All language subtitles for T B S01E18 A Memory Of Evil WEB-DL DDP2 0 H 264-squalor (1)_track3_[eng]

(energetic instrumental music)

(suspicious instrumental music)

(soft classical music)

(knock at door)

- Well?

How far did you get?

- Well we followed the southern ridge

right down to the north face,

no sign of him anywhere.

We'd of gone on

but the weather's turning bad.

There'll be a storm within an hour.

- A storm?

Nikki's out there.

- Nikki?

- Well when you didn't get back,

she decided she wanted
to search for herself.

She's gone up the north face.

- You shouldn't have let her go.

- Well how could I stop her?

Look, don't you understand?

Our father is lying out there
on that mountain somewhere.

He may be badly hurt, he may be helpless.

- The north face is dangerous to climb.

With a storm coming on.

- Oh Nikki will be alright.

Well she's a fine climber.

She can, she can look after herself.

- Well we'll try to get her in.

(somber classical music)

- Ah Nikki, Nikki.

- What is it father?

What happened?

- The gold rock.

- You fell.

Father.

You have been shot.

Who did it father, who?

- Nikki, Nikki, listen to me.

It is important.

Yeah, here take this.

-[Nikki] Where did this come from?

- Now you take it to London

to captain John Mannering.

You do this, Nikki.

He will understand.

- We must get you down from here.

- Oh no, no.

You go alone.

There's still time before the storm.

- We go together.

- Oh no, no it will kill us both.

There is no time left for me.

I, I'll finish.

- I'm getting you home.

- No there's no time left for me.

I'm finished.

(tense dramatic music)

- Father, father!

Father.

(crying)

(upbeat instrumental music)

(gunshots)

(upbeat instrumental music)

- Seven shillings please, miss.

- Thank you.

- It's beginning to add up.

First a trip to London and now a visit

to an antique shop.

I think we are going
to have to do something

about Ms. Holz.

- Good evening.

- Good evening.

Could I speak to Captain
Mannering, please?

- Captain Mannering?

I'm afraid he's not here right now.

- Oh.

- Can I help you?

- No, thank you, no.

You see, it is a personal matter.

- I see.

- Would you give him a message for me?

It is quite important.
- Of course.

- Oh thank you.

My name is Nicola Holz,

I stay at a hotel, the Shalimar.

Nicola Holz at the Shalimar.

If you would ask him if he could ring me,

tonight if possible.

- Alright.

- Thank you.

- Can I tell him what it's about?

- No.

You see, I have the faintest idea

what it is about myself.

(tense dramatic music)

(gunfire)

- Very good, again.

(gunfire)

nice grouping.

- It's pretty fancy.

- Well not exactly (mumbles)
but quite hard wearing.

Oh put them up again, would you please?

I'm glad you didn't use that gun,

it certainly would of killed me.

- What's it all about, Temp?

- Oh now, not Temp.

I've asked you a dozen times.

Templeton-Green.

- You're being too casual.

- Causal, I don't understand.

- Well I expect a little more subtlety

from the head of diplomatic intelligence.

Come on now, you didn't get me down here

just to show me your 10 shirt.

- I must say, Mannering,
that I'm rather disappointed

in your poor opinion of my motives.

Oh well as you are here.

There is just one little thing

that you might be able to help with.

- I figured that.

- You heard of Sir
Rodger Mortby, of course?

- Yes, he's a big art buyer.

- One of the richest
collectors in England.

(gunshot)

He was recently offered three paintings,

all old masters, all extremely valuable.

The seller asked a ridiculously low price

and insisted on three conditions.

The money was to be paid in cash,

the transaction was to be kept secret

and the seller was to remain anonymous.

(gunshot)

- Those are the usual conditions

for the sale of stolen goods.

- Quite.

That's why was asked Sir Rodger

to go through with the deal.

We checked with Interpol,

there were no reports of
the pictures being stolen.

- I take these paintings were listed

in the art catalog?

- Yes, that's what
makes it so fascinating.

They were apparently
destroyed by fire in 1945.

(gunshots)

I must get my glasses checked.

- Well it's a fascinating story, Temp.

You told it beautifully.

Let me know how it turns out.

- I was rather hoping you'd tell me

how it turns out.

After all, art antiques,
that's your field isn't it?

- That's right.

I'm an antique dealer, not a secret agent.

I want to live a nice quiet simple life

making nice quiet million.

Find yourself another boy.

(gunshots)

(applause)

- Not bad shooting for
a simple antique dealer.

- You're welcome.

- Mannering's being
particularly difficult.

Have you any influence with him?

- Not a bit.

Have you tried bribing him?

