 --> 00:28:43,458
KKKT! --
I STEPPED RIGHT ON THAT BITCH.
648
00:28:43,542 --> 00:28:46,000
[ LAUGHS ]
OH.
649
00:28:46,083 --> 00:28:47,458
WHAT WAS THE KID'S NAME?
650
00:28:47,542 --> 00:28:50,375
THE HELL WOULD YOU WANT THAT
IN YOUR HEAD FOR?
651
00:28:50,458 --> 00:28:53,625
BELIEVE ME,
GOD DID US A FAVOR.
652
00:28:53,708 --> 00:28:55,000
THIS NEIGHBORHOOD,
TWO GANGSTER PARENTS --
653
00:28:55,083 --> 00:28:57,417
WE'D BE RIGHT BACK HERE
IN EIGHT YEARS,
654
00:28:57,500 --> 00:28:59,000
ARRESTING
THAT LITTLE VATO'S ASS,
655
00:28:59,083 --> 00:29:01,958
DAMN SURE BE ZIPPING HIM UP
IN A BIGGER BODY BAG.
656
00:29:02,042 --> 00:29:03,833
THE UNIVERSE SAVED US
A TRIP.
657
00:29:03,917 --> 00:29:07,042
WHAT DID YOU SAY?
HEY, I'M JUST TRYING TO
KEEP IT REAL, BABY GIRL.
658
00:29:07,125 --> 00:29:09,333
"KEEP IT REAL, BABY GIRL"?
659
00:29:09,417 --> 00:29:11,625
MAN, THAT'S SOMEBODY'S KID.
660
00:29:11,708 --> 00:29:13,542
YEAH.
TWO [BLEEP] GANGSTERS.
661
00:29:13,625 --> 00:29:16,375
YOU SEE ANY BONA FIDE HUMANS
AROUND HERE?
662
00:29:16,458 --> 00:29:18,458
[ INDISTINCT SHOUTING ]
663
00:29:18,542 --> 00:29:20,708
[BLEEP] GET BACK
IN YOUR TUNA BOAT, BITCH!
664
00:29:20,792 --> 00:29:23,167
BITCH?
I'LL SHOW YOU A BITCH!
Sal: HEY, HEY!
665
00:29:23,250 --> 00:29:25,708
KNOCK IT OFF!
KNOCK IT OFF!
MEET ME IN A PARKING LOT
OFF SHIFT!
666
00:29:25,792 --> 00:29:27,542
GOD DAMN IT,
THERE'S CAMERAS EVERYWHERE!
BITCH.
667
00:29:27,625 --> 00:29:29,000
SHUT HIM UP.
LOOK AT ME. LOOK AT ME.
668
00:29:29,083 --> 00:29:30,708
EVERYBODY GET THE HELL
OUT OF HERE NOW.
669
00:29:30,792 --> 00:29:32,083
GET HIM OUT OF HERE.
John: ALL RIGHT.
670
00:29:32,167 --> 00:29:33,542
LET GET OF ME, MAN.
JUST LET GO OF ME.
671
00:29:33,625 --> 00:29:35,500
LET GO.
GET OUT OF HERE, ALL OF YOU.
672
00:29:35,583 --> 00:29:37,208
LYDIA.
673
00:29:43,917 --> 00:29:46,708
[ INDISTINCT CONVERSATIONS ]
674
00:29:50,750 --> 00:29:52,958
"I'LL SHOW YOU A BITCH,
BITCH."
675
00:29:54,625 --> 00:29:56,833
TUNA BOAT, MY ASS.
676
00:29:56,917 --> 00:29:59,458
[ LAUGHS ]
[ SCOFFS ]
677
00:30:01,958 --> 00:30:03,667
Dewey:
ARE YOU KIDDING ME, MAN?
678
00:30:03,750 --> 00:30:05,208
ARE YOU FREAKIN'
KIDDING ME?!
679
00:30:05,292 --> 00:30:06,792
THOSE STUPID BITCHES.
680
00:30:06,875 --> 00:30:08,542
JOHN, I'VE NEVER HIT A WOMAN
IN MY LIFE.
681
00:30:08,625 --> 00:30:09,875
I'M NOT A WOMAN-BEATER,
MAN.
682
00:30:09,958 --> 00:30:12,167
BUT TONIGHT
I WAS THIS CLOSE
683
00:30:12,250 --> 00:30:14,375
TO BEATING BOTH
THOSE BITCHES DOWN, MAN.
