All language subtitles for NYPD Blue s11e07 Its to Die For.eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranรฎ)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,316 --> 00:00:02,652 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:02,718 --> 00:00:04,552 DON'T MAKE ME EMBARRASS YOU IN FRONT OF YOUR KID. 3 00:00:04,618 --> 00:00:08,018 I WILL NOT LET YOU TURN HIM INTO YOU. 4 00:00:08,085 --> 00:00:09,852 GET USED TO THE IDEA OF MORNING SICKNESS, 5 00:00:09,918 --> 00:00:11,885 'CAUSE YOU'RE PREGNANT. 6 00:00:11,952 --> 00:00:14,418 THERE IS A MASS. THERE IS A CHANCE IT'S MALIGNANT. 7 00:00:14,485 --> 00:00:15,785 WE'LL PROBABLY HAVE TO DO A BIOPSY. 8 00:00:15,852 --> 00:00:17,418 HOW ABOUT YOU JUST TELL ME WHAT'S GOING ON? 9 00:00:17,485 --> 00:00:18,818 IT'S GOT NOTHING TO DO WITH YOU. 10 00:00:18,885 --> 00:00:21,618 YEAH, IT DOES, 'CAUSE IT'S GETTING BETWEEN ME AND ANDY. 11 00:00:21,685 --> 00:00:24,452 WE'RE GONNA GO DOWN TO THE TIME BAR, SHOW THE D. O. A.'s PICTURE AROUND. 12 00:00:24,518 --> 00:00:26,718 THE OWNER, JAMES CARLIN?? REAL PAIN IN THE ASS. 13 00:00:26,785 --> 00:00:29,052 FOLKS ARE BEING PREYED ON OUT OF YOUR BARS. 14 00:00:29,118 --> 00:00:30,285 THE PUBLIC'S GOTTA KNOW. 15 00:00:30,352 --> 00:00:32,018 BLUE AND WHITE CORD AROUND HER NECK. 16 00:00:32,085 --> 00:00:33,285 WE ALREADY KNEW THEY WERE CONNECTED. 17 00:00:33,352 --> 00:00:35,618 NOW DOWNTOWN KNOWS. THEY'RE PUSHING FOR A TASK FORCE. 18 00:00:48,152 --> 00:00:49,485 HEY. 19 00:00:49,552 --> 00:00:52,052 LUCY WERNER?? SHE GOT JUMPED GETTING ON THE ELEVATOR. 20 00:00:52,118 --> 00:00:53,585 IT HAPPEN IN HERE? 21 00:00:53,652 --> 00:00:56,452 TIME BAR MATCHBOOK WAS DOWN THE STAIRS ABOUT HALF A FLIGHT. 22 00:00:56,518 --> 00:00:57,985 AND THE BLUE AND WHITE ROPE? 23 00:00:58,052 --> 00:00:59,952 IN A TRASH CAN ON THE GROUND FLOOR. 24 00:01:00,018 --> 00:01:01,385 SHE GET A LOOK AT THIS GUY? 25 00:01:01,452 --> 00:01:04,352 I HAVEN'T TALKED TO HER YET. WHERE'S ANDY AND CONNIE? 26 00:01:04,418 --> 00:01:07,585 THEY'RE RUNNING LATE. SHE'S STILL FIGHTING A BUG. 27 00:01:07,652 --> 00:01:09,052 EXCUSE US. 28 00:01:09,118 --> 00:01:10,552 DETECTIVES RUSSELL, CLARK, AND ORTIZ. 29 00:01:10,618 --> 00:01:12,318 CAN YOU TELL US WHAT HAPPENED, LUCY? 30 00:01:12,385 --> 00:01:13,385 [ Shivering ] UM... 31 00:01:13,452 --> 00:01:15,252 I WAS GETTING ON THE ELEVATOR. 32 00:01:15,318 --> 00:01:17,252 HE HIT ME ON THE BACK OF THE HEAD. 33 00:01:17,318 --> 00:01:18,652 DID YOU SEE THE MAN'S FACE? 34 00:01:18,718 --> 00:01:20,052 HE HIT ME FROM BEHIND. 35 00:01:20,118 --> 00:01:22,118 AFTER HE HIT YOU, WHAT HAPPENED? 36 00:01:22,185 --> 00:01:23,685 HE DRAGGED ME TO THE STAIRWELL. 37 00:01:23,752 --> 00:01:25,652 DID YOU GET A BETTER LOOK AT HIM AT THAT POINT? 38 00:01:25,718 --> 00:01:26,852 NO. 39 00:01:26,918 --> 00:01:29,518 ANY DESCRIPTION YOU CAN GIVE US WOULD BE VERY HELPFUL. 40 00:01:29,585 --> 00:01:33,118 UM...I REMEMBER HITTING HIM, PUNCHING HIM. 41 00:01:33,185 --> 00:01:35,118 I THINK HE WAS WHITE. 42 00:01:35,185 --> 00:01:36,718 DO YOU REMEMBER HOW TALL HE WAS? 43 00:01:36,785 --> 00:01:38,685 NO. 44 00:01:38,752 --> 00:01:41,385 DID YOU HEAR HIS VOICE? DID HE SAY ANYTHING TO YOU? 45 00:01:41,452 --> 00:01:42,852 THERE WAS SOMEONE ELSE. 46 00:01:42,918 --> 00:01:44,185 THERE WAS ANOTHER MAN? 47 00:01:44,252 --> 00:01:46,252 STANDING IN THE DOORWAY. 48 00:01:46,318 --> 00:01:50,085 HE SAID, "GO, RUN. THERE'S SOMEONE COMING." 49 00:01:50,152 --> 00:01:53,618 AND THE MAN WHO WAS ATTACKING ME LET ME GO, 50 00:01:53,685 --> 00:01:56,618 AND THEY BOTH RAN UP THE STAIRS. 51 00:01:56,685 --> 00:02:02,318 THE LAST THING I HEARD WAS, "JIMMY IS GONNA BE PISSED." 52 00:02:02,385 --> 00:02:03,952 DO YOU KNOW ANYONE NAMED JIMMY? 53 00:02:04,018 --> 00:02:06,018 NO. 54 00:02:06,085 --> 00:02:08,885 LUCY, HAVE YOU EVER BEEN IN THE TIME BAR? 55 00:02:08,952 --> 00:02:11,352 I STOPPED IN THERE THE OTHER DAY. 56 00:02:11,418 --> 00:02:13,085 YOU TALK TO ANYBODY? 57 00:02:13,152 --> 00:02:15,218 NO, I JUST WENT IN TO LOOK. 58 00:02:15,285 --> 00:02:18,485 DID YOU TAKE THIS FROM THE TIME BAR? 59 00:02:18,552 --> 00:02:20,485 NO. 60 00:02:20,552 --> 00:02:23,085 WAS THIS THAT SERIAL KILLER? 61 00:02:23,152 --> 00:02:25,052 UH, WE'RE NOT SURE. 62 00:02:25,118 --> 00:02:27,052 THEY WERE GONNA KILL ME. 63 00:02:27,118 --> 00:02:30,252 WE'RE GONNA HAVE THE PARAMEDICS TAKE YOU TO THE HOSPITAL. 64 00:02:30,318 --> 00:02:31,318 WE'LL BE IN TOUCH. 65 00:02:31,385 --> 00:02:33,352 GOOD FOR YOU, FIGHTING THEM OFF. 66 00:02:36,352 --> 00:02:37,485 WHAT DO WE GOT? 67 00:02:37,552 --> 00:02:41,252 THE MATCHBOOK WAS PLANTED. THERE WAS AN ACCOMPLICE. 68 00:02:41,318 --> 00:02:42,252 DID SHE SEE FACES? 69 00:02:42,318 --> 00:02:44,118 THE ATTACKER MIGHT HAVE BEEN WHITE. 70 00:02:44,185 --> 00:02:46,252 ONE OF THE ATTACKERS SAID THE NAME "JIMMY." 71 00:02:46,318 --> 00:02:48,318 THERE'S NO JIMMYS OR JAMES IN THIS CASE 72 00:02:48,385 --> 00:02:50,785 EXCEPT FOR JAMES CARLIN WHO OWNS THE TIME BAR. 73 00:02:50,852 --> 00:02:51,618 SO CARLIN IS INVOLVED. 74 00:02:51,685 --> 00:02:53,485 WE'RE GONNA TALK TO HIM, BOSS. 75 00:02:58,352 --> 00:02:59,985 ANYTHING ON THE CANVASS? 76 00:03:00,052 --> 00:03:02,185 NOTHING. NO ONE SAW THE PERPS. 77 00:03:02,252 --> 00:03:04,052 I DON'T CARE! 78 00:03:04,118 --> 00:03:06,252 WELL, WE'LL SAVE IT TILL LATER. 79 00:04:27,885 --> 00:04:29,485 HEY, WE HEARD. OFF?DUTY COP. 80 00:04:29,552 --> 00:04:32,318 A NARCOTICS DETECTIVE WITH THE MANHATTAN SOUTH. 81 00:04:32,385 --> 00:04:33,585 HE'S PRETTY SHOOK UP. 82 00:04:37,452 --> 00:04:40,485 DEXTER COPELAND. ONE IN THE LEG. 83 00:04:44,685 --> 00:04:45,552 JONES, MEDAVOY. 84 00:04:45,618 --> 00:04:47,952 LYLE, LYLE TROTTER. ARE YOU GUYS I. A. B.? 85 00:04:48,018 --> 00:04:49,818 NO, WE'RE WITH THE 15th SQUAD. 86 00:04:49,885 --> 00:04:51,352 WHAT HAPPENED HERE, LYLE? 87 00:04:51,418 --> 00:04:54,218 UH, THE GUN JUST WENT OFF. HE DIED RIGHT IN FRONT OF ME. 88 00:04:54,285 --> 00:04:56,652 LET'S TAKE IT FROM THE TOP. WHAT BROUGHT YOU HERE? 89 00:04:56,718 --> 00:04:58,452 WHILE I'M WAITING ON MY INFORMANT, 90 00:04:58,518 --> 00:05:00,252 THE GUYS COMES UP ON ME, PULLS A PIECE, ASKS FOR MY WALLET. 91 00:05:00,318 --> 00:05:01,785 LOOKS LIKE YOU DIDN'T COMPLY. 92 00:05:01,852 --> 00:05:04,885 I FIGURE HE ROBS ME, THEN PUTS ONE IN MY HEAD, 93 00:05:04,952 --> 00:05:08,285 SO I GRABBED FOR HIS GUN, AND A ROUND WENT OFF. 94 00:05:08,352 --> 00:05:10,285 I TRIED TO STOP THE BLEEDING, 95 00:05:10,352 --> 00:05:12,652 BUT I MUST HAVE HIT HIM IN AN ARTERY. 96 00:05:12,718 --> 00:05:15,385 LOOK, I KNOW WHAT YOU'RE GOING THROUGH. 97 00:05:15,452 --> 00:05:18,852 IT'S GONNA BE OKAY, BUT WHAT YOU NEED TO DO NOW IS FOCUS. 98 00:05:18,918 --> 00:05:20,218 OKAY. 99 00:05:20,285 --> 00:05:22,018 ARE YOU ON OR OFF DUTY TODAY? 100 00:05:22,085 --> 00:05:25,085 OFF, BUT SOMETIMES I USE MY DOWNTIME 101 00:05:25,152 --> 00:05:27,485 TO CATCH UP WITH MY C. I.'s. 102 00:05:27,552 --> 00:05:29,918 WELL, WHERE IS HE? LYLE? 103 00:05:29,985 --> 00:05:33,818 UH, MAYBE HE'S RUNNING LATE OR FORGOT ABOUT THE MEET. 104 00:05:33,885 --> 00:05:35,085 YOU GOT A NAME FOR US? 105 00:05:35,152 --> 00:05:36,652 NICKNAME WE USE IS "FLOSSY," 106 00:05:36,718 --> 00:05:39,185 BUT YOU GUYS KNOW I CAN'T GIVE UP MY C.I. 107 00:05:39,252 --> 00:05:40,685 THE JOB'S CLEAR ON THAT. 108 00:05:40,752 --> 00:05:42,452 WE CAN GO THROUGH YOUR BOSS IF WE NEED IT, 109 00:05:42,518 --> 00:05:43,818 BUT YOU GOT A WEAPON ON YOU? 110 00:05:43,885 --> 00:05:45,318 GUYS, IT'S A GOOD SHOOT. 111 00:05:45,385 --> 00:05:47,918 WE'RE NOT DOUBTING THAT, BUT WE GOTTA ASK THE QUESTION. 112 00:05:47,985 --> 00:05:50,752 I GOT A .38 IN MY ANKLE HOLSTER, BUT I NEVER FIRED IT. 113 00:05:50,818 --> 00:05:53,885 WE'LL NEED BALLISTICS TO VERIFY THAT. 114 00:05:53,952 --> 00:05:56,618 I MEAN, I'VE NEVER SHOT ANYONE. 115 00:06:08,085 --> 00:06:09,852 I'LL GET CARLIN. 