subtitlecat.com

All language subtitles for Garage.Sale.Mystery.The.Novel.Murders.2016

Afrikaans

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bengali

Bosnian

Bulgarian

Catalan

Cebuano

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English Download

Esperanto

Estonian

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Khmer

Korean

Kurdish (Kurmanji)

Kyrgyz

Lao

Latin

Latvian

Lithuanian

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mongolian

Myanmar (Burmese)

Nepali

Norwegian

Pashto

Persian

Polish

Portuguese

Punjabi

Romanian

Russian

Samoan

Scots Gaelic

Serbian

Sesotho

Shona

Sindhi

Sinhala

Slovak

Slovenian

Somali

Spanish Download

Sundanese

Swahili

Swedish

Tajik

Tamil

Telugu

Thai

Turkish

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Xhosa

Yiddish

Yoruba

Zulu

Odia (Oriya)

Kinyarwanda

Turkmen

Tatar

Uyghur

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,535 --> 00:00:03,435 [♪♪♪] 2 00:00:40,941 --> 00:00:43,542 CAREFUL. WE JUST GLUED THAT PIECE BACK ON. 3 00:00:43,544 --> 00:00:44,810 IT'LL BE DRY IN A FEW HOURS. 4 00:00:44,812 --> 00:00:46,011 HOW MUCH IS IT? 5 00:00:47,248 --> 00:00:48,180 DANI, HOW MUCH IS THIS? 6 00:00:49,717 --> 00:00:50,682 $25. 7 00:00:53,187 --> 00:00:54,219 WOULD YOU TAKE 10? 8 00:00:57,091 --> 00:00:58,057 SOLD. 9 00:00:59,460 --> 00:01:00,859 I CAN'T WAIT FOR IT TO DRY. 10 00:01:00,861 --> 00:01:02,928 I TAKE THE BUS, 11 00:01:02,930 --> 00:01:05,264 AND I HAVE TO GO AND FEED THE BIRDS. 12 00:01:05,266 --> 00:01:08,133 I LIVE JUST TWO OR THREE STOPS DOWN 13 00:01:08,135 --> 00:01:09,802 ON ELM STREET. 14 00:01:09,804 --> 00:01:10,869 OH, THAT'S OKAY, 15 00:01:10,871 --> 00:01:13,772 JENN WOULD BE DELIGHTED TO DELIVER IT TO YOU. 16 00:01:13,774 --> 00:01:15,274 WOULDN'T YOU, JENN? 17 00:01:15,276 --> 00:01:17,309 [CHUCKLES POLITELY] OH, YES. 18 00:01:17,311 --> 00:01:19,278 DELIGHTED. 19 00:01:19,280 --> 00:01:21,313 [♪♪♪] 20 00:01:39,567 --> 00:01:40,833 [CALL RINGING] 21 00:01:40,835 --> 00:01:43,135 9-1-1. WHAT IS YOUR EMERGENCY? 22 00:01:43,137 --> 00:01:44,636 [DISGUISED MALE VOICE]: I'M CALLING ABOUT ARTHUR HENLEY, 23 00:01:44,638 --> 00:01:46,205 914 ELM. 24 00:01:46,207 --> 00:01:47,473 NUMBER 202. 25 00:01:47,475 --> 00:01:49,508 I THINK SOMETHING MAY HAVE HAPPENED TO HIM. 26 00:01:49,510 --> 00:01:50,909 IS THIS A MEDICAL EMERGENCY? 27 00:01:50,911 --> 00:01:52,544 YOU SHOULD SEND SOMEONE. 28 00:01:52,546 --> 00:01:53,946 SIR, WHAT'S YOUR NAME? 29 00:01:54,915 --> 00:01:55,914 SIR? 30 00:01:55,916 --> 00:01:57,549 [CALL DISCONNECTS] 31 00:02:14,468 --> 00:02:17,870 [HINGES CREAKING] 32 00:02:17,872 --> 00:02:19,705 MR. HENLEY! 33 00:02:21,976 --> 00:02:23,976 OH... 34 00:02:25,646 --> 00:02:26,712 OH NO. 35 00:02:31,519 --> 00:02:35,554 OPERATOR, I'D LIKE TO REPORT A MEDICAL EMERGENCY. 36 00:02:35,556 --> 00:02:37,589 NEVER MIND. 37 00:02:37,591 --> 00:02:39,191 I CAN'T FIND A PULSE. 38 00:02:42,096 --> 00:02:44,029 [POLICE RADIOS CRACKLING] 39 00:02:52,806 --> 00:02:54,773 [SIGHING HEAVILY] 40 00:02:54,775 --> 00:02:56,308 THIS SHOULD BE GOOD. 41 00:02:56,310 --> 00:02:57,409 I WAS DELIVERING A PURCHASE, 42 00:02:57,411 --> 00:02:58,810 AND THE CUSTOMER... 43 00:02:58,812 --> 00:02:59,811 LOOKED DEAD. 44 00:02:59,813 --> 00:03:01,246 I FELT FOR A PULSE, 45 00:03:01,248 --> 00:03:02,281 I CALLED 9-1-1, 46 00:03:02,283 --> 00:03:03,549 BUT THEY WERE ALREADY ARRIVING-- 47 00:03:03,551 --> 00:03:05,684 DETECTIVE, THANKS FOR COMING OUT. 48 00:03:05,686 --> 00:03:07,119 HOMICIDE SHOULD HAVE A LOOK. 49 00:03:07,121 --> 00:03:08,754 SOMETHING FEELS OFF. 50 00:03:08,756 --> 00:03:10,222 HE'S RIGHT. 51 00:03:11,458 --> 00:03:12,591 THANK YOU, JENNIFER. 52 00:03:12,593 --> 00:03:13,725 WE'LL TAKE IT FROM HERE. 53 00:03:13,727 --> 00:03:14,760 NO, WAIT, WAIT! 54 00:03:14,762 --> 00:03:16,395 [GASPING] 55 00:03:16,397 --> 00:03:17,629 I'M THE ONE THAT DISCOVERED THE BODY, 56 00:03:17,631 --> 00:03:18,630 AND I'VE ALREADY BEEN INSIDE. 57 00:03:18,632 --> 00:03:20,432 I JUST WANT TO SHOW YOU 58 00:03:20,434 --> 00:03:21,967 A COUPLE OF THINGS. 59 00:03:21,969 --> 00:03:23,402 FINE. 60 00:03:28,976 --> 00:03:30,509 [SHUTTERS CLICKING] 61 00:03:44,925 --> 00:03:47,326 DOESN'T LOOK LIKE A STRUGGLE TOOK PLACE. 62 00:03:47,328 --> 00:03:49,428 THERE'S NO BLOOD. 63 00:03:49,430 --> 00:03:50,729 LOOKS LIKE A MEDICAL CALL. 64 00:03:50,731 --> 00:03:51,830 WHAT'S SO OFF ABOUT THIS? 65 00:03:51,832 --> 00:03:54,866 ANONYMOUS 911 CALL SAYING THAT HE NEEDED HELP. 66 00:03:54,868 --> 00:03:56,301 WE CANVASSED THE NEIGHBORS. 67 00:03:56,303 --> 00:03:57,402 NONE OF THEM MADE THE CALL. 68 00:03:57,404 --> 00:03:59,404 SO, SOMEONE ELSE MADE THE CALL. 69 00:03:59,406 --> 00:04:00,472 APPARENTLY, HENLEY HERE WAS A LONER, 70 00:04:00,474 --> 00:04:01,473 SO WHO WOULD HAVE KNOWN 71 00:04:01,475 --> 00:04:02,507 THAT HE NEEDED HELP IN HIS APARTMENT? 72 00:04:03,577 --> 00:04:05,143 911 COULDN'T SEE THE INCOMING NUMBER? 73 00:04:05,145 --> 00:04:06,945 -PAY PHONE. -ALL RIGHT, WELL, WHAT ELSE? 74 00:04:06,947 --> 00:04:09,748 YOU HAD A DELIVERY OR SOMETHING? 75 00:04:09,750 --> 00:04:11,149 YEAH. LONG STORY, 76 00:04:11,151 --> 00:04:12,351 BUT HE CAME INTO THE STORE THIS MORNING 77 00:04:12,353 --> 00:04:13,619 AND HE LOOKED PERFECTLY HEALTHY. 78 00:04:14,655 --> 00:04:15,821 MAY I? 79 00:04:27,368 --> 00:04:29,701 SMELLS LIKE WHISKEY. 80 00:04:31,372 --> 00:04:33,272 SO, HE DRANK SOME WHISKEY AND HAD A HEART ATTACK. 81 00:04:33,274 --> 00:04:35,240 THERE'S NO WHISKEY BOTTLE. 82 00:04:35,242 --> 00:04:37,509 NO. I LOOKED EVERYWHERE, EVEN THE TRASH. 83 00:04:37,511 --> 00:04:38,543 AND TAKE A LOOK AT THIS. 84 00:04:46,020 --> 00:04:47,185 NEIGHBORS SAY HE'S NOT A PRIEST. 85 00:04:48,222 --> 00:04:51,723 HE WASN'T WEARING THAT COLLAR THIS MORNING. 86 00:04:52,993 --> 00:04:53,959 INTERESTING. 87 00:04:55,062 --> 00:04:57,663 HERE WE GO. 88 00:04:59,033 --> 00:05:01,633 [CHIRPING] 89 00:05:01,635 --> 00:05:04,236 [♪♪♪] 90 00:05:18,752 --> 00:05:21,086 OH, MY GOODNESS... 91 00:05:23,457 --> 00:05:24,489 WOW. 92 00:05:24,491 --> 00:05:25,557 YOU SHOULD BUY IT. 93 00:05:25,559 --> 00:05:26,525 OH! 94 00:05:26,527 --> 00:05:27,826 [CHUCKLES] 95 00:05:27,828 --> 00:05:28,794 WELL... 96 00:05:29,763 --> 00:05:31,129 YOU HAD ONE AS A CHILD, DIDN'T YOU? 97 00:05:32,433 --> 00:05:33,765 HOW DID YOU KNOW THAT? 98 00:05:33,767 --> 00:05:35,967 WELL, IT'S OBVIOUS, 99 00:05:35,969 --> 00:05:37,102 EVEN WITHOUT THE GIFT. 100 00:05:38,172 --> 00:05:40,772 IF YOU EVER WANT A READING... 101 00:05:41,742 --> 00:05:43,775 LET ME GIVE YOU MY CARD. 102 00:05:48,215 --> 00:05:49,314 THANK YOU. 103 00:05:54,688 --> 00:05:56,121 [GASPS] 104 00:05:56,123 --> 00:05:58,023 IT'S A TINY CLOCK RADIO! 105 00:05:58,025 --> 00:06:00,025 [LAUGHING] 106 00:06:00,027 --> 00:06:02,494 OH, DANI, THIS IS FANTASTIC. 107 00:06:02,496 --> 00:06:03,562 ISN'T IT SO CUTE? 108 00:06:03,564 --> 00:06:05,263 LOOK AT THE LITTLE KITCHEN, 109 00:06:05,265 --> 00:06:08,233 AND THE LITTLE STOVE AND THE CHAIRS... 110 00:06:08,235 --> 00:06:09,368 I THINK EVERYTHING IS HERE. 111 00:06:10,904 --> 00:06:13,672 DO YOU THINK IT'S POSSIBLE THAT WOMAN WAS REALLY PSYCHIC? 112 00:06:13,674 --> 00:06:15,040 I MEAN, HOW DID SHE KNOW 113 00:06:15,042 --> 00:06:16,641 I HAD ONE AS A KID? 114 00:06:16,643 --> 00:06:17,676 SHE GUESSED? 115 00:06:17,678 --> 00:06:19,444 MAYBE. 116 00:06:19,446 --> 00:06:20,846 BUT THAT DOESN'T MEAN THERE AREN'T PEOPLE OUT THERE 117 00:06:20,848 --> 00:06:21,847 WHO REALLY HAVE THE GIFT. 118 00:06:21,849 --> 00:06:24,249 OH, WELL, COULD YOU ASK HER TO GIFT US 119 00:06:24,251 --> 00:06:26,151 THE WINNING LOTTERY NUMBERS? 120 00:06:31,058 --> 00:06:32,057 ...NOT MUCH. 121 00:06:32,059 --> 00:06:33,191 WENT TO A GARAGE SALE, 122 00:06:33,193 --> 00:06:34,493 DANI BOUGHT A DOLLHOUSE, 123 00:06:34,495 --> 00:06:36,795 I DELIVERED A PURCHASE... 124 00:06:36,797 --> 00:06:38,530 SINCE WHEN DO YOU DELIVER? 125 00:06:38,532 --> 00:06:40,265 OH, HE WAS AN OLDER MAN TAKING THE BUS. 126 00:06:40,267 --> 00:06:41,800 AND? 127 00:06:41,802 --> 00:06:44,703 HE WAS DEAD WHEN I GOT THERE. 128 00:06:44,705 --> 00:06:45,771 HE WAS DEAD? 129 00:06:45,773 --> 00:06:47,606 DON'T WORRY, FRANK THINKS IT WAS NATURAL CAUSES. 130 00:06:50,677 --> 00:06:51,743 "DON'T WORRY." 131 00:06:52,946 --> 00:06:54,946 WHY WOULD I WORRY? 132 00:06:58,986 --> 00:07:00,685 THESE GUYS ARE POSTING THESE VIDEOS ON THE NET, 133 00:07:00,687 --> 00:07:02,220 WHERE THEY GO OUT INTO THE WILDERNESS 134 00:07:02,222 --> 00:07:03,188 WITH NOTHING, 135 00:07:03,190 --> 00:07:05,290 NO TOOLS, NO TENTS, 136 00:07:05,292 --> 00:07:06,525 NO SLEEPING BAGS. 137 00:07:06,527 --> 00:07:07,492 NOT EVEN WATER. 138 00:07:07,494 --> 00:07:09,661 IT GETS COLD IN THE WILDERNESS. 139 00:07:09,663 --> 00:07:12,230 I THINK IT WOULD BE AWESOME. 140 00:07:12,232 --> 00:07:13,765 MAN VS. NATURE. 141 00:07:13,767 --> 00:07:14,933 YOU KNOW, SURVIVAL. 142 00:07:14,935 --> 00:07:16,802 WHY DON'T WE SKIP DINNER 143 00:07:16,804 --> 00:07:18,069 AND REASSESS THAT ABOUT MIDNIGHT? 144 00:07:18,071 --> 00:07:19,671 WE'LL GO IN THE BACKYARD, 145 00:07:19,673 --> 00:07:20,739 IN THE DARK, 146 00:07:20,741 --> 00:07:22,307 HUNGRY. 147 00:07:22,309 --> 00:07:23,909 YOU KNOW, WE'VE NEVER EVEN BEEN REAL CAMPING. 148 00:07:23,911 --> 00:07:25,177 WE WENT TO YELLOWSTONE. 149 00:07:25,179 --> 00:07:26,645 THAT WAS JUST, LIKE, IN AN RV. 150 00:07:26,647 --> 00:07:27,879 THAT'S NOT REALLY CAMPING. 151 00:07:29,483 --> 00:07:30,449 DO YOU EVEN KNOW HOW? 152 00:07:31,652 --> 00:07:32,751 I WAS A BOY SCOUT. 153 00:07:32,753 --> 00:07:33,718 I GOT SKILLS. 154 00:07:40,561 --> 00:07:42,661 HEY, DR. BLAKE. 155 00:07:42,663 --> 00:07:43,662 HI, JENNIFER. 156 00:07:43,664 --> 00:07:44,930 WHERE'S DR. TREMEL? 157 00:07:44,932 --> 00:07:46,932 OH, HE'S ON VACATION. 158 00:07:46,934 --> 00:07:48,934 HEY, FRANK. 159 00:07:48,936 --> 00:07:50,202 I CALLED YOUR OFFICE, THEY SAID YOU'D BE HERE. 160 00:07:50,204 --> 00:07:51,336 I GOT YOU A COFFEE. 161 00:07:51,338 --> 00:07:53,071 DO YOU KNOW DR. BLAKE? 162 00:07:53,073 --> 00:07:54,139 YEAH. 163 00:07:55,375 --> 00:07:58,643 PLEASE TELL ME HE DIED OF NATURAL CAUSES. 164 00:07:58,645 --> 00:08:00,545 WELL, HE DIED OF A CARDIAC ARRHYTHMIA. 165 00:08:01,715 --> 00:08:02,681 [SIGHING] THAT'S GOOD. 166 00:08:02,683 --> 00:08:03,682 NOT FOR HIM. 167 00:08:03,684 --> 00:08:05,617 NO, I DIDN'T MEAN IT LIKE THAT. 168 00:08:05,619 --> 00:08:06,885 IT'S JUST, THIS IS A WEIRD ONE. 169 00:08:06,887 --> 00:08:08,286 IT'S STARTING TO GET COMPLICATED. 170 00:08:08,288 --> 00:08:09,821 WELL, IT MIGHT STILL. 171 00:08:09,823 --> 00:08:11,456 HE HAD AN EXTREMELY 172 00:08:11,458 --> 00:08:14,059 HIGH LEVEL OF NICOTINE IN HIS SYSTEM. 173 00:08:14,061 --> 00:08:15,126 I THOUGHT YOU SAID 174 00:08:15,128 --> 00:08:16,094 HE DIED OF A HEART ATTACK. 175 00:08:16,096 --> 00:08:17,062 HE DID. 176 00:08:17,064 --> 00:08:20,432 BROUGHT ON BY A TOXIC LEVEL OF NICOTINE. 177 00:08:20,434 --> 00:08:21,933 YOU MEAN LIKE 178 00:08:21,935 --> 00:08:23,101 HE CHAIN-SMOKED HIMSELF TO DEATH? 179 00:08:23,103 --> 00:08:24,503 NO. LIKE HE DRANK IT. 180 00:08:26,373 --> 00:08:28,340 LIQUID NICOTINE? 181 00:08:28,342 --> 00:08:29,441 WHERE DO YOU GET THAT? 182 00:08:29,443 --> 00:08:32,110 WELL, IT'S USED IN INSECTICIDES, FOR ONE THING. 183 00:08:32,112 --> 00:08:33,078 IT'S FAIRLY COMMON. 184 00:08:33,080 --> 00:08:34,145 AND HE DRANK IT? 185 00:08:34,147 --> 00:08:35,146 SUICIDE? 186 00:08:35,148 --> 00:08:36,114 MAYBE. 187 00:08:36,116 --> 00:08:38,817 UNLESS SOMEONE GAVE IT TO HIM. 188 00:08:38,819 --> 00:08:40,051 AND THAT WOULD BE MURDER. 189 00:08:40,053 --> 00:08:41,052 [GASPS] 190 00:08:41,054 --> 00:08:42,521 WELL, WAS THE WHISKEY ADULTERATED? 191 00:08:42,523 --> 00:08:43,522 NOPE. 192 00:08:43,524 --> 00:08:45,891 THE RESIDUE IN THE GLASS HAD NO NICOTINE. 193 00:08:45,893 --> 00:08:47,425 [SIGHING] 194 00:08:47,427 --> 00:08:49,427 THIS RINGS A BELL. 195 00:08:49,429 --> 00:08:51,963 WHAT DO YOU MEAN, "IT RINGS A BELL." 196 00:08:51,965 --> 00:08:53,298 IT SOUNDS FAMILIAR. 197 00:08:53,300 --> 00:08:55,166 LIKE A BOOK I READ. 198 00:08:55,168 --> 00:08:56,401 NO, NO, NO, NO. 199 00:08:56,403 --> 00:08:57,402 NO, IT DOESN'T. 200 00:08:57,404 --> 00:08:58,370 ALL RIGHT, WE GOTTA GO. 201 00:08:59,339 --> 00:09:00,372 NO, FRANK, HONEST, 202 00:09:00,374 --> 00:09:01,806 I READ A BOOK A LONG TIME AGO. 203 00:09:01,808 --> 00:09:02,774 [FRANK]: YEAH. 204 00:09:02,776 --> 00:09:04,242 THE BURKHART DEAL CLOSED. 205 00:09:04,244 --> 00:09:06,645 WE BREAK GROUND NEXT MONTH. 206 00:09:06,647 --> 00:09:08,847 OH, THAT'S NICE. 207 00:09:11,752 --> 00:09:13,485 DOING SOME RESEARCH? 208 00:09:13,487 --> 00:09:14,653 I'M RESEARCHING MURDER MYSTERY. 209 00:09:14,655 --> 00:09:15,654 FRANK'S CASE, 210 00:09:15,656 --> 00:09:16,821 THE ONE I TOLD YOU ABOUT? 211 00:09:16,823 --> 00:09:18,757 IT SOUNDS A LOT LIKE A BOOK I REMEMBER, 212 00:09:18,759 --> 00:09:19,925 BUT I CAN'T FIND IT. 213 00:09:19,927 --> 00:09:21,660 I DOUBT A KILLER IN THE BOOK 214 00:09:21,662 --> 00:09:22,994 WOULD HAVE MUCH TO DO WITH FRANK'S CASE. 215 00:09:22,996 --> 00:09:24,462 AH, BUT THE KILLER IN FRANK'S CASE 216 00:09:24,464 --> 00:09:25,497 MIGHT HAVE SOMETHING TO DO 217 00:09:25,499 --> 00:09:26,531 WITH THE BOOK. 218 00:09:26,533 --> 00:09:27,566 DOES THAT EVEN MAKE SENSE? 219 00:09:27,568 --> 00:09:28,600 HOW? 220 00:09:28,602 --> 00:09:30,368 I DON'T KNOW, BUT IT BUGS ME. 221 00:09:30,370 --> 00:09:31,369 HUH. 222 00:09:31,371 --> 00:09:33,071 ANY THOUGHTS ABOUT DINNER? 223 00:09:33,073 --> 00:09:34,406 WHATEVER YOU WANT. YOU PICK THE PLACE. 224 00:09:34,408 --> 00:09:35,340 WE'RE GOING OUT? 225 00:09:36,443 --> 00:09:37,976 WHAT A GOOD IDEA. 226 00:09:44,151 --> 00:09:47,619 I'VE LIVED ACROSS THE HALL FOR 10 YEARS NOW. 227 00:09:47,621 --> 00:09:49,821 HE HAD NO FRIENDS. 228 00:09:49,823 --> 00:09:52,691 SO, THE OTHER DAY, NOBODY CAME BY THE APARTMENT? 229 00:09:52,693 --> 00:09:53,658 I DON'T THINK SO, 230 00:09:53,660 --> 00:09:55,727 BUT I KEEP MY DOOR CLOSED, 231 00:09:55,729 --> 00:09:57,562 AND MY NOSE OUT OF OTHER PEOPLE'S BUSINESS. 232 00:09:58,632 --> 00:09:59,764 SO, EVEN IF SOMEBODY HAD COME BY, 233 00:09:59,766 --> 00:10:00,732 YOU WOULDN'T EVEN HAVE KNOWN IT. 234 00:10:00,734 --> 00:10:03,101 WELL, WHO'S GOING TO VISIT ART? 235 00:10:03,103 --> 00:10:04,102 WAS HE DEPRESSED LATELY? 236 00:10:04,104 --> 00:10:05,637 IF HE WASN'T, HE SHOULD HAVE BEEN. 237 00:10:05,639 --> 00:10:08,106 FORGET ABOUT FRIENDS, 238 00:10:08,108 --> 00:10:09,674 I DON'T EVEN THINK HE HAD ACQUAINTANCES. 239 00:10:09,676 --> 00:10:11,409 THANK YOU. 240 00:10:14,348 --> 00:10:15,814 UH-OH. 241 00:10:15,816 --> 00:10:16,915 I KNOW WHAT THIS MEANS. 242 00:10:16,917 --> 00:10:18,149 OH, I'M STUMPED. 243 00:10:18,151 --> 00:10:19,284 SOMETHING ABOUT LYNWOOD'S CASE 244 00:10:19,286 --> 00:10:21,353 REMINDS ME OF A MYSTERY BOOK I ONCE READ. 245 00:10:21,355 --> 00:10:23,254 OR A MOVIE YOU ONCE SAW, 246 00:10:23,256 --> 00:10:24,889 OR A NEWSPAPER STORY. 247 00:10:24,891 --> 00:10:26,224 DID YOU DO AN INTERNET SEARCH? 248 00:10:26,226 --> 00:10:27,425 YES. 249 00:10:27,427 --> 00:10:28,960 A THOUSAND WEB PAGES ABOUT NICOTINE 250 00:10:28,962 --> 00:10:30,462 AND HOW IT'S A TOXIC POISON, 251 00:10:30,464 --> 00:10:33,031 BUT NOTHING ABOUT A PRIEST BEING MURDERED BY NICOTINE. 252 00:10:33,033 --> 00:10:35,567 WELL, YOU COULD JUST FORGET IT 253 00:10:35,569 --> 00:10:37,135 AND LET DETECTIVE LINWOOD DO HIS JOB. 254 00:10:37,137 --> 00:10:38,103 I COULD. 255 00:10:38,105 --> 00:10:39,738 HEY, WHAT ARE YOU DOING TONIGHT AT 7:00? 256 00:10:39,740 --> 00:10:41,172 I DON'T KNOW, SOMETHING WITH YOU? 257 00:10:41,174 --> 00:10:43,108 DING, DING, DING! 258 00:10:44,411 --> 00:10:47,212 [♪♪♪] 259 00:10:51,785 --> 00:10:54,252 AND SO, AS YOU SEE, THE ANTE HAS BEEN UPPED, 260 00:10:54,254 --> 00:10:56,388 READERS WILL NOT ACCEPT WHAT THEY ONCE DID. 261 00:10:56,390 --> 00:10:58,990 EDGAR ALLAN POE CREATED THE TEMPLATE, 262 00:10:58,992 --> 00:11:01,026 THE FIRST MODERN DETECTIVE STORY. 263 00:11:01,028 --> 00:11:03,161 ANYBODY KNOW WHAT THE BOOK WAS? 264 00:11:04,865 --> 00:11:06,598 ANYBODY? 265 00:11:06,600 --> 00:11:07,565 YES? 266 00:11:07,567 --> 00:11:08,633 SHE KNOWS. 267 00:11:08,635 --> 00:11:09,601 DANI... 268 00:11:09,603 --> 00:11:10,568 WELL? 269 00:11:11,805 --> 00:11:13,505 MURDER IN THE RUE MORGUE. 270 00:11:13,507 --> 00:11:14,539 THAT'S RIGHT. 271 00:11:14,541 --> 00:11:16,574 AN IMPOSSIBLE CRIME. 272 00:11:16,576 --> 00:11:17,575 A DOUBLE MURDER 273 00:11:17,577 --> 00:11:18,710 IN A ROOM WITH THE DOORS LOCKED 274 00:11:18,712 --> 00:11:20,412 FROM THE INSIDE. 