All language subtitles for Silk Stalkings S02E14 Was It Good for You Too 1080p Peacock WEB-DL AAC 2 0 H 264-CHDWEB (1)_track3_[eng]

DIANA: I'll be wearing a
very short skirt and silk

stockings and nothing else.

Did you see that movie?

God, that was so sexy the way
she let them look up her dress.

I want to feel
that kind of power.

I'll sit on a bar stool knowing
that they're all looking at me

and that they all want me.

And then I'll pick one, and
I'll let them come on to me,

buy me a drink,
feel me a little.

You know.

And then I'll take him
back to the hotel room

and make him crazy
with wanting me so bad.

Then I'll let him have me.

And while he's all hot and
sweaty and crazy with it,

I'll kill him.

That's a very violent fantasy.

Have you had ones
like this before?

DIANA: It's not a
fantasy, Doctor.

It's just that reality
hasn't been made real yet.

But tonight's the night.

There are so many men,
yet so little time.

Listen, I want you to
stay on the line with me,

and I'm going to give you the
name of a very good therapist

I think would be good for you.

DIANA (ON PHONE): That's
all I want, Melissa.

I want this to be good for me.

So I've gotta go now.

It's been fun.

Well, I'll call you later
with all the gory details.

I bet you can't wait.

Well, at least
tell me your name.

DIANA (ON PHONE): Do you
know Greek mythology, Doctor?

Called me Diana, the huntress.

[house music playing]

Can I buy you a drink?

You were looking at my dress.

I saw you.

I liked it too.

Yeah.

Look, I don't need a drink.

I need someone to sex me.

Looks like this is
your lucky night.

Wait.

Not yet, OK?

Not yet.

Wait for me, OK?

Look at me.

Look at me.

Was that good for you too?

THEME SONG: Oh!

Oh!

Whoa.

Whoa, yeah!

M-m.

Ow!

Oh, I feel old.

I am old.

I'm a grandfather.

Chris.

Melissa.

Hey, long time no see.

It's a little too long.

Uh, I'm sweaty.

I apologize.

That's OK.

I always liked you
a little sweaty.

Yeah.

Yeah.

Look, you're going
to have a couple

of messages on your answering
machine when you get home.

I just took a chance
that you might still

run this stretch of the beach.

So this isn't a chance
romantic meeting, huh?

Well, it didn't start out
to be, but you never know.

The format of the
show has changed

since you were on it last year.

I'm on later now from 10:00
till 2:00 in the morning.

I call the show "Night Voices."

Well, anyway, for the
last couple of weeks,

we've been discussing
women's sexual fantasies.

Wait.
Women's sexual fantasies?

- Yeah.
- On your show.

And I've been
watching television?

What a fool.

Anyway, I got this
call the other night.

It scared the hell
out of me, and that

doesn't happen very often.

It was a very violent fantasy.

This woman said something about
picking a man up in a bar,

and well, I'm going to
let her tell you about it.

I had my engineer edit this
for you, but the gist of it's

all here.

DIANA (ON RECORDING):
And then I'll

take him back to the
hotel room, make him

crazy with wanting me so bad.

Then I'll let him have
me, and while he's

all hot and sweaty and
crazy, I'll kill him.

Kill him.

MELISSA (ON RECORDING):
That's a very violent fantasy.

That's a serious fantasy.

DIANA (ON RECORDING): It's
not a fantasy, Doctor.

It's just that reality
hasn't been made real yet.

But tonight's the night.

MELISSA: She calls herself
Diana, the huntress.

You think she's
serious, don't you?

You think she's
actually going to find

somebody to kill for kinks.

Yeah, I have this
horrible feeling she will.

I don't know.

It's not scientific
and it's not technical,

but it is what it is.

We can't do anything unless
this Diana, the huntress,

actually does something.

I mean, sexual fantasies
aren't against the law.

Well, she said
that she'd called

me back after she did it.

I just thought that
maybe you might want

to run a trace on the call.

Something happens,
you got a date.

Let's just hope she's all talk.

Women's sexual fantasies,
that's a catchy title.

Women's sexual fantasies.

See, I didn't know that
woman had fantasies.

I thought that was a guy thing.

Oh, you'd be surprised.

Turn me on tonight.