116 00:06:12,618 --> 00:06:14,185 DAMN. THE BIOPSY IS IN AN HOUR. 117 00:06:14,252 --> 00:06:15,485 I'VE BEEN DOING RESEARCH. 118 00:06:15,552 --> 00:06:17,818 THERE'S A LOT OF WAYS TO LOOK AT THE STATISTICS. 119 00:06:17,885 --> 00:06:20,418 AND I'M SURE YOU'RE LEANING TOWARDS A POSITIVE. 120 00:06:20,485 --> 00:06:22,385 YEAH, 'CAUSE THAT'S WHAT YOU DO? 121 00:06:22,452 --> 00:06:24,785 I MIGHT. I SURVIVED PROSTATE CANCER. 122 00:06:24,852 --> 00:06:26,318 PEOPLE DO MAKE IT THROUGH. 123 00:06:26,385 --> 00:06:28,418 IF I COULD PASS IT LIKE YOU DID, 124 00:06:28,485 --> 00:06:30,752 I'M SURE I'LL HAVE A ROSIER OUTLOOK. 125 00:06:32,618 --> 00:06:35,218 TALKING ABOUT IT TO SYLVIA HELPED. 126 00:06:35,285 --> 00:06:37,052 I'VE BEEN TALKING TO YOU. 127 00:06:37,118 --> 00:06:38,385 IT'S NOT THE SAME. 128 00:06:38,452 --> 00:06:41,285 YOU NEED TO BE TALKING TO A WOMAN. 129 00:06:41,352 --> 00:06:45,718 I THOUGHT ABOUT TELLING CONNIE, BUT I DON'T KNOW. 130 00:06:45,785 --> 00:06:47,218 SHE WANTS TO HELP. 131 00:06:48,552 --> 00:06:52,518 QUIT LETTING THIS THING SWIRL AROUND IN YOUR HEAD. 132 00:06:52,585 --> 00:06:54,518 YOU FOUND THE GUY. YOU NAILED HIM. 133 00:06:54,585 --> 00:06:56,218 OUR NATIONAL NIGHTMARE IS OVER. 134 00:06:56,285 --> 00:06:58,518 WE GOT ANOTHER ASSAULT. 135 00:06:58,585 --> 00:07:01,818 ANYONE? DRINK? 136 00:07:01,885 --> 00:07:03,052 I'M STARTING EARLY. 137 00:07:03,118 --> 00:07:05,252 THE VICTIM SURVIVED?? LUCY WERNER. 138 00:07:05,318 --> 00:07:06,885 YOU EVER HEARD THAT NAME? 139 00:07:06,952 --> 00:07:08,052 NO. 140 00:07:08,118 --> 00:07:09,952 CAN YOU ACCOUNT FOR YOURSELF THIS MORNING? 141 00:07:10,018 --> 00:07:11,418 PARDON ME? 142 00:07:11,485 --> 00:07:13,518 THE GUYS WHO ATTACKED HER USED YOUR NAME. 143 00:07:13,585 --> 00:07:15,718 SO YOU THINK I'VE BEEN RAPING AND KILLING THESE WOMEN? 144 00:07:15,785 --> 00:07:17,685 OR SOMEONE'S TRYING TO LAY IT ON YOU. 145 00:07:17,752 --> 00:07:18,585 I'D START THERE. 146 00:07:18,652 --> 00:07:20,852 ALL RIGHT. WHO ARE YOUR ENEMIES? 147 00:07:20,918 --> 00:07:22,385 ADAM. 148 00:07:22,452 --> 00:07:24,385 GALANTER? YOUR BUSINESS PARTNER. 149 00:07:24,452 --> 00:07:26,852 HE LOOKS LIKE AN ACCOUNTANT, BUT HE'S GOT A BLACK HEART. 150 00:07:26,918 --> 00:07:29,618 HE'S BEEN TRYING TO DRIVE ME OUT OF THIS HOTEL FOR TWO YEARS. 151 00:07:29,685 --> 00:07:31,685 AND HE'S CAPABLE OF DOING SOMETHING LIKE THIS? 152 00:07:31,752 --> 00:07:33,718 HE'S CAPABLE OF PAYING SOMEBODY TO DO IT, 153 00:07:33,785 --> 00:07:35,785 AS LONG AS HE DOESN'T GET HIS HANDS DIRTY. 154 00:07:35,852 --> 00:07:37,285 WE'LL TALK TO HIM. 155 00:07:37,352 --> 00:07:39,052 YOU STILL HAVEN'T TOLD US WHERE YOU WERE THIS MORNING. 156 00:07:39,118 --> 00:07:40,218 ASLEEP. 157 00:07:40,285 --> 00:07:41,752 AND WHEN YOU TALK TO ADAM, 158 00:07:41,818 --> 00:07:44,318 ASK HIM ABOUT THE BROTHER THAT HE THREATENED TO KILL 159 00:07:44,385 --> 00:07:46,818 OR THE MOTHER THAT HE HASN'T TALKED TO IN 20 YEARS. 160 00:07:46,885 --> 00:07:49,252 ALL RIGHT, STAY SOBER AND STAY AVAILABLE. 161 00:08:00,518 --> 00:08:03,352 BEFORE WE GET STARTED, YOU KNOW, I'M PROTECTED. 162 00:08:03,418 --> 00:08:05,885 SO IF YOU'RE LOOKING TO HURT ME, 163 00:08:05,952 --> 00:08:07,618 I'M JUST PUTTING THAT OUT THERE. 164 00:08:07,685 --> 00:08:10,385 WHO YOU WORK FOR, FLOSSY? LYLE TROTTER. 165 00:08:10,452 --> 00:08:13,085 HE'S A DETECTIVE WITH THE MANHATTAN SOUTH. 166 00:08:13,152 --> 00:08:14,418 I'M A REGISTERED C.I. 167 00:08:14,485 --> 00:08:17,485 ALL RIGHT, FINE. WHERE WERE YOU THIS MORNING? 168 00:08:17,552 --> 00:08:19,785 DONITA DELGADO. BIG RACK. 169 00:08:19,852 --> 00:08:21,452 NOT THAT I NEED TO BRAG. 170 00:08:21,518 --> 00:08:23,185 WERE YOU SUPPOSED TO HAVE THE MEET WITH DETECTIVE TROTTER? 171 00:08:23,252 --> 00:08:24,218 WHO SAID THAT? 172 00:08:24,285 --> 00:08:25,452 ANSWER THE QUESTION. 173 00:08:25,518 --> 00:08:26,418 MAYBE. 174 00:08:26,485 --> 00:08:28,552 I GOT ONE OF THOSE CALENDAR THINGS, YOU KNOW, 175 00:08:28,618 --> 00:08:30,385 SO SOMETIMES I FORGET TO CHECK IT. 176 00:08:30,452 --> 00:08:32,785 YES OR NO, AND WE'RE NOT GONNA ASK AGAIN. 177 00:08:32,852 --> 00:08:35,518 NO MEET I CAN RECALL. LYLE SAY DIFFERENT? 178 00:08:35,585 --> 00:08:37,852 YOU KNOW A DEXTER COPELAND? 179 00:08:37,918 --> 00:08:40,585 NO. WHAT'S UP WITH THIS? 180 00:08:40,652 --> 00:08:43,385 DEXTER TRIED TO ROB TROTTER AND WOUND UP DEAD. 181 00:08:43,452 --> 00:08:44,685 I DON'T KNOW NOTHING ABOUT IT. 182 00:08:44,752 --> 00:08:46,352 YOU HAVING PROBLEMS WITH DETECTIVE TROTTER? 183 00:08:46,418 --> 00:08:48,085 NO, THAT WAS MY MEAL TICKET. 184 00:08:48,152 --> 00:08:50,118 BEEN NOTHING BUT GOOD TO ME. 185 00:08:50,185 --> 00:08:52,118 IF YOU HAD ANYTHING TO DO WITH THIS, 186 00:08:52,185 --> 00:08:53,785 NOW IS THE TIME TO TELL US. 187 00:08:53,852 --> 00:08:54,952 I DON'T KNOW A DEXTER. 188 00:08:55,018 --> 00:08:56,952 I DON'T KNOW ABOUT A MEET WITH LYLE. 189 00:08:57,018 --> 00:08:58,818 I DON'T KNOW NOTHING ABOUT NOTHING. 190 00:08:58,885 --> 00:09:01,485 UNLESS YOU WANT ME TO. 191 00:09:01,552 --> 00:09:02,985 ALL RIGHT. 192 00:09:03,052 --> 00:09:04,018 DONITA DELGADO. 193 00:09:04,085 --> 00:09:06,018 WHERE ARE WE GONNA FIND HER? 194 00:09:06,085 --> 00:09:09,718 1222 CLINTON. 195 00:09:09,785 --> 00:09:13,318 HER PHONE NUMBER AND THE NAMES OF ANYONE ELSE YOU SAW. 196 00:09:13,385 --> 00:09:15,785 I'LL BRING THE BOSS UP TO SPEED. 197 00:09:17,285 --> 00:09:19,185 HEY. HOW ARE YOU FEELING? 198 00:09:19,252 --> 00:09:21,252 BETTER. TOUGH FLU BUG. 199 00:09:21,318 --> 00:09:23,552 WELL, I'M ON THE OTHER SIDE OF IT. 200 00:09:23,618 --> 00:09:26,385 THE INFORMANT SAID THERE WAS NO MEET SCHEDULED 201 00:09:26,452 --> 00:09:28,985 THIS MORNING WITH DETECTIVE TROTTER. 202 00:09:29,052 --> 00:09:29,985 AND DO WE BELIEVE HIM? 203 00:09:30,052 --> 00:09:31,485 HE'S A STOOL PIGEON, SO WHO KNOWS? 204 00:09:31,552 --> 00:09:33,318 I NEED BETTER THAN THAT, GREG. 205 00:09:33,385 --> 00:09:35,118 YOUR D. O. A.'s SHEET CAME BACK. 206 00:09:35,185 --> 00:09:37,218 HE HAS A COUPLE PRIORS FOR ROBBERY. 207 00:09:37,285 --> 00:09:39,652 OKAY, WE'LL VERIFY THE INFORMANT'S ALIBI 208 00:09:39,718 --> 00:09:42,285 FOR THIS MORNING AND GO FROM THERE. 209 00:09:42,352 --> 00:09:43,585 I DON'T MEAN TO INTERFERE, 210 00:09:43,652 --> 00:09:46,085 BUT THE LOCATION OF THE SHOOTING IS NEXT DOOR 211 00:09:46,152 --> 00:09:47,585 TO AN UNDERGROUND GAY CLUB, 212 00:09:47,652 --> 00:09:50,418 AND THE PARKING STRUCTURE IS KNOWN AS SOMEWHAT OF A... 213 00:09:50,485 --> 00:09:52,618 LOVERS' LANE IN THE GAY COMMUNITY. 214 00:09:54,152 --> 00:09:56,152 FOR WHAT THAT'S WORTH. 215 00:09:56,218 --> 00:09:57,752 GET TROTTER'S ASS BACK IN HERE. 216 00:09:57,818 --> 00:09:59,918 IF THIS IS SOME LOVERS' QUARREL, WE NEED TO KNOW ABOUT IT. 217 00:09:59,985 --> 00:10:02,352 YOU GOT IT, BOSS. 218 00:10:04,752 --> 00:10:05,685 WHERE'S ANDY? 219 00:10:05,752 --> 00:10:08,885 HE'S GRABBING UP CARLIN'S BUSINESS PARTNER. 220 00:10:08,952 --> 00:10:10,652 SOME BAD BLOOD BETWEEN THE TWO. 221 00:10:10,718 --> 00:10:12,252 ENOUGH TO KILL INNOCENT WOMEN OVER? 222 00:10:12,318 --> 00:10:13,452 A LOT OF MONEY AT STAKE. 223 00:10:13,518 --> 00:10:16,585 15th SQUAD. INSPECTOR GRAFF. 224 00:10:19,318 --> 00:10:21,918 CONNIE, DO YOU HAVE A MINUTE? 225 00:10:21,985 --> 00:10:23,152 SURE. 226 00:10:34,518 --> 00:10:38,185 I FEEL TERRIBLE THAT I CAUSED TROUBLE BETWEEN YOU AND ANDY 227 00:10:38,252 --> 00:10:39,352 THE LAST FEW DAYS. 228 00:10:39,418 --> 00:10:40,718 WE WORKED IT OUT. 229 00:10:40,785 --> 00:10:44,085 IT WASN'T FAIR, YOU NOT HAVING THE FULL STORY. 230 00:10:44,152 --> 00:10:46,485 I JUST WASN'T READY TO TELL YOU. 231 00:10:46,552 --> 00:10:48,852 IT'S OKAY. 232 00:10:48,918 --> 00:10:52,385 UM... 233 00:10:52,452 --> 00:10:54,585 I HAVE A LUMP IN MY BREAST, 234 00:10:54,652 --> 00:10:57,852 AND I'M GOING IN FOR THE BIOPSY RIGHT NOW. 235 00:10:59,652 --> 00:11:02,418 AND I WAS WONDERING IF YOU COULD HELP ME THROUGH IT. 236 00:11:02,485 --> 00:11:04,352 SURE. 237 00:11:15,285 --> 00:11:19,318 SOMETHING'S COME UP THAT WE'RE HOPING TO CLARIFY. 