All language subtitles for Relic Hunter s02e11 The Real Thing.eng

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Relic Hunter (PAL)
211 The Real Thing

(frederick:) and cut.

That's a print.

That what you
wanted, frederick?

Yeah. Great, sean,
great.

I can give you
another if there's...

It was fine,
sean, fine.

Okay, listen, people,
I want to move in

For a close-up of
the open sarcophagus.

And I want this right.

So tech advisor here.

Tech advisor?

I cannot work like this.

(sydney:) I'm right here.

Miss fox, thanks
for showing up.

Take a look at this. Is he
holding those things right?

It has to be accurate.
Go.

Nigel.

... Having an affair
with brad pitt.

(sydney:) nigel!

Sorry, I've got
to... Bye.

Sorry, I was
just...

Check out the props.

Right. Checking
out props.

Wrapping... Is aged perfectly
and arms are crossed.

Everything is as
it should be.

The crook and flail.

Oh, the crook and
flail, yes.

(nigel:) crook and
flail.

Sydney, it can't be.

It is, nigel.

Something wrong?

The crook and flail.
They're real.

What are you
talking about?

They belonged to
amun ii.

Amun I

He's probably the most important
pharaoh of the new kingdom.

(sydney:) these are real
relics from his tomb which,

Until this moment, was thought
never to have been found.

(director:)the prop-man pulled
the crook and flail from stock.

Stock?

The prop department.

This is a big discovery, isn't it?

Huge.

What are you thinking?

Whether to let the press
have it now...

No.

I mean, I understand how
important publicity is,

But I have to figure out how
real relics got mixed up in props.

Besides, there might be
an even bigger story here.

"egyptian pharaonic crook
and flail, condition excellent,

One each, no doubles."

From the pharaoh's revenge.

Not a film buff, eh?

The pharaoh's revenge was a
classic silent film,

One of the first to
shoot on location --

In egypt.

Egypt?

Produced and directed by
sir cyril reed in 1924.

How did the props get from
egypt back to the studio?

Hold on.

After the shoot, 46 crates
left the port of alexandria.

This is strange.

All I have on record is
the receipt of 39 crates

Delivered back to the
studio.

What happened to the other 7?

I've been here a long time,
but not that long.

You mentioned the filmmaker,
sir cyril reed.

Any chance he's
still around?

He died in the 70's.

Oh. Yeah, I guess anyone associated
with the film would be dead by now.

Thank you for your help.
I'll return these later.

I think his granddaughter still
lives on the family estate.

Maybe she knows something.

(crispin:) I don't think you realize
the predicament you've put yourself in.

You're my barrister,
not my father.

And there is no
predicament.

You are facing
serious jail time

If you don't cover the margins
which are due next week.

I have a buyer for
the estate.

This place is not worth half what
you need to come up with, my dear.

You may well be
surprised.

And what does your brother
have to say about this offer?

Malcolm will do what I tell
him. As will you, crispin.

I think it's time
for you to go.

You know where the servant's
entrance is, don't you?

Malcolm? I need to see
you tomorrow.

Rearrange your schedule,
malcolm.

I'll see you tomorrow
at 10:00.

(knocking)

I've got to go.

Hi, my name is sydney fox.
Are you jacqueline reed?

I'm sorry to drop
in like this.

The gate was open.

I'd like to talk to
you about your grandfather.

Regarding what?

The making of his film,
the pharaoh's revenge.

I don't have the time.

I'm not a film buff. I'm
a professor of antiquities.

I've come across a find

That I think may somehow
involve sir cyril.

What do you mean by
"find"?

Do you have any knowledge
of the relics

Other than the crook
and flail?

Well, I've seen the
pharaoh's revenge a few times.

But that's about it.

Did your grandfather
keep any records?

I'm sorry I can't be of help.
He was a very private person.

I don't have anything.

Any luck?

Sh.

(whispering) well, I managed to
translate most of the hieroglyphs but...

Well, here, you take
a look.

(frederick:) and cut.

These look like directions
for the soul of the deceased

To find their way
to the afterlife.

Precisely. These two sceptres
don't just symbolize power.

Well, they're like a
map out of the tomb.

I think if someone followed
these directions backwards,

They might just lead to a way
in to amun ii's burial place.

