Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:10,010 --> 00:00:12,213
*
2
00:00:12,246 --> 00:00:13,747
- I WORKED AT RANDOM HOUSE
FOR THREE YEARS.
3
00:00:13,781 --> 00:00:15,949
I STARTED AS AN ASSISTANT
TO A MARKETING VP,
4
00:00:15,983 --> 00:00:18,018
AND THEN I WORKED MY WAY UP
TO JUNIOR EDITOR.
5
00:00:18,052 --> 00:00:19,787
- WOW.
IMPRESSIVE.
6
00:00:19,820 --> 00:00:21,789
- AT THE TIME, I WAS ONE
OF THE YOUNGEST PEOPLE EVER
7
00:00:21,822 --> 00:00:23,691
TO MAKE EDITOR.
8
00:00:23,724 --> 00:00:24,892
I WAS 25.
9
00:00:24,925 --> 00:00:26,827
- I'M 25.
10
00:00:26,860 --> 00:00:28,729
- DON'T WORRY.
YOU DON'T LOOK A DAY OVER 7.
11
00:00:29,763 --> 00:00:31,799
AND THEN FOR THE PAST...
12
00:00:31,832 --> 00:00:34,968
WHAT, 15 YEARS, NOTHING?
13
00:00:35,002 --> 00:00:36,870
- I QUIT TO RAISE MY CHILD,
CAITLIN,
14
00:00:36,904 --> 00:00:38,472
WHO'S NOW SPENDING
HER SENIOR YEAR
15
00:00:38,506 --> 00:00:39,907
IN AN EXCHANGE PROGRAM
IN INDIA.
16
00:00:41,842 --> 00:00:44,078
LOOK, I KNOW I'VE BEEN
OUT OF PLAY FOR A WHILE,
17
00:00:44,112 --> 00:00:46,814
BUT I AM A MUCH SMARTER,
MORE CAPABLE PERSON TODAY
18
00:00:46,847 --> 00:00:48,549
THAN I WAS 15 YEARS AGO.
19
00:00:48,582 --> 00:00:49,883
- HMM, I'M SURE.
20
00:00:49,917 --> 00:00:51,785
- I'M READY TO THROW MYSELF
BACK INTO WORK 24-7.
21
00:00:51,819 --> 00:00:53,554
I'M READY TO PICK UP
WHERE I LEFT OFF.
22
00:00:53,587 --> 00:00:56,690
- WELL, IT HAS BEEN
QUITE A LONG HIATUS, LIZA.
23
00:00:56,724 --> 00:00:58,492
THINGS HAVE CHANGED.
24
00:00:58,526 --> 00:01:00,128
- FACEBOOK, TWITTER, IPHONES.
25
00:01:00,128 --> 00:01:01,962
- IPADS, EBOOKS, YOUTUBE.
26
00:01:01,995 --> 00:01:03,631
- INSTAGRAM, SNAPCHAT, SKYPE.
27
00:01:03,664 --> 00:01:05,666
- PINTEREST.
- BANG WITH FRIENDS.
28
00:01:05,699 --> 00:01:07,601
YOU BANG WITH FRIENDS?
29
00:01:07,635 --> 00:01:08,836
- IT'S WAY BETTER THAN TINDER.
30
00:01:08,869 --> 00:01:10,838
- ALICE MET A GUY ON TINDER
LAST WEEK
31
00:01:10,871 --> 00:01:12,005
WHO SHOWED HER A BOOB SHOT
32
00:01:12,039 --> 00:01:13,141
OF A GIRL HIS ROOMMATE
HOOKED UP WITH,
33
00:01:13,141 --> 00:01:16,144
AND IT WAS HER VERY OWN BOOB.
34
00:01:16,144 --> 00:01:18,011
- SHUT UP.
AND SHE COULD RECOGNIZE IT?
35
00:01:18,045 --> 00:01:19,447
- CLEAR AS A FINGERPRINT.
36
00:01:20,681 --> 00:01:22,616
HEY.
SORRY.
37
00:01:22,650 --> 00:01:24,918
LOOK, I'M NOT EXPECTING
TO COME BACK WHERE I LEFT OFF.
38
00:01:24,952 --> 00:01:26,554
I'LL START ANYWHERE.
39
00:01:26,587 --> 00:01:27,788
I'LL READ.
40
00:01:27,821 --> 00:01:29,790
I'M A TERRIFIC READER.
41
00:01:32,160 --> 00:01:33,461
I'LL START AS AN ASSISTANT.
42
00:01:33,494 --> 00:01:35,062
- OH, THAT WOULD BE WEIRD.
43
00:01:35,163 --> 00:01:38,232
I MEAN, ASSISTANTS ARE GENERALLY
RIGHT OUT OF COLLEGE.
44
00:01:38,266 --> 00:01:39,667
YOU'RE WAY TOO O--
45
00:01:39,700 --> 00:01:41,669
- OVERQUALIFIED.
46
00:01:41,702 --> 00:01:42,970
- NO, I THINK SHE WAS GONNA
SAY--
47
00:01:43,003 --> 00:01:44,872
- ORANGE.
48
00:01:46,340 --> 00:01:47,841
- INDUSTRY TERM.
49
00:01:47,875 --> 00:01:50,178
PLEASE DON'T PUT WORDS
IN MY MOUTH, LIZA.
50
00:02:00,221 --> 00:02:02,190
- DAMN.
51
00:02:02,223 --> 00:02:04,292
- THEY'VE LIVED HERE
FOR 12 YEARS,
52
00:02:04,325 --> 00:02:06,494
BUT THEN DAVE HAD LEFT LIZA
FOR DEBBIE,
53
00:02:06,527 --> 00:02:08,962
A BLACKJACK DEALER HE WAS
SHTUPPING IN ATLANTIC CITY.
54
00:02:08,996 --> 00:02:11,365
THE GOOD NEWS IS HE LEFT LIZA
THE HOUSE.
55
00:02:11,399 --> 00:02:13,434
THE BAD NEWS IS, OF COURSE,
THAT HE TOOK OUT FOUR MORTGAGES
56
00:02:13,467 --> 00:02:16,036
THAT SHE NEVER KNEW ABOUT
TO SUPPORT HIS GAMBLING HABIT.
57
00:02:16,069 --> 00:02:18,372
I'VE SAID TOO MUCH.
YOU DON'T NEED THE DETAILS.
58
00:02:18,406 --> 00:02:20,641
- I LOVE A FLAT SCREEN
ABOVE A FIREPLACE.
59
00:02:20,674 --> 00:02:22,009
- I DON'T KNOW.
60
00:02:22,042 --> 00:02:24,912
SOUNDS LIKE THE HOME OF A WOMAN
WHO LIVES WITH HER CATS
61
00:02:24,945 --> 00:02:26,514
AND IS GONNA DIE ALONE.
62
00:02:26,547 --> 00:02:27,515
- NOT IN THIS HOUSE, SHE WON'T.
63
00:02:27,548 --> 00:02:28,882
SHE CAN'T AFFORD TO.
64
00:02:28,916 --> 00:02:31,219
NOW, EITHER SOMEONE BUYS
THIS PLACE BY NEXT WEEK,
65
00:02:31,219 --> 00:02:34,555
OR IT GOES TO THE BANK.
66
00:02:37,258 --> 00:02:39,660
- HI.
CAN I GET ANYBODY ANYTHING?
