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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,200 --> 00:00:02,900 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:02,933 --> 00:00:04,700 I'VE SENT MICHAEL BACK. 3 00:00:04,733 --> 00:00:06,666 WHY? MICHAEL'S FATHER SHOWED UP. 4 00:00:06,700 --> 00:00:08,900 IF HE'S MADE ANY THREATS, WE CAN DO SOMETHING ABOUT IT. 5 00:00:08,933 --> 00:00:10,166 MY WIFE DOESN'T FEEL SAFE. 6 00:00:10,200 --> 00:00:11,466 I'LL TALK TO MICHAEL'S FATHER. 7 00:00:11,500 --> 00:00:13,000 WE'RE DONE. 8 00:00:13,033 --> 00:00:14,900 I'M OFF THE LIST FOR CAPTAIN'S MONEY. 9 00:00:14,933 --> 00:00:16,533 YOU'RE KIDDING. A LITTLE PAYBACK FOR THE TRIAL. 10 00:00:16,566 --> 00:00:18,533 THIS IS AS FAR AS I'LL GO ON THE JOB. 11 00:00:18,566 --> 00:00:19,700 GIVE THEM A YEAR. 12 00:00:19,733 --> 00:00:21,133 I'VE ALREADY GIVEN THEM 18. 13 00:00:21,166 --> 00:00:22,733 WHY YOU MESSING UP MICHAEL'S LIFE? 14 00:00:22,766 --> 00:00:24,533 CAN I ASK YOU THE SAME THING? 15 00:00:24,566 --> 00:00:26,566 WE'RE HELPING HIM OUT. THAT'S MESSING WITH HIM? 16 00:00:26,600 --> 00:00:29,200 I'M TALKING ABOUT YOU TRYING TO TURN HIM INTO A WHITE BOY LIKE YOURSELF. 17 00:00:29,233 --> 00:00:32,033 GO AHEAD, WHITE BOY. 18 00:00:32,066 --> 00:00:34,133 YOU GLAD ABOUT GOING TO YOUR AUNT'S? 19 00:00:34,166 --> 00:00:35,700 I DON'T REALLY KNOW HER. 20 00:00:35,733 --> 00:00:37,966 I TALKED TO HER. SHE SEEMS LIKE A NICE PERSON. 21 00:00:38,000 --> 00:00:39,833 TAMMY? HI, I'M DETECTIVE JONES. 22 00:00:39,866 --> 00:00:41,700 I CAN'T HAVE ANY PROBLEMS WITH HIS DAD. 23 00:00:41,733 --> 00:00:43,466 THAT'S MY ONLY CONDITION. 24 00:00:43,500 --> 00:00:45,300 MICHAEL'S FATHER TRIES TO CONTACT YOU FOR ANY REASON, 25 00:00:45,333 --> 00:00:46,333 CALL ME. ALL RIGHT. 26 00:00:48,200 --> 00:00:49,500 HEY. 27 00:00:49,533 --> 00:00:50,833 HEY, AUNT TAMMY. 28 00:00:50,866 --> 00:00:52,166 LOOK AT YOU, ALL GROWN UP. 29 00:00:53,866 --> 00:00:55,466 YOU READY? 30 00:00:55,500 --> 00:00:57,166 YEAH. COME ON. 31 00:01:11,166 --> 00:01:12,733 MORNING. 32 00:01:12,766 --> 00:01:14,066 Medavoy: HEY. 33 00:01:14,100 --> 00:01:16,033 D.O.A.'S A STUART STEINMAN. 34 00:01:16,066 --> 00:01:18,133 THAT'S HIS JEWELRY STORE, AND THAT'S HIS WIFE. 35 00:01:18,166 --> 00:01:19,633 Sipowicz: SHE WITH HIM? 36 00:01:19,666 --> 00:01:21,566 NO, THEY LIVE ACROSS THE STREET. 37 00:01:21,600 --> 00:01:23,966 SHE HEARD THE SHOTS, LOOKED OUT THE WINDOW, SAW HER HUSBAND. 38 00:01:24,000 --> 00:01:26,200 THE WALLET'S ON HIM AND $300 CASH. 39 00:01:26,233 --> 00:01:28,633 WAS HE CARRYING JEWELRY? WIFE SAID HE WASN'T. 40 00:01:28,666 --> 00:01:30,400 SHE SEE ANYONE LEAVING THE SCENE? 41 00:01:30,433 --> 00:01:32,333 SHE BROKE DOWN. WE WERE GIVING HER A MINUTE. 42 00:01:32,366 --> 00:01:33,833 SHE LOOKS BETTER NOW. 43 00:01:33,866 --> 00:01:35,366 WE'LL START A CANVAS. 44 00:01:38,166 --> 00:01:40,533 MRS. STEINMAN, DETECTIVES SIPOWICZ AND CLARK. 45 00:01:40,566 --> 00:01:42,333 WE'RE VERY SORRY. 46 00:01:42,366 --> 00:01:44,166 DID YOU HEAR THE SHOTS THIS MORNING? 47 00:01:44,200 --> 00:01:45,700 I WAS IN THE BEDROOM. 48 00:01:45,733 --> 00:01:47,800 I LOOKED OUT THE WINDOW AND SAW HIM LYING THERE. 49 00:01:47,833 --> 00:01:49,666 Clark: DID YOU SEE ANYONE ON THE STREET? 50 00:01:49,700 --> 00:01:51,066 I JUST SAW STUART. 51 00:01:51,100 --> 00:01:52,566 WHAT ABOUT A CAR PULLING AWAY? 52 00:01:52,600 --> 00:01:54,733 I WAS LOOKING AT MY HUSBAND. 53 00:01:54,766 --> 00:01:57,800 CAN YOU THINK OF ANYONE WHO MIGHT HAVE DONE THIS? HE WAS A DECENT MAN. 54 00:01:57,833 --> 00:01:59,500 ANYONE WHO WAS GIVING HIM TROUBLE, 55 00:01:59,533 --> 00:02:01,133 PERSONALLY OR IN HIS BUSINESS LIFE? 56 00:02:01,166 --> 00:02:02,200 MAYBE. 57 00:02:02,233 --> 00:02:03,866 WHO, MRS. STEINMAN? 58 00:02:03,900 --> 00:02:06,533 WELL, THERE'S THIS NEIGHBORHOOD GUY. 59 00:02:06,566 --> 00:02:10,033 LAST WEEK HE TOLD STUART HE SHOULD ROT IN HELL, 60 00:02:10,066 --> 00:02:11,866 AND WOULD ROT IN HELL. 61 00:02:11,900 --> 00:02:13,366 ON ACCOUNT OF WHAT? 62 00:02:13,400 --> 00:02:14,666 BEING A JEW. 63 00:02:14,700 --> 00:02:16,966 THIS GUY CALLS HIMSELF MOHAMMED SOMETHING. 64 00:02:17,000 --> 00:02:18,533 BUT HE'S WHITE ?? A CONVERT. 65 00:02:18,566 --> 00:02:20,500 NOW WHAT COULD BE MORE FOOLISH? 66 00:02:20,533 --> 00:02:22,700 DID YOUR HUSBAND AND THIS GUY EVER GET INTO FIGHTS? 67 00:02:22,733 --> 00:02:25,866 JUST A LOT OF YELLING BACK AND FORTH FROM BOTH OF THEM. 68 00:02:25,900 --> 00:02:28,366 DID YOU HEAR THAT THIS MORNING? NO. 69 00:02:28,400 --> 00:02:30,233 YOU KNOW WHERE THIS MOHAMMED LIVES? 70 00:02:30,266 --> 00:02:32,900 IT'S GOT TO BE NEARBY. 71 00:02:32,933 --> 00:02:35,466 I THINK HE GOES TO THE MOSQUE ON EIGHTH. 72 00:02:35,500 --> 00:02:36,900 [ SNIFFLING ] 73 00:02:36,933 --> 00:02:40,900 STUART JUST THOUGHT HE WAS A DUMB, CONFUSED KID. 74 00:02:40,933 --> 00:02:43,166 WELL, WE'LL LOOK INTO IT, MRS. STEINMAN. 75 00:02:43,200 --> 00:02:45,733 THEY NEED TO GET THE BLOOD OFF THE STREET. 76 00:02:45,766 --> 00:02:48,200 HE NEEDS TO BE BURIED WHOLE. 77 00:02:48,233 --> 00:02:50,000 I DON'T KNOW HOW TO DO THAT. 78 00:02:50,033 --> 00:02:51,666 WHY DON'T YOU GIVE US THE NUMBER OF YOUR RABBI? 79 00:02:51,700 --> 00:02:54,166 WE'LL SEE IT GETS TAKEN CARE OF. 80 00:02:54,200 --> 00:02:56,500 [ SIGHS ] HOLY WAR. 81 00:02:56,533 --> 00:02:58,833 YEAH, BUCKLE UP. 82 00:04:13,068 --> 00:04:14,501 HERE'S THE DEAL. 83 00:04:14,534 --> 00:04:15,901 WE GOT A D. O. A. JEWISH MALE. 84 00:04:15,934 --> 00:04:17,534 MAIN SUSPECT RIGHT NOW IS A MUSLIM 85 00:04:17,568 --> 00:04:19,334 THE D. O. A. HAD SOME RUN?INS WITH. 86 00:04:19,368 --> 00:04:21,234 JUNIOR'S TRYING TO GET AN ADDRESS ON HIM. 87 00:04:21,268 --> 00:04:23,168 HIS NAME'S KAMAL MOHAMMED, 88 00:04:23,201 --> 00:04:25,401 BUT HE'S ACTUALLY A WHITE KID FORMERLY KNOW AS TIM GARRITY. 89 00:04:25,434 --> 00:04:26,968 DETECTIVE JONES? IT'S MICHAEL. 90 00:04:27,001 --> 00:04:28,734 Ortiz: D.O.A. WAS A JEWELER, 91 00:04:28,768 --> 00:04:30,634 BUT THERE'S NO INDICATION THIS WAS A ROBBERY, 92 00:04:30,668 --> 00:04:33,001 WHICH MAKES US THINK THIS WAS A STRAIGHT BEEF. 93 00:04:33,034 --> 00:04:35,334 BIAS UNIT'S BEEN NOTIFIED IN CASE THIS SHAKES OUT AS A HATE CRIME. 94 00:04:35,368 --> 00:04:36,868 I'LL BE RIGHT THERE. 95 00:04:36,901 --> 00:04:38,834 MICHAEL'S AUNT GOT ASSAULTED AT HER APARTMENT. 96 00:04:38,868 --> 00:04:40,668 I'M GONNA HEAD OVER THERE. GO AHEAD. 97 00:04:40,701 --> 00:04:42,634 THE AUNT MICHAEL'S BEEN STAYING WITH? 98 00:04:42,668 --> 00:04:43,868 YEAH. 99 00:04:43,901 --> 00:04:45,634 I'LL COME WITH YOU. 100 00:04:45,668 --> 00:04:47,501 GOT AN ADDRESS ON THIS MOHAMMED KID. 101 00:04:47,534 --> 00:04:49,001 LET'S HIT IT. 102 00:04:59,334 --> 00:05:00,668 DETECTIVE JONES AND MEDAVOY. 103 00:05:00,701 --> 00:05:02,034 YOU'RE THE ONE KNOWS THE KID? 104 00:05:02,068 --> 00:05:03,968 YEAH. WHERE'S TAMMY? 105 00:05:04,001 --> 00:05:05,334 ON HER WAY TO BELLEVUE. 106 00:05:05,368 --> 00:05:07,134 SHE GOT KNOCKED AROUND PRETTY GOOD. 107 00:05:07,168 --> 00:05:09,401 ANYTHING ON THE PERP? NOTHING. 108 00:05:09,434 --> 00:05:11,034 HOW'D THE JOB COME IN? 109 00:05:11,068 --> 00:05:13,234 NEXT?DOOR NEIGHBOR HEARD THE COMMOTION, CALLED 911. 110 00:05:13,268 --> 00:05:14,568 THE ONE OUT IN THE HALLWAY? 111 00:05:14,601 --> 00:05:16,401 YEAH. 112 00:05:16,434 --> 00:05:18,234 YOU TAKE HER. I'LL TALK TO MICHAEL. 113 00:05:20,668 --> 00:05:21,868 YOU ALL RIGHT? 114 00:05:21,901 --> 00:05:22,868 YEAH. 115 00:05:22,901 --> 00:05:24,334 WHAT HAPPENED? 116 00:05:24,368 --> 00:05:26,901 I WAS WALKING TO CATCH THE TRAIN TO GO TO SCHOOL. 