All language subtitles for Silk Stalkings S02E23 Voices 1080p Peacock WEB-DL AAC 2 0 H 264-CHDWEB (1)_track3_[eng]

CINDY (ON PHONE): Dream girls.

This is Cindy.

DAN (ON PHONE): Hi Cindy.

It's Dan.

CINDY (ON PHONE): Hi baby.

I've been waiting for your call.

I'm lying on my bed wearing
something sexy just for you.

I've been dreaming about what
I would do if I had you here.

I want to tell you a story,
a naughty little story.

That was just a taste.

Are you coming over?

Please come over, please.

I need you.

[music playing]

That was very enticing.

I can't believe any of this.

Leave me alone.

I don't want to.

He gets nothing.

You get the payoff.

Oh, oh.

It's not that I'm
ungrateful, baby.

I just don't need you anymore.

CINDY: Ow.

POLICE DISPATCHER
(ON PHONE): 9-1-1

Emergency, Palm Beach Police.

You better send a cop.

I heard a woman scream.

[music playing]

[woman squealing]

[suspenseful music]

Hey, watch it, man.

[music playing]

Cindy?

Cindy.

Cindy.

Cindy?
Ah.

Oh.

I'm a cop.

I'm a cop.

[theme music]

(SINGING) Oh, oh, oh.

Oh, oh, I. Oh, ho, oh.

Oh, yeah.

[gunshot]

(SINGING) Mm, mm, mm.

Oh.

RITA LANCE (VOICEOVER):
Keeping personal feeling

separate from professional
judgment is important

and in any job.

But for a cop, it's vital.

Failure to do that can wreck
a career and sometimes a life.

It's a hooker strangled
with her own silk stocking.

Lance would
appreciate the irony.

Yes, she would.

Yes, she would.

You know, two days
without Rita's

with is much too long for me.

Where is Rita?

You two usually work
these things together.

Yeah, well, Rita's been at
a spa for the last two days

relaxing.

You see, relaxing to Rita
is getting up at 5:30

in the morning and climbing
a mountain followed by three

aerobic classes, and
finally this sunset

swim thing that she does.

Very confusing.

Yeah, some things
never change.

When she was a rookie, she
was the one with the energy

to spare at the end of a shift.

Well, Danny boy, you
look like you could

use a little relaxing yourself.

Yeah, well, no
rest for the weary.

Ya all right, man?

I've seen one
too many of these.

Yeah, I hear ya.

I hear ya.

This one was a surprise.

She's one of my snitches.

Is that right?

On what?

A nice little phone sex
and prostitution setup.

Let your fingers
do the walkin', huh?

DAN KEATON: Uh-huh,
involving some very

wealthy men with a lot to lose.

Home movies.

[home items being searched]

Gary, come in here
and dust this toy bag.

Got gear for a serious workout.

[police radio chatter]

Dammit.

What?

I was so close to
bustin' this thing.

That's him.

There he is, Cindy's boyfriend.

That's him.

[music playing]

RITA LANCE: Did you miss me?

- Oh, yeah, yeah, the--
- Yeah?

--whole 48 hours.

Yeah, well, two days
is better than nothin'.

Oh, did you ah--

did you get the
postcards I sent?

- No.
- No?

No.

You know, next time
maybe you should send

them the day before you leave.

That way I'll get them
ah before you return.

God, you know, I still cannot
get over your call last night.

I don't believe it, you know.

I know Dan Keaton.

He was my training officer.

Look, it's part of life.

You know, you think you
know somebody, then poof.

Yeah.

You know, but the thing
about Keaton, I mean,

the job wasn't his whole life.

His wife and his
home, that was it.

Look, you know, things
change, so do people.

I mean, Keaton, he lost his
wife a couple of years back.

Maybe it knocked him sideways.

Rita, it happens.

Well, you know, we still
don't know anything for sure.

Yeah, but you know, the only
person Keaton has got to back

his story is a dead hooker.

Come on.

He was on the job.

I mean, you of all
people should remember

what it's like in vice.

OK, what about the
apartment manager, hm?

The couple in the jacuzzi,
the old lady with the cat,

are you gonna tell
me they all got

together and came up with the
same story to frame the guy?