You'll hear stuff that'll make
your socks roll up and down,

and maybe not just your socks.

I wouldn't doubt it.

RITA: Dr. Melissa, now
there's a blast from the past.

So was it business or pleasure?

She wanted to talk to
me about sexual fantasies.

Oh.

Yours or hers?

Yours, meaning women in
general, one in particular.

Who?

Well, one woman called in
last night with a sexual fantasy

about picking a guy up at a bar,
taking him back to her hotel,

and killing him while
they're having sex.

Talk about a bad date.

Yeah.

RITA: Multiple stab wounds.

Could have gotten whacked
while he was sleeping.

Or he could have gotten
it while he was getting it.

It's exactly the
way Melissa's caller

said she was going to do it.

Called herself Diana.

Sounds Greek to me.

So Noriko, do we have a
preliminary time of death?

Fixed lividity.

Body is cold.

Full rigor.

12 hours, give or take.

Puts it around 1:00
in the morning.

CHRIS: It's prime hunting time.

I'll look at watering holes.

All targets in motion.

Doc, can you tell if he was
having sex when he was killed?

Haven't gotten that
personal with him yet.

Check with him when I
get him back to the shop.

So what do you make
of the stab wounds?

Five wounds.

Deep.

Clean.

Wasn't a serrated blade.

It was thick, razor sharp.

Hunting knife.

NORIKO: Yeah.

Probably.

This sounds like you've
already got a suspect.

I do.

I just wished to hell
we knew who she was.

Now, we found a receipt
from your register

in the pocket of the guy that
got himself killed last night.

You recognize this guy?

Yeah.

Comes in here all the time.
- Great.

Cruiser.

We call him the MVP
because he always scores.

What about last night?

BARTENDER: Yeah.

But her amateur standing
was questionable.

She looked pro.
Short skirt.

Lots of boobs.

Flash trash.

CHRIS: This is good, but
did you see anything else?

Well, she was mid
20s, maybe older.

Big, blond hair.

She had one drink.

He hit on her, and they split.

Are you married?

Uh, this would have been
about 1 o'clock this morning.

Yeah, that be about right.

Would you recognize
her if you saw her again?

Maybe.

Your turn.

You married?

No.

I dodged that bullet so far.
Now it's your turn.

What else can you tell me?

I didn't talked
to her or anything.

I just brought her
that one drink.

But she's a sleazette.

Very easy to spot.

All right.

Thanks, Patrice.

Look, if you can think
of anything else,

you give me a call?

Maybe I will even if I can't.

I've got you number.

See you.

Oh, hey, one more thing.

She used a cigarette
holder, you know

the kind with little filter
that cuts out the tar and stuff.

Right.

Thanks.

This is ground-floor
opportunity, Earl.

Property is already
zoned for subdivision.

Lot splits are approved.

Hell, we're ready to
start blading pads.

We?

Sounds like you're about
500 grand short of we.

But that's why you're here,
isn't it, little brother?

So I can make your
dreams come true.

Yeah.

Well, your investment
will be totally secure.

There's no risk.
That's the beauty of it.

Look at the scope of this thing.

Clearwater Keys is going
to be the most prestigious

development in all of Florida.

One big, old hurricane
wipe the whole enchilada

into the Gulf.

My investment is going
to be about as secure

as a rat in a coal furnace.

I'm dry, Taylor.

But you didn't get where you are
by being smart, little brother.

You sailed through
on charm and teeth.

I worked my tail off.

I stayed with daddy
while you whored

around like an old alley tom.

Don't start, OK?

You don't want in on this, fine.

I got plenty of friends
who'll jump all over this.

Hell, yeah.

You're going to have to
beat them off with a stick.

You two aren't
fighting again, are you?

We didn't come all the way
from Miami so the two of you

could go at each other's throats
like a couple of yard dogs, OK?

That looks good.
Can I have one?

EARL: Yeah, he was just telling
me about his new development.

Sounds like it's
got some potential.

Did you buy yourself some
pretty things, Christy?

Yeah, but I spent way
too much on your accounts.

EARL: That's what they're for.

Money is only important
when you haven't got any.

Right boy?

How you like that car?

It's fabulous.

God, what I wouldn't do
for one just like it.

Well, you play your
cards right, you

never know what you might win.