Check the flights
for egypt.

I did. There's one
leaving for cairo at 9:30.

How did your
leg-work go?

We're going to have
to go to egypt.

Egypt? What about
this film?

Well, frederick, think of
all the publicity you'll get

If I actually find
amun's funeral chamber.

You just keep it under
your hat until we return.

The press will be
swarming all over you.

But what will I do about
the technical advisor?

Well, for what you need, my
assistant's more than capable.

You mean... You mean I get to stay
here and talk to pretty actresses

And you have to go on
your hands and knees

Through dirty, trap-
ridden tunnels.

Her name's claudia. She'll
be arriving in the morning.

Claudia?

Claudia, of course.

I don't know why I
didn't think of that.

This... Claudia, does
she know her stuff?

Oh, well, you
have no idea.

Checking in? Fox.
Sydney fox.

(clerk:) yes, miss fox. Yes, your
room is ready. Give me one moment.

I can't believe you stuck
frederick with claudia.

Oh, she'll be fine.
I left her my notes.

Did you remember to write
them in short sentences?

Nigel.

I don't mean to be unkind,
but this is claudia.

She's going to take one
look at frederick and go,

"oh, my god," one look at your
notes and go... Bloody hell.

(sydney:)I don't think claudia
would say "bloody hell".

No, she wouldn't.

(sydney:) great. Frederick
couldn't wait for the publicity.

We're just going to have to get
moving a little faster, that's all.

Yeah.

(nigel:) I've stored 3-d
copies of the crook and flail.

It's almost as good as
having the real thing with us.

(cell phone ringing)

Hello?

No way.

Claudia.

The director is a tyrant.

He's not that bad.
Did you get my notes?

Yeah, and they are
no help.

They're not as complicated
as they seem.

Just try reading them
slowly and maybe...

Break them up into
smaller sentences.

We're only going to be gone for
another day or two. You'll be fine.

I don't know.

Just go with your
instincts, claudia.

You've got good
instincts.

Good luck.

She'll be fine.

Didn't say anything.

(knocking)

I'll get it.

Miss sydney fox,

We have been
informed that one

Or both of you is in
possession of an artifact stolen

From the cairo museum.

That's ridiculous.

We have nothing
to hide.

Just where did this
tip come from?

You can explain this?

(nigel:) what's that?

(sydney:) that's
not ours.

No, it is not. It belongs
to the egyptian people.

(nigel:) we were
set up.

You can bet on that. Once that
story was leaked to the press,

Every relic hunter in the
world became our competition.

Wonder what the penalty is for
smuggling antiquities out of egypt.

You don't want to know.

It's not working,
frederick.

It is working fine,
sean. It's working fine.

No, I can feel
it.

Sean.

So, is it the dialogue?

It's not the dialogue.
There's just something that...

That doesn't ring true
about the scene, frederick.

Claudia!

Claudia,

You've been watching
the rehearsals?

Is there anything,

Anything in this scene
that is not

Correct?

No.

Can we shoot now?

I'm sorry, frederick, but
something is still not right.

His shirt.

What about his shirt?

We should take
it off.

Pyramid tunnels were
hot and humid and sweaty

And he would've taken
his shirt off, for sure.

Just go with me
on this one.

By the end of
the scene,

His hair should be
dripping wet.

And every curve of
his shirtless torso

Should be glistening
with sweat.

Yeah.

Yeah.

Okay, lose the shirt.

Let's go.

What are you
doing there?

You know, we really don't have
time for this sort of thing.

Sorry, but...

(nigel:) sydney, what
are you doing?

(sydney:) nigel, get
out of the car.

Now would be a good
time to leave.

We're never going to
get away with this.

The two of us stand
out like sore thumbs.

You know what?
You're right.

When you get up,
meet me in the hall.

Get up? Get up
from what?

Oh, dear.

Are you all right?

Here, let me help
you, sir.

Are you all right?
Okay?

Thank you, thank you.
Thank you.

A thousand apologies.

Would you like
water?

I very much appreciate
it.

No, no, no, no.

(sydney:) nigel.

Was that completely
necessary?

Find something in
your colour.

Find them. I don't
care what it takes.

And then I want to have
along talk with them -- alone.

... I can't see.

Nigel, where'd you
put your laptop?

Huh?