So they saw'em together.
It doesn't prove anything.

Look, Rita, I know
you like Keaton.

That's cool.
You guys got history.

But we gotta focus on
what's in front of us today.

All right?

Somethin's up with Keaton
he's not coppin' to.

I was there.
I saw it.

Oh, so what, now
you're psychic?

You wanna analyze his
handwriting as well?

Ooh, testy, testy.

I'm sorry.

I am sorry.

Come here.

I thought you were supposed
to come back from these spas

refreshed and renewed.

Yeah, well, I was
refreshed and renewed.

What do you say we
go talk to Hudson?

Yeah, let's go.

This could get ugly,
a homicide involving

the department is touchy.

So I want you to keep
me on top of this.

Look, I wanna hit this
from all sides, inside,

outside, top, and bottom.

I wanna talk to Keaton first.

I think he'll be
straight with me.

Yeah, I'm gonna check
with vice about this

phone sex prostitution
thing that

Keaton said he was workin' on.

OK, good, good.

Let's move on this.
- OK.

And keep me informed.

You got it.

DAN KEATON: I'm
bein' set up here.

Now I've given you
everything I have

on this case, which must
be enough for somebody

to want me out.

These are all phone sex?

DAN KEATON: Yeah,
almost all of them.

Wow, you must have really
developed a taste for this.

Oh, yeah, yeah, and when
I get tired of talkin' trash

on the phone, then I can
pop this in and watch Cindy

doin' the bad thing with
some fat middle-aged

guy that sweats a lot.

It's a real turn-on.
CHRIS LORENZO: Dan, come on.

You know, maybe I can turn
this into more than just fun,

huh?

What's this guy,
Mr. Gordon Barker.

I'm sure he's got
a lot of dough.

I wonder how much he'd
like to pay to see this

before I show it to his wife.

Then maybe I can
redecorate, huh?

Just cause I'm a
cop doesn't mean I

have to like living like this.

Dan, would you
stop it, all right?

I'm sorry.

This thing is so screwed up.

It's hopeless.

No, it is not hopeless.

You have just got
to help me here.

All of this is
part of the case.

This is how I got
close to Cindy.

You pulled a tour on vice, Rita.

You know how it is.

Sometimes you get
your hands dirty.

You get your hands dirty,
Dan, but you don't get involved.

Dammit, I know that.

Dammit, I know that.

You don't believe
a word of this.

I didn't say that.

I saw the look in
your partner's eyes.

I was in the wrong
place at the wrong time.

So if it is a
frame, like you say,

then maybe you were in the
right place at the right time

for someone else's purposes.

Look, I understand what you're
saying, Dan, I really do.

[splash in a pool]

Excuse me.

Sergeant Lorenzo
from last night.

Oh, yeah, sure.

So you goin' to beat
up on a running machine?

Too boring, cardio funk.

- Cardio who?
- Aerobics.

Oh.

I teach it.

If I don't get a move
on, I'm gonna be late.

Now, see myself, I'm
into outdoor sports.

But if everybody at Hardbody
Spa looks like you do,

I might change my ways.

Yeah, well, tell'em I sent ya.

I'll get a commission.

See ya.

Indoor sports.

Let's talk about that.

See, I'm a bit confused.

The man you said
was Cindy's beau,

well, apparently that's
not the only person

she was working out with.

CINDY (ON PHONE): Oh.

You know, Cindy's
in good shape.

She into cardio funk too.

[moaning]

Can't say that about this guy.

Looks like he's about
to have a coronary.

[moaning]

You know who he is?

No.

Now, come on.
Don't play games with me.

You're gonna tell me
she never talked to you

about her various friends?

Cindy was a very
private person.

[moaning]

Right.

Look, I told you what
I know the other night.

Now, I'm gonna have some
very irritated students

if I don't get to my class.

Cardio funk, hm?

You should try it sometime.

Maybe I will.

Right now I gotta
use your phone.

Oh, two lines, which one?

Business or pleasure?

[music playing]

Hey, ah, can I
see your card there?

Yes, you can.

Sergeant Lorenzo, Palm
Beach Police Department.