684
00:30:14,458 --> 00:30:16,750
ARMED OR UNARMED.
I DON'T GIVE A SHIT!
685
00:30:16,833 --> 00:30:18,375
THE ONLY PIECE OF METAL
686
00:30:18,458 --> 00:30:21,125
THOSE BITCHES SHOULD BE ALLOWED
TO CARRY IS A FRYING PAN!
687
00:30:21,208 --> 00:30:24,250
JESUS CHRIST!
688
00:30:24,333 --> 00:30:26,292
OH [BLEEP]
JOHN, YOU KNOW WHAT?
689
00:30:26,375 --> 00:30:28,333
ALL I DID WAS TELL
THE TRUTH, BRO.
690
00:30:28,417 --> 00:30:30,375
THAT IS IT, MAN.
I TOLD THE TRUTH.
691
00:30:30,458 --> 00:30:31,708
YOU KNOW AS WELL AS I DO
692
00:30:31,792 --> 00:30:34,167
WE SHOULD BUS EVERY ONE
OF THOSE DIRTY GANGSTERS
693
00:30:34,250 --> 00:30:37,250
DOWN TO THE COLISEUM,
THROW IN SOME GUNS AND AMMO,
694
00:30:37,333 --> 00:30:39,250
LOCK THE DOOR,
AND LET GOD SORT IT OUT.
695
00:30:39,333 --> 00:30:40,792
LET'S GET
SOME MORE COFFEE.
696
00:30:40,875 --> 00:30:43,042
YES, LET'S GET
SOME COFFEE.
697
00:30:43,125 --> 00:30:45,042
STUPID BITCHES.
698
00:30:45,125 --> 00:30:47,958
GET IN YOUR TUNA BOAT
AND GET OUT OF MY FACE.
699
00:30:48,042 --> 00:30:49,750
OH, GREAT.
700
00:30:52,042 --> 00:30:53,833
YOU WANT YOUR COFFEE BLACK,
RIGHT?
701
00:30:53,917 --> 00:30:54,750
YEP.
702
00:30:54,833 --> 00:30:57,000
NOT A WORD, BOOT.
703
00:30:57,083 --> 00:31:00,292
[ SIGHS ]
LET'S ROLL.
704
00:31:00,375 --> 00:31:01,750
WHAT?
705
00:31:01,833 --> 00:31:03,167
COME ON.
706
00:31:08,125 --> 00:31:10,250
[ ENGINE TURNS OVER ]
707
00:31:13,000 --> 00:31:15,125
[ TIRES SCREECH, ENGINE REVS ]
708
00:31:17,167 --> 00:31:19,125
SON OF A BITCH!
709
00:31:24,667 --> 00:31:26,458
WE GOT AT LEAST FIVE
DIFFERENT CASES
710
00:31:26,542 --> 00:31:28,875
WHERE AN AK WAS USED
IN THE LAST THREE MONTHS.
711
00:31:28,958 --> 00:31:30,542
ALL NEAR RIDAZ TERRITORY.
712
00:31:30,625 --> 00:31:32,375
WOULDN'T THEY JUST TOSS
THE GUN?
713
00:31:32,458 --> 00:31:34,083
TOSS AN AK?
NO WAY, MAN.
714
00:31:34,167 --> 00:31:35,625
IT'S TOO HARD TO REPLACE.
IT'S GOLDEN.
715
00:31:35,708 --> 00:31:38,667
ALEJANDRO JOAQUIN CUERVO.
716
00:31:39,833 --> 00:31:41,917
4 YEARS OLD.
717
00:31:42,958 --> 00:31:45,625
REMEMBER THE NAME.
718
00:31:45,708 --> 00:31:48,125
REMEMBER THE FACE.
719
00:31:48,208 --> 00:31:50,417
HE'S A REMINDER AS TO WHY
WE DRAG OUR SORRY ASSES
720
00:31:50,500 --> 00:31:52,042
OUT OF BED EVERY MORNING
721
00:31:52,125 --> 00:31:54,625
IN THE SERVICE OF A CITY
WHO JUST DOESN'T GIVE A DAMN.
722
00:31:54,708 --> 00:31:57,625
FIGHTING GANG CRIME
IS LIKE PUNCHING WATER.
723
00:31:57,708 --> 00:32:00,208
NO MATTER HOW HARD YOU HIT, YOU
JUST CAN'T SEEM TO LEAVE A DENT.