275 00:11:20,414 --> 00:11:22,280 HOW DID THE KILLER GET IN THE ROOM 276 00:11:22,282 --> 00:11:23,448 IF THE DOORS WERE LOCKED FROM THE INSIDE? 277 00:11:23,450 --> 00:11:24,849 YOU CARE TO ANSWER? 278 00:11:26,353 --> 00:11:28,053 ORANGUTAN. 279 00:11:28,055 --> 00:11:29,688 IT CLIMBED UP THE SIDE OF THE BUILDING 280 00:11:29,690 --> 00:11:30,855 AND WENT IN THE WINDOW. 281 00:11:30,857 --> 00:11:31,856 RIDICULOUS, HUH? 282 00:11:31,858 --> 00:11:33,658 BUT THAT'S HOW FAR WE'VE COME. 283 00:11:33,660 --> 00:11:34,993 AND WHAT ABOUT THE MYSTERIES 284 00:11:34,995 --> 00:11:35,994 THAT DON'T HAVE MURDERS? 285 00:11:35,996 --> 00:11:37,762 AW, WHO DOESN'T LOVE A GOOD MURDER? 286 00:11:39,466 --> 00:11:40,699 WHEN YOUR STORY BEGINS WITH A DEAD BODY, 287 00:11:40,701 --> 00:11:42,901 IT DEMANDS A SOLUTION. 288 00:11:42,903 --> 00:11:45,370 ONLY WHEN THE KILLER IS BROUGHT TO JUSTICE, 289 00:11:45,372 --> 00:11:47,138 IS THE WORLD IN BALANCE AGAIN. 290 00:11:48,308 --> 00:11:49,841 WE'RE ABOUT OUT OF TIME. 291 00:11:49,843 --> 00:11:52,110 IF ANYONE IS INTERESTED IN COPIES OF MY NEW BOOK, 292 00:11:52,112 --> 00:11:53,478 MURDER ALONG THE MISSISSIPPI, 293 00:11:53,480 --> 00:11:54,646 STEP RIGHT UP. 294 00:11:54,648 --> 00:11:56,047 THANK YOU. 295 00:11:57,017 --> 00:11:58,416 I'M GOING TO GET MY COPY SIGNED. 296 00:12:00,287 --> 00:12:02,220 WELL, YOU KNOW YOUR MYSTERIES. 297 00:12:02,222 --> 00:12:03,321 THANK YOU. 298 00:12:03,323 --> 00:12:05,156 GREAT TALK. 299 00:12:05,158 --> 00:12:06,925 I'M LOOKING FORWARD TO READING YOUR BOOK. 300 00:12:06,927 --> 00:12:09,060 DO YOU, BY ANY CHANCE, KNOW OF ANY STORIES 301 00:12:09,062 --> 00:12:11,830 THAT HAVE A PRIEST DYING FROM NICOTINE POISON? 302 00:12:11,832 --> 00:12:14,099 THAT SOUNDS VAGUELY FAMILIAR. 303 00:12:14,101 --> 00:12:15,767 I'M NOT SURE ABOUT THE PRIEST PART, 304 00:12:15,769 --> 00:12:17,702 BUT, AS FOR THE NICOTINE POISONING, 305 00:12:17,704 --> 00:12:20,805 I'D CHECK OUT VINCENT STARRETT, THEODORA DU BOIS, 306 00:12:20,807 --> 00:12:21,973 EVEN AGATHA CHRISTIE. 307 00:12:21,975 --> 00:12:23,308 SHE LOVED POISONS, 308 00:12:23,310 --> 00:12:24,576 WORKED IN THE PHARMACY 309 00:12:24,578 --> 00:12:26,578 DURING THE FIRST WORLD WAR. 310 00:12:26,580 --> 00:12:27,712 IF YOU CAN'T FIND IT, 311 00:12:27,714 --> 00:12:30,148 COME SEE ME. 312 00:12:30,150 --> 00:12:31,316 I HAVE REFERENCES IN MY OFFICE. 313 00:12:31,318 --> 00:12:32,383 AH, THANK YOU. 314 00:12:32,385 --> 00:12:33,384 THANK YOU. 315 00:12:35,222 --> 00:12:36,254 [QUIETLY] NO RING. 316 00:12:36,256 --> 00:12:37,856 IT'S PROBABLY IN HIS POCKET. 317 00:12:37,858 --> 00:12:39,991 [SCOFFS] CYNICAL, PARTY OF ONE. 318 00:12:39,993 --> 00:12:42,127 WELL, I'M JUST NOT INTERESTED. 319 00:12:42,129 --> 00:12:43,828 [CRICKETS CHIRPING] 320 00:12:43,830 --> 00:12:46,364 A COMPLETE WILDERNESS EXPERIENCE. 321 00:12:46,366 --> 00:12:48,099 EVERYTHING WE HAVE IS CARRIED ON OUR BACKS. 322 00:12:48,101 --> 00:12:50,668 I DIDN'T KNOW YOUR DAD WAS AN OUTDOORSMAN. 323 00:12:50,670 --> 00:12:52,570 YEAH, HE KNOWS HIS STUFF, 324 00:12:52,572 --> 00:12:53,605 AND I NEED TO LEARN THESE SKILLS. 325 00:12:53,607 --> 00:12:55,073 YOU KNOW, IT'S IMPORTANT FOR YOU TO TEST YOURSELF 326 00:12:55,075 --> 00:12:56,040 IN EXTREME CONDITIONS. 327 00:12:56,042 --> 00:12:57,008 HMM. 328 00:12:57,010 --> 00:12:57,976 I READ ABOUT SOME GUYS 329 00:12:57,978 --> 00:12:59,177 WHO DID THIS WILDERNESS THING, 330 00:12:59,179 --> 00:13:00,345 AND THEY GOT ALL BIT UP BY BUGS, 331 00:13:00,347 --> 00:13:01,613 THEY WERE COLD, HUNGRY, 332 00:13:01,615 --> 00:13:02,814 AND MISERABLE. 333 00:13:02,816 --> 00:13:04,582 IT'S GOING TO BE FUN. 334 00:13:04,584 --> 00:13:06,584 SLEEPING UNDER THE STARS, MAKING OUR OWN CAMPFIRE, 335 00:13:06,586 --> 00:13:07,552 MAKING OUR OWN BREAKFAST. 336 00:13:07,554 --> 00:13:08,520 [GROWLS] 337 00:13:10,390 --> 00:13:11,956 [WHISPERS] YOU'RE AFRAID OF SPIDERS. 338 00:13:11,958 --> 00:13:14,025 [GIGGLES] 339 00:13:14,027 --> 00:13:16,694 [LAUGHING] 340 00:13:16,696 --> 00:13:18,930 ARE YOU REALLY GOING TO TAKE OUR SON 341 00:13:18,932 --> 00:13:20,231 INTO THE WILDERNESS? 342 00:13:20,233 --> 00:13:21,266 YUP. 343 00:13:22,569 --> 00:13:23,535 ISN'T IT DANGEROUS? 344 00:13:23,537 --> 00:13:24,536 WHAT ABOUT BEARS? 345 00:13:24,538 --> 00:13:26,171 I KNOW HOW TO DEAL WITH A BEAR, 346 00:13:26,173 --> 00:13:27,839 RUN FASTER THAN THE PERSON YOU'RE WITH. 347 00:13:27,841 --> 00:13:29,674 I CHECKED WITH THE RANGER STATION, 348 00:13:29,676 --> 00:13:30,708 NO BEARS, 349 00:13:30,710 --> 00:13:32,343 AND I GOT US A GREAT SPOT NEAR MT. WASHINGTON. 350 00:13:32,345 --> 00:13:33,378 WE'RE GONNA BE FINE. 351 00:13:33,380 --> 00:13:34,546 [SIGHS HEAVILY] 352 00:13:35,749 --> 00:13:37,248 I'LL BE WORRIED. 353 00:13:37,250 --> 00:13:39,083 THIS COMING FROM THE AMATEUR DETECTIVE 354 00:13:39,085 --> 00:13:40,718 WHO ONCE JUMPED OUT OF A BURNING BARN? 355 00:13:40,720 --> 00:13:43,221 I'LL STILL BE WORRIED. 356 00:13:43,223 --> 00:13:44,255 HOW DID THE BOOK THING GO TONIGHT? 357 00:13:44,257 --> 00:13:45,990 PRETTY GOOD. I GOT IT SIGNED. 358 00:13:45,992 --> 00:13:46,958 NICE. 359 00:13:46,960 --> 00:13:47,926 AND HE GAVE ME SOME LEADS 360 00:13:47,928 --> 00:13:49,160 ON HOW TO FIND THE MYSTERY NOVEL 361 00:13:49,162 --> 00:13:51,429 THAT'S LIKE FRANK'S HOMICIDE. 362 00:13:51,431 --> 00:13:53,198 IT HASN'T BEEN CLASSIFIED A MURDER. 363 00:13:53,200 --> 00:13:54,299 I NEVER SAID IT WAS. 364 00:13:56,069 --> 00:13:57,836 AT LEAST NOT YET. 365 00:14:05,478 --> 00:14:07,111 TAROT CARDS ARE FUN, 366 00:14:07,113 --> 00:14:09,681 BUT I DON'T THINK THEY'RE VERY ACCURATE. 367 00:14:09,683 --> 00:14:10,682 OH. 368 00:14:10,684 --> 00:14:13,718 I LIKE TO ALIGN OUR SOULS 369 00:14:13,720 --> 00:14:15,253 AND CHAKRA SYSTEM, 370 00:14:15,255 --> 00:14:16,688 AND THEN I WAIT FOR THE DOWNLOAD. 371 00:14:17,824 --> 00:14:20,058 WELL, THAT SOUNDS LIKE A LOT FOR $20. 372 00:14:20,060 --> 00:14:21,226 MAYBE YOU SHOULD JUST READ MY PALMS. 373 00:14:21,228 --> 00:14:22,193 [CHUCKLES] OH, WELL, 374 00:14:22,195 --> 00:14:24,262 TODAY IS JUST TO SEE HOW I WORK. 375 00:14:24,264 --> 00:14:25,597 YOU KNOW, IF YOU WANTED TO GO FURTHER, 376 00:14:25,599 --> 00:14:27,498 I'D BE HAPPY TO HELP. 377 00:14:27,500 --> 00:14:29,200 ALL RIGHT. 378 00:14:29,202 --> 00:14:30,468 LET'S START WITH THE OBVIOUS. 379 00:14:30,470 --> 00:14:32,337 YOU'VE BEEN UNLUCKY WITH LOVE. 380 00:14:33,340 --> 00:14:34,305 THAT'S OBVIOUS? 381 00:14:34,307 --> 00:14:36,140 WELL, MOST PEOPLE WHO COME TO SEE ME 382 00:14:36,142 --> 00:14:37,242 HAVE BEEN UNLUCKY WITH LOVE. 383 00:14:37,244 --> 00:14:39,444 SO, IT'S A GUESS? 384 00:14:39,446 --> 00:14:40,712 AN EDUCATED ONE. 385 00:14:40,714 --> 00:14:43,548 I COULD HAVE ALSO SAID YOU'VE STRUGGLED FINANCIALLY, 386 00:14:43,550 --> 00:14:44,515 BUT WHO HASN'T? 387 00:14:44,517 --> 00:14:45,783 [CHUCKLES] 388 00:14:45,785 --> 00:14:47,752 WHAT I DO IS DIFFERENT. 389 00:14:47,754 --> 00:14:50,788 I LIKE TO ALIGN OUR ENERGIES, 390 00:14:50,790 --> 00:14:52,223 JUST FOR A SECOND, 391 00:14:52,225 --> 00:14:53,658 AND SEE WHERE IT LEADS. 392 00:14:53,660 --> 00:14:55,226 WANT TO GIVE IT A TRY? 393 00:14:55,228 --> 00:14:56,394 OKAY. 394 00:14:57,397 --> 00:15:00,064 OKAY, EXTEND YOUR HANDS, PALMS UP, 395 00:15:00,066 --> 00:15:01,266 AND CLOSE YOUR EYES. 396 00:15:04,337 --> 00:15:06,304 GOOD, I'M GETTING A VERY STRONG CONNECTION. 397 00:15:08,642 --> 00:15:10,275 JUST TRY TO RELAX, 398 00:15:10,277 --> 00:15:12,810 AND DON'T THINK OF ANYTHING. 399 00:15:12,812 --> 00:15:13,978 [EXHALING] NOT A PROBLEM. 400 00:15:24,424 --> 00:15:26,691 YOU MUST REALLY BE A FAN, 401 00:15:26,693 --> 00:15:27,892 THOSE ARE PRETTY OBSCURE. 402 00:15:27,894 --> 00:15:30,561 I'M LOOKING FOR A SPECIFIC MURDER FROM A BOOK. 403 00:15:30,563 --> 00:15:32,697 THE VICTIM WAS A PRIEST, AND HE WAS KILLED BY POISON. 404 00:15:32,699 --> 00:15:34,265 WHAT KIND OF POISON? 405 00:15:34,267 --> 00:15:35,967 NICOTINE. 406 00:15:39,906 --> 00:15:41,339 THIS IS A COMPENDIUM OF MYSTERY MURDERS, 407 00:15:41,341 --> 00:15:43,207 BY TYPES AND METHODS. 408 00:15:43,209 --> 00:15:44,976 A PRIEST MURDERED BY NICOTINE? 409 00:15:44,978 --> 00:15:46,678 THAT'S RIGHT. 410 00:15:46,680 --> 00:15:48,046 POISONS... 411 00:15:48,048 --> 00:15:49,781 OKAY, NICOTINE. 412 00:15:49,783 --> 00:15:51,582 THERE'S A FEW, 413 00:15:51,584 --> 00:15:53,785 NOTHING WITH A PRIEST. 414 00:15:53,787 --> 00:15:55,853 HOW ABOUT A CLERGYMAN? THAT WORK? 415 00:15:55,855 --> 00:15:56,854 YES, OF COURSE. 416 00:16:01,928 --> 00:16:03,428 MURDER IN THREE ACTS, 417 00:16:03,430 --> 00:16:04,896 AGATHA CHRISTIE. 418 00:16:04,898 --> 00:16:06,364 REVEREND BABINGTON 419 00:16:06,366 --> 00:16:08,099 IS MURDERED BY NICOTINE POISONING. 420 00:16:08,101 --> 00:16:09,267 THANK YOU. 421 00:16:09,269 --> 00:16:10,535 YOU'RE WELCOME. 422 00:16:10,537 --> 00:16:12,470 [SIGHS] OH, OF COURSE. 423 00:16:12,472 --> 00:16:15,273 AGATHA CHRISTIE. 424 00:16:15,275 --> 00:16:19,277 [♪♪♪] 425 00:16:19,279 --> 00:16:21,879 I THINK SHE COULD BE THE REAL DEAL. 426 00:16:21,881 --> 00:16:24,382 I MEAN, SHE TALKED ABOUT HOW, LIKE YOU SAID, 427 00:16:24,384 --> 00:16:25,950 A LOT OF PSYCHICS MAKE EDUCATED GUESSES, 428 00:16:25,952 --> 00:16:28,686 AND SHE WAS VERY UPFRONT ABOUT THAT. 429 00:16:28,688 --> 00:16:30,054 AND SHE ONLY WANTED $20. 430 00:16:30,056 --> 00:16:31,089 WELL, THAT'S GOOD. 431 00:16:31,091 --> 00:16:32,190 WHEN ARE YOU SEEING HER AGAIN? 432 00:16:32,192 --> 00:16:33,157 DAY AFTER TOMORROW. 433 00:16:33,159 --> 00:16:34,258 WELL, HOW MUCH IS THAT GOING TO COST? 434 00:16:34,260 --> 00:16:35,526 A HUNDRED DOLLARS. 435 00:16:36,730 --> 00:16:39,130 SHE KNEW THINGS THAT SHE COULDN'T POSSIBLY KNOW. 436 00:16:39,132 --> 00:16:40,765 I MEAN, THINGS YOU DON'T JUST GUESS. 437 00:16:40,767 --> 00:16:43,234 SHE DIDN'T EVEN KNOW MY NAME WHEN I WALKED IN. 438 00:16:43,236 --> 00:16:44,235 WELL, I DON'T KNOW HOW THEY DO IT, 439 00:16:44,237 --> 00:16:45,570 BUT I DON'T THINK THEY HAVE 440 00:16:45,572 --> 00:16:47,138 ANY SPECIAL PSYCHIC ABILITIES. 441 00:16:47,140 --> 00:16:48,239 EVEN IF THEY DID, 442 00:16:48,241 --> 00:16:49,207 WHY WOULDN'T THEY GO TO VEGAS AND PLAY BLACKJACK? 443 00:16:49,209 --> 00:16:50,808 WELL, THEY WOULD SAY 444 00:16:50,810 --> 00:16:54,245 THAT THE GIFT IS TO BE USED TO HELP PEOPLE, 445 00:16:54,247 --> 00:16:55,213 AND NOT FOR GAMBLING. 446 00:16:55,215 --> 00:16:56,381 OH. OKAY. 447 00:16:56,383 --> 00:16:57,582 WHY DON'T YOU ASK HER IF TERRANCE DUNCAN 448 00:16:57,584 --> 00:16:58,549 IS IN YOUR FUTURE. 449 00:16:58,551 --> 00:17:00,084 I'M NOT INTERESTED. 450 00:17:00,086 --> 00:17:01,319 WHAT? WHY NOT? 451 00:17:01,321 --> 00:17:03,221 HE'S CHARMING, HE'S HANDSOME. 452 00:17:03,223 --> 00:17:04,188 WHAT'S THE PROBLEM? 453 00:17:04,190 --> 00:17:05,256 HE WRITES MURDER MYSTERIES. 454 00:17:05,258 --> 00:17:06,224 SO? 455 00:17:06,226 --> 00:17:07,692 HOW WOULD I SLEEP AT NIGHT? 456 00:17:07,694 --> 00:17:09,660 OH, YOU... 457 00:17:09,662 --> 00:17:10,695 SCAREDY CAT. 458 00:17:10,697 --> 00:17:11,662 [LAUGHS] 459 00:17:15,535 --> 00:17:17,135 TRY NOT TO STAY UP ALL NIGHT, HON'. 460 00:17:17,137 --> 00:17:19,404 I WON'T BE LONG. 461 00:17:48,635 --> 00:17:49,767 YEAH, NOTHING OFFICIAL, YET. 462 00:17:49,769 --> 00:17:51,769 BUT WE DO KNOW THE CAUSE OF DEATH 463 00:17:51,771 --> 00:17:53,871 WAS NICOTINE POISONING. 464 00:17:53,873 --> 00:17:55,373 BUT IT COULD HAVE BEEN A SUICIDE. 465 00:17:55,375 --> 00:17:56,674 IT COULD HAVE BEEN ACCIDENTAL. 466 00:17:56,676 --> 00:17:58,342 BUT THIS GUY? 467 00:17:58,344 --> 00:18:00,778 HE HAD NO ONE IN HIS LIFE. 468 00:18:00,780 --> 00:18:03,648 YET, SOMEONE CALLED 911 FROM A PAYPHONE. 469 00:18:03,650 --> 00:18:05,516 I KNOW. IT'S HARD TO BELIEVE THOSE THINGS ARE STILL AROUND. 470 00:18:05,518 --> 00:18:07,985 BUT HENLEY DIDN'T BELONG TO ANY CLUBS, 471 00:18:07,987 --> 00:18:09,153 HAD NO ACTIVITIES. 472 00:18:09,155 --> 00:18:11,789 WELL, HE DID GO TO THE PARK AND FEED THE PIGEONS, 473 00:18:11,791 --> 00:18:12,857 BUT THAT'S ABOUT IT. 474 00:18:12,859 --> 00:18:14,158 BUT THERE'S NO WAY 475 00:18:14,160 --> 00:18:16,127 ANYONE HAD A MOTIVE TO KILL HIM. 476 00:18:16,129 --> 00:18:18,930 THE KILLER DIDN'T KNOW HIM. 477 00:18:18,932 --> 00:18:19,964 ART HENLEY, 478 00:18:19,966 --> 00:18:21,899 KILLED BY NICOTINE POISONING 479 00:18:21,901 --> 00:18:23,835 ADMINISTERED VIA AN ALCOHOLIC DRINK. 480 00:18:23,837 --> 00:18:25,870 THE KILLER SUBSTITUTES THE GLASS WITH THE POISON 481 00:18:25,872 --> 00:18:26,838 FOR ONE WITHOUT-- 482 00:18:26,840 --> 00:18:27,805 THAT'S AN ASSUMPTION. 483 00:18:27,807 --> 00:18:29,307 WE DON'T KNOW HOW HE INGESTED THE POISON. 484 00:18:29,309 --> 00:18:30,875 THE VICTIM HAS NO KNOWN ENEMIES, 485 00:18:30,877 --> 00:18:32,210 AND WAS WEARING A PRIEST'S COLLAR. 486 00:18:33,213 --> 00:18:35,246 THAT'S PRETTY MUCH WHAT I KNEW AN HOUR AGO. 487 00:18:35,248 --> 00:18:36,380 WHAT'S YOUR POINT? 488 00:18:36,382 --> 00:18:39,383 REMEMBER WHEN I SAID THIS REMINDED ME OF A BOOK? 489 00:18:39,385 --> 00:18:40,985 I FOUND IT. 490 00:18:42,422 --> 00:18:43,387 THE DEATH OF ART HENLEY 491 00:18:43,389 --> 00:18:45,089 IS STRAIGHT OUT OF AN AGATHA CHRISTIE NOVEL 492 00:18:45,091 --> 00:18:46,991 CALLED MURDER IN THREE ACTS. 493 00:18:46,993 --> 00:18:49,260 SO, YOU'RE SAYING, THE GUY WHO KILLED HENLEY, 494 00:18:49,262 --> 00:18:50,828 IF IT WAS A MURDER, 495 00:18:50,830 --> 00:18:53,064 WANTED IT TO LOOK LIKE A MURDER FROM A MYSTERY BOOK? 496 00:18:53,066 --> 00:18:54,031 YES. 497 00:18:54,033 --> 00:18:55,666 TOO MANY SIMILARITIES. 498 00:18:55,668 --> 00:18:57,735 THE KILLER IN THE BOOK HAD NO RELATIONSHIP TO THE VICTIM. 499 00:18:57,737 --> 00:18:59,504 THERE WAS NO MOTIVE. IT WAS RANDOM. 500 00:18:59,506 --> 00:19:01,205 WELL, THEN WHY KILL HIM? 501 00:19:01,207 --> 00:19:02,773 PRACTICE. 502 00:19:02,775 --> 00:19:05,743 HENLEY WAS A DRESS REHEARSAL. 503 00:19:05,745 --> 00:19:07,245 THIS GUY'S GOING TO KILL AGAIN. 504 00:19:10,617 --> 00:19:11,782 I DON'T KNOW, JENN, 505 00:19:11,784 --> 00:19:14,719 EVEN IF HENLEY'S DEATH WAS COPIED FROM A BOOK, 506 00:19:14,721 --> 00:19:16,220 THAT DOESN'T MEAN HE'S GOING KILL AGAIN. 507 00:19:16,222 --> 00:19:17,355 HE DOES IN THE BOOK. 508 00:19:17,357 --> 00:19:18,556 OKAY. 509 00:19:18,558 --> 00:19:21,492 ALL RIGHT, WELL, IN THE BOOK, WHO'S THE NEXT VICTIM? 510 00:19:21,494 --> 00:19:23,327 HIS NAME IS... 511 00:19:23,329 --> 00:19:24,395 "DR. STRANGE." 512 00:19:24,397 --> 00:19:25,463 SERIOUSLY? 513 00:19:25,465 --> 00:19:26,531 THAT'S HIS NAME? 514 00:19:26,533 --> 00:19:28,032 YUP. 515 00:19:28,034 --> 00:19:29,767 OKAY, WELL, HOW IS DR. STRANGE KILLED? 516 00:19:29,769 --> 00:19:30,968 THE SAME AS REVEREND BABINGTON. 517 00:19:30,970 --> 00:19:32,036 HE DRINKS A GLASS OF ALCOHOL 518 00:19:32,038 --> 00:19:33,771 THAT'S TAINTED WITH NICOTINE OIL. 519 00:19:33,773 --> 00:19:35,973 I'LL BE TALKING TO YOU SOON, JENN. 520 00:19:35,975 --> 00:19:37,041 HEY, FRANK, 521 00:19:37,043 --> 00:19:39,277 WHERE DID ART HENLEY FEED THE PIGEONS? 522 00:19:39,279 --> 00:19:40,711 FREEMAN PARK. 523 00:19:41,848 --> 00:19:42,847 OH, WAIT, 524 00:19:42,849 --> 00:19:44,815 YOU ALMOST FORGOT THIS. 525 00:19:50,356 --> 00:19:53,658 THE CONNECTION IS VERY STRONG... 526 00:19:54,761 --> 00:19:57,662 I'M SENSING A LOT OF NEGATIVITY AROUND YOU. 527 00:19:57,664 --> 00:19:59,730 WHAT DO YOU SEE? 528 00:19:59,732 --> 00:20:01,265 CLOUDS GATHERING... 529 00:20:03,136 --> 00:20:04,235 DARK... 530 00:20:04,237 --> 00:20:06,370 I HAVE BEEN WORRYING A LOT. 531 00:20:06,372 --> 00:20:07,305 NO, THIS IS DIFFERENT. 532 00:20:09,943 --> 00:20:10,908 WHOA. 533 00:20:11,911 --> 00:20:13,911 WELL, THAT WAS SOMETHING. 534 00:20:13,913 --> 00:20:15,246 WHAT? WHAT WAS "SOMETHING?" 535 00:20:15,248 --> 00:20:16,581 I DON'T KNOW, 536 00:20:16,583 --> 00:20:17,848 BUT IT WAS INTENSE. 537 00:20:20,086 --> 00:20:21,152 JUST BE CAREFUL. 538 00:20:21,154 --> 00:20:23,521 I CAN ATTEMPT TO CLEAR THIS ENERGY FOR YOU, 539 00:20:23,523 --> 00:20:25,823 THROUGH A SERIES OF INTENSIVE SESSIONS 540 00:20:25,825 --> 00:20:28,392 THAT GOES FAR BEYOND THIS TYPE OF WORK. 541 00:20:28,394 --> 00:20:30,595 WELL, I'D LIKE TO THINK ABOUT THAT. 542 00:20:30,597 --> 00:20:31,762 HOW MUCH WOULD IT COST? 543 00:20:31,764 --> 00:20:34,265 ONCE ALL THE NEGATIVITY IS CLEARED, 544 00:20:34,267 --> 00:20:36,567 THE ABUNDANCE THAT FOLLOWS 545 00:20:36,569 --> 00:20:38,069 IS AMAZING. 546 00:20:38,071 --> 00:20:40,238 I CAN TELL YOU'RE A VERY SPIRITUAL PERSON. 547 00:20:40,240 --> 00:20:41,372 WELL, I THINK SO. 548 00:20:41,374 --> 00:20:42,573 I KNOW SO. 549 00:20:42,575 --> 00:20:46,510 NORMALLY I WOULD CHARGE $500 FOR THIS TYPE OF WORK, 550 00:20:46,512 --> 00:20:49,046 BUT BECAUSE OF YOUR INNATE ABILITIES, 551 00:20:49,048 --> 00:20:50,281 IT WOULD BE HALF OF THAT. 552 00:20:50,283 --> 00:20:51,749 THAT'S VERY GENEROUS. 