All language subtitles for The Equalizer - 01x06 - The Confirmation SAiNTS.English

FRANKIE: You wanna send
Anthony to a good school?

Who'd come around
to help? Who?

You, Frankie,
it's always you.

You were stupid, Louie,
to trust your best friend,
who is now dead.

Who controls
this end of town?

We do.

You want to make moves
around this neighborhood,
you come to me first.

I don't wanna have to do
business with this guy.

(MAN GROANS)

(TlRES SCREECHlNG)

(BABY CRYlNG)

(TlRES SCREECHlNG)

(SlNGlNG) Come, Holy Ghost

Creator blest

And in our hearts
take up your rest

Come with thy grace

BOY: Pass it on.

And heavenly aid

To fill the hearts

Which thou has made

To fill the hearts

TEACHER: All right, Ganucci,
you're out of here.

(CHlLDREN SNlGGERlNG)

Why are you always
picking on me?
I didn't...

Out, Ganucci, come on,
come on, come on.

Let's go,
I mean now.

What I don't understand,
Louie, is I know you need
the money.

I don't wanna do
nothing crooked,
Frankie.

What crooked?
You've got your
chauffeur's license?

You walk out of your
house down the block,

you jump in a rig,
you drive to the river.

Fifteen-minute trip,
1,500 bucks.

Oh, come on, Louie.

You've been doing
this nickel-and-dime job,

driving a truck
for the fruit market.

You got hurt on the job,
there's no compensation.

Huh? What?

I got to take another
physical, that's all.

That's what I'm saying.

I laid this out for you
like a silver platter.

Because we're best friends
for 20 years. What?

LOUlE: Anthony.

Ain't you supposed to be
in choir practice?

They let me out
early today.

Come on,
that's an old story.
Cut it out.

Don't you know
your father's got eyes
in the back of his head?

What is it with you, huh?
Come on, get in there.

ANTHONY: The guy hates me.
What am I supposed to...

Watch it, he hates you,
he hates you.

Go ahead, sing.

That's my godson up there.
I got to look out
for his future.

He sings like
an angel, that kid.

What you gonna do
next year?

You want to send him
to Bishop Rice?

Who's gonna pay
the tuition?

Look, Frankie,
I know you're doing
the right thing but...

It's a job.

Louie, it's all under
Vanessi's protection.
Would I lie to you?

You know you're talking
right in front of the church?

Would I lie to you?
It's a piece of cake.

Hey, look.

Dad, I don't
need one.

Come here.
Confirmation needs a new suit.
It's good luck.

Vinnie.
I don't need one.

Confirmation blue
for this guy?

No, but I got here,
I got a gray one.
It's just as nice.

You can wear this
for confirmation.

How much?

Hundred bucks.

Give him the suit.
I'll see you in a
couple of weeks, Vinnie.

Now, come on, no CODs.

Vinnie, you know me, huh?
Come on, I'm good for it.

Yeah, I know you,
I know you.
You're a deadbeat.

VlNNlE: Hey,
come on, enough!

ANTHONY:
It's not worth it.

I don't need your
stinking suit anyways.

Then take a walk,
take a walk.

I don't need
a suit, Dad.

Louie, come on,
move it.

Get in the car.

Start it up.
I'm gonna lock
the tailgate.

(GROANlNG)

I'm hit. Move it.

Purcell!

FRANKlE: You know, Louie,
I always had to
tell you what to do.

Even when we was
kids, remember?

Who'd come around
to help? Who?

You, Frankie,
it's always you.

Thickheaded you was.

(PANTlNG)

Even a job like this,
a piece of cake.

That's funny, huh?

(CHUCKLES)

Louie, I gotta lay down.

Get me to someplace.

Hey, I'm gonna come
around and get you.

Louie,

don't hold nothing
against me, huh?

Please.

What's the matter with you?
Frankie, we're friends
forever.

I'll get some
help tonight.

Gotta get rid
of this truck.

Get you out now, Frankie.

Frankie?

Frankie!

Frankie.

Frankie.

Frankie, I gotta
leave you in the weeds.

I gotta leave you
in the mud here,
Frankie.

I don't wanna
leave you here.

I don't know
what to do.

FATHER ANTONELLl:
Henrietta Fields.
Do you know the name?

Yes, musical comedy star,
wasn't she?

She was a great talent,
a great beauty.

They say she stopped
the show every night.

Now look at her.

She says she comes
here for sanctuary.

It's the only place
she feels safe.

From whom?

Her own private
nightmare creatures.

The woman is hopelessly
deluded, McCall.

She thinks she's being
followed, threatened,
plotted against.