724
00:32:00,292 --> 00:32:02,833
BUT WHEN A BABY IS MURDERED,
IT MAKES YOU REMEMBER
725
00:32:02,917 --> 00:32:05,750
WHAT IT FELT LIKE THE FIRST TIME
YOU PUT YOUR BLUES ON
726
00:32:05,833 --> 00:32:07,167
AND STOOD IN FRONT
OF A MIRROR.
727
00:32:07,250 --> 00:32:10,667
IT MAKES YOU REMEMBER
WHY YOU BECAME A COP.
728
00:32:10,750 --> 00:32:12,833
THE MISSION'S CLEAR.
729
00:32:12,917 --> 00:32:16,083
PUNISH EVIL EVERYWHERE.
730
00:32:16,167 --> 00:32:18,542
THERE ARE HARDWORKING,
DECENT FOLKS
731
00:32:18,625 --> 00:32:20,458
THAT LIVE IN THESE COMMUNITIES.
732
00:32:20,542 --> 00:32:22,625
CERTAIN LINES
JUST CANNOT BE CROSSED.
733
00:32:22,708 --> 00:32:25,333
THERE'S ONLY ONE WAY TO SEND
THAT MESSAGE SOMETIMES.
734
00:32:27,083 --> 00:32:30,000
SO WE'RE GONNA SEND OUR BOOTS SO
FAR UP THESE GANGSTERS' ASSES,
735
00:32:30,083 --> 00:32:33,292
THEY WON'T EVEN DREAM ABOUT
PULLING THIS BULLSHIT AGAIN.
736
00:32:33,375 --> 00:32:35,625
GOD DAMN IT, I WANT THE GUN.
737
00:32:35,708 --> 00:32:37,250
I WANT THE KILLER.
738
00:32:37,333 --> 00:32:40,417
I WANT THEM BOTH -- PRONTO.
739
00:32:41,792 --> 00:32:44,583
YOU KNOW WHAT WE'RE
LOOKING FOR, RIGHT?
740
00:32:44,667 --> 00:32:46,250
YOU GUYS DON'T KNOW?
741
00:32:46,333 --> 00:32:51,333
WE'RE LOOKING FOR AN AK-47.
YOU GUYS KNOW WHERE THAT IS?
742
00:32:51,417 --> 00:32:53,833
NOBODY KNOWS?
743
00:32:53,917 --> 00:32:54,875
WHAT ABOUT YOU?
744
00:32:54,958 --> 00:32:57,417
[ UP-TEMPO HIP-HOP PLAYING ]
745
00:32:57,500 --> 00:32:58,792
GET YOUR HANDS UP!
746
00:32:58,875 --> 00:33:00,583
[ INDISTINCT SHOUTING ]
HANDS UP!
747
00:33:00,667 --> 00:33:02,167
HANDS UP RIGHT NOW!
748
00:33:02,250 --> 00:33:04,375
[BLEEP] HEY, MAN.
Y'ALL GOT A WARRANT, MAN?
749
00:33:04,458 --> 00:33:05,792
WHAT THE HELL'S
GOING ON, MAN?
750
00:33:05,875 --> 00:33:07,542
HEY, MAN, THAT'S MEDICINAL
RIGHT THERE, MAN!
751
00:33:07,625 --> 00:33:09,833
I WANT NAMES,
LOCATION, GUN,
752
00:33:09,917 --> 00:33:12,375
RIGHT NOW,
OR I TAKE YOU IN.
753
00:33:12,458 --> 00:33:14,042
THREE STRIKES,
YOU'RE OUT.
754
00:33:14,125 --> 00:33:17,875
SEE, BABY? THAT'S WHY YOU
NEVER TRUST THE POLICE, MAN!
755
00:33:17,958 --> 00:33:20,208
[ DOG BARKING ]
756
00:33:20,292 --> 00:33:22,375
[ CAR ALARM BLARING ]
757
00:33:24,167 --> 00:33:25,833
WHERE'S THE AK?
758
00:33:25,917 --> 00:33:26,917
HUH?
759
00:33:27,000 --> 00:33:28,292
WHERE'S THE GUN?!
760
00:33:29,500 --> 00:33:32,083
GIVE ME THE OTHER HAND.
GIVE ME THE OTHER HAND.
761
00:33:32,167 --> 00:33:34,292
TELL US
WHERE THE SHIT IS.
762
00:33:34,375 --> 00:33:35,583
COME ON, BOYS.