553 00:20:51,751 --> 00:20:53,150 THANK YOU. 554 00:20:53,152 --> 00:20:54,619 I'D STILL LIKE TO THINK ABOUT IT. 555 00:20:54,621 --> 00:20:55,987 OF COURSE. 556 00:21:00,126 --> 00:21:02,026 OH, UH, DOES THE NAME "BERNICE" 557 00:21:02,028 --> 00:21:03,794 HAVE ANY SPECIAL MEANING TO YOU? 558 00:21:04,797 --> 00:21:06,330 BERNICE... 559 00:21:06,332 --> 00:21:08,566 NO, NOT REALLY. 560 00:21:08,568 --> 00:21:09,867 I HAD AN AUNT BERNICE, 561 00:21:09,869 --> 00:21:11,602 BUT SHE DIED WHEN I WAS A KID, 562 00:21:11,604 --> 00:21:13,471 I NEVER REALLY KNEW HER. 563 00:21:13,473 --> 00:21:14,572 WELL... 564 00:21:14,574 --> 00:21:15,573 IT'S PROBABLY NOTHING. 565 00:21:16,743 --> 00:21:17,708 OKAY. 566 00:21:17,710 --> 00:21:18,709 THANK YOU. 567 00:21:18,711 --> 00:21:19,677 YOU'RE WELCOME. 568 00:21:26,219 --> 00:21:27,218 CAN I HELP? 569 00:21:27,220 --> 00:21:29,320 OH, THANK YOU. 570 00:21:34,894 --> 00:21:37,828 UM, I SAW YOU COMING OUT. 571 00:21:37,830 --> 00:21:39,297 HAVE YOU BEEN SEEING MAGGIE? 572 00:21:39,299 --> 00:21:40,965 OH, YES, I HAVE. 573 00:21:40,967 --> 00:21:42,133 OH, SHE IS A BLESSING. 574 00:21:42,135 --> 00:21:45,936 I DON'T KNOW HOW I'D MANAGE WITHOUT HER. 575 00:21:52,712 --> 00:21:54,645 DID ART HAVE ANY FRIENDS DOWN HERE, 576 00:21:54,647 --> 00:21:55,813 PEOPLE HE TALKED WITH? 577 00:21:55,815 --> 00:21:56,914 ART? NO. 578 00:21:56,916 --> 00:21:58,749 FOR YEARS, HE JUST SAT ALONE. 579 00:21:58,751 --> 00:22:00,518 ACTUALLY, A COUPLE WEEKS AGO, 580 00:22:00,520 --> 00:22:02,486 HE SEEMED TO BE HANGING OUT WITH A GUY I HADN'T SEEN BEFORE. 581 00:22:02,488 --> 00:22:04,088 DID THEY COME TOGETHER? 582 00:22:04,090 --> 00:22:05,723 NO, THEY JUST GOT TO TALKING. 583 00:22:05,725 --> 00:22:06,957 DID YOU GET A CHANCE 584 00:22:06,959 --> 00:22:07,925 TO TALK TO THIS GUY? 585 00:22:07,927 --> 00:22:08,926 CATCH HIS NAME? 586 00:22:08,928 --> 00:22:10,161 ART MENTIONED IT ONCE. 587 00:22:10,163 --> 00:22:11,195 I THINK IT WAS SOMETHING LIKE... 588 00:22:11,197 --> 00:22:12,330 JERRY, 589 00:22:12,332 --> 00:22:13,297 OR LARRY. 590 00:22:13,299 --> 00:22:14,765 I DON'T KNOW, I NEVER TALKED TO HIM. 591 00:22:16,035 --> 00:22:18,769 DID ART HAVE A USUAL SPOT THAT HE LIKED TO FEED THE BIRDS? 592 00:22:18,771 --> 00:22:19,937 YEAH. 593 00:22:19,939 --> 00:22:22,740 THAT WAS HIS FAVORITE BENCH RIGHT THERE. 594 00:22:23,743 --> 00:22:25,576 ART WAS A NICE GUY. 595 00:22:25,578 --> 00:22:26,911 SORRY TO HEAR HE DIED. 596 00:22:26,913 --> 00:22:27,945 ME TOO. 597 00:22:27,947 --> 00:22:28,879 THANK YOU. 598 00:22:44,731 --> 00:22:46,597 [♪♪♪] 599 00:22:53,172 --> 00:22:55,906 THIS IS A HAMILTON PERRY, PROBABLY 1930s. 600 00:22:55,908 --> 00:22:57,808 AND THIS IS A VERY NICE BULOVA. 601 00:22:57,810 --> 00:22:58,843 THEY'VE BEEN IN GRANDPA'S ATTIC 602 00:22:58,845 --> 00:22:59,810 FOR OVER 40 YEARS. 603 00:22:59,812 --> 00:23:00,945 HOW MUCH ARE YOU HOPING 604 00:23:00,947 --> 00:23:02,513 TO GET FOR THEM? 605 00:23:02,515 --> 00:23:05,449 I WAS THINKING AT LEAST $50 EACH. 606 00:23:06,919 --> 00:23:08,552 [SIGHS] 607 00:23:08,554 --> 00:23:10,821 WELL, IF THESE ARE GENUINE, 608 00:23:10,823 --> 00:23:12,423 AND I THINK THEY ARE, 609 00:23:12,425 --> 00:23:13,557 THEY COULD BE WORTH $1,000 APIECE, 610 00:23:13,559 --> 00:23:14,792 THE BULOVA EVEN MORE. 611 00:23:14,794 --> 00:23:15,793 REALLY? 612 00:23:15,795 --> 00:23:17,128 MM-HMM. 613 00:23:17,130 --> 00:23:19,497 GET THEM APPRAISED, I THINK YOU'LL BE SURPRISED. 614 00:23:19,499 --> 00:23:20,531 OH, MY GOODNESS, THANK YOU. 615 00:23:20,533 --> 00:23:21,565 THANK YOU SO MUCH. 616 00:23:21,567 --> 00:23:23,300 YOU'RE WELCOME. 617 00:23:23,302 --> 00:23:24,402 [CHUCKLING] OH... 618 00:23:24,404 --> 00:23:26,237 WE'RE NEVER GOING TO GET RICH. 619 00:23:26,239 --> 00:23:27,471 NO, BUT WE'LL SLEEP WELL AT NIGHT. 620 00:23:27,473 --> 00:23:29,173 YEAH. 621 00:23:29,175 --> 00:23:30,441 HEY, DID YOU SEE YOUR PSYCHIC FRIEND AGAIN? 622 00:23:30,443 --> 00:23:31,776 YEAH. 623 00:23:31,778 --> 00:23:33,711 THOUGHT I'M GETTING A WEIRD FEELING FROM HER. 624 00:23:35,014 --> 00:23:36,747 HOW DID SHE KNOW ALL THAT STUFF ABOUT ME? 625 00:23:36,749 --> 00:23:39,216 HAS SHE UPPED HER $100 FEE? 626 00:23:39,218 --> 00:23:40,618 $500. 627 00:23:40,620 --> 00:23:42,553 BUT HALF PRICE. 628 00:23:42,555 --> 00:23:44,455 SHE SAID I HAVE A LOT OF NEGATIVE ENERGY AROUND ME. 629 00:23:44,457 --> 00:23:45,723 [SCOFFS] 630 00:23:45,725 --> 00:23:47,258 TIME FOR TEA. 631 00:23:51,731 --> 00:23:53,097 I'VE NEVER BEEN "NEW AGE." 632 00:23:53,099 --> 00:23:54,298 I KNOW. 633 00:23:54,300 --> 00:23:56,567 BUT YOU DO HAVE SOME CLAIRVOYANCE. 634 00:23:56,569 --> 00:23:57,968 I MEAN, WHEN YOU'RE SOLVING A MYSTERY, 635 00:23:57,970 --> 00:23:59,170 YOU'RE PRETTY GOOD. 636 00:23:59,172 --> 00:24:01,472 I THINK I MIGHT HAVE A TALENT FOR DEDUCTIVE REASONING. 637 00:24:01,474 --> 00:24:03,174 LET ME ASK YOU SOMETHING. 638 00:24:04,177 --> 00:24:05,409 ARE YOU HAPPY WITH YOUR LIFE? 639 00:24:05,411 --> 00:24:06,911 MY LIFE? 640 00:24:07,914 --> 00:24:09,713 WELL, OF COURSE, IT'S FABULOUS. 641 00:24:09,715 --> 00:24:10,981 WELL, THEN IF YOU SEE MAGDALENA, 642 00:24:10,983 --> 00:24:11,949 DO IT BECAUSE IT'S FUN. 643 00:24:11,951 --> 00:24:12,917 JUST FUN. 644 00:24:12,919 --> 00:24:15,686 YOU'RE RIGHT. 645 00:24:15,688 --> 00:24:16,654 I FEEL "CLEARED" NOW. 646 00:24:16,656 --> 00:24:18,689 THAT'LL BE $500. 647 00:24:18,691 --> 00:24:20,658 WELL, THERE'S NO CONTACT PERSON 648 00:24:20,660 --> 00:24:24,328 LISTED ON... ON HIS RENTAL AGREEMENT. 649 00:24:24,330 --> 00:24:27,465 BUT, YOU KNOW, THAT HAPPENS, THOUGH, SOMETIMES, 650 00:24:27,467 --> 00:24:29,266 WITH THESE OLD PEOPLE. 651 00:24:29,268 --> 00:24:30,468 HAS THE UNIT BEEN ENTERED 652 00:24:30,470 --> 00:24:31,669 SINCE THE POLICE LEFT? 653 00:24:31,671 --> 00:24:33,404 NO, NO. 654 00:24:33,406 --> 00:24:34,972 UH, LISTEN, 655 00:24:34,974 --> 00:24:36,474 YOU'RE A DETECTIVE, RIGHT? 656 00:24:36,476 --> 00:24:37,608 MM-HMM. 657 00:24:37,610 --> 00:24:40,110 WELL, ART DIED OF A HEART ATTACK. 658 00:24:40,112 --> 00:24:42,079 I MEAN, WHAT'S THE DEAL HERE? 659 00:24:42,081 --> 00:24:43,948 NO DEAL. 660 00:24:43,950 --> 00:24:45,182 I JUST WANT TO TAKE A LOOK AROUND. 661 00:24:55,528 --> 00:24:57,361 [♪♪♪] 662 00:25:51,183 --> 00:25:53,484 TURNS OUT HENLEY WASN'T A COMPLETE LONER. 663 00:25:53,486 --> 00:25:54,451 A COUPLE OF WEEKS AGO, 664 00:25:54,453 --> 00:25:56,220 HE STRUCK UP A FRIENDSHIP WITH SOMEONE. 665 00:25:56,222 --> 00:25:57,555 THE GUY THAT SELLS BIRDSEED AT THE PARK THINKS 666 00:25:57,557 --> 00:25:59,890 THE NEW GUY'S NAME WAS, UH, LARRY, 667 00:25:59,892 --> 00:26:01,091 OR JERRY. 668 00:26:01,093 --> 00:26:02,159 THE GUY WHO SELLS BIRDSEED? 669 00:26:02,161 --> 00:26:03,160 YES. 670 00:26:03,162 --> 00:26:05,729 DON'T BE MAKING FUN OF MY SOURCES. 671 00:26:05,731 --> 00:26:07,898 OH, AND THERE'S A SECURITY CAMERA AT THE PARK. 672 00:26:07,900 --> 00:26:08,899 ART AND HIS FRIEND MIGHT BE ON IT. 673 00:26:08,901 --> 00:26:10,701 OKAY, NOW, THAT'S INTERESTING. 674 00:26:12,471 --> 00:26:13,938 ALL RIGHT, I WENT BACK TO HENLEY'S APARTMENT, 675 00:26:13,940 --> 00:26:15,873 YOU KNOW, TAKING A LOOK AROUND. 676 00:26:15,875 --> 00:26:17,541 FOUND THAT ON THE FRIDGE. 677 00:26:17,543 --> 00:26:18,809 LIFE COACH? 678 00:26:18,811 --> 00:26:20,377 HENLEY WAS SEEING A LIFE COACH? 679 00:26:20,379 --> 00:26:21,378 NOW, THAT DOESN'T MAKE ANY SENSE. 680 00:26:21,380 --> 00:26:23,013 NOPE. 681 00:26:23,015 --> 00:26:24,682 "GERALD McNALLY." 682 00:26:24,684 --> 00:26:26,150 WELL, THAT CAN BE JERRY OR LARRY. 683 00:26:26,152 --> 00:26:27,117 FRANKLY, 684 00:26:27,119 --> 00:26:29,353 AND DON'T QUOTE ME ON THIS, 685 00:26:29,355 --> 00:26:31,455 BUT WHEN SOMEONE LIKE HENLEY DIES, 686 00:26:31,457 --> 00:26:33,457 WITH NO FRIENDS, NO FAMILY... 687 00:26:33,459 --> 00:26:35,693 NO ONE CARES, 688 00:26:35,695 --> 00:26:36,994 ESPECIALLY WHEN THERE'S A CASE TO BE MADE 689 00:26:36,996 --> 00:26:38,095 THAT IT COULD BE A SUICIDE. 690 00:26:38,097 --> 00:26:40,598 I UNDERSTAND, BUT IT JUST DOESN'T SEEM RIGHT. 691 00:26:40,600 --> 00:26:41,699 YEAH. 692 00:26:41,701 --> 00:26:42,766 ALL RIGHT, WELL, I'M GOING TO SEE 693 00:26:42,768 --> 00:26:43,867 IF I CAN FIND SOMETHING ON THAT PARK FOOTAGE. 694 00:26:43,869 --> 00:26:46,370 YOU KNOW, I'VE BEEN LOOKING FOR A LIFE COACH. 695 00:26:47,340 --> 00:26:48,305 WHAT... 696 00:26:48,307 --> 00:26:49,640 I'D BE LIKE A NEW CLIENT. 697 00:26:49,642 --> 00:26:52,242 HE'D HAVE NO IDEA WHY I WAS THERE, 698 00:26:52,244 --> 00:26:54,078 BUT IF YOU GO, AND HE'S SOMEHOW CONNECTED, 699 00:26:54,080 --> 00:26:55,112 IT COULD SPOOK HIM. 700 00:26:55,114 --> 00:26:56,080 AND THIS WAY, 701 00:26:56,082 --> 00:26:57,181 IF THERE'S ANYTHING HINKY ABOUT THIS GUY-- 702 00:26:57,183 --> 00:26:58,482 HINKY? 703 00:26:58,484 --> 00:26:59,483 YEAH, HINKY. 704 00:26:59,485 --> 00:27:00,551 WELL, THAT'S THE EXPRESSION, RIGHT? 705 00:27:02,555 --> 00:27:04,021 JUST GO ON. 706 00:27:04,023 --> 00:27:05,723 WELL, THEN I REPORT BACK TO YOU, 707 00:27:05,725 --> 00:27:06,890 AND YOU DO WHAT YOU DO. 708 00:27:06,892 --> 00:27:08,959 I'LL BE LIKE SCOUTING PATROL. 709 00:27:08,961 --> 00:27:11,095 NO MENTION OF ARTHUR HENLEY, 710 00:27:11,097 --> 00:27:12,129 AGATHA CHRISTIE, 711 00:27:12,131 --> 00:27:13,631 NICOTINE POISONING, 712 00:27:13,633 --> 00:27:14,598 OR PRIEST COLLARS. 713 00:27:14,600 --> 00:27:15,566 RIGHT. 714 00:27:15,568 --> 00:27:16,834 JUST LIFE COACHING. 715 00:27:18,537 --> 00:27:19,737 WERE YOU A GIRL SCOUT? 716 00:27:19,739 --> 00:27:21,205 NO. 717 00:27:23,376 --> 00:27:24,675 THIS PSYCHIC KNEW THINGS 718 00:27:24,677 --> 00:27:26,477 THAT WOULD BE IMPOSSIBLE FOR HER TO KNOW. 719 00:27:26,479 --> 00:27:27,444 LIKE WHAT? 720 00:27:27,446 --> 00:27:28,412 LIKE DANI WAS MARRIED 721 00:27:28,414 --> 00:27:29,480 TO SOMEONE NAMED DARREN. 722 00:27:29,482 --> 00:27:30,848 HOW WOULD SHE KNOW THAT? 723 00:27:30,850 --> 00:27:31,815 MAYBE A PARTNER RAN DANI'S PLATE 724 00:27:31,817 --> 00:27:33,384 THROUGH A DATABASE? 725 00:27:33,386 --> 00:27:35,552 THEY USE TRICKS LIKE THAT. 726 00:27:35,554 --> 00:27:37,421 I READ WHERE A LONELY GUY GOT TAKEN FOR MILLIONS 727 00:27:37,423 --> 00:27:39,590 BY A FORTUNE TELLER. 728 00:27:39,592 --> 00:27:41,158 IS DANI GETTING TOO INVOLVED WITH THIS? 729 00:27:41,160 --> 00:27:42,126 I DON'T THINK SO. 730 00:27:42,128 --> 00:27:43,861 SHE'S JUST GOING FOR FUN. 731 00:27:43,863 --> 00:27:45,195 SO, LOGAN, 732 00:27:45,197 --> 00:27:46,397 HOW IS THE CAMPING TRIP COMING ALONG? 733 00:27:46,399 --> 00:27:47,398 GREAT. 734 00:27:47,400 --> 00:27:49,566 JUST HONING MY WILDERNESS SKILLS. 735 00:27:49,568 --> 00:27:51,235 YOU GUYS ARE GOING TO BE MISERABLE. 736 00:27:51,237 --> 00:27:53,737 NO, YOU GUYS ARE GOING TO WISH YOU WERE THERE, 737 00:27:53,739 --> 00:27:54,838 WHILE WE'RE SITTING BY A CAMPFIRE, 738 00:27:54,840 --> 00:27:55,906 DRINKING HOT CHOCOLATE 739 00:27:55,908 --> 00:27:57,641 YOU KNOW, UNDER THE STARS. 740 00:27:57,643 --> 00:27:58,976 YOU WON'T LAST THE WEEK-END. 741 00:27:58,978 --> 00:28:00,744 YEAH, WE WILL. RIGHT, DAD? 742 00:28:00,746 --> 00:28:02,413 ABSOLUTELY. 743 00:28:02,415 --> 00:28:03,480 HOT CHOCOLATE SOUNDS GOOD. 744 00:28:03,482 --> 00:28:04,682 HOW ABOUT I MAKE SOME, AND WE ALL PLAY HEARTS? 745 00:28:05,651 --> 00:28:06,650 I'M MEETING SOME FRIENDS AT SCHOOL. 746 00:28:06,652 --> 00:28:09,119 YEAH, AND I'VE GOT TO DO, UM... 747 00:28:10,256 --> 00:28:11,221 SOMETHING. 748 00:28:11,223 --> 00:28:12,856 OH. 749 00:28:12,858 --> 00:28:13,957 SORRY, MOM. 750 00:28:14,994 --> 00:28:16,060 EXCUSE US. 751 00:28:17,697 --> 00:28:18,796 CHESS? 752 00:28:18,798 --> 00:28:21,031 WHY NOT? 753 00:28:22,702 --> 00:28:25,202 [♪♪♪] 754 00:28:32,812 --> 00:28:34,545 THANK YOU VERY MUCH FOR SEEING ME. 755 00:28:34,547 --> 00:28:35,813 OH, MY PLEASURE. 756 00:28:35,815 --> 00:28:39,616 DO YOU ONLY WORK WITH WRITERS, 757 00:28:39,618 --> 00:28:42,619 OR DO YOU SEE REGULAR PEOPLE? 758 00:28:42,621 --> 00:28:43,620 [CHUCKLING] 759 00:28:43,622 --> 00:28:45,022 ABOUT HALF MY CLIENTS ARE REGULAR PEOPLE, 760 00:28:45,024 --> 00:28:46,757 BUT GIVEN MY BACKGROUND, 761 00:28:46,759 --> 00:28:49,259 I'M UNIQUELY SUITED TO HELP CREATIVE TYPES. 762 00:28:49,261 --> 00:28:50,494 OH. 763 00:28:50,496 --> 00:28:51,829 WHAT'S YOUR BACKGROUND? 764 00:28:51,831 --> 00:28:52,896 I WAS A WRITER, 765 00:28:52,898 --> 00:28:54,465 AND THEN AN EDITOR AT A PUBLISHING HOUSE. 766 00:28:54,467 --> 00:28:55,766 UNFORTUNATELY, 767 00:28:55,768 --> 00:28:56,834 THE INTERNET HAS NOT BEEN KIND TO PUBLISHERS, 768 00:28:56,836 --> 00:28:58,736 OR BOOKSTORES. 769 00:28:58,738 --> 00:28:59,903 THAT'S A SHAME. 770 00:28:59,905 --> 00:29:03,107 I ACTUALLY FIND THIS WORK MUCH MORE SATISFYING. 771 00:29:03,109 --> 00:29:04,141 ARE YOU A WRITER? 772 00:29:04,143 --> 00:29:05,609 OH, NO. 773 00:29:05,611 --> 00:29:06,577 I'M.... 774 00:29:06,579 --> 00:29:07,578 I LOVE TO READ. 775 00:29:07,580 --> 00:29:08,579 I'M A BIG MYSTERY FAN. 776 00:29:08,581 --> 00:29:10,814 THAT WAS MY AREA WHEN I WAS AN EDITOR. 777 00:29:12,017 --> 00:29:13,817 WELL, YOU'LL HAVE TO RECOMMEND SOME BOOKS. 778 00:29:13,819 --> 00:29:15,285 I WILL. 779 00:29:15,287 --> 00:29:18,589 I'M NOT AT ALL SURE WHAT A "LIFE COACH" DOES. 780 00:29:18,591 --> 00:29:20,991 WELL, FIRST OFF, IT'S NOT PSYCHOTHERAPY, OKAY? 781 00:29:20,993 --> 00:29:22,526 I DON'T FOCUS ON THE PAST, 782 00:29:22,528 --> 00:29:24,561 I WANT TO HELP YOU LOOK FORWARD AND ACHIEVE YOUR GOALS. 783 00:29:24,563 --> 00:29:26,263 IT'S PRACTICAL. 784 00:29:26,265 --> 00:29:27,531 OKAY. 785 00:29:27,533 --> 00:29:31,935 SO, LET'S START WITH A SIMPLE QUESTION. 786 00:29:31,937 --> 00:29:34,671 GIVEN WHERE YOU ARE IN LIFE RIGHT NOW, 787 00:29:34,673 --> 00:29:37,074 WHAT WOULD YOU LIKE TO CHANGE? 788 00:29:37,076 --> 00:29:39,710 ANYTHING AT ALL. 789 00:29:39,712 --> 00:29:41,512 OFF THE TOP OF YOUR HEAD, FIRST THING. 790 00:29:41,514 --> 00:29:42,513 UH-- 791 00:29:42,515 --> 00:29:44,414 FRANK, I'M LEAVING McNALLY'S. 792 00:29:44,416 --> 00:29:45,449 DID YOU KNOW 793 00:29:45,451 --> 00:29:47,050 THAT HE USED TO HANDLE MYSTERY WRITERS 794 00:29:47,052 --> 00:29:48,485 FOR A PUBLISHING HOUSE? 795 00:29:48,487 --> 00:29:50,754 YOU KNOW THAT DOESN'T CONNECT HIM TO THE BIRD GUY. 796 00:29:50,756 --> 00:29:53,157 NO, I KNOW THAT DOESN'T CONNECT HIM TO HENLEY, 797 00:29:53,159 --> 00:29:56,460 BUT SEE IF THIS MIGHT, 798 00:29:56,462 --> 00:29:59,296 I'M IN THE PARKING LOT AT McNALLY'S OFFICE, 799 00:29:59,298 --> 00:30:01,298 AND I AM LOOKING AT AN ENDANGERED SPECIES. 800 00:30:01,300 --> 00:30:03,100 WHAT'S THAT? 801 00:30:03,102 --> 00:30:05,269 A PAY PHONE. 802 00:30:06,372 --> 00:30:08,505 I THINK GERALD McNALLY COULD BE CONNECTED 803 00:30:08,507 --> 00:30:10,174 TO ART HENLEY'S DEATH. 804 00:30:10,176 --> 00:30:11,475 HOW? 805 00:30:11,477 --> 00:30:12,409 WHY WOULD THEY EVEN KNOW EACH OTHER? 806 00:30:12,411 --> 00:30:14,077 I DON'T KNOW, 807 00:30:14,079 --> 00:30:16,380 BUT McNALLY'S CARD WAS ON HENLEY'S REFRIGERATOR, 808 00:30:16,382 --> 00:30:19,149 AND THERE WAS A PAYPHONE OUTSIDE OF McNALLY'S OFFICE? 809 00:30:19,151 --> 00:30:20,751 THAT CAN'T BE A COINCIDENCE. 810 00:30:20,753 --> 00:30:22,586 [SHOP BELL JINGLES] 811 00:30:23,856 --> 00:30:25,923 THE SECURITY CAM FOOTAGE FROM THE DAY BEFORE 812 00:30:25,925 --> 00:30:28,392 AND OF HENLEY'S DEATH. 813 00:30:30,763 --> 00:30:33,330 ALL RIGHT. 814 00:30:33,332 --> 00:30:35,465 OKAY. 815 00:30:35,467 --> 00:30:37,267 SO, THIS IS THE DAY BEFORE, 816 00:30:37,269 --> 00:30:39,770 AND THERE'S ART HENLEY, FEEDING THE BIRDS. 817 00:30:41,407 --> 00:30:45,075 OKAY, NOW WE'VE GOT ANOTHER MAN JOINING HIM, 818 00:30:45,077 --> 00:30:46,877 AND HE'S WEARING A BRIMMED CAP, 819 00:30:46,879 --> 00:30:48,011 WHICH IS BLOCKING HIS FACE 820 00:30:48,013 --> 00:30:49,813 AS HE APPROACHES. 821 00:30:49,815 --> 00:30:52,182 AND NOW WE CAN ONLY SEE THEIR BACKS. 822 00:30:52,184 --> 00:30:55,752 NOW, THEY SAT AND TALKED HERE FOR A FEW MINUTES. 823 00:30:55,754 --> 00:30:57,821 YOU KNOW, EVERYTHING SEEMED FRIENDLY. 824 00:30:57,823 --> 00:31:00,490 NOW THE OTHER MAN WALKS AWAY... 825 00:31:02,862 --> 00:31:06,463 ...AND THEN ART HENLEY WALKS IN THE OPPOSITE DIRECTION. 826 00:31:07,433 --> 00:31:08,532 NOW... 827 00:31:08,534 --> 00:31:09,700 THIS IS THE DAY OF HIS DEATH. 828 00:31:12,605 --> 00:31:14,605 SO, THERE'S ARTHUR HENLEY, 829 00:31:14,607 --> 00:31:16,073 HE'S FEEDING THE BIRDS... 830 00:31:17,076 --> 00:31:18,609 BUT THIS TIME, 831 00:31:18,611 --> 00:31:20,310 NOBODY JOINS HIM. 832 00:31:22,047 --> 00:31:23,847 ALL RIGHT, YOU SEE? 833 00:31:23,849 --> 00:31:26,149 SEE, HE'S LOOKING AROUND AS IF HE'S EXPECTING SOMEONE. 