It's gone. It was here
the last time I used it.

The hard copies,
thank god.

We can still locate
the tomb.

Let's hope the competition's
not already there.

What are we going to
do with these?

Throw them over the balcony.
We'll get them later.

If you only developed as much
passion for objects with a heartbeat,

You might have emerged as
somewhat interesting, malcolm.

Do you talk to them
as you tinker?

What do you want,
jacqueline?

I've got an offer
on the estate.

Look, I told you before, I don't
want to be involved in any of this.

Yes, but you already are
involved, malcolm.

Unless, of course,

You decide to sell all your
cars and become a real mechanic.

Crispin said it wouldn't
cover the trouble you're in.

Crispin doesn't know what
he's talking about.

And crispin doesn't know
what we know.

It's not right. We shouldn't
have kept the secret.

Well, we did keep the secret and
we'll both die with that secret.

So here's the contract. I
want it signed and notarized.

You can do that on
your own, can't you?

You enjoy belittling me,
don't you?

Only because you're
so pathetic, malcolm.

Do you know what would
be a miracle, malcolm?

To witness my brother
not being a gutless wonder.

I would work up some
respect for you.

I loathe you, jacqueline.

I know. Have that contract signed
and notarized and bring it back to me.

This is it. Stop.
Stop!

(driver:) here, sir?

Thank you.

(driver:) you're
welcome, sir.

Amun was supposed to
follow the bektheb.

Well, the bektheb's a tributary
of the nile that no longer exists.

Well, this is the
dry riverbed.

Amun's spirit was to
ascend to the heavens

When he was between the
great sphinx at cheprin

And the djedefre pyramid
at abu roash.

This is definitely the
right spot.

Okay. So what's next?

This is where the
stick comes in.

According to the hieroglyphs,
when amun exited the tomb,

He'd place his staff in the
ground when ra was over his head

And ra's dark cousin would point
the way to where we are now.

Ra's dark cousin? Well,
ra is the sun god.

His dark cousin mus be...
The shadow.

It said when ra was
over his head.

Noon.

It's 4:00 now.

Amun's spirit was only to
appear on the summer solstice.

Considering what day
it is today,

When amun stuck his
staff in the ground,

His shadow would've pointed
30 degrees north of where ours

Is now in that
direction.

And if we're following it
backwards, we're headed that way.

(nigel:) well, we follow
the compass to that ridge.

(nigel:) who do you
think set us up?

Well, someone who knew exactly
who to call to get us arrested.

Rival relic hunter?

Well, with that picture
splashed all over the papers,

It didn't take long to find out
that I was consulting on the film.

And anyone that knows
me knows

That I would have headed
straight to egypt

With a clue like that.

Right there, there are
two of them.

Well, they're the only
entrances for a long way

And pretty much on the compass
course. But which one do we take?

I'm not sure yet.

It is possible for me to
calculate a more precise angle

To the exact medium between
the two monuments.

The ancient egyptians had very
sophisticated ways of judging distance.

And what with amun's
father being worshipped...

That way.

How do you know that?

I just do.

You just do?

What do you mean
you just do?

It's hardly
scientific.

(sydney:) watch your step.
These rocks are pretty loose.

Yes. God forbid I should be injured
for when they hang us back in luxor

For assaulting the
local police.

(nigel:) looks like this
tunnel goes on for a little way.

Well, I guess we made the
right choice then, huh?

Mark that one up
to instinct then.

Well, once the priest had sealed up
the main tunnels after the burial,

They must've left this
opening for the soul to escape.

Considering back then, the...
The bektheb was running freely,

It would have been good
cover against grave robbers.

Well, someone broke in here
after that river dried up

And stole that
crook and flail.

(nigel:) yeah.

Nigel, the tomb
of amun.

That door is definitely not the
work of new kingdom tomb builders.

No. I doubt they had
welding torches back then.

(sydney:) freshly broken.

Someone got here first.
Be careful.

This is where the
sarcophagus was.

They stripped it to the
walls, but left the pharaoh?

I don't think so.

(nigel:) what do
you mean?

Pharaoh's got a timex.

I wonder when the
tomb was looted.

Look at this.

(sydney:) "2 July, 1924,
s.S. Evening star. Reed."

What went on
here in 1924?

