All language subtitles for A Bit Of Fry And Laurie S02E06

Hello.

Hello,
and welcome to A Bit of Fry and Laurie.

Hello.

Ladies and gentlemen, because Hugh
and I are known for our anger,

our satirical rage at the human
condition, for want of a better cliché,

er, we often get accused of
lacking a sense of proportion.

Here's a letter that we received that
I'd like to read out to you, if I may.

"Dear Fry and Laurie,

"It's very easy to knock, to
rage, to snarl and to satirise.

"It's oh so simple, for instance,
to knock Mrs Thatcher, isn't it?

"But what are you suggesting should go in
the place of the institutions and people

"you so viciously decry?"

Well, of course, he's
absolutely right.

It is ludicrously easy to
knock Mrs Thatcher, isn't it?

It's the simplest, easiest and
most obvious thing in the world

to remark that she's a shameful,
putrid scab,

an embarrassing,
ludicrous monstrosity,

who makes one frankly
ashamed to be British,

and that her ideas and standards
are a stain on our national history.

That's easy. Anyone
can see that.

Nothing difficult about
that. But after tonight,

no one can ever
accuse us again of

failing to come up with
something to take her place.

Hugh.

So that's... that's our
constructive suggestion,

and I hope that's silenced
some of our critics.

Now, anyway, on with the
blind, unreasoning rage.

Yes, well, exactly. Here we go. I've
written a savage, savage, angry song

about jars that get
separated from their lids.

Um... I'm not really sure, Hugh, that
that sort of qualifies as satire.

Well,
you wait till you've heard it.

There's plenty of anger in there,
I can tell you.

All right.

Oh dear, oh dear, oh dear.

♪ Where is the lid?

♪ Where is the lid?

♪ Where is the, where is the

♪ Where is the,
where is the lid?

♪ Where is the lid?

♪ Where is the lid?

♪ Where is the, where is the

♪ Where is the, where is the,
where is the, where is the lid?

Um, it's here, Hugh.

♪ Does anyone know?

Yes, I do.

♪ Does anyone know?

I think everybody knows now.

♪ Does anyone know

Hugh?

♪ Where is the lid?

The lid is right here. It
was behind the sofa, really.

♪ Where is the lid?

Hugh!

♪ Where is the lid?

I'm putting the
lid onto the jar.

♪ Where is the

♪ Where is the, where
is the, where is the

It's on the... Hugh!

♪ Where is the lid?

♪ Oh, where?

Hugh, there...

♪ Oh, where... ♪

We are devoting the rest of
tonight's programme to a tribute

to the writer, comedian
and light-sketch actor,

Hugh "Excellent
sermon, Vicar" Laurie,

who died suddenly today
after a merciful accident

that released him from years
of painful mental illness.

Hugh Laurie, whose real name was Hugh
Laurie, was better known by his stage name,

Hugh Laurie.

Hugh was born and brought
up in a working-class home

that his parents had specially built in the
grounds of their Gloucestershire estate.

Like many shy children, Hugh learned
from a very early age simply to blend in.

There's a picture of Hugh
in High Wycombe in 1964.

Hugh's first acting
job came in 1979

at the Hereford Civic Centre,
since renamed, in Hugh's honour,

the Hereford Civic
and Amenities Centre.

He brought a certain quality
to all the roles he played.

And it was really
a quality of...

a quality of needing

the money, really.

He was an immensely dangerous
man. A very dangerous actor.

You know, whenever he was around there
was always this feeling of "ooh".

Anything could happen.

Hugh Laurie, on the other hand, was
one of the dullest men I've ever met.

So, Stephen Fry, um, you probably knew
Hugh Laurie better than he knew himself.

What's your fondest memory
of working with him?

The moment I knew he was really
dead would be very hard to beat.

So, anyway, on with A
Bit of Fry and Laurie.

- Deceased.
- Sorry, A Bit of Fry and Laurie.

Good morning, I hope you can
help me. I've tried everywhere.

Do you have a copy of Fly
Fishing by JR Hartley?

I knew it, I knew it.

- Didn't I say to you this morning?
- Yeah.

Yesterday, we had a
shop full of them.

Crates full.

Yeah,
we were up to here with Fly Fishing.

