All language subtitles for T B S01E06 Masquerade WEB-DL DDP2 0 H 264-squalor (1)_track3_[eng]

(mid tempo instrumental music)

- Does Sir Frederick often send for people

at this time of night?

- It's happened before sir.

(fun instrumental music)

- I didn't know he had
a house in the country.

I thought he lived in
London the whole time.

How much farther is it?

- We've arrived sir.

(plucky instrumental music)

(engine rumbling)

(dramatic music)

(door knocks)

(door slams)

(dramatic music)

-[Woman] Help!

Help me!

- Anybody there?

-[Woman] Help!

(dramatic music)

- Anybody there?

(steps clattering)

(thuds)

(clanks)

(steps clattering)

-[Woman] You haven't killed him.

-[Man] No, he'll be alright.

-[Woman] Good.

I don't want to spoil the schedule.

He's not due to arrive till Saturday.

(dramatic music)

(instrumental music)

(gun fires)

(plucky instrumental music)

- If you hear anything you
will call me, won't you?

Yes, I telephoned David
Fox-Stuart at Scotland Yard.

He's in special branch.

(steps clattering)

He's just got here.

Yes, yes, I'll keep in touch.

Anything?

- Nothing.

I've made all the usual checks,
hospital, police stations,

mortuaries, all negative.

- I just don't understand it.

It doesn't make sense.

Something must have happened to him.

- Now you're being particularly feminine

and overdramatizing.

We have no evidence at all
that he's come to any harm.

- Look, he's been missing
for nearly 16 hours.

He had four appointments here this morning

that he hadn't kept.

He didn't spend a night in his apartment.

That's not overdramatizing it.

It's just the plain simple facts.

- Facts which may well have

a logical and simple explanation.

- Alright, give me a logical
explanation for this.

John called last night and
said that Sir Frederick Auten

had telephoned him, wanted
to discuss some paintings

and was sending a car over to collect him.

- And have you spoken
to Sir Frederick since?

- No, because he's out of the country.

And has been for the past three months.

(dramatic music)

Well, what are we gonna do about it?

- Find him.

My department will give it
priority rating as from now.

- That makes me feel much better thanks.

- But I'll tell you frankly,

I don't like the look of this.

The fake phone call worries me.

I think he might be in bad trouble.

(dramatic music)

(water splashes)

(rattling)

(dramatic music)

(clicks)

- Hey wait a minute!

Come back here!

(knocking)

(dramatic music)

(clacking)

(dramatic music)

(tapping)

- Well, you gonna sit there
all day flipping through

papers or are you gonna do something?

- What do you suggest?

- Well you could, I don't
know, you're the expert.

- Yes I am.

But with all the expertise in the world,

I can't begin an investigation
without a starting point.

Now perhaps Mannering's
correspondence here might

give me that starting point.

A word, a name, an address.

- And suppose you don't
come up with anything?

- Then we hope that one of our other lines

of investigation comes up.

Or we look for another angle.

Now look, I know it's
a long dreary business

but inspired guesses and lucky breaks

are for story book detectives.

- Yeah, I'm not being very fair am I?

It's just apparent lack of action.

I want bugles blaring, flags waving,

cavalry riding to the rescue.

- Well, it just doesn't work that way.

- I know.

Is there anything I can do to help?

- Yes, get some coffee and sandwiches.

(steps clattering)

(phone ringing)

I'll take it.

Fox- Stuart.

Yes.

I see.

Alright, pass the word and follow it up.

Oh, and Charles, if there's
no progress by midnight,

I want a meeting of all
senior operatives here

at Mannering's Shop.

Okay, bye.

Oh, nothing much.

Policeman on patrol duty
near here last night

saw Mannering leaving in a Rolls Royce.

- Did he get the number?

- No, but it's a beginning,
it's a beginning.

(steps clattering)

You know, I'm glad I'm not a gambling man.

The odds against us finding Mannering now

must be 1000 to one.

And getting higher every hour.

(cracking)

(dramatic music)

(knocking)

(clacking)

(steps clattering)

- You really do have
the most beautiful legs.

- So they've told me.

Have you got that letter?

- Beautifully typed and
masterfully forged signature.

- Cordelia, sorry about the
dramatic vanishing trick

but I'm on to something pretty big.

An uncataloged DaVinci, no
less, I'll be in touch, John.

Well that should convince her.