Cover up ladies.
Coming through.

Hey.

Oh, my gosh.

Well, I'm looking ah
for a locker, ladies.

Sergeant Lorenzo, Palm
Beach Police Department.

Yes, very nice.

Ah, all right, 47.

I'm here to protect and serve.

47.

All right.

Lift this up.

[metal clanking]

[loud click]

Thank you very much.

Oh.

[suspenseful music]

Well, thank you, ladies.

I appreciate it.

And I hope that we can ah
well, visit again sometime.

Excuse me.

Pardon me, excuse me.

Thank you.

[moaning]

Looks like you
got a little close

to this investigation, Dan.

[moaning]

[music playing]

This more of you
evidence, Keaton, hm?

You wanna tell us what
the hell's goin' on here?

Come on, Dan.

You gotta level with us.

Look, we believe that
you're being framed.

The suit fits too well.

But we gotta know
what really went down.

- The investigation is real.
- Yeah, we know that.

We know that.

I checked with vice.

Well, it's a
little complicated.

I fell in love with her.

With Cindy Patterson?

Yeah.

I blew it.

I slipped up.

It started the
phone and the calls

became really intense
and not just sexually.

She listened.

She invited me over.

We became friends
and then lovers.

I had no idea what she was
really doin' until I found

the tape of her and Barker.

And then I knew
it was blackmail.

But it was too late
to do anything.

Too late for what?

Too late for you to do your job?

I couldn't bust her.

I never even told
her I was a cop.

I was afraid I'd lose her.

Somebody found out.

Yeah.

I lost her anyway.

CHRIS LORENZO: So we
started with Keaton's stuff.

Now most of his
phone calls were made

to a porn service, 555-LUST.

AKA Dream Girls.

And we also came up with
a doing business as address.

We think it might
just be a front.

But we know it's at least
a mail drop, maybe more.

CHRIS LORENZO: And maybe
a manager to handle

the day to day details.

What's the location?

Surprise, surprise.

Atlantic Mews Apartments.

Now that's the same place
the dead girl lived.

What's the plan?

How are you gonna take it down?

We want to turn
it from the inside.

I'm gonna go in as a voice.

Good, good.

What's you're in?

Dan Keaton gave me a phone
point hot box in Orlando.

They'll vouch for me if
anyone tries to check it out.

Wait a minute, Rita.

Aren't these the same
people who made Keaton?

He thinks so, Lieutenant,
but the number in Orlando,

it's not connected to Keaton.

See, he called in a favor from
a friend who called in a favor

from somebody else.

We're in the clear.

OK.

OK, what about backup?

You wearing a wire?
- No.

I don't want to risk it.

I've done this before.

It'll be fine.

And I'll be in close contact.

And you are never alone
with the bedside phone.

You be careful.

Yes, sir.

[loud clinking]

Can ah anyone tell
me how to get in touch

with the people in 109?

It's a business
called Dream Girls.

No one's answering the door.

What's it about?

It's about a job.

- Who said there was a job?
- Nobody.

Well, a-- a friend
told me that this

would be a good place to start
when I came to Palm Beach.

What friend?

Ah, Alice from Nogalis,
you know, in Orlando.

Oh, that Alice.

She does get
around, doesn't she?

Yeah.

Ah, I'm Leslie Lynn.

Leslie, you have
a wonderful voice.

Well, thanks.

Ah, I'm going to be a singer.

I'll take you to Moffat.

I'm a musician too.

Dream Girls is my day
gig, that an managing

these apartments here.

So you done any
phone tricks before?

Ah, some.

Well, not a lot, you know.

But ah I catch on real quick.

How are your
storytelling skills?

Does Mother Goose count?

Oh, yes.

That wonderful pornographic
primer full of phallics

and booze and sexual innuendo.

Yeah.

You know what I'm
talkin' about then?

Well, I mean, I may
have just gotten here.

But I wasn't born
yesterday, know what I mean?

Good, I'll cut right
to the climax then.

Strictly phone sex.

Nothing physical.

I run the main phone system.

I route the calls to you.

You work a four-hour shift,
take the calls as they come.

But you're always there
to take the call, got it?

Yeah, yeah.