Well, 1924 was the year that sir
cyril reed shot the pharaoh's revenge.

Reed. The s.S.
Evening star.

And who was he?

(omar:) his name
was kamul nassim.

Sydney fox, you
don't disappoint.

You are as beautiful as
I have heard and as good.

Your interpretation of the
hieroglyphs was quite helpful.

Thank you for the
computer.

And you are?

Omar nassim. And to answer your
question, he was my grandfather.

Your grandfather?

The famous... Or as
others might have said,

The infamous tomb raider
of the 1920's.

I should take my
inheritance.

You see, he claimed to have
discovered the tomb of amun ii,

But no one believed him and then
he disappeared mysteriously in 1924.

Now, I know where he's been all
this time and who did this to him.

Reed.

Yes, miss fox, the director of the
pharaoh's revenge. Quite fitting.

Now, if you'll excuse me, I need to
reclaim the rest of my inheritance.

Don't make this more
painful than it has to be.

Places please, people, we are ready.

Sean, come on,
we're ready.

Hey, frederick,
what's up?

We're working on
my dialogue.

We're working on
his dialogue.

I just found out I've been
mispronouncing the pharaohs' names.

We'll only be a
few more minutes.

There's no way we're going to get a
signal for the cell phone down here.

We're too far into
the cliff.

There's nothing of
use in here.

Only this grave was built
to last forever. Come on.

Built?

What?

You said "built". Who
built this tomb?

I have no idea.

Well, it's classic
new kingdom.

There's one... One... One, two, three...

(sydney:)nigel, what is this?
I've seen this before. It's a...

It's the mark of
iknasis, the tomb builder.

Right. What was his
architectural signature?

Well... Wasn't he the guy that built
air shafts above the sarcophagus

In his burial chambers?

Air shafts.

(nigel:) air shafts were meant for
spirits to pass through, not humans.

There's something else
about the iknasis tomb.

I just can't remember
what it is.

When you figure it out,
let me know.

Okey-dokey.

Where'd you go?

Syd'?

Is everything all right?

(sydney:)it's a little tight,
with 5000 years' worth of dust.

Sydney, I remember what
it is about the tomb.

What is it?

Traps.

Traps?

He built traps into all the
entrances and exits.

What about the
air shafts?

I don't know.

This is not a good thing
to not know.

What kind of traps?

I'm not sure.

You're not sure?

It's been a long time, syd'.

I didn't spend a lot
of time on his work.

Maybe fire?

Fire?

No, wait, that was aronk.

Water maybe.

Water, like in flooding
or drowning?

Yes, yes, that's it.

No... Well, I can't be sure.

Well, unless you'd like to add starvation
to our list of possible disasters,

I think I'll keep going.

Of course. Spikes.

(rumbling)

Sydney?

Sydney.

Sydney!

(metal clinking)

Spikes.

Spikes, yeah.

(sydney:) it's all beginning
to make sense now.

It all goes back to 1924 when
pharaoh's revenge finished shooting.

Reed transported the
props back to london.

Now, I bet if I took another look
at that prop department invoice,

It would name the vessel
as the "s.S. Evening star".

Well, what are
you saying?

Well, what if gamal,
the old tomb raider,

Actually found amun's funeral
chamber like omar said,

Then approached reed with a scheme
to smuggle its contents out of egypt?

As studio props.

Well, it's a pretty clever way of
smuggling antiquities past egyptian customs.

Let me guess the ending.

Reed double-crosses
gamal

And seals him in
the tomb.

It's possible,
isn't it?

We ought to get back to
london. Give me the cell phone.

Before we make plane
reservations,

Need I remind you that we're
escapees wanted by the egyptian police

Who confiscated our
passports?

How do we get out
of the country?

(footsteps)

How did you get in here?

This is not a robbery,
miss reed.

Who are you?

My name is omar nassim.

I came all the way from
cairo regarding something

That happened years ago during the
filming of the pharaoh's revenge.

He was quite a man.
Very impressive estate,

All this priceless british
respectability.

Your gun is making
me nervous.

I know what happened
in 1924.

What are you talking
about?

(omar:) your grandfather double
- crossed and murdered mine

Over the treasure of amun ii,
a pharaoh of the new kingdom.

You can't be serious.

Very serious, miss reed.