Where's that drink, boy?

So are you coming in with
Taylor on Clearwater Keys?

I think that would be great, you
guys doing business together.

I don't think he's interested.

I haven't said that, have I?

But a half million
is pretty big bite.

I'm going to have
to sleep on it.

Well, give it here, boy.

CHRISTY: Look, we know
it's a lot of money.

Taylor?

Why do you have
to humiliate him?

Because it's finally his turn.

Mr. Personality
and tennis shorts.

He needs what I got, and
he's got what I want.

It's not going to
happen, Earl, OK?

Well, I think it might.

MELISSA: So ladies, why
don't you give us a call,

and let us know
what turns you on.

You can get us at
555-8255, and we'll

return right after these words.

You know, Melissa, I don't
think he has had this much fun

since he got his new car.

Well, fantasies
can be very exciting.

Sometimes even more
than the real thing.

See, you write,
star, and direct,

you're in total
control, and it's not

over until you want it to be.

It's the ultimate in safe sex.

All right.
Here we go.

Diana, line 5, fantasies
are coming true.

RITA: I'll tell to
start the trace.

Tommy, you're going to
have to buy me some time.

I can't go live with her.

Good evening, Diana, and
welcome to "Night Voices."

DIANA (ON PHONE): Sometimes
fantasies come true.

Mine did.

It happened just like
I told you it would.

Oh, we've spoken before?

DIANA (ON PHONE): You know I am.

It was good, Melissa, but
it could have been better.

I wanted it so bad, I
rushed it, got too excited.

Would you call that
premature execution?

Are you telling me that you
actually killed your lover?

It was in the paper.

The Emerald Hotel last night.

I should have
waited, made it last.

It was over so quickly.

I stabbed him five times.

The next time I'll do six.

Yeah.

I'll make it good for me too.

with some female serial killer.

You know what I think?

I think that you guys need to
manufacture this crap to sell

your tiny little newspaper.

That's what I-- no, I don't
want you to quote me on this.

You know what I'd like you do?

I would like you to pick
up your phone and jam it--

ah, subtle joke.

Well, hello, stranger.

CHRIS: Yeah.

No, I understand that.

Oh.

So you missed the action of
your old division, or what?

Well, I got tired of you
guys having all the fun,

so Hudson takes his
vacation starting today,

and we're back in business.

Good.

I'm glad to see
you too, Lorenzo.

Yeah, hold on a second.
Hey, Hutch.

I got some reporter
from "The Sentinel"

honking me about this whole--

I know what about.

Get the file, and
meet me in the office.

CHRIS: OK, now look,
I'll talk to you--

- You look good.
- Thank you.

CHRIS: Don't call me.
I'll call you.

They changed the place.

Yeah.

It looks good.

Sit down.

Tell me where we
are on this thing.

All right.

Now, I talked to Melissa.

She kept her off
the air both times,

so there must be a
leak at the station.

RITA: We think this
is the real deal.

Dr. Weinstein's test back it up.

She killed the
guy at the Emerald

while she was
having sex with him.

Really?

CHRIS: Now, she called Melissa
Cassidy to claim the kill.

She knew details
we made sure didn't

leak, specifically that the
guy was stabbed five times.

And we were set up
to trace the call.

She made it from
a cellular phone.

No good.

And she claims that
she's going to do it again,

but so far this morning,
we have no fresh bodies.

Melissa Cassidy is a shrink.

What's her fix on this?

CHRIS: Yeah, Melissa
is sure there

we'll be fresh dead bodies
if we don't stop this Diana.

Now, she picked up her first
victim at the Wet Spot.

It's a meat rack
over on Bay Vista.

Well, the hotel night
clerk's description

matches that of the
bartender's pretty close.

But nobody saw her
leave the hotel.

You know, it seems like
a babe like that would

be noticed coming and going.

The night hacks that
were working that night,

anybody see her?

No.

She didn't take a taxicab.

And we found his car
in the hotel garage.

We dusted it for prints.

Only found his.

We also dusted the hotel room.

She wiped everything clean.

The woman takes her
hobby very serious.

What about a description,
did you get around

the clubs and things like that?

M-hm.

Hotels, motels, cab companies.

She's papered all over town.