- This is no time for levity.

- Just trying to be helpful.

Would you have anything
to blackmail him with?

- I haven't found anything
to pin on him, yet.

- Like I said, Temp,
you're wasting your time.

You have the look of a
woman with a mission.

Now what's your problem?

- You had a lady caller
this evening, very pretty.

Wants to see you urgently.

Name Nicola Holz.

- Nicola Holz?

- Mean anything?

That's her address.

Oh and by the way, she
kept referring to you

as Captain Mannering if that helps.

- No, it doesn't help at all.

I'll go and talk to her.

- Don't we have a dinner date?

- Oh that's right.

After the Hotel Shalimar.

(tense suspenseful instrumental music)

- Did she come through here?

- What happened?

- I was taking a look through her room.

She surprised me.

- She recognize you?

- I'm not sure, I think so, yes.

- What do we do now?

- We'll be fine, we talk to her.

But for the moment, I think
she had better vanish.

I mean if anyone should
come inquiring for her,

it would be better she never been here.

Go pack her bags.

I will talk to the proprietor.

- Can I help you?

- Yes, yes you can.

By keeping your mouth shut

and doing exactly what I tell you.

- I'd like to speak to
Ms. Nicola Holz please.

- Ms. Holz?

There's no one of that name staying here.

- There's not?

Well this is the address
she gave, wasn't it?

- Yes, the Hotel Shalimar.

I wrote it down.

- May I?

She may.

It's certainly not in the book.

- No, I assure you.

Possible some other
hotel of the same name.

There are two or three others.

-[Cordelia] This is the
address she gave me.

- I see.

Well maybe you're right.

Maybe it's another
hotel with similar name.

Oh, it's alright, I'll get it.

Than you for your help.

We'll check the other places first.

Goodnight.

- John, the man in the lobby,

he was in the car that followed her.

- Somebody tore this out
of the registrar, too.

There we are.

Somebody's trying to make a big secret

out of Ms. Holz.

- Nicola Holz, room 14, registered today.

Whats goin on?

- I don't know.

You wait in the car.

- You going back in?

- One way or another.

- You see how easy it is?

You did very well.

- Think he believed me?

- Yes of course.

If he hadn't...
(phone rings)

Answer it.

Everything's back to normal.

- Hotel Shalimar.

It's her.

- Ask her what she wants.

- Can I help you?

- Oh this is Ms. Nikki Holz speaking.

If a Captain Mannering calls,

would you tell him I'll be

at the Aldephri Cafe in Morton Street.

I'll wait for him there.

Thank you.

- She's so helpful.

Now ring her room and tell him to hurry.

(tense dramatic music)

(phone rings)

- Leave it.

-[Man] Who are you?

- I'm the guy between you and the door.

- What do you want?

- To talk, preferably.

It's your choice.

- He doesn't answer.

- Get out of my way.

- Well heres the door.

All you have to do is go through it.

(tense dramatic jazz music)

- Now get out of my way.

- Come on, get out.

(tense jazz music)

- John, are you alright?

- I will be.

As soon as I get some answers.

- I'll tell you the whole thing.

I didn't want to do it.

I'll tell you everything.

(tense music)

(muffled scream)

- Hello, Nikki.

I think you have something
that belongs to me.

I want it back.

Something that your father
gave you before he died.

- If you knew he had something,

then you killed him.

You killed him!

- Yes I killed him.

You see, that day on the mountain,

he learned something which has to remain

very very secret.

Now your fathers not the kind of man

who's silence can be bought.

- Nor can mine.

Do you intend to kill me too?

- No you have not yet talked
to that man Mannering.

No harm has been down.

- Well how do you intend
to stop me from talking?

- Very simply.

Your brother.

Your poor crippled brother.

Some of my friends back home
are with him, right now.

(tense dramatic music)

(soft suspicious jazz music)

- There was a girl there, sat alone,

left about five minutes ago.

- Are you going to wait?

- Yeah.

You watch here for her.

I'll look around.

- Now Nikki, be a good girl.

Where is the object that
your father gave you?

- It's in my bag.

I dropped it in the alley way there.

- Then we'll have to help you find it.

Won't we?

I'll pull around the block.

Let's take him.

(tense dramatic music)

(glass shatters)

Finish him.

- No.

(gunshot)

- He's got him.

(screams)

(suspicious jazz music)

- Now I'm beginning to understand

what this is all about.

Oh there's no doubt about
it, they're both genuine.

I think I know where they came from,

same place as this.

- You're not being very explicit, old boy.

- Well you know the Nazi's
looted art treasures

from Europe all during the war.

When the going got tough,
they hid the stuff away.