It's all in her mind.

Well, Father Antonelli,
it is hard to be old and poor
in these streets, is it not?

Oh, yes.

Father Antonelli told me
there was a man...

He wants to kill me.
I know he's just
waiting for his chance.

He stands there
every night,

just waiting
for his chance.

Well, now, you say
that you've never
seen him...

Watch yourself there.
You ever heard him?

I feel him.
I know he's there.

Have you told
the police?

They think I'm
a crazy old fool.

They'll wait until
I'm found dead.

And then they'll say,
"She was right,
poor old woman."

And no one
will shed a tear.

I mean,
it wasn't just feeling...

I couldn't sleep.

I just... I didn't hear
breathing at all.

I had my ear to the door.

(HENRlETTA GlGGLES)

It's a scary,
scary feeling.

Mrs. Fields,

you have my number,
so when you leave this
apartment, you call me.

And then when you come back,
if you can remember,
call me, just check in.

And then if you feel
this man's presence,

call me,
and I will be here.

You believe me?

Of course I do.

I'll see you soon.
Sleep well.

LOUlE: Yeah, I'm in trouble.
MARlE: I'll call Frankie.

Don't call Frankie.

Yes, I will call him.
He'll tell us
what we need to do.

Baby, Frankie is dead.

What?

What are you gonna do?

I don't know.

(DOOR OPENlNG)

(DOOR CLOSlNG)

MARlE: Anthony,
come back here.

Ma...
Sit down.

Is this you?

That's me.

How much do you get?

How much do l...

Oh, you mean, how much
do I charge for my services?

Well, the going rate for kids.

And how much is that?

Well, for kids,

it's on the house.

Look, nobody works
for nothing, all right?

All right, all right.

I'll take half of
everything you have.

I got like
two bucks saved up.

Then I'll take $1.

Do we have a deal?

Yeah.

All right.

Who are you?
You come from
a newspaper ad,

and you ask me
to pack up,
take my son,

go someplace with you,
without telling my husband?

If you stay in this house,
you are also in danger,

and so is your son.

These men who are after
your husband
will also come after you.

How do you know this?
How do you know
that they are after him?

Ma, I saw Pop walking
with Uncle Frankie
yesterday.

Uncle Frankie
is dead now.

If I'm here
looking after you,

how can I look after
your husband?

Anthony, do you
trust this man?

(SlGHS)

We gotta trust him, Ma.

He's our only chance.

Well, here we are.

May not be a mansion,
but it has a beautiful
river view.

Mind you, you have
to climb over a lot
of broken glass.

It was designed originally
to accommodate rougher,
somewhat desperate characters.

You have a gourmet oven,

the latest in food
refrigeration.

Queen-size beds.

Oh, it's a...

A mess.

Hello, Jeff.

You know, Robert,
this one takes the cake.

This lady, Mrs. Fields,
she has made more appearances

on the police blotter
than public enemy number one.

In every week,
for the last five years,
a complaint.

Peeping Tom, and in
that kind of apartment,
that's pretty hard.

Yeah.

She has Russian spies
following her, you know?

Yeah. And the ghost
of her second husband,

he rattles the dishes
at night
so she can't sleep.

I mean, the lady
is a nut, McCall.

I give her a year,
she's in an institution.

(SlGHS)

It's another little
New York tragedy,

but this is not
police business.

No, Jeff, I think maybe
Mrs. Fields might be
telling the truth this time.

Might be.

Anyway, I would consider
it a great favor,
if every now and then,

one of your officers could
just pass by, as it were,
you know...

Oh, well, no problem.
Perhaps I can get you
something from the bar, sir?

No, no...
Anything else?

Yes, there is.

Who controls
this end of town?

We do.

Oh, yes, yes,
of course, of course.

But when you have your backs
turned, who controls it then?

You mean the wise guy.

Eddie Vanessi.

He is the boss.

Anything crooked goes down,
he knows about it.

Where do I find him?

Why would you
want to?

For a client.

Who is?

Who is a 14-year-old boy.

I see.

(lN BRlTlSH ACCENT) You know,
Commander, I do so enjoy
our little talks.

(GROANlNG)

Where are the goods?

Gentleman,
gentleman, please.

New York has such
a bad reputation
in some circles.

Let us not
add to it.

(MAN GROANS)

You are Mr. Ganucci?

How do you do, sir?
My name is Robert McCall.

Do you care to come
with me, sir?

Leave him alone.

Now!

How do you do, sir?
Hello, sir.

(GROANS)

Who are you?

A friend of your
son's, Mr. Ganucci.

Antiques.

The truck was
filled with antiques.
What do you want from me?