So far the press
is just sniffing,

but once they get
locked in on this,

we're going to have
major public hysteria.

I'd like to bring Diana down
before things get too crazy.

If you'll sign off on it,
I'd like to go into the Wet

Spot tonight with a wire.

The huntress
becomes the hunted.

I like that.

Just keep me posted.

That's all.

Good.

Hutch, good to be
working with you again.

So work.

Get your butts
out on the street.

They're not doing me any good
sitting around in my office.

Still a sentimental fool, huh?

I heard that.

CHRIS: Good ears too.

RITA: M-hm.

Earl, get out of here.

I swear to god I'll
scream if you touch me.

Oh, I remembering
your screaming.

People next door had
to pound on the walls.

Look, I made a mistake, OK?

How long do I have to
keep paying for it?

Hell, sugar, I
paid every time.

Top dollar too.

Taylor sure didn't marry
himself a cheap whore,

and I'll still
pay, but 500 grand,

well, it seems a little rich.

Just give Taylor
the money, OK?

Please don't make me do this.

TAYLOR: Christy.

Christy, where are you, baby?

Honey, I've been looking
all over for you, babe.

What the hell is going on here?

Well, use your imagination.

Taylor.

You ought to turn pro, boy.

Muhammad Ali never
threw a single punch

worth a half million bucks.

Don't

Ah, hell, baby, he would
have never given us the money.

We both know that.

Fine, Taylor, you're right.

You're always right, OK.

And this time,
you're dead right.

[house music playing]

You still have a blue uniform
even though you're a detective.

Oh, I love uniforms.

We could pretend
you're busting, me,

and I would do anything
to get out of it.

CHRIS (ON MIC): Look,
come on, Patrice, you're

spending too much time here.

People are going
to get suspicious.

Well, they'll think
I'm hot for you.

Hey, that could be her.

See her?

The blonde.

CHRIS: Yeah.

PATRICE: That chump
with her looks

like he's going to
blow a couple of bucks.

I'm getting a
little jealous here.

Good-bye, Patrice.

PATRICE: I'm going.

CHRIS (ON MIC): You need to
lace up your track shoes.

Looks like we've
got a live on here.

Good evening.

I'm Chris.

Can I buy you a drink?

I'm horny.

So you live close to here?

Yeah, but my husband
might not dig it.

Give me a shot, sweet thing.

PATRICE: Yeah.

Well, hello there.

Hello, Earl.

Christy?

Oh, boy, you are
something special.

This is the way I
look inside, isn't it?

You know what I'm
really like deep down.

You treat me like
the whore I am.

See, I fool your
brother, but not you.

How'd you find me?

I followed you.

See, I missed you, baby.

I miss how cheap, low, and
dirty you make me feel.

I want to feel that
way again right now.

I'm not going to
give him the money.

No way.

You ought to know that.

CHRISTY: Forget about him, OK?

This one's just me and
you, for old times' sake.

You do still want
me, don't you, Earl?

M-m.

CHRIS: What's your name?

What's your favorite?

Yeah, ah.

You know, maybe we
shouldn't drink here.

[sparring sounds]

Police officers!

You're under arrest.

Move, and I will
break your wrist.

Don't move.

Good work, partner.

I couldn't have done
it better myself.

See if we can find
a hunting knife.

Yeah.

Try these on, baby.

EARL: You're hot.

You are so hot.

Go slow, OK?

I want this to last a long time.

I want you to make
it good for me.

I knew this was
too easy, and Diana

is still out there somewhere.

Yep.

My heart was hammering
there for a while.

Just your heart?

I think she left tread
marks on your clothes.

And to think she was just faking
it up to set me up to rolled.

Yep.

CHRIS: Kind of ruins your faith
in human nature, doesn't it?

What faith in human nature?

Good point.

You think she
was a real blonde?

Well, I didn't find out.

Excuse me.

Is it true this woman
call up the radio station?

No comment.

Is there a cover-up
inside this apartment?

Could we just have
a minute, please?

Well, it looks like you
two missed last night.

She didn't.
- Hold it.

Hold it.

This guy was at the
Wet Spot last night.

The lady that tried to
set me up to be rolled

was with him first.

He was there when I left.

HUTCHINSON: Name's Earl Elliott.

