All language subtitles for T B S01E07 The Killing WEB-DL DDP2 0 H 264-squalor (1)_track3_[eng]

(mysterious music)

(suspenseful music)

(thunder booming)

(wind howling)

(foreboding music)

(eerie music)

(suspenseful music)

- It's me Cordelia.

- No.

- There's nothing to be afraid of.

- You're not him.

John Mannering's dead.

Dead! Dead!

(dramatic music)

(suspenseful music)

(groaning)

- Now, listen to me, Cordelia.

Just hold on and try to listen.

I haven't got much time.

- Is it you, John, is it?

- Yes.
- Is it?

Yes, of course it's me.

- But, you were dead.

I saw you.

- The guy you saw was a man
named Eddie, an American.

They did a plastic surgery job on him.

They made him into my
double, it was perfect.

- Double?

You might be the...

- Yes, I might be but I'm not.

Look, I haven't got much time.

What do I have to do to convince you?

You wanna talk about people we both know?

Martin Villiers, Sir Roger
Humphrey, Fox-Stuart.

You call it.

- They might know those people.

- What about Edna?

- What about her?

- Edna O'Brien, the cleaning
woman, she left six months ago.

She had a daughter named
Michelle who worked

as a bluebell at the Paris Lido

and a husband who hadn't
worked in 10 years

and she'd talk too much.

- Oh, John.

- That's alright.

It's alright now.

- I was so afraid.

- It's alright.

- Better tell me what's going on.

- Well, I don't know too much myself.

Like I say, this guy, Eddie,

he was a complete ringer for me.

I did a switch, they don't know it yet

but they killed Eddie instead of me.

- And, now they think you're Eddie?

- That's right.

I'm being trained to walk and talk

and think like John Mannering.

- But, why?

Why go to all this trouble?

- Well, I don't know the whole story yet.

That's why I'm playing along.

But, I can tell you, they're planning

the biggest robbery of all time.

- Do you know what it is?

- You won't believe it.

They wanna knock over
the British Crown Jewels.

(dramatic music)

- Eddie.

You got a bottle in there?

Eddie, I should very much like a drink.

Hmmm.

Eddie?

Eddie?

(suspenseful music)

- You say Fox-Stuart
from security's handling

the search for me.

Did you get him this address?

- Yes, I telephoned Fox-Stuart.

I left a message, I can't
understand why he's not here.

- Well, he'll come when he
thinks the time is right.

Look, I've gotta get back to my room.

We'll just have to play
it by ear for awhile.

Don't worry, I'll be close.

- Have you any idea what
they're planning to do to me?

- In a way, sooner or later,

they're gonna order me to kill you.

- I don't want to sound selfish

but don't make too good a job of it.

- See you.

(suspenseful music)

- Sleep walking, Eddie?

- You're up a little late
yourself, aren't you?

- I'm a natural born worrier, Eddie.

And, I go where as I find
sleep hard to come by.

You're a nocturnal wonder yourself.

Here, care to have a drink?

Don't go, Eddie.

You haven't told me what
you're doing down here, yet.

- Why, I didn't plan to.

You figure there's some
reason why I should?

- Last night, you were out of the house

strictly against orders.

Now, I find you creeping around down here.

Why, Eddie?

What are you trying to do?

- Is that you talking tough, Revell?

Or, just that old booze?

- I wanna know, Eddie.

A lot of little things.

And, they don't add up.

Don't make any sense.

- Well, you don't make a
whole lotta sense yourself.

- Alright, I'll tell you.

I've been with you every minute of the day

and night for weeks now.

I've got to know your
moods and your habits.

You're as predictable as sunrise.

Now, all of a sudden, you've changed.

See, I just can't put my finger on it.

- Then don't try.

Forget it.

- Hey, why are you being
so secretive, Eddie?

You trying to sell us on?

- Why I oughta take you
apart for a crack like that.

I let you carve me up.

I laid it on the line.

- You still haven't answered my questions.

Why were you in that phone box last night?

- Because I needed fresh air.

Look, I'm sick of you
breathing down my neck,

following me wherever I go.

I don't need you anymore,
I'm a big boy now.

You get the picture.

So, from now on, I want
you to stay out of my way.

You bore me, Rumdumb.

- Eddie, nobody talks to me like that.

Now, you're gonna answer some questions.

- Revell.

What's going on?

- Ask the boozer.

Pulled a gun on me.

He got some crazy idea I'm
trying to sell out the deal.