117 00:05:26,934 --> 00:05:29,068 THIS GUY JASON, WHO LIVES DOWN THE HALL, 118 00:05:29,101 --> 00:05:31,068 COMES RUNNING UP, TELLING ME AUNT TAMMY JUST GOT ATTACKED. 119 00:05:31,101 --> 00:05:32,868 SO I RUN BACK HERE, CALLED YOU. 120 00:05:32,901 --> 00:05:34,901 WHERE'S TAMMY'S OTHER KIDS? 121 00:05:34,934 --> 00:05:37,468 SCHOOL. THEY LEFT BEFORE I DID. 122 00:05:37,501 --> 00:05:39,034 SHE BEEN HAVING A PROBLEM WITH ANYBODY? 123 00:05:39,068 --> 00:05:40,301 NO. 124 00:05:40,334 --> 00:05:41,568 SHE SEEING ANYONE? 125 00:05:41,601 --> 00:05:43,368 NOT THAT I KNOW ABOUT. 126 00:05:43,401 --> 00:05:45,201 WAS YOUR DAD HERE THIS MORNING? 127 00:05:45,234 --> 00:05:46,801 NOPE. 128 00:05:46,834 --> 00:05:48,968 HAS HE BEEN HERE AT ALL SINCE YOU MOVED IN? 129 00:05:49,001 --> 00:05:51,201 NO. I TOLD YOU I'D LET YOU KNOW IF HE DID. 130 00:05:51,234 --> 00:05:53,401 'CAUSE IT SOUNDS LIKE SOMETHING HE'D DO, MICHAEL. 131 00:05:53,434 --> 00:05:54,701 I DIDN'T SEE HIM. 132 00:05:54,734 --> 00:05:56,201 I DON'T KNOW WHAT ELSE TO TELL YOU. 133 00:05:56,234 --> 00:05:57,701 IF YOU'RE LYING, 134 00:05:57,734 --> 00:05:59,701 IF YOU KNOW YOUR DAD WAS HERE, I'M DONE, MICHAEL. 135 00:05:59,734 --> 00:06:02,668 I CAN'T BE AROUND THIS ANYMORE, KNOWING HE'S HURTING PEOPLE. 136 00:06:02,701 --> 00:06:04,268 I'M TELLING YOU THE TRUTH. 137 00:06:10,668 --> 00:06:12,368 SIT DOWN, TIM. 138 00:06:14,001 --> 00:06:16,401 KAMAL, IF YOU DON'T MIND. 139 00:06:18,368 --> 00:06:19,834 YOU KNOW STUART STEINMAN? 140 00:06:19,868 --> 00:06:21,334 YES. 141 00:06:21,368 --> 00:06:22,801 WHEN DID YOU SEE HIM LAST? 142 00:06:22,834 --> 00:06:24,668 A FEW DAYS AGO. WHY? 143 00:06:24,701 --> 00:06:26,368 HE GOT ASSAULTED THIS MORNING. 144 00:06:26,401 --> 00:06:28,068 WE KNOW THAT YOU TWO LIKE TO GET INTO IT. 145 00:06:28,101 --> 00:06:30,301 JUST VERBALLY ?? DISCUSSION. 146 00:06:30,334 --> 00:06:31,334 REGARDING? 147 00:06:31,368 --> 00:06:34,134 ZIONISM, PALESTINE, ISLAM. 148 00:06:34,168 --> 00:06:35,468 HOW HOT WOULD IT GET? 149 00:06:35,501 --> 00:06:37,468 OCCASIONALLY, VOICES WERE RAISED. 150 00:06:37,501 --> 00:06:39,001 NEVER CAME TO BLOWS? 151 00:06:39,034 --> 00:06:41,801 INVITE ALL TO THE WAY OF THY LORD WITH WISDOM 152 00:06:41,834 --> 00:06:44,868 AND BEAUTIFUL PREACHING AND ARGUE WITH THEM, 153 00:06:44,901 --> 00:06:46,801 NOT ASSAULT THEM. 154 00:06:46,834 --> 00:06:47,968 IS HE ALL RIGHT? 155 00:06:48,001 --> 00:06:50,001 HE'S DEAD ?? SHOT TWICE. 156 00:06:51,501 --> 00:06:53,134 ACCOUNT FOR YOURSELF THIS MORNING. 157 00:06:53,168 --> 00:06:55,868 IS THAT AN ACCUSATION? YEAH, IT IS, TIM. 158 00:06:55,901 --> 00:06:58,234 BECAUSE I ENGAGED THE MAN IN VERBAL DISCOURSE, 159 00:06:58,268 --> 00:07:00,334 OR BECAUSE I'M A MUSLIM? 160 00:07:00,368 --> 00:07:02,734 IT'S JUST YOU IN HERE, NO OTHER "MOO?SLIMS." 161 00:07:02,768 --> 00:07:05,401 I ASK YOU NOT TO DISPARAGE THE NAME OF MY RELIGION. 162 00:07:05,434 --> 00:07:08,468 THE ONLY THING WE'RE DISPARAGING IS YOU, YOU PHONY ASSHOLE. 163 00:07:08,501 --> 00:07:09,834 WHERE WERE YOU? 164 00:07:09,868 --> 00:07:11,734 FAJR?? MORNING PRAYERS. 165 00:07:11,768 --> 00:07:13,234 WHO WILL CONFIRM IT? 166 00:07:13,268 --> 00:07:15,001 I WILL NOT GIVE YOU THE NAMES OF MY BROTHERS. 167 00:07:15,034 --> 00:07:16,834 THEN YOU'LL SIT YOUR ASS IN A CELL. 168 00:07:16,868 --> 00:07:19,401 THERE ARE OTHER MUSLIMS IMPRISONED UNJUSTLY. 169 00:07:19,434 --> 00:07:21,234 IT IS MY HONOR TO JOIN THEM. 170 00:07:22,568 --> 00:07:25,401 WHEN DID YOU CONVERT? TWO YEARS AGO. 171 00:07:25,434 --> 00:07:28,301 WHYDID YOU CONVERT? WHY ARE YOU A COP? 172 00:07:28,334 --> 00:07:31,201 TO SOLVE CRIMES LIKE THIS ONE, 173 00:07:31,234 --> 00:07:34,034 BUT UNLIKE YOU AND YOUR CONVERSION, 174 00:07:34,068 --> 00:07:36,034 I'VE BEEN AT THIS FOR OVER 30 YEARS. 175 00:07:36,068 --> 00:07:38,034 I GOT NOTHING TO PROVE TO MY PALS. 176 00:07:38,068 --> 00:07:40,334 AND IF THAT'S WHAT YOU'RE DOING HERE BY STONEWALLING US, 177 00:07:40,368 --> 00:07:42,234 KNOCK OFF THE BULLSHIT NOW. 178 00:07:42,268 --> 00:07:44,368 BECAUSE IF YOU WERE INVOLVED, WE CAN HELP YOU. 179 00:07:44,401 --> 00:07:46,801 BUT IF YOU WEREN'T, AND THIS IS A WASTE OF OUR TIME, 180 00:07:46,834 --> 00:07:48,568 I'LL RIP THAT BEARD OUT OF YOUR FACE. 181 00:07:48,601 --> 00:07:50,701 I HAVE NOTHING MORE TO SAY TO YOU. 182 00:07:55,268 --> 00:07:57,034 UNIFORM PICKED UP MICHAEL'S DAD. 183 00:07:57,068 --> 00:07:58,168 THEY'RE BRINGING HIM IN. 184 00:07:58,201 --> 00:07:59,334 ALL RIGHT. 185 00:08:01,034 --> 00:08:02,034 HOW YOU FEELING? 186 00:08:02,068 --> 00:08:03,468 [ SIGHS ] 187 00:08:03,501 --> 00:08:05,834 LIKE I'M GETTING SUCKED INTO SOMETHING 188 00:08:05,868 --> 00:08:07,234 THAT'S GONNA END UP BAD. 189 00:08:07,268 --> 00:08:09,068 FOR MICHAEL? NO, FOR ME. 190 00:08:09,101 --> 00:08:11,234 ALL I WANT IS TO SEE MICHAEL TURN OUT ALL RIGHT, 191 00:08:11,268 --> 00:08:13,168 BUT HIS DAD... 192 00:08:13,201 --> 00:08:16,468 I FEEL LIKE I'M GETTING PUSHED PAST WHAT I CAN DEAL WITH. 193 00:08:16,501 --> 00:08:19,501 YOU WANT ME TO TALK TO MICHAEL, BEING OBJECTIVE? 194 00:08:19,534 --> 00:08:21,734 NO, I DON'T WANT ANYONE TALKING TO HIM BUT ME. 195 00:08:21,768 --> 00:08:24,001 THE KID'S DOING ALL HE CAN TO HANG IN THERE AS IT IS. 196 00:08:27,601 --> 00:08:29,068 SO WHERE YOU AT? 197 00:08:29,101 --> 00:08:31,234 I BELIEVE MICHAEL. I DON'T THINK HE SAW ANYTHING. 198 00:08:31,268 --> 00:08:33,001 WHERE YOU AT WITH HIS FATHER? 199 00:08:33,034 --> 00:08:35,001 OR ARE YOU WALKING AROUND HERE WITH YOUR JAW SET 200 00:08:35,034 --> 00:08:36,468 RELATED TO SOMETHING ELSE? 201 00:08:36,501 --> 00:08:38,168 LOOK, I'M NOT GONNA LIE TO YOU. 202 00:08:38,201 --> 00:08:40,234 PART OF HIS GAME'S BEEN TRYING TO DRAW ME OUT. 203 00:08:40,268 --> 00:08:42,168 DRAW YOU INTO BEATING THE HELL OUT OF HIM, 204 00:08:42,201 --> 00:08:43,968 WHICH WOULD SOLVE ALL OF HIS PROBLEMS. 205 00:08:44,001 --> 00:08:45,734 WHICH IS WHY I HAVEN'T. 206 00:08:45,768 --> 00:08:48,501 IF HE'S TRYING TO GET TO YOU, WHY GIVE HIM WHAT HE WANTS? 207 00:08:48,534 --> 00:08:50,601 LET GREG AND RITA TAKE THE INTERVIEW. 208 00:08:54,601 --> 00:08:55,868 ALL RIGHT. 209 00:08:55,901 --> 00:08:57,668 WHAT'S UP WITH THE NEIGHBOR? 210 00:08:57,701 --> 00:08:59,368 SHE WILLING TO LOOK AT A LINEUP? 211 00:08:59,401 --> 00:09:01,234 SHE SAYS SHE DIDN'T GET A GOOD LOOK, 212 00:09:01,268 --> 00:09:03,501 AND SHE MADE IT PRETTY CLEAR SHE'S NOT GETTING INVOLVED 213 00:09:03,534 --> 00:09:05,568 PAST THE GENERAL DESCRIPTION SHE GAVE US. 214 00:09:07,001 --> 00:09:09,401 I APPRECIATE YOUR LEVELING WITH ME. 215 00:09:12,401 --> 00:09:14,834 SO HOW SHOULD WE GO AT CRAIG? ANY TIPS? 216 00:09:14,868 --> 00:09:16,401 I'VE TRIED EVERYTHING I KNOW. 217 00:09:17,868 --> 00:09:19,368 ALL RIGHT. 218 00:09:29,568 --> 00:09:32,968 SO, PHOEBE, HOW LONG HAVE YOU WORKED FOR MR. STEINMAN? 219 00:09:33,001 --> 00:09:34,168 TWO YEARS. 220 00:09:34,201 --> 00:09:35,834 DO YOU KNOW ANYTHING ABOUT HIS ARGUMENTS 221 00:09:35,868 --> 00:09:37,568 WITH A MUSLIM GUY IN THE NEIGHBORHOOD? 222 00:09:37,601 --> 00:09:39,334 THE WHITE KID? SURE. 223 00:09:39,368 --> 00:09:41,968 DID HE EVER SAY HE FELT THREATENED BY THIS WHITE KID? 224 00:09:42,001 --> 00:09:44,034 MR. STEINMAN FELT SORRY FOR HIM, 225 00:09:44,068 --> 00:09:46,668 'CAUSE HE WAS SO MISGUIDED. 226 00:09:46,701 --> 00:09:49,301 ANYBODY ELSE YOUR BOSS WAS HAVING PROBLEMS WITH? 227 00:09:49,334 --> 00:09:50,968 NO. 228 00:09:51,001 --> 00:09:53,334 I MEAN...I DON'T KNOW. 229 00:09:53,368 --> 00:09:57,568 PHOEBE, IF YOU KNOW SOMETHING, YOU NEED TO TELL ME. 230 00:09:57,601 --> 00:09:59,668 COULD IT FALL UNDER THE HEADING OF 231 00:09:59,701 --> 00:10:02,701 "YOU DIDN'T HEAR IT FROM ME," FOR VARIOUS REASONS? 