You see, my grandfather,
gamal,

Was a tomb raider who
made a deal

With your grandfather to sneak
the antiquities out of egypt.

I'm here to discuss
our inheritance.

Why should I trust you?

I don't think you
have a choice.

Now, what happened to amun
ii's treasures, miss reed?

Maybe I should show you
what's in the basement.

Let me get the keys.

There you are. I thought
your plane got in at 8:00.

We were delayed getting
out of cairo.

How'd it go?

Well, other than being
entombed, left for dead,

And having to sneak out of the
country, everything was fine.

How's everything going
here?

Even worse. We're already
in second-meal penalty.

They're going to have
to push tomorrow's call

And it looks like sean's not even
going to get his proper turnaround.

Oh, by the way, clyde the prop
guy, he's been looking for you.

(clyde:) I got your message.

The evening star was the ship that
brought the props back to England.

According to the
bill of lading,

These were among the items that went in
the same crate as the crook and flail.

Sydney, these are
authentic as well.

So everything -- the
props from the film

As well as the contents
of amun's tomb --

Were all shipped back to
England on the evening star.

Well, what if one of those
crates of artifacts was mislabeled

And ended up at the
studio?

Instead of disappearing with the
other crates full of smuggled relics.

But where are they now?

You know, last time I was here,
something struck me as curious.

What?

Well, for a wealthy man who
was a noted egyptologist,

He had nothing from
egypt on display.

Well, he has been dead a long
time. Maybe it's all in storage.

Maybe his heirs sold it. Anyway,
why are you so suspicious?

I don't know. Something's
just not right.

(nigel:) what do you mean
something's just not right?

I have a feeling.

There's that feeling
thing again.

Doesn't look like
there's anybody home.

We're going to
have to go in.

Of course we are.

(nigel:) sydney.

You should come and
take a look at this.

The blood leads right
down the stairs.

That's odd. The victorian architecture,
it just becomes stone wall.

Anubis. Finally,
something egyptian.

(nigel:) morther of the dead and
at the end of the tunnel, it seems.

You know, we should
have found this in egypt

Where the steel door was
outside the tomb of amun ii.

Well done.

(sydney:) I can't
believe it.

We found the lost
tomb of amun ii.

But not in the valley of the
kings, in the english countryside.

Nigel, what do you say we open her
up and see how well amun's holding up?

My god.

(sydney:) sir cyril.

He gave himself a
pharaoh's burial.

He's been dead for
30 years. Look at him.

Some embalming job.

The question is where's
the real pharaoh?

(nigel:) omar must have
confronted reed's granddaughter.

So she kills him and
dumps him here.

Well, almost kills him.

I must confess I've never been
very good at finding a pulse.

So, freeze-dried cyril
in the basement,

Does he come with the
rest of the treasure?

Amazing, isn't it?

Ancient embalming techniques,

Much better than the most
sophisticated modern methods.

Fascinating.

(nigel:) you are going to
take greater care

When checking our pulses,
though, aren't you?

Yes, I am. And this time, I'm
not going to rush with you two.

I thought so.

Nigel, you remember monaco?

I hope this has a point.

Nigel.

(gunshot)

Miracles do happen,
jacqueline.

And it is notarized.

That's It. Hold it.

Jolly good.

One more.

Excellent.

Big smiles now.

There, that's it.

One more.

One more.

That's it, great.

Thank you very much.

Let me get this
straight.

We escape the egyptian
police,

We get left for dead
in a pharaoh's tomb,

We almost get shot by
some deranged woman,

And they get all
the credit?

Welcome to showbiz, nig'.

What do we get
out of this?

We get our passports back.
Come on, we better go.

(frederick:) wait.

Wait, wait, wait,
wait, wait, wait.

I got to thank
you for claudia.

Thank you so much.
She's terrific.

She really knows
her stuff.

Thanks.

Why are those extras
in the nude?

Oh, the sons of
anubis, you mean?

Thanks to claudia,
we caught it in time.

They were wearing
robes.

But the did wear
robes.

I love this job.

Come on, we're
late.

(claudia:) where you
going?

We're heading off
to the reed estate.

We have to meet the emissary
from the cairo museum.

He's cataloguing the
amun ii collection.

Have they found the
mummy of amun ii yet?

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