- Yeah.
- Yeah, but now...

Voom!

That shows the power of
advertising, I suppose.

- Yeah, yeah.
- I suppose it does, I suppose it does.

I'll tell you what we have got,
though.

We've got 30,000 copies
of the Yellow Pages.

- Can't shift 'em.
- Yellow Pages? Oh, can I order one?

- Well, we've got them here.
- Yes, but I have to order it, you see.

Well, yeah, you can order one,
if you like, yeah.

Ah,
splendid. May I use your phone?

What?

I have to order it over the phone,
you see.

Help yourself.

Hello?

Hello.

- Good morning.
- Good morning.

Do you have a copy
of Yellow Pages?

- Yes.
- You do? Splendid.

My name?

- I didn't ask him his name, did you?
- No.

Yes, it's Pages. LO Pages.

Good old LO Pages.

Rupert Murdoch would sell
his own mother for 50 quid.

I offered him 40 but he said,
"No, 50. Take it or leave it."

So in a sense, in a
sense, in a sense, Duncan,

we are left with
those two. Er, two.

None other, nary another,
not one other more.

Er,
we have on the one side of the gulf,

the chasm, the dividing line,
if you please,

we have the beauty of ideas,

and on the other, I don't know, the other
term of the equation, if that's nicer,

we have the idea of beauty. Am I
sensing through? Am I connecting?

We're busy discussing the idea of
beauty, and the beauty of ideas.

Hold the thought, Geoffrey, would
you? I'm going to give you a thought.

I'd like you to hold it for me.
Would you do that for me, please?

I'm going to hold a thought now.

If beauty is only an idea, a form, a
pattern, a template, a paradigm, an ideal,

an idea, if you
like, with an "I",

then what is the beautiful?

Beauty is unattainable, but
the beautiful surrounds us.

Er, we return to language, Philip.
We make a return to language.

That's the idea I'd like you to hold
for me, if you'd be ever so splendid.

All right, well, we've
made a return to language.

Listen to me. Listen
to me, lovelet.

Language circumscribes beauty.

Confirms, confines, limbs and
delineates. It colours and contains.

Yet language is only a tool,

a tool that we use to dig up
the beauty that surrounds us,

and is, we take, our
only and absolute real.

I'm in trouble now.

Hush, tish, vibble.

I'm speaking ahead. Let me explain,
expound, expand and exposit.

Would you?

I find you beautiful,
but you are not beauty.

Whoops.

Therefore, you contain
a property of beauty.

Therefore, the substance of which you
exhibit a property must exist. Where is it?

That is language's task.

Who was it who said

"my language is the universal whore
that I must make into a virgin"?

Who was it?

Kate Adie?

I think... I think
it was Karl Kraus.

But it needn't have been. It needn't
have been. Now, tell me, tell me.

It's time to ask you to give back to
me the thought that I bade you hold.

Um, I was holding the thought that
we've made a return to language.

Correctly correctington.
Language pursues beauty,

harries it, hounds it, courses it
across the rough lands of enquiry,

and in so doing, can
itself be beautiful.

Ripple on ripple,
image on image.

Wheel within a wheel like the circles
that we find in the windmills of our mind.

- Noel Harrison.
- Noel, as you so rightly, Harrison.

Now, language can be beautiful.

"And Madeline asleep
in lap of legends old",

plenitude, dishes, martita,
breasts, tumble, emolument, forage,

smitten, plenum, vulva.

Words that have their
own sonority and beauty,

which is extrinsic, extrinsic to their
connotation or denotational referends.

I think he said vulva.

So, Timothy, I'll leave you
with a thought, a breath,

the fruit, the drops from
the bowels of my imaginings.

Think beauty but be beautiful.

Say beauty, but say it beautifully.
Beauty is duty and duty, beauty. So there.

Good night, I don't
feel quite so well now.

I don't think they ever
will invent a time machine,

because if they had done so in the future,
they would've got in it straightaway

and come back and made sure that
Esther Rantzen had never been born.

But she has been, so they
can't have done, can they?

Anarchy! Anarchy!

- Anarchy!
- Anarchy!

- We believe in anarchy!
- We believe in anarchy!

- God is dead!
- God is dead!