Touch me again and I'll--

Just keep your hands off me will you?

- Alright, don't want to risk frost bite.

How's the leg?

- It's fine.

Are you sure about this signature?

- As though he signed it himself.

Where do we post it?

- I'll drive to Oxford,
that's far enough away.

I'll just take a look at Mannering.

- He's alright, I was down
there five minutes ago.

He's sleeping.

- I'll be back in just under an hour.

- One day Selina, one day soon.

(plucky music)

(dramatic music)

(steps clattering)

(clattering)

(plucky music)

(groaning)

(clattering)

- You're the master I the slave.

Time though I need may.

(clatters)

(steps clattering)

(dramatic music)

- Alright Eddie!

Come on, wake up time, come on come on.

Up, jab time, wakey wakey wakey wakey.

- You are the nauseous guy I ever met.

- Hold still, this is the last of them

so make the most of it.

- You got the touch of a bull elephant.

When you expecting Travis?

- Tonight.

- It's about time.

I'm getting sort of curious about this job

we're supposed to pull.

- Alright Eddie, let's
be the perfect patient.

Head down a minute.

(dramatic music)

Yes that's beautiful, beautiful.

I think we can have these off now.

- It's none too soon.

(dramatic music)

Look alright?

- Yes, yes.

Give me a shot of that hooch doc.

- Certainly.

- Did you get that hot
water system working?

- Steeped all night just for you.

- That's good.

- I need a snort and a hot shower.

Want to take a gander at this
guy I'm supposed to look like.

(dramatic music)

- Hey Revell, what about that towel?

- Wait a minute Eddie!

♫ As I walk down

I think there's some in my room!

♫ One day

♫ I spied a young cowboy
wrapped up in white linen

♫ Wrapped up in white
linen and cold as the clay

(whistles)

♫ Oh beat the drum slowly
and play the pipe lowly

♫ For I'm a young a cowboy

- Voices like yours Eddie which
bring effects on disrepute.

Here's your towel.

- Thanks.

♫ As I walked down in
the streets of Loredo

♫ As I walked down in the Loredo one day

♫ I spied a young cowboy wrapped up in

(door clicks)

(steps clattering)

(birds chirping)

(steps clattering)

- Here we are.

Hold still.

Ah, it's amazing.

It's one of the best bits
of surgery I've ever done.

- Lay off will ya?

- Your skin must have
remarkable recuperative power.

Lovely, lovely.

- This ain't no beauty contest.

- Eddie, no beauty queen to
me, ever looked so lovely.

Undoubtedly your face is our fortune.

- Well, it better be after
all I've been through.

- It will be!

You know, it took us a
long time to find someone

of Mannering's build--

- Could have saved
yourself a lot of trouble.

Told you, if you look in
the screen player's guide

I did some good bits, you know.

- Don't be so ungracious.

You'd still be rotting
in that Mexican jail

if we hadn't bust you out.

- Bum rap.

Anyway you got me two
slugs in the shoulder.

- It was a natural hazard.

Now you're safe and sound in England

and to replace what could only be termed

a rather unfortunate countenance,
you have a brand new face.

- I did alright the way I was before.

Give me that mirror will ya?

Got to get used to this.

(snapping)

(dramatic music)

(clicking)

(door clicks)

(clanks)

- And you are not to open
that door on any account.

Do you understand that?

- Why would I do that?

- Just watch.

Pick up any mannerisms.

Get him to talk to you if you can

and listen to speech patterns.

- I got it, I got it.

- I want to talk to you.

Look, what's going on?

Why are you holding me here?

- He's all yours and longing to talk.

I'll be upstairs if you want me.

- Now ain't that something.

It's like we were cast from the same mold.

That's terrific.

That is terrific.

- You look um--

- Did a great job didn't he?

- Who are you?

- My name's Edd--

Who am I?

My name is John Mannering.

You heard of me haven't ya?

- Alright, whatever your name is,

so you look like me.

Apparently somebody's done a
plastic surgery job on you.

Why should you want my face?

- Well, because you're
so handsome. (laughs)

Now mister it's because
only your face that fit.

That kisser of yours is the
only one'll get us what we want.

- What you want must be pretty important

to go to all this trouble.

- Oh, it's important alright.

You better believe it.

- I mean, it takes a lot of
skill to build a man a new face.

- Yeah, yeah I guess old
Harry Revell could've been

a pretty big wheeling in the
knife and bandage racket.