238 00:11:19,385 --> 00:11:23,785 UM, IT SEEMS THE D. O. A. HAS A SHEET FOR ARMED ROBBERIES. 239 00:11:23,852 --> 00:11:25,285 NO SHOCKER THERE. 240 00:11:25,352 --> 00:11:28,652 BUT IT TURNS OUT, LYLE, WHERE THIS TOOK PLACE?? 241 00:11:28,718 --> 00:11:31,618 THE NEIGHBORHOOD HAS A GAY ELEMENT TO IT. 242 00:11:36,618 --> 00:11:37,585 OH, COME ON. 243 00:11:37,652 --> 00:11:39,218 WHO PICKED THE LOCATION FOR THE MEET? 244 00:11:39,285 --> 00:11:41,052 FLOSSY DID, WHICH IS NO SURPRISE, 245 00:11:41,118 --> 00:11:42,952 'CAUSE THE GUYS'S HALF A FAG HIMSELF. 246 00:11:43,018 --> 00:11:44,652 USED TO SELL METH ON 46th STREET 247 00:11:44,718 --> 00:11:46,585 WHERE ALL THE MALE PROSS HANG OUT. 248 00:11:46,652 --> 00:11:49,285 WELL, YOUR C. O. HOOKED US UP WITH FLOSSY. FINE. 249 00:11:49,352 --> 00:11:51,418 AND FLOSSY'S SAYING THERE WAS NO MEET SCHEDULED. 250 00:11:51,485 --> 00:11:54,018 YOU GUYS WORK WITH INFORMANTS AT ALL? 251 00:11:54,085 --> 00:11:55,118 YEAH, WE DO. 252 00:11:55,185 --> 00:11:57,485 SO THEN I DON'T NEED TO GET INTO HOW 253 00:11:57,552 --> 00:11:59,918 THEY'RE A LITTLE SLIPPERY SOMETIMES. 254 00:11:59,985 --> 00:12:02,618 WELL, FLOSSY WAS PRETTY EMPHATIC ABOUT THERE BEING NO MEET. 255 00:12:02,685 --> 00:12:04,518 THERE'S NO REASON WHY HE'D LIE ABOUT IT. 256 00:12:04,585 --> 00:12:07,485 UNLESS YOU KNOW SOMETHING WE DON'T. 257 00:12:07,552 --> 00:12:10,118 FLOSSY WAS EITHER HIGH, SCARED, 258 00:12:10,185 --> 00:12:12,118 CHECKING YOU OUT, FORGOT ABOUT IT, 259 00:12:12,185 --> 00:12:14,318 PISSED AT ME FOR HAVING HIM BROUGHT IN, 260 00:12:14,385 --> 00:12:16,552 OR ANY OF 10 OTHER REASONS WHY HE'D LIE. 261 00:12:16,618 --> 00:12:18,685 THERE WAS A MEET SCHEDULED. I SHOWED. 262 00:12:18,752 --> 00:12:21,152 NEXT THING, SOME SCUMBAG'S SHOVING A GUN IN MY FACE. 263 00:12:21,218 --> 00:12:22,418 ALL RIGHT, THEN. 264 00:12:22,485 --> 00:12:25,852 WE DONE? IT'S BEEN A LONG MORNING. 265 00:12:28,752 --> 00:12:30,585 WE'LL BE IN TOUCH. 266 00:12:39,118 --> 00:12:40,885 COULD I ASK A HYPOTHETICAL QUESTION? 267 00:12:40,952 --> 00:12:43,652 IF IT IS MALIGNANT, COULD IT BE REMOVED WITH A LUMPECTOMY 268 00:12:43,718 --> 00:12:45,518 OR WOULD I NEED THE BREAST REMOVED? 269 00:12:45,585 --> 00:12:48,118 DIANE, I THINK YOU'RE JUMPING A STEP. 270 00:12:48,185 --> 00:12:50,485 THERE'S A 20% CHANCE OF MALIGNANCY. 271 00:12:50,552 --> 00:12:52,818 MEANING AN 80% CHANCE IT'S BENIGN. 272 00:12:52,885 --> 00:12:57,152 FOR SOMEONE WITH MY BREAST SIZE, WOULD I NEED A MASTECTOMY? 273 00:12:57,218 --> 00:12:58,218 YOU MIGHT. 274 00:12:58,285 --> 00:13:00,418 THAT'S ALL I WANTED TO KNOW. 275 00:13:00,485 --> 00:13:02,052 I'D LIKE TO RUN A NUMBER BY YOU. 276 00:13:02,118 --> 00:13:03,818 DOES IT HAVE TO DO WITH SURVIVAL RATES? 277 00:13:03,885 --> 00:13:05,952 UH, FOR WOMEN MY AGE WITH A FAST?GROWTH MALIGNANCY, 278 00:13:06,018 --> 00:13:08,252 THE NUMBERS AREN'T GOOD, NO MATTER HOW YOU CUT IT. 279 00:13:08,318 --> 00:13:11,285 DIANE, STOP. TAKE HER HAND. 280 00:13:11,352 --> 00:13:15,285 THE UPSIDE TO RESEARCH IS BEING PREPARED. 281 00:13:15,352 --> 00:13:19,052 THE DOWNSIDE IS BEING OVER?PREPARED. 282 00:13:19,118 --> 00:13:20,085 I'M FACING FACTS. 283 00:13:20,152 --> 00:13:21,918 YOU'RE DROWNING YOURSELF IN THEM. 284 00:13:21,985 --> 00:13:25,118 IF THERE COMES A TIME FOR A CONVERSATION ABOUT STATISTICS, 285 00:13:25,185 --> 00:13:26,918 I PROMISE I'LL BE OPEN AND FRANK. 286 00:13:26,985 --> 00:13:29,985 RIGHT NOW, ALL WE'RE DOING IS RUNNING A SMALL TEST 287 00:13:30,052 --> 00:13:31,252 THAT WON'T HURT A BIT. 288 00:13:31,318 --> 00:13:32,752 THAT'S WHERE WE'RE AT. 289 00:13:32,818 --> 00:13:35,318 OKAY. 290 00:13:35,385 --> 00:13:37,318 READY WHEN YOU ARE. 291 00:14:14,885 --> 00:14:17,618 MM. 292 00:14:32,709 --> 00:14:34,409 APPRECIATE YOU COMING IN, MR. GALANTER. 293 00:14:34,476 --> 00:14:35,542 ANYTHING TO HELP. 294 00:14:35,609 --> 00:14:37,909 TELL US ABOUT YOUR RELATIONSHIP WITH JAMES CARLIN. 295 00:14:37,976 --> 00:14:39,942 I'LL NEED ABOUT A MONTH. YEAH. WE'VE MET HIM. 296 00:14:40,009 --> 00:14:41,409 WE DON'T GET ALONG, 297 00:14:41,476 --> 00:14:43,142 BUT THAT'S NOT A PREREQUISITE FOR MAKING MONEY. 298 00:14:43,209 --> 00:14:44,809 AND THE MONEY SIDE, THAT'S YOU? 299 00:14:44,876 --> 00:14:46,009 I HANDLE THE FUNDING. 300 00:14:46,076 --> 00:14:47,342 JIMMY'S ABOUT DESIGN AND PUBLICITY, 301 00:14:47,409 --> 00:14:48,476 THE GLITTER SIDE OF IT. 302 00:14:48,542 --> 00:14:50,609 WE UNDERSTAND YOU TWO WERE IN COURT RECENTLY. 303 00:14:50,676 --> 00:14:52,776 HE'S BEEN TRYING TO MUSCLE ME OUT OF BOARD MEETINGS, 304 00:14:52,842 --> 00:14:54,309 AND I THINK TAKING MONEY THAT'S NOT HIS. 305 00:14:54,376 --> 00:14:57,876 IF JAMES CARLIN WERE THROWN IN JAIL, HOW WOULD THAT AFFECT YOU? 306 00:14:57,942 --> 00:15:00,309 I'D RUN THE BOARD OF THE CORPORATION. 307 00:15:00,376 --> 00:15:03,276 THAT APPEAL TO YOU? 308 00:15:03,342 --> 00:15:06,276 WHY DOES IT FEEL LIKE IT GOT ABOUT 8 DEGREES COLDER IN HERE? 309 00:15:06,342 --> 00:15:08,376 WE'RE LOOKING DOWN A LOT OF AVENUES 310 00:15:08,442 --> 00:15:11,576 AND THE ANIMOSITY BETWEEN YOU AND CARLIN IS ONE OF THEM. 311 00:15:11,642 --> 00:15:13,109 AS A MOTIVE FOR THESE KILLINGS. 312 00:15:13,176 --> 00:15:15,042 WHEN BUSINESS RELATIONSHIPS GO SOUR 313 00:15:15,109 --> 00:15:16,942 AND THERE'S A LOT OF MONEY AT STAKE, 314 00:15:17,009 --> 00:15:19,042 SOMETIMES PEOPLE RESORT TO CRAZY THINGS. 315 00:15:19,109 --> 00:15:20,776 DID YOU JUST ACCUSE ME? 316 00:15:20,842 --> 00:15:22,309 WE'RE JUST TALKING, MR. GALANTER. 317 00:15:22,376 --> 00:15:25,009 ALL DUE RESPECT, YOU'RE TALKING OUT OF YOUR ASS. WATCH YOUR TONGUE. 318 00:15:25,076 --> 00:15:27,342 CARLIN'S BEEN TRYING TO DIRTY TRICK ME OUT OF THE CORPORATION. 319 00:15:27,409 --> 00:15:29,109 IF YOU'RE ACCUSING ANYONE, TALK TO HIM. 320 00:15:29,176 --> 00:15:31,309 DIRTY TRICKS? HE BRIBED AN EMPLOYEE INTO FILING 321 00:15:31,376 --> 00:15:33,409 A SEXUAL HARASSMENT SUIT AGAINST ME. 322 00:15:33,476 --> 00:15:34,409 WHERE'D IT END UP? 323 00:15:34,476 --> 00:15:36,209 WE GOT TO THE GIRL, AND THE SUIT WAS DROPPED. 324 00:15:36,276 --> 00:15:37,809 SO IT'S BACK TO NORMAL FOR YOU AND CARLIN? 325 00:15:37,876 --> 00:15:39,209 WE PATCHED THINGS UP. 326 00:15:39,276 --> 00:15:41,642 THEN A YEAR AGO, I SHOW UP FOR A BOARD MEETING, 327 00:15:41,709 --> 00:15:44,609 AND HIS APE TRIED TO PHYSICALLY KEEP ME OUT OF THE ROOM. 328 00:15:44,676 --> 00:15:46,209 HE TOOK A SWING AT ME. 329 00:15:46,276 --> 00:15:48,876 I HAD TO GET A COURT ORDER SO I COULD COME TO WORK. 330 00:15:48,942 --> 00:15:50,676 THIS IS CARLIN'S BODYGUARD? 331 00:15:50,742 --> 00:15:52,176 YEAH. BRIAN VAUGHN. 332 00:15:52,242 --> 00:15:54,976 JIMMY WANTS ME OUT SO HE CAN CONSOLIDATE THE COMPANY, 333 00:15:55,042 --> 00:15:56,642 BUT I WON'T SELL AT HIS PRICE. 334 00:15:56,709 --> 00:15:58,142 YOU SEE WHERE I'M GOING? 335 00:15:58,209 --> 00:15:59,442 NOT QUITE. 336 00:15:59,509 --> 00:16:00,842 BECAUSE OF THESE MURDERS, 337 00:16:00,909 --> 00:16:03,342 THE VALUE OF THE HELIX HOTEL IS TANKING. 338 00:16:03,409 --> 00:16:06,476 MAYBE JIMMY THINKS THAT WILL DRIVE MY PRICE DOWN. 339 00:16:06,542 --> 00:16:09,142 LOOK AT WHO IS BENEFITING. 340 00:16:09,209 --> 00:16:10,942 NOT ME. 341 00:16:14,409 --> 00:16:15,409 WHO DO WE BELIEVE? 342 00:16:15,476 --> 00:16:16,609 THE COP. YEAH. 343 00:16:16,676 --> 00:16:18,776 THE INFORMANT, BOSS, THIS FLOSSY?? 344 00:16:18,842 --> 00:16:21,109 HE'S ABOUT AS RELIABLE AS MY OLD TRIUMPH. 345 00:16:21,176 --> 00:16:23,276 WE'RE JUST WAITING ON BALLISTICS. 346 00:16:23,342 --> 00:16:26,709 THE SLUG MATCHES THE D. O. A.'s GUN, I THINK WE'RE IN BUSINESS. 347 00:16:26,776 --> 00:16:28,076 DETECTIVE JONES, 348 00:16:28,142 --> 00:16:30,809 MICHAEL WOODRUFF'S FOSTER MOTHER, GERI GROSS. 