834 00:31:26,151 --> 00:31:29,152 COULD HE BE WAITING FOR THAT GUY AGAIN? 835 00:31:29,154 --> 00:31:32,089 HE JUST FINISHES FEEDING THE BIRDS... 836 00:31:34,827 --> 00:31:37,895 THEN HE WALKS AWAY. 837 00:31:37,897 --> 00:31:39,696 OKAY, SO WHO'S THIS OTHER GUY? 838 00:31:39,698 --> 00:31:41,064 NOW, THE 911 CALL, 839 00:31:41,066 --> 00:31:43,400 IT WAS MADE FROM THE PHONE RIGHT OUTSIDE McNALLY'S OFFICE. 840 00:31:45,271 --> 00:31:46,403 THAT SECURITY CAM, 841 00:31:46,405 --> 00:31:48,839 WELL, MAKES HENLEY JUST LUCKY HE HAS A FRIEND. 842 00:31:48,841 --> 00:31:50,140 BUT THAT PAYPHONE, 843 00:31:50,142 --> 00:31:51,275 WELL, THAT LOOKS BAD FOR McNALLY. 844 00:31:52,411 --> 00:31:53,510 CONGRATULATIONS, JENN, 845 00:31:53,512 --> 00:31:55,279 GERALD McNALLY IS NOW A PERSON OF INTEREST. 846 00:31:55,281 --> 00:31:57,915 YOUR LIFE COACH. 847 00:31:57,917 --> 00:31:59,449 YOU WERE JUST WITH HIM. 848 00:31:59,451 --> 00:32:01,418 I'M CALLING THIS A POSSIBLE HOMICIDE. 849 00:32:01,420 --> 00:32:03,720 YOU KNOW, IF YOU HADN'T HAVE THOUGHT 850 00:32:03,722 --> 00:32:06,023 OF THAT OLD BOOK WITH THAT MURDER IN IT, 851 00:32:06,025 --> 00:32:08,625 NOBODY WOULD HAVE PAID ATTENTION TO THIS. 852 00:32:08,627 --> 00:32:09,626 MAYBE. 853 00:32:09,628 --> 00:32:10,727 DEFINITELY. 854 00:32:10,729 --> 00:32:11,995 THEY WOULD HAVE RULED IT A SUICIDE, 855 00:32:11,997 --> 00:32:13,664 CASE CLOSED. 856 00:32:14,667 --> 00:32:15,699 YOU'RE REALLY GOOD AT THIS, JENN. 857 00:32:16,802 --> 00:32:17,801 THANK YOU. 858 00:32:17,803 --> 00:32:19,336 BUT YOU CAN'T OFFICIALLY BE INVOLVED. 859 00:32:19,338 --> 00:32:20,637 OKAY-- 860 00:32:20,639 --> 00:32:21,638 BUT, UNOFFICIALLY 861 00:32:21,640 --> 00:32:23,407 I'M GOING TO NEED YOUR HELP, 862 00:32:23,409 --> 00:32:24,374 AS A CONSULTANT. 863 00:32:24,376 --> 00:32:26,176 [GASPS] 864 00:32:26,178 --> 00:32:27,144 DOES SHE GET A BADGE? 865 00:32:27,146 --> 00:32:28,412 NO. 866 00:32:28,414 --> 00:32:30,614 [♪♪♪] 867 00:32:31,917 --> 00:32:34,318 IT'S JUST NICE TO BE ACKNOWLEDGED. 868 00:32:34,320 --> 00:32:35,519 SO, IF GERALD McNALLY IS THE KILLER, 869 00:32:35,521 --> 00:32:36,520 YOU GET THE CREDIT. 870 00:32:36,522 --> 00:32:37,487 OH, I DON'T CARE ABOUT THAT, 871 00:32:37,489 --> 00:32:40,023 JUST AS LONG AS THEY CATCH THE KILLER. 872 00:32:40,025 --> 00:32:41,825 DANI, THIS IS AN ORIGINAL TONKA. 873 00:32:41,827 --> 00:32:42,893 WHAT? [GASPS] 874 00:32:42,895 --> 00:32:43,860 LOOK AT THAT. 875 00:32:43,862 --> 00:32:44,861 ARE YOU SERIOUS? 876 00:32:44,863 --> 00:32:45,862 YEAH. I'M GOING TO BUY IT. 877 00:32:45,864 --> 00:32:47,798 OKAY, GOOD EYE. 878 00:32:50,703 --> 00:32:52,602 HI, UM, I'M DANI. 879 00:32:52,604 --> 00:32:54,171 WE MET OUTSIDE OF MAGGIE'S? 880 00:32:54,173 --> 00:32:55,772 OH, YES. 881 00:32:55,774 --> 00:32:59,376 I HAD THE MOST AMAZING SESSION THAT DAY. 882 00:32:59,378 --> 00:33:02,612 SHE WAS ABLE TO CROSS OVER AND TALK WITH MY HUSBAND. 883 00:33:03,916 --> 00:33:05,682 YOUR HUSBAND IS DECEASED? 884 00:33:05,684 --> 00:33:07,351 SEVERAL YEARS NOW. 885 00:33:07,353 --> 00:33:09,319 OH, MAGGIE'S BEEN A GODSEND. 886 00:33:09,321 --> 00:33:10,754 I MEAN, THERE ARE SO MANY THINGS 887 00:33:10,756 --> 00:33:13,190 THAT ARE HARD FOR ME TO MANAGE WITHOUT HIM, 888 00:33:13,192 --> 00:33:15,192 INVESTMENTS, FOR INSTANCE. 889 00:33:16,195 --> 00:33:17,327 SO, IS THERE ANYTHING SPECIAL 890 00:33:17,329 --> 00:33:18,462 YOU LOOK FOR AT THESE THINGS? 891 00:33:18,464 --> 00:33:20,163 OH, YES. 892 00:33:20,165 --> 00:33:21,932 I COLLECT LEFTON CUDDLES. 893 00:33:21,934 --> 00:33:24,768 THEY'RE REALLY HARD TO FIND. 894 00:33:24,770 --> 00:33:27,137 WOULD YOU BE INTERESTED IN A WHITE CAT CREAMER 895 00:33:27,139 --> 00:33:28,138 AND SUGAR BOWL SET? 896 00:33:28,140 --> 00:33:29,573 REALLY? 897 00:33:29,575 --> 00:33:30,540 YOU HAVE ONE? 898 00:33:30,542 --> 00:33:32,075 I HAVE A LITTLE SHOP, 899 00:33:32,077 --> 00:33:33,844 AND I'D LOVE TO SEE YOUR COLLECTION. 900 00:33:33,846 --> 00:33:34,978 I'D BE HAPPY TO BRING THEM OUT TO YOU. 901 00:33:34,980 --> 00:33:37,547 OH, THAT WOULD BE WONDERFUL. 902 00:33:37,549 --> 00:33:40,384 OH, LET ME GIVE YOU MY ADDRESS. 903 00:33:40,386 --> 00:33:41,418 OKAY. 904 00:33:41,420 --> 00:33:43,253 [♪♪♪] 905 00:33:47,292 --> 00:33:49,493 ALWAYS HAPPY TO HELP THE POLICE. 906 00:33:49,495 --> 00:33:50,494 WHAT'S THIS ABOUT? 907 00:33:52,431 --> 00:33:53,830 YOU KNOW WHO THIS IS? 908 00:33:53,832 --> 00:33:54,898 HMM... 909 00:33:54,900 --> 00:33:56,566 NO, I'VE NEVER SEEN HIM. 910 00:33:56,568 --> 00:33:58,235 HAVE YOU EVER BEEN TO FREEMAN PARK? 911 00:33:58,237 --> 00:33:59,903 YES, I'VE BEEN THERE. 912 00:33:59,905 --> 00:34:01,138 [FRANK]: HOW LONG AGO? 913 00:34:01,140 --> 00:34:02,973 [GERALD]: OOH, AT LEAST A COUPLE YEARS. 914 00:34:02,975 --> 00:34:04,808 THE MAN IN THAT PHOTO IS ART HENLEY. 915 00:34:04,810 --> 00:34:05,909 DOES THAT MEAN ANYTHING TO YOU? 916 00:34:05,911 --> 00:34:09,479 HMM, CAN'T SAY THAT IT DOES. 917 00:34:09,481 --> 00:34:11,681 HIS BODY WAS FOUND A WEEK AGO. 918 00:34:11,683 --> 00:34:13,016 HE SWALLOWED NICOTINE OIL, 919 00:34:13,018 --> 00:34:14,618 AND THE WEIRD THING IS, 920 00:34:14,620 --> 00:34:16,286 IS HE HAD BEEN DRINKING A GLASS OF WHISKEY, 921 00:34:16,288 --> 00:34:17,587 AND THERE WAS NO NICOTINE RESIDUE 922 00:34:17,589 --> 00:34:19,256 IN THE GLASS. 923 00:34:19,258 --> 00:34:20,524 WHAT'S EVEN STRANGER, 924 00:34:20,526 --> 00:34:22,659 IS HE WAS WEARING A CLERICAL COLLAR, 925 00:34:22,661 --> 00:34:23,727 AND HE'S NOT EVEN A PRIEST. 926 00:34:23,729 --> 00:34:24,694 [McNALLY LAUGHS] 927 00:34:24,696 --> 00:34:25,996 IS THIS SOME KIND OF A JOKE? 928 00:34:25,998 --> 00:34:28,031 YOU'VE JUST DESCRIBED 929 00:34:28,033 --> 00:34:29,132 A FAMOUS MURDER 930 00:34:29,134 --> 00:34:30,400 TAKEN STRAIGHT OUT OF AGATHA CHRISTIE. 931 00:34:30,402 --> 00:34:32,803 [FRANK]: YOU'RE OBVIOUSLY FAMILIAR WITH THE BOOK. 932 00:34:32,805 --> 00:34:33,837 [McNALLY]: OF COURSE I AM. 933 00:34:33,839 --> 00:34:34,938 [FRANK]: WELL, IN THE BOOK, 934 00:34:34,940 --> 00:34:36,106 WHY WAS THERE NO NICOTINE RESIDUE IN THE GLASS? 935 00:34:36,108 --> 00:34:37,974 THE KILLER SUBSTITUTES A CLEAN GLASS 936 00:34:37,976 --> 00:34:38,975 FOR THE TAINTED ONE. 937 00:34:38,977 --> 00:34:41,178 WHAT HAPPENS NEXT? 938 00:34:41,180 --> 00:34:44,781 DR. STRANGE IS MURDERED BY THE SAME METHOD, 939 00:34:44,783 --> 00:34:46,583 CONCENTRATED OIL OF NICOTINE, 940 00:34:46,585 --> 00:34:47,717 EXCEPT IN THIS CASE, 941 00:34:47,719 --> 00:34:48,919 IT'S ADMINISTERED IN A TAINTED GLASS OF PORT 942 00:34:48,921 --> 00:34:50,620 AT A DINNER PARTY. 943 00:34:50,622 --> 00:34:51,855 CLASSIC CHRISTIE. 944 00:34:54,426 --> 00:34:56,693 YOUR BUSINESS CARD WAS FOUND ON HENLEY'S FRIDGE. 945 00:34:56,695 --> 00:34:58,061 HE WASN'T A CLIENT. 946 00:34:59,264 --> 00:35:00,530 AFTER HE DRANK THE POISON, 947 00:35:00,532 --> 00:35:03,066 AN ANONYMOUS CALL CAME INTO TO 911. 948 00:35:04,069 --> 00:35:07,337 IT WAS MADE FROM A PAYPHONE RIGHT OUTSIDE YOUR OFFICE. 949 00:35:07,339 --> 00:35:08,738 [SCOFFS] 950 00:35:08,740 --> 00:35:11,108 LOOK, IF I WAS GOING TO KILL SOMEONE, 951 00:35:11,110 --> 00:35:13,043 I'D MAKE IT MORE MODERN. 952 00:35:13,045 --> 00:35:15,045 DON'T INSULT ME WITH PRIEST COLLARS 953 00:35:15,047 --> 00:35:17,547 AND OIL OF NICOTINE. 954 00:35:17,549 --> 00:35:18,548 ARE YOU 955 00:35:18,550 --> 00:35:20,584 ACTUALLY ARRESTING ME? 956 00:35:20,586 --> 00:35:22,352 JUST ASKING A FEW QUESTIONS. 957 00:35:22,354 --> 00:35:25,856 AH, WELL, THEN, IT HAS BEEN A PLEASURE... 958 00:35:25,858 --> 00:35:27,290 DETECTIVE? 959 00:35:27,292 --> 00:35:28,492 MM. 960 00:35:28,494 --> 00:35:29,693 [CHUCKLING] 961 00:35:32,131 --> 00:35:33,463 OH, MY... 962 00:35:42,241 --> 00:35:43,874 OKAY... 963 00:35:43,876 --> 00:35:46,910 JUST BEND THIS UP, AND WE HAVE A TENT. 964 00:35:50,816 --> 00:35:52,949 NICE. 965 00:35:59,525 --> 00:36:01,558 I'M BEING TESTED. 966 00:36:03,228 --> 00:36:04,794 YOU SOUND WORRIED THAT IT'S A SCAM. 967 00:36:04,796 --> 00:36:07,164 WELL, MADAME MAGDALENA CLAIMS TO BE THE GO-BETWEEN 968 00:36:07,166 --> 00:36:08,265 TO THE OTHER SIDE, 969 00:36:08,267 --> 00:36:09,432 AND THIS POOR WIDOW THINKS 970 00:36:09,434 --> 00:36:10,467 SHE'S GETTING INVESTMENT ADVICE 971 00:36:10,469 --> 00:36:13,036 FROM HER DECEASED HUSBAND. 972 00:36:13,038 --> 00:36:14,371 CALL FRANK. 973 00:36:14,373 --> 00:36:15,405 THEY GOT A "BUNCO" SQUAD 974 00:36:15,407 --> 00:36:17,407 THAT DEALS WITH SCAMSTERS AND FRAUDS, 975 00:36:17,409 --> 00:36:19,209 EXACTLY THIS KIND OF STUFF. 976 00:36:19,211 --> 00:36:21,077 THAT'S A GOOD IDEA. 977 00:36:21,079 --> 00:36:22,746 I'LL CALL HIM TOMORROW. 978 00:36:22,748 --> 00:36:24,648 GOOD. 979 00:36:24,650 --> 00:36:26,316 I SEE THE TENT OUTSIDE. 980 00:36:26,318 --> 00:36:27,284 UH-HUH. 981 00:36:27,286 --> 00:36:28,818 HOW'S THE BIG CAMPING TRIP COMING ALONG? 982 00:36:28,820 --> 00:36:30,220 WE'RE ALMOST SET. 983 00:36:30,222 --> 00:36:32,455 YEAH, GETTING BACK TO NATURE, 984 00:36:32,457 --> 00:36:33,557 IT'S GOING TO BE GREAT. 985 00:36:33,559 --> 00:36:34,524 HMM. 986 00:36:34,526 --> 00:36:35,659 YOU SHOULD JOIN US ON THE NEXT TRIP. 987 00:36:35,661 --> 00:36:36,726 MAYBE. 988 00:36:36,728 --> 00:36:37,794 NOT. 989 00:36:37,796 --> 00:36:38,762 [WINCING] OH... 990 00:36:38,764 --> 00:36:40,230 [CHUCKLING] 991 00:36:40,232 --> 00:36:42,365 I AM AFRAID THAT SHE IS ROBBING HER BLIND 992 00:36:42,367 --> 00:36:43,333 UNDER THE GUISE OF 993 00:36:43,335 --> 00:36:44,734 COMMUNICATING WITH THE OTHER SIDE. 994 00:36:44,736 --> 00:36:46,603 WELL, AS LONG AS CLARA IS COMPETENT, 995 00:36:46,605 --> 00:36:48,605 SHE'S ENTITLED TO MAKE HER OWN DECISIONS. 996 00:36:48,607 --> 00:36:49,940 YOU KNOW, A FAMILY MEMBER, 997 00:36:49,942 --> 00:36:52,042 NOW, THEY CAN COMPLAIN TO SENIOR PROTECTIVE SERVICES, 998 00:36:52,044 --> 00:36:54,511 BUT DANI DOESN'T QUALIFY. 999 00:36:54,513 --> 00:36:57,247 WHAT IF SHE DEFRAUDED ME? 1000 00:36:57,249 --> 00:36:58,882 THEN YOU MAKE A COMPLAINT, 1001 00:36:58,884 --> 00:37:00,617 AND OUR FRAUD UNIT WILL INVESTIGATE. 1002 00:37:03,956 --> 00:37:05,956 [KNOCKING] 1003 00:37:09,695 --> 00:37:10,961 GERALD? 1004 00:37:12,698 --> 00:37:13,830 GERALD? 1005 00:37:14,833 --> 00:37:15,966 [GASPS] 1006 00:37:21,273 --> 00:37:22,939 [POLICE CHATTER, SIRENS WAIL] 1007 00:37:30,382 --> 00:37:33,550 THE BODY WAS FOUND BY THE 2:00 CLIENT. 1008 00:37:33,552 --> 00:37:34,951 HE SAW HIM AND BACKED OUT. 1009 00:37:34,953 --> 00:37:36,620 HAS IT BEEN SECURED SINCE? 1010 00:37:36,622 --> 00:37:37,621 YES, SIR. 1011 00:37:48,400 --> 00:37:50,867 NO OBVIOUS WOUNDS. 1012 00:37:50,869 --> 00:37:52,969 THERE'S BLOOD AROUND THE ROOM, 1013 00:37:52,971 --> 00:37:54,938 BUT NONE ON THE BODY. 1014 00:37:54,940 --> 00:37:57,474 BLOOD ON THE COFFEE TABLE, 1015 00:37:57,476 --> 00:37:58,708 SOME ON THE CARPET, 1016 00:37:58,710 --> 00:37:59,809 AND, UH... 1017 00:38:00,779 --> 00:38:01,745 LOOK AT THIS. 1018 00:38:04,950 --> 00:38:06,783 OKAY. THANK YOU. 1019 00:38:06,785 --> 00:38:07,751 THANK YOU, SIR. 1020 00:38:19,931 --> 00:38:21,531 "THE DECAMERON." 1021 00:38:52,097 --> 00:38:53,563 "SIGERSON"... 1022 00:38:57,969 --> 00:38:59,836 [SIGHS HEAVILY] 1023 00:39:06,878 --> 00:39:07,877 THAT'S AWFUL. 1024 00:39:09,014 --> 00:39:12,649 I CAN'T BELIEVE IT, I JUST SAW HIM. 1025 00:39:12,651 --> 00:39:15,852 WAS THIS THE SECOND MURDER FROM MURDER IN THREE ACTS ? 1026 00:39:15,854 --> 00:39:17,587 NO, IT'S DIFFERENT, 1027 00:39:17,589 --> 00:39:18,988 AND REALLY ODD. 1028 00:39:18,990 --> 00:39:20,623 AND THE WORD "RACHE" 1029 00:39:20,625 --> 00:39:22,826 WAS WRITTEN ON THE WALL IN FAKE BLOOD. 1030 00:39:22,828 --> 00:39:25,462 COULD IT BE "RACHEL"? 1031 00:39:25,464 --> 00:39:27,263 [AGHAST] NO, IT DOESN'T MEAN "RACHEL". 1032 00:39:27,265 --> 00:39:29,265 "RACHE" IS GERMAN FOR "REVENGE." 1033 00:39:29,267 --> 00:39:32,302 WAS THERE A WOMAN'S GOLD WEDDING RING ON THE FLOOR, 1034 00:39:32,304 --> 00:39:34,003 AND A PILL BOX WITH SOME PILLS INSIDE? 1035 00:39:34,005 --> 00:39:35,372 YEAH. 1036 00:39:36,808 --> 00:39:38,908 I'LL TELL YOU WHAT ELSE WAS AT YOUR CRIME SCENE... 1037 00:39:40,212 --> 00:39:41,845 WHERE IS IT... 1038 00:39:44,049 --> 00:39:45,682 HERE IT IS. 1039 00:39:45,684 --> 00:39:46,649 WAS HE HOLDING A BOOK IN HIS HAND, 1040 00:39:46,651 --> 00:39:47,617 THE DECAMERON ? 1041 00:39:48,987 --> 00:39:50,854 YEAH, ALL THAT. 1042 00:39:50,856 --> 00:39:53,256 THE KILLER TOOK THIS STRAIGHT OUT OF SHERLOCK HOLMES, 1043 00:39:53,258 --> 00:39:54,357 "A STUDY IN SCARLET." 1044 00:39:54,359 --> 00:39:55,692 WELL, WE MAY HAVE A BREAK. 1045 00:39:55,694 --> 00:39:57,660 McNALLY HAD AN 11:00 A.M. SCHEDULED 1046 00:39:57,662 --> 00:39:59,195 WITH A GUY NAMED "SIGERSON." 1047 00:39:59,197 --> 00:40:00,730 WE'RE LOOKING FOR HIM NOW, 1048 00:40:00,732 --> 00:40:01,998 AND IF HE'S NOT THE KILLER, 1049 00:40:02,000 --> 00:40:03,299 AT LEAST HE'S THE LAST GUY TO SEE McNALLY ALIVE. 1050 00:40:03,301 --> 00:40:05,935 THERE'S A WRITING PROFESSOR OVER AT THE J.C., 1051 00:40:05,937 --> 00:40:07,437 HE'S PRETTY KNOWLEDGEABLE ON MYSTERIES, 1052 00:40:07,439 --> 00:40:08,438 TERRANCE DUNCAN. 1053 00:40:08,440 --> 00:40:09,472 I'LL TRY TO SEE HIM TOMORROW. 1054 00:40:09,474 --> 00:40:12,208 DO IT, BUT TELL HIM IT'S CONFIDENTIAL. 1055 00:40:12,210 --> 00:40:13,176 WILL DO. 1056 00:40:13,178 --> 00:40:15,578 ALL RIGHT, I GOTTA GO. 1057 00:40:15,580 --> 00:40:17,180 HEY, JENN. 1058 00:40:17,182 --> 00:40:18,481 HEY HON'. 1059 00:40:18,483 --> 00:40:19,816 HELLO, FRANK. 1060 00:40:19,818 --> 00:40:20,784 HEY, JASON. 1061 00:40:25,290 --> 00:40:26,956 WELL, JENN, SHE KNOWS HER MYSTERY STORIES. 1062 00:40:26,958 --> 00:40:28,725 I ASKED HER TO CONSULT. 1063 00:40:28,727 --> 00:40:30,760 YOU KNOW, USE THAT MYSTERY-SOLVING MIND OF HERS. 1064 00:40:30,762 --> 00:40:34,063 POSSIBLY TALK WITH SOME PEOPLE NOT DIRECTLY CONNECTED. 1065 00:40:34,065 --> 00:40:36,166 BUT IF YOU WANT ME TO KEEP HER OUT OF IT, 1066 00:40:36,168 --> 00:40:37,267 I'LL DO IT. 1067 00:40:37,269 --> 00:40:39,502 I DON'T CONTROL HER. 1068 00:40:41,239 --> 00:40:42,205 THAT'S HER CHARM. 1069 00:40:43,742 --> 00:40:45,108 GOOD NIGHT, FRANK. 1070 00:40:45,110 --> 00:40:46,776 GOOD NIGHT, JASON. 1071 00:40:51,817 --> 00:40:53,082 NEW BOOK? 1072 00:40:53,084 --> 00:40:54,083 NO, SAME ONE. 1073 00:40:54,085 --> 00:40:55,151 MYSTERY WRITER FROM THE BOOKSTORE. 1074 00:40:55,153 --> 00:40:56,519 HE COULD BE A GOOD REFERENCE 1075 00:40:56,521 --> 00:40:57,887 FOR FRANK. 1076 00:40:58,857 --> 00:40:59,823 CAN WE TALK? 1077 00:41:03,895 --> 00:41:05,495 I'M JUST CONSULTING. 1078 00:41:05,497 --> 00:41:09,599 MAYBE I DON'T SAY THIS ENOUGH, BUT... 1079 00:41:09,601 --> 00:41:10,667 I REALLY LOVE YOU. 1080 00:41:10,669 --> 00:41:13,403 AW, JASON... 1081 00:41:13,405 --> 00:41:15,138 YOU KNOW, SOMETIMES, I'LL BE AT WORK... 1082 00:41:15,140 --> 00:41:17,073 OR, YOU KNOW, DRIVING IN MY CAR, 1083 00:41:17,075 --> 00:41:18,975 OR DOING NOTHING, AND YOU JUST... 1084 00:41:18,977 --> 00:41:20,910 POP INTO MY HEAD. 1085 00:41:20,912 --> 00:41:23,613 YOU'RE MY EVERYTHING, JENN, MY GIRL, 1086 00:41:23,615 --> 00:41:27,016 AND IF ANYTHING EVER HAPPENED TO YOU, IT... 1087 00:41:27,018 --> 00:41:27,984 IT WOULD DEVASTATE ME. 1088 00:41:27,986 --> 00:41:29,552 OH, HONEY... 1089 00:41:29,554 --> 00:41:31,754 I PROMISE I'LL BE CAREFUL, 1090 00:41:31,756 --> 00:41:34,757 AND IF YOU DON'T WANT ME TO DO THIS, I WON'T. 1091 00:41:34,759 --> 00:41:37,327 YOU GOT A TALENT. 1092 00:41:37,329 --> 00:41:39,128 I MARRIED SOMEONE WHO CAN MAKE SENSE OF MURDER. 1093 00:41:39,130 --> 00:41:40,597 I COULD TAKE UP GARDENING. 1094 00:41:43,101 --> 00:41:45,235 JUST BE WHO YOU ARE. 1095 00:41:45,237 --> 00:41:46,536 BUT CAREFUL. 1096 00:41:47,939 --> 00:41:49,339 I WILL. 1097 00:42:01,620 --> 00:42:04,787 OH, THESE ARE JUST LOVELY. 1098 00:42:04,789 --> 00:42:07,023 THANK YOU SO MUCH. 1099 00:42:07,025 --> 00:42:08,825 YOU HAVE A BEAUTIFUL COLLECTION. 1100 00:42:08,827 --> 00:42:09,826 ANY FAVORITES? 1101 00:42:09,828 --> 00:42:10,793 OH, YES. 1102 00:42:10,795 --> 00:42:12,262 OVER HERE... 1103 00:42:12,264 --> 00:42:13,596 OH, PLEASE, DO SIT. SIT. 1104 00:42:13,598 --> 00:42:14,564 THANK YOU. 1105 00:42:16,301 --> 00:42:19,135 IT'S A BLUE BOY, LIMITED EDITION. 1106 00:42:19,137 --> 00:42:21,070 OH, VERY NICE. 1107 00:42:21,072 --> 00:42:23,006 I MET CLARA AT MAGDALENA'S. 1108 00:42:23,008 --> 00:42:24,107 OH. 1109 00:42:24,109 --> 00:42:25,642 SINCE MY HUSBAND PASSED, 1110 00:42:25,644 --> 00:42:27,210 IT'S BEEN A BIT OVERWHELMING. 1111 00:42:27,212 --> 00:42:31,014 IT'S WONDERFUL MAGGIE CAN COMMUNICATE WITH HIM. 1112 00:42:31,016 --> 00:42:31,981 SO REASSURING. 