232 00:10:02,734 --> 00:10:04,468 SURE. 233 00:10:04,501 --> 00:10:08,734 I OVERHEARD MR. STEINMAN HAVING AN ARGUMENT WITH D. J. DRANO. 234 00:10:10,401 --> 00:10:12,001 THE RAPPER, YOU KNOW? 235 00:10:13,334 --> 00:10:16,168 DARNELL ELLISON, REAL TOUGH GUY. 236 00:10:16,201 --> 00:10:18,301 HE'S BEEN SHOT A FEW TIMES. 237 00:10:18,334 --> 00:10:20,134 HE WAS A CLIENT OF MR. STEINMAN'S? 238 00:10:20,168 --> 00:10:22,634 AND SOME OTHER PRETTY WELL?KNOWN RAPPERS. 239 00:10:22,668 --> 00:10:25,534 THEY COMMISSIONED BIG, FLASHY PIECES ?? 240 00:10:25,568 --> 00:10:28,734 $30,000 TO $50,000 IN STONES. 241 00:10:28,768 --> 00:10:30,334 WHAT WAS THE ARGUMENT ABOUT? 242 00:10:30,368 --> 00:10:32,634 I DON'T KNOW, BECAUSE IT WAS OVER THE PHONE, 243 00:10:32,668 --> 00:10:33,868 BUT IT WAS UGLY. 244 00:10:33,901 --> 00:10:36,301 LIKE THREATENING? LIKE NASTY. 245 00:10:36,334 --> 00:10:39,301 AND, PERSONALLY, I WOULDN'T WANT TO GET ON DRANO'S BAD SIDE. 246 00:10:39,334 --> 00:10:42,134 I THINK PEOPLE WHO HAVE END UP DEAD. 247 00:10:42,168 --> 00:10:44,334 AT LEAST THAT'S WHAT HE SINGS ABOUT. 248 00:10:44,368 --> 00:10:48,401 WELL, DO YOU HAVE AN ADDRESS FOR THIS, UM, DRANO? 249 00:10:48,434 --> 00:10:51,501 I DON'T HAVE ADDRESSES FOR ANY OF THESE GUYS. 250 00:10:51,534 --> 00:10:53,468 AND THEY ONLY PAY IN CASH. 251 00:10:53,501 --> 00:10:55,301 WELL, HOW CAN WE FIND HIM? 252 00:10:55,334 --> 00:10:58,401 HE HANGS OUT AT PHAT FACTORY ON BLEEKER. 253 00:10:58,434 --> 00:11:00,868 IT'S A HIP?HOP RECORD STORE. 254 00:11:00,901 --> 00:11:03,834 HE HAD INVITED ME THERE ONCE TO HANG OUT WITH HIM. 255 00:11:03,868 --> 00:11:05,734 I MEAN, I DIDN'T GO. 256 00:11:05,768 --> 00:11:07,701 WHAT WOULD MY MOM SAY? 257 00:11:07,734 --> 00:11:09,501 PHAT FACTORY, OKAY. 258 00:11:09,534 --> 00:11:11,701 WELL, THANKS, PHOEBE. WE'LL BE IN TOUCH. 259 00:11:16,068 --> 00:11:19,968 BOSS, THE D. O. A. STEINMAN HAD A RAPPER CLIENTELE. 260 00:11:20,001 --> 00:11:22,501 HIS SALESGIRL JUST GAVE US ONE TO LOOK AT ?? D. J. DRANO. 261 00:11:22,534 --> 00:11:25,334 WHERE ARE SIPOWICZ AND CLARK? RECANVASSING. 262 00:11:25,368 --> 00:11:28,168 ALL RIGHT, GET THEM HIP TO THIS, UH, WHO? 263 00:11:28,201 --> 00:11:29,468 DRANO. 264 00:11:29,501 --> 00:11:30,801 DRANO. 265 00:11:30,834 --> 00:11:32,368 I'LL BE BACK IN AN HOUR. 266 00:11:34,868 --> 00:11:36,234 [ SIGHS ] 267 00:11:36,268 --> 00:11:38,034 WHERE YOU BEEN TODAY, CRAIG? 268 00:11:38,068 --> 00:11:39,534 LOOKING FOR WORK. 269 00:11:39,568 --> 00:11:41,068 AS A BEER TASTER? 270 00:11:42,701 --> 00:11:45,134 I'VE BEEN OUT POUNDING THE PAVEMENT FOR DAYS NOW, 271 00:11:45,168 --> 00:11:46,801 PER MY PAROLE REQUIREMENTS. 272 00:11:46,834 --> 00:11:49,701 I GOT A LOT OF DOORS SLAMMED IN MY FACE. 273 00:11:49,734 --> 00:11:52,234 FRUSTRATION GOT TO ME, AND I HAD MYSELF A DRINK OR TWO. 274 00:11:52,268 --> 00:11:53,534 THAT'S ALL. 275 00:11:53,568 --> 00:11:56,701 PISS?TEST ME IF YOU WANT. 276 00:11:56,734 --> 00:11:59,968 THAT FRUSTRATION GET YOU OVER TO MICHAEL'S AUNT'S APARTMENT THIS MORNING? 277 00:12:00,001 --> 00:12:01,301 NO, MA'AM. 278 00:12:01,334 --> 00:12:03,401 I'VE BEEN INSTRUCTED TO KEEP AWAY FROM THERE, 279 00:12:03,434 --> 00:12:05,301 AND THAT'S JUST WHAT I'VE BEEN DOING. 280 00:12:05,334 --> 00:12:07,468 WE GOT A WITNESS SAW YOU KNOCKING ON TAMMY'S DOOR. 281 00:12:07,501 --> 00:12:09,868 YOU FORGETTING I'VE BEEN IN HERE BEFORE? 282 00:12:09,901 --> 00:12:12,134 I DEALT WITH YOU PEOPLE BEFORE. 283 00:12:12,168 --> 00:12:13,901 I'VE BEEN LIED TO BEFORE. 284 00:12:13,934 --> 00:12:17,001 I.E., YOU'RE TRYING TO CALL WHAT YOU THINK IS MY BLUFF 285 00:12:17,034 --> 00:12:20,168 BY PRESENTING FACTS I KNOW AIN'T TRUE. 286 00:12:20,201 --> 00:12:21,501 WELL, I AIN'T BITING. 287 00:12:21,534 --> 00:12:23,868 NO BLUFFING THIS TIME, CRAIG. 288 00:12:23,901 --> 00:12:25,868 WE GOT A WITNESS. WE'LL PROVE YOU WERE THERE. 289 00:12:25,901 --> 00:12:27,901 OKAY, SO SAY YOU PROVE I WAS THERE. 290 00:12:27,934 --> 00:12:31,301 LET'S ASSUME THAT. DON'T MEAN I BEAT UP ON TAMMY. 291 00:12:31,334 --> 00:12:33,301 HELL, SHE'S TAKING CARE OF MY SON. 292 00:12:33,334 --> 00:12:35,701 IF ANYTHING, I REACH MY HAND OUT TO HER IN GRATITUDE. 293 00:12:35,734 --> 00:12:37,401 YOU'VE BEEN UP ALL NIGHT DRINKING. 294 00:12:37,434 --> 00:12:39,368 YOU WENT OVER THERE LOOKING FOR MICHAEL. 295 00:12:39,401 --> 00:12:41,301 TAMMY GAVE YOU SOME LIP, AND YOU SMACKED HER AROUND. 296 00:12:41,334 --> 00:12:43,234 AIN'T BITING, MA'AM. 297 00:12:45,068 --> 00:12:48,501 YOUR EX?WIFE COULDN'T TESTIFY ABOUT THE BEATING YOU GAVE HER, 298 00:12:48,534 --> 00:12:50,568 BUT THE DIFFERENCE HERE IS TAMMY LIVED. 299 00:12:50,601 --> 00:12:52,301 AND WHEN SHE GETS OUT OF SURGERY, 300 00:12:52,334 --> 00:12:54,734 AFTER THEY RECONSTRUCT HER EYE SOCKET, 301 00:12:54,768 --> 00:12:56,401 WE'RE GONNA BE THERE. 302 00:12:56,434 --> 00:12:59,234 TELL HER "GET WELL SOON" FROM ME. 303 00:13:03,901 --> 00:13:05,868 CAN I GO? 304 00:13:05,901 --> 00:13:07,234 BEAT IT. 305 00:13:11,201 --> 00:13:12,868 [ DOOR OPENS, CLOSES ] 306 00:13:17,101 --> 00:13:19,834 [ RAP MUSIC PLAYS ] 307 00:13:22,501 --> 00:13:24,301 DARNELL ELLISON. 308 00:13:24,334 --> 00:13:25,568 DRANO? 309 00:13:25,601 --> 00:13:27,468 AIN'T HERE. 310 00:13:27,501 --> 00:13:29,301 I RECOGNIZE YOU, DARNELL. COME ON. 311 00:13:29,334 --> 00:13:30,501 WHY? 312 00:13:30,534 --> 00:13:31,968 YOU KNOW A STUART STEINMAN? 313 00:13:32,001 --> 00:13:32,968 STU THE JEW... 314 00:13:33,001 --> 00:13:35,301 ...ELER? 315 00:13:35,334 --> 00:13:36,634 [ LAUGHTER ] 316 00:13:36,668 --> 00:13:38,234 WHAT ABOUT HIM? YOU HAD A BEEF WITH HIM? 317 00:13:38,268 --> 00:13:40,568 DON'T INVOLVE YOU...YET. 318 00:13:40,601 --> 00:13:42,834 WHAT'S THAT MEAN? 319 00:13:42,868 --> 00:13:45,901 NOTHING, BIG MONEY. I GOT NO BEEF WITH Y'ALL. 320 00:13:45,934 --> 00:13:47,901 BUT I GOT NO REASON TO GO IN, NEITHER. 321 00:13:47,934 --> 00:13:50,668 SO IF YOU DON'T MIND... ANOTHER TIME. 322 00:13:50,701 --> 00:13:52,668 YOU DONE FRONTING FOR YOUR BOYS HERE, DARNELL? 323 00:13:52,701 --> 00:13:54,968 OFFICER, NOW DON'T GET ALL HOT, ALL RIGHT? 324 00:13:55,001 --> 00:13:57,901 NO, IT'S DETECTIVE. NOW GET DOWN OFF THE COUNTER. 325 00:13:57,934 --> 00:13:59,401 OR WHAT? 326 00:13:59,434 --> 00:14:00,668 WE TOSS THE PLACE. 327 00:14:00,701 --> 00:14:01,701 GO AHEAD. 328 00:14:03,168 --> 00:14:05,201 YOU FIRST. 329 00:14:05,234 --> 00:14:07,001 ALL RIGHT, ALL RIGHT. 330 00:14:07,034 --> 00:14:08,834 MAYBE I GOT A FEW MINUTES. 331 00:14:08,868 --> 00:14:10,301 UH?HUH. 332 00:14:10,334 --> 00:14:11,368 LET'S GO. 333 00:14:11,401 --> 00:14:13,701 COME ON! GET OFF THAT THING! 334 00:14:17,434 --> 00:14:19,301 SO WHY "DRANO"? 335 00:14:19,334 --> 00:14:21,201 'CAUSE I GET THINGS MOVING. 336 00:14:21,234 --> 00:14:24,434 STUART STEINMAN ?? WHEN DID YOU SEE HIM LAST? 337 00:14:26,401 --> 00:14:28,401 A MONTH AGO, MAYBE MORE. 338 00:14:28,434 --> 00:14:30,401 MOSTLY WE TALK ON THE PHONE. 339 00:14:30,434 --> 00:14:33,201 WHAT WAS YOUR LAST CONVERSATION ABOUT? WHY? 340 00:14:33,234 --> 00:14:35,501 STEINMAN GOT SHOT THIS MORNING. WASN'T ME. 341 00:14:35,534 --> 00:14:37,801 ALWAYS GOT THAT "WASN'T ME" AT THE TIP OF YOUR TONGUE? 342 00:14:37,834 --> 00:14:40,234 LOTS OF FOLKS GET SHOT IN MY GAME, SON. 343 00:14:40,268 --> 00:14:42,801 I KNOW WHEN I'M THE ONE WHO DID IT ?? THIS WASN'T ME. 344 00:14:42,834 --> 00:14:45,234 AFRAID WE'RE GONNA NEED YOU TO CONVINCE US OF THAT, 345 00:14:45,268 --> 00:14:48,034 'CAUSE THE WAY WE HEAR IT, YOUR LAST CONVERSATION WITH STEINMAN 346 00:14:48,068 --> 00:14:50,201 WAS MORE OF AN ARGUMENT. WHAT ABOUT? 347 00:14:50,234 --> 00:14:52,501 BAD ROCKS ?? BEAT ROCKS. 348 00:14:52,534 --> 00:14:53,834 BAD JEWELS. 349 00:14:53,868 --> 00:14:55,034 YOU KNOW SERENITY? 