Trouble is he's larcenist
hired to do anything for money.

Guess that's why they won't
let him practice no more.

- You mean, just you and
Revell are the only two in

on this caper?

- Look mister, you ask too many questions.

Now you wanna talk, you
talk about the weather,

dames, baseball, anything you like.

But no more questions.

- Now I know how it must feel
to be an animal at the zoo.

(dramatic music)

- Alright, let's get started.

Now the fact that Mannering
has not made contact

must lead us to certain assumptions.

If he's not dead we must
presume that he's being held

against his will.

Now, Mannering has
considerable knowledge of the

workings of diplomatic intelligence.

Therefore, we must
regard his disappearance

as a major security risk.

Finding him is a priority men.

- Just come from the post
office sorting department.

These letters would have been delivered

in the morning mail.

- There's one for you.

Don't damage the envelope just in case.

(paper crinkling)

- It's John.

- Anstruther, have a graphologist stand by

to check the signature.

Let me see the envelope.

Post marked Oxford,
mailed at five o'clock.

(sighs)

all we have to do now is to decide wether

this is genuine or not.

- I don't think it is.

- Why not?

- The signature.

- Is it different?

- No, no it's John's alright.

It's just that it's been
written with a ball point pen.

- I don't understand.

- John can't stand ball point pens.

He won't have them anywhere
in the shop at any price.

- But he might have borrowed it.

- He might have done.

But why?

Always carries a regular
pen around with him.

- It's awfully thin.

But we'll move on it.

Carson, you handle
things from headquarters.

The rest of you will come with me.

- Where are you going?

- Oxford.

Until something is solid comes up

we'll just have to handle the long shots.

- I'll come with you.

- No, no I want you to
stay here near the phone.

If something comes up you can contact me

at the County Hotel.

- Keep in touch would you?

- Yes of course.

Now we're doing everything we can.

(slow instrumental music)

(engine rumbling)

(clacking)

(dramatic music)

- Cases Harold.

I doubt anything's going well.

- Everything's fine.

(steps clattering)

I missed you Selina.

- Odd, I didn't feel the slightest pang

of being away from you.

- Hi chicken. (laughs)

Hi chief, welcome back.

- How are you Eddie?

Let's have a look at the face.

That's good, that's very good.

You've done a fine job Revell.

- Thank you.

- Well, what's the word?

We all set?

- We're set, we go as arranged.

- Oh, that's great great great.

- The rest of the operatives are lined up.

Top men all of them.

- They were right on schedule.

- Did you ever doubt that we should be?

- Now that we're certain
we're gonna make a hit,

we'll go ahead with our
plans for Mannering.

Perhaps you'll be good enough

to make the arrangements Revell?

- I'll attend to it.

- Oh, there a few things in the car.

Perhaps you'd give us a
hand with those first.

(steps clattering)

- Hey, you know it's a
shame about Mannering.

It's like losing a twin brother.

I'll miss him.

I think I'll just go say goodbye to him.

(dramatic music)

(steps clattering)

Hey!

(thuds)

- Put it down over there.

(steps clattering)

- I think that's the last.

- Oh darling?

- Yes?

- Don't push Revell too far.

Jealousy doesn't help morale.

- What's it matter?

He's not important to us anymore.

- Just play carefully

and don't be too affectionate with Eddie.

- Eddie disgusts me.

But my way he does what he's told.

(dramatic music)

(steps clattering)

- You go upstairs darling.

- You think I might turn squeamish?

- No, I don't think so.

I think you better go upstairs anyway.

(steps clattering)

You ready?

(dramatic music)

(door clicks)

(steps clattering)

How is he Eddie?

- He's sleeping.

- My daughter's upstairs.

Why don't you go and join her.

We shan't be long.

- Okay.

(dramatic music)

(gun fires)

(steps clattering)

- There is only one John
Mannering, and that's you.

Come and have a drink.

(dramatic music)

- Do something with the body.

- Yes.

- And don't be too depressed.

Remember, you're going to
be a very very rich man.

- Yes and to people like us
money is everything isn't it?

I'll finish up here.

(tapping)

- You didn't wait for the toast Eddie.

- You make em and I'll pour em eh?

- To our success in the
world's biggest ever robbery.

- Yeah, success.

- We ought to do
something about your hair.

The color's fine, but it needs
styling like Mannering's.