Good.

Where do you live?

We'll get a phone line put in.

That's a good question, ah
you got any vacancies here?

[birds chirping]

Give me a kiss.

Hm-hm.
Oh, come on.

No.
Please.

[whistle]

CHRIS LORENZO: This
is an amazing home

entertainment center.

You know, I feel like I'm
right there in that room.

And you look wonderful.

How did you find me?

Big in the business community.

Pharmaceuticals, correct?

If this got out,
I'd lose everything.

Oh, yeah, all
this, this house,

this home entertainment center
and 3/4 of your cute little

butt as well.

OK, OK, that's enough.

You've made your
point, Sergeant.

What do you want?

What do I want?

How did you meet
Cindy Patterson?

My business manager
knew about the service.

It's called Dream Girls.

He arranged it.

Business manager?

Peter Sheridan.

[moaning]

Is this tax deductible?

[moaning]

RITA LANCE (VOICEOVER):
I moved into Cindy

Patterson's old apartment.

And I got ready
for my new career.

[music playing]

What?

RITA LANCE (VOICEOVER): I was
always taught that nice girls

don't talk dirty.

And after some really
uncomfortable efforts,

I discovered the
nicer side of naughty.

I also discovered a lot of these
men were just like Dan Keaton.

What they needed most was a
comforting voice to stroke them

in the most innocent
and nurturing

sense of the word to make them
feel like men, like somebody.

Well, I know about
Little Red Riding Hood.

She-- she was going to
see her grandmother.

And she knew that
the big bad wolf

was going to be in the woods.

And um so she put on her
stockings and her panties.

And he followed her from behind.

Uh-huh.

And then he caught up with her.

RITA LANCE (VOICEOVER): I tried
to make them feel important.

But it made me feel lonelier
than I have ever felt before.

[music playing]

I soon discovered that
Nancy was turning more

than telephone tricks,
additional services

for an additional price.

She told me later, if I
did well on the phones,

I too could be up for a raise.

You look exhausted.

I guess you can use another
weekend at the spa relaxing.

Ha, that seems like
a million years ago.

Early to bed, early to rise.

Forget about it.

I take it that ah phone sex is
not too popular during the day?

No.

It is definitely
a nighttime job.

I think my hours are
about to get even later.

It ah looks like Dieter might
wanna start pushing the body

that goes along with the voice.

You must be doin'
inspired work.

What are you gonna do
if one of those john's

comes knockin' on your door?

I have been
thinking about that.

I guess I will just
push it as far as I can

without crossing the line.

And then, if I have to,
I will bust the sucker.

Well, hopefully it
won't come to that.

I got a line on this Sheridan.

Now, he's a business manager,
financial advisor, and a

social planner extraordinaire.

Gordon Barker's advisor
as well, I assume.

You got it.

Now Barker said that Sheridan
is a big fan of Dream Girls.

I got a meeting with
him in the morning.

Yeah, it's business
before pleasure.

I have forgotten
what pleasure is.

NANCY: Just try to
be casual about it.

Mention you have some props to
make those yummy words of yours

come to life.

You get up, come
behind the screen, grab

these, flick on the camera.

That's it.

So they won't know about it?

Not if you do your job.

And I'm sure you will.

Well, then what's it for?

Insurance, doll in case
any of our red hot lovers

decide to make
noises to the cops.

We tell'em about the tape,
they have a memory lapse.

What's that for?

Business files.

Our VIPs are very particular.

Some like blondes.

Some like brunettes.

Say money.

Money.

[camera shutter click]

God, this is such a production.

If you don't like
it, that's fine.

We'll take all the stuff out
of here and all the extra cash

for you that goes with it.

No, I wanna do it.

I-- I need the money.

Hey, relax.

It's easy.

Easy.

Easy unless you screw it up.

Then it gets hard,
doesn't it, doll?

From now on everything's
by appointment only.

Your life is organized.

Tonight's call's
for 12:30, trick's

here by 1:00, out by 2:00.

I'll pick up the
videotape at 2:15.

Like I said, it's easy
unless you screw it up.

Don't you have a call coming?

Good luck.

Last girl who lived in this
room screwed up big time.