- We don't believe in God!
- We don't believe in God!

- Long live the god of anarchy!
- Long live the god of anarchy!

- Who we don't believe in.
- No.

In fact, we don't
believe in anarchy!

- Down with anarchy!
- Down with anarchy!

We don't believe in anarchy!

- So we're sorry to have bothered you.
- Sorry to have bothered you.

- Bye.
- Bye.

Damn it, John, it's biological
leakage. What can I tell you?

Biological leakage? What the
hell is that supposed to mean?

It means that our UK customer
base is being eroded.

Peter, I'm not blaming you, but
you've got to look at it my way.

In 90 minutes, I've got to
go before the Archbishop

with a presentation on targets
for expanding our user base,

- and you're giving me a set of figures...
- Ballpark.

Ballpark, no matter.

The Archbishop is gonna want to know
how project Christcom is panning out.

You are not giving me
the real numbers I need.

John, give me 24 hours, maybe
I can cook something up,

a pie chart...

24 hours and a pie chart in a dog's arse,
Peter.

Peter, remind me what the hell
it says above your parking space.

- John, I don't understand...
- Answer me, damn it.

- "Maximum height two metres."
- Next to that.

"Space reserved for Peter Sherman,
Executive Vice Bishop of Uttoxeter."

Thank you. Thank you, Peter.

Because when I asked you
to join me as my EVB,

I didn't want just a set of
pie charts, I wanted results.

Okay, John, maybe it's time
for some straight talking.

No, no, no, no, Peter. Yesterday
was time for straight talking.

Today is time for
plain speaking.

Well, John, just give me the ball for
a second. Let me run with it, will you?

Okay, Peter, I guess you've earned it. The field
is yours, you're clear to the touchline, go.

Okay, John. As I see it,
you and I were given a brief

to set out the concept of front-end
accessibility with volume targeting.

Tell me something I
don't know, Peter.

My geography teacher's
middle name was Louis.

Carry on.

Now, at no stage... You can pick
me up on this if I'm out of line.

At no stage did God ever specify
the exact corporate structure

within which we were to carry
out this brief or remit.

- When did you last speak with God?
- Last night, John.

With a bit of luck...

Wait a minute, it's a fax now.

Yep, John, it's from God,
all right. Listen to this.

"Re: your prayer of last night,

"unable to anything
about Anneka Rice."

Ah, but... "Suggest
you proceed as planned

"regarding merger
with Rome Corp."

Merger with Rome Corp? I haven't
heard anything about this.

It's an idea that the
Archbishop's been nursing.

But merger? You don't merge with
a multinational like Rome Corp.

You get taken over. You get eaten whole
for breakfast and crapped out before lunch.

Tell me, Peter, maybe it's time to
start thinking management buyout.

That's it, John. That's
exactly what I'm saying.

Between us,
you and me can put together the kind

of package that could
cut out Lambeth altogether.

- Deal direct with Rome, you mean?
- Why the hell not?

I like it. I like
it a lot, Peter.

But maybe... maybe you've
reckoned without one thing.

Well, John, I don't claim to be
infallible. If I've missed a trick...

Marjorie.

Marjorie? How the hell does
Marjorie fit into this?

Lengthways, Peter.

Marjorie has got the United Episcopal
Church eating out of her goddamn portfolio.

Damn it, John. To think that
you loved that woman once.

I know.

But Peter, I guess maybe love and hate are
just the same sides of a different coin.

A coin that I spent years ago.

- Did that make any sense, John?
- No.

- But does it matter?
- Oh, yes, yes, it matters like hell, John.

Because listen to me.
If we keep our heads,

if we stick together on this one,
you know, we can beat Marjorie.

- Maybe. Maybe you're right.
- But this time, John,

- we do it by the book.
- Check.

Let us pray.

Oh, Lord, you've
seen the figures.

Show us a way to streamline some
kind of management structure

which will enable 4-5% growth during
the next financial twelvemonth.

- Amen.
- Amen.

- No, John. John.
- Oh, yeah.

Oh, and Lord,

show us some way that we can beat seven
types of corporate crap out of Marjorie.

Damn!

There are some very exciting chardonnays
coming out of New Zealand at the moment.

That is delicious.