He lived at Bayview Place.

Old money.

Wallet full of premium plastic,
gold watch, expensive gold

watch, diamond ring, nearly
a grand in cash, and nothing

touched.

She's not in it for the money.

Six stab wounds just
like she promised.

HUTCHINSON: So Diana
hits the same bar,

brings him to the
same hotel knowing

we are hard on her back, and
she likes to work on the edge.

Dance to the thrill.

This doesn't make any sense.

If Patrice saw her, she
would have called me.

She promised.

Yeah, well, that's
not all she promised.

The bartender, talk about
your sexual fantasies.

M-m.

So what?

Maybe he left the
bar after we did.

He gos someplace else, and
she picks him up there.

CHRIS: Well, maybe Patrice saw
her, but she didn't see her.

What do you mean?

Maybe she wears a wig.

She changes wardrobe.

What's the first
thing people remember?

The blonde hair and
the sexy outfit.

That's what we
look for next time.

Only next time, she's
a redhead or a brunette

wearing a business suit.

Right.

We walked right past her.

RITA: Yeah, maybe.

The promised media
circus is underway, people.

Diana is beginning
to make us look bad,

and I don't like us looking bad.

MELISSA: I hope you don't
think I leaked that story

about Diana to the press.

No.

I know it's not your style,
but I would appreciate it

if you don't let these reporters
drag you into all this stuff.

I will refer any
and all questions

to Sergeant Chris Lorenzo.
- OK.

And it'll break my heart.

Do you have any idea what
this could do for my ratings?

Yeah.

Yeah, I do.

Professional question, doc.

Do you think this woman could
be a Jekyll and Hyde type?

I mean, could she look harmless,
docile, the perfect country

club wife, but at
the same time have

a dark, seductive
side that would make

her capable of sexual homicide?

It's beyond possible.

It's probable, I'd say.

Maybe she wants to get caught.

She calls you up on the
radio, and she tells you

exactly what she's going to do.

Then she goes back
to the same place

when she knows
there's a great chance

she's going to be recognized.

MELISSA: Maybe.

But I think she
enjoys the chase.

She's empowered by being
a little ahead of you.

She's a little faster, a
little smarter, and so far,

she's winning.

TAYLOR: I went to
bed last night broke.

Woke up this
morning filthy rich.

I should be happy.

I mean, it's not like I
loved him or anything.

Actually, I hated his guts.

I mean, I didn't
always hate him,

just the last few
years since dad died.

But Earl, if he could have
killed me and got away with it,

he'd have done it.

No, sweetie.

He was just jealous of you.
That's all.

- Jealous?
- Yeah.

Of what?

Take a look around, baby.

This was all his.

And now all this is yours?

That's the way the
lawyers set it up.

It's good thing some
woman killed him,

or I'd be prime suspect.

Taylor.

Did you see Earl much
after you left Palm Beach?

TAYLOR: I hadn't seen Earl since
the reading of the will world

three years ago.

That's when I found out he
got everything-- the business,

the estate, the works.

I got cut off at the knees.

M-m.

That's pretty radical.

TAYLOR: My father put a
lot of stock in loyalty.

Nose to the grindstone,
that sort of thing.

I was a major disappointment.

Earl was the dutiful son.

All right, Taylor, let
me get this straight.

Now, you and your brother, you'd
been feuding for three years.

You come up to Miami,
puts you up in his house.

You're trying to end the feud?

It was my idea.

I talked them both into it.

We had this great business
opportunity in the Keys.

We just needed capital.

So Taylor and Earl
would've been partners.

And Earl was interested.

He agreed to hear us out.

Earl would have never
given me the money.

He just wanted to see me crawl.

So why put yourself
through all that humiliation?

Christy.

She was so gung ho on the idea.

I had to try.

So how was this whole thing
starting to feel to you?

Well, either
Taylor Elliott got

one major karmic payback for
being cut out of all this or--

RITA: Or he is neck
deep in murder.

CHRIS: Yeah, boy.

You know this whole
Diana, the huntress thing,

I think it's starting to
look like a real smokescreen.

Yeah.

So he creates a
mad serial killer,

and he sets his
brother up to look

like one of the random victims.

Right.

So the first guy was killed
just to cover up the real motive

for the second murder.