349 00:16:30,876 --> 00:16:33,009 WHAT HAVE YOU GUYS BEEN UP TO? 350 00:16:33,076 --> 00:16:35,376 OH, WE, UH... WENT TO RE?CANVASS. 351 00:16:35,442 --> 00:16:37,542 CAME UP EMPTY. 352 00:16:37,609 --> 00:16:39,742 OKAY. 353 00:16:39,809 --> 00:16:41,276 EVERYTHING ALL RIGHT? 354 00:16:41,342 --> 00:16:43,609 MICHAEL DIDN'T SHOW UP FOR SCHOOL TODAY. 355 00:16:43,676 --> 00:16:45,042 NOBODY KNOWS WHERE HE IS. 356 00:16:45,109 --> 00:16:47,576 KIDS THAT AGE, THEY PLAY HOOKY ALL THE TIME. 357 00:16:47,642 --> 00:16:49,176 NAH, THIS ONE DOESN'T. 358 00:16:49,242 --> 00:16:51,876 NOT AFTER WHAT IT TOOK TO GET HIM INTO THAT FOSTER HOME. 359 00:16:51,942 --> 00:16:54,576 WHAT'D THE BUSINESS PARTNER SAY? 360 00:16:54,642 --> 00:16:57,142 THAT CARLIN'S BROKE AND DESPERATE. 361 00:16:57,209 --> 00:17:01,676 OKAY, I WENT TO P. S. 173, SO YOU NEED TO EXPLAIN THIS TO ME. 362 00:17:01,742 --> 00:17:03,542 WHY WOULD CARLIN BE BEHIND THESE MURDERS 363 00:17:03,609 --> 00:17:05,042 AND RUIN HIS OWN BUSINESS? 364 00:17:05,109 --> 00:17:07,476 HE'S TRYING TO BUY HIS BUSINESS PARTNER OUT, 365 00:17:07,542 --> 00:17:10,209 SO MAYBE HE STAGES THE MURDERS, SINKS THE HOTELS, 366 00:17:10,276 --> 00:17:12,842 THEN GETS THEM BACK AT PENNIES ON THE DOLLAR. 367 00:17:12,909 --> 00:17:14,376 THAT'S PRETTY ELABORATE. 368 00:17:14,442 --> 00:17:17,476 THESE ARE THE MOST EGOTISTICAL ASSHOLES I EVER MET IN MY LIFE. 369 00:17:17,542 --> 00:17:18,709 THIS IS NOT PAST THEM. 370 00:17:18,776 --> 00:17:20,276 ANYTHING ON CARLIN'S FINANCES? 371 00:17:20,342 --> 00:17:22,276 VALERIE SAYS SHE'LL ISSUE A SUBPOENA 372 00:17:22,342 --> 00:17:25,142 FOR RELEVANT BOOKS AND RECORDS, BUT SHE WANTS MORE FIRST. 373 00:17:25,209 --> 00:17:27,076 SO DO I. CARLIN'S GOT A BODYGUARD. 374 00:17:27,142 --> 00:17:29,409 WE'LL BRING HIM IN, SEE WHAT SHAKES OUT. 375 00:17:30,942 --> 00:17:34,076 MAY I HELP YOU? I'M LOOKING FOR THEM TWO. 376 00:17:34,142 --> 00:17:36,209 WHAT DO YOU NEED, FLOSSY? 377 00:17:36,276 --> 00:17:40,042 ALL RIGHT, DON'T KILL ME, BUT I LIED A LITTLE EARLIER. 378 00:17:40,109 --> 00:17:43,342 THERE WAS A MEET WITH DETECTIVE TROTTER. 379 00:17:43,409 --> 00:17:44,809 MY BAD FOR SPACING IT. 380 00:17:44,876 --> 00:17:47,276 OH, YEAH, THAT SOUNDS LEGIT. 381 00:17:47,342 --> 00:17:48,509 IN THERE. 382 00:17:50,376 --> 00:17:53,009 IF I HEAR FROM MICHAEL, I'LL LET YOU KNOW. 383 00:17:56,609 --> 00:17:58,342 YOU OKAY? 384 00:17:58,409 --> 00:18:00,509 YEAH. THANKS. 385 00:18:04,276 --> 00:18:06,842 I WAS SUPPOSED TO HOOK UP WITH LYLE THIS MORNING, 386 00:18:06,909 --> 00:18:07,876 BUT I OVERSLEPT. 387 00:18:07,942 --> 00:18:09,176 WHY'D YOU SHINE US ON? 388 00:18:09,242 --> 00:18:11,142 TWO COPS I DON'T KNOW HAUL ME IN, 389 00:18:11,209 --> 00:18:13,009 START ASKING ABOUT A MEET I BLEW OFF, 390 00:18:13,076 --> 00:18:14,676 SO I FIGURED I WAS IN TROUBLE. 391 00:18:14,742 --> 00:18:15,909 YEAH, HUH? 392 00:18:15,976 --> 00:18:17,642 AND THEN YOU SAID LYLE GOT ROBBED. 393 00:18:17,709 --> 00:18:19,042 SO WHY ARE YOU HERE NOW? 394 00:18:19,109 --> 00:18:21,009 JIMINY CRICKET PAY YOU A VISIT? 395 00:18:21,076 --> 00:18:22,276 I SCOPED YOU TWO OUT. 396 00:18:22,342 --> 00:18:23,242 WORD IS YOU'RE COOL, 397 00:18:23,309 --> 00:18:25,242 SO I FIGURED I'D SET THE RECORD STRAIGHT. 398 00:18:25,309 --> 00:18:27,476 NEVER KNOW WHEN WE MIGHT DO BUSINESS, RIGHT? 399 00:18:27,542 --> 00:18:30,109 SO LYLE CALLS AND TOLD YOU TO COME IN WITH A NEW STORY. 400 00:18:30,176 --> 00:18:32,142 NO, NO. MAN, I WOULD NEVER DO THAT. 401 00:18:32,209 --> 00:18:34,309 BUT, YOU SEE, YOU AND LYLE SCREWED UP, 402 00:18:34,376 --> 00:18:36,642 'CAUSE THIS WHOLE THING WAS SEALED OFF, 403 00:18:36,709 --> 00:18:38,676 AND NOW WE'RE LOOKING AT EVERYBODY, 404 00:18:38,742 --> 00:18:40,109 INCLUDING YOUR SKANKY ASS. 405 00:18:40,176 --> 00:18:42,009 I DIDN'T DO NOTHING BUT LIE EARLIER. 406 00:18:42,076 --> 00:18:43,442 NO, YOU TOLD THE TRUTH EARLIER. 407 00:18:43,509 --> 00:18:44,809 YOU'RE LYING NOW! 408 00:18:44,876 --> 00:18:47,476 CAN I JUST SPLIT, AND WE PRETEND LIKE THIS... 409 00:18:47,542 --> 00:18:48,842 WHAT'S LYLE COVERING UP? 410 00:18:48,909 --> 00:18:49,909 NOTHING, MAN. 411 00:18:49,976 --> 00:18:51,542 DOES HE KNOW THE GUY HE SHOT? 412 00:18:51,609 --> 00:18:52,842 I DON'T KNOW! 413 00:18:52,909 --> 00:18:55,142 WHAT DID HE SAY WHEN HE CALLED? 414 00:18:57,176 --> 00:18:59,376 HE DIDN'T CALL ME. HIS PARTNER DID. 415 00:19:00,809 --> 00:19:03,109 DETECTIVE CHARLIE GIVENS, BLACK DUDE. 416 00:19:03,176 --> 00:19:06,609 ALL HE SAID WAS TO COME BACK IN AND SAY THERE WAS A MEET, 417 00:19:06,676 --> 00:19:08,042 AND THAT'S ALL I DID. 418 00:19:08,109 --> 00:19:09,442 'CAUSE I WORK FOR HIM, RIGHT? 419 00:19:09,509 --> 00:19:11,676 IF I DON'T DO WHAT THEY SAY, I'M OUTDOORS. 420 00:19:11,742 --> 00:19:13,909 THAT BETTER BE THE EXTENT OF IT. 421 00:19:13,976 --> 00:19:16,476 I SWEAR ON MY CHILDREN, ALL RIGHT? 422 00:19:16,542 --> 00:19:19,476 WE'RE GONNA KEEP YOU DOWNSTAIRS FOR A WHILE, FLOSSY, 423 00:19:19,542 --> 00:19:21,142 TILL WE FIGURE THIS OUT. 424 00:19:21,209 --> 00:19:24,309 IF LYLE AND CHARLIE GO DOWN FOR SOMETHING, I'M AVAILABLE, 425 00:19:24,376 --> 00:19:27,376 SO KEEP ME IN MIND, 'CAUSE I'M LIKE THE PIZZA MAN. 426 00:19:27,442 --> 00:19:29,376 I DELIVER. 427 00:19:33,542 --> 00:19:35,409 SIT DOWN. 428 00:19:35,476 --> 00:19:38,542 SO, HOW LONG YOU BEEN WORKING FOR JAMES CARLIN? 429 00:19:38,609 --> 00:19:39,709 ABOUT FOUR YEARS. 430 00:19:39,776 --> 00:19:41,609 MUST BE PRETTY GOOD AT DRIVING HIM AROUND. 431 00:19:41,676 --> 00:19:43,309 A LITTLE MORE TO IT THAN THAT. 432 00:19:43,376 --> 00:19:44,442 YEAH? LIKE WHAT? 433 00:19:44,509 --> 00:19:46,476 THINGS. I'M JUST SAYING I AIN'T A CHAUFFEUR. 434 00:19:46,542 --> 00:19:48,776 SO YOU GET HOOKERS FOR HIM, FINISH HIS FIGHTS. 435 00:19:48,842 --> 00:19:50,476 I'M A TRAINED SECURITY PROFESSIONAL. 436 00:19:50,542 --> 00:19:52,976 WHAT ABOUT THAT ASSAULT COLLAR YOU DID TIME FOR? 437 00:19:53,042 --> 00:19:54,076 MISUNDERSTANDING. 438 00:19:54,142 --> 00:19:55,609 OR THAT ORDER OF PROTECTION 439 00:19:55,676 --> 00:19:57,309 MR. GALANTER'S HAS GOT AGAINST YOU. 440 00:19:57,376 --> 00:19:59,642 THAT MUST BE A MISUNDERSTANDING, TOO. 441 00:19:59,709 --> 00:20:01,942 GALANTER'S A LIAR. I NEVER TOUCHED HIM. 442 00:20:02,009 --> 00:20:04,442 LISTEN, BRIAN, HAVING DONE SOME BODYGUARD WORK MYSELF, 443 00:20:04,509 --> 00:20:06,809 I KNOW YOU'RE PAID TO KEEP YOUR MOUTH SHUT, 444 00:20:06,876 --> 00:20:08,876 AND THAT'S FINE OUT THERE IN CLUB LAND, 445 00:20:08,942 --> 00:20:11,842 BUT YOU'RE IN THE MIDDLE OF A POLICE INVESTIGATION. 446 00:20:11,909 --> 00:20:14,042 YOU MEAN THIS SERIAL KILLER THING? 447 00:20:14,109 --> 00:20:15,909 THAT'S RIGHT. WHAT, NOW YOU'RE LOOKING AT ME? 448 00:20:15,976 --> 00:20:17,276 WHERE WERE YOU THIS MORNING? 449 00:20:17,342 --> 00:20:19,509 OH, YOU GUYS ARE GETTING DESPERATE. 450 00:20:19,576 --> 00:20:20,976 WHERE WERE YOU? 451 00:20:21,042 --> 00:20:23,009 [ CHUCKLES ] YOU ARE AS BAD AS JIMMY SAID. 452 00:20:23,076 --> 00:20:24,742 WE'RE NOT GONNA ASK YOU AGAIN. 453 00:20:24,809 --> 00:20:26,409 YEAH, I'M A SERIAL KILLER, 454 00:20:26,476 --> 00:20:29,642 AND I EAT THEIR FLESH AND MAKE LAMPSHADES OUT OF THEIR SKIN. 455 00:20:29,709 --> 00:20:32,142 WE'VE BEEN TAKING BULLSHIT OFF YOUR BOSS FOUR WEEKS STRAIGHT. 456 00:20:32,209 --> 00:20:33,976 NOW, WE AIN'T GONNA BE TAKING IT FROM YOU. 457 00:20:34,042 --> 00:20:36,042 SO LAUGH ONE MORE TIME, I'LL KNOCK YOUR TEETH OUT. 458 00:20:36,109 --> 00:20:38,176 I GOT TO WORK AT 8:00, BEEN THERE SINCE. 459 00:20:38,242 --> 00:20:40,909 WE GOT REASON TO BELIEVE WHOEVER'S DOING THESE MURDERS 460 00:20:40,976 --> 00:20:42,709 HAS BEEN WORKING FOR CARLIN. 461 00:20:42,776 --> 00:20:44,809 I DON'T KNOW ANYTHING ABOUT THOSE MURDERS. 462 00:20:44,876 --> 00:20:46,042 THAT'S STRAIGHT UP. 463 00:20:48,542 --> 00:20:49,742 YOU GO TELL YOUR BOSS 464 00:20:49,809 --> 00:20:52,976 HOW WE'RE GONNA BE LOOKING INTO BOTH OF YOU INSIDE AND OUT, 465 00:20:53,042 --> 00:20:55,342 EVERYBODY YOU KNOW, EVERYBODY YOU EVER MET. 466 00:20:55,409 --> 00:20:58,942 THAT SHOULD BE GOOD FOR A LAUGH, HUH, DICKHEAD? 