- It's not that.

I can't explain exactly.

- He's been drinking.

- You can say that again.

- It's not the drink.

- I warned you to keep off that stuff.

- Now, listen.
- No, you listen to me.

There's no room in this organization

for someone who isn't 100% dependable.

I've spent a fortune setting this up.

And, I'm not gonna have it
ruined by a bottle of whiskey.

Now,

you straighten yourself up by the morning

or you're finished, do you understand?

Do you understand?

Go back to your room, Eddie.

Now, I like you Revell.

I don't want to lose you.

Just remember what I said.

- I'll remember.

Now, please let me explain.

- In the morning.

- Not your day, is it?

- Everything seems to be going wrong.

I don't know how or why.

I sense it.

- Or, could it be that
now we're getting close,

you're getting windy.

- I'm worried, Selina.

- Poor baby.

Did all that rough talk frighten him.

There, that makes it better.

- No, don't go Selina.

You stay and talk.

- Talk is all you'll ever be good for.

Let go of my arm.

(mischievous music)

(buzzing)

- Something's wrong.

(suspenseful music)

Tattoo.

(dramatic music)

Eddie.

- I thought you'd never figure it out.

- How did you work the switch?

- Nevermind, you're
not gonna tell anybody.

- You won't be able to keep it up.

You'll make a slip.

Travis will know that you're not Eddie.

- I'll just have to take that chance.

- What are you going to do?

- You're a murderer, Revell.

(banging)

(suspenseful music)

(thwacks)

- Revell!

Revell!

Revell!

Revell!

- Any luck?

- No, I've been on the garden, nothing.

- Well, I've searched
every room in the house.

His stuff is still there.

- Hey, what's all the noise about?

- We think Revell's run out on us.

- Oh, well that figures.

He was getting pretty chicken
the last time I saw him.

- What are we gonna do about him?

- Nothing, absolutely nothing.

- But, you can't just let him go.

- There's no harm in that.

He murdered Mannering.

He can't talk to anybody.

- Yeah, he's probably holed up somewhere

with a bottle, scared to show his face.

- That's right, I don't
think we have anything

to worry about as far as
Mr. Revell's concerned.

But, we won't take any chances.

Selina, go upstairs and pack.

- We're moving out?

- Yes, a bit earlier than planned.

- Okay, I'll go and pack my bag.

Hey, um,

what about that dame we got downstairs.

- Take her with us.

She might be very helpful.

- Yeah, okay, I'll be
ready in about 10 minutes.

Oh, there's one more thing.

Where do we go from here?

- London, I think it's about time you met

the rest of the crew, Eddie.

- Yeah, I think so, too.

- They're good men, you'll like them.

Oh, and I got a surprise for you, Eddie.

- Yeah?
- Guess one of them's

tracked Martin.

Tells me you and he were
exactly like brothers.

- Oh, yeah.

- Known him for years, I gather.

- Yeah, old Frankie.

Yeah, that is a surprise.

Well.
(dramatic music)

(suspenseful music)

- Upstairs.

Ground floor and cellar, quickly now.

- I have a feeling, we're
going to be too late.

It's obvious the place
has been used recently.

- Have the others check the
outbuildings and grounds.

- Nobody upstairs, sir.

- Oh, that fool, hotel clerk.

If only we got Cordelia's message.

Alright, I want this
place thoroughly searched.

Get a forensic team out here.

Question everybody in the district.

The works, now move!

- Yes, sir.

- Get some extra men.

I think we may be here for quite awhile.

- I say we have a good
chance of picking up a trail.

It's certain Mannering was here.

- Was here, yes.

But, where is he now.

(mysterious music)

- Where's Selina going?

- To the new apartment, she has the girl.

We want to get her under lock
and key as soon as possible.

- Well, where are we going?

- Our main concern is
the Crown Jewels, Eddie.

Where else would we be going?

To the Tower of London, naturally.

-[Fox-Stuart] Where did you find this?

- Out in the grounds, sir.

He was tied and gagged under some bushes.

- What's your part in all this?

- My part in what?

- Oh, I see.

The uncooperative kind.

- Untie my hands, please.

- Well, I can be uncooperative myself.

You'll be untied when you've
answered a few questions.

- I have nothing to say.

- Then I'll wait, I have plenty of time.

- Do you intend to leave me like this?

My clothes are soaking wet,

the rope's cutting into my wrists.

I insist that you release me.

- Insist all you like.