Except we have one
little hitch there.

Our killer was a woman.

So is his wife, Chrisy.

Think about this.

You put her in a mini skirt
and a blonde wig, boom.

So she plays
the part, and then

she shares with the payoff.

Yeah.

You have a dark, cynical,
and suspicious mind, Sam.

Yeah, well so do you.

That's why we're
so good at this.

Yeah.

Yeah.

Miss Dobbs, did you ever
meet Mr. Elliott's brother,

Taylor, or his wife, Christy?

Call me Freddy.

Everyone does.

I never saw either one
of them around here.

You know, Earl and
his brother really

had it in for each other.

And from what Earl said, I'd say
he had it in his sister-in-law,

if you know what I mean.

Were they having an affair?

So he said.

Earl was a major slug.

To hear him tell it,
none of the women

could keep their
hands off of him.

He couldn't keep his
hands off anyone.

RITA: Do he ever
make a pass at you?

FREDDY: He practically
raped me on that desk.

I threatened him with a
sexual harassment suit.

After that, I had
better job security

than a Supreme Court Justice.

Do you know how long he was
having an affair with Christy?

He said they broke it
off six months or so ago.

But he called her
just like a week ago.

CHRIS: Suncoast Realty, Miami.

Christy Elliott,
realtor associate.

It's just bull.

Malicious gossip,
that's all it is.

There was no affair
between you and Earl Elliott.

Of course, not.

That man was awful.

And I love my husband, Sergeant.

We have records of a number
of phone calls between Earl

and your Miami office.

CHRISTY: I was trying
to set this up,

this meeting between
Earl and Taylor,

and he needed a
lot of convincing,

a lot of sweet talking.

He was a hard sell.

I mean, that's all it was.

So it was all talk.

The two of you never
had any sexual contact.

TAYLOR: He was always open
with Christy, staring at her.

I knew what he was thinking.

He made lewd,
suggestive remarks.

She never encouraged him?

No, she didn't.

So the day you
found the two of them

in the upstairs
bathroom together--

He forced his way in there.

She told me about
it, so I smacked him.

You know, I'd expect that
kind of innuendo from a man,

but to think you'd
believed that trash.

My wife did not
sleep with my brother.

If you make that
accusation, you better

sure as hell be
able to prove it,

or I'll sue the whole damn city.

CHRIS: Oh, man, I feel like
we're getting nowhere here.

Hey, you calling it a night?

Yep.

I figure it's safe to go home.

The mother-in-law is
probably asleep now.

That woman gets
meaner by the day.

Yeah, man.

Want a piece of
pizza, Skipper?

Nah, not hungry.

I've got a briefing in
the morning with Donovan.

Seems the Elliott lawyer
is in his face about you

two harassing them.

It's a crock.

HUTCHINSON: Well, it
isn't just any lawyer.

It's Ernest Webb,
Esquire himself.

When you've got the bucks,
you buy the best, don't you?

Well, you know, it's not going
to be too thrilling for George

if we don't have enough to
get search warrants, much

less convictions.

You've got the prior history
between the sister-in-law

and the victim.

Big financial motive.

What else you got?

CHRIS: Yeah, the
cigarette holder.

But who knows how many of
those they make every year?

Her lawyer could
sell coincidence.

No, he's going to poke
holes in any eyewitness

ID we come up with because
she was wearing a disguise.

HUTCHINSON: She's
about half wired,

and you've got no loops on him.

So it's a hard sell
anyway you look at it.

But you stick with it.

Stay on it.

Better two cops drop
in their tracks,

exhausted than the
guilty go free.

[whistling]

That's good.

HUTCHINSON: You like that?

Hutchinson, Chapter 12.

I'm going to take this anyway.

Ah, good night.

Come to bed, darling, OK?

Don't let these stupid
police upset you.

You haven't done anything wrong.

There wasn't anything between
you and Earl, was it Christy?

Because I don't think I
could live with that, baby.

No, sweetheart.

I would never be unfaithful
to you, and you know that, OK?

This is just got you all crazy.

I know.

I know.

I know.

Make love to me.

Oh, my angel.

I'm Danny Sandler.

Detective--

Sergeant.
Sergeant Lance.

Nice to meet you.

Sergeant.