67
00:02:39,693 --> 00:02:41,829
COFFEE
CYANIDE?
68
00:02:41,862 --> 00:02:43,130
- MOM.
69
00:02:43,231 --> 00:02:44,698
I'M TRYING TO HAVE
A CULTURAL EXPERIENCE.
70
00:02:44,732 --> 00:02:46,334
YOU CAN'T CALL ME EVERY DAY.
71
00:02:46,367 --> 00:02:48,536
- CAITLIN, I DO NOT CALL YOU
EVERY DAY.
72
00:02:48,569 --> 00:02:51,071
IT JUST SEEMS THAT WAY BECAUSE
OF THE TIME DIFFERENCE.
73
00:02:52,440 --> 00:02:53,741
- BUT I WANT YOU TO KNOW
WE'RE SELLING THE HOUSE.
74
00:02:53,774 --> 00:02:56,244
SO YOU MAY WANT TO COME HOME
FROM BOMBAY EARLY.
75
00:02:56,277 --> 00:02:58,011
- MOM, IT'S MUMBAI,
76
00:02:58,045 --> 00:03:00,013
AND YOU JUST WANT ME
TO COME HOME TO HELP YOU PACK.
77
00:03:00,047 --> 00:03:02,015
- THAT IS NOT TRUE.
I MISS YOU.
78
00:03:02,049 --> 00:03:03,884
- IT'S JUST BECAUSE YOU DON'T
HAVE ANYTHING ELSE GOING ON
79
00:03:03,917 --> 00:03:04,918
IN YOUR LIFE RIGHT NOW.
80
00:03:06,387 --> 00:03:07,488
- YOU'RE JUST FEELING HURT
AND REJECTED
81
00:03:07,521 --> 00:03:08,822
SINCE DAD LEFT.
82
00:03:08,856 --> 00:03:10,624
- WELL, THANKS FOR PUTTING
THAT IN A NUTSHELL
83
00:03:10,658 --> 00:03:11,792
AND STABBING ME WITH IT.
84
00:03:11,825 --> 00:03:13,661
- OKAY, I THINK
YOU'RE SO BRILLIANT,
85
00:03:13,694 --> 00:03:16,530
AND YOU USED TO HAVE
SUCH A COOL JOB.
86
00:03:16,564 --> 00:03:18,131
YOU SHOULD REALLY GO BACK
TO WORK.
87
00:03:20,133 --> 00:03:22,570
- WELL, YOU'RE GONNA BE LATE
FOR CLASS.
88
00:03:22,603 --> 00:03:23,771
I'LL CALL YOU TOMORROW.
89
00:03:23,804 --> 00:03:26,274
- BYE, MOM.
I LOVE YOU.
90
00:03:30,611 --> 00:03:33,514
*
91
00:03:33,547 --> 00:03:35,983
- HOW IS THAT THE OLDER
AND MORE EXPERIENCED YOU ARE
92
00:03:36,016 --> 00:03:38,386
THE LESS YOU DESIRABLE
YOU BECOME?
93
00:03:38,419 --> 00:03:39,453
- YOU'RE TALKING ABOUT
YOUR MARRIAGE AGAIN?
94
00:03:39,487 --> 00:03:40,821
- NO, FINDING WORK.
95
00:03:40,854 --> 00:03:43,991
I HAVE GONE ON
OVER A DOZEN INTERVIEWS,
96
00:03:44,024 --> 00:03:46,193
AND THESE YOUNG GIRLS SEEM
TO TAKE A SPECIAL PLEASURE
97
00:03:46,294 --> 00:03:48,296
IN RUBBING MY AGE IN MY FACE.
98
00:03:48,329 --> 00:03:50,097
- OH, YOU MUST WANT
TO SPANK THEM.
99
00:03:50,130 --> 00:03:51,299
- IT'S LIKE I WOKE UP ONE DAY,
100
00:03:51,299 --> 00:03:53,200
REALIZED MY MARRIAGE
WAS A BIG LIE,
101
00:03:53,301 --> 00:03:55,303
AND I'D BECOME RUTH VAN WRINKLE.
102
00:03:55,303 --> 00:03:57,305
- LIZA, YOU DID THE RIGHT THING
FOR THE TIME.
103
00:03:57,305 --> 00:03:59,039
- NO, YOU DID THE RIGHT THING.
104
00:03:59,072 --> 00:04:00,308
YOU FOLLOWED
YOUR ARTISTIC DREAMS,
105
00:04:00,341 --> 00:04:02,042
YOU STUCK WITH
THE LESBIAN THING,
106
00:04:02,075 --> 00:04:03,677
AND YOU MOVED TO BROOKLYN
BEFORE IT BECOME HOT.
107
00:04:03,711 --> 00:04:04,945
- EXCUSE ME, I MOVED TO BROOKLYN
108
00:04:04,978 --> 00:04:06,780
BECAUSE I COULDN'T AFFORD
MANHATTAN.
109
00:04:06,814 --> 00:04:09,317
AND NOW THANKS TO ALL THESE
BEARDED CHEESE MONGERS
110
00:04:09,317 --> 00:04:11,819
AND CHICKS THAT LOOK LIKE
MACAULAY CULKIN,
111
00:04:11,852 --> 00:04:13,120
I CAN'T AFFORD BROOKLYN.
112
00:04:13,153 --> 00:04:14,855
- JEEZ, HOW DID I MISS
THE MEMO ON BROOKLYN?
113
00:04:14,888 --> 00:04:18,726
AND BY THE WAY, WHEN DID BOMBAY
BECOME MUMBAI?
114
00:04:18,759 --> 00:04:20,227
YOU KNOW YOU CAN'T CALL IT
BOMBAY ANYMORE?
115
00:04:20,328 --> 00:04:21,329
- WELL, WHO WANTS THE WORD
"BOMB"
116
00:04:21,329 --> 00:04:23,531
IN THE NAME OF THEIR CITY
ANYWAY?
117
00:04:23,564 --> 00:04:24,532
YOU KNOW WHAT, I GOT TO PEE.
118
00:04:24,565 --> 00:04:25,833
ORDER, LIKE, SIX MORE OF THESE,
119
00:04:25,866 --> 00:04:27,335
AND THEN WE'LL GO DANCING,
120
00:04:27,335 --> 00:04:28,569
AND WE'LL SPLIT THAT HIT
OF ECSTASY I'VE BEEN SAVING
121
00:04:28,602 --> 00:04:29,703
SINCE 1998.
122
00:04:29,737 --> 00:04:30,738
EXCUSE ME.
123
00:04:32,340 --> 00:04:35,142
- EXCUSE ME.
SIR.
124
00:04:35,175 --> 00:04:37,478
MR. BARTENDER.
HELLO.
125
00:04:37,511 --> 00:04:38,512
HELLO!
126
00:04:39,847 --> 00:04:41,815
REALLY?
HELLO?
127
00:04:41,849 --> 00:04:43,216
- OH.
OH, WHOA, WHOA, WHOA.
128
00:04:43,250 --> 00:04:45,085
HEY, HEY, HEY.
YOU DON'T WAVE A SHOE.
129
00:04:45,118 --> 00:04:46,820
NEVER WAVE A SHOE.
130
00:04:46,854 --> 00:04:49,390
IN THAILAND, THAT'S CONSIDERED
A CAPITAL OFFENSE.
131
00:04:50,724 --> 00:04:53,093
- NO, BUT I HAVE BEEN
TO MYANMAR.