That's why she no
longer lives here.

And Mother Goose is about
to go color and sound.

I don't wanna miss
a minute of it.

I'll see you at 2:30.

[intense music]

[metal clanking]

[intense music]

[phone rings]

RITA LANCE (ON
PHONE): Dream Girls.

This is Leslie.

Hi baby.

I've been waiting for your call.

So I've been dreaming
about what I would

do for you if you were here.

I want to tell you story.

Would you like to
hear a naughty story?

About what really happened
to Little Red Riding Hood?

[knocking]

Come on in.

Go ahead.

Ah, go ahead.

[crickets chirping]

Hey, it's only locked,
but just come on in.

Just show me a
fairy tale, doll.

I don't have it.

Come again?

We only talked.

You talked?

Yeah, it was his money.

He liked the phone
conversation so much,

he wanted to talk in person.

Now you're gonna talk to me.

Now talk to me.

What the hell is going on here?

Who the hell are you, Leslie?

Now talk to me.

Talk to me.

Oh.

Talk to me.

Oh.

Ah, oh.

Where's the tape?

[fist punch]

Look, I don't have all right?

Because I didn't make it.

I had sympathy for the
guy, something obviously

you don't have.

I don't have
room for sympathy.

What the hell kinda game
are you playin' here?

I'm playing the
packing game, all right?

You get your stuff.
You pack it.

And you leave.

I am out of here.

You're out of here.

RITA LANCE: Get out.

Get out before I
scream bloody murder.

I warned you.

Yeah, and I've warned you.

Now get out.

[door slams]

PETER SHERIDAN: Get
her back, Dieter.

I don't care what you think.

Just get her back.

If you're wrong, she
might go to the cops

and tell them what she
knows, which is far too

much because of your stupidity.

So I don't care
what you have to do.

You beg, you plead.

You-- you bribe.

You just get her back.

RITA LANCE: Now that
is a great suit.

Don't you wish that was yours?

Well, you ought to
see my financial report.

You'd wanna propose to me.

I am one very rich young dude.

Oh.

And now that you've
blown your half of the case

by kicking Dieter
Moffat's butt--

Mm.

Well, I gotta carry
the weight of the case

on my padded shoulders.

Mm, well, don't worry.

He's gonna come kissing,
whining, trying to get me back.

You watch.
- Oh, right.

What, he's got a thing
for pain or somethin'?

No, but they can't
afford to lose me.

I'm the best he's got.

I thought you
said you hated it.

I do.

But ah that doesn't mean that
I'm not really good at it.

Mm.

Well, you know, I
hope you're right.

We need Moffat to make this
whole theory thing fly.

He's got multiple vice busts
so it follows that he would be

familiar with all the players.

Namely Dan Keaton.

You got it.

Now, I think that
Moffat is the one

who fingered Keaton as a cop.

All right, but if they off
Keaton it brings too much heat.

They have to shut down.

Instead, they discredit
him, frame him for a murder.

That's very handsome.

Thank you.

When you get back to
the Atlantic Breeze--

Yeah?

--I want you to
pack your bags slowly.

If your hunch is good,
Dieter Moffat will be

callin' you to work things out.

Right.

OK.

Look, there's a
checkbook, credit cards,

givin' you a bullet proof
background he can check.

See?

I told you I was loaded.

And remember,
go slow and easy.

Right.

[office equipment running]

So, how's it goin'?

Oh, pretty good.

You know, I can't ah say
much about the investigation.

But ah things are
lookin' really good.

That's good to hear.

What I meant was how's it goin'?

How ya doing?

How's life?

Not much casual conversation
around here for me these days.

Ah.

So ah everybody's
shutting you out?

Oh, yeah, about
like a leper, yeah.

It's not that bad.

I guess I'm just lookin'
for a friendly face.

I guess it's pretty
tough riding a desk

when used to being
on the streets, huh?

Oh, there's no
small talk in here.

Out there I can
schmooze with people.

They may be hookers and
grifters and thieves and--

but it's human contact.

In here it's just yep and nope.

Well--

I'm pretty sure this is going
to be over real soon, Dan.

I hope so.

It's my own fault.
I never did make

an effort to join the club.