1113 00:42:31,983 --> 00:42:33,016 WHAT HAS HE COMMUNICATED? 1114 00:42:33,018 --> 00:42:34,083 THANK YOU. 1115 00:42:34,085 --> 00:42:35,251 WELL, EDGAR, HE'S VERY CONCERNED 1116 00:42:35,253 --> 00:42:37,820 THAT SAVINGS BARELY PAY ANYTHING THESE DAYS. 1117 00:42:37,822 --> 00:42:39,622 MAGGIE KNOWS SOME MANAGERS 1118 00:42:39,624 --> 00:42:41,891 WHO CAN GET ME 15%. 1119 00:42:41,893 --> 00:42:44,527 IT'S CALLED A HEDGE FUND. 1120 00:42:44,529 --> 00:42:46,062 AND YOU'VE BEEN COLLECTING INTEREST FROM THESE PAYMENTS? 1121 00:42:46,064 --> 00:42:47,030 OH, YES. 1122 00:42:47,032 --> 00:42:48,898 I ONLY INVESTED A LITTLE BIT, 1123 00:42:48,900 --> 00:42:51,334 BECAUSE I WANTED TO BE SURE IT WAS LEGITIMATE. 1124 00:42:51,336 --> 00:42:53,303 I'VE RECEIVED THREE PAYMENTS, 1125 00:42:53,305 --> 00:42:54,470 RIGHT ON TIME. 1126 00:42:54,472 --> 00:42:56,239 THAT SOUNDS... 1127 00:42:56,241 --> 00:42:57,240 GREAT. 1128 00:42:57,242 --> 00:42:59,208 MAGGIE SAYS IT'S VERY SAFE. 1129 00:43:03,415 --> 00:43:04,914 THIS ISN'T GOOD. 1130 00:43:04,916 --> 00:43:07,016 IT SOUNDS LIKE A PONZI SCHEME. 1131 00:43:07,018 --> 00:43:08,117 WHAT CAN WE DO? 1132 00:43:08,119 --> 00:43:09,452 I DON'T KNOW, 1133 00:43:09,454 --> 00:43:12,088 BUT NOTHING IS NOT AN OPTION. 1134 00:43:14,059 --> 00:43:16,125 [♪♪♪] 1135 00:43:22,701 --> 00:43:23,900 DOESN'T SAY ANYTHING ABOUT MURDER, 1136 00:43:23,902 --> 00:43:25,969 JUST THAT HE WAS FOUND DEAD. 1137 00:43:25,971 --> 00:43:27,036 WELL, THAT'S GOOD. 1138 00:43:27,038 --> 00:43:28,271 IT MEANS LYNWOOD WAS ABLE TO KEEP A LID ON IT. 1139 00:43:28,273 --> 00:43:29,572 FOR THE TIME BEING. 1140 00:43:30,575 --> 00:43:31,541 IS THIS ANY GOOD? 1141 00:43:31,543 --> 00:43:32,508 NOT BAD, 1142 00:43:32,510 --> 00:43:34,577 PERIOD MYSTERY SET ON A RIVERBOAT. 1143 00:43:34,579 --> 00:43:35,712 HEY, YOU WANT TO COME OVER FOR DINNER SATURDAY NIGHT? 1144 00:43:35,714 --> 00:43:37,013 I'D LOVE TO. 1145 00:43:37,015 --> 00:43:38,615 -WHO ELSE IS COMING? -NOBODY. 1146 00:43:38,617 --> 00:43:40,583 -YET. -YET. 1147 00:43:40,585 --> 00:43:42,251 UH-HUH. WHERE ARE YOU GOING? 1148 00:43:42,253 --> 00:43:43,753 OH, MEETING WITH THE AUTHOR, 1149 00:43:43,755 --> 00:43:45,388 AT HIS COLLEGE. 1150 00:43:45,390 --> 00:43:47,156 OH. WELL, HAVE FUN. 1151 00:43:47,158 --> 00:43:48,224 OKAY. 1152 00:43:48,226 --> 00:43:50,226 I'LL JUST BE HERE WORKIN'. 1153 00:43:51,596 --> 00:43:53,329 -HELLO. -OH! 1154 00:43:53,331 --> 00:43:54,330 YOU FINISH IT? 1155 00:43:54,332 --> 00:43:55,331 I AM HALFWAY THROUGH. 1156 00:43:55,333 --> 00:43:57,300 IT'S REALLY GOOD. 1157 00:43:57,302 --> 00:43:59,335 IT MUST BE SO DIFFICULT TO GET PUBLISHED THESE DAYS. 1158 00:43:59,337 --> 00:44:00,637 NEAR IMPOSSIBLE. 1159 00:44:02,040 --> 00:44:03,206 THAT WAS SELF-PUBLISHED. 1160 00:44:03,208 --> 00:44:04,173 IT WORKED OUT WELL, 1161 00:44:04,175 --> 00:44:05,174 I KEEP MOST OF THE MONEY. 1162 00:44:06,578 --> 00:44:07,910 DID YOU SEE TODAY'S NEWSPAPER, 1163 00:44:07,912 --> 00:44:08,911 ABOUT THE MURDER? 1164 00:44:08,913 --> 00:44:10,079 I READ ABOUT A MAN 1165 00:44:10,081 --> 00:44:11,047 WHO WAS FOUND DEAD IN HIS OFFICE. 1166 00:44:11,049 --> 00:44:12,482 IT WAS A MURDER. 1167 00:44:12,484 --> 00:44:14,317 I KNOW THE LEAD DETECTIVE. 1168 00:44:14,319 --> 00:44:17,153 IT SEEMS THAT SOMEONE IS RECREATING MURDERS 1169 00:44:17,155 --> 00:44:18,521 FROM MYSTERY BOOKS. 1170 00:44:18,523 --> 00:44:20,189 PLURAL? AS IN MORE THAN ONE? 1171 00:44:22,127 --> 00:44:23,092 WHEN YOU CAME TO MY LECTURE 1172 00:44:23,094 --> 00:44:24,927 AND ASKED ABOUT NICOTINE POISONING, 1173 00:44:24,929 --> 00:44:26,062 YOU WERE TALKING ABOUT A REAL MURDER? 1174 00:44:26,064 --> 00:44:27,096 I WAS. 1175 00:44:28,266 --> 00:44:29,232 DID YOU FIND THE BOOK? 1176 00:44:29,234 --> 00:44:31,401 MURDER IN THREE ACTS. 1177 00:44:31,403 --> 00:44:32,769 AGATHA CHRISTIE. 1178 00:44:32,771 --> 00:44:34,103 OF COURSE. 1179 00:44:34,105 --> 00:44:36,572 AND THIS NEW MURDER? 1180 00:44:36,574 --> 00:44:38,641 SIR ARTHUR CONAN DOYLE, "A STUDY IN SCARLET," 1181 00:44:38,643 --> 00:44:39,776 AND THE MURDER WAS CAREFULLY RECREATED 1182 00:44:39,778 --> 00:44:41,444 FROM THE BOOK. 1183 00:44:41,446 --> 00:44:42,812 I'M A HOLMES FAN, BUT NOT AN EXPERT. 1184 00:44:42,814 --> 00:44:44,113 OH, ME EITHER, 1185 00:44:44,115 --> 00:44:46,282 BUT THERE ARE PEOPLE AROUND HERE WHO ARE ABSOLUTE HOLMES NUTS. 1186 00:44:46,284 --> 00:44:47,750 THEY HAVE MONTHLY MEETINGS, 1187 00:44:47,752 --> 00:44:49,619 THEY WEAR 19th-CENTURY WARDROBE, 1188 00:44:49,621 --> 00:44:50,720 ALL THAT STUFF. 1189 00:44:50,722 --> 00:44:52,188 LIKE THOSE CIVIL WAR RE-ENACTORS? 1190 00:44:52,190 --> 00:44:53,589 [CHUCKLES] EXACTLY. 1191 00:44:53,591 --> 00:44:55,091 YOU SHOULD BE ABLE TO FIND THEM ONLINE. 1192 00:44:55,093 --> 00:44:57,927 WOULD YOU MIND IF I USED YOU AS A RESOURCE? 1193 00:44:57,929 --> 00:44:59,362 SURE, WHATEVER I CAN DO. 1194 00:44:59,364 --> 00:45:03,099 BUT ONE OF THESE HOLMES EXPERTS MIGHT BE A BETTER CHOICE. 1195 00:45:03,101 --> 00:45:04,967 I'M SORRY, BUT I HAVE AN AFTERNOON CLASS. 1196 00:45:04,969 --> 00:45:06,936 TERRANCE... 1197 00:45:06,938 --> 00:45:08,738 ARE YOU DOING ANYTHING SATURDAY NIGHT? 1198 00:45:08,740 --> 00:45:10,106 NO BIG PLANS. 1199 00:45:10,108 --> 00:45:11,541 GRADING PAPERS. 1200 00:45:11,543 --> 00:45:13,643 JASON AND I WERE GOING TO HAVE SOME PEOPLE OVER FOR DINNER, 1201 00:45:13,645 --> 00:45:14,610 IF YOU'D LIKE TO JOIN US. 1202 00:45:14,612 --> 00:45:16,679 SOUNDS GREAT. THANKS. 1203 00:45:16,681 --> 00:45:19,682 OH, AND YOU CAN BRING A DATE, IF YOU LIKE. 1204 00:45:19,684 --> 00:45:21,050 OH, I'M NOT SEEING ANYONE AT THE MOMENT. 1205 00:45:21,052 --> 00:45:22,385 OH. 1206 00:45:22,387 --> 00:45:23,553 OH, AND ONE MORE THING, 1207 00:45:23,555 --> 00:45:25,188 DOES THE NAME "SIGERSON" 1208 00:45:25,190 --> 00:45:26,122 MEAN ANYTHING TO YOU? 1209 00:45:26,124 --> 00:45:27,123 WHY? 1210 00:45:27,125 --> 00:45:28,091 THE LAST CLIENT THAT McNALLY SAW 1211 00:45:28,093 --> 00:45:29,592 BEFORE HIS BODY WAS DISCOVERED 1212 00:45:29,594 --> 00:45:30,693 WAS NAMED "SIGERSON." 1213 00:45:32,063 --> 00:45:34,263 WELL THEN, YOU'RE LOOKING FOR SHERLOCK HOLMES. 1214 00:45:34,265 --> 00:45:36,232 "SIGERSON" WAS THE NAME HE WOULD SOMETIMES USE 1215 00:45:36,234 --> 00:45:37,500 WHEN HE WAS IN DISGUISE. 1216 00:45:44,776 --> 00:45:46,843 PEOPLE THAT EAT, SLEEP, AND BREATHE HOLMES, 1217 00:45:46,845 --> 00:45:47,810 AND I THINK I FOUND ONE. 1218 00:45:47,812 --> 00:45:48,778 WHO'S THAT? 1219 00:45:48,780 --> 00:45:49,912 DR. MYLES FOWLER. 1220 00:45:49,914 --> 00:45:51,147 PROFESSOR OF ENGLISH AT LITTLEFIELD COLLEGE, 1221 00:45:51,149 --> 00:45:53,116 NOTED EXPERT ON CONAN DOYLE. 1222 00:45:53,118 --> 00:45:55,451 LITTLEFIELD? THAT'S PRETTY PRESTIGIOUS. 1223 00:45:55,453 --> 00:45:57,320 YEAH, AND NOT THAT FAR A DRIVE. 1224 00:45:57,322 --> 00:45:58,888 SO, ARE YOU CROSSING OVER TODAY? 1225 00:45:58,890 --> 00:45:59,989 YES. 1226 00:45:59,991 --> 00:46:01,724 I'M GOING TO SEE IF MAGDALENA CAN PUT ME IN TOUCH 1227 00:46:01,726 --> 00:46:03,459 WITH MY DECEASED UNCLE ERIC. 1228 00:46:03,461 --> 00:46:04,794 YOU HAD AN UNCLE ERIC? 1229 00:46:04,796 --> 00:46:06,095 NO. NO ONE IN MY FAMILY, 1230 00:46:06,097 --> 00:46:07,196 PAST OR PRESENT, 1231 00:46:07,198 --> 00:46:08,364 EVER NAMED ERIC. 1232 00:46:08,366 --> 00:46:10,633 THIS WILL BE IN MY PURSE, 1233 00:46:10,635 --> 00:46:12,869 JUST IN CASE I GET ANY MESSAGES 1234 00:46:12,871 --> 00:46:13,936 FROM THE BEYOND. 1235 00:46:13,938 --> 00:46:15,404 WELL, LOOK AT YOU, YOU LITTLE SLEUTH. 1236 00:46:16,374 --> 00:46:17,373 OH, AND WE'RE ON FOR DINNER 1237 00:46:17,375 --> 00:46:18,374 SATURDAY NIGHT. 1238 00:46:18,376 --> 00:46:20,309 WHAT AREN'T YOU TELLING ME? 1239 00:46:20,311 --> 00:46:21,310 JUST BE THERE AT 7:00, 1240 00:46:21,312 --> 00:46:23,312 AND WEAR YOUR PRETTY GREEN DRESS. 1241 00:46:23,314 --> 00:46:24,881 GREEN ONE... 1242 00:46:24,883 --> 00:46:26,115 I'M WEARING SWEATS. 1243 00:46:26,117 --> 00:46:27,083 [GASPS IN SHOCK] 1244 00:46:27,085 --> 00:46:28,684 [LAUGHING] 1245 00:46:33,792 --> 00:46:36,659 HE SAYS HE'S CONCERNED... 1246 00:46:36,661 --> 00:46:38,394 ABOUT YOUR SECURITY. 1247 00:46:38,396 --> 00:46:41,664 HE FEELS YOU'RE ON SHAKY GROUND. 1248 00:46:41,666 --> 00:46:42,765 MONEY TROUBLES? 1249 00:46:42,767 --> 00:46:43,766 REALLY? 1250 00:46:43,768 --> 00:46:44,767 I'M DOING OKAY. 1251 00:46:44,769 --> 00:46:47,537 BUT THIS IS THE FUTURE. 1252 00:46:47,539 --> 00:46:50,206 HE'S CONCERNED FOR YOUR INVESTMENTS. 1253 00:46:50,208 --> 00:46:51,741 OH. 1254 00:46:51,743 --> 00:46:53,609 LIKE WHAT? WHAT DOES HE THINK I SHOULD DO? 1255 00:46:53,611 --> 00:46:54,610 HOLD ON. 1256 00:46:56,314 --> 00:46:57,814 HE'S FADING. 1257 00:46:57,816 --> 00:46:58,848 OH... 1258 00:46:58,850 --> 00:47:00,917 HE'S GONE. 1259 00:47:00,919 --> 00:47:02,151 SORRY, 1260 00:47:02,153 --> 00:47:04,887 THAT HAPPENS SOMETIMES. 1261 00:47:04,889 --> 00:47:05,888 WELL, SHOULD I BE WORRIED? 1262 00:47:05,890 --> 00:47:07,256 THAT DEPENDS. 1263 00:47:07,258 --> 00:47:10,293 WAS HE SOMEONE THAT YOU WOULD TRUST WITH YOUR FINANCES? 1264 00:47:10,295 --> 00:47:12,128 OH, ABSOLUTELY. 1265 00:47:12,130 --> 00:47:14,630 WELL, THEN I WOULD REVIEW YOUR INVESTMENTS, 1266 00:47:14,632 --> 00:47:15,832 AND MAKE SURE THEY'RE SAFE. 1267 00:47:15,834 --> 00:47:17,667 I'LL DO THAT. 1268 00:47:17,669 --> 00:47:18,601 HOW MUCH DO I OWE YOU FOR TODAY? 1269 00:47:18,603 --> 00:47:20,469 OH. 1270 00:47:20,471 --> 00:47:21,771 NO CHARGE. 1271 00:47:21,773 --> 00:47:24,207 YOUR UNCLE HAD WANTED TO CONTACT YOU FOR A LONG TIME. 1272 00:47:24,209 --> 00:47:25,341 I'M HAPPY TO HAVE MADE THAT HAPPEN. 1273 00:47:25,343 --> 00:47:27,643 WELL, I DON'T KNOW WHAT TO SAY. 1274 00:47:27,645 --> 00:47:30,379 WELL, IF YOU WANTED TO EXPLORE FURTHER, I'M HERE. 1275 00:47:35,353 --> 00:47:37,153 [CALL RINGING] 1276 00:47:37,155 --> 00:47:38,387 LYNWOOD. 1277 00:47:38,389 --> 00:47:39,622 HEY, FRANK, I JUST MET WITH TERRANCE DUNCAN, 1278 00:47:39,624 --> 00:47:40,990 THE MYSTERY WRITER. 1279 00:47:40,992 --> 00:47:43,092 HE SAID "SIGERSON" IS THE NAME THAT SHERLOCK HOLMES USES 1280 00:47:43,094 --> 00:47:44,927 WHEN HE'S IN DISGUISE. 1281 00:47:44,929 --> 00:47:46,095 INTERESTING. 1282 00:47:46,097 --> 00:47:48,030 I FOUND A HOLMES EXPERT AT LITTLEFIELD COLLEGE, 1283 00:47:48,032 --> 00:47:49,699 PROFESSOR MYLES FOWLER. 1284 00:47:49,701 --> 00:47:51,667 I'D LIKE TO TALK TO HIM, IF THAT'S OKAY. 1285 00:47:51,669 --> 00:47:52,702 THAT'S A GOOD IDEA. 1286 00:47:52,704 --> 00:47:53,870 LET ME CALL HIM FIRST. 1287 00:47:53,872 --> 00:47:55,004 OKAY, GO AHEAD AND CALL HIM 1288 00:47:55,006 --> 00:47:56,839 AND I'M ON MY WAY THERE TO SEE HIM NOW. 1289 00:47:56,841 --> 00:47:58,307 GOOD WORK, JENN. 1290 00:48:18,696 --> 00:48:19,662 JENNIFER, 1291 00:48:19,664 --> 00:48:20,663 WELCOME TO 221B. 1292 00:48:20,665 --> 00:48:22,064 COME ON IN. 1293 00:48:22,066 --> 00:48:23,366 THANK YOU. 1294 00:48:24,569 --> 00:48:26,469 [GASPS] 1295 00:48:28,039 --> 00:48:30,273 WOW. 1296 00:48:30,275 --> 00:48:32,775 IT'S SHERLOCK HOLMES' STUDY ON BAKER STREET. 1297 00:48:32,777 --> 00:48:34,043 YES, I FIND IT RELAXING 1298 00:48:34,045 --> 00:48:35,878 AND INSPIRING. 1299 00:48:35,880 --> 00:48:37,346 PLEASE, PLEASE, HAVE A SEAT. 1300 00:48:37,348 --> 00:48:38,381 THANK YOU. 1301 00:48:38,383 --> 00:48:39,682 AND THANK YOU FOR SEEING ME 1302 00:48:39,684 --> 00:48:41,050 ON SUCH SHORT NOTICE. 1303 00:48:41,052 --> 00:48:42,618 WELL, DETECTIVE LYNWOOD CALLED 1304 00:48:42,620 --> 00:48:44,253 AND ASKED FOR MY DISCRETION. 1305 00:48:44,255 --> 00:48:47,156 A SERIAL KILLER OF A LITERARY BENT? 1306 00:48:47,158 --> 00:48:48,824 FIRST, AGATHA CHRISTIE 1307 00:48:48,826 --> 00:48:50,626 AND NOW, SIR ARTHUR CONAN DOYLE. 1308 00:48:50,628 --> 00:48:51,827 YES. 1309 00:48:51,829 --> 00:48:52,795 "A STUDY IN SCARLET." 1310 00:48:52,797 --> 00:48:55,765 LET'S CONSIDER THESE MURDERS 1311 00:48:55,767 --> 00:48:57,166 IN THE WAY THAT HOLMES MIGHT HAVE. 1312 00:48:57,168 --> 00:48:58,334 IS THAT ALL RIGHT? 1313 00:48:58,336 --> 00:48:59,735 PLEASE. 1314 00:48:59,737 --> 00:49:01,470 SO, WE HAVE A KILLER 1315 00:49:01,472 --> 00:49:04,707 WHO'S GONE TO GREAT LENGTHS TO DRAMATIZE THESE MURDERS. 1316 00:49:04,709 --> 00:49:05,675 WHAT DOES THAT TELL US 1317 00:49:05,677 --> 00:49:07,410 ABOUT HIM? 1318 00:49:07,412 --> 00:49:09,211 THAT HE'S EGOTISTICAL, 1319 00:49:09,213 --> 00:49:10,212 A THRILL-SEEKER. 1320 00:49:10,214 --> 00:49:12,515 THRILL-SEEKER, INDEED. 1321 00:49:12,517 --> 00:49:14,817 THE FIRST MURDER, AGATHA CHRISTIE, 1322 00:49:14,819 --> 00:49:17,219 A MURDER WITHOUT A MOTIVE, 1323 00:49:17,221 --> 00:49:19,922 WHICH THROWS HER DETECTIVE POIROT 1324 00:49:19,924 --> 00:49:20,923 OFF BALANCE. 1325 00:49:20,925 --> 00:49:22,725 WELL, VERY DIFFICULT TO SOLVE 1326 00:49:22,727 --> 00:49:23,826 WHEN THERE IS NO CONNECTION 1327 00:49:23,828 --> 00:49:25,995 BETWEEN THE VICTIM AND THE KILLER. 1328 00:49:25,997 --> 00:49:27,830 IT WAS A REHEARSAL. 1329 00:49:27,832 --> 00:49:29,465 OF COURSE, 1330 00:49:29,467 --> 00:49:30,866 A PREPARATION FOR THE REAL MURDER 1331 00:49:30,868 --> 00:49:32,301 OF GERALD McNALLY. 1332 00:49:32,303 --> 00:49:34,270 BUT HERE IS WHERE YOUR KILLER DIVERGED. 1333 00:49:34,272 --> 00:49:38,174 HE ABANDONS AGATHA CHRISTIE AND TAKES UP CONAN DOYLE. 1334 00:49:38,176 --> 00:49:39,241 TAUNTING THE POLICE, 1335 00:49:39,243 --> 00:49:40,576 "CAN YOU FIGURE OUT THESE CLUES?" 1336 00:49:40,578 --> 00:49:42,211 WHICH, OF COURSE, THEY CAN'T. 1337 00:49:42,213 --> 00:49:43,179 [CHUCKLES RUEFULLY] 1338 00:49:43,181 --> 00:49:44,914 BUT NOW WE ARE GETTING SOMEWHERE. 1339 00:49:44,916 --> 00:49:48,050 WE KNOW THAT THE KILLER IS EGOTISTICAL, 1340 00:49:48,052 --> 00:49:50,186 AND LITERATE. 1341 00:49:50,188 --> 00:49:52,989 YOUR DETECTIVE LYNWOOD SHOULD BE FLATTERED. 1342 00:49:52,991 --> 00:49:57,226 TO CHOOSE CONAN DOYLE AS THE GAUNTLET TO THROW DOWN, 1343 00:49:57,228 --> 00:49:58,661 I MEAN, IS THERE A BETTER DETECTIVE 1344 00:49:58,663 --> 00:49:59,762 THAN SHERLOCK HOLMES? 1345 00:49:59,764 --> 00:50:01,664 SO, YOU THINK THE CHOICE OF SHERLOCK HOLMES 1346 00:50:01,666 --> 00:50:03,833 IS TO SAY, "I AM THE BEST. 1347 00:50:03,835 --> 00:50:05,368 IT WOULD TAKE HOLMES TO CATCH ME?" 1348 00:50:05,370 --> 00:50:07,470 POSSIBLY. 1349 00:50:07,472 --> 00:50:09,672 PROFESSOR FOWLER, DO YOU THINK THAT HE WILL KILL AGAIN? 1350 00:50:14,445 --> 00:50:17,680 THIS IS WHAT I HAVE LEARNED ABOUT SERIAL KILLERS... 1351 00:50:20,051 --> 00:50:21,117 HE WILL CONTINUE TO KILL 1352 00:50:21,119 --> 00:50:24,153 BECAUSE HE IS ADDICTED TO THE FEELING HE GETS 1353 00:50:24,155 --> 00:50:25,921 WHEN HE DOES. 1354 00:50:25,923 --> 00:50:27,556 THE KILLER KNOWS RIGHT FROM WRONG, 1355 00:50:27,558 --> 00:50:30,393 BUT COULDN'T CARE LESS. 1356 00:50:30,395 --> 00:50:33,095 HAVE YOU EVER IMAGINED WHAT IT MUST BE LIKE 1357 00:50:33,097 --> 00:50:34,964 TO HOLD SOMEONE'S LIFE IN YOUR HAND? 1358 00:50:34,966 --> 00:50:37,099 NO. 1359 00:50:37,101 --> 00:50:40,603 I HAVE. 1360 00:50:40,605 --> 00:50:43,539 TO WRITE ABOUT KILLERS, TO UNDERSTAND THEM, 1361 00:50:43,541 --> 00:50:45,474 I HAVE TO KNOW HOW THEY THINK 1362 00:50:45,476 --> 00:50:47,276 AND HOW THEY FEEL. 1363 00:50:48,946 --> 00:50:50,179 I CAN IMAGINE. 1364 00:50:50,181 --> 00:50:52,882 OH, I DOUBT YOU CAN. 1365 00:50:52,884 --> 00:50:54,316 SO. 1366 00:50:54,318 --> 00:50:58,120 WE KNOW THAT THE FIRST MURDER WAS A TRIAL RUN FOR THE SECOND. 1367 00:50:59,724 --> 00:51:01,624 FOCUS ON McNALLY. 1368 00:51:01,626 --> 00:51:03,993 FORGET ABOUT ART HENLEY. 1369 00:51:03,995 --> 00:51:05,094 [SIGHS] 1370 00:51:05,096 --> 00:51:07,329 IT'S A HUMAN LIFE, PROFESSOR FOWLER. 1371 00:51:07,331 --> 00:51:09,398 WELL, FORGIVE ME FOR SOUNDING HARSH, 1372 00:51:09,400 --> 00:51:12,201 BUT SHERLOCK HOLMES WAS COLD AND CALCULATING. 1373 00:51:12,203 --> 00:51:14,036 HE HAD NO WIFE, NO CHILD. 1374 00:51:14,038 --> 00:51:16,205 HE NEVER COMFORTED THE BEREAVED, 1375 00:51:16,207 --> 00:51:18,974 BUT HE ALWAYS FOUND HIS KILLER. 1376 00:51:18,976 --> 00:51:21,610 AND IF YOU WANT TO FIND THIS KILLER, 1377 00:51:21,612 --> 00:51:24,480 FOCUS ON McNALLY. 1378 00:51:24,482 --> 00:51:29,652 AS HOLMES MIGHT SAY, "THE GAME IS AFOOT." 1379 00:51:29,654 --> 00:51:32,221 [CHUCKLES IN DELIGHT] 1380 00:51:33,558 --> 00:51:36,525 FOWLER THINKS THE CLUES HAVE NO SPECIAL MEANING, 1381 00:51:36,527 --> 00:51:37,793 OTHER THAN TO DISTRACT THE POLICE 1382 00:51:37,795 --> 00:51:39,061 FROM WHAT THEY SHOULD BE DOING. 1383 00:51:39,063 --> 00:51:40,096 WHICH IS...? 1384 00:51:40,098 --> 00:51:41,063 FOCUSING ON McNALLY. 1385 00:51:41,065 --> 00:51:42,131 I THINK HE'S RIGHT. 