132
00:04:53,126 --> 00:04:54,962
- WHICH USED TO BE BURMA.
- BACK IN THE DAY.
133
00:04:54,995 --> 00:04:56,364
- I KNEW THAT.
134
00:04:58,031 --> 00:04:58,999
- UH, SKINNY MARGARITA.
135
00:04:59,032 --> 00:05:00,200
SIX OF 'EM.
136
00:05:00,368 --> 00:05:02,836
TYLER, TWO SHOTS OF BOURBON.
137
00:05:02,870 --> 00:05:03,871
TRUST ME.
138
00:05:05,373 --> 00:05:07,675
UM, I'M JOSH.
139
00:05:07,708 --> 00:05:10,411
- I'M LIZA.
140
00:05:10,444 --> 00:05:12,245
SO ARE THESE FOR REAL,
141
00:05:12,279 --> 00:05:14,247
OR CAN YOU SCRUB 'EM OFF
WHENEVER YOU WANT TO?
142
00:05:14,281 --> 00:05:15,683
- SCRUB THEM OFF.
143
00:05:15,716 --> 00:05:18,085
WHY WOULD I--WHY WOULD I WANT
TO SCRUB THESE OFF?
144
00:05:18,118 --> 00:05:19,387
- MY BAD.
145
00:05:19,420 --> 00:05:20,554
YOU'LL DEFINITELY WANT TO TAKE
THAT SKULL
146
00:05:20,588 --> 00:05:22,690
WITH THE ROSE BETWEEN ITS TEETH
TO YOUR GRAVE.
147
00:05:22,723 --> 00:05:26,026
- I--IT'S WHAT I DO.
I'M A TATTOO ARTIST.
148
00:05:26,059 --> 00:05:27,194
- I'M SO SORRY.
149
00:05:27,227 --> 00:05:29,497
I DIDN'T MEAN
TO INSULT YOUR WORK.
150
00:05:29,530 --> 00:05:31,799
DO YOU HAVE YOUR OWN PARLOR?
151
00:05:33,601 --> 00:05:35,202
YOU'RE NOT REALLY FROM
AROUND HERE, ARE YOU?
152
00:05:35,235 --> 00:05:36,937
- JUST OVER THE BRIDGE.
153
00:05:36,970 --> 00:05:39,106
- YEAH.
I FIGURED.
154
00:05:39,139 --> 00:05:40,240
I HAVE MY OWN STUDIO.
155
00:05:40,273 --> 00:05:43,444
IT'S MORE OF LIKE A LOUNGE,
REALLY.
156
00:05:43,477 --> 00:05:46,747
BODY ART'S THIS REALLY
PERSONAL EXPERIENCE.
157
00:05:46,780 --> 00:05:48,516
IT'S IMPORTANT THAT EVERYBODY
FEELS COMFORTABLE.
158
00:05:48,549 --> 00:05:51,552
SO HERE'S TO BEING COMFORTABLE.
159
00:05:59,960 --> 00:06:01,895
- YOU MUST GET A LOT
OF CRAZY REQUESTS.
160
00:06:01,929 --> 00:06:03,497
- OH, YOU HAVE NO IDEA.
161
00:06:03,531 --> 00:06:07,868
LAST WEEK I TATTOOED THE INSIDES
OF LENA DUNHAM'S ASS CHEEKS.
162
00:06:07,901 --> 00:06:09,202
WHY?
163
00:06:09,236 --> 00:06:11,839
- SAID SHE WANTED TO KEEP
SOMETHING PRIVATE.
164
00:06:13,907 --> 00:06:15,142
- THAT'S FUNNY.
165
00:06:15,175 --> 00:06:17,478
SO WHAT ABOUT YOU?
HMM?
166
00:06:17,511 --> 00:06:19,279
WHAT DO YOU DO?
167
00:06:19,312 --> 00:06:21,449
- UM, I'M ACTUALLY--
I'M ACTUALLY LOOKING FOR WORK
168
00:06:21,449 --> 00:06:22,716
RIGHT NOW,
IN PUBLISHING.
169
00:06:24,151 --> 00:06:25,252
- IT COULD BE BETTER.
170
00:06:25,285 --> 00:06:26,754
I TOOK A BIT OF A SABBATICAL.
171
00:06:26,787 --> 00:06:30,458
- NICE.
DOING WHAT?
172
00:06:30,491 --> 00:06:32,493
- I...
173
00:06:32,526 --> 00:06:34,895
UM, WORKED ON A NOVEL.
174
00:06:34,928 --> 00:06:37,698
AND, UM...
175
00:06:37,731 --> 00:06:40,934
AND I DID SOME VOLUNTEER WORK
IN INDIA.
176
00:06:40,968 --> 00:06:42,836
- THAT'S AMAZING.
- I KNOW, YEAH.
177
00:06:42,870 --> 00:06:45,739
I CALL IT MY "EAT, PRAY,
ENDURE CHRONIC DIARRHEA" PERIOD.
178
00:06:47,140 --> 00:06:49,342
I'M GONNA STEAL YOUR CELL PHONE
FOR A SECOND.
179
00:06:49,376 --> 00:06:50,343
- WAIT A MINUTE.
WHY?
180
00:06:50,377 --> 00:06:52,079
- JUST RELAX, SCAREDY-CAT.
181
00:06:53,280 --> 00:06:55,649
- I'M TAKING A PICTURE
OF MY JUNK.
182
00:06:55,683 --> 00:06:57,150
NO.
183
00:06:57,184 --> 00:07:00,253
I'M ADDING MYSELF
TO YOUR CALENDAR RIGHT HERE,
184
00:07:00,287 --> 00:07:02,823
NEXT THURSDAY.
185
00:07:06,326 --> 00:07:08,395
- I DON'T KNOW.
LET ME SEE THAT JUNK SHOT FIRST.
186
00:07:08,496 --> 00:07:09,663
OH, MY GOD.
187
00:07:09,697 --> 00:07:10,931
I TOTALLY THOUGHT
THAT WAS GONNA SOUND FLIRTY,
188
00:07:10,964 --> 00:07:12,132
BUT IT CAME OUT CREEPY.
189
00:07:12,165 --> 00:07:14,001
- IT CAME OUT REALLY SEXY
IF YOU ASK ME.
190
00:07:16,937 --> 00:07:17,905
- PLEASE GIVE ME MY PHONE.
191
00:07:17,938 --> 00:07:19,507
YOU ARE WAY TOO YOUNG
FOR ME.
192
00:07:19,540 --> 00:07:21,308
- WHOA, WHOA.
I'M 26, DUDE.
193
00:07:21,341 --> 00:07:24,612
I MEAN, WE GOT TO BE
THE SAME AGE, GIVE OR TAKE.
194
00:07:24,645 --> 00:07:26,514
- MY PHONE.
195
00:07:26,514 --> 00:07:27,615
- HEY.
196
00:07:27,648 --> 00:07:29,517
- HEY, THIS IS MY GIRLFRIEND,
MAGGIE.
197
00:07:29,517 --> 00:07:31,952
MY FRIEND WHO IS A GIRL,
NAMED MAGGIE.
198
00:07:31,985 --> 00:07:33,954
AND WE NEED TO GET GOING.
YES.
199
00:07:33,987 --> 00:07:35,055
- OKAY.
200
00:07:35,088 --> 00:07:36,557
- IT WAS VERY NICE TO MEET YOU.