I never hang out
at the cop bars.

Mm-hm.

I remember.

Yep, you always
went home to Carol.

She was a real lucky woman.

I was the lucky one.

Hey, I'm holdin' ya up here.
- Oh.

Go on.

Get outta here, huh?

Get me off my desk.

[intense music]

[traffic noise]

CHRIS LORENZO: I have an
appointment with Mr. Sheridan.

I'm Christopher Lawton.

I'll tell him you're
here, Mr. Lawton.

That's a beautiful suit.

Well, thank you.

Mr. Lawton is here to see you.

PETER SHERIDAN (ON
INTERCOM): Send him in.

Go on in.

Thanks, for the
compliment as well.

[knocking]

PETER SHERIDAN: Enter
carrying lots of cash.

I just dropped all my cash.

PETER SHERIDAN: That's what
supposed to happen here,

Mr. Lawton.

You drop all your cash into safe
little investments which I grow

into great big investments.

And I never miss.

You've got a very
good reputation.

You come highly recommended.

- My MBA has served me well.
- That's good.

That's good.

Now I want your MBA
to serve me well.

What's your game, Mr. Lawton?

Basketball, football?

I'm not here to play games
with you, Mr. Sheridan.

I'm here to talk about my money.

You see, I like my money
very much, very much indeed,

in fact, enough to
want more of it.

Now, can you help me with that?

Yes, I can.

You can count on me.

OK.

OK, let's-- let's do business.

You know, off the top, I
want to tell you that I

like your confidence very much.

Well, if I didn't have
confidence neither would you.

My business is
built on confidence.

Ah, look these over.

Take'em with you.

Well, this is going
to work out just fine.

This is-- now see there
is one other thing.

Ah, I'm new in town, you
know, and I'd like to ah--

well, I like--

I'd like to meet some--

some people.

Some female people?

Yes.

Well, social
advice is another 5%.

But since you're my new
client, I'll wave the fee.

Palm Beach is full of friendly
people, easy to talk to.

There's a few places
you can start.

[paper being folded]

Thank you.

You outta think
about it, Leslie.

I swear, the money is worth it.

Well, it's not worth
all the tough stuff.

I've been a real
bloke, Leslie.

You can't leave me like this.

Move out of the way, Dieter.

This is a quickie divorce.

Can't we give it another try?

I'll-- I'll even
see a therapist.

How come I never get flowers?

I told you, I've been
under a lot of stress lately.

With losin' one girl
recently, I can't

afford to lose another,
not one as beautiful

and talented as yourself.

Desperation becomes you.

I kinda like it.

Don't make me beg.

All right, under
one condition.

You ever touch me again, you're
gonna eat these for lunch.

Dieter bought you flowers?

You must be a
silver-tongued devil.

Yeah, well, these lips
are magic, you know?

It's the one good
thing about phone sex,

though, you don't have
to look your best.

You know what then?

Hm?

It must make you feel
kinda strange, doesn't it?

Kinda sad actually.

I mean, most of these guys
are just lonely, you know?

Well, in that case, you
ought to feel rewarded.

I mean, you're probably the
high point in their days.

Maybe.

Now I would like to see
you try it sometime.

Oh, no, no, no, no, no.

I don't think the customers
would appreciate it.

Your voice is much
sexier than mine.

Thank you.

Oh, this is for you.

Thanks.

You know what?

Dieter Moffat's turnaround
seems a little too quick for me.

Right?

I mean, I know good
help is hard to find.

But come on.
No.

That was somebody
else's decision.

Somebody is pullin' his strings.

Yeah, maybe his
puppeteer thought

that I would skip and tell.

Yeah.

Yes.

What?

This is the voice
analysis from the 9-1-1

call reporting the murder.

They got a match.

What?

Oh, well, ah, it's not Dieter.

So?

Well, it's-- it's
not Dan Keaton either.

Then it had to be--

PETER SHERIDAN (ON TAPE): Well,
my MBA has served me well.

CHRIS LORENZO (ON TAPE):
Well, that's good.

That's good.

Now I want your MBA--

Now, if we go to
Lieutenant Hudson with this,

he's gonna wanna bring
Sheridan in and hot box him.