How may I help you?

I need to speak with you about
one of your employees, Christy

Elliott.

Christy.

She isn't in any kind
of trouble, is she?

I hope not, Mr. Sandler.

DANNY: Christy was excited about
the limited partnership I'm

putting together in the Keys.

She wanted in on it.

Her husband is a trust fund
baby, just about tapped.

But her brother-in-law,
he's very comfortable.

Very comfortable.

She thought he'd
come in behind them.

Did you ever meet
with the three of them?

DANNY: No.

But she couldn't even get the
two brothers to sit together.

She was on the phone
all the time with Earl.

She said he was a real hard ass.

Mr. Sandler, were you aware of
a romantic relationship between

Christy and her brother-in-law?

Romantic?

No way possible.

Christy is crazy in
love with her husband.

That's what this
whole partnership

thing is about, helping Taylor
make a success of himself.

Now, don't get me wrong.

He's a sweet guy, but
he's a real loser.

Christy, she just
doesn't see that.

CHRIS: Yeah, all right.

I'll pick you up at the airport.

Yeah.
Right.

Dinner will be on me.

See you.

Rita didn't find any sort of
trail behind Christy Elliott.

That's too bad.

Yeah.

We were hoping to establish
a clandestine love

affair between her and
her brother-in-law.

Miami rendezvous
between the two of them,

a forbidden love
angle, something.

No dice.

I thought you had the
husband as a primary mover

in this thing.

No.

All we got is theory, and we're
even starting to doubt that.

Man, this is frustrating.

I mean, first, we think the
two of them are in it together.

All right?

Then we shift our focus
to Christy working alone.

I mean, she kills
the brother-in-law,

the husband inherits.

Right?

Now, let's say a
year and a half,

two years later, the husband
dies, accidentally, of course.

She gets it all.

But now that's not even flying.

I don't know, Hutch.

I feel like maybe we're
way off on this one.

[phone rings]

Taylor.

Taylor, can you get that?

[phone rings]

Yeah.

EARL (ON PHONE): I've been
dreaming about that hot body

of yours, baby.

Who is this?

EARL (ON PHONE): What
I'm going to do to you.

Tell me what you'd do to me?

Tell me, Christy.

CHRISTY (ON PHONE): Wait, and
see what I've got for you,

Earl, you naughty boy.

You're so naughty, I
have to punish you.

Ooh, naughty.

It gets a lot hotter, but
I'm sure you remember,

don't you, baby?

What do you want?

DANNY: Well, there was a cop
here to see me this morning,

Christy, was real
interested in you.

M-hm.

Wanted to know if you and Earl
had a romantic relationship.

Well, what do you want?

DANNY: You, Christy.

And that's just for openers.

But you see, I don't do
business on the phone.

I bet you wish you
didn't either, huh?

I'm going to be in
Palm Beach tonight.

We'll get together.

We've got a lot to talk about.

Christy, What
is it, sweetheart?

What's the matter?

I don't feel so good.

TAYLOR: Baby, you're shaking.

MELISSA: It's nearly
midnight, and this

is "Night Voices"
with Melissa Cassidy,

and I'm here if
you need to talk.

Lady of wild things,
huntsman, and chief to the gods.

[phone rings]

Yeah, Chris.

Chris, it's Melissa.

Listen, I've got Diana on hold.

Just hang on.

I'm going to tap you into her.
OK, here we go.

Diana, this is Melissa.

Talk to me.

DIANA: Last time
was good, Doctor.

It was almost good
enough for me too.

But I've been thinking
about it, about how

I could make it better.

So I've decided to
try one more time.

Tonight.

Nice.

Nice and slow.

Real easy.

That way it will
be good for me too.

The first one I stabbed five
times, the second one six.

Maybe seven is my lucky number.

What can I get you?

Scotch rocks.

Expecting someone,
or just hoping?

Expecting, darling.

RITA: Good evening, Mr. Elliott.

What's up?

Your wife home?

No, she left a
couple of hours ago.

Said she needed some
time to be alone.

Do you know which
car she was driving?

Earl's Bentley.

Bentley.

What color?

Silver and red.

OK, silver and red.

What year?

Old.

Look, what the hell
is going on here?

Lawyer told us, said
everything was cool.

Wow.