1386 00:51:42,133 --> 00:51:43,666 I TALKED TO THREE OF McNALLY'S CLIENTS, 1387 00:51:43,668 --> 00:51:44,867 TWO OF HIS NEIGHBORS, 1388 00:51:44,869 --> 00:51:45,935 HIS EX-WIFE, 1389 00:51:45,937 --> 00:51:47,303 AND A COUPLE OF HIS FRIENDS. 1390 00:51:47,305 --> 00:51:49,238 WOULD ANY OF THEM BE SUSPECTS? 1391 00:51:49,240 --> 00:51:51,440 NO, HE WAS A BRIGHT, WELL-LIKED GUY, 1392 00:51:51,442 --> 00:51:52,741 RESPECTED AS A LIFE COACH. 1393 00:51:52,743 --> 00:51:54,777 HIS CLIENTS LOVED HIM. 1394 00:51:54,779 --> 00:51:56,312 McNALLY TOLD ME THAT HE WORKED AT A PUBLISHING HOUSE 1395 00:51:56,314 --> 00:51:57,546 IN MYSTERIES. 1396 00:51:57,548 --> 00:51:58,881 IT WENT OUT OF BUSINESS. 1397 00:51:58,883 --> 00:52:00,182 BROWN & HEATON. 1398 00:52:00,184 --> 00:52:02,451 I TALKED TO HIS FORMER BOSS EARLIER. 1399 00:52:02,453 --> 00:52:04,120 HE SAYS HE WAS AN EXCELLENT EDITOR, 1400 00:52:04,122 --> 00:52:06,956 BUT COULD BE TOUGH ON HIS WRITERS. 1401 00:52:06,958 --> 00:52:07,990 THIS PROBABLY DOESN'T MEAN ANYTHING, 1402 00:52:07,992 --> 00:52:09,825 BUT FOWLER SAID, 1403 00:52:09,827 --> 00:52:11,393 TO WRITE A MURDER MYSTERY, 1404 00:52:11,395 --> 00:52:13,762 YOU HAD TO THINK LIKE A KILLER. 1405 00:52:13,764 --> 00:52:16,532 HE SEEMED TO HAVE AN UNHEALTHY ENTHUSIASM FOR KILLERS. 1406 00:52:16,534 --> 00:52:18,100 [MESSAGE ALERT CHIMES] 1407 00:52:18,102 --> 00:52:19,068 OH. 1408 00:52:19,070 --> 00:52:20,436 INCOMING FROM DR. FOWLER. 1409 00:52:20,438 --> 00:52:22,938 "ALL LIFE IS A GREAT CHAIN, 1410 00:52:22,940 --> 00:52:24,507 "THE NATURE OF WHICH IS KNOWN 1411 00:52:24,509 --> 00:52:27,843 WHENEVER WE ARE SHOWN A SINGLE LINK OF IT." 1412 00:52:27,845 --> 00:52:29,345 SHERLOCK HOLMES. 1413 00:52:37,188 --> 00:52:39,054 [SIGHING] YOU COULD HAVE TOLD ME. 1414 00:52:39,056 --> 00:52:40,656 [WHISPERING] YOU WOULDN'T HAVE COME. 1415 00:52:42,660 --> 00:52:43,759 IT MUST BE A GREAT FEELING 1416 00:52:43,761 --> 00:52:45,361 TO SEE A BUILDING GO UP THAT YOU HELPED DESIGN 1417 00:52:45,363 --> 00:52:46,795 AND KNOW THAT IN A HUNDRED YEARS IT WILL STILL BE THERE. 1418 00:52:46,797 --> 00:52:49,932 YEAH, IT'S PRETTY COOL, BUT THEN, SO IS BEING A WRITER. 1419 00:52:49,934 --> 00:52:51,634 I FINISHED YOUR BOOK. 1420 00:52:51,636 --> 00:52:52,868 I LIKED THE SURPRISE TWIST AT THE END. 1421 00:52:52,870 --> 00:52:54,370 I DIDN'T SEE IT COMING. 1422 00:52:54,372 --> 00:52:55,771 IF YOU'RE CONSCIOUSLY LOOKING FOR THE KILLER, 1423 00:52:55,773 --> 00:52:56,739 YOU'LL BE DISAPPOINTED, 1424 00:52:56,741 --> 00:52:57,806 AND YOU'LL MISS THE JOURNEY 1425 00:52:57,808 --> 00:52:59,074 ALONG THE WAY. 1426 00:52:59,076 --> 00:53:01,043 SO, WHO'S YOUR FAVORITE AUTHOR? 1427 00:53:01,045 --> 00:53:02,411 HANDS DOWN, JOHN DICKSON CARR, 1428 00:53:02,413 --> 00:53:03,379 MASTER OF THE LOCKED ROOM MYSTERY. 1429 00:53:03,381 --> 00:53:04,380 OH. 1430 00:53:04,382 --> 00:53:05,915 WHAT'S A "LOCKED ROOM" MYSTERY? 1431 00:53:07,084 --> 00:53:09,118 PICTURE A ROOM, NO WINDOWS, 1432 00:53:09,120 --> 00:53:10,953 THE ONLY WAY IN OR OUT IS THE DOOR, 1433 00:53:10,955 --> 00:53:12,354 WHICH IS LOCKED FROM THE INSIDE, 1434 00:53:12,356 --> 00:53:14,023 AND THE MURDER VICTIM IS WITHIN. 1435 00:53:15,960 --> 00:53:17,526 THAT SOUNDS IMPOSSIBLE. HOW DOES THE KILLER GET OUT? 1436 00:53:17,528 --> 00:53:18,994 WELL, THAT'S THE CHALLENGE. 1437 00:53:18,996 --> 00:53:20,963 A POWERFUL MAGNET CAN CLOSE A LATCH 1438 00:53:20,965 --> 00:53:22,398 THROUGH THE DOOR, 1439 00:53:22,400 --> 00:53:23,899 A FISHING LINE WITH A SPECIAL KNOT 1440 00:53:23,901 --> 00:53:26,368 THAT SLIPS OFF THE LATCH 1441 00:53:26,370 --> 00:53:27,937 WHEN YOU PULL IT THROUGH THE OTHER SIDE. 1442 00:53:27,939 --> 00:53:28,938 THERE'S ALL KINDS OF WAYS. 1443 00:53:28,940 --> 00:53:30,472 TRICKY. 1444 00:53:30,474 --> 00:53:32,174 I LOVE THAT STUFF. 1445 00:53:32,176 --> 00:53:33,142 WHAT'S THE NEW BOOK ABOUT? 1446 00:53:33,144 --> 00:53:34,276 MURDER. 1447 00:53:34,278 --> 00:53:35,744 [LAUGHTER] 1448 00:53:35,746 --> 00:53:38,180 IT'S BAD LUCK TO SAY ANYTHING ELSE. 1449 00:53:38,182 --> 00:53:39,682 IT'S GOING WELL, 1450 00:53:39,684 --> 00:53:40,683 JUST NEED TO COME UP WITH AN ENDING. 1451 00:53:42,086 --> 00:53:43,319 THIS DINNER IS WONDERFUL. 1452 00:53:43,321 --> 00:53:44,620 OH, THANK YOU. 1453 00:53:44,622 --> 00:53:46,055 IT'S JUST GREAT TO EAT REAL FOOD. 1454 00:53:46,057 --> 00:53:47,556 I'VE BEEN TRYING TO BE SUPER HEALTHY. 1455 00:53:47,558 --> 00:53:48,991 I'M DRINKING A LOT OF SMOOTHIES 1456 00:53:48,993 --> 00:53:50,759 AND GREEN DRINKS. 1457 00:53:50,761 --> 00:53:52,094 WHAT'S YOUR GO-TO GREEN DRINK? 1458 00:53:52,096 --> 00:53:54,830 SIMPLE AND ORGANIC, 1459 00:53:54,832 --> 00:53:56,265 CELERY, BROCCOLI, APPLES, AND KALE. 1460 00:53:56,267 --> 00:53:57,866 -WHAT'S YOURS. -SAME. 1461 00:53:57,868 --> 00:53:58,834 OH. 1462 00:53:58,836 --> 00:53:59,902 BUT I ADD SPIRULINA. 1463 00:53:59,904 --> 00:54:01,070 I LOVE POND SCUM. 1464 00:54:01,072 --> 00:54:02,071 RIGHT. 1465 00:54:02,073 --> 00:54:03,105 WHAT'S POND SCUM? 1466 00:54:03,107 --> 00:54:04,406 SPIRULINA, 1467 00:54:04,408 --> 00:54:06,075 IT'S A BLUE-GREEN ALGAE. 1468 00:54:06,077 --> 00:54:07,810 IT DOESN'T TASTE BAD. 1469 00:54:07,812 --> 00:54:08,777 MAJOR ANTIOXIDANT. 1470 00:54:09,847 --> 00:54:11,814 WE'RE HAVING ICE CREAM AND APPLE PIE FOR DESSERT? 1471 00:54:11,816 --> 00:54:13,115 YES, WE ARE. 1472 00:54:13,117 --> 00:54:14,617 THAT'S WHY I EAT HEALTHY, 1473 00:54:14,619 --> 00:54:16,719 SO WHEN I HAVE A CHANCE TO EAT ICE CREAM AND PIE, 1474 00:54:16,721 --> 00:54:18,153 I DON'T THINK TWICE. 1475 00:54:18,155 --> 00:54:19,121 OOH. 1476 00:54:19,123 --> 00:54:20,589 YOU CAN HAVE TWO SLICES. 1477 00:54:28,966 --> 00:54:30,065 GOOD MORNING. 1478 00:54:30,067 --> 00:54:31,100 GOOD MORNING. 1479 00:54:31,102 --> 00:54:32,134 SO, I HATE TO ADMIT IT, 1480 00:54:32,136 --> 00:54:33,335 BUT I HAD A REALLY GOOD TIME, 1481 00:54:33,337 --> 00:54:35,404 AND HE IS REALLY HANDSOME, AND REALLY SMART. 1482 00:54:35,406 --> 00:54:37,172 BUT? 1483 00:54:37,174 --> 00:54:39,108 A GUY IN MY WATER-COLOR CLASS ASKED ME OUT. 1484 00:54:39,110 --> 00:54:40,709 AND I DON'T KNOW THIS BECAUSE... 1485 00:54:40,711 --> 00:54:42,578 BECAUSE IT'S REALLY NEW, AND NOTHING MIGHT HAPPEN. 1486 00:54:42,580 --> 00:54:44,013 UGH, POND SCUM... 1487 00:54:44,015 --> 00:54:45,881 DOUBLE DOSE. DRINK UP. 1488 00:54:45,883 --> 00:54:47,016 OH, FRANK, GREEN DRINK? 1489 00:54:47,018 --> 00:54:47,983 WHAT? 1490 00:54:47,985 --> 00:54:50,352 YEAH, I'VE ALREADY MY LEAVES AND CLIPPINGS, 1491 00:54:50,354 --> 00:54:51,320 THANK YOU. 1492 00:54:51,322 --> 00:54:52,288 BUT IT'S... 1493 00:54:54,458 --> 00:54:55,624 UGH, THAT LOOKS HORRIBLE. 1494 00:54:55,626 --> 00:54:56,892 IT IS HORRIBLE. 1495 00:54:57,928 --> 00:54:59,595 I WAS THINKING ABOUT PROFESSOR FOWLER. 1496 00:54:59,597 --> 00:55:00,596 YOU KNOW, THAT TEXT? 1497 00:55:00,598 --> 00:55:02,364 THE SHERLOCK HOLMES QUOTE, 1498 00:55:02,366 --> 00:55:04,333 WHAT DO YOU THINK IT MEANS? 1499 00:55:04,335 --> 00:55:05,434 I THINK IT MEANS THAT SHERLOCK HOLMES 1500 00:55:05,436 --> 00:55:07,169 COULD SOLVE AN ENTIRE CRIME BY SEEING A SINGLE CLUE. 1501 00:55:07,171 --> 00:55:08,937 I'M THINKING HE'S TELLING US 1502 00:55:08,939 --> 00:55:10,239 THAT WE ALREADY HAVE EVERYTHING WE NEED 1503 00:55:10,241 --> 00:55:12,107 TO SOLVE IT, BUT... 1504 00:55:12,109 --> 00:55:13,942 HE'S ALSO SAYING DON'T PAY ANY ATTENTION TO ART HENLEY, RIGHT? 1505 00:55:15,713 --> 00:55:17,112 SO, WE SHOULD DO THE OPPOSITE AND FOCUS ON HENLEY? 1506 00:55:18,082 --> 00:55:20,049 I TOOK A CLOSER LOOK 1507 00:55:20,051 --> 00:55:21,283 AT THE SECURITY-CAM FOOTAGE. 1508 00:55:24,889 --> 00:55:26,021 ALL RIGHT. 1509 00:55:27,591 --> 00:55:28,857 NOW, CHECK THIS OUT. 1510 00:55:28,859 --> 00:55:30,926 I ENHANCED AND ENLARGED IT. 1511 00:55:31,996 --> 00:55:34,029 THAT LOOKS FAMILIAR. 1512 00:55:34,031 --> 00:55:35,731 YUP. 1513 00:55:37,201 --> 00:55:38,867 DOES IT LOOK LIKE THIS? 1514 00:55:39,870 --> 00:55:42,571 I THINK YOU'VE GOT A SUSPECT. 1515 00:55:42,573 --> 00:55:43,639 MM-HMM. 1516 00:55:43,641 --> 00:55:46,375 PROFESSOR FOWLER. 1517 00:55:47,645 --> 00:55:48,911 WE'VE GOT WHAT WE'LL NEED. 1518 00:55:48,913 --> 00:55:50,212 DID YOU TEST YOUR FLASHLIGHT? 1519 00:55:51,315 --> 00:55:52,314 DO WE LOOK LIKE GREENHORNS? 1520 00:55:52,316 --> 00:55:55,250 "GREENHORNS," IS THAT EVEN A THING? 1521 00:55:55,252 --> 00:55:56,885 OKAY, WE'RE BACK ON SUNDAY EVENING. 1522 00:55:56,887 --> 00:55:58,220 I LEFT A MAP ON THE DINING ROOM TABLE 1523 00:55:58,222 --> 00:55:59,221 OF OUR LOCATION, OKAY? 1524 00:55:59,223 --> 00:56:00,956 ASK YOUR FATHER WHAT HE'S GOING TO DO 1525 00:56:00,958 --> 00:56:01,924 IF HE SEES A BEAR. 1526 00:56:03,027 --> 00:56:05,260 BEARS? 1527 00:56:05,262 --> 00:56:06,228 THEY HAVE BEARS UP THERE? 1528 00:56:06,230 --> 00:56:07,563 WILDERNESS? 1529 00:56:07,565 --> 00:56:09,631 WHAT PART OF WILDERNESS AND BEARS DON'T GO TOGETHER? 1530 00:56:10,768 --> 00:56:11,734 LOVE YOU, HON. 1531 00:56:11,736 --> 00:56:12,735 [CHUCKLING] 1532 00:56:12,737 --> 00:56:13,702 THERE'S NO BEARS. 1533 00:56:15,005 --> 00:56:16,772 PROBABLY. 1534 00:56:16,774 --> 00:56:17,740 LOGAN, HAVE FUN. 1535 00:56:17,742 --> 00:56:18,807 BE SAFE. 1536 00:56:23,147 --> 00:56:24,380 [SIGHS] SPA DAY TOMORROW? 1537 00:56:24,382 --> 00:56:25,381 OH, YEAH. 1538 00:56:29,420 --> 00:56:30,419 WELL, WHERE ELSE COULD I GET 1539 00:56:30,421 --> 00:56:32,221 THAT SORT OF RETURN? 1540 00:56:32,223 --> 00:56:35,057 -IT'S NOT THE RETURN-- -IT'S THE RISK. 1541 00:56:35,059 --> 00:56:37,192 BUT I HAVE BEEN GETTING PAID. 1542 00:56:37,194 --> 00:56:40,028 RIGHT ON TIME. 1543 00:56:40,030 --> 00:56:42,197 I'M GOING TO THE VALLEY PINES BANK NEXT WEEK 1544 00:56:42,199 --> 00:56:43,799 TO SEE ABOUT A REVERSE MORTGAGE. 1545 00:56:45,136 --> 00:56:46,468 I ASKED MAGGIE 1546 00:56:46,470 --> 00:56:51,006 TO COMMUNICATE WITH MY DECEASED UNCLE ERIC. 1547 00:56:51,008 --> 00:56:53,242 THERE WAS NEVER ANY SUCH PERSON. 1548 00:56:53,244 --> 00:56:55,744 I INVENTED HIM TO SEE IF MAGDALENA WAS REAL. 1549 00:56:55,746 --> 00:56:57,646 WELL, POSSIBLY, 1550 00:56:57,648 --> 00:57:00,215 ANOTHER MEMBER OF YOUR FAMILY WAS TRYING TO CONTACT YOU. 1551 00:57:00,217 --> 00:57:03,185 I REALLY FEEL 1552 00:57:03,187 --> 00:57:04,386 WHEN I'M WITH MAGGIE 1553 00:57:04,388 --> 00:57:06,355 THAT I'M IN THE PRESENCE OF MY EDGAR. 1554 00:57:10,294 --> 00:57:12,461 WHAT CAN WE DO? 1555 00:57:12,463 --> 00:57:14,863 I'LL GO BY ADULT PROTECTIVE SERVICES TOMORROW, 1556 00:57:14,865 --> 00:57:15,898 SEE WHAT THEY SAY. 1557 00:57:15,900 --> 00:57:17,099 I CAN'T BELIEVE 1558 00:57:17,101 --> 00:57:20,068 PEOPLE TAKE ADVANTAGE OF SENIOR CITIZENS LIKE THAT. 1559 00:57:20,070 --> 00:57:21,670 JUST ASK MY UNCLE ERIC. 1560 00:57:25,476 --> 00:57:27,943 [PANTING] 1561 00:57:27,945 --> 00:57:29,511 YOU OKAY THERE, SON? 1562 00:57:29,513 --> 00:57:32,080 YEAH. ARE WE EVEN THERE YET? 1563 00:57:32,082 --> 00:57:35,651 UH... NOT EVEN CLOSE. 1564 00:57:37,688 --> 00:57:39,621 [GASPING WEARILY] 1565 00:57:39,623 --> 00:57:41,657 YOU KNOW, I THINK WE FORGOT SOMETHING. 1566 00:57:41,659 --> 00:57:44,159 WHAT'S THAT? 1567 00:57:44,161 --> 00:57:46,295 SHERPAS. 1568 00:57:49,366 --> 00:57:50,666 [GROANS] 1569 00:57:50,668 --> 00:57:52,634 WHAT DO YOU GOT IN HERE? 1570 00:57:52,636 --> 00:57:55,404 THAT'S JUST THE TENT. 1571 00:57:57,441 --> 00:58:00,175 YOU GOT THE COMPASS, RIGHT? 1572 00:58:03,247 --> 00:58:05,113 WELL, YOU GOTTA HAND IT TO THE GUYS, 1573 00:58:05,115 --> 00:58:06,148 THEY REALLY DID IT. 1574 00:58:06,150 --> 00:58:08,851 SITTING OUT IN THE COLD AND DARK 1575 00:58:08,853 --> 00:58:10,018 LIKE NEANDERTHALS. 1576 00:58:10,020 --> 00:58:11,587 [CHUCKLING] 1577 00:58:11,589 --> 00:58:13,322 OH, I LOVE THIS PART, 1578 00:58:13,324 --> 00:58:14,756 YOU KNOW THEY'RE GOING TO KISS. 1579 00:58:14,758 --> 00:58:17,292 I'VE SEEN IT A MILLION TIMES. 1580 00:58:17,294 --> 00:58:20,562 [GASPING TOGETHER] OH... 1581 00:58:21,699 --> 00:58:24,399 WELL, WHAT DO YOU WANT TO WATCH NEXT? 1582 00:58:24,401 --> 00:58:25,801 CAN WE WATCH THAT AGAIN? 1583 00:58:27,071 --> 00:58:28,470 YEAH! 1584 00:58:31,175 --> 00:58:34,142 [♪♪♪] 1585 00:58:35,679 --> 00:58:37,946 [THUNDER RUMBLING] 1586 00:58:38,916 --> 00:58:42,818 THE WOOD WAS GREEN, OR WET, I GUESS. 1587 00:58:42,820 --> 00:58:44,019 NO FIRE? 1588 00:58:44,021 --> 00:58:45,521 NO DINNER? 1589 00:58:45,523 --> 00:58:46,822 WE HAD THAT GRANOLA BAR. 1590 00:58:46,824 --> 00:58:48,290 NO INTERNET? 1591 00:58:48,292 --> 00:58:50,425 IT'S THE GREAT OUTDOORS. 1592 00:58:52,796 --> 00:58:54,696 SO, IS THAT IT, WE JUST SIT HERE FREEZING? 1593 00:58:54,698 --> 00:58:58,400 WE ENJOY THE SOLITUDE, SON. 1594 00:58:58,402 --> 00:59:00,002 [THUNDER RUMBLING] 1595 00:59:00,004 --> 00:59:01,436 WHAT'S THAT? 1596 00:59:01,438 --> 00:59:02,437 THAT WOULD BE RAIN. 1597 00:59:06,210 --> 00:59:08,644 I MEAN, IT DOESN'T BOTHER ME. 1598 00:59:08,646 --> 00:59:11,947 YEAH, ME NEITHER. 1599 00:59:11,949 --> 00:59:14,917 BUT, YOU KNOW, IF YOU WANT TO LEAVE. 1600 00:59:14,919 --> 00:59:16,084 NO, NO, I CAN TAKE IT. 1601 00:59:16,086 --> 00:59:17,052 OKAY. 1602 00:59:18,923 --> 00:59:22,291 BUT IF YOU WANT TO GO, I'D GO. 1603 00:59:22,293 --> 00:59:23,892 [THUNDER CRASHING OVERHEAD] 1604 00:59:23,894 --> 00:59:25,861 YOU KNOW, I SAW A MOTEL 1605 00:59:25,863 --> 00:59:26,895 IN THAT TOWN THAT WE DROVE THROUGH. 1606 00:59:26,897 --> 00:59:28,597 I SAW THE DINER. 1607 00:59:29,700 --> 00:59:31,767 YOU KNOW WHAT, WE'LL, JUST, UH, COME BACK SUNDAY. 1608 00:59:31,769 --> 00:59:33,168 WHAT THEY DON'T KNOW WON'T HURT THEM, RIGHT? 1609 00:59:33,170 --> 00:59:34,970 THIS IS ABOUT BONDING. WE'RE STILL BONDING. 1610 00:59:34,972 --> 00:59:37,072 EXACTLY. 1611 00:59:40,010 --> 00:59:41,510 THAT'S INTERESTING. 1612 00:59:41,512 --> 00:59:43,779 MILES FOWLER HAD A BOOK PUBLISHED AT BROWN & HEATON, 1613 00:59:43,781 --> 00:59:45,080 THE SAME TIME THAT GERALD McNALLY 1614 00:59:45,082 --> 00:59:47,783 HAPPENED TO BE AN EDITOR THERE. 1615 00:59:47,785 --> 00:59:48,750 HUH. 1616 00:59:48,752 --> 00:59:49,718 [SHOP BELL JINGLES] 1617 00:59:49,720 --> 00:59:50,719 HEY! 1618 00:59:50,721 --> 00:59:51,887 HEY. 1619 00:59:51,889 --> 00:59:52,955 SO... 1620 00:59:52,957 --> 00:59:54,856 I WENT TO ADULT PROTECTIVE SERVICES, 1621 00:59:54,858 --> 00:59:56,124 AND FRANK WAS RIGHT. 1622 00:59:56,126 --> 00:59:57,526 AS LONG AS CLARA'S COMPETENT, 1623 00:59:57,528 --> 00:59:58,660 SHE CAN DO WHATEVER SHE LIKES. 1624 00:59:58,662 --> 01:00:00,862 YOU'D NEED A FAMILY MEMBER TO FILE A COMPLAINT. 1625 01:00:00,864 --> 01:00:02,097 SHE DOESN'T HAVE CHILDREN? 1626 01:00:02,099 --> 01:00:03,999 NO, SO, THAT'S OUT. 1627 01:00:04,001 --> 01:00:05,000 WELL, WHAT ARE YOU THINKING? 1628 01:00:05,002 --> 01:00:06,969 WHAT WOULD MADAME MAGDALENA DO 1629 01:00:06,971 --> 01:00:08,870 IF SHE THOUGHT SHE WERE ABOUT TO BE ARRESTED? 1630 01:00:09,974 --> 01:00:11,340 THAT JUST MIGHT WORK. 1631 01:00:17,214 --> 01:00:18,213 EIGHT YEARS AGO, 1632 01:00:18,215 --> 01:00:19,314 FOWLER HAD A BOOK PUBLISHED 1633 01:00:19,316 --> 01:00:20,282 AT BROWN & HEATON, 1634 01:00:20,284 --> 01:00:21,650 THE SAME PLACE THAT McNALLY WAS AN EDITOR. 1635 01:00:21,652 --> 01:00:22,684 I KNOW. 1636 01:00:22,686 --> 01:00:24,953 BUT FOWLER'S BOOK, A LIFE OF HOLMES , 1637 01:00:24,955 --> 01:00:26,188 WAS NON-FICTION, 1638 01:00:26,190 --> 01:00:28,123 WHICH MEANS HE MAY NOT HAVE HAD ANY CONTACT WITH McNALLY, 1639 01:00:28,125 --> 01:00:30,192 WHO WAS FICTION. 1640 01:00:30,194 --> 01:00:31,293 ON THE OTHER HAND, 1641 01:00:31,295 --> 01:00:34,062 FOWLER HAD NO CLASSES ON THE DAYS OF EITHER MURDER. 1642 01:00:34,064 --> 01:00:35,697 WELL, DOES HE HAVE AN ALIBI? 1643 01:00:35,699 --> 01:00:36,732 NOT SURE. 1644 01:00:36,734 --> 01:00:38,567 WE NEED TO GET A LITTLE MORE INFORMATION 1645 01:00:38,569 --> 01:00:39,768 BEFORE I INTERVIEW HIM. 1646 01:00:39,770 --> 01:00:41,436 NOW, YOU WERE SAYING 1647 01:00:41,438 --> 01:00:42,838 FOWLER'S OFFICE IS LIKE 1648 01:00:42,840 --> 01:00:44,373 A SHRINE TO HOLMES? 1649 01:00:44,375 --> 01:00:46,308 IT'S LIKE WALKING INTO BAKER STREET. 1650 01:00:46,310 --> 01:00:47,342 RIGHT, WELL, HERE'S WHAT WE KNOW, 1651 01:00:47,344 --> 01:00:49,878 FOWLER WAS FREE THE DAYS OF BOTH MURDERS. 1652 01:00:49,880 --> 01:00:51,480 THE MAN IN THE SECURITY CAM 1653 01:00:51,482 --> 01:00:52,914 WAS WEARING A LITTLEFIELD COLLEGE SWEATSHIRT, 1654 01:00:52,916 --> 01:00:55,117 HAPPENS TO BE WHERE FOWLER TEACHES. 1655 01:00:55,119 --> 01:00:58,720 NOW, McNALLY'S KILLER HAD AN ENCYCLOPEDIC KNOWLEDGE 1656 01:00:58,722 --> 01:00:59,688 OF SHERLOCK HOMES. 1657 01:00:59,690 --> 01:01:02,290 IT CERTAINLY FITS FOWLER TO A "T." 1658 01:01:02,292 --> 01:01:03,859 THERE'S ONE MORE THING. 