467 00:20:59,009 --> 00:21:00,376 GET OUT OF HERE. 468 00:21:04,876 --> 00:21:07,142 WE ARE GETTING DESPERATE. 469 00:21:07,209 --> 00:21:09,009 I KNOW. 470 00:21:11,776 --> 00:21:13,109 WHERE'S LYLE'S PARTNER NOW? 471 00:21:13,176 --> 00:21:14,842 OUT ON A BUY AND BUST OPERATION. 472 00:21:14,909 --> 00:21:17,109 THEY'RE TRYING TO GET IN TOUCH WITH HIS FIELD TEAM 473 00:21:17,176 --> 00:21:18,576 TO GET HIM OFF THE STREET. 474 00:21:18,642 --> 00:21:20,009 NO MORE WIGGLE ROOM ON THIS. 475 00:21:20,076 --> 00:21:22,442 ONE MORE HICCUP, HAND IT OVER TO INTERNAL AFFAIRS. 476 00:21:22,509 --> 00:21:24,876 15th SQUAD. OH, HOLD ON. 477 00:21:24,942 --> 00:21:26,809 DETECTIVE JONES, MICHAEL WOODRUFF. 478 00:21:26,876 --> 00:21:28,309 WE KICKED THIS VAUGHN. 479 00:21:28,376 --> 00:21:29,342 NOTHING OUT OF HIM? 480 00:21:29,409 --> 00:21:32,042 A LOT OF ATTITUDE, BUT NOTHING TO HOLD HIM. 481 00:21:32,109 --> 00:21:34,042 I'VE BEEN LOOKING INTO VAUGHN. 482 00:21:34,109 --> 00:21:36,442 HE'S GOT AN ALIAS?? ROBERT GLOVER. 483 00:21:36,509 --> 00:21:37,342 WHERE'D THAT NAME COME UP? 484 00:21:37,409 --> 00:21:39,676 TRIED TO USE IT APPLYING FOR A GUN PERMIT. 485 00:21:39,742 --> 00:21:41,676 YOU WANT ME TO GET HIM BACK IN? 486 00:21:41,742 --> 00:21:44,342 WHERE'S YOUR ASSAULT VICTIM FROM THIS MORNING, LUCY WERNER? 487 00:21:44,409 --> 00:21:46,342 FINISHING UP AT BELLEVUE. GET HER IN. 488 00:21:46,409 --> 00:21:48,342 SHOW HER A PHOTO ARRAY WITH VAUGHN IN IT. 489 00:21:48,409 --> 00:21:50,342 SHE PICKS HIM OUT, THEN WE'LL SNATCH HIM UP. 490 00:21:50,409 --> 00:21:53,842 AND MAKE SURE WE KNOW WHERE JAMES CARLIN IS AT ALL TIMES. 491 00:21:56,909 --> 00:21:58,576 IS MICHAEL ALL RIGHT? 492 00:21:58,642 --> 00:22:00,942 HE'S AT AN ARCADE WITH HIS DAD. 493 00:22:01,009 --> 00:22:02,509 I'M GONNA GET HIM. 494 00:22:20,376 --> 00:22:21,976 ATTENTION ON DECK. 495 00:22:23,676 --> 00:22:25,142 HEY, MICHAEL. 496 00:22:25,209 --> 00:22:28,809 I TOLD YOU NOT TO WORRY. YOU'RE SUPPOSED TO BE IN SCHOOL. 497 00:22:28,876 --> 00:22:30,942 I'M JUST CUTTING THIS ONE DAY. 498 00:22:31,009 --> 00:22:34,009 WE'LL TALK ABOUT IT LATER. MY CAR IS OUTSIDE. 499 00:22:34,076 --> 00:22:36,442 I'LL MEET YOU THERE IN A SECOND. 500 00:22:36,509 --> 00:22:39,976 YOUR DAD'S COMING, TOO. WE'RE ALL GONNA HAVE A CONVERSATION. 501 00:22:40,042 --> 00:22:41,442 HOLD UP, HOLD UP. 502 00:22:41,509 --> 00:22:42,909 JUST DAWNED ON ME. 503 00:22:42,976 --> 00:22:45,242 KNOW WHO YOU REMIND ME OF? 504 00:22:45,309 --> 00:22:48,842 WHAT WAS THAT SHOW ABOUT THE BLACK BUTLER, 505 00:22:48,909 --> 00:22:51,542 WORKED WITH THEM WHITE FOLKS? 506 00:22:51,609 --> 00:22:53,242 "BENSON." 507 00:22:54,676 --> 00:22:56,809 YEAH. "BENSON." 508 00:22:56,876 --> 00:22:58,042 GO GET IN THE CAR, MICHAEL. 509 00:22:58,109 --> 00:22:59,976 OH, SEE? NOW, YOU'RE TAKING IT WRONG. 510 00:23:00,042 --> 00:23:01,342 IT'S A COMPLIMENT. 511 00:23:01,409 --> 00:23:02,976 MICHAEL, THIS BENSON CAT, 512 00:23:03,042 --> 00:23:06,442 HE HAD THEM RICH FOLKS WRAPPED AROUND HIS FINGER, 513 00:23:06,509 --> 00:23:07,842 AND FUNNY...WHEW! 514 00:23:12,942 --> 00:23:15,109 IT'S OKAY, SON. WE'LL MEET YOU OUT THERE. 515 00:23:15,176 --> 00:23:17,409 NOW, YOU'RE GOING IN A SQUAD CAR. 516 00:23:17,476 --> 00:23:18,509 SUITS ME FINE. 517 00:23:18,576 --> 00:23:20,309 USED TO RIDING IN THE BACKSEAT. 518 00:23:20,376 --> 00:23:21,742 HMM. 519 00:23:21,809 --> 00:23:23,676 YOU AND I JUST MIGHT BUMP INTO EACH OTHER 520 00:23:23,742 --> 00:23:24,876 ON THE STREET ONE DAY. 521 00:23:24,942 --> 00:23:26,676 WOULDN'T THAT BE NICE? 522 00:23:26,742 --> 00:23:28,242 MOVE YOUR ASS. 523 00:23:44,976 --> 00:23:46,842 YOU KNOW THE STRINGS I HAD TO PULL 524 00:23:46,909 --> 00:23:48,342 TO GET YOUR SITUATION RIGHT? 525 00:23:48,409 --> 00:23:50,976 MOST KIDS YOUR AGE, THEY NEVER MAKE IT OUT OF A GROUP HOME. 526 00:23:51,042 --> 00:23:53,009 I TOOK A DAY OFF, MAN. WHAT'S THE BIG DEAL? 527 00:23:53,076 --> 00:23:54,842 WHAT YOU DID TODAY WAS WRONG, MICHAEL. 528 00:23:54,909 --> 00:23:56,542 YOU KNOW IT, AND YOU CAN'T DO IT AGAIN. 529 00:23:56,609 --> 00:23:57,976 ALL RIGHT, MAN. 530 00:23:58,042 --> 00:24:00,276 I'M NOT TRYING TO SHOVE NOTHING DOWN YOUR THROAT. 531 00:24:00,342 --> 00:24:01,942 YOU DON'T WANT MY HELP... I DO. 532 00:24:02,009 --> 00:24:03,642 BUT I AIN'T PERFECT, OKAY? 533 00:24:03,709 --> 00:24:05,942 IT'S LIKE YOU EXPECT ME TO BE PERFECT. 534 00:24:06,009 --> 00:24:08,909 I'VE BEEN GOING TO SCHOOL. I'VE BEEN GETTING MY GRADES. 535 00:24:08,976 --> 00:24:10,976 I'VE BEEN STAYING OUT OF TROUBLE. 536 00:24:11,042 --> 00:24:12,676 BUT THAT AIN'T GOOD ENOUGH? 537 00:24:12,742 --> 00:24:14,942 I JUST DON'T WANT YOU TO START SLIPPING. 538 00:24:15,009 --> 00:24:16,876 YOU DON'T WANT ME AROUND MY DAD. 539 00:24:16,942 --> 00:24:20,042 HE'S ONLY GONNA BRING YOU DOWN. 540 00:24:20,109 --> 00:24:23,909 IF ONE OF YOUR RULES IS I CAN'T SEE MY DAD NO MORE, 541 00:24:23,976 --> 00:24:25,176 THEN SCREW IT. 542 00:24:25,242 --> 00:24:27,676 YOU GO YOUR WAY, I'LL GO MINE. 543 00:24:27,742 --> 00:24:29,476 IT'S NOT A RULE. 544 00:24:29,542 --> 00:24:33,909 IT'S JUST SOMETHING YOU NEED TO LOOK OUT FOR. 545 00:24:33,976 --> 00:24:36,176 ALL RIGHT, WELL, I NEED TO GET HOME. 546 00:24:36,242 --> 00:24:38,542 WELL, I CAN TAKE YOU IN A LITTLE BIT. 547 00:24:38,609 --> 00:24:40,276 I'LL TAKE THE TRAIN. 548 00:24:43,376 --> 00:24:45,009 THESE ARE SUSPECTS? 549 00:24:45,076 --> 00:24:47,976 JUST TELL US IF YOU RECOGNIZE ANYONE HERE FROM THIS MORNING. 550 00:24:48,042 --> 00:24:50,176 THIS IS OUR BOSS, LIEUTENANT RODRIGUEZ. 551 00:24:50,242 --> 00:24:52,909 NICE TO MEET YOU. YOU WOULDN'T PREFER A LITTLE PRIVACY? 552 00:24:52,976 --> 00:24:54,942 SHE'S MORE COMFORTABLE IN THE OPEN. 553 00:24:55,009 --> 00:24:57,976 I'M JUST REAL PHOBIC OF ENCLOSED SPACES RIGHT NOW. 554 00:24:58,042 --> 00:25:00,209 WHATEVER YOU WANT. ANYONE, LUCY? 555 00:25:02,242 --> 00:25:04,242 I REALLY DIDN'T GET A GOOD LOOK. 556 00:25:05,809 --> 00:25:07,109 OH. 557 00:25:07,176 --> 00:25:08,376 WHO? 558 00:25:08,442 --> 00:25:11,209 MAYBE THREE... 559 00:25:11,276 --> 00:25:12,909 OR FOUR. 560 00:25:12,976 --> 00:25:15,276 HE MIGHT HAVE BEEN THE ONE WHO ATTACKED ME. 561 00:25:15,342 --> 00:25:18,109 IN ORDER FOR THE IDENTIFICATION TO STAND UP LEGALLY, 562 00:25:18,176 --> 00:25:20,109 WE REALLY NEED YOU TO BE CERTAIN. 563 00:25:20,176 --> 00:25:22,876 I JUST DIDN'T GET A GOOD ENOUGH LOOK. I'M SORRY. 564 00:25:24,609 --> 00:25:26,542 MAYBE THREE, THOUGH. 565 00:25:26,609 --> 00:25:29,042 GREAT. WE APPRECIATE IT. 566 00:25:29,109 --> 00:25:31,176 I'LL GET A FEMALE OFFICER TO TAKE YOU HOME. 567 00:25:31,242 --> 00:25:33,442 COULD SHE STAY WITH ME JUST A FEW MINUTES WHEN I GET THERE 568 00:25:33,509 --> 00:25:34,542 TILL I'M SETTLED? 569 00:25:34,609 --> 00:25:36,176 OF COURSE. 570 00:25:36,242 --> 00:25:37,409 GET VAUGHN IN. 571 00:25:37,476 --> 00:25:38,842 BOSS, SHAKY I. D. 572 00:25:38,909 --> 00:25:41,176 IT'S GOOD ENOUGH FOR NOW. 573 00:25:41,242 --> 00:25:43,209 LYLE'S PARTNER'S ON HIS WAY UP. 574 00:25:43,276 --> 00:25:44,376 ALL RIGHT. 575 00:25:44,442 --> 00:25:46,342 WHAT ARE YOU PLANNING ON DOING WITH MICHAEL'S DAD? 576 00:25:46,409 --> 00:25:48,276 I'LL DEAL WITH HIM AFTER I TALK TO THE PARTNER. 577 00:25:48,342 --> 00:25:50,042 YOU CAN'T KEEP HIM IN THE POKEY ALL DAY. 578 00:25:50,109 --> 00:25:51,476 JUST LET HIM COOL HIS HEELS. 579 00:25:52,809 --> 00:25:57,209 DETECTIVE CHARLIE GIVENS TO SEE DETECTIVES MEDAVOY AND JONES. 580 00:25:57,276 --> 00:26:00,142 HI, UH, GREG MEDAVOY. BALDWIN JONES. 581 00:26:00,209 --> 00:26:01,276 HEY. 582 00:26:01,342 --> 00:26:03,009 UH, LET'S TALK IN THE COFFEE ROOM. 583 00:26:07,242 --> 00:26:08,976 NO WIGGLE ROOM. 584 00:26:12,842 --> 00:26:14,676 YOU TALK TO YOUR C. I., FLOSSY, TODAY? 