763
00:33:35,667 --> 00:33:38,583
YOU WANT TO GO HOME,
YOU WANT TO GO TO JAIL?
764
00:33:38,667 --> 00:33:41,250
WE WON'T PUT YOUR NAME
ANYWHERE NEAR THIS.
765
00:33:41,333 --> 00:33:43,542
JUST TELL US
WHERE THE GUN'S AT.
766
00:33:52,667 --> 00:33:54,042
TAKE HIM.
767
00:33:56,000 --> 00:33:57,167
GO!
768
00:33:57,250 --> 00:33:59,000
BACK DOOR! KITCHEN, KITCHEN,
KITCHEN, KITCHEN!
769
00:33:59,083 --> 00:34:00,167
HE'S RUNNING!
770
00:34:09,875 --> 00:34:11,583
PIGS CAN'T CATCH ME.
771
00:34:15,375 --> 00:34:17,542
[ GRUNTS ] [BLEEP]
HEY THERE, DIRTY.
772
00:34:17,625 --> 00:34:20,667
CAN I GET YOU A CHAIR?
773
00:34:22,333 --> 00:34:23,292
Vern:
MORETTA!
774
00:34:23,375 --> 00:34:24,958
PULL UP, MAN.
775
00:34:25,042 --> 00:34:28,125
WE GOT IT.
IT WAS UNDER THE COUCH.
776
00:34:29,542 --> 00:34:31,875
AK-47 WITH YOUR SHEET --
777
00:34:31,958 --> 00:34:33,542
MAN, YOU AIN'T
EVER COMING OUT.
778
00:34:33,625 --> 00:34:34,917
PULL YOUR LEG UNDER.
779
00:34:35,000 --> 00:34:36,708
YOU KILLED
A HUSTLA BABY.
780
00:34:36,792 --> 00:34:38,458
I KNOW A COUPLE VATOS
IN FOLSOM
781
00:34:38,542 --> 00:34:39,958
THAT WOULD LOVE
TO HOLLER AT YOU.
782
00:34:40,042 --> 00:34:41,625
MAN, I AIN'T KILL
THAT KID, MAN.
783
00:34:41,708 --> 00:34:44,625
ON GOD, ONE OF THE HOMIES
JUST DROPPED THAT GUN OFF, MAN.
784
00:34:44,708 --> 00:34:48,083
GIVE US A NAME.
785
00:34:48,167 --> 00:34:50,833
A NAME, ASSHOLE.
786
00:34:50,917 --> 00:34:52,417
G-RON, MAN.
787
00:34:52,500 --> 00:34:54,333
MAN, LOOK,
G-RON KILLED THAT KID, MAN.
788
00:34:54,417 --> 00:34:56,875
I SWEAR TO GOD
THAT'S ALL I KNOW.
789
00:35:01,833 --> 00:35:05,333
HOW DID DEWEY
GET SO SCREWED UP?
790
00:35:05,417 --> 00:35:07,167
WAS HE ALWAYS LIKE THAT?
791
00:35:07,250 --> 00:35:10,000
NO. HE WAS PASSIONATE
AND FOCUSED, LIKE YOU.
792
00:35:10,083 --> 00:35:12,167
THE JOB DOESN'T MAKE YOU
SOMETHING.
793
00:35:12,250 --> 00:35:14,000
IT JUST BRINGS OUT
WHO YOU ALREADY ARE.
794
00:35:14,083 --> 00:35:16,333
YOU CAN'T TELL ME DEAD BABIES
DON'T BOTHER YOU ANYMORE.
795
00:35:16,417 --> 00:35:18,917
YOU GOT TO LEARN
WHEN TO TURN OFF
796
00:35:19,000 --> 00:35:21,375
THE CAMERA
INSIDE YOUR HEAD.
797
00:35:23,250 --> 00:35:25,083
HOW DO YOU DO THAT?
798
00:35:26,750 --> 00:35:28,375
WELL, WHEN YOU LEARN
HOW TO DO THAT,
799
00:35:28,458 --> 00:35:30,375
YOU'RE READY TO BE
A TRAINING OFFICER.
800
00:35:34,500 --> 00:35:36,375
SEE THE SUBURBAN?
801
00:35:36,458 --> 00:35:37,625
YEAH.
802
00:35:37,708 --> 00:35:40,417
LIGHT 'EM UP ON MY SIGNAL.