201
00:07:36,590 --> 00:07:38,391
- YEAH.
- DUDE.
202
00:07:49,102 --> 00:07:50,370
- OH, MY GOD.
203
00:07:50,403 --> 00:07:52,873
HE WAS HOT.
204
00:07:52,906 --> 00:07:55,142
- I KNOW,
AND I THINK HE RAPED MY PHONE.
205
00:07:55,175 --> 00:07:56,376
GET BACK IN THERE.
206
00:07:56,409 --> 00:07:58,278
- OH, NO, NO, NO.
HE THOUGHT I WAS IN MY 20s.
207
00:07:58,311 --> 00:07:59,580
- YES.
208
00:07:59,613 --> 00:08:00,981
WHAT DO THEY PUT IN THE DRINKS
IN THAT PLACE,
209
00:08:01,014 --> 00:08:02,583
AND HOW DO WE GET IT INTO
THE WATER SUPPLY?
210
00:08:02,616 --> 00:08:03,617
- YOU KNOW,
ACTUALLY THAT'S NOT
211
00:08:03,651 --> 00:08:04,752
A TOTALLY LUDICROUS
ASSUMPTION.
212
00:08:04,785 --> 00:08:06,253
- WE WERE DISCUSSING HIS JUNK,
213
00:08:06,286 --> 00:08:08,722
WHICH I BELIEVE MEANS "PENIS,"
BY THE WAY.
214
00:08:08,756 --> 00:08:10,023
- UH-HUH.
215
00:08:10,057 --> 00:08:11,191
YOU KNOW, COME OVER.
I WANT TO SHOW YOU SOMETHING.
216
00:08:11,224 --> 00:08:12,359
- I'VE SEEN YOUR WEIRD NIPPLE.
217
00:08:12,392 --> 00:08:14,361
- NO, NOT THAT.
218
00:08:16,730 --> 00:08:17,731
LOOK AT YOURSELF.
219
00:08:17,765 --> 00:08:19,299
YOU'VE GOT A GREAT FIGURE,
220
00:08:19,332 --> 00:08:20,400
GREAT HAIR,
221
00:08:20,433 --> 00:08:21,935
GREAT LEGS.
222
00:08:21,969 --> 00:08:23,671
I MEAN, THAT'S WHAT PEOPLE SEE
WHEN THEY LOOK AT YOU.
223
00:08:23,704 --> 00:08:24,905
THEY DON'T SEE A NUMBER.
224
00:08:24,938 --> 00:08:27,140
- THE BAR WAS DARK,
AND THE GUY WAS DRUNK.
225
00:08:27,174 --> 00:08:28,842
- LIZA, YOU'VE ALWAYS
LOOKED GOOD FOR YOUR AGE.
226
00:08:28,876 --> 00:08:30,778
I MEAN, YOU WERE GETTING CARDED
UNTIL YOU WERE 30.
227
00:08:30,811 --> 00:08:33,346
- I KNOW, AND MY HUSBAND STILL
LEAVES ME FOR A YOUNGER WOMAN.
228
00:08:33,380 --> 00:08:34,615
HOW'S THAT FOR IRONY?
229
00:08:34,648 --> 00:08:35,783
- WOULD YOU STOP FEELING SORRY
FOR YOURSELF
230
00:08:35,816 --> 00:08:37,117
AND LISTEN TO ME?
231
00:08:37,150 --> 00:08:39,419
WHAT, NO ONE WANTS TO HIRE
A 40
232
00:08:39,452 --> 00:08:41,021
TELL 'EM YOU'RE 26.
233
00:08:41,054 --> 00:08:43,090
NOBODY'S GONNA BELIEVE THAT.
234
00:08:43,123 --> 00:08:44,491
- PEOPLE BELIEVE
WHAT YOU TELL THEM.
235
00:08:44,592 --> 00:08:46,259
THEY BELIEVE
THE REAL HOUSEWIVES ARE REAL.
236
00:08:46,293 --> 00:08:48,862
THEY THINK THAT COCONUT WATER
IS GONNA SHRINK THEIR ASS.
237
00:08:48,896 --> 00:08:50,430
THEY'LL BELIEVE YOU'RE 26.
238
00:08:53,466 --> 00:08:55,402
- I'M GONNA NEED
SOME HIGHLIGHTS.
239
00:08:55,435 --> 00:08:58,038
- OH, GIRL, WE'RE GOING
WAY BIGGER THAN THAT.
240
00:08:59,306 --> 00:09:02,475
- * LIKE A BIRTH IN REVERSE
241
00:09:02,509 --> 00:09:05,412
* WHAT I SAW THROUGH
THE BLINDS *
242
00:09:05,445 --> 00:09:08,481
* YOU COULD SAY
THAT I'M SAYING *
243
00:09:08,515 --> 00:09:11,318
* PHENOMENAL LIES
244
00:09:11,351 --> 00:09:15,088
* ON THE COSMIC ETERNITY
PARTY LINE *
245
00:09:16,356 --> 00:09:17,457
- KATNISS EVERDEEN.
246
00:09:17,490 --> 00:09:18,626
- FAVORITE BAND.
247
00:09:18,659 --> 00:09:19,693
- ONE DIRECTION.
248
00:09:20,761 --> 00:09:22,329
- HARRY.
249
00:09:22,362 --> 00:09:23,797
- YOU'RE READY.
250
00:09:23,831 --> 00:09:24,865
*
251
00:09:24,898 --> 00:09:25,899
YES.
252
00:09:32,906 --> 00:09:36,043
*
253
00:09:37,878 --> 00:09:38,979
HMM.
254
00:09:42,883 --> 00:09:45,285
YOU'VE BEEN OUT OF SCHOOL
FOR...
255
00:09:45,318 --> 00:09:46,286
FOUR YEARS?
256
00:09:46,319 --> 00:09:47,287
- MM-HMM.
257
00:09:48,956 --> 00:09:50,958
- MOSTLY VOLUNTEER WORK
IN INDIA
258
00:09:50,991 --> 00:09:52,025
AND WORKING ON A NOVEL.
259
00:09:52,059 --> 00:09:53,560
- OH.
WELL...
260
00:09:53,661 --> 00:09:55,362
I SEE.
261
00:09:55,395 --> 00:09:57,397
AND NOW YOU'RE READY
FOR SOME REAL LIFE.
262
00:09:57,430 --> 00:09:58,932
- I'M READY FOR A JOB.
263
00:09:58,966 --> 00:10:00,600
- YES, WELL, I'M SORRY TO SAY
THERE'S NOT A LOT HERE
264
00:10:00,634 --> 00:10:02,302
THAT SUGGESTS A WORK ETHIC.
265
00:10:02,335 --> 00:10:04,237
- UH...
DARTMOUTH.
266
00:10:04,271 --> 00:10:06,273
- EVERY YOUNG PERSON
WHO APPLIES FOR THIS JOB
267
00:10:06,306 --> 00:10:09,476
IS AN IVY LEAGUE
ENGLISH MAJOR.
268
00:10:09,509 --> 00:10:11,244
CAN YOU ANSWER PHONES
FOR EIGHT HOURS AT A STRETCH
269
00:10:11,278 --> 00:10:12,813
WITHOUT TEXTING YOUR FRIENDS?
270
00:10:12,846 --> 00:10:14,414
CAN YOU MAKE STRONG COFFEE,
NEVER WEAR PERFUME,
271
00:10:14,447 --> 00:10:15,949
AND NOT ANNOY ME?