First one was dog, the
second one was cat.

No? Oh, both cat?

Mm-hm.

Ah, no, it's a trick.
They're both red.

Yeah? Let's have a look.

Oh.

That's... Oh, that's very
good. That's very good.

That's quite funny. Um...

You won't show this, will you?
'Cause I'm a wine merchant,

and I'll get terrible
stick at work.

My first kiss.

I suppose everyone can
remember their first kiss.

Nothing quite lives up to it,
does it?

Um, I was, I think,
11 years old,

and my great-uncle had come
to stay for a few weeks

while on parole.

And we used... We used to play this
game, where I would sit on his lap

and he would pretend
to be a train.

Hugh, Hugh, what are you saying?

Well, I was just telling the ladies
and gentlemen about my first kiss.

Yes, but Hugh, this
is a delicate area,

- I really don't think...
- No, no, it's all right, don't worry.

- You sure?
- Yeah, it's fine, honestly.

All right.

So my surprise at suddenly
feeling a tongue...

Hugh, Hugh, Hugh.

There are valid arenas and there are
valid arenas, and this is not one of them.

No, no, I want this
experience to be understood.

You know, because it may help others
to know that they're not the only ones

- to have felt that wet...
- Hugh, Hugh.

Hugh, this is a whole can of
worms you're opening here,

and believe me, if
there is one taboo left,

one unmentionable subject
not fit for comic treatment,

then you've just mentioned it.

Well, but surely there's... I mean,
there's nothing so odd about it, is there?

I mean, there I was, sitting on my
great-uncle's lap and in came Lucy.

- Lucy?
- Yes, Lucy.

And how old was Lucy?

Well, the same age as me, I
think. No, 12. She was 12.

And I kissed her.

- You kissed her?
- Yes.

You've done this
deliberately, haven't you?

- Done what?
- You've set it up to make it look as if...

- As if what?
- Oh, never mind, just get on with it.

All right, so I kissed Lucy,

and was very surprised to
feel her tongue pop out.

It was my first real snog,

and I loved it. I fell
in love instantly.

Um, sadly, the very next year,

Lucy developed distemper
and had to be put down.

Toch!

At least, I think
that's what he said.

I bumped into this old
school friend the other day.

He was on a Yamaha 750.
It was a terrible mess.

Well, you'd think... Oh,
Christ, I've left the iron on.

Good evening and welcome to
Trying To Borrow A Fiver Off.

Tonight, I shall be trying
to borrow a fiver off

the conductor of the Newbury
Philharmonic Orchestra,

- Neville Anderson. Good evening, Neville.
- Oh, for goodness sake, call me Neville.

Well, if you insist.
Uh, now, Neville, uh,

could I possibly borrow a
fiver off you till Wednesday?

Uh, let's see. Oh, I'm terribly sorry,
I've got nothing smaller than a 20.

Bye-bye.

Tsk. Tsk. Tsk.

Hello, Control.

Oh, Tony, it's you.

Yes, I understand from Valerie that you
wanted reasonably strongly to see me.

Well, Valerie was by no means
leading you astray, Tony,

because I do want to see you.

I find that Valerie is usually
right in these little matters.

That's true.

Control,

did you, I wonder,
want to talk to me as well,

or was it just seeing me
that was on your mind?

No, Tony, there was something
I wanted to ask you,

but it's a bit tricky.

- Tricky?
- Yes. Tricky.

Have you, Tony, I wonder,

ever been in the
position where you've had

to say to someone that
you like rather a lot

that you're going to have
to fire them from their job?

No.

Ah.

There. That didn't turn out to be
too tricky a thing to ask me, did it?

No. But the thing is I haven't
quite got to the tricky part, Tony.

Ah. Would it be the
kind of thing that would

go better with a good cup of coffee,
Control?

Well, that's very
kind of you, Tony,

but I wouldn't want to be thought of
as hiding behind that cup of coffee.

Well, that's just
as well, Control,

because the cup of coffee I had in
mind was going to be quite small.

Yes. Tony, have you, I
wonder, in your position

as Subsection Chief of the East
Germany and Related Satellites desk,

noticed the way the wind has been
blowing behind the Iron Curtain of late?