Why would they go to such
lengths for a small load
of antiques?

We were stealing it.

I don't know what they do
around where you are,

but this neighborhood,
when you steal,
you better be good.

You better not
be a loser.

Don't keep calling
yourself a loser, Louie.

Yeah, I let my best friend
con me into this heist.

That don't make me
a rocket scientist.

No. This means you
trusted your best friend.

Smart guys don't
trust nobody.

They keep it all
inside themselves.

Frankie was smart,
Louie.

Frankie was very,
very smart, Louie.

Now, you better start
trusting me,
just for a while,

until we get you
out of this mess.

How are you
gonna do it?

Why did you take that
load of antiques down
to a junkyard?

I guess it was because
there's a cement operation
that Vanessi owns down there.

So, Vanessi is
involved in this?

I think so, yeah.

Did he talk to
you about it?

Yeah, we had this
great big discussion.

We have lunch every day
down at the club.

You're wasting
your time, buddy.

You just don't know
how things go around here.

All right.

Perhaps Mr. Vanessi
might enlighten me.

I wouldn't butt heads
with Eddie Vanessi.

You're stepping
way up in class.

Louie is right,
Mr. McCall.

Whoa!

Are you lost,
buddy, huh?

No, no, no, I'm just
wandering around.

Well, why don't you wander
out here in the street?

There's a bus leaving
for the Statue of Liberty
in about two minutes.

(CHUCKLlNG)

I'd like to see
Mr. Vanessi.

He's not on
the tourist map.

Oh, such humor,
such finesse

from such a jerk.

Hey.

Tell Mr. Vanessi
that I would like to
sell him some antiques.

My name is Robert McCall.

Check this
guy out, Ray.

Go ahead.

(SPEAKlNG lTALlAN)

Mr. McCall.

Mr. Vanessi.

Oh, that's Big Ray.

Yes, yes, I know.

Please.

Thank you.

Very interesting
group of people.

What's the attraction?

Thank you.

I give very good advice.

Oh, good, good.

But perhaps you
could advise me.

I'm sure I can.

I'm trying to help
a friend of mine out of

a rather
ticklish situation.

Ticklish, huh?
What's his problem?

Well, he's taken something
that doesn't belong to him.

Oh, he shouldn't
have done that.

No, no, well, of course.

And he knows that now,
and he is trying
to give it back.

Now, you tell me
how I can be
of assistance.

Well, the people who

own this thing

apparently want
to kill him.

Oh, we can't
allow that.

You just tell him to return
this thing, return it to me,

and I see that it gets
to its proper owners.

Oh, that's how
it's done?

Yes, that's how
it's done.

Oh, what did you
say the name
of your friend was?

I didn't say his name,
at least I hope I didn't
say his name.

Because I didn't want
to let it slip, you see?
I want to keep it a secret.

For now.

Well, thank you very
much for your help.

I'll be in touch soon.

But did you tell me
something about antiques?

Antiques?

No, no.

What an extraordinary idea.

(SPEAKlNG lTALlAN)

(SPEAKlNG lTALlAN)

Whoa, whoa, you must have
what it takes, huh, big man?

(LAUGHlNG)

I do admire
your tailor.

You're a funny man.

Hey you, gavone.
Hey, what's going on
over here?

Tell me, what is...

Stay with him.
Breathe on him
a little.

You.

You find the goods.

I don't wanna have to do
business with this guy.

Yes, sir.

There's always time
for that kind of thing.

Come on,
let's go.

Vanessi's waiting for us.

Unfortunately, Mrs. Fields,
I can't be here as
often as I would wish.

That's all right.

I don't need any more people
in my life, Mr. McCall.

Would you like
a cup of tea?

Not just at the moment.

I would like to show you
how this works.

Now, there is a relay

attached, electronically
speaking, to a beeper.

Beeper.
That is the relay

and this is the beeper.

Now, should anyone try
to get into this apartment
without using a key,

a message will be
sent to my beeper.

(BEEPlNG)

And then I will be here
as soon as possible.

It's a fancy
burglar alarm.

Yes, yes, that's what it is.
A fancy burglar alarm,
yeah.

He'll break the door down.

No, no, he...

It's not quite as easy
as that, Mrs. Fields.
You see...

Oh, Mr. McCall.

He's a devil.
He has the power
of a devil.

But, Mrs. Fields,
there is a policeman
downstairs.

What kind of a man
would hurt an old
woman, Mr. McCall?

Only a devil.

Yes, yes, I don't quite know
how the New York police force

is trained to deal
with devils.

Four years that play ran

and he was at the stage
door every night

with the biggest
bunch of gardenias.