You'll get a lot further

when you've answered some questions.

- I don't know how long
it takes to sink in.

But, I repeat, I have nothing to say.

- I think you have.

- Well, what's it going to be?

Rubber hose, bright lights.

I don't think so.

British police are too well supervised

for that kind of violence.

- It may take a little
time but you'll talk.

Believe me, you'll talk until
your tongue is blistered.

- Yes, it looks as though,
we're going to be here

for some time, do you mind if I sit down?

- You'll stand.

Now, I want to know about John Mannering.

He was here, wasn't he?

He was kidnapped and
brought here, wasn't he?

Why?

(suspenseful music)

Mannering.

He was a good friend.

I want the men who did this.

Where are they?
- Don't know.

Where are they?
- Don't know.

I don't know.

(ominous music)

(dramatic music)

- Good, good, inform the guard

we're ready to make the
transfer to the armored car.

- Well, there it is, Eddie.

A prison for kings and traitors.

And, a strong room for
the symbols of monarchy.

- Man, how do you plan
to crack into that place?

You got an army or
something or an atom bomb?

- Not quite.

But, it has been done, you know.

A gentlemen called Captain Blood

once stole the Crown Jewels.

Became quite a hero.

The king gave him a pension.

- Two dollars a week when I'm 60

is not quite what I'm after.

- Fine.

- How do you plan to get in there?

- I don't, I expect them
to bring them out to me.

If my information's correct.

It'd be any minute now.

They're 60 seconds early.

The first time they've
been out of the tower

since the coronation.

- Where they taking them?

- I'll show you, we
better get ahead of them.

(suspenseful music)

The Crown's Treasury, Eddie.

More heavily protected
than the Tower of London.

What is it they say?

As safe as the Bank of England.

Well, it won't be by
the time we're finished.

Every hood in London will be
watching that convoy, Eddie.

Watching it and figuring
out how to take it.

They want a chance, no chance.

- You think we have?

- Yes, Eddie.

Those jewels have been brought here

to be cleaned and polished.

Exactly where we want them.

- Locked up, I don't get it?

- John Mannering is one
of only three people

in this country who have immediate

and unquestioned access to that vault.

- Oh.

He must have been quite a fella.

- He was.

So, he became my key.

That's why I gave you that
new expensive face, Eddie.

I made you my key.

The key to a king's ransom.

- Oh.

- Well, let's get home, shall we?

I'm sure you want to talk
to that new buddy of yours.

- Yeah, yeah, I'm looking forward to that.

(fast-paced music)

- What's the matter with the music?

You don't like it, you don't listen.

- Not being deaf, I
don't have that choice.

Have you looked in on the girl, lately?

- About a half hour ago.

She's sleeping like a dog.

- Oh, well, she should be awake by now.

I better take a look at her.

By the way, there are some sandwiches

in the kitchen for you.

- Sandwiches, you run a bakery
or business or something?

Every meal, sandwiches.

Now, if some was to give you Cary Grant,

you'd put him between two pieces of bread.

- You don't have to eat them.

- Thanks a bunch.

You know, you could starve
to death around this place.

(groaning)

- Don't make a sound or I'll break it.

- Let go of me.

- I mean it, I'm getting out of here.

- I'll kill you for this.

- But, not while I've got this.

- You think they're gonna
let you walk outta here

and spoil everything now?

- They'll have a hard time stopping me.

- You haven't got a chance.

Now, give me that gun.

- Don't push your luck.

I've just about taken enough from you.

- You won't get out of this house.

- But, it won't be you that will stop me.

Now, move over to that door.

- Go ahead and make me.

- Move.

Believe me, if you make
one sound, I'll shoot.

You doubt it, go ahead and yell.

- I'll make you regret this
for the rest of your life.

- Move.

Now, open the door.

Alright, lead on.

Move!

- I warned you.

- Stop it, Selina, I said stop it.

If that girl had got out of here.

- You shouldn't have hit me.

- I should have done more than that.

It was stupid, a stupid mistake.

- I could've caught her.

- Yes, but you let it happen.

- I couldn't help it.

- If it had been anybody
else but you, Selina.

Anybody else, I'd have killed them.

- I'm sorry, I couldn't help it.

- Look, you're the only one that matters.

You're the only one I can
trust without question.

Don't fail me again.

- You shouldn't have hit me.

- No, sorry, I'm sorry.

- What are we gonna do about that girl?

- Well, we keep her
alive til it's all over.