1659 01:01:03,861 --> 01:01:06,294 10 YEARS AGO, THIS ARTICLE IN A MYSTERY MAGAZINE. 1660 01:01:06,296 --> 01:01:07,896 "THE PHARMACOLOGY OF MURDER," 1661 01:01:07,898 --> 01:01:09,931 BY PROFESSOR MYLES FOWLER. 1662 01:01:09,933 --> 01:01:12,167 IT'S ABOUT ALL THE WAYS POISONS HAVE BEEN USED 1663 01:01:12,169 --> 01:01:13,402 TO KILL PEOPLE IN MYSTERY BOOKS. 1664 01:01:15,673 --> 01:01:16,638 THAT'S PRETTY GOOD, JENN. 1665 01:01:20,711 --> 01:01:22,210 [JENN]: I WONDER HOW THEY'RE DOING. 1666 01:01:22,212 --> 01:01:23,679 HMM, NOT TOO WELL. 1667 01:01:23,681 --> 01:01:25,047 I SAW ON THE NEWS IT WAS RAINING UP THERE, 1668 01:01:25,049 --> 01:01:26,715 POURING. 1669 01:01:26,717 --> 01:01:28,684 AW, NOW I FEEL BAD FOR THEM. 1670 01:01:28,686 --> 01:01:30,385 I COULD SHOW YOU WHERE THEY WERE GOING. 1671 01:01:30,387 --> 01:01:31,353 HOW? 1672 01:01:31,355 --> 01:01:32,354 I HAVE A PROGRAM 1673 01:01:32,356 --> 01:01:33,989 THAT SHOWS A SATELLITE VIEW OF ALMOST ANYWHERE. 1674 01:01:33,991 --> 01:01:35,323 AND IF THERE'S A SIGNAL, 1675 01:01:35,325 --> 01:01:36,425 I CAN PINPOINT DAD'S CELL PHONE. 1676 01:01:36,427 --> 01:01:37,392 REALLY? 1677 01:01:37,394 --> 01:01:38,894 MM-HMM. 1678 01:01:42,099 --> 01:01:44,466 OKAY, HERE'S THE RANGER STATION, 1679 01:01:44,468 --> 01:01:45,600 PARKING LOT. 1680 01:01:45,602 --> 01:01:47,269 THEY SHOULD BE A COUPLE MILES TO THE NORTH, I THINK. 1681 01:01:47,271 --> 01:01:49,004 AMAZING. 1682 01:01:49,006 --> 01:01:50,372 THAT'S NOT REAL-TIME, IS IT? 1683 01:01:50,374 --> 01:01:51,406 NO. 1684 01:01:51,408 --> 01:01:54,042 BUT THE APP FOR THE CELL PHONE IS. 1685 01:01:54,044 --> 01:01:55,010 TRY IT. 1686 01:01:55,012 --> 01:01:57,379 [BEEPING] 1687 01:01:57,381 --> 01:01:59,648 THAT'S WEIRD. 1688 01:01:59,650 --> 01:02:00,782 IT SHOWS A SIGNAL, 1689 01:02:00,784 --> 01:02:02,684 BUT THERE'S NOTHING ON THE MAP. 1690 01:02:02,686 --> 01:02:04,052 LET ME ZOOM OUT. 1691 01:02:06,457 --> 01:02:07,422 I CAN'T BELIEVE IT. 1692 01:02:07,424 --> 01:02:08,890 WHAT? 1693 01:02:08,892 --> 01:02:09,958 THEY'RE IN A TOWN. 1694 01:02:09,960 --> 01:02:11,460 [GASPS IN SHOCK] 1695 01:02:11,462 --> 01:02:12,527 CHEATERS. 1696 01:02:14,231 --> 01:02:15,697 OKAY, IT'S YOUR MOVE. 1697 01:02:15,699 --> 01:02:18,166 YOU'D BETTER WATCH YOUR BISHOP. 1698 01:02:18,168 --> 01:02:20,235 WHY? 1699 01:02:20,237 --> 01:02:21,636 YOU SHOULD'VE WATCHED YOUR ROOK. 1700 01:02:21,638 --> 01:02:23,205 [CHUCKLES] 1701 01:02:24,308 --> 01:02:26,141 TWO HOT CHOCOLATES. 1702 01:02:26,143 --> 01:02:28,376 WE DIDN'T ORDER HOT CHOCOLATE. 1703 01:02:28,378 --> 01:02:29,377 MM-MM. 1704 01:02:29,379 --> 01:02:30,879 NO, YOUR MOM DID. 1705 01:02:30,881 --> 01:02:32,314 SHE EXPECTS YOU HOME FOR DINNER. 1706 01:02:32,316 --> 01:02:34,182 [CHUCKLES] 1707 01:02:34,184 --> 01:02:36,384 BUSTED. 1708 01:02:36,386 --> 01:02:37,352 CHEERS. 1709 01:02:40,657 --> 01:02:42,657 [FRANK]: THIS WON'T BE LONG. JUST A FEW QUESTIONS. 1710 01:02:42,659 --> 01:02:44,526 OH, SHOOT. 1711 01:02:44,528 --> 01:02:45,627 OR SHOULD I SAY "INJECT"? 1712 01:02:45,629 --> 01:02:46,862 [CHUCKLES] 1713 01:02:46,864 --> 01:02:48,163 TUESDAY THE 12th, 1714 01:02:48,165 --> 01:02:49,731 BETWEEN 11:00 A.M. AND 2:00 P.M., 1715 01:02:49,733 --> 01:02:50,766 WHERE WERE YOU? 1716 01:02:51,935 --> 01:02:53,635 -ARE YOU SERIOUS? -MM-HMM. 1717 01:02:53,637 --> 01:02:56,171 AH, FINE. UH... 1718 01:02:57,608 --> 01:03:00,308 YES, A FACULTY COMMITTEE MEETING. 1719 01:03:00,310 --> 01:03:02,544 YOUR DEPARTMENT HEAD SAYS YOU MISSED THAT MEETING. 1720 01:03:02,546 --> 01:03:04,379 WELL THEN, I WAS WRITING. 1721 01:03:04,381 --> 01:03:05,480 ALL RIGHT. 1722 01:03:05,482 --> 01:03:06,915 WELL, WHAT ABOUT THE WEEK BEFORE, 1723 01:03:06,917 --> 01:03:09,050 MONDAY THE 4TH. 1724 01:03:09,052 --> 01:03:10,285 WRITING. 1725 01:03:10,287 --> 01:03:11,887 YOU DIDN'T HAVE TO CHECK YOUR BOOK? 1726 01:03:11,889 --> 01:03:13,755 MONDAY IS ALWAYS WRITING. 1727 01:03:13,757 --> 01:03:14,723 ALONE, 1728 01:03:14,725 --> 01:03:17,692 WHICH MEANS NO ALIBI. 1729 01:03:17,694 --> 01:03:18,927 LOOK, I'M A HOLMES EXPERT. 1730 01:03:18,929 --> 01:03:21,163 I'VE WRITTEN ABOUT POISONS, 1731 01:03:21,165 --> 01:03:23,632 AND HOW IT'S USED IN THE ART OF MURDER. 1732 01:03:23,634 --> 01:03:26,434 I THINK ABOUT KILLING PEOPLE. 1733 01:03:26,436 --> 01:03:27,402 A LOT. 1734 01:03:27,404 --> 01:03:28,970 YOUR BOOK LIFE OF HOLMES 1735 01:03:28,972 --> 01:03:30,972 WAS PUBLISHED BY BROWN & HEATON. 1736 01:03:30,974 --> 01:03:32,274 GERALD McNALLY WAS AN EDITOR THERE 1737 01:03:32,276 --> 01:03:33,241 AT THE TIME. 1738 01:03:33,243 --> 01:03:34,276 THE LIFE COACH? 1739 01:03:34,278 --> 01:03:35,744 MM-HMM. 1740 01:03:35,746 --> 01:03:37,212 OH, YES, NOW I REMEMBER. 1741 01:03:37,214 --> 01:03:39,214 GERRY. GERRY McNALLY. 1742 01:03:39,216 --> 01:03:40,749 WELL, HE WAS FICTION, I WAS NON-FICTION, 1743 01:03:40,751 --> 01:03:43,685 SO I DIDN'T MAKE THE CONNECTION. 1744 01:03:43,687 --> 01:03:45,086 YOU DON'T BELIEVE THAT. 1745 01:03:45,088 --> 01:03:47,355 HABIT. 1746 01:03:47,357 --> 01:03:48,390 YES, WELL, NOW YOU HAVE A PROBLEM, 1747 01:03:48,392 --> 01:03:49,424 BECAUSE HE WAS THE LAST PERSON 1748 01:03:49,426 --> 01:03:50,959 WHO SHOULD HAVE BEEN A LIFE COACH. 1749 01:03:50,961 --> 01:03:52,861 HE WAS NOT A NICE MAN. 1750 01:03:52,863 --> 01:03:54,262 HOW SO? 1751 01:03:54,264 --> 01:03:55,797 WELL, HE WAS ARROGANT. 1752 01:03:55,799 --> 01:03:56,998 DISMISSIVE. 1753 01:03:57,000 --> 01:03:59,000 IF HE THOUGHT YOU DIDN'T CUT IT AS A WRITER, 1754 01:03:59,002 --> 01:04:00,068 HE JUST TOLD YOU SO. 1755 01:04:00,070 --> 01:04:01,036 DID HE EVER TELL YOU SO? 1756 01:04:01,038 --> 01:04:02,437 YES. 1757 01:04:02,439 --> 01:04:04,072 BUT IT MADE ME BETTER. 1758 01:04:05,442 --> 01:04:06,508 HOW TALL ARE YOU? 1759 01:04:06,510 --> 01:04:07,742 [LAUGHS] 1760 01:04:07,744 --> 01:04:09,578 OH, FINALLY, AN INTERESTING QUESTION. 1761 01:04:09,580 --> 01:04:10,545 AH... 1762 01:04:10,547 --> 01:04:11,546 I AM SIX FOOT, ONE INCH. 1763 01:04:11,548 --> 01:04:12,781 DOES THAT HELP? 1764 01:04:12,783 --> 01:04:14,216 IT MIGHT. 1765 01:04:14,218 --> 01:04:17,118 WE HAVE SOME SECURITY CAM FOOTAGE OF ARTHUR HENLEY. 1766 01:04:17,120 --> 01:04:19,588 HE WAS WALKING WITH THE MAN WHO MIGHT HAVE KILLED HIM. 1767 01:04:19,590 --> 01:04:20,722 YOU'RE ABOUT THE SAME HEIGHT. 1768 01:04:20,724 --> 01:04:24,259 OH, WELL, THAT NARROWS YOUR SUSPECT POOL 1769 01:04:24,261 --> 01:04:26,528 DOWN TO WHAT, 1770 01:04:26,530 --> 01:04:28,463 A FEW MILLION PEOPLE. 1771 01:04:28,465 --> 01:04:31,166 EXCELLENT WORK, DETECTIVE. 1772 01:04:31,168 --> 01:04:33,034 EXCELLENT WORK. 1773 01:04:34,605 --> 01:04:36,571 GIRLS, WE'RE HOME! 1774 01:04:37,574 --> 01:04:39,107 JENN? 1775 01:04:40,077 --> 01:04:41,109 HANNAH? 1776 01:04:41,111 --> 01:04:43,111 HELLO? 1777 01:04:43,113 --> 01:04:45,480 "BACK AT 7:00 FOR DINNER. 1778 01:04:45,482 --> 01:04:47,148 "EVERYTHING'S IN THE FRIDGE. 1779 01:04:47,150 --> 01:04:49,351 "SALAD NEEDS TO BE MADE. 1780 01:04:49,353 --> 01:04:50,652 "SET THE TABLE. 1781 01:04:50,654 --> 01:04:52,454 "LOVE, MOM AND HANNAH. 1782 01:04:52,456 --> 01:04:57,626 P.S. LOGAN, USE YOU PHONE APP TO TRACK OUR LOCATION." 1783 01:04:59,429 --> 01:05:00,395 HMM. 1784 01:05:01,598 --> 01:05:04,366 [SIGHING BLISSFULLY] 1785 01:05:06,436 --> 01:05:07,502 NOW, THIS IS WHAT I CALL 1786 01:05:07,504 --> 01:05:10,272 GETTING BACK TO NATURE. 1787 01:05:10,274 --> 01:05:12,474 WE WILL BE GOING OUTSIDE. 1788 01:05:12,476 --> 01:05:13,975 HMM. 1789 01:05:13,977 --> 01:05:15,877 IS THAT WHERE THE MASSAGE TABLES ARE? 1790 01:05:15,879 --> 01:05:17,279 YUP. 1791 01:05:17,281 --> 01:05:19,314 IN A TENT. 1792 01:05:19,316 --> 01:05:21,049 KIND OF LIKE CAMPING. 1793 01:05:21,051 --> 01:05:23,118 [CHUCKLING] 1794 01:05:24,655 --> 01:05:27,422 [SIGHING] 1795 01:05:28,792 --> 01:05:30,125 I'M JUST GLAD YOU'RE BOTH BACK 1796 01:05:30,127 --> 01:05:31,927 SAFE AND SOUND. 1797 01:05:34,464 --> 01:05:35,430 AH. 1798 01:05:35,432 --> 01:05:36,398 [CHUCKLING] 1799 01:05:36,400 --> 01:05:38,366 THANK YOU. 1800 01:05:38,368 --> 01:05:39,367 YOU KNOW, 1801 01:05:39,369 --> 01:05:40,535 I LEARNED A VALUABLE LESSON THIS WEEKEND 1802 01:05:40,537 --> 01:05:41,770 THAT I'LL REMEMBER WHEN I'M AT COLLEGE. 1803 01:05:41,772 --> 01:05:43,271 OH, YEAH, WHAT'S THAT? 1804 01:05:43,273 --> 01:05:44,239 NO MATTER WHERE YOU GO, 1805 01:05:44,241 --> 01:05:46,574 OR WHAT YOU DO, 1806 01:05:46,576 --> 01:05:47,776 MOM KNOWS. 1807 01:05:49,179 --> 01:05:50,145 YEAH. 1808 01:05:57,821 --> 01:05:59,120 [SHOP BELL JINGLES] 1809 01:05:59,122 --> 01:06:00,121 HELLO. 1810 01:06:00,123 --> 01:06:01,222 OH, HI, TERRANCE. 1811 01:06:01,224 --> 01:06:02,290 I HAD A LOVELY EVENING. 1812 01:06:02,292 --> 01:06:03,892 THANK YOU SO MUCH FOR THE INVITE. 1813 01:06:03,894 --> 01:06:04,859 OH, YOU'RE WELCOME. 1814 01:06:04,861 --> 01:06:05,827 IT WAS FUN. 1815 01:06:06,930 --> 01:06:09,764 SO, I TOOK ANOTHER LOOK AT "STUDY IN SCARLET." 1816 01:06:09,766 --> 01:06:11,866 THE KILLER ARRIVED BY A HORSE-DRIVEN CAB. 1817 01:06:11,868 --> 01:06:14,703 IF YOUR SUSPECT WAS TRULY RECREATING THE CRIME, 1818 01:06:14,705 --> 01:06:16,671 HE WOULD HAVE TAKEN A CAB. 1819 01:06:16,673 --> 01:06:18,773 YOU MIGHT BE ABLE TO SEE THE CAB COMPANIES' RECORDS 1820 01:06:18,775 --> 01:06:19,874 TO SEE IF ANYONE WAS DROPPED OFF 1821 01:06:19,876 --> 01:06:21,009 AT THAT ADDRESS. 1822 01:06:21,011 --> 01:06:22,010 THAT IS VERY SMART. 1823 01:06:22,012 --> 01:06:24,612 OH, AND I WAS ABLE TO MAKE A CONNECTION 1824 01:06:24,614 --> 01:06:26,648 BETWEEN McNALLY AND FOWLER. 1825 01:06:26,650 --> 01:06:29,284 IT TURNS OUT THAT McNALLY WAS AN EDITOR AT BROWN & HEATON 1826 01:06:29,286 --> 01:06:30,285 THE SAME TIME 1827 01:06:30,287 --> 01:06:32,087 THAT FOWLER HAD A BOOK PUBLISHED THERE. 1828 01:06:32,089 --> 01:06:33,421 WOW, YOU HAD TO DIG DEEP FOR THAT. 1829 01:06:33,423 --> 01:06:35,023 [CHUCKLES] 1830 01:06:35,025 --> 01:06:36,391 IT SOUNDS LIKE LYNWOOD HAS A VIABLE SUSPECT. 1831 01:06:36,393 --> 01:06:37,359 YES, IT SURE DOES. 1832 01:06:37,361 --> 01:06:39,427 YOU SHOULD MEET FRANK. 1833 01:06:39,429 --> 01:06:41,062 MAYBE WE COULD ALL HAVE LUNCH ONE DAY THIS WEEK. 1834 01:06:41,064 --> 01:06:43,231 SOUNDS GOOD. 1835 01:06:43,233 --> 01:06:45,133 I'D LIKE TO ASK YOU A FAVOR. 1836 01:06:45,135 --> 01:06:46,134 YOU'RE A MYSTERY FAN, 1837 01:06:46,136 --> 01:06:47,769 WOULD YOU BE WILLING TO READ MY NEW BOOK, 1838 01:06:47,771 --> 01:06:50,005 GIVE ME SOME OBJECTIVE FEEDBACK? 1839 01:06:50,007 --> 01:06:51,139 SURE, I WOULD LOVE TO. 1840 01:06:51,141 --> 01:06:52,240 JUST TELL ME WHEN. 1841 01:06:52,242 --> 01:06:54,242 SHOULD BE READY NEXT WEEK. 1842 01:06:54,244 --> 01:06:55,243 ONE CAVEAT. 1843 01:06:55,245 --> 01:06:56,578 I CAN'T SEND IT TO YOU, 1844 01:06:56,580 --> 01:06:58,747 BUT I'LL MAKE A HARD COPY YOU CAN READ IN MY OFFICE. 1845 01:06:58,749 --> 01:06:59,714 WRITER'S PARANOIA. 1846 01:07:00,717 --> 01:07:02,550 UNDERSTOOD. 1847 01:07:02,552 --> 01:07:03,618 IS, UH, DANI HERE? 1848 01:07:04,688 --> 01:07:06,421 OH, NO, I'M AFRAID SHE JUST STEPPED OUT. 1849 01:07:06,423 --> 01:07:07,422 OH, UM, 1850 01:07:07,424 --> 01:07:08,690 I JUST WANTED TO GIVE HER SOMETHING. 1851 01:07:08,692 --> 01:07:10,425 [UNZIPPING BAG] 1852 01:07:10,427 --> 01:07:11,659 I WANTED TO GIVE HER THIS. 1853 01:07:11,661 --> 01:07:14,262 HAWAIIAN SPIRULINA. 1854 01:07:14,264 --> 01:07:15,463 POND SCUM. 1855 01:07:15,465 --> 01:07:16,431 [CHUCKLING] 1856 01:07:16,433 --> 01:07:17,799 I'M SURE SHE'LL LOVE IT. 1857 01:07:17,801 --> 01:07:19,768 [♪♪♪] 1858 01:07:26,376 --> 01:07:29,344 GERALD McNALLY'S DEATH WAS BY STRYCHNINE POISONING. 1859 01:07:29,346 --> 01:07:31,913 NOW, MY FIRST THOUGHT WAS IT WAS IN THE PILLS, 1860 01:07:31,915 --> 01:07:32,914 BUT IT WASN'T. 1861 01:07:32,916 --> 01:07:33,882 WHAT WERE THE PILLS? 1862 01:07:33,884 --> 01:07:35,283 SUGAR. 1863 01:07:35,285 --> 01:07:37,252 NO TRACE OF POISON IN HIS STOMACH, 1864 01:07:37,254 --> 01:07:39,054 SO HE DIDN'T INGEST IT. 1865 01:07:39,056 --> 01:07:40,655 I RE-EXAMINED THE BODY. 1866 01:07:40,657 --> 01:07:43,058 THERE WAS A SINGLE NEEDLE MARK, 1867 01:07:43,060 --> 01:07:45,560 A VERY FINE GAUGE NEEDLE. 1868 01:07:45,562 --> 01:07:48,129 THE STRYCHNINE WAS ADMINISTERED VIA INJECTION. 1869 01:07:48,131 --> 01:07:50,031 IF McNALLY WAS INJECTED, 1870 01:07:50,033 --> 01:07:51,266 THERE MUST HAVE BEEN PHYSICAL CONTACT. 1871 01:07:51,268 --> 01:07:53,334 LOCARD'S PRINCIPLE. 1872 01:07:53,336 --> 01:07:56,304 A PERPETRATOR WILL BRING SOMETHING INTO A CRIME SCENE 1873 01:07:56,306 --> 01:07:58,473 AND LEAVE WITH SOMETHING FROM IT. 1874 01:07:58,475 --> 01:08:00,642 I WANT EVERY INCH OF HIM GONE THROUGH, 1875 01:08:00,644 --> 01:08:02,043 HIS CLOTHES, SHOES, WHATEVER. 1876 01:08:02,045 --> 01:08:04,212 IF THE KILLER HELD OR RESTRAINED HIM, 1877 01:08:04,214 --> 01:08:05,447 HE LEFT SOMETHING ON THE BODY. 1878 01:08:05,449 --> 01:08:07,315 ALL RIGHT? 1879 01:08:10,854 --> 01:08:13,688 [♪♪♪] 1880 01:08:16,326 --> 01:08:19,994 [WHISTLING NONCHALANTLY] 1881 01:08:26,203 --> 01:08:27,435 [KNOCKS] 1882 01:08:37,714 --> 01:08:39,347 [SHOTS SNIPE] 1883 01:08:48,225 --> 01:08:50,358 [POLICE CHATTER CRACKLES] 1884 01:08:50,360 --> 01:08:51,993 THE BODY WAS FOUND BY A STUDENT. 1885 01:08:51,995 --> 01:08:53,161 M.E. IS ON THE WAY, 1886 01:08:53,163 --> 01:08:55,263 GUNSHOT WOUND TO THE ABDOMEN. 1887 01:09:02,105 --> 01:09:03,938 [DIALING CALL] 1888 01:09:05,308 --> 01:09:06,407 HEY, JENNIFER. 1889 01:09:06,409 --> 01:09:08,343 YEAH, I'M AT LITTLEFIELD. 1890 01:09:08,345 --> 01:09:10,712 PROFESSOR FOWLER IS DEAD. 1891 01:09:10,714 --> 01:09:12,747 LOOKS LIKE WE GOT ANOTHER ONE. 1892 01:09:32,469 --> 01:09:34,402 HEY, JENN, THANKS FOR COMING. 1893 01:09:34,404 --> 01:09:35,703 WHAT DID THE KILLER LEAVE BEHIND? 1894 01:09:35,705 --> 01:09:37,071 OH, YOU'LL SEE. 1895 01:09:37,073 --> 01:09:38,973 THE GUY IS REALLY BRAGGING NOW. 1896 01:09:38,975 --> 01:09:42,343 HE EVEN LEFT A NOTE, "THE BUTLER DID IT." 1897 01:09:42,345 --> 01:09:44,379 FUNNY, HUH? 1898 01:09:48,285 --> 01:09:49,517 FOWLER WASN'T WEARING ANY CUFFLINKS, 1899 01:09:49,519 --> 01:09:51,419 SO, OBVIOUSLY, THE KILLER PLACED IT THERE. 1900 01:09:51,421 --> 01:09:53,221 I THINK I KNOW WHAT BOOK THIS IS FROM, 1901 01:09:53,223 --> 01:09:54,989 BUT THIS ISN'T RIGHT. 1902 01:09:56,893 --> 01:09:58,193 WHAT DO YOU MEAN? 1903 01:09:58,195 --> 01:09:59,661 THE BODY IS SUPPOSED TO BE FOUND 1904 01:09:59,663 --> 01:10:02,230 AT THE BOTTOM OF A CIRCULAR STAIRCASE. 1905 01:10:03,800 --> 01:10:05,400 LIKE THIS? 1906 01:10:07,837 --> 01:10:09,971 OKAY, I GOT THIS. 1907 01:10:09,973 --> 01:10:11,039 MARY ROBERTS RINEHART. 1908 01:10:11,041 --> 01:10:12,674 WHO? 1909 01:10:12,676 --> 01:10:14,609 THIS MURDER IS FROM THE CIRCULAR STAIRCASE. 1910 01:10:14,611 --> 01:10:15,577 I READ IT LAST YEAR. 1911 01:10:15,579 --> 01:10:16,578 THE VICTIM IS SHOT, 1912 01:10:16,580 --> 01:10:17,879 THE BODY IS FOUND 1913 01:10:17,881 --> 01:10:19,247 NEAR THE BASE OF A CIRCULAR STAIRCASE. 1914 01:10:19,249 --> 01:10:20,215 THERE'S A CUFFLINK, 1915 01:10:20,217 --> 01:10:21,182 MOTHER OF PEARL WITH RUBY, 1916 01:10:21,184 --> 01:10:22,183 FOUND NEAR THE BODY. 1917 01:10:22,185 --> 01:10:23,551 SHE WAS THE FIRST TO USE THE PHRASE 1918 01:10:23,553 --> 01:10:25,687 "THE BUTLER DID IT." 1919 01:10:25,689 --> 01:10:27,188 I THINK I KNOW WHERE THE GUN IS. 1920 01:10:27,190 --> 01:10:28,156 IF HE'S FOLLOWING THE BOOK, 1921 01:10:28,158 --> 01:10:30,124 HE WOULD HAVE WAS THE GUN IN SOME BUSHES. 1922 01:10:30,126 --> 01:10:31,960 IT MIGHT EVEN HAVE THE NAME "HALSEY" 1923 01:10:31,962 --> 01:10:34,195 ENGRAVED ON THE SIDE. 1924 01:10:34,197 --> 01:10:35,363 I'VE NEVER HEARD OF THIS WRITER. 1925 01:10:35,365 --> 01:10:36,364 RINEHART? 1926 01:10:36,366 --> 01:10:37,332 OH, SHE'S HUGE, 1927 01:10:37,334 --> 01:10:39,100 THE AMERICAN AGATHA CHRISTIE. 1928 01:10:39,102 --> 01:10:41,202 FRANK, LOOK. 1929 01:10:45,976 --> 01:10:47,141 PLEASE TELL ME THAT FOOTPRINT 1930 01:10:47,143 --> 01:10:48,543 WASN'T A CLUE FROM BOOK. 1931 01:10:48,545 --> 01:10:49,510 NOPE. 1932 01:10:51,014 --> 01:10:51,980 GOOD. 1933 01:10:51,982 --> 01:10:53,081 FINALLY, 1934 01:10:53,083 --> 01:10:55,083 LOOKS LIKE WE MIGHT HAVE CAUGHT A BREAK. 1935 01:10:56,620 --> 01:10:58,987 IT'S HORRIBLE, BUT IT'S FASCINATING 1936 01:10:58,989 --> 01:11:00,421 THERE'S A GUY KILLING PEOPLE 1937 01:11:00,423 --> 01:11:02,323 RIGHT OUT OF CLASSIC MYSTERIES. 1938 01:11:02,325 --> 01:11:04,592 THE MURDERS HAVE TO BE CONNECTED. 