Now, I don't know
what he told his wife.

Look, why don't I introduce
you now to Officer Kalb?

I don't like policemen.
They think I'm a nuisance.

You see, policemen don't
understand what they don't
see or hear.

They don't know about
spirits and evil.

You know?
You do know.

Yes, yes, of course.

Oh, I'm gonna go
in now, because l...

I don't wanna leave
my treasure unguarded.

No, no, no,
you don't.

Yes, of course.

Now, you be careful,
Mrs. Fields. I'll come
and see you soon.

What're you?
Social worker?
Shrink?

No.

Get her the hell
out of here, will you?

She's making
everybody crazy.

Yes, I can
imagine that.

Is everybody nuts
on this block?

No, not everybody.

Certainly not the man
who is following me.

He is very, very sane.

Are you crazy, too?

No, I mean it.
Tall man, grey hair,
grey suit.

You wanna bet
the minute I walk away
he'll follow me?

JEFFERSON:
Do we know who he is?

OFFlCER: I think his name
is Frank Corso, Lieutenant.

Okay, I'm gonna
take a look.

All right,
take him away.

Yes, sir.

Who found his body?

We received an
anonymous phone call.

JEFFERSON: Send me
the autopsy report
right away.

(LAUGHlNG)

I can't believe it.

My whole world's been
blown apart and all you
can think about is food.

It's just on my
head so much,

I guess I wanted to
think about something
else just for a minute.

There's nothing else
to think about because
nothing else matters.

I was stupid to
listen to you, Marie.

And you...

It was stupid of me
to come here in
the first place.

Louie, just a minute,
just a minute.

You were stupid, Louie,
to trust your best friend,
who is now dead.

You were stupid to believe
that money and only money
could help your family.

In fact, you know, the only
sensible thing you've
done lately is come here.

What makes you such
an expert on me?

Well, maybe I'm an expert
on you because I know
what it feels like

to disappoint
your only son.

I know that is the worst
feeling a father can have.

I also know

when you have the edge,
which apparently you do.

What kind of edge?
I'm tied for last.

You have a lot of stuff
that certain people want.

They want it a lot.

You know where it is,
they don't know where it is.
That gives you the edge.

That means that
that is your way
of getting out.

And in order to get out,
Louie, you trust me.

Why?
Why?

You're son has
already said why.

I'm the only chance
you have.

LOUlE: Stay out of it.
I'll handle it myself.

(SlGHS)

JEFFERSON: We've got some very
nice shots of you leaving.

McCALL: I walked right
into the middle of
a stakeout, eh?

JEFFERSON: That, you did.

Combined task force
operations.

Feds, DEA, you name it,
right on down to us
lowly beat cops.

Everybody wants
a piece of Vanessi.

Now everybody wants
to talk to me.

No one recognized you but me.

And I didn't give you up.

Yet.

Thank you.
You are welcome.

Now tell me, what business
did you have with Vanessi?

Investigation on
behalf of a client.

Same one?

The 14-year-old boy.
The 14-year-old boy, yeah.

Jefferson, I never lied
to you, you know that.

Yeah, you've never told
me a hell of lot either.

No, no, no, that's because
I'm a shy, retiring sort
of fellow.

I'll tell you
one thing, Jefferson.

You give me one whole day
and I will give you Vanessi.

I will think about it.

MARlE: (SOBBlNG)
He's gone to Vanessi.
I know it.

McCALL: Don't worry,
I'll find out.

They give that weasel
the power of life and death.

Why?

Well, there is something

magical about power.

Men like Vanessi
think they can do
anything.

They become heroes.

Louie is the real hero.

He took Anthony and me
in when my husband died.

He made us feel
loved and wanted.

Made us a family.

Well, there we are.

That is the real
magic, isn't it?

Pity he doesn't
know he has it.

Louie Ganucci
is at the door.

(WHlSPERlNG)

You must be
a mind reader.

We were just
talking about you.

I'm not breaking in?
Come, Vanessi wants
to talk to you.

VANESSl: Louie.

Just the man
I want to see.
Sit down, I say.

I know you're very
busy, Mr. Vanessi.

Don't worry about it.

You want a cup of coffee?
Sal...

First of all, Louie,
you don't make a move
in this neighborhood

without talking
to somebody first.

But Frankie said that...
Frankie.

Dead men don't
talk sense, Lou.

But we wipe this away.

I get these bums
off your back, okay?

You tell me where
the goods are, go home,

case closed,
you're safe.

Easy as that?

Sure, for what?
Worthless pile of junk?

It ain't that worthless,
Mr. Vanessi.