I was with the commission
that tried to trace it.

- Very successfully too.

- well not always.

They stashed one of
the largest collections

in a salt mine in Austria,

worth a couple hundred million dollars.

Before we could get there,

the SS blew up the mine entrances.

- Has nobody ever tried to open them up?

- Well it couldn't be done,

at least that's what I
thought until I saw this.

German's cataloged the whole collection

and this was on it.

I imagine they came from the same source,

although I wouldn't swear to it.

- Looks as if somebody's got to the stuff

and is feeding it onto the market.

- Could be.

- Mannering, what I'm going to tell you

is highly confidential and I'd like

it to stay that way.

We've been getting reports
of a new political group

in Austria, quite small yet
but growing all the time.

Call themselves the New Front.

They're extreme fascists
trading on the same ideas

Hitler had.

Our main concern so far has been to find

who's backing the party financially.

That's now solved.

- You think they're
marketing this collection?

- Certain.

The man who was killed
in the alley tonight

was a party member.

Leader of the British cell.

- I see.

Temp, the political side of
this is none of my business

but the antiques, they
don't belong in a salt mine.

- That's what I thought.

Air tickets and reservations
to Innsbrook, tomorrow.

(adventurous instrumental music)

- Joseph Holz.

- Remember someone with the name of Holz?

- That's been ticking around
in my mind for an hour.

Joesph Holz was a mountain guide

I got to know him pretty well.

- Could be a relative of Nicola's.

- that's right, he had a family.

I remember he had a son and daughter.

The son was crippled.

I can't remember those kids names.

- It's going to fit together.

- Well maybe it will
when we meet Nicola Holz.

- What are you doing?

- Oh, I'm trying to find out
how they get into the mines.

There must be an entrance on
this side of the mountain.

- Any ideas?

- Yes, if there is a cave,

it can't of been open too long

or we would of known about it

but there was an avalanche
on the north face

oh about a year ago.

You remember it?

- Yes, I remember it.

- Now it was about here.

Now when I found father, he was on a ledge

slightly south of this.

I will look for this tomorrow.

- You mustn't do it, Nikki.

Leave it alone.

Forget about it.

- Forget about it?

- We mustn't get involved anymore.

We are alive, we've got our freedom.

- Freedom?

Neither of us can make a
move outside the district.

Kurt's men watch us all the time.

- Look, Nikki, be sensible.

Kurt doesn't want any
trouble, he leave us alone.

If we keep our noses out of his affairs.

- I don't understand you, Lucien.

This man murdered our father.

- And he'd do the same to me

if you step out of line.

He'd kill me, Nikki, you know that.

Don't you think I hate Kurt?

I wouldn't hesitate if there
was a chance of stopping him.

- So what do we do?

Go on living here like
people under house arrest?

Is that what you want?

- I want to go on living, Nikki.

- So you let him go on,
sit back, do nothing.

- Well we have no other choice, have we?

We make move to inform the authorities

or get into his way and
he'd have us killed.

He is powerful, Nikki.

He has too many friends.

- I'm sorry, Lucien.

I thought that you would help me.

Well if you won't, I'll
have to do it on my own.

- Where are you going

- Climbing.

- No.

Nikki, you mustn't.

I forbid it.

- Let go of me.

- Please, Nikki, please don't.

Think about it.

(soft tense dramatic music)

-[Man] It's almost worth the
climb just for that, isn't it?

-[Man] It's beautiful.

- Yes, it's beautiful.

But look beyond those peaks, Rudi.

The whole of Europe, a dozen countries

all scrambling for the
seats in the halls of power.

If they were one country with one leader,

then they would have enough man power

and resources to conquer the world.

- It will come.

- Yes it will come.

Was it a king or some character in fiction

who looked out and was
monarch of all he surveyed?

- One day, you may know it for yourself.

- Monarch of all I survey.

I should like that.

Come on, let's get inside.

Some of the others will
have already arrived.

- Our father used often to talk of you.

He even spoke of going to London

so that you could meet again.

- I would of liked that.

You say he died in a fall?

- Yes, his body was never recovered.

- I'm sorry.

- You have a wonderful view here.

May I use this?

- Oh yes, yes please.

Tell me, what are you doing over here,

Captain Mannering?

Are you here on business?

- Well sort of.

I came to see your sister.

- Nikki?

But why?

- Returning the visit that she made to me.

- Nikki visited you?

I'm afraid that's not possible.

- Why?

- Well simply because she
has not been away from here

for, oh, two or three years.

- Where is she now?

- I really don't know.

She mentioned that she
was going over to Gelmart.

It's a little village quite near here.