803
00:35:42,125 --> 00:35:43,333
[ TIRES SCREECH ]
804
00:35:43,417 --> 00:35:46,042
[ SIREN WAILING ]
805
00:35:46,125 --> 00:35:50,292
A43, SHOW US IN PURSUIT
OF A DARK BLUE CHEVY SUBURBAN,
806
00:35:50,375 --> 00:35:55,625
LICENSE PLATE THREE-ADAM-BAKER
FOUR-FIVE-SEVEN-DAVID.
807
00:35:55,708 --> 00:35:59,917
HEADING EAST ON VAN NESS,
JUST PASSING SLAUSON.
808
00:36:00,000 --> 00:36:03,708
[ POLICE RADIO CHATTER ]
809
00:36:06,875 --> 00:36:10,208
[ ENGINE REVVING,
TIRES SCREECHING ]
810
00:36:23,083 --> 00:36:25,583
[ TIRES SCREECH ]
811
00:36:53,875 --> 00:36:55,667
[ BOTH GRUNTING ]
812
00:36:55,750 --> 00:36:57,750
OW! SHIT!
813
00:36:57,833 --> 00:37:00,458
[ BREATHING HEAVILY ]
814
00:37:00,542 --> 00:37:01,583
GET UP.
815
00:37:01,667 --> 00:37:02,875
I AM.
GET UP!
816
00:37:02,958 --> 00:37:04,500
WHAT'S YOUR NAME?
GREG RONALDSON.
817
00:37:04,583 --> 00:37:06,250
WHAT'S YOUR STREET NAME?!
YOU GOT THESE ON TOO TIGHT.
818
00:37:06,333 --> 00:37:07,333
YOUR STREET NAME!
819
00:37:07,417 --> 00:37:09,083
G-RON.
820
00:37:09,167 --> 00:37:10,583
WHAT?
821
00:37:10,667 --> 00:37:11,917
LET'S TAKE A TRIP, G-RON.
822
00:37:12,000 --> 00:37:14,458
LAY OFF, MAN.
823
00:37:14,542 --> 00:37:16,708
Josie: SO, HOW DOES A GOOD GUY
LIKE DAVID MARCUS
824
00:37:16,792 --> 00:37:19,125
END UP WITH AN ASSHOLE
BEST FRIEND LIKE YOU?
825
00:37:19,208 --> 00:37:20,375
WAS HE IN THE STREETS?
826
00:37:20,458 --> 00:37:21,583
HELL NAW.
827
00:37:21,667 --> 00:37:23,375
HIS POPS WOULD HAVE WHUPPED
HIS ASS.
828
00:37:23,458 --> 00:37:26,667
BUT Y'ALL HUNG ANYWAY?
SINCE MARKHAM ELEMENTARY.
829
00:37:26,750 --> 00:37:29,125
BUT HE DIDN'T END UP A RIDA.
830
00:37:29,208 --> 00:37:32,208
DID ALL YOUR FRIENDS
END UP AS COPS?
831
00:37:32,292 --> 00:37:33,500
YOU GOT CHOICES.
832
00:37:33,583 --> 00:37:35,333
BUT YOUR PEOPLES
ARE YOUR PEOPLES.
833
00:37:35,417 --> 00:37:37,292
HE EVER LET YOU BORROW
THE CAR?
834
00:37:37,375 --> 00:37:38,708
THREE WEEKS AGO.
835
00:37:38,792 --> 00:37:40,333
BUNCH OF US TOOK
SOME CLUCK-CLUCKS
836
00:37:40,417 --> 00:37:42,292
DOWN TO THE CHEESECAKE FACTORY
IN GLENDALE.
837
00:37:42,375 --> 00:37:44,625
FROSTY'S GIRL --SHE WAS THERE.
838
00:37:44,708 --> 00:37:48,125
YOUR FRIEND IS DEADBECAUSE YOU BORROWED HIS CAR.
839
00:37:48,208 --> 00:37:50,958
THEY KNEW THE CAR.THEY THOUGHT THEY HAD YOU.
840
00:37:51,042 --> 00:37:52,958
BUT INSTEAD IT WAS DAVIDWHO WAS SHOT.
841
00:37:53,042 --> 00:37:54,458
THAT'S NOT MY FAULT.
842
00:37:54,542 --> 00:37:57,250
I NEVER DID NO DIRTAROUND HIM.
843
00:37:57,333 --> 00:38:01,667
DAVID HAD DREAMS,A WIFE, KID.
844
00:38:01,750 --> 00:38:03,958
HE AIN'T DESERVE TO GO OUT
LIKE THAT.