Right.

Yeah, the voice analysis just
proves that he called 9-1-1.

I mean, if we start rousting
Sheridan now, forget it.

We're gonna lose him.

You got it.

So I say that we don't
brief Hudson until after we

bring Sheridan down.

You know how I tend
to forget things.

Yeah.

[drums]

PETER SHERIDAN: You
must think I'm an idiot.

Do you think I'm an idiot?

Of course not, Peter.

Then why would
you steal from me?

I just borrowed it, a
few grams, that's all.

Get it out.

First my fun, then my business.

You keep coming up
short with the videos

of the girls at work.

It's not my fault if the
girls don't record the tricks.

Spoon me.

I can't trust you
anymore, Dieter.

Of course you can.

I run a very tight ship for you.

Not tight enough.

It was me who fingered
that vice cop, wasn't it?

It was you that let him
get close to our little Cindy

in the first place.

And your behavior with the new
girl was totally unacceptable.

Got her back, didn't I?

PETER SHERIDAN: You take risks.

You are a risk.

I can't afford risks.

I can't afford you.

Wait a bloody moment.

You can't just dump me.

I need this gig.

Need and want are
two different things.

I definitely need the bread.

Have a seat.

We're gonna have a
going away party.

I'm not in the mood to party.

Well, we know how
to fix that, don't we?

Have a seat.

[suspenseful music]

You first.

It's all right.
It's your stuff.

By all means.

[suspenseful music]

That's it, be my guest.

Be generous with yourself.

You always have been.

Why stop now?

More.

There's plenty.

Do it.

[suspenseful music]

Fill it up.

Fill it all the way up.

You can't be serious.

Oh, yes, I am serious.

Now, you can go quiet without
any pain, without any noise

by sticking that
thing in your arm.

Or I can screw this thing in
your ear and pull the trigger.

Not a pleasant thought.

You can't do
this to me, Peter.

Be optimistic, Dieter.

You might live through it.

You could have fudge for
brains, but you'd be alive.

The other way, no chance.

[suspenseful music]

Dieter?

You never came by for the tape.

Oh, ah.

RITA LANCE: Nancy?

[intense music]

Poor guy, creepy as he was.

Don't worry.
Things will be OK.

I'm sure it'll be
business as usual.

What do you mean?

Trust me.

CHRIS LORENZO: Dr. Lincoln
says it's not an OD.

All right, there was way too
much cocaine in his system

for him to have injected
it and stayed conscious.

Which means he didn't
do it all by himself.

No.

Friend in need.

Check this out.

Look at that, two
fresh needle tracks

almost on top of each other.

Hm.

It's like the needle fell
out and was put back in.

It sound like the guy wanted
to make sure that he was dead.

I think we both know
who that guy was.

Yeah, and if it is
Sheridan, he's handling

the Dream Girls all by himself.

Mm-hm.

Just call Leslie.

I will.

[golf balls clicking]

If I'd have invested in
this mutual fund 10 years ago,

I'd have traded in my office
on a cabana on the beach.

The beauty of it
is, its long-term.

So you can never touch it.

Can't touch it.

You can't touch it.

That's all you
hear from the women

around is you can't touch it.

All they want to do is talk.

And talk is cheap.

Not always, my friend.

CHRIS LORENZO: What
the hell is this?

This is phone sex.

I want a body, and
you give me a voice?

Do you trust me?

Sure.

Call that number
at 10:30 tonight.

What do you like, blonde,
redhead, curvaceous.

Brunette, athletic.

[teeing golf putter]

Ask for Leslie.

[intense music]

[phone rings]

It's a little early for
business, isn't it guys?

[phone rings]

Hello, this is Leslie.

PETER SHERIDAN (ON PHONE):
Knock it off and listen.

You'll get a call at 10:30.

I'll be listening
just like Dieter did.

So your pitch had
better be good.

And remember, no
outright proposition.

The trick will be at
your place by 11 o'clock.

You get rid of him by 12:00.

Take the videotape immediately
to Dieter's apartment

and put it through
the mail slot.

Do you understand me, Leslie?

Yes, I understand you.