585 00:26:14,742 --> 00:26:16,076 WHY? 586 00:26:16,142 --> 00:26:17,942 DID YOU TELL HIM TO CHANGE HIS STORY TO US 587 00:26:18,009 --> 00:26:19,776 AND BACK YOUR PARTNER LYLE ON THEM HAVING 588 00:26:19,842 --> 00:26:21,109 A MEET SCHEDULED THIS MORNING? 589 00:26:21,176 --> 00:26:22,809 WHERE IS THIS COMING FROM? 590 00:26:22,876 --> 00:26:24,509 FLOSSY. 591 00:26:24,576 --> 00:26:26,676 ARE YOU COVERING SOMETHING UP? 592 00:26:26,742 --> 00:26:28,142 NO. 593 00:26:28,209 --> 00:26:29,976 IS YOUR PARTNER LYLE? HE'S CLEAN. 594 00:26:30,042 --> 00:26:31,442 THEN WHY IS HE LYING TO US, 595 00:26:31,509 --> 00:26:34,176 AND WHY ARE YOU DANCING AROUND ALL OUR QUESTIONS? 596 00:26:34,242 --> 00:26:36,576 THE SHADIER THE PEOPLE INVOLVED IN THIS SHOOTING ACT, 597 00:26:36,642 --> 00:26:38,042 THE DIRTIER THE SHOOTING LOOKS. 598 00:26:38,109 --> 00:26:39,942 IS THAT WHAT YOU'RE TRYING TO GET ACROSS? 599 00:26:40,009 --> 00:26:42,542 THIS IS A GOOD GUY... 600 00:26:42,609 --> 00:26:44,076 A GOOD COP. 601 00:26:44,142 --> 00:26:45,976 I WANT TO SAY THAT UP FRONT. 602 00:26:46,042 --> 00:26:47,976 CHARLIE, WHAT'S GOING ON? 603 00:26:51,742 --> 00:26:53,776 JUST AFTER LYLE AND ME PARTNERED UP, 604 00:26:53,842 --> 00:26:56,009 WE WERE WORKING THE HALLOWEEN PARADE, 605 00:26:56,076 --> 00:26:58,342 AND WE COLLARED THIS QUEEN SELLING DOPE. 606 00:26:58,409 --> 00:27:01,742 THE QUEEN RECOGNIZES LYLE, ASKS WHY LYLE HASN'T CALLED HIM. 607 00:27:01,809 --> 00:27:03,542 SO LYLE'S GAY? 608 00:27:03,609 --> 00:27:04,742 BUT HE DON'T ADMIT IT. 609 00:27:04,809 --> 00:27:06,276 AND WE DON'T TALK ABOUT IT. 610 00:27:06,342 --> 00:27:08,909 AND AFTER WATCHING THE GUY MAKE COLLAR AFTER COLLAR, 611 00:27:08,976 --> 00:27:10,642 IT DON'T ENTER INTO THE WORK. 612 00:27:10,709 --> 00:27:12,342 SO WHAT GOT YOU CALLING FLOSSY? 613 00:27:12,409 --> 00:27:14,842 AFTER TALKING TO YOU, FLOSSY TRACKED ME DOWN, 614 00:27:14,909 --> 00:27:16,776 PISSED OFF THAT HE GOT HAULED IN. 615 00:27:16,842 --> 00:27:18,909 NOW, WHEN I HEARD WHERE THE SHOOTING WENT DOWN, 616 00:27:18,976 --> 00:27:20,676 I KNEW WHAT THE DEAL WAS, I JUST KNEW. 617 00:27:20,742 --> 00:27:23,609 SO I TOLD FLOSSY TO COME BACK TO YOU, 618 00:27:23,676 --> 00:27:26,209 REVERSE WHAT HE SAID AND BACK UP LYLE. 619 00:27:26,276 --> 00:27:28,876 AND YOU THOUGHT WE'D JUST BUY IT? 620 00:27:28,942 --> 00:27:31,142 I DON'T KNOW. WE'RE ALL COPS. 621 00:27:33,276 --> 00:27:35,109 I GUESS I DIDN'T THINK IT OUT SO WELL. 622 00:27:35,176 --> 00:27:37,476 WERE YOU CONFERRING AT ALL WITH LYLE ON WHAT YOU DID? 623 00:27:37,542 --> 00:27:39,576 HE'S BEEN AT PSYCH SERVICES IN QUEENS ALL DAY. 624 00:27:39,642 --> 00:27:41,009 I HAVEN'T SPOKEN TO HIM. 625 00:27:41,076 --> 00:27:43,909 SO YOU JUST DID THIS OUT OF THE GOODNESS OF YOUR HEART? 626 00:27:43,976 --> 00:27:45,242 I WAS TRYING TO PROTECT THE GUY. 627 00:27:45,309 --> 00:27:46,476 I JUST?? 628 00:27:46,542 --> 00:27:50,742 LOOK, I LOOK OUT FOR HIM, HOPING HE DOESN'T GET BURNED. 629 00:27:50,809 --> 00:27:52,876 I MEAN, WHAT WOULD YOU DO? 630 00:27:52,942 --> 00:27:56,909 WELL, WE'RE GONNA NEED YOUR STATEMENT ON THIS. 631 00:27:56,976 --> 00:28:00,176 FELLAS... I'M ON THE SERGEANT'S LIST. 632 00:28:00,242 --> 00:28:03,009 FOR NOW, WORRY ABOUT KEEPING YOUR JOB. 633 00:28:05,109 --> 00:28:07,942 WELL, A LOT'S CHANGED IN A COUPLE HOURS, BRIAN. 634 00:28:08,009 --> 00:28:10,576 WE FIND OUT YOU USED TO HAVE AN ALIAS. 635 00:28:10,642 --> 00:28:12,642 WE FIND OUT NO ONE AT THE HOTEL 636 00:28:12,709 --> 00:28:14,909 SAW YOU UNTIL 10:00 THIS MORNING. 637 00:28:14,976 --> 00:28:19,076 WE FIND THIS TUCKED INTO THEM FANCY PANTS YOU GOT ON. 638 00:28:19,142 --> 00:28:21,676 JIMMY'S BEEN FREAKED OUT SINCE THE MURDERS STARTED. 639 00:28:21,742 --> 00:28:23,676 I USUALLY JUST KEEP THAT AT THE HOTEL. 640 00:28:23,742 --> 00:28:25,576 IT DON'T MEAN DICK WHERE YOU KEEP THIS. 641 00:28:25,642 --> 00:28:28,476 THIS IS A YEAR. 642 00:28:28,542 --> 00:28:29,476 WHAT'S GOING ON, BRIAN? 643 00:28:29,542 --> 00:28:30,642 NOTHING. 644 00:28:30,709 --> 00:28:31,976 WHERE YOU BEEN THIS MORNING? 645 00:28:32,042 --> 00:28:34,242 DRIVING AROUND DOING ERRANDS. WHERE, EXACTLY? 646 00:28:34,309 --> 00:28:35,942 ALL OVER. 647 00:28:36,009 --> 00:28:37,842 LISTEN, JIMMY'S BEEN GOING THROUGH HELL. 648 00:28:37,909 --> 00:28:39,376 YOU GUYS KNOW THAT. 649 00:28:39,442 --> 00:28:41,676 AND AS A FRIEND, I'VE JUST BEEN TRYING TO MAKE HIM FEEL SAFER?? 650 00:28:41,742 --> 00:28:43,476 FRIEND? YOU'RE ON HIS PAYROLL, NITWIT. 651 00:28:43,542 --> 00:28:46,276 MAYBE HE'LL HAVE AN ATTORNEY SHOW UP AT YOUR ARRAIGNMENT, 652 00:28:46,342 --> 00:28:49,176 BUT AS SOON AS THAT FIRST BILL COMES IN, YOU'RE ON YOUR OWN. 653 00:28:49,242 --> 00:28:51,342 HE'LL HAVE SOME OTHER GENIUS DOING YOUR JOB. 654 00:28:51,409 --> 00:28:53,709 YOU WON'T EVEN BE ABLE TO GET HIM ON THE PHONE. 655 00:28:53,776 --> 00:28:56,509 AND YOU HAVE A CHOICE?? YOU HELP US WITH OUR INVESTIGATION, 656 00:28:56,576 --> 00:28:58,109 WE'LL TALK TO THE D. A., 657 00:28:58,176 --> 00:29:00,542 KNOCK THIS DOWN TO ATTEMPTED CRIMINAL POSSESSION OF A WEAPON, 658 00:29:00,609 --> 00:29:01,909 YOU'LL WALK. 659 00:29:01,976 --> 00:29:03,809 OR GO AHEAD AND DO THE YEAR FOR YOUR GOOD FRIEND. 660 00:29:03,876 --> 00:29:06,442 I DON'T KNOW NOTHING ABOUT THE MURDERS. 661 00:29:06,509 --> 00:29:08,042 WHERE WERE YOU THIS MORNING? 662 00:29:08,109 --> 00:29:11,642 OUT SCORING SOME COKE FOR JIMMY. THERE. 663 00:29:11,709 --> 00:29:12,776 WHERE WAS HE? 664 00:29:12,842 --> 00:29:14,442 I DON'T KNOW. HE DIDN'T GET IN TILL 11:00. 665 00:29:14,509 --> 00:29:17,176 AND YOU DON'T KNOW NOTHING ABOUT THE MURDERS? NO. 666 00:29:17,242 --> 00:29:20,042 ANYBODY SUSPICIOUS THAT CARLIN'S MIXED UP WITH LATELY? 667 00:29:20,109 --> 00:29:21,909 THAT'S HALF THE PEOPLE HE RUNS WITH. 668 00:29:21,976 --> 00:29:23,376 IS THERE ANYTHING YOU KNOW OF 669 00:29:23,442 --> 00:29:26,009 THAT WOULD INDICATE TO YOU THAT CARLIN IS BEHIND THESE MURDERS? 670 00:29:26,076 --> 00:29:27,476 NO. 671 00:29:27,542 --> 00:29:31,309 BUT NOTHING THAT WOULD TELL YOU POSITIVELY HE'S NOT INVOLVED? 672 00:29:31,376 --> 00:29:33,276 NOTHING WOULD SURPRISE ME WITH THAT GUY. 673 00:29:33,342 --> 00:29:35,076 WE GOT A PROBLEM, THOUGH, BRIAN?? 674 00:29:35,142 --> 00:29:37,276 WE HAVE A WITNESS WHO PICKED YOU OUT OF A PHOTO ARRAY. 675 00:29:37,342 --> 00:29:39,842 SHE SAYS YOU WERE THERE AT THE SCENE OF THE CRIME. 676 00:29:42,242 --> 00:29:45,109 NOW I KNOW YOU GUYS ARE FULL OF IT, 'CAUSE I WASN'T THERE! 677 00:29:45,176 --> 00:29:46,942 NOW, I TOLD YOU WHERE I WAS. 678 00:29:47,009 --> 00:29:49,842 I ROLLED OVER ON MY BOSS. I'M GONNA BE OUT OF A JOB. 679 00:29:49,909 --> 00:29:53,342 I'M DONE. YOU WANT TO TRY AND PIN A BAD ONE ON ME? 680 00:29:53,409 --> 00:29:56,876 IF THAT'S THE KIND OF GUYS YOU ARE, THEN DO IT. 681 00:30:05,042 --> 00:30:06,142 WHAT'S IT GONNA TAKE? 682 00:30:06,209 --> 00:30:07,642 FOR WHAT? 683 00:30:07,709 --> 00:30:10,309 TO LET YOUR SON MOVE FORWARD, TO LET HIM HAVE A FUTURE. 684 00:30:10,376 --> 00:30:12,476 COME ON, LET'S WORK IT OUT RIGHT NOW. 685 00:30:12,542 --> 00:30:13,776 LOOK WHAT YOU'RE DOING. 686 00:30:13,842 --> 00:30:15,976 I MEAN, SERIOUSLY, LOOK AT YOURSELF. 687 00:30:16,042 --> 00:30:19,142 YOU'RE BUILDING THIS BOY UP 'CAUSE YOU DON'T HAVE A SON 688 00:30:19,209 --> 00:30:22,442 OR WHATEVER, AND NOW YOU'RE FEELING ALL GOOD ABOUT YOURSELF. 689 00:30:22,509 --> 00:30:26,442 BUT AS SOON AS MICHAEL SCREWS UP?? AND HE WILL?? 690 00:30:26,509 --> 00:30:28,009 YOU'LL PULL THE RUG. 691 00:30:28,076 --> 00:30:30,776 HE'LL BE WORSE OFF THAN BEFORE. 692 00:30:30,842 --> 00:30:32,542 BAILING OUT, BREAKING PROMISES?? 693 00:30:32,609 --> 00:30:34,276 THAT'S YOUR STYLE, NOT MINE. 694 00:30:34,342 --> 00:30:36,776 WHY DON'T YOU JUST GO DO YOUR CRIME?FIGHTING THING 695 00:30:36,842 --> 00:30:38,309 AND LEAVE ME AND MY BOY ALONE? 696 00:30:38,376 --> 00:30:40,576 YOU'RE NOT WANTED. YOU'RE NOT NEEDED. 