350 00:14:55,068 --> 00:14:56,534 A SINGER. 351 00:14:56,568 --> 00:14:59,168 MY GIRL, WHO I WAS BANGING AROUND ON, BUT I'M PAST THAT. 352 00:14:59,201 --> 00:15:02,168 AND TO PROVE IT, I LAID ON HER AN EMERALD AND DIAMOND NECKLACE 353 00:15:02,201 --> 00:15:03,234 OF KERMIT THE FROG. 354 00:15:03,268 --> 00:15:04,834 OR I THOUGHT IT WAS, 355 00:15:04,868 --> 00:15:07,301 'CAUSE SHE HAD IT APPRAISED, AND IT WASN'T WORTH DICK. 356 00:15:07,334 --> 00:15:08,901 WHAT DID YOU PAY FOR THAT? 357 00:15:08,934 --> 00:15:10,168 60 GRAND. 358 00:15:10,201 --> 00:15:11,534 WASN'T WORTH FIVE. 359 00:15:11,568 --> 00:15:14,001 WASN'T NOTHING ABOUT IT FOR REAL. 360 00:15:14,034 --> 00:15:15,668 SO I CALLED THE JEWELER. 361 00:15:15,701 --> 00:15:18,134 SAID, "REFUND THE DOUGH, OR WE GOT SERIOUS TROUBLE." 362 00:15:18,168 --> 00:15:19,501 WHAT'D HE SAY? 363 00:15:19,534 --> 00:15:21,134 HE DIDN'T KNOW WHAT I WAS TALKING ABOUT. 364 00:15:21,168 --> 00:15:23,634 HOW DID YOU LEAVE IT? UNRESOLVED. 365 00:15:23,668 --> 00:15:26,001 YOU VISIT STEINMAN OUTSIDE HIS SHOP THIS MORNING, 366 00:15:26,034 --> 00:15:28,468 MAYBE GET THINGS MOVING ON YOUR PAYBACK? 367 00:15:28,501 --> 00:15:30,068 NO, I DID NOT. 368 00:15:30,101 --> 00:15:32,001 YOU GOT A HARD?ASS REPUTATION. 369 00:15:32,034 --> 00:15:35,034 THIS GUY MAKES YOU LOOK LIKE A CHUMP. WAS NOT ME. 370 00:15:35,068 --> 00:15:37,834 IF IT WAS, THAT'S SOMETHING YOU WANT TO GET WAY AHEAD OF. 371 00:15:37,868 --> 00:15:39,368 WAS NOT ME. 372 00:15:39,401 --> 00:15:40,668 PROVE IT. 373 00:15:45,768 --> 00:15:47,134 JULIA McCORKLE ?? 374 00:15:47,168 --> 00:15:48,634 STUY TOWN. 375 00:15:48,668 --> 00:15:51,468 I WAS THERE FROM 10:00 LAST NIGHT TO 10:00 THIS MORNING. 376 00:15:51,501 --> 00:15:54,234 CALL HER AND SEE. WE WILL. 377 00:15:54,268 --> 00:15:57,068 60 GRAND FOR A KERMIT THE FROG NECKLACE ?? 378 00:15:57,101 --> 00:15:58,734 WHAT, ARE YOU OUT OF YOUR MIND? 379 00:15:58,768 --> 00:16:01,401 DON'T ASK ME, MAN. TALK TO SERENITY. 380 00:16:01,434 --> 00:16:03,534 BUT DON'T TALK TO HER ABOUT JULIA, RIGHT? 381 00:16:12,068 --> 00:16:13,668 WHAT DID DRANO GIVE YOU? 382 00:16:13,701 --> 00:16:14,968 THE RUNAROUND. 383 00:16:15,001 --> 00:16:16,834 WE GOT TO GET THE D. O. A.'s WIFE IN HERE, 384 00:16:16,868 --> 00:16:18,668 SEE WHAT SHE KNOWS ABOUT THIS IDIOT. 385 00:16:18,701 --> 00:16:20,834 [ Sarcastic ] HE GETS THINGS MOVING. 386 00:16:20,868 --> 00:16:22,801 THAT'S WHY HE GOES BY DRANO. 387 00:16:22,834 --> 00:16:24,734 CAN WE GET THE D. O. A.'s WIFE IN HERE ALREADY? 388 00:16:27,368 --> 00:16:28,868 HEY, MICHAEL. 389 00:16:28,901 --> 00:16:31,301 HEY. IS DETECTIVE JONES HERE? 390 00:16:31,334 --> 00:16:33,234 NO, HE WENT OUT TO GET SOMETHING TO EAT. 391 00:16:33,268 --> 00:16:35,034 YOU NEED SOMETHING? 392 00:16:35,068 --> 00:16:37,501 I WAS CHECKING TO SEE IF HE HEARD ANYTHING ON MY AUNT TAMMY. 393 00:16:37,534 --> 00:16:39,368 SHE'S OUT OF SURGERY. SHE'S GONNA BE OKAY. 394 00:16:39,401 --> 00:16:41,234 WE'RE GONNA HEAD DOWN THERE SOON, 395 00:16:41,268 --> 00:16:43,134 SO WE'LL TELL HER YOU WERE ASKING ABOUT HER. 396 00:16:43,168 --> 00:16:44,634 NEED ANYTHING ELSE? 397 00:16:44,668 --> 00:16:47,301 NO, THAT'S IT. TELL HIM I'LL CHECK IN LATER. 398 00:16:47,334 --> 00:16:49,001 YEAH, I'LL DO THAT. 399 00:16:49,034 --> 00:16:50,234 HEY, MICHAEL... 400 00:16:50,268 --> 00:16:52,201 LET'S ME AND YOU GRAB A SODA. 401 00:16:52,234 --> 00:16:54,568 I GOT TO GET TO SCHOOL. ALREADY MISSED HALF A DAY. 402 00:16:54,601 --> 00:16:55,934 REAL QUICK ?? COME ON. 403 00:17:04,001 --> 00:17:05,501 ANDY. 404 00:17:11,234 --> 00:17:12,201 THIRSTY? 405 00:17:12,234 --> 00:17:13,401 I'M GOOD. 406 00:17:13,434 --> 00:17:14,701 HAVE A SEAT. 407 00:17:17,768 --> 00:17:21,334 WORD I GOT WAS YOU DIDN'T SEE YOUR DAD COME BY THIS MORNING. 408 00:17:21,368 --> 00:17:23,034 THAT'S RIGHT. 409 00:17:23,068 --> 00:17:25,734 BUT IF WE KIND OF LOOK AT THINGS HONESTLY, REALISTICALLY, 410 00:17:25,768 --> 00:17:28,034 IT WAS YOUR DAD WHO BEAT UP YOUR AUNT THIS MORNING. 411 00:17:29,601 --> 00:17:31,568 YOU SEE WHAT YOU'RE DOING RIGHT NOW, MICHAEL, 412 00:17:31,601 --> 00:17:33,034 LOOKING THE OTHER WAY? 413 00:17:33,068 --> 00:17:34,634 THAT'S STARTING TO GET PEOPLE HURT. 414 00:17:34,668 --> 00:17:37,334 I DIDN'T SEE HIM HIT AUNT TAMMY. 415 00:17:37,368 --> 00:17:39,301 BUT YOU SAW HIM HIT YOUR MOM. 416 00:17:39,334 --> 00:17:40,868 YOU SAW HIM KILL HER. 417 00:17:40,901 --> 00:17:44,234 BUT YOU KEPT QUIET, AND LOOK WHERE WE ARE NOW. 418 00:17:44,268 --> 00:17:46,368 [ SIGHS ] 419 00:17:46,401 --> 00:17:49,468 I KNOW YOU LOVE HIM, AND HE'S YOUR ONLY FAMILY, 420 00:17:49,501 --> 00:17:51,801 AND YOU DON'T WANT TO LOSE HIM, 421 00:17:51,834 --> 00:17:55,068 AND YOU HOLD ONTO THIS HOPE THAT HE'LL TURN THINGS AROUND AND BE A DECENT GUY, 422 00:17:55,101 --> 00:17:57,068 BUT THAT'S JUST NOT GONNA HAPPEN, MICHAEL. 423 00:17:57,101 --> 00:17:58,768 HE'S PROVEN THAT. 424 00:18:01,568 --> 00:18:02,968 AND NOW YOUR AUNT, 425 00:18:03,001 --> 00:18:05,001 WHO WENT OUT ON A LIMB TO HELP YOU ?? 426 00:18:05,034 --> 00:18:06,901 LOOK AT ME, MICHAEL. 427 00:18:08,034 --> 00:18:11,868 SHE'S IN THE HOSPITAL WITH HER FACE SMASHED IN. 428 00:18:11,901 --> 00:18:14,368 YOUR DAD HURTS PEOPLE. 429 00:18:14,401 --> 00:18:17,468 THAT'S JUST THE WAY HIS BRAIN'S WIRED. 430 00:18:17,501 --> 00:18:19,134 AND HE'S GONNA KEEP ON DOING IT. 431 00:18:19,168 --> 00:18:21,701 SO YOU NEED TO STEP UP, BE A MAN, 432 00:18:21,734 --> 00:18:25,001 AND PROTECT THE OTHER PEOPLE IN YOUR LIFE RIGHT NOW, 433 00:18:25,034 --> 00:18:27,234 OR THIS IS GONNA BE ON YOU. 434 00:18:31,868 --> 00:18:33,868 YOU NEED TO GET TO SCHOOL, MICHAEL. 435 00:18:44,668 --> 00:18:46,068 HE'S GETTING THERE. 436 00:18:46,101 --> 00:18:47,801 I DON'T WANT YOU TALKING TO HIM. WE CLEAR? 437 00:18:47,834 --> 00:18:50,034 WHAT'S THE WORST THAT COULD HAPPEN, BALDWIN? 438 00:18:50,068 --> 00:18:52,334 HE'D TELL THE TRUTH, AND HIS DAD WOULD GO TO PRISON FOR MURDER? 439 00:18:52,368 --> 00:18:54,468 IS THERE SOME REASON YOU'RE OPPOSED TO THAT? 440 00:18:54,501 --> 00:18:56,234 WHEN HE'S READY TO TALK ABOUT IT, FINE. 441 00:18:56,268 --> 00:18:58,034 AND I DON'T KNOW IF HE EVER WILL BE. 442 00:18:58,068 --> 00:18:59,801 BUT IF WE FORCE HIM TO FLIP ON HIS DAD, 443 00:18:59,834 --> 00:19:01,134 HE MIGHT LOSE IT ALTOGETHER. 444 00:19:01,168 --> 00:19:02,901 NOW THAT'S THE WAY IT IS. 445 00:19:02,934 --> 00:19:05,034 HIS DAD IS GONNA KILL SOMEBODY AGAIN... 446 00:19:05,068 --> 00:19:06,634 MAYBE YOU. 447 00:19:06,668 --> 00:19:08,001 I'M HANDLING THIS. 448 00:19:08,034 --> 00:19:09,068 BUT YOU'RE NOT. 449 00:19:09,101 --> 00:19:12,001 DON'T TALK TO MICHAEL AGAIN. 450 00:19:12,034 --> 00:19:14,468 PUT YOUR HAND DOWN, BALDWIN. 451 00:19:14,501 --> 00:19:16,201 IF YOU DO, 452 00:19:16,234 --> 00:19:18,701 YOU'LL SEE A SIDE OF ME YOU'VE NEVER SEEN BEFORE. 453 00:19:18,734 --> 00:19:20,401 PUT YOUR HAND DOWN. 454 00:19:40,434 --> 00:19:43,234 I APPRECIATE YOU COMING IN, MRS. STEINMAN. 455 00:19:43,268 --> 00:19:45,234 WE JUST GOT A COUPLE QUESTIONS. 456 00:19:48,334 --> 00:19:51,801 DID YOUR HUSBAND EVER MENTION A CLIENT NAMED DARNELL ELLISON? 457 00:19:51,834 --> 00:19:53,968 NO. 458 00:19:54,001 --> 00:19:56,334 ELLISON'S ALSO KNOWN AS "DRANO." 459 00:19:56,368 --> 00:19:58,068 HAVE YOU HEARD THAT NAME? 460 00:19:58,101 --> 00:20:00,201 IS HE ONE OF THE MUSICIANS? 461 00:20:00,234 --> 00:20:02,534 DID YOUR HUSBAND MENTION HAVING A PROBLEM WITH HIM? 462 00:20:02,568 --> 00:20:04,201 NO. 463 00:20:04,234 --> 00:20:07,234 DID YOUR HUSBAND EVER TALK ABOUT HAVING AN ISSUE WITH QUALITY CONTROL, 464 00:20:07,268 --> 00:20:08,834 AS FAR AS STONES HE SOLD? 465 00:20:08,868 --> 00:20:11,134 WHAT'S THIS DRANO SAYING, THAT HE GOT FAKES? 