She may be useful.

Then, we will dispose of her.

- When the time comes, let me do it.

Please, let me do it.

- We'll see, we will see.

Hello, Eddie.
- Hey.

Nice pad you got here, man.

You really live it up.

Hi, baby.

What'd I do, did I do something?

- No, no, no, no, no,
no, it's nothing, Eddie.

You came in at the end of
a small family dispute.

It's all over now, it's alright.

Selina, ask Frank to come up, will you.

How long is it since you saw Frank, Eddie?

- Oh, it's quite a while.

- I suspect you've got
a lot to talk about.

- Yeah.

- I understand that you
and he did time together.

- That's right, did a little stretch.

- Where was that?
- Huh?

What was the name of the prison?

- Oh, um...

What's my name.

It was a place in-

- A place called San Quentin.

-[John] Hey, Frankie.

- How are ya, Eddie?

Hey, you ain't Eddie.

- I told you we've made some changes.

- They got me a new mug, Frank.

- Look at you.

I just don't believe it.

- Oh now, you like it, it's
an improvement, isn't it?

- Oh man, if they made you
look like Count Dracula,

it'd be an improvement.

It's terrific.

It's great working with ya again.

- I say you, Frank, how ya been?

- Oh great, Eddie, just great.

Oh, man, it's been a long time.

Last time, I heard about
you, you was mixed up

with that mob in Mexico.

- Oh yeah, I was doing
real great down there

and I got busted.

- Yeah, I heard all about you.

Say, I saw Jackie just
before I left The States.

- Jackie, how's he doing?

- How's he doing?

Well, what did they do,
they cut your brain out

when they fixed your face.

Jackie Baker's about the sexiest
looking dame I ever seen.

- Jackie Baker.
- Oh, Jackie Baker.

He was just married to
the dame, that's all.

Come on, boy, get with it, get with it.

- Well, you know, a lot of things

have happened since then, Frank.

- Ain't it the truth.

Hey, you know who else I ran into?

- I'm sorry, gentlemen, you will have

to leave your reminiscences
for another time.

We've got work to do.

- Oh, we've got plenty of
time to go over the old days.

- Not as much time as you think.

I've set the date for the job.

- We're gonna make the hit?

- It's all arranged.

- When?

- 11 o'clock tomorrow morning.

(dramatic music)

(light-hearted music)

(drum roll music)

- Castle here.
- Right, sir.

Evening.
- Good evening.

Roast is getting on for six.

I think we better get locked up.

- Yes, sir.

- Vault room.

Yes, Mr. Castle is here.

It's for you, sir.

Mr. John Mannering's secretary.

- Thank you.

Hello, Castle here.

- Hello, Mr. Castle.

This is John Mannering's
secretary speaking.

Mr. Mannering's taking delivery
of some pieces tomorrow.

And, he'd be very grateful if you could

store them in your vault for a few days.

- Oh, but of course,
we're always delighted

to accommodate Mr. Mannering.

I look forward to seeing him.

Eh, what time will he be here?

- Oh, about 11 o'clock, if that's alright.

Good.

Thank you very much, Mr. Castle.

Goodbye.

Like a lamb to the slaughter.

It's all set.

- Good, now we've got
some preparation to do.

The rest of the crew will be here

for the final briefing at 8 o'clock.

But, I have some details I want

to sort out before they arrive.

Oh, Frank, bring up the
radio equipment, will you?

You'll find it in the basement

- Roger Wilco, over and out.

- And, Eddie, get on those
clothes in the bedroom

made up by Mannering's tailor will you?

And, let's have a look at you.

- Right.

- Tired?

- No, not really.

I suppose I'm a bit tensed up like Eddie.

- Don't worry, it'll
all go like clockwork.

This time tomorrow night,
we'll be in Switzerland.

And, it'll be all over.

- Yes, yes.

Oh, put it down over there, Frank.

- You know, you've got
enough electronic stuff

here to start a small war.

- Really in a way, that's
exactly what we're doing.

- Well, how do I look?

- It's John Mannering.

No doubt about it.

- That's pretty sharp,
a little square maybe

but it suits you.

-[Travis] Oh, that's good.

- You think I'll pa...

You think I'll pass as an antique dealer?

- It's perfect, just perfect.

- Well, I better save
these thread, I'll just go-

- Kill that leg already.

We've got some work to do.

Get the cars, Selina, will you.

Now.

Okay, we'll start with the approach first.