697 00:30:40,642 --> 00:30:41,909 THAT'S NOT GONNA HAPPEN. 698 00:30:41,976 --> 00:30:44,309 YOU KEEP PUSHING, SOMETHING GONNA GIVE THERE, CHIEF. 699 00:30:44,376 --> 00:30:45,576 YEAH. 700 00:30:45,642 --> 00:30:46,709 YOU ARE. 701 00:30:46,776 --> 00:30:48,576 MICHAEL KNOWS WHAT'S UP. 702 00:30:48,642 --> 00:30:50,742 HE KNOWS WHAT YOU'RE ABOUT. 703 00:30:50,809 --> 00:30:52,642 YOU'RE DAMN RIGHT HE DOES. I'M ON HIS SIDE. 704 00:30:52,709 --> 00:30:55,642 NAH. HE KNOWS THE ONLY REASON YOU'VE BEEN KISSING HIS ASS 705 00:30:55,709 --> 00:30:58,476 IS TO TRY TO GET HIM TO LIE AND SAY I KILLED HIS MOTHER. 706 00:30:58,542 --> 00:31:00,242 THAT SOUNDS MORE LIKE WHAT YOU'VE BEEN PUTTING 707 00:31:00,309 --> 00:31:01,409 INTO HIS HEAD. 708 00:31:01,476 --> 00:31:03,009 [ LAUGHS ] 709 00:31:03,076 --> 00:31:05,776 ONLY THING I TOLD HIM ABOUT YOU?? 710 00:31:05,842 --> 00:31:08,976 "HEY, YOU MILK THAT FOOL FOR ALL HE'S WORTH." 711 00:31:09,042 --> 00:31:12,309 IT LOOKS LIKE HE'S BEEN DOING A GOOD JOB OF IT. 712 00:31:15,242 --> 00:31:17,942 YOU KNOW, I CAME HERE TO WORK IT OUT MAN TO MAN. 713 00:31:18,009 --> 00:31:20,576 YOU TELLING ME YOU CAN'T DO IT THAT WAY, FINE. 714 00:31:20,642 --> 00:31:22,342 SO FROM HERE ON OUT... 715 00:31:22,409 --> 00:31:25,409 STAY OUT OF MY WAY, OR I'LL BURY YOU. 716 00:31:51,965 --> 00:31:53,665 ALL RIGHT, LET'S MAKE IT QUICK. 717 00:31:53,732 --> 00:31:54,965 PURPOSE OF THIS MEETING? 718 00:31:55,032 --> 00:31:57,165 FILLING IN SOME HOLES IN OUR INFORMATION. 719 00:31:57,232 --> 00:31:59,899 WE'RE HERE TO TALK TO YOU ABOUT YOUR BUSINESS PARTNER, 720 00:31:59,965 --> 00:32:02,132 ADAM GALANTER, AND THE SEX HARASSMENT LAWSUIT 721 00:32:02,199 --> 00:32:04,232 YOU HAD FILED ON HIM TWO YEARS AGO. 722 00:32:04,299 --> 00:32:05,832 WHERE'S THIS GOING? 723 00:32:05,899 --> 00:32:09,132 A HISTORY OF ILLEGAL ACTIVITY BY CARLIN AGAINST GALANTER. 724 00:32:09,199 --> 00:32:10,865 HE'S NOT HERE TO CONFESS TO ANYTHING, 725 00:32:10,932 --> 00:32:12,632 AND I WOULDN'T LET HIM IF YOU TRIED. 726 00:32:12,699 --> 00:32:14,499 YOU HAVE SPECIFIC QUESTIONS? LET'S HEAR THEM. 727 00:32:14,565 --> 00:32:16,965 WE KNOW YOU'RE TRYING TO MUSCLE GALANTER OUT OF THE BUSINESS, 728 00:32:17,032 --> 00:32:18,765 AND HOW LOW YOU'LL STOOP TO DO IT. 729 00:32:18,832 --> 00:32:20,232 ALL RIGHT, IS HE UNDER ARREST? 730 00:32:20,299 --> 00:32:22,832 IF HE DOESN'T HAVE THE PATIENCE FOR THIS LITTLE DISCUSSION, 731 00:32:22,899 --> 00:32:25,232 WE'LL GET A SEARCH WARRANT FOR THE LOCKBOX UNDER HIS DESK, 732 00:32:25,299 --> 00:32:27,465 AND HE'LL BE A COLLAR FOR COKE POSSESSION. 733 00:32:27,532 --> 00:32:29,732 YOU COMPLETE ASSHOLES. RELAX, JIMMY. 734 00:32:29,799 --> 00:32:32,932 YOU CAN'T FIND YOUR ASS, SO I'M BUSTED FOR AN EIGHT BALL? 735 00:32:32,999 --> 00:32:34,032 EXPLAIN YOUR PAST BEHAVIOR. 736 00:32:34,099 --> 00:32:35,799 YOU WON'T BE BUSTED FOR ANYTHING. 737 00:32:35,865 --> 00:32:36,799 NOW, YOU LISTEN UP. 738 00:32:36,865 --> 00:32:38,432 JIMMY?? NO, SHUT UP, JOHN. 739 00:32:38,499 --> 00:32:40,399 LOOK, THESE GIRLS DYING IS ON YOU. 740 00:32:40,465 --> 00:32:41,932 SO'S MY PLACE BEING ABANDONED. 741 00:32:41,999 --> 00:32:44,965 YOU GOT CONCRETE IN YOUR SKULLS, AND YOU'RE NO GOOD AT YOUR JOB. 742 00:32:45,032 --> 00:32:47,132 WE'D BE DOING A HELL OF A LOT BETTER AT IT 743 00:32:47,199 --> 00:32:49,599 IF YOU WOULD QUIT WHINING LIKE AN OLD LADY 744 00:32:49,665 --> 00:32:51,865 AND LET US RULE YOU OUT INSTEAD OF STONEWALLING 745 00:32:51,932 --> 00:32:53,432 AND WASTING ANOTHER DAY. 746 00:32:53,499 --> 00:32:55,432 WHO'S NEXT ON YOUR INTERVIEW LIST, HUH? 747 00:32:55,499 --> 00:32:56,699 THE TRASH CAN? THE TREES OUTSIDE? 748 00:32:56,765 --> 00:32:58,265 I'M NOT THE PROBLEM. 749 00:32:58,332 --> 00:33:00,932 ALL RIGHT, LOOK, WE'RE GETTING THAT SEARCH WARRANT. 750 00:33:00,999 --> 00:33:04,165 GREAT, GREAT. I'LL BE ON THE FRONT PAGE OF THE POST. 751 00:33:04,232 --> 00:33:07,232 "COPS TOO STUPID TO FIND KILLER, ARREST VICTIM." 752 00:33:07,299 --> 00:33:08,632 JOHN, YOU GOT SOMETHING TO SAY ABOUT THIS, 753 00:33:08,699 --> 00:33:10,265 OR ARE YOU JUST GONNA SIT THERE LIKE AN IDIOT? 754 00:33:10,332 --> 00:33:11,699 ALL RIGHT, FOLKS, COME ON. 755 00:33:11,765 --> 00:33:13,899 THERE'S A LOT OF FRUSTRATION ON BOTH SIDES, 756 00:33:13,965 --> 00:33:15,732 A LOT OF GRIEF, LOST REVENUE. 757 00:33:15,799 --> 00:33:18,332 DO WE REALLY NEED TO PURSUE THE COCAINE POSSESSION? 758 00:33:20,532 --> 00:33:23,199 TAKE YOUR CLIENT AND GET OUT OF HERE. 759 00:33:33,965 --> 00:33:36,932 WE GOT SYMPATHY FOR KEEPING YOUR PRIVATE LIFE PRIVATE, 760 00:33:36,999 --> 00:33:39,199 BUT SOMETIMES THAT AIN'T POSSIBLE. 761 00:33:39,265 --> 00:33:41,065 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 762 00:33:41,132 --> 00:33:42,465 WE'RE PAST THAT NOW. 763 00:33:42,532 --> 00:33:44,199 WE SPOKE TO YOUR PARTNER, 764 00:33:44,265 --> 00:33:48,099 AND HE ADMITTED HE LEANED ON FLOSSY SO HE'D CHANGE HIS STORY. 765 00:33:48,165 --> 00:33:50,765 IT WAS A GOOD SHOOT, COP TO COP. 766 00:33:50,832 --> 00:33:53,232 I'M BEGGING YOU, LEAVE IT AT THAT. 767 00:33:53,299 --> 00:33:56,465 IF YOU'D BEEN HONEST FROM THE JUMP, WE COULD HAVE, 768 00:33:56,532 --> 00:33:57,999 BUT TOO MUCH HAS HAPPENED. 769 00:33:58,065 --> 00:34:00,632 YOU'VE JAMMED UP YOUR PARTNER, YOUR C.I. 770 00:34:00,699 --> 00:34:03,199 CHECK MY ARREST RECORDS, MY EVALUATIONS. 771 00:34:03,265 --> 00:34:04,232 I'M A GOOD COP. 772 00:34:04,299 --> 00:34:05,399 YEAH, WE GOT THAT. 773 00:34:05,465 --> 00:34:06,599 THEN DON'T DO THIS. 774 00:34:06,665 --> 00:34:09,232 WE CAN KEEP IT SMALL OR MAKE IT HUGE. 775 00:34:09,299 --> 00:34:10,332 IT'S YOUR CHOICE. 776 00:34:18,065 --> 00:34:20,232 WE GOTTA TALK ABOUT IT, LYLE. 777 00:34:21,732 --> 00:34:23,132 ALL RIGHT, FIRST THING?? 778 00:34:23,199 --> 00:34:25,665 WHAT I SAY DOESN'T LEAVE THIS ROOM, RIGHT? 779 00:34:25,732 --> 00:34:28,265 WHAT HAPPENED, RIGHT NOW! 780 00:34:28,332 --> 00:34:30,299 OR I. A. B. GETS THE CASE. 781 00:34:35,399 --> 00:34:36,565 I GO TO THIS CLUB, 782 00:34:36,632 --> 00:34:38,865 WHICH IN RETROSPECT, IS A BIG MISTAKE. 783 00:34:38,932 --> 00:34:40,699 WHAT GOT YOU OUTSIDE? 784 00:34:40,765 --> 00:34:42,565 ME AND THE D. O. A.?? 785 00:34:42,632 --> 00:34:45,532 COME ON, DO I GOTTA SPELL IT OUT? 786 00:34:45,599 --> 00:34:47,699 YEAH. THE GUY'S DEAD. 787 00:34:47,765 --> 00:34:51,132 WE WENT TO THE PARKING LOT TO HOOK UP. 788 00:34:51,199 --> 00:34:54,465 THE REST PLAYED OUT JUST LIKE I SAID. 789 00:34:54,532 --> 00:34:57,699 SO, THE MEET WITH FLOSSY?? YOU CAME UP WITH THAT ON THE FLY? 790 00:34:57,765 --> 00:35:00,099 I NEVER THOUGHT IT'D BE A PROBLEM. 791 00:35:03,299 --> 00:35:04,865 SO WHAT NOW, GUYS? 792 00:35:04,932 --> 00:35:06,832 WE GOTTA RUN THIS BY OUR BOSS. 793 00:35:06,899 --> 00:35:08,699 YOU SAID YOU'D KEEP IT SMALL. 794 00:35:08,765 --> 00:35:10,765 DID YOU JUST CON ME? CON YOU? 795 00:35:10,832 --> 00:35:12,332 YOU'VE BEEN CONNING US ALL DAY. 796 00:35:12,399 --> 00:35:14,699 IF YOU GET YOUR BOSS INTO THIS, IT'S OVER FOR ME. 797 00:35:14,765 --> 00:35:16,899 YOU MAY JUST BE LOOKING AT A RIP FOR THE COVER?UP. 798 00:35:16,965 --> 00:35:19,765 NO, NO, NO, YOUR BOSS WILL TELL HIS BOSS. 799 00:35:19,832 --> 00:35:22,532 IT'LL BE COMMON KNOWLEDGE ON THE WHOLE JOB. 800 00:35:22,599 --> 00:35:26,932 WHAT YOU GOTTA UNDERSTAND IS THERE'S NO SHAME IN THAT, LYLE. 801 00:35:26,999 --> 00:35:30,865 I WOULDN'T BE ASHAMED IF THE JOB WASN'T. 802 00:35:33,599 --> 00:35:35,799 WE GOTTA RUN IT BY OUR BOSS. 803 00:35:39,965 --> 00:35:42,899 RITA AND DIANE WENT OUT TO RE?CANVASS. 804 00:35:42,965 --> 00:35:45,199 SO BASICALLY, WE'RE NOWHERE. 805 00:35:45,265 --> 00:35:46,865 YEAH, YOU COULD SAY THAT. 806 00:35:46,932 --> 00:35:49,032 THAT'S GONNA GO OVER BIG AT ONE P. P. 807 00:35:49,099 --> 00:35:50,932 LYLE'S READY TO GIVE A FULL STATEMENT. 