Incidentally, how are those scars?

- Oh, forget that.

(door clicks)

- Oh sorry.

- It's alright come on in.

- I just came to say good night.

We're going to be very busy tomorrow.

I thought it might be a good
idea if we all turned in.

- Oh, it's alright I feel
a little beat anyway.

- Right, come on Selina.

Goodnight Eddie.

- Goodnight.

- Goodnight Eddie.

- Eddie, I say when.

Remember that.

Would be a pity to scar up that
expensive new face of yours.

(smacks)

(door clicks)

(dramatic music)

(steps clattering)

(ringing)

- Yes?

John?

- Anders.

Take it easy, get a pencil and listen.

- Go ahead.

The Gabors

yes got it.

Now what do I have to do?

- Get Fox-Stuart.

I need a contact man.

Have somebody stay near the house.

I'll try to get out and
meet them tomorrow night.

Now I'm going back in.

I have to know what this is all about.

No, it's pretty complicated.

- John?

(dramatic music)

John?

John?

- Who you gonna call Revell?

- Eddie!

- I asked you a question.

What are you doing
sneaking out to a payphone?

- I wasn't.

Listen, I saw somebody
wandering around the grounds

and I lost him.

I came out here try and pick him up.

- That must've been me kiddo.

That's alright, I like an outfit
that goes big on security.

- Travis's orders were that
you weren't to leave the house.

- Well that's alright.

He doesn't need to know.

About either one of us.

- I supposed, no point
in looking for trouble.

- And this fresh air's pretty over rated.

What do you say we get
back to the house huh?

(dramatic music)

(ringing)

- County Hotel.

Mr. Fox-Stuart?

No, he's not here.

- I want to leave a message for him.

It's very urgent.

Will you get this down?

The Baron at house called the Gables,

Sandy Lane near Merstone.

- Merstone.

What?

Oh, you're going there now.

Yes miss.

Signed Cordelia.

Yes, goodnight.

Fox-Stuart, F Stuart.

(dramatic music)

(steps clattering)

(clicking)

(door knocks)

- Eddie, eight o'clock, come on!

Eddie!

- I'll be down in a minute!

- Come on Eddie,

I been bringing you coffee
for the last three weeks.

What makes today so different?

What's the door locked for?

You going prima donna on me Eddie?

(knocking)

Come on will you?

Here we are, coffee hot and black.

Make the most of it.

Got a busy day ahead.

We start school.

Here we are.

You look as though you didn't
get a wink of sleep all night.

- Yeah, I was restless.

- You should've asked me for a pill.

You're gonna start getting crow's feet

on that sparkling new face.

- Well I thank you for your sympathy.

I'll watch it.

Get your shirt off.

- What?

- You did have a bad night, didn't you?

- I said get your shirt off.

I want to put a new
dressing on that shoulder.

- Fix it later.

- Let's get it done now,
it won't take minute.

- I said fix it later.

Feels alright.

Look, stop trying to organize me will ya?

- I'm doing what Travis ordered.

- Buddy, let me clue you.

I'm getting a little salty with you.

It's Eddie do this Eddie do that.

I wake up in the morning you're there.

I went for a walk last
night, there you were.

What are you some kind of
a nurse maid or something?

- Not nurse maid Eddie.

Keeper.

- Well look keeper get
this through your head.

I decide what I do.

You understand?

If I figure I've had enough

I'll just haul off and walk away.

Then where are you?

- No Eddie, no.

There's no escape for us in this contract.

There's a fortune been invested in you.

- You try walking away just five paces,

you'll be deader than vaudeville.

Be downstairs in five
minutes there's a lot to do.

(instrumental music)

- Eddie alright?

- He's a sore headed bear who
got out of bed the wrong side.

- Is he being difficult?

- Let's just say his
temper is a little frayed

around the edges this morning.

- You think he needs
a little disciplining?

- It wouldn't do any harm.

- Right, leave it to me.

- Hi.

- Hi.

- Well, is that all?

No compliments for my dazzling beauty?

- You look good.

- You look good.

You're about as romantic as peanut butter.

- What's going on this morning?

This is turning into
let's all lark Eddie day.

- You're too sensitive Eddie.

Come on, let's go.

(dramatic music)

(steps clattering)

- Good morning darling.

Hi Eddie.

- Morning, what's all this?

Revell tells me you wouldn't let him

change your wound dressings.