466 00:20:11,168 --> 00:20:12,468 PRETTY MUCH. 467 00:20:12,501 --> 00:20:13,868 SEE? 468 00:20:13,901 --> 00:20:16,501 I TOLD STUART THE LAST TIME NOT TO DEAL WITH THESE PEOPLE. 469 00:20:16,534 --> 00:20:18,301 WHAT HAPPENED LAST TIME? SAME THING ?? 470 00:20:18,334 --> 00:20:20,868 SOME RAPPER SAID HE GOT FAKE STONES. 471 00:20:20,901 --> 00:20:22,001 HE MADE THREATS. 472 00:20:22,034 --> 00:20:24,168 HE SLASHED STUART'S TIRES. 473 00:20:24,201 --> 00:20:25,701 WHAT WAS THE RAPPER'S NAME? 474 00:20:25,734 --> 00:20:27,501 KING SOMETHING ?? 475 00:20:27,534 --> 00:20:29,368 STEVE OR LARRY, MAYBE. 476 00:20:29,401 --> 00:20:31,668 PAUL ?? KING PAUL. 477 00:20:31,701 --> 00:20:32,734 THAT'S IT. 478 00:20:33,701 --> 00:20:36,034 [ CLEARS THROAT ] WHEN WAS THIS? 479 00:20:36,068 --> 00:20:37,468 LAST YEAR. 480 00:20:37,501 --> 00:20:38,501 WAS IT RESOLVED? 481 00:20:40,168 --> 00:20:42,801 STUART REPLACED THE PIECE ?? 482 00:20:42,834 --> 00:20:45,468 $20,000 OUT OF POCKET. 483 00:20:45,501 --> 00:20:46,734 IT NEARLY BROKE US. 484 00:20:46,768 --> 00:20:48,068 WHAT WAS THE PIECE? 485 00:20:48,101 --> 00:20:50,668 RUBY?ENCRUSTED SUPERMAN SYMBOL. 486 00:20:50,701 --> 00:20:53,401 IF IT WAS A SHAKEDOWN, WHY DIDN'T YOUR HUSBAND CALL THE POLICE? 487 00:20:53,434 --> 00:20:56,901 WELL, THIS KING PAUL BROUGHT THE PIECE IN TO PROVE HIS POINT. 488 00:20:56,934 --> 00:21:00,501 BUT WHAT HE BROUGHT IN WAS A KNOCKOFF OF WHAT STUART MADE. 489 00:21:00,534 --> 00:21:02,901 SO YOU'RE SAYING THIS "KING PAUL" 490 00:21:02,934 --> 00:21:05,901 WENT TO THE TROUBLE OF HAVING HIS SUPERMAN SYMBOL COPIED 491 00:21:05,934 --> 00:21:07,968 SO HE COULD RIP YOUR HUSBAND OFF? 492 00:21:08,001 --> 00:21:11,401 I DON'T KNOW, BUT HE DIDN'T GET THE FAKE FROM STUART. 493 00:21:11,434 --> 00:21:14,168 MRS. STEINMAN, WE WANT TO CATCH THE GUY WHO DID THIS, 494 00:21:14,201 --> 00:21:16,168 BUT IF YOU'RE HOLDING BACK SOMETHING 495 00:21:16,201 --> 00:21:18,368 ABOUT YOUR HUSBAND'S BUSINESS PRACTICES, 496 00:21:18,401 --> 00:21:19,901 HOWEVER EMBARRASSING ?? 497 00:21:19,934 --> 00:21:22,501 STUART NEVER SOLD ANYTHING FAKE IN HIS LIFE! 498 00:21:22,534 --> 00:21:26,201 HE WAS AN HONEST MAN WHO BUILT HIMSELF UP FROM THE GROUND. 499 00:21:26,234 --> 00:21:27,734 OKAY. 500 00:21:27,768 --> 00:21:30,201 [ Voice breaking ] HE WAS AN HONEST, DECENT MAN... 501 00:21:31,834 --> 00:21:33,701 AND A GOOD HUSBAND. 502 00:21:35,501 --> 00:21:37,401 MAY I LEAVE NOW? 503 00:21:47,234 --> 00:21:49,201 HEY, TAMMY. 504 00:21:49,234 --> 00:21:51,168 WHAT DO YOU WANT? 505 00:21:51,201 --> 00:21:53,501 WE WANT TO FIND OUT WHO DID THIS TO YOU. 506 00:21:53,534 --> 00:21:54,868 I NEVER SEEN HIM BEFORE. 507 00:21:54,901 --> 00:21:56,668 HOW DID HE GET INTO YOUR APARTMENT? 508 00:21:56,701 --> 00:21:58,834 PUSHED HIS WAY IN WHEN I WAS HEADING OUT. 509 00:21:58,868 --> 00:22:00,068 WHAT'D HE LOOK LIKE? 510 00:22:00,101 --> 00:22:01,701 BLACK AND IN HIS 20s. 511 00:22:01,734 --> 00:22:03,468 I DIDN'T SEE MUCH. 512 00:22:03,501 --> 00:22:05,334 WAS IT CRAIG? 513 00:22:05,368 --> 00:22:07,634 I'D HAVE SAID SO IF IT WAS. 514 00:22:07,668 --> 00:22:09,168 THIS PUTS HIM AWAY, TAMMY. 515 00:22:09,201 --> 00:22:11,301 I DIDN'T WANT NOTHING TO DO WITH CRAIG. 516 00:22:11,334 --> 00:22:14,134 I TOLD YOU THAT FROM THE GET?GO, WHEN I AGREED TO TAKE MICHAEL. 517 00:22:14,168 --> 00:22:15,334 REMEMBER? 518 00:22:15,368 --> 00:22:17,134 I REMEMBER. 519 00:22:17,168 --> 00:22:19,134 AND YOU SAID YOU'D TAKE CARE OF IT. 520 00:22:19,168 --> 00:22:21,068 AND I'VE BEEN TRYING, BELIEVE ME. 521 00:22:21,101 --> 00:22:23,168 BUT I CAN'T WATCH WHAT HE DOES EVERY MINUTE OF THE DAY. 522 00:22:23,201 --> 00:22:25,634 I JUST WANT TO GET SOME SLEEP HERE. 523 00:22:25,668 --> 00:22:28,068 IF CRAIG DID THIS TO YOU, HE GOES AWAY TO PRISON, 524 00:22:28,101 --> 00:22:30,168 AND HE CAN'T HURT ANYBODY ELSE. 525 00:22:30,201 --> 00:22:33,168 AND YOU KNOW WHAT'S FUNNY ABOUT THAT? 526 00:22:33,201 --> 00:22:35,468 THAT'S WHAT THEY TOLD MY SISTER 527 00:22:35,501 --> 00:22:37,368 WHEN CRAIG PUT HER IN THE HOSPITAL. 528 00:22:37,401 --> 00:22:39,734 SO SHE TESTIFIED AGAINST HIM. 529 00:22:39,768 --> 00:22:41,868 CRAIG GETS OUT A COUPLE YEARS LATER. 530 00:22:41,901 --> 00:22:43,968 DENISE IS DEAD. 531 00:22:44,001 --> 00:22:45,801 THIS WOULD BE A THIRD STRIKE AGAINST HIM. 532 00:22:45,834 --> 00:22:48,368 You can save all that. 533 00:22:48,401 --> 00:22:50,234 I DON'T BELIEVE YOU. 534 00:22:50,268 --> 00:22:52,301 I DON'T BELIEVE YOUR LEGAL SYSTEM. 535 00:22:52,334 --> 00:22:54,534 I DON'T BELIEVE NOTHING! 536 00:22:55,834 --> 00:22:58,168 I DON'T KNOW WHO HIT ME. NOW LEAVE ME ALONE. 537 00:23:02,434 --> 00:23:04,068 ALL RIGHT, THEN. 538 00:23:07,601 --> 00:23:10,568 AND MICHAEL'S GOT TO FIND SOMEPLACE ELSE TO LIVE... 539 00:23:10,601 --> 00:23:12,101 AS IN TODAY. 540 00:23:13,501 --> 00:23:15,101 I'M SORRY. 541 00:23:31,434 --> 00:23:32,668 WHERE ARE WE AT? 542 00:23:32,701 --> 00:23:34,568 THE D. O. A., STEINMAN? 543 00:23:34,601 --> 00:23:37,701 HE'S GOT A PREVIOUS INCIDENT PASSING OFF FAKE STONES. 544 00:23:37,734 --> 00:23:40,834 SOME RAPPER NAMED KING PAUL ?? REAL NAME, PAUL JAMISON. 545 00:23:40,868 --> 00:23:42,034 WE TALK TO JAMISON? 546 00:23:42,068 --> 00:23:43,834 LIVES IN LOS ANGELES NOW. 547 00:23:43,868 --> 00:23:46,334 WHOEVER WE TALKED TO SAID THE KING DOESN'T TALK TO COPS. 548 00:23:46,368 --> 00:23:48,801 GET WITH HIS LAWYER OR MANAGER, JOSIAS FREELAND. 549 00:23:48,834 --> 00:23:51,568 SAME MANAGER FOR THIS DRANO THAT WE TALKED TO EARLIER. 550 00:23:51,601 --> 00:23:53,701 IS THAT A COINCIDENCE? Clark: WE DON'T KNOW. 551 00:23:53,734 --> 00:23:56,234 WE RAN THE D. O. A.'s PHONE. THERE'S CALLS TO FREELAND. 552 00:23:56,268 --> 00:23:58,368 FREELAND SHOULD BE HERE ANY MINUTE. 553 00:23:59,268 --> 00:24:02,901 MICHAEL'S AUNT TAMMY SAID SHE DIDN'T RECOGNIZE HER ATTACKER. 554 00:24:02,934 --> 00:24:04,668 SHE'S SCARED OF CRAIG. 555 00:24:04,701 --> 00:24:05,834 YEAH. 556 00:24:05,868 --> 00:24:07,701 WHERE WE AT WITH HIM? NOWHERE. 557 00:24:07,734 --> 00:24:09,634 MICHAEL KNOW ANYTHING? 558 00:24:09,668 --> 00:24:10,868 NO. 559 00:24:12,201 --> 00:24:14,134 KEEP WORKING ON THE WITNESS, 560 00:24:14,168 --> 00:24:15,801 ANYONE WHO SAW CRAIG COME AND GO. 561 00:24:15,834 --> 00:24:17,034 WILL DO. 562 00:24:18,501 --> 00:24:20,834 JOSIAS FREELAND FOR DETECTIVE CLARK 563 00:24:20,868 --> 00:24:23,068 AND SOMEBODY ELSE I CAN'T PRONOUNCE. 564 00:24:23,101 --> 00:24:25,401 SIPOWICZ. THIS WAY. 565 00:24:34,434 --> 00:24:36,034 DIDN'T MEAN TO OFFEND OUT THERE. 566 00:24:36,068 --> 00:24:37,568 I'LL LIVE. SIT DOWN. 567 00:24:39,934 --> 00:24:42,168 SO D. J. DRANO AND KING PAUL ?? 568 00:24:42,201 --> 00:24:44,734 YOU KNOW ABOUT THEIR DEALINGS WITH A JEWELER NAMED STUART STEINMAN? 569 00:24:44,768 --> 00:24:47,501 I KNEW THEY HAD TROUBLE, FAKE JEWELS AND WHATNOT. 570 00:24:47,534 --> 00:24:48,834 YOU GET INVOLVED IN IT? 571 00:24:48,868 --> 00:24:51,168 I HAD TO ?? PART OF THE JOB. 572 00:24:51,201 --> 00:24:53,301 WHEN'S THE LAST TIME YOU TALKED TO STEINMAN? 573 00:24:53,334 --> 00:24:55,401 GENTLEMEN, I THINK YOU'RE WELL AWARE 574 00:24:55,434 --> 00:24:57,634 THAT I SPOKE WITH MR. STEINMAN LAST NIGHT. 575 00:24:57,668 --> 00:25:00,001 YOU'RE JUST A CUT?TO?THE?CHASE KIND OF GUY, HUH? 576 00:25:00,034 --> 00:25:01,501 SO WHAT DID YOU TALK ABOUT? 577 00:25:01,534 --> 00:25:02,668 DRANO'S FAKE FROG. 578 00:25:02,701 --> 00:25:04,168 WHAT ABOUT IT? 579 00:25:04,201 --> 00:25:05,868 STEINMAN NEEDED TO REPLACE IT, LIKE WITH KING PAUL. 580 00:25:05,901 --> 00:25:07,368 OR PAY THE MONEY BACK. 581 00:25:07,401 --> 00:25:08,568 HE GOT THE POINT. 