808 00:35:50,999 --> 00:35:52,932 SO THE SHOOTING WENT DOWN LIKE HE SAID? 809 00:35:52,999 --> 00:35:55,532 IT LOOKS LIKE THE ONLY THING HE LIED ABOUT WAS WHAT GOT HIM 810 00:35:55,599 --> 00:35:56,965 IN THE PARKING STRUCTURE. 811 00:35:57,032 --> 00:35:58,632 WE GOT ANYTHING TO CONFIRM IT? A WITNESS? 812 00:35:58,699 --> 00:36:00,065 NO WITNESSES, 813 00:36:00,132 --> 00:36:02,732 BUT WE DUG FURTHER INTO THE D. O. A.'s ARREST REPORTS. 814 00:36:02,799 --> 00:36:04,032 ALL THREE OF HIS PRIORS 815 00:36:04,099 --> 00:36:06,299 WERE FOR RIPPING OFF GAY GUYS OUT OF BARS. 816 00:36:06,365 --> 00:36:09,199 AND WE GOT BALLISTICS BACK ON THE SLUG FROM THE D. O. A. 817 00:36:09,265 --> 00:36:12,132 IT'S FROM HIS GUN, SO THAT'S CONSISTENT WITH A STRUGGLE. 818 00:36:12,199 --> 00:36:14,499 YOU HAVE ANY ISSUES HERE, VALERIE? 819 00:36:14,565 --> 00:36:16,799 IF IT'S JUSTIFIABLE, IT'S JUSTIFIABLE. 820 00:36:16,865 --> 00:36:19,299 THESE TWO COPS OBSTRUCT THE INVESTIGATION? 821 00:36:19,365 --> 00:36:22,332 UM, MY THOUGHT IS SOME ALLOWANCES COULD BE MADE. 822 00:36:22,399 --> 00:36:26,165 I'VE GOT NO PROBLEM KEEPING THIS A POLICE DEPARTMENT MATTER. 823 00:36:26,232 --> 00:36:27,565 WE'LL TAKE CARE OF IT. 824 00:36:27,632 --> 00:36:29,632 WHAT DO YOU WANT US TO TELL HIM? 825 00:36:29,699 --> 00:36:31,699 I'LL TALK TO HIM. 826 00:36:34,799 --> 00:36:37,665 GO TO RETIREMENT RACKETS, YOU HEAR THESE OLD?TIMERS 827 00:36:37,732 --> 00:36:39,865 TALKING ABOUT THE ONE THAT GOT AWAY, 828 00:36:39,932 --> 00:36:42,399 THE ONE THAT STILL KEEPS THEM UP AT NIGHT. 829 00:36:42,465 --> 00:36:44,599 TOMORROW IS A NEW DAY. 830 00:36:44,665 --> 00:36:48,965 THAT'S WHY I LIKE YOU, JUNIOR?? BLIND OPTIMISM. 831 00:36:49,032 --> 00:36:51,332 SO WHAT'S THE CALL, LIEUTENANT? 832 00:36:51,399 --> 00:36:54,665 YOU AND YOUR PARTNER WASTED MY DETECTIVES' DAY, 833 00:36:54,732 --> 00:36:56,632 WHICH COULD HAVE BEEN SPENT 834 00:36:56,699 --> 00:36:59,365 PITCHING IN ON A MURDER INVESTIGATION. 835 00:36:59,432 --> 00:37:00,765 I APOLOGIZE FOR THAT. 836 00:37:00,832 --> 00:37:02,532 BUT THEY STOOD UP FOR YOU. 837 00:37:02,599 --> 00:37:04,399 AND I STAND UP FOR THEM. 838 00:37:04,465 --> 00:37:08,532 SO THAT MEANS THAT THE PRIVATE COMPONENT IN THIS CASE 839 00:37:08,599 --> 00:37:09,865 STAYS PRIVATE? 840 00:37:09,932 --> 00:37:11,999 IT MEANS THAT THE FILES AREN'T GONNA REFLECT 841 00:37:12,065 --> 00:37:14,399 WHAT YOU WERE UP TO BEFORE THE SHOOTING WENT DOWN. 842 00:37:14,465 --> 00:37:16,799 THANK YOU. 843 00:37:16,865 --> 00:37:21,599 I'M GRATEFUL TO EVERYBODY. 844 00:37:21,665 --> 00:37:24,799 I DON'T KNOW IF WE'RE DOING YOU A FAVOR. 845 00:37:24,865 --> 00:37:27,332 I JUST WENT THROUGH A TRIAL. 846 00:37:27,399 --> 00:37:28,832 I HEARD. I'M SORRY. 847 00:37:28,899 --> 00:37:30,499 I WAS SHOT BY SOMEONE, 848 00:37:30,565 --> 00:37:33,032 AND THEY TURNED IT BACK AROUND ON ME 849 00:37:33,099 --> 00:37:36,265 BY BRINGING UP EVERY MINOR MISTAKE I EVER MADE, 850 00:37:36,332 --> 00:37:38,099 PERSONAL AND PROFESSIONAL. 851 00:37:38,165 --> 00:37:41,799 SO IF YOU THINK YOU CAN KEEP A LID ON SOMETHING LIKE THIS, 852 00:37:41,865 --> 00:37:43,699 YOU'RE NOT THINKING RIGHT. 853 00:37:43,765 --> 00:37:46,732 ALL DUE RESPECT, LIEUTENANT, WHAT CHOICE DO I GOT? 854 00:37:46,799 --> 00:37:49,399 THIS GETS OUT, I'M NOT JUST ANOTHER COP, 855 00:37:49,465 --> 00:37:50,899 NO MATTER HOW GOOD I AM. 856 00:37:50,965 --> 00:37:53,865 I'M THE FAGGOT THAT GUYS ARE MAKING JOKES ABOUT 857 00:37:53,932 --> 00:37:56,032 AS SOON AS HE LEAVES THE ROOM. 858 00:37:56,099 --> 00:37:59,332 WHATEVER THE JOB'S POLICY IS, THAT'S NEVER GONNA CHANGE. 859 00:38:05,232 --> 00:38:07,432 GOOD LUCK, DETECTIVE. 860 00:38:07,499 --> 00:38:09,332 THANK YOU, GUYS. 861 00:38:09,399 --> 00:38:11,932 YEAH. 862 00:38:22,032 --> 00:38:23,565 HEY. 863 00:38:23,632 --> 00:38:26,065 HEY. 864 00:38:29,165 --> 00:38:31,332 I RESPECT WHAT YOU'RE DOING FOR MICHAEL. 865 00:38:31,399 --> 00:38:32,432 THANKS. 866 00:38:32,499 --> 00:38:35,132 BUT HAULING HIM AND THE DAD IN, 867 00:38:35,199 --> 00:38:38,599 THAT WASN'T THE SMARTEST THING TO DO. 868 00:38:38,665 --> 00:38:41,032 IF I DON'T STEP UP FOR MICHAEL, NOBODY WILL. 869 00:38:41,099 --> 00:38:43,732 HOW DO YOU THINK HE TAKES TO SEEING HIS DAD HUMILIATED? 870 00:38:43,799 --> 00:38:45,265 MAKING THAT GUY A VICTIM 871 00:38:45,332 --> 00:38:48,332 DOES NOTHING BUT DRIVE THE KID INTO HIS ARMS. 872 00:38:48,399 --> 00:38:51,232 SO LET THAT BUM PULL MICHAEL BACK DOWN ON THE STREETS? 873 00:38:51,299 --> 00:38:54,099 NO, YOU CLEAR THE CASE?? PUT THE DAD AWAY. 874 00:38:54,165 --> 00:38:56,499 MICHAEL WOULD NEVER ROLL ON HIS DAD. 875 00:38:56,565 --> 00:38:57,799 HE WILL IF YOU PUSH HIM. 876 00:38:59,332 --> 00:39:01,365 NO, THAT'S NOT HAPPENING. 877 00:39:01,432 --> 00:39:02,832 I'M NOT PUSHING HIM. 878 00:39:02,899 --> 00:39:04,932 NOBODY IS PUSHING HIM. 879 00:39:04,999 --> 00:39:09,565 [ SIGHS ] 880 00:39:09,632 --> 00:39:11,965 ONE DAY, THE DAD'S GONNA COME HOME, 881 00:39:12,032 --> 00:39:15,165 AND HE'S GONNA HAVE HIS LOAD ON, OR HE'LL BE HIGH, 882 00:39:15,232 --> 00:39:18,499 AND HE'S GONNA REALIZE THAT MICHAEL IS THE ONLY PERSON 883 00:39:18,565 --> 00:39:22,265 THAT SAW HIM KILL HIS WIFE, AND THEN HE'S GONNA GET PARANOID 884 00:39:22,332 --> 00:39:25,165 BECAUSE YOU, A COP, ARE GETTING TOO CLOSE. 885 00:39:25,232 --> 00:39:27,932 YOU DON'T THINK HE'D SOLVE THAT PROBLEM ANY WAY HE COULD? 886 00:39:32,732 --> 00:39:34,332 YOU MEAN WELL, BALDWIN... 887 00:39:36,665 --> 00:39:39,565 BUT YOU GOTTA REALIZE THE LONGER YOU WAIT, 888 00:39:39,632 --> 00:39:42,065 THE MORE YOU PUT THAT KID AT RISK. 889 00:40:03,832 --> 00:40:07,232 SHE GO DOWN EASY, OR SHE GIVE YOU THE SQUIRMING WORM? 890 00:40:07,299 --> 00:40:08,499 DOWN EASY. 891 00:40:08,565 --> 00:40:11,399 SHE'S GETTING BETTER, GROWING UP. 892 00:40:11,465 --> 00:40:12,865 HASN'T BEEN SO HARD. 893 00:40:12,932 --> 00:40:16,132 I'M JUST SAYING IT'S GOOD SHE'S SLEEPING BETTER, 894 00:40:16,199 --> 00:40:17,465 SO WE'LL SLEEP BETTER. 895 00:40:17,532 --> 00:40:19,065 YEAH. 896 00:40:23,299 --> 00:40:24,732 HOW DID IT GO WITH DIANE? 897 00:40:24,799 --> 00:40:27,032 SHE WAS TERRIFIED. WE'LL KNOW TOMORROW. 898 00:40:27,099 --> 00:40:29,065 I'M GLAD SHE REACHED OUT TO YOU. 899 00:40:29,132 --> 00:40:30,399 ME TOO. 900 00:40:30,465 --> 00:40:32,632 I HOPE IT HELPED. 901 00:40:32,699 --> 00:40:34,232 [ SIGHS ] 902 00:40:34,299 --> 00:40:39,132 ANDY, I, UM... 903 00:40:39,199 --> 00:40:40,599 I'VE GOT SOME NEWS. 904 00:40:42,165 --> 00:40:44,632 I'M... 905 00:40:44,699 --> 00:40:45,965 I'M PREGNANT. 906 00:40:47,165 --> 00:40:50,499 YOU'RE GONNA BE A FATHER AGAIN. 907 00:40:50,565 --> 00:40:52,132 ARE YOU SERIOUS? 908 00:40:53,365 --> 00:40:56,899 YEAH. 909 00:40:56,965 --> 00:40:58,132 HOW? 910 00:40:58,199 --> 00:40:59,332 THE USUAL WAY. 911 00:40:59,399 --> 00:41:02,765 YEAH, BUT WHAT ABOUT, YOU KNOW, YOUR SITUATION? 912 00:41:02,832 --> 00:41:05,665 APPARENTLY, THE DOCTORS WERE WRONG. 913 00:41:05,732 --> 00:41:09,399 BUT THEN THERE'S ME WITH MY PROSTATE SURGERY AND ALL. 914 00:41:09,465 --> 00:41:11,099 DIDN'T SLOW YOU DOWN ANY. 915 00:41:11,165 --> 00:41:13,699 I THOUGHT THAT AS FAR AS POTENCY?? 916 00:41:13,765 --> 00:41:17,065 ANDY... I'M PREGNANT. 917 00:41:20,565 --> 00:41:23,199 HOW FAR ALONG? 918 00:41:23,265 --> 00:41:25,165 10 WEEKS. 919 00:41:25,232 --> 00:41:27,099 SO ALL THIS THROWING UP... 920 00:41:27,165 --> 00:41:29,732 MORNING SICKNESS. 921 00:41:29,799 --> 00:41:32,132 YOU GOTTA TELL ME HOW YOU'RE FEELING 922 00:41:32,199 --> 00:41:34,865 'CAUSE I'VE BEEN SCARED TO TELL YOU. 923 00:41:36,532 --> 00:41:39,965 I'VE NEVER BEEN SO HAPPY IN MY LIFE. 924 00:41:40,032 --> 00:41:41,232 [ LAUGHS ] 925 00:41:41,299 --> 00:41:43,399 SO, THIS IS GOOD THEN? 926 00:41:43,465 --> 00:41:45,632 YEAH, THIS IS WONDERFUL. 927 00:41:45,699 --> 00:41:48,932 [ SIGHS ] 928 00:41:48,982 --> 00:41:53,532 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 68945

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.