845
00:38:04,042 --> 00:38:06,333
SO YOU SHOOT UP
A BIRTHDAY PARTY
846
00:38:06,417 --> 00:38:09,667
OUT OF LOYALTY TO A MAN
WITH A WIFE, A KID,
847
00:38:09,750 --> 00:38:11,708
A MAN THAT WAS CHURCHGOING?
848
00:38:11,792 --> 00:38:13,583
HE WASN'T EVEN BANGING.
849
00:38:13,667 --> 00:38:16,500
YOU KILLED A BABY,
ASSHOLE.
850
00:38:16,583 --> 00:38:21,125
IF I COULD DO IT AGAIN,
I'D USE A MAC-10 NEXT TIME,
851
00:38:21,208 --> 00:38:23,833
MAKE SURE I TAKE
EVEN MORE OF THEM OUT.
852
00:38:23,917 --> 00:38:25,542
[BLEEP] 'EM.
853
00:38:25,625 --> 00:38:29,083
[BLEEP] 'EM ALL AND ANYBODYWHO'S DOWN WITH THEM.
854
00:38:30,625 --> 00:38:35,708
[ INDISTINCT CONVERSATIONS,
DOWN-TEMPO ROCK MUSIC PLAYING ]
855
00:38:49,458 --> 00:38:52,542
[ MUSIC CONTINUES ]
856
00:39:22,792 --> 00:39:25,625
YOU DON'T HAVE
A SALLY STORY?
857
00:39:27,417 --> 00:39:28,583
NO.
858
00:39:32,167 --> 00:39:35,250
MY CAR IS PARKED
AT HER PLACE.
859
00:39:35,333 --> 00:39:36,917
[ HORN HONKS ]
860
00:39:40,875 --> 00:39:44,375
AND I COULD REALLY USE A MASSAGE
AFTER I TACKLED THAT DUDE.
861
00:39:44,458 --> 00:39:45,958
YOU'RE A GLUTTON
FOR PUNISHMENT.
862
00:39:46,042 --> 00:39:47,875
YOU GUYS ARE JUST JEALOUS.
863
00:39:47,958 --> 00:39:48,958
YEAH.
864
00:39:49,042 --> 00:39:52,625
YOU HAVE BEEN WARNED,
MY FRIEND.
865
00:39:52,708 --> 00:39:54,542
YOU HAVE BEEN WARNED.
866
00:39:54,625 --> 00:39:57,042
WHAT CAN I SAY?
867
00:39:57,125 --> 00:39:59,750
LOVE'S A BITCH, ESE.
868
00:40:01,208 --> 00:40:04,000
SEE YOU TOMORROW!
869
00:40:19,625 --> 00:40:20,958
[ CAR ALARM CHIRPS ]
870
00:40:23,708 --> 00:40:25,042
CAN I HELP YOU
WITH SOMETHING?
871
00:40:25,125 --> 00:40:26,833
YEAH.
I'M VICTOR CIFUENTES.
YEAH?
872
00:40:26,917 --> 00:40:29,208
WE MET A COUPLE OF MONTHS AGO
AT THE OPEN HOUSE.
YEAH?
873
00:40:29,292 --> 00:40:31,750
I'M TAMMI'S
PHOTOGRAPHY INSTRUCTOR.
874
00:40:31,833 --> 00:40:33,417
WHAT'S GOING ON?
875
00:40:33,500 --> 00:40:37,000
LISTEN, I DON'T KNOW HOW ELSE,
YOU KNOW, I'M GONNA SAY IT,
876
00:40:37,083 --> 00:40:38,708
SO I'M JUST GONNA SAY IT.
877
00:40:38,792 --> 00:40:40,667
I'M IN LOVE WITH YOUR WIFE.
878
00:40:42,333 --> 00:40:44,333
WE NEED TO BE ADULT
ABOUT THIS,
879
00:40:44,417 --> 00:40:45,792
FIGURE IT OUT,
880
00:40:45,875 --> 00:40:47,792
AND DO WHAT'S IN THE BEST
INTERESTS OF THE BABY.
881
00:40:47,875 --> 00:40:49,208
THAT'S ALL I WANTED TO SAY.
882
00:40:57,250 --> 00:41:00,875
[ VEHICLE DOOR OPENS, CLOSES ]
883
00:41:03,542 --> 00:41:06,333
[ ENGINE TURNS OVER ]
64565
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