582 00:25:08,601 --> 00:25:10,201 AFTER YOU THREATENED HIM? 583 00:25:10,234 --> 00:25:12,701 WHY WOULD I THREATEN A MAN ADMITTING HE DID WRONG 584 00:25:12,734 --> 00:25:15,334 AND PROMISING TO TAKE CARE OF THE PROBLEM? 585 00:25:15,368 --> 00:25:17,534 NOW, STEINMAN ADMITTED IT WAS FAKE? 586 00:25:17,568 --> 00:25:20,234 HE DID, LIKE HE DID WITH KING PAUL. 587 00:25:20,268 --> 00:25:22,001 AND HE SAID HE'D MAKE IT RIGHT. 588 00:25:22,034 --> 00:25:24,201 BUT SOMEHOW THIS MORNING HE WINDS UP SHOT. 589 00:25:24,234 --> 00:25:27,168 WELL, OBVIOUSLY, STEINMAN DID SOME SHADY BUSINESS, 590 00:25:27,201 --> 00:25:30,034 AND I DOUBT WE'RE THE ONLY FOLKS THAT HE TRIED TO RIP OFF. 591 00:25:30,068 --> 00:25:32,901 OR MAYBE I'M IN HERE BECAUSE WE'RE THE ONLYBLACKFOLKS ?? 592 00:25:32,934 --> 00:25:35,834 NO, YOU'RE THE ONLY FOLKS WHO MAKE IT KNOWN TO THE WORLD 593 00:25:35,868 --> 00:25:37,734 IN YOUR MUSIC IF SOMEBODY CROSSES YOU, 594 00:25:37,768 --> 00:25:38,734 THEY GET TAKEN OUT. 595 00:25:38,768 --> 00:25:40,134 SHOW BIZ, DETECTIVE. 596 00:25:40,168 --> 00:25:42,401 KING PAUL WENT TO CATHOLIC SCHOOL. 597 00:25:42,434 --> 00:25:44,501 DRANO'S DAD MANAGED A FACTORY. 598 00:25:44,534 --> 00:25:46,134 SHOWBIZ. 599 00:25:46,168 --> 00:25:47,568 CALL IT WHAT YOU WANT. 600 00:25:47,601 --> 00:25:49,168 GUYS STILL GET KILLED AND DO MURDERS. 601 00:25:49,201 --> 00:25:51,401 WHERE WERE YOU THIS MORNING? ME? 602 00:25:51,434 --> 00:25:53,734 OH, COME ON. NOW YOU'RE GETTING ABSURD. 603 00:25:53,768 --> 00:25:55,568 YOU INTRODUCE YOUR GUYS TO STEINMAN? 604 00:25:55,601 --> 00:25:57,134 I DID. 605 00:25:57,168 --> 00:25:59,368 SO THEM GETTING SCREWED OVER IS ON YOUR HANDS. 606 00:25:59,401 --> 00:26:02,568 NOW THAT HAPPENED TO ME, I'D DROP YOUR ASS AS MANAGER. 607 00:26:02,601 --> 00:26:04,401 YEAH, BUT IF YOU KILLED STEINMAN, 608 00:26:04,434 --> 00:26:06,834 THAT MIGHT GET YOU BACK IN YOUR GUYS' FAVOR. 609 00:26:06,868 --> 00:26:09,501 I DON'T NEED ANY ACT ENOUGH TO DO MURDER. 610 00:26:09,534 --> 00:26:11,401 WHERE WERE YOU THIS MORNING? 611 00:26:11,434 --> 00:26:13,801 MY OFFICE, ON THE PHONE TO LONDON. 612 00:26:13,834 --> 00:26:15,234 WE'LL LOOK INTO IT. 613 00:26:15,268 --> 00:26:17,334 BE MY GUEST. 614 00:26:17,368 --> 00:26:20,234 [ CELLPHONE RINGS TO TUNE OF "WHEN THE SAINTS COME MARCHING IN"] 615 00:26:20,268 --> 00:26:21,401 MAY I? 616 00:26:27,034 --> 00:26:29,401 TAMMY'S NEIGHBOR AIN'T BUDGING. 617 00:26:29,434 --> 00:26:31,501 SHE WON'T EVEN LOOK AT A PHOTO ARRAY. 618 00:26:31,534 --> 00:26:33,668 ANY CHANCE SHE MIGHT CHANGE HER MIND ONCE SHE CALMS DOWN? 619 00:26:33,701 --> 00:26:34,701 DOUBT IT. 620 00:26:34,734 --> 00:26:36,201 SO WE HAVE NOTHING. 621 00:26:36,234 --> 00:26:38,201 WE GOT TWO WITNESSES WHO REFUSE TO COOPERATE. 622 00:26:38,234 --> 00:26:40,168 MAKES IT TOUGH TO DO OUR JOBS. 623 00:26:40,201 --> 00:26:42,401 WELL, THE MANAGER'S STANDING UP FOR DRANO AND KING PAUL, 624 00:26:42,434 --> 00:26:43,634 WHICH MEANS DICK. 625 00:26:43,668 --> 00:26:45,301 BUT DRANO ALIBIED OUT, RIGHT? 626 00:26:45,334 --> 00:26:47,168 DOESN'T MEAN HE DIDN'T GET ONE OF HIS BUDDIES 627 00:26:47,201 --> 00:26:48,534 TO PULL THE TRIGGER. 628 00:26:48,568 --> 00:26:50,368 I REALLY APPRECIATE YOUR COOPERATION. 629 00:26:50,401 --> 00:26:52,401 YOU TOO. 630 00:26:52,434 --> 00:26:54,001 THAT WAS THE MAIN GUY, 631 00:26:54,034 --> 00:26:56,068 THE SHEIK AT THE MOSQUE TIM GARRITY WORSHIPS AT. 632 00:26:56,101 --> 00:26:58,134 HE SAYS GARRITY WASN'T THERE THIS MORNING. 633 00:26:58,168 --> 00:27:00,034 GET GARRITY IN HERE. 634 00:27:06,201 --> 00:27:07,368 Jones: HEY, MICHAEL. 635 00:27:07,401 --> 00:27:08,968 HEY. 636 00:27:09,001 --> 00:27:10,068 WHAT'S GOING ON? 637 00:27:11,534 --> 00:27:13,034 I WANT TO TALK TO HIM. 638 00:27:15,701 --> 00:27:17,368 IS EVERYTHING ALL RIGHT? 639 00:27:18,701 --> 00:27:19,701 YEAH. 640 00:27:24,534 --> 00:27:26,034 ALL RIGHT, GO AHEAD. 641 00:27:43,334 --> 00:27:46,234 DID YOU COME BACK TO TALK TO ME ABOUT YOUR DAD? 642 00:27:49,068 --> 00:27:51,334 DID YOU SEE HIM HURT YOUR AUNT THIS MORNING? 643 00:27:54,501 --> 00:27:57,501 BUT YOU SAW YOUR DAD AT THE APARTMENT THIS MORNING 644 00:27:57,534 --> 00:27:58,668 BEFORE YOU LEFT? 645 00:28:02,701 --> 00:28:05,001 YOU READY TO TALK ABOUT YOUR MOM AND DAD? 646 00:28:07,368 --> 00:28:10,668 DID YOU SEE YOUR DAD BEAT UP YOUR MOM THAT NIGHT? 647 00:28:12,334 --> 00:28:14,201 YEAH. 648 00:28:14,234 --> 00:28:16,501 DID YOU SEE THE WHOLE THING? 649 00:28:18,934 --> 00:28:20,334 I TRIED TO STOP HIM, 650 00:28:20,368 --> 00:28:22,868 BUT...HE THREW ME IN A ROOM AND HIT ME 651 00:28:22,901 --> 00:28:24,401 AND TOLD ME TO STAY THERE. 652 00:28:26,234 --> 00:28:28,068 I HEARD THE REST. 653 00:28:30,001 --> 00:28:31,901 WAS THAT THE LAST YOU SAW OF HER? 654 00:28:34,534 --> 00:28:38,734 I CAME OUT WHEN HE WAS PUTTING HER IN THAT SHOPPING CART. 655 00:28:43,201 --> 00:28:45,368 WE'RE GONNA DO EVERYTHING WE CAN TO AVOID IT, 656 00:28:45,401 --> 00:28:47,368 BUT YOU MAY HAVE TO TESTIFY TO THIS, 657 00:28:47,401 --> 00:28:50,968 MAYBE IN COURT WITH YOUR DAD SITTING IN THE SAME ROOM. 658 00:28:51,001 --> 00:28:53,268 ARE YOU GONNA BE ABLE TO DO THAT? 659 00:28:56,834 --> 00:28:59,034 I DON'T WANT HIM HURTING NOBODY ELSE. 660 00:29:05,268 --> 00:29:07,568 YOU'RE A GOOD MAN. 661 00:29:20,668 --> 00:29:23,134 HE SAW HIS DAD KILL HIS MOM. 662 00:29:23,168 --> 00:29:26,401 HE'LL DO WHAT HE HAS TO, TESTIMONY?WISE. 663 00:29:26,434 --> 00:29:28,301 DO WE KNOW WHERE TO FIND CRAIG? 664 00:29:28,334 --> 00:29:31,234 WE GOT PLACES WE COULD LOOK. 665 00:29:31,268 --> 00:29:33,201 HE'S A COLLAR. BRING HIM IN. 666 00:29:33,234 --> 00:29:35,734 MICHAEL SHOULD STAY HERE UNTIL WE GET OUR HANDS ON THIS GUY. 667 00:29:35,768 --> 00:29:36,768 ABSOLUTELY. 668 00:29:41,834 --> 00:29:44,968 HE CONSIDERS YOU A FATHER FIGURE, NOT A COP. 669 00:29:45,001 --> 00:29:47,168 THAT'S WHY HE COULDN'T GIVE IT UP TO YOU. 670 00:29:53,268 --> 00:29:54,934 [ SNIFFLING ] 671 00:30:14,368 --> 00:30:16,101 I'M PROUD OF YOU. 672 00:30:19,234 --> 00:30:20,934 [ CRYING ] 673 00:30:31,601 --> 00:30:34,701 SO WHAT KIND OF GUY WERE YOU IN HIGH SCHOOL, TIM? 674 00:30:34,734 --> 00:30:36,301 A JOCK TYPE, POPULAR? 675 00:30:36,334 --> 00:30:38,734 I DON'T SEE THE POINT ?? NAH, I DIDN'T THINK SO. 676 00:30:38,768 --> 00:30:40,968 I'LL BET YOU DIDN'T HAVE A LOT OF FRIENDS, 677 00:30:41,001 --> 00:30:42,901 AND THE FRIENDS YOU DID HAVE WERE PROBABLY LIKE THEM ASSHOLES 678 00:30:42,934 --> 00:30:44,501 WHO SHOT UP THAT SCHOOL IN COLORADO. 679 00:30:44,534 --> 00:30:46,034 I AM A PEACEFUL MAN. 680 00:30:46,068 --> 00:30:47,834 YOU'RE AN OUTSIDER AND A LONER. 681 00:30:47,868 --> 00:30:50,301 AND YOU CHOSE THE LEAST LIKELY GROUP TO JOIN 682 00:30:50,334 --> 00:30:51,834 TO MAKE YOURSELF LOOK SMART. 683 00:30:51,868 --> 00:30:53,668 I CHOSE ISLAM BECAUSE I BELIEVE ?? 684 00:30:53,701 --> 00:30:56,401 BECAUSE THEY'D TAKE YOU? YEAH, ABSOLUTELY. 685 00:30:56,434 --> 00:30:58,168 STATE OF THE WORLD NOW, 686 00:30:58,201 --> 00:31:00,734 THEY'RE THRILLED TO SEE ANY WHITE GUY TAKE INTEREST. 687 00:31:00,768 --> 00:31:02,168 THE ONLY QUESTION NOW IS, 688 00:31:02,201 --> 00:31:04,468 ARE YOU THE LONE PSYCHO IN THE GROUP, 689 00:31:04,501 --> 00:31:07,568 OR WAS KILLING STUART STEINMAN AN ORGANIZED PLAN INVOLVING OTHERS? 690 00:31:07,601 --> 00:31:09,968 I DID NOT KILL STUART STEINMAN, 691 00:31:10,001 --> 00:31:12,634 AND THAT YOU WOULD IMPLICATE MY FELLOW MUSLIMS ?? 692 00:31:12,668 --> 00:31:14,468 ALL RIGHT, IF YOU DID IT ALONE, 693 00:31:14,501 --> 00:31:16,468 WE CAN SAY YOU GOT IN AN ARGUMENT WITH STEINMAN 694 00:31:16,501 --> 00:31:18,634 OVER ZIONISM OR ISLAM, AND IT GOT OUT OF HAND. 695 00:31:18,668 --> 00:31:20,868 OR IF THIS WAS AN ORGANIZED PLAN, 696 00:31:20,901 --> 00:31:23,168 YOU CAN DEAL UP THE OTHER PLAYERS AND SAVE YEARS OF YOUR LIFE. 697 00:31:23,201 --> 00:31:24,801 BUT YOU GOT TO COME CLEAN. 