If the tape's not there five
minutes after the trick leaves,

I'm coming to get it.

And you don't want
that to happen.

[suspenseful music]

[knocking]

Come on in.

I've just got a minute,
you know, hot date.

Can't wait.

You gotta break
your date, Nancy.

Now why would I do that?

Oh, spend a little
time talkin' to me.

Sure, honey, like,
I'm gonna skip a payday

to chew the rag with you.

I like you, Leslie.

No, it's not Leslie.

It's Sergeant Lance,
Palm Beach Police.

You gotta be kidding me.

Afraid not.

You're in a lot of trouble.

Oh, man, another
damn vice cop.

Homicide.

You know, prostitution
and blackmail will

be part of the package, Nancy.

But I want you for
accessory to murder.

I didn't kill anybody.

You helped frame Keaton.

You put the finger on him
the night of the murder.

You planted the video
in Cindy's gym locker.

You were part of it.

He was gonna kill me.

Who, Dieter Moffat?

No, the guy Dieter worked for.

I don't know him.

All I know is his voice.

Well, that's a start.

Come on.

I want you there where I
can keep an eye on you.

Let's get outta here.

[phone dial pad]

RITA LANCE (ON PHONE): Hello?

CHRIS LORENZO (ON
PHONE): Leslie?

Hi, tiger.

You wanna hear a story?

Oh, roar.

Ooh, I can tell you
are a real animal.

Does pussy cat wanna play?

If you don't mind
getting scratched.

Well, I don't
mind a little pain.

And I don't mind
giving you some.

Does pussycat not any tricks?

Yeah, I got lots of tricks.

And you can play with my toys.

Why don't you tell
me some stories.

Ah, yeah, I got
lots of stories.

Rub a dub dub,
three men in a tub.

You wanna know what
they were really doing?

How about one with
boy and girl, hm?

Or better yet, boy and girls.

Oh, um, that would
take some time.

I can only offer up
Jack and Jill tonight.

Well, then Jack
and Jill it is.

Where's your yellow brick road?

How do I find your toy box?

Atlantic Breeze Apartments
on Shore View number four.

I'll see you then.

Roar.

[growl]

How'd I do?

[phone dial pad]

Yeah, this is
Sergeant Lorenzo.

I'm on my way to the
Atlantic Breeze Apartments.

[suspenseful music]

[car door slams]

[suspenseful music]

[knocking]

Oh, baby, crack that whip.

You look wonderful in
this outfit, right?

Now, tell me another story.

Shut up, Chris.

Look, I'm gonna let
somebody else do

the storytelling for a while.

Ah, I like nonfiction.

NANCY: Oh, you're
a real funny guy.

[intense music]

[crickets chirping]

[suspenseful music]

[car starts]

[music playing]

OK, sweetie,
where's that tape?

Young Mr. Lawton from New York
City just make big investment.

[suspenseful music]

I need backup.

[suspenseful music]

Why didn't you
do like I told you.

Now, where is the tape?
- Hi.

I'm Nancy.

We've spoken.

Where is the
other whore, Leslie.

Please don't call me that.

Why don't you call
me the cop instead?

[gunshot]

Stay here.

[gunfire]

There he is.

[gunshot]

That was a hot tip.

Go get the girl.

She's in room four.

Police officers.

Open up.

[suspenseful music]

[drum set crashes]

Hold it, Sheridan.

[gunfire]

[shattering glass]

[music playing]

Looks like the
market just went bust.

[phone rings]

Oh, I heard they
put you back on.

Yeah.

And I took me back off.

Dan, I hope you know there's
no ah hard feelings on this.

Look, man, come on, you
can't just ditch your career.

It just doesn't do
it for me anymore.

You know I've had a lot of time
to think the last few days.

When I had Carol, my
life had some balance.

When I lost her,
everything else went too.

I gotta go find it
again somewhere.

I just know it's not here.

Ah, you take care of
yourself, all right?

I will.

Call me sometime.

Thank you.

[phone rings]

Good luck.

Homicide, Sergeant Lance.

Is this the ravishing
Rita from Dream Girls?

[music playing]

[theme music]

Mm, mm, mm.

Oh.

[music playing]