One guy got killed
over it already.

Guys die
for a lot less.

Yeah, well,
maybe I'll just
hold on to it.

For an edge.

Oh, Louie.

VANESSl: Louie,
are you gonna tell us
where the goods are?

I'm not stupid,
I'm not telling
you nothing.

If he won't cooperate,
throw him off the roof.

We'll get it
out of the boy.

McCALL: No, you won't,
so leave him alone.

I happen to have your swag.

Don't tell him nothing.
Don't trust him.

You like getting
a beating, huh?

Shut up!

Hey, let him kill me.
I deserve to be shot
for trusting this guy.

McCALL: Louie,
don't take it
so personally.

This is business.

Absolutely right.

I have certain things
you want, if you'll kindly
let my friend go now.

I'll see about getting
them back to you.

We wouldn't want anything
to happen to your friend,
would we, Mr. McCall?

So, you give us the swag,
and we give you

your friend.

Yes, well,

I think perhaps a little
arranged swap is in order,
don't you?

You're gonna like
the way I do business.

I'll like it when
you get my goods back.

You'll get your goods,
you're gonna get a partner,
too, you understand?

You want to make moves
around this neighborhood,
you come to me first.

I'm involved with some very
powerful people myself.

Well, they'll come to see
me, too, if they're smart.

I'm partners
with everybody.

That's the way
it is down here.

So let's get
your goods back.

Hey, Mr. Vanessi, why don't
you untie me? See where we
go from here.

Shut the bum up, huh?

MAN 1: Come on,
get up, get up.

MAN 2: Get up, come on.

MAN 1: Come on,
you big shot.

MAN 2: Wise guy, huh?

LOUlE: Hey, Vanessi,
what would you be
without these goons?

Louie, shut up!
Do as you're told.

Here's what
we're gonna do.

You put the goods
in front of the truck,

we put Louie
in front of the truck,

then we exchange.

That's not practical.
Louie goes to the end
of the pier.

Now, you can
see him all the time.

There's nowhere
he can go.

You send your men
to unload the truck.

I fetch Louie,
put him in the cab,
and then we go.

Take him over there.

If he blinks his eye,
push him in the drink.

BlG RAY: Come on, move it,
move it. Move.

Now, you clear your
men away from him.

I leave one of my
men for insurance,

just in case you
get a little tricky.

From now on,
we do this my way
or there's no deal.

All right.

Take your men in.

(CLlCKS BUTTON)

MAN: Hey, open the door!
Hey!

All right, Mr. Vanessi,
I've sprung your trap
for you, as we arranged.

Vanessi, what is
going on here?

Jump, Louie!

Get them out of there.

Trust me, jump!

(GUN FlRES)

(SlRENS BLARlNG)

MAN: Here come the cops!

Move! Let's go, boss.

Vanessi, you...

(GROANS)

Get him down,
get him down.

Get down.
Get down.

McCall!

Sorry about that, Louie.

McCALL: Thank you
very much, Officers.

So,

these were the things
Louie nearly died for.

Yeah, Noble was running
the guns and Vanessi
wanted a piece of the action.

Little more greed.

Oh, come on, Jeff.

Surely handcuffs
aren't necessary.

Well, believe it or not,
Robert, we do have procedure.

There's nothing
of value here.

She's an old lady!
What does she need
money for?

She is also a poor lady.
She has nothing.

I'll kill her!

Now, stay there.

Mrs. Fields,

may I take the treasure
for a moment?
No, no.

Just for a moment.
I'll bring it straight
back, I promise you.

It'll be all right.

Thank you.

It's junk.

Just nothing but junk!

HENRlETTA:
You see, you see.

You'll have to stay
with me now.

Everybody wants my treasure.

No, no, they don't.
They don't.
They're not gonna touch it.

I promise you.
I promise you.
Nobody.

No, no, no, no, no.

(SlNGlNG) Nobody ever takes
your memories away

They stay, they stay locked
forever in your heart

Remember that one?
Do you remember?

I'm sure you sang it.
Yes, yes.

You sang it
beautifully.

(SlNGlNG) Nobody ever takes
your memories away

They stay, they stay locked
forever in your heart

(ORGAN PLAYlNG)

(CHOlR SlNGlNG)

You do realize, Louie,
you're gonna have to go
before a grand jury?

I figured.

Well, you tell the truth.
Don't be afraid,
you'll make it.

LOUlE: lt'll be okay.

You know, I kind of
feel good about life.

I think my luck
is gonna change.

Change?

I don't see how your luck
could get any better.

The kid seems
like an angel,
don't he?

Preuzeto sa www.titlovi.com