698 00:31:24,834 --> 00:31:26,501 WHAT MAKES YOU SO CERTAIN I KILLED THIS MAN? 699 00:31:26,534 --> 00:31:28,334 YOU LIED TO US WHERE YOU WERE THIS MORNING. 700 00:31:28,368 --> 00:31:30,201 NO ONE SAW YOU AT THE MOSQUE. 701 00:31:30,234 --> 00:31:32,401 AND THE SURVEILLANCE CAMERAS ?? ALL 23 OF THEM ?? 702 00:31:32,434 --> 00:31:35,168 NONE OF THEM SAW YOU, EITHER. 703 00:31:36,501 --> 00:31:38,668 YOU DIDN'T KNOW THEY HAD SURVEILLANCE CAMERAS. 704 00:31:41,534 --> 00:31:44,701 SO WHY YOU LIED, OR TELL US WHAT HAPPENED. 705 00:31:47,234 --> 00:31:49,334 I WASN'T AT MORNING PRAYERS. 706 00:31:49,368 --> 00:31:51,034 WHEN YOU WENT TO SEE STEINMAN, 707 00:31:51,068 --> 00:31:53,901 WAS IT ON YOUR OWN, OR WERE OTHERS INVOLVED? 708 00:31:53,934 --> 00:31:55,401 I DIDN'T GO TO SEE STEINMAN. 709 00:31:55,434 --> 00:31:57,034 WE'RE GOING BACKWARDS, TIM. 710 00:31:57,068 --> 00:31:59,734 I WENT TO HAVE A MASSAGE FOR MY BAD BACK. 711 00:31:59,768 --> 00:32:01,934 AND YOU DIDN'T TELL US THIS. WHY? 712 00:32:06,534 --> 00:32:08,701 BECAUSE IT WAS A SPANK?OFF JOINT? 713 00:32:08,734 --> 00:32:10,501 I HAVE A BAD BACK. 714 00:32:10,534 --> 00:32:12,101 YOU WERE GETTING YOUR NUTS OFF. 715 00:32:13,734 --> 00:32:16,134 TIM, COP TO IT AND TELL US HOW TO CONFIRM IT 716 00:32:16,168 --> 00:32:17,634 OR FACE A MURDER RAP. 717 00:32:17,668 --> 00:32:20,368 THE PLACE IS CALLED HAPPY TIME MASSAGE. 718 00:32:20,401 --> 00:32:22,734 IT'S ON 25th AND 6th AVENUE. 719 00:32:22,768 --> 00:32:25,368 THE GIRL'S NAME IS SUZY. SHE'LL KNOW ME. 720 00:32:25,401 --> 00:32:27,034 I'M A REGULAR. 721 00:32:27,068 --> 00:32:29,701 SO WHAT EXACTLY IS THE KORAN'S POSITION 722 00:32:29,734 --> 00:32:32,668 ON MUSLIMS PAYING TO GET THEIR BALLS OILED? 723 00:32:34,001 --> 00:32:35,134 THE FLESH IS WEAK. 724 00:32:35,168 --> 00:32:36,134 NO! 725 00:32:36,168 --> 00:32:38,168 THE IDIOT IS WEAK. 726 00:32:38,201 --> 00:32:39,868 STAY HERE. 727 00:32:42,168 --> 00:32:43,901 THANKS. 728 00:32:43,934 --> 00:32:45,868 DRANO'S MANAGER, JOSIAS FREELAND? 729 00:32:45,901 --> 00:32:48,834 I RAN HIS CELLPHONE AND GOT A BUNCH OF RECENT CALLS 730 00:32:48,868 --> 00:32:51,168 TO A HIGH?END COSTUME JEWELER ON CANAL STREET. 731 00:32:51,201 --> 00:32:54,001 THE PLACE SPECIALIZES IN COPYING FANCY JEWELS, 732 00:32:54,034 --> 00:32:57,001 LIKE DRANO'S KERMIT THE FROG OR THE SUPERMAN PENDANT. 733 00:32:57,034 --> 00:32:58,801 HOW RECENT WERE THE CALLS? 734 00:32:58,834 --> 00:33:00,801 WOULD HAVE BEEN RIGHT AFTER STUART STEINMAN WAS KILLED. 735 00:33:00,834 --> 00:33:02,801 YOU GET IN CONTACT WITH THE COSTUME JEWELER? 736 00:33:02,834 --> 00:33:04,501 THE PERSON I TALKED TO SAID THE OWNER 737 00:33:04,534 --> 00:33:06,468 JUST WALKED OUT THIS MORNING. 738 00:33:06,501 --> 00:33:08,401 SAID HE WAS GOING ON VACATION AND DIDN'T SAY WHERE. 739 00:33:08,434 --> 00:33:10,868 DID THEY CONFIRM COPYING THE KERMIT AND SUPERMAN THING? 740 00:33:10,901 --> 00:33:13,201 NO, THE GUY SAID ONLY THE OWNER WOULD KNOW, 741 00:33:13,234 --> 00:33:15,801 BUT THAT A FEW WEEKS AGO THEY GOT A BIG ORDER OF GLASS EMERALDS. 742 00:33:15,834 --> 00:33:17,468 SO MAYBE. 743 00:33:17,501 --> 00:33:20,168 WE NEED TO TALK TO THIS JOSIAS FREELAND. 744 00:33:20,201 --> 00:33:22,534 CONNIE WILL BRING YOU UP TO SPEED. 745 00:33:22,568 --> 00:33:24,301 BARTENDER AT THE ACES HIGH CALLED. 746 00:33:24,334 --> 00:33:25,934 CRAIG WOODRUFF JUST WALKED IN. 747 00:33:28,368 --> 00:33:29,634 BALDWIN? 748 00:33:29,668 --> 00:33:30,668 I'M FINE. 749 00:33:34,401 --> 00:33:36,134 UH... 750 00:33:36,168 --> 00:33:37,768 TWO SECONDS. 751 00:33:41,068 --> 00:33:42,301 REAL QUICK. 752 00:33:42,334 --> 00:33:44,834 YOU FREE FOR DINNER TONIGHT, WITH ME? 753 00:33:44,868 --> 00:33:46,668 I MEAN, IF YOU'RE BUSY... 754 00:33:46,701 --> 00:33:47,901 NO. SURE. 755 00:33:47,934 --> 00:33:49,034 GREAT. 756 00:33:49,068 --> 00:33:50,534 I'LL GET WITH YOU LATER. 757 00:33:59,334 --> 00:34:01,901 TELL US ABOUT CANAL STREET JEWELRY, JOSIAS. 758 00:34:01,934 --> 00:34:04,734 FELLAS, WHAT AM I DOING HERE? CANAL STREET JEWELRY, 759 00:34:04,768 --> 00:34:07,234 WHO YOU CALLED THREE TIMES BEFORE NOON THIS MORNING. 760 00:34:08,901 --> 00:34:11,401 I WAS LOOKING FOR A TIARA FOR MY NIECE. 761 00:34:11,434 --> 00:34:13,301 SHE'S DOING A SCHOOL PLAY. 762 00:34:13,334 --> 00:34:16,034 YOU KNOW THEY SPECIALIZE IN KNOCKING OFF EXPENSIVE GARBAGE, 763 00:34:16,068 --> 00:34:18,168 LIKE YOUR KERMIT THE FROG AND SUPERMAN SYMBOL? 764 00:34:18,201 --> 00:34:19,634 I DIDN'T KNOW THAT. 765 00:34:19,668 --> 00:34:21,368 THAT'S NOT WHY YOU CALLED THE OWNER 766 00:34:21,401 --> 00:34:23,234 AND TOLD HIM GET OUT OF TOWN FOR A WHILE? 767 00:34:23,268 --> 00:34:24,834 EXCUSE ME? 768 00:34:24,868 --> 00:34:26,968 THE OWNER'S ASSISTANT CONFIRMED KNOCKING OFF THE JEWELS 769 00:34:27,001 --> 00:34:29,001 AND SAID THAT THE ORDER CAME FROM YOU. 770 00:34:29,034 --> 00:34:32,001 ON THE WAY TO PICK YOU UP, WE PUT IN A CALL TO DRANO. 771 00:34:32,034 --> 00:34:34,334 HE SAID THE JEWELRY HE ORDERED FROM STEINMAN 772 00:34:34,368 --> 00:34:36,501 WAS PICKED UP AND DELIVERED TO HIM BY YOU. 773 00:34:36,534 --> 00:34:38,168 KING PAUL SAID THE SAME THING. 774 00:34:38,201 --> 00:34:40,001 ON THE WAY TO YOUR CLIENTS, 775 00:34:40,034 --> 00:34:42,401 DID THE STUFF MAKE A DETOUR TO CANAL STREET JEWELRY? 776 00:34:42,434 --> 00:34:44,668 WHATEVER ASSISTANT YOU TALKED TO IS A LIAR. 777 00:34:44,701 --> 00:34:47,734 YOU GOT STEINMAN TO PAY UP ONCE WITH KING PAUL'S JEWELRY. 778 00:34:47,768 --> 00:34:50,334 YOU THOUGHT YOU COULD DO IT AGAIN WITH DRANO'S? 779 00:34:50,368 --> 00:34:52,534 YOU KNOW WHAT I SEE HERE? 780 00:34:52,568 --> 00:34:54,068 A CONSPIRACY. 781 00:34:54,101 --> 00:34:56,468 SEE WHATEVER YOU WANT, BUT START THINKING ABOUT A DEAL. 782 00:34:56,501 --> 00:34:58,201 BECAUSE WITHOUT ONE, YOU'RE DEAD. 783 00:34:58,234 --> 00:35:00,468 AS FAR AS WE HEAR IT, 784 00:35:00,501 --> 00:35:03,234 RIPPING OFF IMMATURE, GUN?TOTING DELINQUENTS 785 00:35:03,268 --> 00:35:05,234 IS NO WAY TO SURVIVE IN A RAP GAME. 786 00:35:05,268 --> 00:35:08,134 THEY'LL GET YOU ON THE STREET. THEY'LL GET YOU IN JAIL. 787 00:35:08,168 --> 00:35:10,701 NOW YOU COULD DEAL FOR ADMINISTRATIVE SEGREGATION, 788 00:35:10,734 --> 00:35:12,134 BUT YOU BETTER START NOW, 789 00:35:12,168 --> 00:35:13,568 BEFORE THE OFFER'S OFF THE TABLE. 790 00:35:13,601 --> 00:35:15,668 YOU WANT TO STAY ALIVE? 791 00:35:18,168 --> 00:35:19,734 YES. 792 00:35:19,768 --> 00:35:22,168 DID STEINMAN FIGURE OUT IT WAS YOU 793 00:35:22,201 --> 00:35:25,401 THAT SWITCHED THE JEWELS ON DRANO AND KING PAUL? 794 00:35:25,434 --> 00:35:27,234 YES. 795 00:35:27,268 --> 00:35:29,201 HE THREATEN TO GO TO THE POLICE? 796 00:35:29,234 --> 00:35:30,134 YES. 797 00:35:30,168 --> 00:35:32,401 SO YOU SHOT HIM. 798 00:35:32,434 --> 00:35:34,168 YES OR NO? 799 00:35:34,201 --> 00:35:36,568 YES, BUT YOU GOT TO UNDERSTAND SOMETHING. 800 00:35:36,601 --> 00:35:39,001 IN MY INDUSTRY, APPEARANCE IS EVERYTHING. 801 00:35:39,034 --> 00:35:41,334 YOU GOT AN EXPENSIVE LIFESTYLE. YOU RAN SHORT. 802 00:35:41,368 --> 00:35:43,468 YOU COOKED UP A SCHEME. IT BACKFIRED. 803 00:35:43,501 --> 00:35:45,834 YOU THINK IT'S THAT SIMPLE, THAT I GOT GREEDY? 804 00:35:45,868 --> 00:35:47,534 I CAME FROM NOTHING! 805 00:35:47,568 --> 00:35:50,134 I WORKED 20 HOURS A DAY TO GET TO WHERE I AM, 806 00:35:50,168 --> 00:35:51,901 COMPETING AGAINST IVY?LEAGUE WHITE BOYS, 807 00:35:51,934 --> 00:35:53,168 BIG MANAGEMENT FIRMS. 808 00:35:53,201 --> 00:35:55,034 I COULDN'T JUST LET THAT GO. 809 00:35:55,068 --> 00:35:57,968 SO IT WAS ON THE JEWELER TO BANKROLL YOUR CASH?FLOW PROBLEM. 