We've got a car identical to the Baron's.

Eddie, you drive up outside
the vault at five to 11.

Just to make sure a parking space,

we'll have another car outside.

It'll pull away as you arrive.

- He pulls out, I drive right up in front.

Go into the vault and do the whole bit

and wait for your move.

- Yes, I take the phone call
while I contact you, Frank.

- Yeah, and me and Faber,
here, move in in the ambulance

about eight minutes after your call.

- Not about eight minutes,
exactly eight minutes.

Yeah, yeah, yeah, then
we take the stretcher out

go in and do the business.

- Right, I'll be there
two minutes after you.

- And, when we pull out,
we go in the ambulance

to where Reynolds is
waiting with the Rolls.

- That's it.

Anybody else wanna go over
the action in the vault?

- No, not again, we've
done it two dozen times.

- Right, then this is a
third and final check.

- Knowing eight to five,
it'll be sandwiches.

(suspicious music)

-[John] I'll just get some cigars.

- John.

- He just gave me the run down.

They're gonna make the hit in the morning

but I can't make a break right now.

I'll get back to you as soon as I can.

- Hey.

- I left Revell tied up in
the grounds of the house.

-[Cordelia] Fox-Stuart must
have found that place by now.

-[John] But, unless Revell
talks, they'll be nothing

to give him a lead to here.

So, we can't count on
help from the outside.

-[Cordelia] We'll manage somehow.

How did you plan to get back in there?

- Yeah, well, we'll just
have to buy our time.

I'll see you.

What's the matter with you, Frankie?

You act like a man who's waiting

to go to the electric chair.

- You know, now that
tomorrow's a pretty big day.

- Yeah.

- Yeah, they're sure taking
a long time in there.

- Yeah, what's it all about.

They went into a huddle
right after dinner.

- I don't know.

(strumming)

Here, Eddie.

Catch.
- Hey, take it easy.

-[Frankie] You used to be
pretty good on one of those.

- Oh, not now.

- Oh, come on, right now.

What's the matter, you forgotten how?

- Alright.

I'll play you a little something.

Here's something I used to
strum when I was in jail.

♫ Nobody knows the troubles I've seen

♫ Nobody knows my worries

- Don't stop, it's very good.

- Your meeting over?

- Yes, we've thought of something new.

It might be useful.

- Bring the girl out, Selina.

- Eddie plays the guitar
pretty good, don't he?

- Very exhilarating.

- I bet John Mannering
couldn't pick one of these.

I bet he couldn't even carry a tune.

- If he could, I didn't know about it.

- You know, it's a funny thing.

Neither could Eddie.

- What are you talking about?

- He never had one of those in
his hands in his entire life.

Except for publicity shots.

- You fooled us all the way
along the line, Mannering.

All the way.

- Well, you can't win 'em all.

- Yeah, now we know it's
easy to see how you did it.

- Well, you should've listened to Revell.

He's smarter than all of you.

Well, it's your move.

- That's right.

It's taken a little time but
I think it will work now.

We're going through with it.

But, instead of using someone
who looks like John Mannering,

we're using the actual thing.

Frank.

(dramatic music)

We'll tell you about it in the morning.

- Easy.

Easy.

How's your head?

- Oh.

Like the Boston Red Sox
are playing in there.

What's been going on?

- They've been talking in
the other room all night.

- And, what'd they say?

- I couldn't make it out.

But, we must find out what they're up to.

Did they tell you anything?

- No.

No, it's a very smooth operation.

It's step by step by step.

They won't leave us any loopholes.

You can count on it.

- They can't make you
go through with this.

- If they use you as a
hostage, yes they can.

- Oh, John, I'm so sorry.

- Ah, forget it.

You did your job.

Look, sooner or later,
they're gonna be off guard

for a few seconds and
when that moment comes,

you're gonna have to recognize it,

grab it with both hands.

- And, if it doesn't come?

- Well, ultimately...

- Ultimately what?

- Well, they'll have to kill
us, they'll have no choice.

- Right.

- Come on out.

Come on, come on.

- I didn't know this
was a fancy dress party.

- Take the girl, Frank.

No heroics, Mannering.

- Where are you taking her?

- All in good time.

You get dressed up as Mannering
and then we'll make a move.

- Come on, move.

(dramatic music)

- It's 10:35, I must be going.

- Be careful.

- Don't worry.

Everything will be alright.

Promise you.

- Hello, Frank, just checking.

Do you read me.