Get you outside of
the office, you're

a different woman altogether.

I wish I could say it
was nice to see you, Danny.

So I hear you've got
something for me.

Because I've got
something for you.

Here you go, honey.

She's here.

I tried calling you.
- Where is she?

Where is she?
- Back there.

See her?

The one with her back to us.

Ah, sorry.

I thought you were
somebody else.

- Sorry.
- That's not her.

No way.

That's not even the
guy she was with.

She must have
slipped out with him.

Well, Patrice, this
place is full of blondes.

You're sure, you're absolutely
positive it was the same one

you saw the other night?

It was her, positively.

I even brought her a
drink myself to make sure.

She had the cigarette
holder and everything.

Thanks, Patrice.

So she wants to get Diana
the huntress on the front page.

So she runs the
whole number again.

So she calls Melissa, then she
picks up a guy at the Wet Spot.

And she whacks him
at the Emerald Hotel.

Uh-huh.

DIANA: Don't keep me
waiting, Danny boy.

We got games to play.

M-m.

Here's my stud now.

So tell me.

Tell you what?

Why you made
those tapes, silly.

I mean, that's why
we're here, isn't it?

You made those tapes
over a year ago

before we even discussed
being partners.

Why were you spying on me?

I tape every agent's
phone, not just yours.

I don't like my people cutting
their own deals on my time.

So I check up, you
know what I mean?

You know, I should
be scared knowing

that you arranged to have your
own brother-in-law killed.

What makes you think
I just arranged it?

Maybe I did it myself.

Sure you did.

Sure you did.

A room service
waiter remembered her.

Said he brought up a bottle of
champagne about a half an hour

ago.
- Who's the room registered to?

Some guy named Daniel Sandler.

He's up from Miami.

Christy's boss.

She's tying up loose ends.

Or she's cutting them off.

[bang on door]

CHRIS: Police officers.
Open up.

Shut up.

I'll cut his throat.

Christy, come on.

Hand me the knife.

No one has to get hurt here.

I just wanted Taylor
to have a chance.

That's all.

I wanted to make up for
what I did to him with Earl.

And I wanted money.

I know it sounds horrible,
but I just wanted nice things,

and Earl gave me nice things.

I was his whore.

Put the knife
down nice and easy.

Taylor can't forgive me now.

He'll know what I did.

Oh, Jesus.

CHRISTY: No.

Put the knife down.

CHRISTY: No.

No.

Call 911.

and I'll take you to that
hot new Italian place

you told me about.

Right.

See you.

That wouldn't be Dr. Melissa
that you just made a hot lunch

date with, now would it?

Because I know that you don't
mix business with pleasure.

Well, the business is over.

I say let the pleasure commence.

So what's the word
on the Elliott woman.

Well, she didn't
hit anything vital.

I just talked to Donovan.

He finished taking
her statement.

Her husband, Taylor,
is in the clear.

RITA: She had an affair
with Earl about a year ago.

She likes money, and
Taylor didn't have much.

But then she broke
it off with him.

So when this whole investment
opportunity came up,

she thought that she could
get Earl to bank roll them

And once they got up here,
Earl started coming on to her.

She knew he wasn't going
to give them any cash,

so she decided to take it.

So she creates
Diana the huntress

as a blind for the murders.

Then when Sandler
tried to blackmail her,

he got designated
as the third victim.

You two had this pegged
from the beginning, did you?

Tell me, how does it feel
to be right all the time?

It kind of takes the fun
out of it all, doesn't it?

(TOGETHER) No.

Lunch is on me.

Well, actually, I think
Christopher has other plans.

But I'm all yours, Skipper.

Lorenzo is turning
down a free meal?

Has to be a woman.

Shall we, Skipper?

Yes, we shall.

[horn honks]

Car trouble?

Listen, we're going to a
great, new Italian restaurant,

if you guys want to join us.

Oh, I'd love to.
Chris?

You go ahead, Melissa.

I'll stay and wait
for the truck.

Thanks.

RITA: Hop in.

MELISSA: Great.

Boy, am I glad you came along.

OK.

Oh, what the hell.

See you, Chris.

Bye.

Hey!

Rita, wait.

I want to come with you!

Wait!

THEME SONG: M-m.

Ow!