810 00:35:58,001 --> 00:35:59,534 HE HAD PLENTY ?? MORE THAN ENOUGH. 811 00:35:59,568 --> 00:36:01,968 YOU WERE WAY OFF. 812 00:36:02,001 --> 00:36:04,168 [ SIGHS ] 813 00:36:04,201 --> 00:36:06,334 I WANT ADMINISTRATIVE SEGREGATION 814 00:36:06,368 --> 00:36:08,534 IN THE FACILITY OF MY CHOOSING. 815 00:36:08,568 --> 00:36:10,501 THIS AIN'T NO RECORD DEAL, PAL. 816 00:36:25,368 --> 00:36:27,301 GOT AN UPDATE FOR YOU, CRAIG. 817 00:36:27,334 --> 00:36:28,534 LET'S HEAR IT. 818 00:36:28,568 --> 00:36:30,368 AFTER SEEING WHAT HAPPENED TO HIS AUNT, 819 00:36:30,401 --> 00:36:32,701 MICHAEL FINALLY DECIDED HE COULDN'T LET IT GO ANYMORE. 820 00:36:32,734 --> 00:36:33,968 SOUNDS COMPLICATED. 821 00:36:34,001 --> 00:36:35,634 IT'S NOT. 822 00:36:35,668 --> 00:36:38,501 HE JUST GAVE A STATEMENT ABOUT HOW HE SAW YOU KILL HIS MOM. 823 00:36:38,534 --> 00:36:39,901 [ SCOFFING ] 824 00:36:39,934 --> 00:36:42,568 YOU GUYS AND YOUR TIRED?ASS BLUFFS, MAN. 825 00:36:44,501 --> 00:36:46,168 YOU'RE GOING IN, CRAIG. 826 00:36:46,201 --> 00:36:47,901 THIS IS IT. 827 00:36:47,934 --> 00:36:49,734 AND TO THE EXTENT THAT YOU CARE, 828 00:36:49,768 --> 00:36:51,668 I'LL BE LOOKING OUT FOR MICHAEL. 829 00:36:51,701 --> 00:36:53,634 NOT TO GET BACK AT YOU, 830 00:36:53,668 --> 00:36:57,168 BUT BECAUSE HE'S A GOOD KID AND DESERVES A CHANCE. 831 00:36:59,034 --> 00:37:00,801 SO MICHAEL'S SAYING WHAT NOW? 832 00:37:00,834 --> 00:37:02,068 ONE LAST THING... 833 00:37:03,268 --> 00:37:04,734 I'M GONNA MAKE YOU A DEAL. 834 00:37:04,768 --> 00:37:07,234 REALLY? 835 00:37:07,268 --> 00:37:09,168 DON'T PUSH THIS TO TRIAL. 836 00:37:10,601 --> 00:37:14,068 DON'T FORCE MICHAEL TO TESTIFY AND RELIVE THIS ALL OVER AGAIN. 837 00:37:14,101 --> 00:37:15,701 LET HIM GO. 838 00:37:17,268 --> 00:37:19,401 WHAT'S THE DEAL PART? 839 00:37:19,434 --> 00:37:23,868 IF YOU AGREE TO THAT, I'LL LET YOU FINISH YOUR COLD BEER, 840 00:37:23,901 --> 00:37:27,234 'CAUSE IT'S THE LAST ONE YOU'RE EVER GONNA HAVE. 841 00:37:36,568 --> 00:37:38,501 JUST KEEP IN MIND, 842 00:37:38,534 --> 00:37:40,201 IF YOU BREAK THE DEAL, 843 00:37:40,234 --> 00:37:42,868 I'LL CALL IN A FAVOR WITH THE DEPARTMENT OF CORRECTIONS, 844 00:37:42,901 --> 00:37:44,634 AND YOU'LL BE IN 23?HOUR LOCKDOWN 845 00:37:44,668 --> 00:37:46,568 FOR HOWEVER MANY YEARS YOU GOT LEFT. 846 00:37:46,601 --> 00:37:49,334 OR SOMEONE ON YOUR TIER? 847 00:37:49,368 --> 00:37:51,668 I'LL HELP ONE OF THEIR FAMILY MEMBERS ON THE OUTSIDE, 848 00:37:51,701 --> 00:37:53,834 AND THEY'LL DEAL WITH YOU WHATEVER WAY THEY WANT. 849 00:37:53,868 --> 00:37:56,834 SO I WANT YOU TO THINK ABOUT THAT BEER... 850 00:37:56,868 --> 00:37:58,868 'CAUSE I'LL PUSH A BUTTON ON YOU, 851 00:37:58,901 --> 00:38:01,368 AND DON'T THINK I WON'T ENJOY EVERY SECOND OF IT. 852 00:38:08,601 --> 00:38:11,334 IF WHAT YOU SAY IS TRUE... 853 00:38:11,368 --> 00:38:13,734 AND MICHAEL BETRAYED HIS OWN FLESH AND BLOOD 854 00:38:13,768 --> 00:38:15,568 AND SIDED WITH A COP LIKE YOU... 855 00:38:18,001 --> 00:38:20,501 THEN HE'S DEAD TO ME. 856 00:38:26,068 --> 00:38:27,901 AND HE'S ALL YOURS. 857 00:38:29,834 --> 00:38:31,501 ON YOUR FEET. 858 00:38:36,734 --> 00:38:38,934 [ HANDCUFFS CLICKING ] 859 00:38:45,101 --> 00:38:46,201 SO... 860 00:38:47,401 --> 00:38:49,368 THIS IS NICE. 861 00:38:49,401 --> 00:38:50,734 YEAH. 862 00:38:50,768 --> 00:38:52,734 FOOD'S GOOD. 863 00:38:52,768 --> 00:38:55,701 AND WE'RE JUST SHARING A MEAL, OR... 864 00:38:55,734 --> 00:38:57,368 MAYBE MORE THAN THAT. 865 00:38:57,401 --> 00:38:58,901 IT'S UP TO YOU. 866 00:38:58,934 --> 00:39:00,801 ISN'T THIS A LITTLE OUT OF BALANCE? 867 00:39:00,834 --> 00:39:02,501 A BOSS AND A SUBORDINATE FROM THE SAME COMMAND 868 00:39:02,534 --> 00:39:03,734 IS VERY OUT OF BALANCE. 869 00:39:03,768 --> 00:39:05,668 BUT HERE WE ARE. YEAH. 870 00:39:07,734 --> 00:39:09,268 [ CLEARS THROAT ] 871 00:39:10,534 --> 00:39:13,401 I DON'T ?? I DON'T KNOW HOW COMFORTABLE I AM WITH IT. 872 00:39:13,434 --> 00:39:16,301 WITH ME OR WITH THE SITUATION? 873 00:39:16,334 --> 00:39:19,468 I DON'T LIKE THE IDEA OF KEEPING A SECRET IN THE SQUAD. 874 00:39:19,501 --> 00:39:21,701 WELL, WHAT IF YOU DIDN'T HAVE TO? 875 00:39:21,734 --> 00:39:23,734 I MEAN, WHAT IF THE SITUATION CHANGED? 876 00:39:23,768 --> 00:39:25,901 THAT MEANS SOMEONE TRANSFERRING OUT OF THE 15th. 877 00:39:25,934 --> 00:39:27,468 WHAT IF THAT HAPPENED? 878 00:39:27,501 --> 00:39:29,868 IT'D LOOK LIKE WE'D HAD AN ONGOING THING, 879 00:39:29,901 --> 00:39:32,668 AND THAT SOMEBODY TRANSFERRED TO MAKE IT ETHICAL. 880 00:39:32,701 --> 00:39:35,001 [ SIGHS ] 881 00:39:35,034 --> 00:39:37,401 I DON'T LIKE PEOPLE TALKING BEHIND MY BACK. 882 00:39:37,434 --> 00:39:39,201 I'VE BEEN THROUGH IT TOO MUCH. 883 00:39:40,701 --> 00:39:42,868 WELL, SAY ALL THAT WAS OFF THE TABLE ?? 884 00:39:42,901 --> 00:39:44,668 NO TALKING, NO RUMORS. 885 00:39:44,701 --> 00:39:46,568 WE WERE FREE AND CLEAR. 886 00:39:46,601 --> 00:39:48,468 WOULD YOU WANT TO SPEND MORE TIME WITH ME? 887 00:39:48,501 --> 00:39:50,701 FREE AND CLEAR? 888 00:39:50,734 --> 00:39:52,534 YEAH, I WOULD. 889 00:39:54,068 --> 00:39:56,834 I'VE BEEN APPROACHED BY THIS REAL ESTATE DEVELOPER 890 00:39:56,868 --> 00:39:58,501 ABOUT HEADING UP HIS SECURITY. 891 00:39:58,534 --> 00:40:00,068 I'M CONSIDERING TAKING THE JOB. 892 00:40:00,101 --> 00:40:01,334 'CAUSE OF THIS? 893 00:40:01,368 --> 00:40:02,968 BECAUSE IT'S A GOOD OPPORTUNITY, 894 00:40:03,001 --> 00:40:05,168 AND BECAUSE LOSING THE TRIAL DROPPED THE CEILING 895 00:40:05,201 --> 00:40:07,068 ON HOW FAR I'LL EVER GET ON THE JOB. 896 00:40:08,734 --> 00:40:10,734 WHEN DO YOU GIVE YOUR ANSWER TO THE DEVELOPER? 897 00:40:10,768 --> 00:40:12,134 BY THE END OF THE WEEK. 898 00:40:12,168 --> 00:40:14,068 HARD TO IMAGINE YOU OFF THE JOB. 899 00:40:15,501 --> 00:40:16,968 THINK ABOUT IT. 900 00:40:17,001 --> 00:40:18,801 I WILL. 901 00:40:18,834 --> 00:40:20,334 WILL YOU? 902 00:40:20,368 --> 00:40:21,968 YEAH. 903 00:40:22,001 --> 00:40:24,234 I WILL, TOO. 904 00:40:36,068 --> 00:40:38,568 THIS PULLS OUT INTO A BED. 905 00:40:38,601 --> 00:40:40,768 THE COUCH IS FINE. 906 00:40:42,368 --> 00:40:43,868 HOW YOU HOLDING UP? 907 00:40:43,901 --> 00:40:45,501 ALL RIGHT. 908 00:40:47,768 --> 00:40:51,368 AS FAR AS...HAVING TO MOVE OUT AND... 909 00:40:51,401 --> 00:40:53,301 YOU KNOW, YOUR AUNT TAMMY ?? 910 00:40:53,334 --> 00:40:54,568 NO. 911 00:40:54,601 --> 00:40:56,234 I GOT IT. 912 00:40:59,568 --> 00:41:00,668 SO WHAT NOW? 913 00:41:00,701 --> 00:41:03,401 CRASH HERE FOR A WHILE. 914 00:41:03,434 --> 00:41:05,168 HOW LONG'S A WHILE? 915 00:41:05,201 --> 00:41:06,701 LONG AS YOU NEED. 916 00:41:08,401 --> 00:41:11,168 WELL, I NEED... 917 00:41:11,201 --> 00:41:13,234 A PLACE TO LIVE. 918 00:41:24,368 --> 00:41:26,168 I'LL GET A DRESSER FOR YOU... 919 00:41:26,201 --> 00:41:28,334 PUT IT IN THE CORNER FOR YOUR STUFF. 920 00:41:32,201 --> 00:41:35,168 THIS IS YOUR HOME NOW IF YOU WANT IT. 921 00:41:35,201 --> 00:41:37,834 YOU SURE THAT'S COOL WITH YOU? 922 00:41:37,868 --> 00:41:40,701 MICHAEL, AFTER SEEING WHAT YOU DID TODAY, 923 00:41:40,734 --> 00:41:43,901 IT WOULD BE MY PRIVILEGE TO HAVE YOU AS A ROOMMATE. 924 00:41:46,368 --> 00:41:47,368 OKAY. 925 00:41:48,701 --> 00:41:50,968 AND I'LL START LOOKING INTO IT PAPERWORK?WISE 926 00:41:51,001 --> 00:41:52,534 IN ORDER TO MAKE IT OFFICIAL. 927 00:41:57,168 --> 00:41:59,868 I DON'T WANT YOU WORRYING ABOUT ANYTHING. 928 00:42:04,601 --> 00:42:05,868 THANKS. 929 00:42:05,901 --> 00:42:07,168 NO SWEAT. 930 00:42:07,218 --> 00:42:11,768 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 67116

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