272
00:10:15,983 --> 00:10:17,584
- OKAY, COULD YOU GIVE ME
SOME GUIDELINES?
273
00:10:17,617 --> 00:10:19,753
I MEAN, REGARDING WHAT
CONSTITUTES ANNOYING BEHAVIOR?
274
00:10:19,787 --> 00:10:21,922
- THAT'S AN ANNOYING QUESTION.
- NOTED.
275
00:10:21,955 --> 00:10:23,390
- I'M NOT HERE
TO GIVE YOU GUIDELINES
276
00:10:23,423 --> 00:10:24,792
OR HOLD YOUR HAND OR,
GOD FORBID, EVER READ
277
00:10:24,825 --> 00:10:27,127
THAT NOVEL YOU'VE BEEN
WORKING ON SINCE COLLEGE.
278
00:10:27,160 --> 00:10:28,295
- I UNDERSTAND.
279
00:10:28,328 --> 00:10:29,863
I'M A VERY HARD WORKER.
280
00:10:29,897 --> 00:10:31,999
I WILL FIGURE OUT
HOW TO MAKE YOUR LIFE EASIER
281
00:10:32,032 --> 00:10:33,433
AND HOW NEVER TO ANNOY YOU.
282
00:10:34,835 --> 00:10:36,536
- TELL ME, LESLIE,
283
00:10:36,569 --> 00:10:39,807
WHAT WOULD YOU SAY MAKES YOU...
284
00:10:39,840 --> 00:10:41,141
SPECIAL?
285
00:10:44,477 --> 00:10:46,747
- I'M A GROWN-UP.
286
00:10:46,780 --> 00:10:48,716
I DON'T THINK I'M SPECIAL.
287
00:10:50,517 --> 00:10:52,385
YES.
YES.
288
00:10:52,419 --> 00:10:53,821
- HEY, IT'S MAGGIE.
LEAVE A MESSAGE.
289
00:10:53,854 --> 00:10:56,323
- MAGGIE,
YOU WON'T BELIEVE THIS.
290
00:10:56,356 --> 00:10:57,691
I GOT THE JOB.
291
00:10:57,725 --> 00:11:02,129
I AM WORKING FOR DIANA TROUT,
HEAD OF MARKETING.
292
00:11:02,162 --> 00:11:03,296
26.
293
00:11:05,966 --> 00:11:07,901
- CONGRATS.
- OH.
294
00:11:07,935 --> 00:11:09,002
THANKS.
295
00:11:09,036 --> 00:11:11,071
- OR MAYBE I SHOULD SAY,
MY CONDOLENCES.
296
00:11:11,104 --> 00:11:13,173
- OH. SORRY.
297
00:11:13,206 --> 00:11:14,574
I'M KELSEY PETERS.
298
00:11:14,607 --> 00:11:15,743
I'M AN EDITOR HERE,
299
00:11:15,743 --> 00:11:17,745
AND I SAW YOU MEETING
WITH DIANA TROUT.
300
00:11:17,778 --> 00:11:18,746
- LIZA MILLER.
301
00:11:18,779 --> 00:11:20,347
AND I'M SURE SHE'S NO PICNIC,
302
00:11:20,380 --> 00:11:22,349
BUT I'M JUST REALLY HAPPY
TO HAVE A JOB.
303
00:11:22,382 --> 00:11:23,751
- OF COURSE.
304
00:11:23,751 --> 00:11:25,385
I DIDN'T MEAN TO
IN YOUR CHEERIOS.
305
00:11:25,418 --> 00:11:27,054
- OKAY.
- IT'S A PRETTY COOL COMPANY.
306
00:11:27,087 --> 00:11:28,756
I STARTED WORKING HERE
RIGHT OUT OF COLLEGE
307
00:11:28,789 --> 00:11:30,123
AS AN ASSISTANT,
308
00:11:30,157 --> 00:11:32,192
AND I JUST MADE JUNIOR EDITOR
SIX MONTHS AGO.
309
00:11:32,225 --> 00:11:33,326
- WOW.
- YEAH.
310
00:11:33,360 --> 00:11:36,196
SO BASICALLY I WAS YOU
TWO YEARS AGO.
311
00:11:36,229 --> 00:11:38,031
- IF YOU SAY SO.
312
00:11:38,065 --> 00:11:40,533
SO WHAT'S THE PROBLEM
WITH DIANA TROUT?
313
00:11:40,567 --> 00:11:41,802
- THE PROBLEM WITH TROUT POUT
314
00:11:41,835 --> 00:11:43,871
IS THAT SHE'S 43 AND DIVORCED.
315
00:11:43,904 --> 00:11:45,605
- WOW.
TRAGIC.
316
00:11:45,638 --> 00:11:46,974
- SHE SEES GIRLS LIKE US
COME IN HERE
317
00:11:47,007 --> 00:11:48,909
WITH OUR FRESH OVARIES
AND OUR FACES PLUMPED
318
00:11:48,942 --> 00:11:50,310
WITH NATURAL ELASTICITY
319
00:11:50,343 --> 00:11:51,678
AND SHE JUST WANTS
TO DESTROY US.
320
00:11:51,779 --> 00:11:53,413
- WELL, THANKS FOR THE WARNING.
321
00:11:53,446 --> 00:11:55,816
- NO PROBLEM.
IT'S CALLED PAYING IT FORWARD.
322
00:11:55,849 --> 00:11:58,852
AS TAYLOR SWIFT SAID, THERE
IS A SPECIAL PLACE IN HELL
323
00:11:58,886 --> 00:12:01,488
FOR WOMEN
WHO DON'T HELP OTHER WOMEN.
324
00:12:01,521 --> 00:12:04,124
I'VE GOT YOUR BACK, GIRL.
325
00:12:04,157 --> 00:12:05,793
- THANKS.
326
00:12:05,793 --> 00:12:06,794
GIRL.
327
00:12:10,130 --> 00:12:12,299
- * GIRL, YOU BETTER WAKE UP
328
00:12:12,332 --> 00:12:14,601
* GIRL, YOU BETTER RUN
329
00:12:14,634 --> 00:12:16,003
* FIRST THING IN THE MORNING
330
00:12:16,036 --> 00:12:19,339
* FASTER THAN A BULLET
COMING OUT OF THAT GUN *
331
00:12:19,372 --> 00:12:21,008
* TELLS YOU THAT HE LOVES YOU
332
00:12:21,041 --> 00:12:24,244
* THEN YOU TAKE IT ALL BACK
333
00:12:24,277 --> 00:12:26,379
- I NEED YOU TO SET UP A TWITTER
ACCOUNT FOR JANE AUSTEN
334
00:12:26,413 --> 00:12:27,714
AND START WRITING HER TWEETS.
335
00:12:27,815 --> 00:12:29,649
DEAD JANE AUSTEN?
336
00:12:29,682 --> 00:12:31,351
- YES, WE'RE RELEASING
PRIDE AND PREJUDICE
337
00:12:31,384 --> 00:12:32,719
AS AN EBOOK.
338
00:12:32,820 --> 00:12:33,720
WE NEED TO MAKE SOME NOISE
IN THE TWITTERVERSE.
339
00:12:33,821 --> 00:12:35,322
- AS JANE.
340
00:12:35,355 --> 00:12:37,357
ARE YOU DEAF? IS THAT HOW
YOU GOT INTO DARTMOUTH?