- You mind if we wait for her?

- No, if you wish.

Of course, she may be some hours yet.

Perhaps if you come back tomorrow.

- We're in no hurry.

- Well you are most welcome, of course.

You must be very hungry.

Please make yourselves at home

and I will prepare some food.

- John.
- Yeah?

-[Cordelia] This is the girl at the shop

- Are you sure about that?

- Certain.

- That means Lucian was lying.

I wonder why.

- I don't know.

Seemed awfully nervous about something.

Whats that?

- Well is shows the mine workings

on the other side of the mountian.

- Looks like a rabbit warren to me.

- Yes but right in the middle of it,

there's a million dollar treasure.

- The food won't be long.

- You ever hear stories that some one

has found another entrance
into that mountain?

- No, no.

That is not possible.

- Somebody's found a way.

(suspenseful instrumental music)

- We're going to have some more snow.

It will get dark early tonight.

(knock at door)

Heller, what is it?

- Where's Nikki?

- I don't know.

Why, what's the matter?

- Well she came to my
house this afternoon,

told my wife that I'd sent her.

That wanted some of that explosive we used

to break up the heavy snow.

- Explosive?

- How long ago was this?

- Two or three hours.

Those charges can be very dangerous.

I don't know why she wanted them.

- You know, don't you?

- No.

- Nikki thinks she knows
a way into that mountain.

She's gonna use those
explosives to close it up.

We got to find her.

You know this mountain?

- It's my job, sir.

- There's some sections marked off here.

How long would it take us to climb there?

- Well a couple of hours.

- Let's get started.

- No.

Too many people know
about that cave already.

If Nikki finds it, it is her misfortune.

They will be there to deal with her.

- A new Nazi front doesn't set too much

store by family loyalties does it?

- There are more important things.

The individual cannot be allowed

to hinder the progress of the party.

- Well it hasn't changed much.

You still trot out the same old slogans.

- Slogans to you, yes

because you lack the courage to obey them

but for us, they are the disciplines

that will make us great.

- Great?

Yes, yes we saw that in
the concentration camps.

It must take courage to
slaughter women and children.

- They were enemies of our cause.

They opposed our progress.

- Almost everybody opposed your progress.

They still do.

- But you will not be amongst them.

(dramatic instrumental music)

- Tie him up.

Call the authority and get him up here.

- Right, what are you gonna do?

- Find Nikki.

(suspenseful instrumental music)

(shouts)

- Yeah, I thought you might show up.

Kurt is waiting for you.

(tense dramatic music)

(soft instrumental music)

- After the next face,
we traverse to the south.

- Right, have you climbed
that section before?

- Not since the avalanche.

There's too much loose rock.

It's very dangerous.

- According to Nikki's map, we
must be pretty close by now.

Well let's get started.

- Impressive, isn't it?

Your visitor has arrived.

- Now Nikki, I really
hoped you wouldn't try

to find us.

I gave you every chance to
forget what you learned.

Alright, get on with your work.

It's such a pity.

- What are you going to do?

- The only thing I can do.

There will have to be
another climbing accident.

It will be some distance
from here, naturally.

A frayed rope.

Bad weather, all very convincing,

if your body is ever recovered.

- My brother knows everything.

If anything happens to me,

he'll inform the authorities at once.

- Poor Nikki, you didn't know?

Lucien has been a member of the party

since the very beginning.

Alright, take her over there.

Keep an eye on her
until we're ready to go.

Right, hurry it up.

I want to be out of here by midnight.

(tense adventurous music)

- Heller.

This has gotta be it.

- I was beginning to
think it didn't exist.

- Give me your flashlight.

(tense dramatic music)

- What is it?

- Here, hold this flashlight.

Explosives of some kind.

With a delayed action detonator.

- To close up the
mountain again, I suppose.

- Yeah apparently they'd
rather blow the tunnel

than let anybody else
get their hands on this.

- (mumbles)

- They've got it in there solid.

Come on, let's go.

- Good that's all then.

Get it all packed up.

All long will you be?

- Another 20 minutes.

(mumbles) it's finished.

- Just because you can.

If you're ready, you
might as well get started.

Usual procedure,

we will follow one at a time

at 15 minute intervals.

When you're down, go straight to my villa,

across country, stay away from the roads.

Do you understand?

- Right.

- Good, off you go.

- Must be Nikki's.

(footsteps in distance)

(dramatic instrumental music)

Look at that.

Anyone one of those worth $100,000.00.

Right now, they got guns
worth a whole lot more.

- What shall we do with him?

- Cut me a piece of rope.

(tense jazz music)

(groans)

- Nikki.
- Yeah.