- Ah, it doesn't matter.

(smacking)

What'd you do that for?

(smacking)

- No Eddie!

- Violence is the only
language you understand Eddie.

I'm trying to speak your language.

There are few facts of
life you want to know.

When I give an order I
expect it to be obeyed.

When I say a thing will
be done it will be done.

The only way we're going to
succeed in what we intend to do

is with discipline.

Do you understand that?

- Alright, I'll take your orders.

I'll do what I have to.

But if you hit me again, I'll kill ya.

- Now we know where we are.

As for killing me, you
don't have to like me Eddie,

just obey me.

- Get dressed Selina would
you and make some fresh coffee

then we get down to work.

Close that up Eddie.

Got some film I want to show you.

(dramatic music)

(ringing)

- We gonna stay on?

- We'll give it another day.

If we still draw a blank
we'll head back for London.

- Sorry to have kept you waiting.

You'll want your keys.

- Yes.

Oh, do you have any messages for me?

Fox-Stuart.

- Franks, Ferguson, Fisher.

Sorry, nothing.

- Very well thank you.

(dramatic music)

(film clicking)

- Oh, that's him!

Look at the way he's
holding his cigarette Eddie.

See?

When I was photographing
him I noticed quite a lot.

It's individual and very typical.

- Try it Eddie.

(groans)

- How's that?

- No, the elbow farther out

and the fingers down, down.

Yes, that's it.

- You got it?

- It's a little awkward.

- Well, awkward or not,

that's the way you're
gonna smoke from now on.

(plucky music)

-[John Voiceover] Imagine it might bring

four or five hundred at auction.

- [Selina Voiceover] Would you be willing

to try to sell it on commission?

-[John Voiceover] I'd be glad
to, but I'll tell you frank--

- What happened there?

- My pocket recorder ran out of tape.

I've got some more stuff on another spool.

- The voice quality's very deep Eddie.

And pay attention to his phrasing,

the kind of words he uses.

- Yeah, I'd like to run this again.

- Many times as you like.

You'll be sick to death of the man

by the time you're through.

- I am already.

(buzzing)

- Nine o'clock.

Why don't we knock off for a while.

- Good idea.

I think we've done very well.

Get some food darling will you?

Then we'll call it a day.

- Place is like a gas chamber.

I'm gonna take a walk around.

(dramatic music)

(screams)

(thuds)

- I'm sorry about that
business this morning Eddie

but I had to be firm.

- Oh, forget it.

- You must understand
that what we're planning

can only be accomplished with
the most stringent discipline.

- Yeah well with this operation
and all I went through,

just hope it's worth it.

- Oh it'll be worth it, I assure you.

- You know, you've really
been very good Eddie.

You've kept you inquisitiveness in check.

Been through a great deal of discomfort

and asked very few questions.

Aren't you interested in
what we intend to steal?

- Aw sure I'm interested.

I just figured you'd tell
me in your own good time.

- The time's arrived.

You'll be very impressed, I'm sure.

This will make the great
train robbery look like

penny pinching.

(dramatic music)

- I found her creeping around outside.

- John, John?

- Who is this chick?

What's she doing here?

- But you're dead, dead.

(clattering)

- She's the girl from Mannering's shop.

- How'd she get here?

- What are we gonna do with her?

- Someone must be on to us!

- We have to get out of here!

- Be quiet.

- We just can't stay here.

- I said be quiet.

- We do nothing in panic.

Revell, was she alone?

- Yes, well as far as I could tell.

- Well take a gun and
check the whole area.

- But even if she was alone,
she might've told somebody

she was coming here.

- That we'll learn when she recovers.

I think she's going to be invaluable.

Absolutely invaluable.

- I don't understand.

- Well, who else better to
try out our imitation on?

If Eddie can convince the
lady that he's John Mannering,

we have nothing to fear.

Nothing to fear at all.

And when she's convinced,
Eddie can kill her.

(steps clattering)

Take her downstairs.

You better go to bed Eddie.

We'll handle this new development.

- Oh not yet.

You were gonna show me the target.

- Of course.

Here we are.

This is what we're gonna take Eddie.

I'll tell you what the
headlines will read.

The greatest criminal act of modern time.

Look Eddie, look.

Did I exaggerate?

- No, you undersold it.

- The complete regalia
of the British monarchy.

The Crown Jewels of England.

(dramatic music)