341
00:12:37,390 --> 00:12:38,959
- NO, OF COURSE NOT.
342
00:12:38,992 --> 00:12:40,227
- PUT IT ON FACEBOOK
AND MATCH.COM.
343
00:12:40,260 --> 00:12:41,261
AND CHRISTIAN MINGLE.
344
00:12:45,465 --> 00:12:47,000
NOT HOT ENOUGH!
345
00:12:53,841 --> 00:12:55,642
- HEY, LADY.
HOW'S THE FIRST DAY GOING?
346
00:12:55,675 --> 00:12:57,277
- OH, IT'S GOING GREAT.
REALLY GREAT.
347
00:12:57,310 --> 00:12:58,912
HANGING IN.
- GOOD.
348
00:12:58,946 --> 00:13:00,247
YOU WANT TO COME JOIN
SOME FRIENDS AFTER WORK
349
00:13:00,280 --> 00:13:01,414
FOR KRAV MAGA?
350
00:13:01,448 --> 00:13:03,383
- SURE.
THAT SOUNDS FUN.
351
00:13:03,416 --> 00:13:05,752
REFRESH MY MEMORY.
IS THAT A BIRD OR COCKTAIL?
352
00:13:05,853 --> 00:13:07,955
YOU'RE FUNNY.
353
00:13:12,492 --> 00:13:14,327
*
354
00:13:14,361 --> 00:13:16,363
- OH, MY GOD, YOU TOTALLY
KICKED ASS IN THERE.
355
00:13:16,396 --> 00:13:17,998
- MORE LIKE I GOT MY ASS KICKED.
356
00:13:18,031 --> 00:13:19,232
- LIZA, THIS IS LAUREN.
357
00:13:19,266 --> 00:13:21,268
SHE'S A PUBLICIST
AT HECTOR AND DORF.
358
00:13:21,301 --> 00:13:22,402
- HEY, OH, I'M SO SORRY.
359
00:13:22,435 --> 00:13:24,204
I THINK I ACCIDENTALLY
PUNCHED YOU IN THE TIT.
360
00:13:24,237 --> 00:13:26,039
- OH, IT'S ALL GOOD.
- HEY, COME HAVE A DRINK.
361
00:13:26,073 --> 00:13:27,507
I WANT YOU TO MEET THAD.
362
00:13:27,540 --> 00:13:29,877
- HE'S MY BOYFRIEND.
363
00:13:29,910 --> 00:13:31,044
HE'S A HEDGE FUND GUY,
364
00:13:31,078 --> 00:13:32,079
BUT DON'T HOLD THAT AGAINST HIM.
365
00:13:32,112 --> 00:13:33,680
HE'S REALLY GREAT.
- COOL.
366
00:13:33,713 --> 00:13:35,648
OH, MY GOD.
367
00:13:36,917 --> 00:13:39,586
- THAT BUSH.
368
00:13:39,619 --> 00:13:40,888
- WOW.
369
00:13:40,888 --> 00:13:42,689
- OH, IT LOOKS LIKE
MY MOTHER'S VAGINA.
370
00:13:44,491 --> 00:13:47,194
- I, UH--I JUST CAME BACK
FROM THREE YEARS IN INDIA.
371
00:13:47,227 --> 00:13:48,929
- HEY, CAN I PUT THE BUSH
UP ON INSTAGRAM
372
00:13:48,962 --> 00:13:50,163
FOR HECTOR AND DORF?
373
00:13:50,197 --> 00:13:51,899
THEY'RE ALWAYS LOOKING
FOR INSPIRATION.
374
00:13:51,899 --> 00:13:53,901
- NO, YOU MAY NOT.
375
00:13:53,934 --> 00:13:56,036
AND FOR YOUR INFORMATION,
I CALL IT A WISCONSIN.
376
00:14:05,412 --> 00:14:07,714
- SO WHAT YEAR DID YOU SAY
YOU GRADUATED DARTMOUTH?
377
00:14:07,747 --> 00:14:10,183
- OH, THAT MUST HAVE BEEN,
GOD...
378
00:14:10,217 --> 00:14:11,584
'08.
379
00:14:11,618 --> 00:14:12,819
- OH, SO YOU MUST KNOW
CRAIG FOWLER.
380
00:14:12,920 --> 00:14:15,188
- OH, YEAH.
EVERYBODY KNOWS FOWLER.
381
00:14:15,222 --> 00:14:17,057
FOWLER LOVED THE LADIES.
382
00:14:17,090 --> 00:14:18,558
- FOWLER IS GAY.
383
00:14:18,591 --> 00:14:20,928
- RIGHT.
384
00:14:20,961 --> 00:14:22,462
HE LOVED THE LADIES AS FRIENDS,
385
00:14:22,495 --> 00:14:24,998
AND HE LOVED THE DUDES
FOR THE HOT SEX.
386
00:14:25,032 --> 00:14:27,034
- BABE, I'M EMPTY HERE.
387
00:14:27,067 --> 00:14:30,503
- OH, SORRY.
I'LL BE RIGHT BACK.
388
00:14:30,537 --> 00:14:31,704
- YEAH, HE WORKS AT OUR FIRM,
389
00:14:31,738 --> 00:14:33,540
BUT I THINK HE WAS '06,
390
00:14:33,573 --> 00:14:35,075
BUT I BET YOU GUYS KNOW
A TON OF PEOPLE IN COMMON.
391
00:14:35,108 --> 00:14:37,477
- NO, I DIDN'T HAVE MUCH
OF A SOCIAL LIFE.
392
00:14:37,510 --> 00:14:40,080
I PARTICIPATED
IN A LOT OF SIT-INS,
393
00:14:40,113 --> 00:14:42,549
SO I GOT ARRESTED,
LIKE, EVERY WEEKEND.
394
00:14:42,582 --> 00:14:44,952
- AND THEN YOU SPENT THREE YEARS
IN INDIA.
395
00:14:44,952 --> 00:14:46,519
- YEAH, ABOUT THAT.
396
00:14:46,553 --> 00:14:48,956
- WORKING FOR VARIOUS
CHARITY ORGANIZATIONS.
397
00:14:48,989 --> 00:14:50,190
- SUCH AS...
398
00:14:50,223 --> 00:14:51,358
- EXCUSE ME, IS THIS
A BACKGROUND CHECK?
399
00:14:51,391 --> 00:14:52,792
- OH, NO, NO.
I'M JUST CURIOUS.
400
00:14:52,825 --> 00:14:53,793
I THINK IT'S COOL.
401
00:14:54,827 --> 00:14:57,264
YEAH, IT WASN'T COOL, THAD.
402
00:14:57,297 --> 00:14:58,265
IT WAS A WAR ZONE.
403
00:14:58,298 --> 00:14:59,299
THAT'S WHAT REAL POVERTY IS;
404
00:14:59,332 --> 00:15:01,368
IT'S A WAR ZONE.
405
00:15:01,401 --> 00:15:03,403
WITH ALL ITS ATTENDED MISERY,
BAD HYGIENE,
406
00:15:03,436 --> 00:15:04,737
AND DEPRIVATION.
407
00:15:04,771 --> 00:15:07,975
- IS THAT WHY YOUR BUSH
TURNED GRAY?
408
00:15:07,975 --> 00:15:09,409
- YEAH.
409
00:15:09,442 --> 00:15:11,144
PARTIALLY GRAY.