1939 01:11:04,594 --> 01:11:06,728 WHY HASN'T THE NEWSPAPER CAUGHT ONTO THIS? 1940 01:11:06,730 --> 01:11:09,430 FRANK HAS BEEN ABLE TO KEEP THE DETAILS PRETTY QUIET, 1941 01:11:09,432 --> 01:11:11,766 BUT I DON'T THINK IT'LL STAY THAT WAY FOR LONG. 1942 01:11:11,768 --> 01:11:13,001 HUH. 1943 01:11:14,237 --> 01:11:15,937 SO, HOW LONG DID IT TAKE YOU TO REALIZE 1944 01:11:15,939 --> 01:11:17,505 THAT THE CAMPING TRIP WAS NOT GOING TO BE THE BEST TIME? 1945 01:11:17,507 --> 01:11:19,140 [CHUCKLING] 1946 01:11:19,142 --> 01:11:20,375 WELL, LET'S SEE, 1947 01:11:20,377 --> 01:11:22,010 UM, I PUT THE BACKPACK ON, 1948 01:11:22,012 --> 01:11:23,344 TOOK ABOUT FIVE STEPS, AND I KNEW. 1949 01:11:23,346 --> 01:11:24,912 [CHUCKLING] 1950 01:11:25,882 --> 01:11:26,881 I'M GLAD YOU WENT. 1951 01:11:26,883 --> 01:11:28,383 -GOOD BONDING TIME. -YEAH. 1952 01:11:28,385 --> 01:11:31,052 I'M GOING TO GO DOWNSTAIRS AND CHECK MY NOTES. 1953 01:11:31,054 --> 01:11:32,320 DON'T STAY UP TOO LATE. 1954 01:11:32,322 --> 01:11:33,655 I WON'T. 1955 01:11:35,525 --> 01:11:37,191 [♪♪♪] 1956 01:11:52,542 --> 01:11:55,576 PROFESSOR MYLES FOWLER, 1957 01:11:55,578 --> 01:11:57,378 PRETTY OBVIOUS CAUSE OF DEATH. 1958 01:11:57,380 --> 01:11:59,080 DON'T ASSUME THE TWO BULLET WOUNDS 1959 01:11:59,082 --> 01:12:00,281 IN THE STOMACH KILLED HIM. 1960 01:12:00,283 --> 01:12:02,050 COULD BE A MISLEAD. 1961 01:12:02,052 --> 01:12:03,151 UNDERSTOOD. 1962 01:12:03,153 --> 01:12:05,887 I'LL APPROACH AS IF THERE WERE NO GUNSHOT WOUNDS. 1963 01:12:05,889 --> 01:12:07,322 AND THE SLUGS, THEY'VE BEEN RETRIEVED 1964 01:12:07,324 --> 01:12:08,289 AND SENT TO FORENSICS? 1965 01:12:08,291 --> 01:12:09,824 FIRST THING. 1966 01:12:09,826 --> 01:12:10,858 ANYWAY, I THINK WE HAVE THE GUN, 1967 01:12:10,860 --> 01:12:12,026 BUT I CAN'T TAKE ANYTHING FOR GRANTED. 1968 01:12:12,028 --> 01:12:13,795 THIRD MURDER BY THIS GUY? 1969 01:12:13,797 --> 01:12:15,930 WELL, HE MAY HAVE FINALLY SLIPPED UP. 1970 01:12:15,932 --> 01:12:17,031 WE FOUND A FRESH FOOTPRINT. 1971 01:12:17,033 --> 01:12:18,700 WHAT SIZE SHOE DID FOWLER WEAR? 1972 01:12:20,804 --> 01:12:22,303 SIZE 10. 1973 01:12:22,305 --> 01:12:23,805 THE FOOTPRINT IS A 12 AND A HALF. 1974 01:12:25,075 --> 01:12:26,307 THAT'S OUR GUY. 1975 01:12:26,309 --> 01:12:29,277 [♪♪♪] 1976 01:12:30,513 --> 01:12:32,914 WE'VE BEEN LOOKING AT YOUR FINANCES, CLARA, 1977 01:12:32,916 --> 01:12:34,782 AND I'M SURE WE CAN HELP YOU WITH YOUR INVESTMENTS. 1978 01:12:37,454 --> 01:12:39,587 I HAVE A BIT OF A TIGHT SCHEDULE. 1979 01:12:39,589 --> 01:12:40,888 I ASSUME THE PAPERWORK IS READY. 1980 01:12:40,890 --> 01:12:41,889 OH, IT'LL JUST BE ANOTHER MOMENT. 1981 01:12:41,891 --> 01:12:43,691 I APPRECIATE YOUR PATIENCE. 1982 01:12:43,693 --> 01:12:44,859 HI. 1983 01:12:44,861 --> 01:12:46,561 OH, GLAD YOU COULD MAKE IT, LAURA. 1984 01:12:46,563 --> 01:12:47,562 THIS IS LAURA 1985 01:12:47,564 --> 01:12:49,664 FROM THE DEPARTMENT OF SOCIAL SERVICES. 1986 01:12:49,666 --> 01:12:51,733 THE BANK HAS REASON TO BELIEVE 1987 01:12:51,735 --> 01:12:53,601 THAT THIS COULD BE A SITUATION OF ELDER FRAUD. 1988 01:12:54,938 --> 01:12:56,037 COULD YOU DESCRIBE 1989 01:12:56,039 --> 01:12:57,605 YOUR RELATIONSHIP TO CLARA? 1990 01:12:58,808 --> 01:13:00,208 [SCOFFS] 1991 01:13:00,210 --> 01:13:02,276 WELL, I RESENT THAT INSINUATION. 1992 01:13:03,480 --> 01:13:05,279 THIS HAS TAKEN UP FAR TOO MUCH OF MY TIME. 1993 01:13:05,281 --> 01:13:06,547 MELODY! 1994 01:13:06,549 --> 01:13:08,249 YEAH. WE'LL BE IN TOUCH. 1995 01:13:15,558 --> 01:13:17,425 I'M SO SORRY, CLARA. 1996 01:13:17,427 --> 01:13:18,426 [LAURA]: HER REAL NAME 1997 01:13:18,428 --> 01:13:20,261 IS MELODY MONROE. 1998 01:13:20,263 --> 01:13:21,496 SHE'S BEEN ARRESTED IN TWO OTHER STATES 1999 01:13:21,498 --> 01:13:22,997 FOR ELDER FRAUD AND OTHER SCAMS. 2000 01:13:22,999 --> 01:13:24,699 I PLAYED LAURA 2001 01:13:24,701 --> 01:13:26,667 A RECORDING OF MAGGIE COMMUNICATING 2002 01:13:26,669 --> 01:13:30,171 WITH SOMEONE WHO NEVER EXISTED. 2003 01:13:30,173 --> 01:13:31,372 CLARA, 2004 01:13:31,374 --> 01:13:32,974 APS HAS ADVISORS WHO CAN MAKE SURE 2005 01:13:32,976 --> 01:13:34,375 THAT YOUR INVESTMENTS ARE HANDLED RESPONSIBLY. 2006 01:13:34,377 --> 01:13:36,077 [SIGHS] 2007 01:13:36,079 --> 01:13:38,813 I REALLY WANTED TO BELIEVE 2008 01:13:38,815 --> 01:13:40,915 THAT I WAS TALKING WITH MY EDGAR. 2009 01:13:40,917 --> 01:13:42,450 I KNOW. 2010 01:13:42,452 --> 01:13:46,053 BUT I SUSPECTED I WASN'T. 2011 01:13:46,055 --> 01:13:48,022 HE WAS TOO SWEET. 2012 01:13:48,024 --> 01:13:50,291 EDGAR WOULD HAVE BEEN REALLY GRUMPY 2013 01:13:50,293 --> 01:13:52,727 IF I HAD BOTHERED HIM ON THE OTHER SIDE. 2014 01:13:55,031 --> 01:13:56,364 [CHUCKLING] 2015 01:13:59,269 --> 01:14:03,671 THE COMMON THREAD IS MYSTERIES AND LITERATURE. 2016 01:14:03,673 --> 01:14:04,806 IS THERE ANY CHANCE 2017 01:14:04,808 --> 01:14:07,175 THAT TERRANCE DUNCAN CAN BE INVOLVED? 2018 01:14:07,177 --> 01:14:10,111 HE WRITES MYSTERIES, HE TEACHES... 2019 01:14:10,113 --> 01:14:12,213 DO YOU THINK THAT'S POSSIBLE? 2020 01:14:12,215 --> 01:14:15,016 I HAD THE SAME THOUGHT, BUT I DON'T THINK SO. 2021 01:14:15,018 --> 01:14:17,518 AND DUNCAN WEARS A SIZE 11 SHOE, 2022 01:14:17,520 --> 01:14:20,154 AND THE FOOT IMPRESSION AT THE SCENE 2023 01:14:20,156 --> 01:14:21,789 WAS A 12 AND A HALF. 2024 01:14:21,791 --> 01:14:22,857 THAT'S A RELIEF 2025 01:14:22,859 --> 01:14:25,159 BECAUSE I'M GOING TO SEE HIM THIS AFTERNOON. 2026 01:14:25,161 --> 01:14:26,461 HOW IN THE WORLD DID YOU FIND OUT 2027 01:14:26,463 --> 01:14:28,463 DUNCAN'S SHOE SIZE? 2028 01:14:28,465 --> 01:14:31,599 HE RENTED A TUX A FEW YEARS AGO. 2029 01:14:31,601 --> 01:14:34,001 I ROUTINELY CHECK FORMAL WEAR PLACES 2030 01:14:34,003 --> 01:14:36,704 BECAUSE THEY ALWAYS KEEP MEASUREMENTS. 2031 01:14:36,706 --> 01:14:38,272 CLEVER. 2032 01:14:38,274 --> 01:14:39,440 I'D SAY. 2033 01:14:42,445 --> 01:14:45,313 YOU HAVE TO READ IT AT HIS OFFICE? 2034 01:14:45,315 --> 01:14:46,948 WELL, I GUESS IF YOU SEND SOMEONE A FILE, 2035 01:14:46,950 --> 01:14:48,483 IT CAN BE LEAKED TOO EASILY. 2036 01:14:48,485 --> 01:14:49,550 SO, YOU'RE GOING TO THE J.C.? 2037 01:14:49,552 --> 01:14:51,586 NO, TERRANCE HAS A WRITING OFFICE OFF-CAMPUS. 2038 01:14:51,588 --> 01:14:52,620 I'LL READ IT THERE. 2039 01:14:52,622 --> 01:14:54,455 YOU SHOULD FEEL FLATTERED. 2040 01:14:54,457 --> 01:14:55,823 YEAH, IT'S KIND OF COOL. 2041 01:14:55,825 --> 01:14:58,493 OKAY, HAVE FUN, HONEY. 2042 01:15:01,197 --> 01:15:03,397 OH, HI, SWEETHEART, IT'S ME. 2043 01:15:03,399 --> 01:15:04,999 I'M HEADED OVER TO TERRANCE DUNCAN'S OFFICE, 2044 01:15:05,001 --> 01:15:06,000 BUT I'LL PICK UP DINNER, 2045 01:15:06,002 --> 01:15:07,335 AND I'LL BE HOME AROUND 7:00. 2046 01:15:07,337 --> 01:15:08,736 I LOVE YOU. BYE. 2047 01:15:10,173 --> 01:15:11,239 [CELL PHONE RINGS] 2048 01:15:11,241 --> 01:15:12,240 HELLO? 2049 01:15:12,242 --> 01:15:13,307 JENN? IT'S TERRANCE. 2050 01:15:13,309 --> 01:15:14,375 ARE YOU AT THE OFFICE YET? 2051 01:15:14,377 --> 01:15:15,476 I'M ALMOST THERE. 2052 01:15:15,478 --> 01:15:17,011 I'M GRABBING A COFFEE. I LEFT THE OFFICE OPEN. 2053 01:15:17,013 --> 01:15:18,312 MANUSCRIPT'S ON THE DESK, 2054 01:15:18,314 --> 01:15:19,313 GO AHEAD AND GET STARTED. 2055 01:15:19,315 --> 01:15:20,314 YOU WANT A LATTE OR SOMETHING? 2056 01:15:20,316 --> 01:15:22,049 NO, I'M GOOD, THANKS. 2057 01:15:22,051 --> 01:15:23,417 OKAY, SEE YOU IN 20 MINUTES OR SO. 2058 01:15:23,419 --> 01:15:25,086 I REALLY APPRECIATE THIS, JENN. 2059 01:15:25,088 --> 01:15:26,420 YEAH, NO PROBLEM. 2060 01:15:32,829 --> 01:15:34,228 THERE'S A NAME ON THE LIST HERE, 2061 01:15:34,230 --> 01:15:36,764 TERRANCE DUNCAN. 2062 01:15:36,766 --> 01:15:37,765 THE GUY TAUGHT FOR A SHORT TIME 2063 01:15:37,767 --> 01:15:38,766 OVER AT LITTLEFIELD, 2064 01:15:38,768 --> 01:15:40,768 AND THERE'S A BROWN & HEATON CONNECTION. 2065 01:15:41,871 --> 01:15:43,070 ALL RIGHT, YOU GOT MY ATTENTION. 2066 01:15:43,072 --> 01:15:46,140 DUNCAN SUBMITTED A BOOK THERE THAT THEY PASSED ON. 2067 01:15:46,142 --> 01:15:48,009 HE CAUSED A BIG STINK ABOUT IT. 2068 01:15:48,011 --> 01:15:51,579 THE REJECTING EDITOR ON HIS BOOK WAS GERALD McNALLY. 2069 01:16:20,209 --> 01:16:21,809 THE NOVEL MURDERS. 2070 01:16:21,811 --> 01:16:23,244 HMM. 2071 01:16:26,482 --> 01:16:29,684 "A TRUE STORY OF MURDER PAST AND FUTURE." 2072 01:16:29,686 --> 01:16:31,786 [SHOP BELL JINGLES] 2073 01:16:33,122 --> 01:16:34,121 HEY, WHERE'S JENN? 2074 01:16:34,123 --> 01:16:35,356 I'VE BEEN TRYING TO CALL HER. 2075 01:16:35,358 --> 01:16:36,524 SHE'S READING DUNCAN'S MANUSCRIPT. 2076 01:16:36,526 --> 01:16:37,792 AT THE J.C., OR... 2077 01:16:37,794 --> 01:16:39,160 NO, OFF-CAMPUS, AT HIS WRITING OFFICE. 2078 01:16:39,162 --> 01:16:40,695 -WHERE? -I DON'T KNOW. 2079 01:16:40,697 --> 01:16:41,963 [DIALING QUICKLY] 2080 01:16:42,966 --> 01:16:44,065 MARY? 2081 01:16:44,067 --> 01:16:45,499 YEAH, I NEED AN EMERGENCY SEARCH 2082 01:16:45,501 --> 01:16:47,568 OF ANY ADDRESS LINKED TO A TERRANCE DUNCAN, 2083 01:16:47,570 --> 01:16:50,004 RENT, PHONE, UTILITIES, YOU NAME IT. 2084 01:16:51,007 --> 01:16:52,974 YOU CALL ME AS SOON AS YOU HEAR FROM HER. 2085 01:16:54,010 --> 01:16:55,376 OH, NO. 2086 01:16:59,082 --> 01:17:00,247 "I FIRST SAW ART HENLEY 2087 01:17:00,249 --> 01:17:02,416 FEEDING BIRDS IN THE PARK ALONE..." 2088 01:17:06,389 --> 01:17:08,022 "MISDIRECTION. 2089 01:17:08,024 --> 01:17:11,092 "A CARD LEFT ON THE REFRIGERATOR POINTS TO GERALD McNALLY, 2090 01:17:11,094 --> 01:17:12,693 "BUT THE SECURITY CAMERA IN THE PARK 2091 01:17:12,695 --> 01:17:13,794 IS AN ALL-SEEING EYE..." 2092 01:17:15,765 --> 01:17:17,832 "WITH A LITTLEFIELD COLLEGE SWEATSHIRT, 2093 01:17:17,834 --> 01:17:18,899 "AND HIDING MY FACE, 2094 01:17:18,901 --> 01:17:21,602 I SEND YOU AFTER PROFESSOR MYLES FOWLER." 2095 01:17:23,973 --> 01:17:24,972 [GASPS] 2096 01:17:29,846 --> 01:17:31,212 [LOCK RATTLES] 2097 01:17:32,181 --> 01:17:33,180 [TERRANCE]: HELLO, JENNIFER. 2098 01:17:33,182 --> 01:17:34,815 [GASPS] 2099 01:17:34,817 --> 01:17:36,484 GOOD TO SEE YOU AGAIN. 2100 01:17:38,021 --> 01:17:39,620 IT'S THE HOLOGRAM ME. 2101 01:17:39,622 --> 01:17:42,523 THE REAL ME IS SIPPING BEER AT THE FOX AND HOUND, 2102 01:17:42,525 --> 01:17:44,525 AN AIRTIGHT ALIBI. 2103 01:17:44,527 --> 01:17:48,829 "NOVEL MURDERS" IS A MYSTERY INSPIRED BY THE CLASSICS, 2104 01:17:48,831 --> 01:17:50,064 BUT KILLING REAL PEOPLE. 2105 01:17:51,868 --> 01:17:54,869 THREE BEAUTIFUL RECREATIONS OF LITERARY MURDERS. 2106 01:17:54,871 --> 01:17:57,638 MURDER #1, ART HENLEY-- 2107 01:17:57,640 --> 01:17:59,006 HE DIDN'T DESERVE TO DIE, 2108 01:17:59,008 --> 01:18:01,876 BUT NEITHER DID THE REVEREND IN A MURDER IN THREE ACTS . 2109 01:18:01,878 --> 01:18:05,579 MURDER #2, GERALD McNALLY. 2110 01:18:05,581 --> 01:18:08,382 HE REJECTED MY BOOK AND KILLED MY CAREER. 2111 01:18:08,384 --> 01:18:10,317 "A STUDY IN SCARLET" FOR HIM. 2112 01:18:10,319 --> 01:18:13,254 MURDER #3, PROFESSOR FOWLER. 2113 01:18:13,256 --> 01:18:14,555 I ONCE TAUGHT AT LITTLEFIELD. 2114 01:18:14,557 --> 01:18:17,258 HE WAS HEAD OF THE COMMISSION THAT DENIED MY PROMOTION. 2115 01:18:17,260 --> 01:18:18,693 HAVE YOU FIGURED OUT 2116 01:18:18,695 --> 01:18:20,394 THE SIZE 12 AND A HALF SHOE YET? 2117 01:18:20,396 --> 01:18:23,864 SOME CRUMPLED NEWSPAPER AND MY SIZE 11 FEET 2118 01:18:23,866 --> 01:18:27,435 FIT THE SIZE 12 AND A HALF SHOE JUST FINE. 2119 01:18:27,437 --> 01:18:29,336 MURDER #4 IS ABOUT TO HAPPEN. 2120 01:18:29,338 --> 01:18:31,205 I KNOW YOU'VE ALMOST SOLVED IT. 2121 01:18:31,207 --> 01:18:35,109 I BUILT THIS ROOM SPECIFICALLY FOR THIS MURDER, 2122 01:18:35,111 --> 01:18:37,411 THOUGH I DIDN'T KNOW IT WOULD BE YOU. 2123 01:18:38,514 --> 01:18:41,515 THE DOORS IS SECURED, THE LOCK UNBREACHABLE. 2124 01:18:41,517 --> 01:18:43,451 THE WINDOW IS SAFETY GLASS, 2125 01:18:43,453 --> 01:18:44,518 UNBREAKABLE. 2126 01:18:47,490 --> 01:18:49,256 CELL PHONE SIGNAL IS BLOCKED. 2127 01:18:49,258 --> 01:18:50,691 YOU CAN'T CALL FOR HELP. 2128 01:18:50,693 --> 01:18:52,960 [DIALING QUICKLY] 2129 01:18:52,962 --> 01:18:53,961 [GASPING FOR AIR] 2130 01:18:53,963 --> 01:18:55,296 HOW ARE YOU FEELING? 2131 01:18:55,298 --> 01:18:58,299 A LITTLE DIZZY, A LITTLE LIGHT-HEADED? 2132 01:19:00,303 --> 01:19:01,302 CARBON MONOXIDE IS ODORLESS, 2133 01:19:01,304 --> 01:19:02,303 TASTELESS, 2134 01:19:02,305 --> 01:19:03,304 INVISIBLE. 2135 01:19:05,608 --> 01:19:09,176 THE WALL HEATER HAS BEEN RIGGED TO EMIT THE GAS. 2136 01:19:17,220 --> 01:19:19,253 YOU WERE OVERCOME BY CARBON MONOXIDE. 2137 01:19:20,857 --> 01:19:23,390 TRAGIC. 2138 01:19:24,494 --> 01:19:26,794 RECREATING CLASSIC MURDERS, 2139 01:19:26,796 --> 01:19:27,795 AND TOPPING IT ALL OFF 2140 01:19:27,797 --> 01:19:30,364 WITH A WHOLLY ORIGINAL LOCKED-ROOM. 2141 01:19:30,366 --> 01:19:32,266 SHOULD BE A BEST-SELLER. 2142 01:19:33,436 --> 01:19:34,635 GOODBYE, JENNIFER. 2143 01:19:34,637 --> 01:19:37,238 THANKS FOR THE INSPIRATION. 2144 01:19:54,157 --> 01:19:57,091 [COUGHING AND SPLUTTERING] 2145 01:20:18,214 --> 01:20:20,748 [SPRINKLERS SPURT, FIRE ALARM CLANGS] 2146 01:20:25,221 --> 01:20:27,555 [COUGHING AND GASPING] 2147 01:20:39,502 --> 01:20:41,502 [FRANK]: JENNIFER? 2148 01:20:42,672 --> 01:20:44,905 OH, NO. 2149 01:20:44,907 --> 01:20:45,940 JENNIFER? 2150 01:20:45,942 --> 01:20:47,875 JENNIFER! 2151 01:20:48,878 --> 01:20:49,877 JENNIFER! 2152 01:20:59,555 --> 01:21:02,089 FRANK, CAN YOU CALL JASON? 2153 01:21:02,091 --> 01:21:05,459 DINNER'S GOING TO BE LATE. 2154 01:21:12,001 --> 01:21:14,001 THIS DRIED NICELY. 2155 01:21:14,003 --> 01:21:15,703 I THINK I'M GOING TO GIVE IT THE DA. 2156 01:21:15,705 --> 01:21:16,704 GIVE IT TO HIM. 2157 01:21:16,706 --> 01:21:17,705 IT'S A WORK OF FICTION. 2158 01:21:17,707 --> 01:21:18,706 NAH, 2159 01:21:18,708 --> 01:21:20,474 THAT'S WHAT I LIKE TO CALL A CONFESSION. 2160 01:21:21,477 --> 01:21:23,010 OH, AND, UM, 2161 01:21:23,012 --> 01:21:24,178 BY THE WAY, 2162 01:21:24,180 --> 01:21:25,446 NICE OF YOU TO LET US KNOW 2163 01:21:25,448 --> 01:21:28,582 YOU WERE AT THE FOX AND HOUND. 2164 01:21:30,019 --> 01:21:32,553 YOU NEVER WOULD HAVE GOTTEN CLOSE 2165 01:21:32,555 --> 01:21:34,722 WITHOUT THAT AMATEUR NANCY DREW. 2166 01:21:34,724 --> 01:21:36,123 JENNIFER? 2167 01:21:36,125 --> 01:21:37,691 OH, SHE'S OUR SECRET WEAPON. 2168 01:21:39,829 --> 01:21:41,862 YOU WANT TO TELL MR. DUNCAN ANYTHING? 2169 01:21:41,864 --> 01:21:43,063 [CLICKS INTERCOM BUTTON] 2170 01:21:43,065 --> 01:21:45,099 TELL HIM I FINISHED NOVEL MURDERS . 2171 01:21:45,101 --> 01:21:47,001 NEEDS SOME WORK. 2172 01:21:47,003 --> 01:21:48,168 THE ENDING IS A LITTLE WEAK. 2173 01:21:48,170 --> 01:21:49,703 MIGHT BE MORE REALISTIC 2174 01:21:49,705 --> 01:21:51,705 IF THE AUTHOR SPENT THE REST OF HIS LIFE IN JAIL. 2175 01:22:02,151 --> 01:22:03,484 HE SEEMED LIKE A NICE GUY. 2176 01:22:03,486 --> 01:22:05,786 WE WENT TO HIS BOOK SIGNING. HE WAS VERY CHARMING. 2177 01:22:05,788 --> 01:22:08,188 THEY USUALLY ARE. 2178 01:22:08,190 --> 01:22:09,823 THAT SWEET MAN WHO BOUGHT THE BIRD, 2179 01:22:09,825 --> 01:22:11,225 HE WAS REALLY KILLED JUST FOR PRACTICE? 2180 01:22:11,227 --> 01:22:13,961 DUNCAN WANTED TO SEE IF HE WAS CAPABLE OF MURDER, 2181 01:22:13,963 --> 01:22:16,830 SO HE COPIED A MURDER FROM AN AGATHA CHRISTIE BOOK. 2182 01:22:16,832 --> 01:22:18,799 THAT'S SO SICK. 2183 01:22:18,801 --> 01:22:20,768 AND HE BUILT A ROOM, JUST TO KILL YOU? 2184 01:22:20,770 --> 01:22:21,769 WELL, I DON'T THINK HE KNEW 2185 01:22:21,771 --> 01:22:23,737 HIS INTENDED VICTIM WHEN HE BUILT IT, 2186 01:22:23,739 --> 01:22:25,172 BUT HE DID KNOW I WAS GETTING CLOSER 2187 01:22:25,174 --> 01:22:26,173 TO FIGURING OUT THE MURDERS. 2188 01:22:26,175 --> 01:22:28,609 AND HE MADE A HOLOGRAM, 2189 01:22:28,611 --> 01:22:31,178 YES, IT WAS LIKE HE WAS THERE THE WHOLE TIME. 2190 01:22:31,180 --> 01:22:33,113 HUH, LIKE TUPAC AT COACHELLA. 2191 01:22:34,583 --> 01:22:36,183 OKAY, SO DID I GET THIS RIGHT, 2192 01:22:36,185 --> 01:22:39,086 YOU WERE WORRIED ABOUT DAD AND I CAMPING 2193 01:22:39,088 --> 01:22:40,888 WHILE YOU WERE GIVING MANUSCRIPT NOTES 2194 01:22:40,890 --> 01:22:42,189 TO A SERIAL KILLER? 2195 01:22:42,191 --> 01:22:43,691 MM-HMM. 2196 01:22:43,693 --> 01:22:44,692 THERE'S NO WAY 2197 01:22:44,694 --> 01:22:46,093 DUNCAN'S GETTING OUT, RIGHT? 2198 01:22:46,095 --> 01:22:47,828 NOT A CHANCE. WE GOT HIM COLD. 2199 01:22:48,898 --> 01:22:50,531 THAT CALL WAS THE MAYOR'S OFFICE. 2200 01:22:50,533 --> 01:22:51,699 THEY'RE PUTTING JENN UP 2201 01:22:51,701 --> 01:22:52,967 FOR THE CITIZEN'S MEDAL OF HONOR. 2202 01:22:52,969 --> 01:22:54,201 [GASPS] 2203 01:22:55,204 --> 01:22:56,236 MOM! 2204 01:22:56,238 --> 01:22:58,539 THIS IS SO EXCITING. 2205 01:22:58,541 --> 01:23:00,174 I THINK I WANT TO FOLLOW IN YOUR FOOTSTEPS. 2206 01:23:00,176 --> 01:23:02,977 HOW DO I START, 2207 01:23:02,979 --> 01:23:05,012 READ A LOT OF MYSTERIES? 146804