It's been blowing in odd kinds
of ways, hasn't it, Control?

Yes, Tony, it has.

Glasnost, perestroika
and related phenomena

have had their effect on the political
map of Europe in no uncertain terms.

Yes.

Only this morning I had to ask Valerie
if she wouldn't mind popping out

and buying us some new
political maps of Europe.

'Cause ours are really
quite out of date.

Yes. It's shaken up all
our lives, it's true.

Yes, Control, it has.

And it also means, Tony,

that our masters in Whitehall
have started to wonder

whether they need quite so
many people involved in spying.

I'm not sure I fully
understand, Control.

Well, Tony, they take the view

that what with the Russians ringing us up every
day and simply telling us all their secrets,

we don't need to spend quite so
much money on finding them out.

That's an astute piece of political thinking
by our masters in Whitehall, isn't it, Control?

Yes, Tony, it is.

- How about that coffee now?
- No, Tony. Not quite yet, thank you.

What this has all been leading up to,
if you haven't already guessed, Tony,

is that I'm going to have
to fire you from your job.

Control, I'm slightly
at a loss for words.

Believe me when I tell you, Tony,
that this isn't easy for me at all.

In fact, it's one of the hardest
things I've ever had to do

in all my years as Head
of the Secret Service.

I certainly don't envy you
having to pass on a bit of news

like the one you've
just passed on to me.

That's very understanding
of you, Tony.

Well, Control, I suppose
that's that, then.

Yes, Tony, it is.

Well, Control,
may I take this opportunity of

saying how much I've
enjoyed working for you,

and wish you the best of luck
in all your future spying?

Thank you, Tony.

And I can tell you that this place
just won't be the same without you.

No, I suppose it'll be quite
different, won't it, Control?

Because I won't be here.

Yes.

- I'll be somewhere else.
- That's right.

Well, goodbye, Control.

Goodbye, Tony Murchison.

Valerie,

I wonder if you wouldn't mind popping
in with a cup of coffee for me?

How do I like it?

I like it the way Tony
Murchison used to make it.

Good evening and welcome to
Introducing My Grandfather To.

Tonight, I shall be
introducing my grandfather

to the pornographer and
steeplechase jockey, Benton Asher.

- Good evening, Benton.
- Good evening.

And now,
may I introduce you to my grandfather?

Grandfather,
this is Benton Asher.

- How do you do?
- Yes.

Good night.

Ladies and gentlemen, bear with me.
Bear with me, please, just for a moment.

Don't stop bearing with me.

I have a vision, ladies and
gentlemen, I have a vision of Britain.

I see a country... I see a country
peopled, a country peopled with people.

People who people it with charm,
with grace, yes, even with greatness.

And as they people it,

they enhance it with amusing
voices and their unusual children.

And I see many towns
and many villages.

And I see family-amusement,
heritage-theme fun parks,

which will smell
of urine and vomit.

And I see 10 water and sewage
businesses. I see leisuredromes.

I see huge edge-of-town
crematoriums

and DayGlo Bermuda shorts
flecked with urine and vomit.

I see thousands of
miles of motorway

conveniently stuffed full of
hundreds of thousands of cars,

whose seats shall be stained with
children and urine and vomit.

♪ Urine and vomit ♪

And the interiors
of these cars...

the interiors of these cars shall
be hot and sweaty and bad-tempered,

for the queue to the
family-entertainment leisure hychrodrome

shall be thousands
of miles long.

And I see hundreds of shiny
magazines out of which will fall

dozens of smaller
shiny magazines,

advertising personal
attack alarms

and handy freshen-up
wipe and absorbent pads.

And the faces of the people who
shall be peopling this new Britain

shall be flushed and they shall
be shiny and they shall be pink,

because they know that they
are forging a new Britain.

A Britain of family heritage,

and a Britain of
amusement and amenity fun.

As yet, it is only a vision.

A vision of family
heritage urine

and fun amenity vomit.

But soon, soon with luck,
sincerity and steadfast voting,

it may become a reality.

Good evening and welcome to Realising
I've Given The Wrong Directions To.

Tonight,
I shall be realising I've given the

wrong directions to
Rabbi Michael Leibovitz.

Good eve...

Oh, damn.

Good night.