- Coming over loud and clear, baby.

We'll check with you once
again once we're in position.

Over and out.

Tie her hands and gag her.

- Ride in.

Move.

- Radio.

We're almost in position.

Waiting for your call, over.

- I hear you, Frank.

Keep your channel open from now on.

They should be at the vault now.

- Here's the emergency card.

The blood capsule.

Don't bite on it too soon.

This is what you're coming
to deposit at the vault.

- Right.
- Just one final reminder.

If we don't make it,

you and Cordelia won't be alive to, uh,

gloat over our failure.

(suspenseful music)

- Morning, Mr. Mannering, sir.

- Good morning, Mr.
Castle is expecting us.

- Yes, sir.

- This gentlemen is with me.

- Sorry, sir, I should like to check

with Mr. Castle first, sir.

No offense, sir.

Mr. Mannering's here,
sir, he's got a gentlemen

he'd like to bring in with him.

-[Mr. Castle] Right, send them down.

- At once, sir.

Alright, he's allowed to come inside, sir

and Mr. Castle will see you inside there.

- Thank you.

(suspenseful music)

- Quite frankly, Mr. Travis, it's strictly

against the regulations to
let any unauthorized persons

into the vault without permission

but seeing that you're a
friend of Mr. Mannering's,

I'm sure no one will object.

- Very good of you.

- Mr. Travis wants to make certain

that his property's well protected.

- Castle here, I have Mr. Travis

and Mr. Mannering with me.
-[Man] Right, sir.

Let me assure you, these are
the safest vaults in Britain.

Probably in the whole of Europe.

- That's very comforting.

- Mr. Mannering, are you alright?

- Yes, I'm just a little
dizzy, that's all.

I'll be alright.

- Is there anything I can get you?

- No, I'll be alright.

- You sure?

- Yes, I'm sure.

- This is most impressive.

- Well, we are rather proud of it.

Let's go in.

- Brooks, you remember Mr. Mannering.

- Mr. Mannering, nice to see you again.

- Hello, Mr. Brooks.
- And, this is Mr. Travis.

By the way, have you a glass
of water for Mr. Mannering?

He's feeling a little faint.

- Why yes, of course.

- Oh, I, I...

- Mr. Mannering, what's the matter?

(grunts)

-[Mr. Travis] What's this?

- In case of light, we should telephone

Dr. Sunvale Harley, 7-3-2-1.

Under no circumstances, move the patient.

I didn't know Mr. Mannering suffered-

- Have you got a phone down here?

- Yes, I'll get onto it immediately.

- We better try to make him comfortable.

Have you got something
to put under his head?

- Yes.

-[Travis] Thank you.

-[Mr. Castle] Dr. Sunvale
please, it's very urgent.

- Dr. Sunvale speaking.

Mr. Mannering, yes he's my patient.

I understand, I'll have
an ambulance around

in about five minutes.

Good.

Oh, and whatever happens, don't move him.

Goodbye.

Hello, Frank.

It's on, get going.

- I'm on my way, good luck.

(sirens blaring)

- The pulse is very weak.

- I do hope he's going to be alright.

- And, you better warn the
guards and open the gates.

You don't want to delay the ambulance men.

- Yes, yes of course.

Please open up.
- Right.

(suspenseful music)

(dramatic music)

- Go straight down those stairs.

Look lively.

- Thank heavens you've arrived.

- Good job, phone.

- Get over there, Eddie.

- Mannering, get over there
with the rest of them.

- I'm sorry, I couldn't help it.

- Aw, shut up.

Come on, Frank, come on, hurry up.

- Come on, come on.

- In case you're interested,

we're still exactly on schedule.

- Make sure to shoot the fellows upstairs.

Finish him.

- Okay.

(groaning)

- The gate!

(exciting music)

(thwacking)

(guns firing)

- Get back, Selina.

Mannering, can you hear me?

- I hear you.

- Selina, get the girl.

If I'm not out in 60 seconds, kill her.

Do you understand, kill her.

Open up, Mannering.

Frank, cover me.
- Right.

Give me a couple of
seconds, then follow me.

(gun fires)

(gun fires)

- Start closing this door.

(gun fires)

Hold it.

(guns firing)

(squeals)

- Hey, just a minute.

(gun fires)

(dramatic music)

(thwacks)

- Just take it easy, Selina, take it easy.

- Father.

- John.

I thought you were dead.

- Well, it was close.

(fun music)

(mysterious music)