410
00:15:11,178 --> 00:15:12,479
'CAUSE OF SOME OF THE THINGS
I SAW,
411
00:15:12,512 --> 00:15:15,148
AND MAYBE SOME OF THE THINGS
I SMELLED.
412
00:15:15,182 --> 00:15:16,383
YEAH, I DON'T KNOW.
413
00:15:16,416 --> 00:15:17,650
I HAVE QUITE PROCESSED IT ALL
YET.
414
00:15:17,684 --> 00:15:18,651
- WOW.
415
00:15:18,685 --> 00:15:20,653
- * SMILE FOR THE PEOPLE
416
00:15:20,687 --> 00:15:22,990
* MEETING EVERY DAY
417
00:15:22,990 --> 00:15:24,992
- LET ME ASK YOU SOMETHING,
418
00:15:24,992 --> 00:15:27,527
YOU'VE SEEN A LOT OF VAGINAS,
RIGHT?
419
00:15:27,560 --> 00:15:29,462
- HMM, I'VE SEEN MY FAIR SHARE.
420
00:15:29,496 --> 00:15:32,332
- SO...
421
00:15:32,365 --> 00:15:34,001
WHAT'S IN STYLE?
422
00:15:35,035 --> 00:15:36,603
- WELL, LAST NIGHT AT THE GYM,
423
00:15:36,636 --> 00:15:38,705
I WAS ALMOST BUSTED
WHEN I WAS CHANGING.
424
00:15:38,738 --> 00:15:41,708
APPARENTLY NOBODY UNDER 30
LOOKS A DAY OVER 12 DOWN THERE.
425
00:15:43,010 --> 00:15:44,477
I'VE GOT SOMEONE
THAT CAN HELP YOU WITH THAT.
426
00:15:44,511 --> 00:15:46,846
I KNOW THIS GIRL--WELL,
TECHNICALLY SHE'S A MAN NOW,
427
00:15:46,879 --> 00:15:47,847
BUT HE'S GREAT.
428
00:15:47,880 --> 00:15:49,449
- OH, GOD, THIS IS INSANE.
429
00:15:49,482 --> 00:15:50,817
- SO KEEP THE BUSH.
430
00:15:50,850 --> 00:15:52,252
I MEAN, I HEAR IT'S COMING BACK
IN STYLE, ANYWAYS.
431
00:15:52,285 --> 00:15:55,022
- NO, I MEAN, INSANE THINKING
I CAN GET AWAY WITH THIS.
432
00:15:55,022 --> 00:15:56,523
DO I REALLY WANT TO TRADE
433
00:15:56,556 --> 00:15:58,625
MY DIGNITY, WISDOM,
AND SELF-RESPECT
434
00:15:58,658 --> 00:16:00,760
FOR ANOTHER CHANCE AT MY 20s?
435
00:16:00,793 --> 00:16:02,629
- YES.
436
00:16:02,662 --> 00:16:03,930
YES, YOU DO.
437
00:16:20,580 --> 00:16:23,116
- JANE AUSTEN
HAS OVER 1,000 FOLLOWERS.
438
00:16:23,150 --> 00:16:24,217
HOW COOL IS THAT?
439
00:16:24,251 --> 00:16:25,652
- AM I SUPPOSED
TO CONGRATULATE YOU?
440
00:16:25,685 --> 00:16:26,653
- NO, I JUST THOUGHT--
441
00:16:26,686 --> 00:16:27,954
- JUST EXPECTED A GOLD STAR
442
00:16:28,055 --> 00:16:29,389
FOR DOING YOUR JOB.
443
00:16:29,422 --> 00:16:31,058
THAT'S THE PROBLEM
WITH YOUR GENERATION, LESLIE.
444
00:16:31,058 --> 00:16:32,492
- RIGHT.
BY THE WAY...
445
00:16:32,525 --> 00:16:35,628
I HAVE ANOTHER IDEA FOR
THE PRIDE AND PREJUDICE REISSUE.
446
00:16:35,662 --> 00:16:38,298
MAYBE WE COULD ASK A WRITER
LIKE J.K. ROWLING
447
00:16:38,331 --> 00:16:39,399
OR STEPHENIE MEYER
448
00:16:39,432 --> 00:16:40,933
TO WRITE AN INTRO.
449
00:16:40,967 --> 00:16:43,136
IT WOULD BE A REALLY GREAT
MARKETING HOOK.
450
00:16:43,170 --> 00:16:44,671
- OH, IS THAT YOUR IDEA
451
00:16:44,704 --> 00:16:46,506
OF A REALLY GREAT
MARKETING HOOK?
452
00:16:46,539 --> 00:16:47,940
POACHING A WORLD-CLASS WRITER
453
00:16:47,974 --> 00:16:49,076
FROM A RIVAL PUBLISHING HOUSE
454
00:16:49,076 --> 00:16:51,178
TO PROMOTE ONE OF OUR REISSUES?
455
00:16:51,211 --> 00:16:52,445
IT'S TIME FOR A STAFF MEETING.
456
00:16:52,479 --> 00:16:53,780
YOU SHOULD BE
FETCHING ME COFFEE.
457
00:16:53,813 --> 00:16:55,648
NOT PITCHING ME
RIDICULOUS IDEAS.
458
00:16:58,618 --> 00:17:00,120
- YOU'RE RIGHT.
SHE IS THAT BAD.
459
00:17:00,153 --> 00:17:02,322
- TOLD YOU; YOU GOT TO JUST
SUCK IT UP FOR AT LEAST A YEAR,
460
00:17:02,355 --> 00:17:05,825
AND THEN WITH MY HELP,
YOU COULD HAVE HER JOB.
461
00:17:05,858 --> 00:17:08,128
NO.
I'M JUST HAPPY TO HAVE A JOB.
462
00:17:08,161 --> 00:17:10,163
- LIZA, TROUT POUT IS 43.
463
00:17:10,197 --> 00:17:12,965
SHE SAYS SHE'S 41,
BUT, TRUST ME, I KNOW.
464
00:17:12,999 --> 00:17:14,634
SHE LIES ABOUT HER AGE.
465
00:17:14,667 --> 00:17:16,203
HOW PATHETIC IS THAT?
466
00:17:16,236 --> 00:17:18,171
- HA.
TOTES PATHETIC.
467
00:17:18,205 --> 00:17:20,540
HASHTAG PATHETIC.
468
00:17:20,573 --> 00:17:22,209
- EXACTLY.
469
00:17:22,242 --> 00:17:24,111
SHE'S HIT HER HEAD ON
THE GLASS CEILING SO MANY TIMES,
470
00:17:24,111 --> 00:17:25,345
SHE'S GOT DEMENTIA.
471
00:17:25,378 --> 00:17:26,413
- KELSEY, I DON'T UNDERSTAND.
472
00:17:26,446 --> 00:17:28,248
YOU ARE SUCH A STRONG WOMAN
AT WORK,
473
00:17:28,281 --> 00:17:29,849
BUT THEN AROUND THAD--
474
00:17:29,882 --> 00:17:31,518
WHAT ABOUT THAD?
475
00:17:31,551 --> 00:17:32,952
- I JUST DON'T LIKE THE WAY
HE TREATS YOU.
476
00:17:35,788 --> 00:17:37,924
YOU CAN'T LET MEN GET AWAY
WITH THAT.
477
00:17:37,957 --> 00:17:41,194
- GIRL, I LIKE DOING THINGS
FOR MY MAN.