We'll move in close behind these crates.

When we cut her, head for that tunnel

right behind her.

(suspicious jazz music)

(objects clatter)

Hold it.

Now move over there.

-[Man] Slow down.

(gunshots)

- Get the girl.

Now move.

- You won't get out of here, Mannering.

- No?

We'll see.

(gunfire)

- Get after him.

Get after him!

Hurry, keep moving.

(gunfire)

- Bad?

Give me a hand.

- What (mumbles).

- You want to rush them?

- Not yet.

We just stay close behind
them for the moment.

Come on.

(groans)

(suspenseful jazz)

-[Nikki] It's blocked.

(dramatic music)

- They stopped.

- Perhaps they're going
to stand and fight.

- I've got some dynamite.

Could we blast our way through?

- No.

It will bring the whole roof down.

Here, give me that.

Watch the tunnel.

(wood creaking)

- Nikki!

(gunfire)

- They're getting closer.

- Well shoot at anything that moves.

It's open.

Give him a hand.

- Tell Gruber to wait for my signal.

I'm going try something.

Mannering.

You hear me?

- I hear you.

- Now listen to me.

We can do a deal.

There need be no killing.

A deal that will help us both.

- Well go on.

- We have got a fortune in antiques here.

You have the channels to dispose of them.

You can take 40% of the sale price.

- What do you do with your share?

Promote the Nazi front?

- That's the idea.

Well Mannering?

I'm offering you a lot of money.

-[Nikki] They're through.

-[Kurt] What do you say, Mannering?

- Well it sounds fine.

There's only one question.

What do I do with all that money

in a concentration camp?

- Gruber, get him!

(gunfire)

keep under cover and move up.

- Let's go.

- he's very bad.

- I'll carry him.

- No, no.

- Come on, we'll get you out of here.

- No, you'll be carrying a dead man.

- We won't go without you.

- Yes, you will.

I've seen death before.

You can see it's close to me now.

Maybe I can buy you a little time.

Give me the gun.

- No, don't.

- Go ahead Nikki.

- We can't leave him here.

- Go ahead

it's what he wants.

- Help me.

The gun.

(soft instrumental music)

(gunfire)

- They're out of ammunition.

Get after them.

(tense dramatic music)

(gunfire)

(explosion)

- Try this one.

- Somebody's coming.

- When he gets close,

do something to draw his attention.

Make a noise or something.

- What are you going to do?

- Don't worry, I'll be around.

(low tense instrumental music)

Here, take it.

This should hold him for awhile.

- You're going to leave him here?

- That's right.

The police can come up and settle things

after we're out.

- And what if we don't get out?

- Then he's in worse shape than we are.

Come on, let's go.

- I've got to rest, I've got to.

- Sure, just take it easy.

We're in no hurry.

Would you like a cigarette?

- How long have we been going?

- A couple hours, I guess.

- What are our chances
of getting out of here?

- We'll make it.

We have to check every
tunnel in this place,

we'll make.

- We may have been
going around in circles.

Going in entirely the wrong direction.

- It's possible.

- Oh what's the use?

Why are we trying to fool ourselves?

- Nikki, a man stayed behind tonight

to buy us some time, remember?

And we're gonna hang onto that chance

just as long as we can put one foot

in front of the other,
we'll get out of here.

Look, it's been tough going.

Why don't you sleep an hour?

You'll feel better.

(tense jazz music)

- You kept me waiting for
a long time, Mannering

but I knew you'd get here.

You very determined man, aren't you?

- If you say so, you're
the man with a gun.

- You almost succeeded tonight.

You almost finished everything for me.

- I did what I could.

- go ahead, Mannering, make jokes

but I'll be the one who's
left to laugh at them.

- If you're gonna kill me,

what are you waiting for?

- Are you in such a hurry to die?

I just wanted you to know
how badly you have failed.

I'm closing up shop tonight.

It's a pity, but I've
already taken out a fortune.

When I leave here,

I am going to detonate this.

The mountain can keep its treasure.

If I can't have it, then no one will.

(gunfire)

(bomb ticking)

(tense dramatic music)

- What is it?

- it's a time charge.

Get out of here.

- Come on, come on.

- I think I got a chance
to get it to detonate.

- No, no please no.

No there's no time, please.

- Will you get out?

- I stay.

- If you're gonna stay,
you might as well help.

Here, hold this.

(bomb ticking)

Give me that knife.

Detonators stuck.

(sighs)

- I thought you wouldn't...

- I thought I wouldn't either.

Here, a souvenir.

Let's go home.

(soft somber classical music)

Oh by the way.

You dropped this.

(upbeat instrumental music)