478
00:17:41,228 --> 00:17:43,263
LIGHTEN UP, JUDGE JUDY.
479
00:17:46,399 --> 00:17:49,202
- AMAZON IS PROMISING US
THE HOME PAGE FOR THREE DAYS.
480
00:17:49,236 --> 00:17:51,304
WE'RE ALSO PROVIDING FREE
INTERACTIVE STUDY GUIDES
481
00:17:51,338 --> 00:17:52,572
TO EVERY HIGH SCHOOL.
482
00:17:52,605 --> 00:17:54,807
- WELL, LOVE THE ART,
483
00:17:54,841 --> 00:17:56,176
BUT WE'RE GOING TO NEED
A BETTER HOOK
484
00:17:56,209 --> 00:17:58,745
IF YOU WANT US TO MARKET THESE.
485
00:17:58,778 --> 00:18:02,815
WHAT IF WE GOT A WORLD-CLASS
AUTHOR FROM OUR OWN STABLE
486
00:18:02,849 --> 00:18:06,853
TO WRITE THE INTROS
TO THE AUSTEN BOOKS?
487
00:18:06,886 --> 00:18:09,222
- JENNIFER WEINER'S BOOK
DROPS NEXT MONTH,
488
00:18:09,256 --> 00:18:12,392
AND I HAPPEN TO KNOW
SHE LOVES AUSTEN.
489
00:18:12,425 --> 00:18:14,026
- PERFECT.
490
00:18:14,060 --> 00:18:15,495
- * ASS, TITTIES
491
00:18:15,528 --> 00:18:17,197
* ASS AND TITTIES
492
00:18:19,166 --> 00:18:20,800
- * ASS AND TITTIES
493
00:18:20,833 --> 00:18:21,868
* ASS, TITTIES
494
00:18:24,204 --> 00:18:26,173
- * ASS, ASS,
TITTIES, TITTIES *
495
00:18:26,173 --> 00:18:27,307
- GET OUT!
496
00:18:27,340 --> 00:18:30,777
- SORRY.
SORRY, SORRY, SORRY, SORRY.
497
00:18:30,810 --> 00:18:33,180
- * COME ON, HO
498
00:18:33,180 --> 00:18:34,681
- OH, MY GOD,
WHAT IS HAPPENING?
499
00:18:34,714 --> 00:18:35,882
GIVE ME THAT.
- I HAVE NO IDEA.
500
00:18:35,915 --> 00:18:38,050
SOMEBODY'S BEEN MESSING
WITH MY PHONE.
501
00:18:38,084 --> 00:18:39,186
- HMM.
502
00:18:39,186 --> 00:18:40,687
LOOKS LIKE YOU HAVE A DATE
TONIGHT
503
00:18:40,720 --> 00:18:42,922
WITH JOSH.
504
00:18:42,955 --> 00:18:45,057
AND JOSH IS CUTE.
505
00:18:45,091 --> 00:18:46,426
WHERE IS HE TAKING YOU?
506
00:18:46,459 --> 00:18:47,927
- UH, NO, I CAN'T.
507
00:18:47,960 --> 00:18:49,229
TROUT POUT HAS ME BURIED
WITH WORK.
508
00:18:51,030 --> 00:18:52,665
WE'RE ONLY IN OUR 20s ONCE.
509
00:18:52,699 --> 00:18:54,334
- I KNOW, YOU'RE RIGHT.
IT'S TRUE.
510
00:18:54,367 --> 00:18:55,735
- WELL, YOU GOT TO LIVE IT.
511
00:18:55,768 --> 00:18:57,704
BEFORE YOU KNOW IT,
YOU'RE GONNA BE IN YOUR 40s,
512
00:18:57,737 --> 00:18:59,239
LIVING IN A HOUSE IN THE SUBURBS
513
00:18:59,272 --> 00:19:02,108
WITH A HUSBAND WHO WATCHES TV
ALL NIGHT
514
00:19:02,209 --> 00:19:04,211
WHILE YOU'RE IN YOUR BATHTUB,
SPRITZING YOUR SHOWER HOSE
515
00:19:04,211 --> 00:19:05,712
ON OUR SPECIAL PLACE.
516
00:19:07,214 --> 00:19:08,481
- I THINK THEY CALL IT A WAND.
517
00:19:12,051 --> 00:19:13,353
HELP ME WITH MY MAKEUP.
518
00:19:13,386 --> 00:19:14,387
- YES.
519
00:19:20,827 --> 00:19:22,562
- * AH, OOH
520
00:19:24,864 --> 00:19:30,102
* AH, OOH,
AH, OOH *
521
00:19:30,136 --> 00:19:33,340
* I LOST EVERYTHING
522
00:19:39,479 --> 00:19:41,348
- CAITLIN, HEY.
IS EVERYTHING OKAY?
523
00:19:43,115 --> 00:19:44,451
YOU HAVEN'T CALLED IN A WEEK.
524
00:19:44,484 --> 00:19:46,619
- I WAS TRYING TO GIVE YOU
YOUR SPACE.
525
00:19:46,653 --> 00:19:48,455
- WELL, I DIDN'T MEAN FOR YOU
TO IGNORE ME.
526
00:19:48,488 --> 00:19:51,591
- I'M SORRY.
HOW'S MUMBAI?
527
00:19:51,624 --> 00:19:53,059
- I MISS HOME,
528
00:19:53,092 --> 00:19:54,461
AND I MISS YOU, MOM.
529
00:19:54,494 --> 00:19:55,728
PLEASE DON'T SELL THE HOUSE.
530
00:19:55,762 --> 00:19:57,564
- DON'T WORRY.
WE'LL FIND ANOTHER.
531
00:19:57,597 --> 00:19:58,598
- IT'S JUST ALL HITTING ME.
532
00:19:58,631 --> 00:19:59,732
YOU KNOW, YOU AND DAD,
533
00:19:59,766 --> 00:20:02,702
AND IT'S JUST SO SAD, AND...
534
00:20:02,735 --> 00:20:04,036
I HATE CURRY.
535
00:20:04,070 --> 00:20:05,738
- IT'S GONNA BE OKAY.
536
00:20:05,772 --> 00:20:07,440
I PROMISE.
537
00:20:07,474 --> 00:20:09,876
- I WANT TO COME HOME.
538
00:20:09,909 --> 00:20:12,078
- THEN COME HOME.
539
00:20:12,111 --> 00:20:13,145
COME HOME, HONEY.
540
00:20:15,382 --> 00:20:16,949
- WE'LL FIGURE IT OUT.
541
00:20:16,983 --> 00:20:18,351
I LOVE YOU, HONEY.
542
00:20:18,385 --> 00:20:19,652
I'LL CALL YOU TOMORROW, OKAY?
543
00:20:27,126 --> 00:20:28,127
- HEY!
544
00:20:28,160 --> 00:20:29,996
SCAREDY-CAT!
545
00:20:30,029 --> 00:20:31,030
WHERE YOU GOING?
546
00:20:33,833 --> 00:20:36,803
- JUST COMING TO MEET YOU.
547
00:20:38,571 --> 00:20:39,839
- * FEELING ALL RIGHT
548
00:20:42,842 --> 00:20:45,177
* I'M NOT FEELING TOO GOOD
MYSELF *
549
00:20:45,211 --> 00:20:48,448
*
550
00:20:48,481 --> 00:20:50,450
* FEELING ALL RIGHT
38130
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.