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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:22,125 --> 00:00:29,083 ♪ (OPERA MUSIC PLAYS) ♪ 2 00:00:34,958 --> 00:00:39,000 (TRAM SIGNAL RINGS) 3 00:00:47,041 --> 00:00:53,958 (TRAM WHEELS SQUEAL) 4 00:00:55,541 --> 00:00:56,791 DIRECTOR: Left stage! 5 00:01:00,416 --> 00:01:01,666 DIRECTOR: Action! Rain. 6 00:01:02,375 --> 00:01:07,166 ♪ (MUSIC CONTINUES) ♪ 7 00:01:09,833 --> 00:01:11,291 (TRAM SIGNAL RINGS) 8 00:01:12,125 --> 00:01:13,708 DIRECTOR: Market Square, action! 9 00:01:14,666 --> 00:01:16,166 Action! 10 00:01:16,250 --> 00:01:19,375 ♪ (MUSIC CONTINUES) ♪ 11 00:01:25,750 --> 00:01:27,750 - (CELLPHONE RINGS) - DOUGLAS HYLTON: Uh-huh. 12 00:01:27,833 --> 00:01:29,083 (INDISTINCT CHATTER) 13 00:01:29,166 --> 00:01:30,916 - DOUGLAS: Ah... Shit. - (CELLPHONE RINGS) 14 00:01:31,833 --> 00:01:34,458 - DOUGLAS: Ah. - (CELLPHONE RINGS) 15 00:01:34,541 --> 00:01:35,833 Uh... Hello? Douglas speaking. 16 00:01:35,916 --> 00:01:37,541 SUSAN EDWARDS: (OVER PHONE) Oh, hello. It's Susan Edwards. 17 00:01:37,625 --> 00:01:39,250 I understand you're being offered as-- as my, um... 18 00:01:39,333 --> 00:01:41,083 DOUGLAS: Yes, that's right. My name is Douglas Hylton. 19 00:01:41,166 --> 00:01:43,166 I'll be coming in to help you tonight, Mrs. Edwards. 20 00:01:43,250 --> 00:01:44,500 SUSAN: Oh, Susan's fine. 21 00:01:44,583 --> 00:01:46,291 DOUGLAS: Oh. Okay, thanks. Um... 22 00:01:46,375 --> 00:01:48,708 Well, if you'd like, I'll be representing you 23 00:01:48,791 --> 00:01:50,291 - for the foreseeable-- - SUSAN: Oh, good, because... 24 00:01:50,375 --> 00:01:52,208 you've heard, I think, that my husband and I 25 00:01:52,291 --> 00:01:54,916 have got ourselves into a bit of a pickle. 26 00:01:55,000 --> 00:01:57,041 - I know it sounds all rather... - DOUGLAS: Susan. Susan? 27 00:01:57,125 --> 00:01:58,500 - ...morbid-- - Uh-- Sorry to interrupt you, 28 00:01:58,583 --> 00:02:00,791 and thank you for calling me, but I'm actually, uh, 29 00:02:00,875 --> 00:02:04,083 walking to you right now, so if that could just wait for a minute. 30 00:02:04,166 --> 00:02:06,333 SUSAN: Yeah, I mean, obviously we regret... I mean-- 31 00:02:06,416 --> 00:02:09,416 I mean, we should have done certain things differently. 32 00:02:09,500 --> 00:02:11,708 I-- I think we're both happy to admit that. 33 00:02:11,791 --> 00:02:13,625 Well, "ha--" "happy" is hardly the word, is it? 34 00:02:13,708 --> 00:02:15,708 DOUGLAS: (OVER PHONE) (CHUCKLES) So-- So-- 35 00:02:15,791 --> 00:02:17,875 So, I can hear you've got a lot to get off your chest, 36 00:02:17,958 --> 00:02:19,166 but, um, really, 37 00:02:19,250 --> 00:02:21,333 - it's, uh... - It is just very complicated, Douglas, 38 00:02:21,416 --> 00:02:23,166 and I'm very keen for-- 39 00:02:23,250 --> 00:02:24,958 But it's my husband, really, Chris, he just... 40 00:02:25,041 --> 00:02:26,791 - he shouldn't be here. - Sus-- Susan? Susan? 41 00:02:26,875 --> 00:02:28,875 - Sorry, can I just-- - So I feel, for his sake, 42 00:02:28,958 --> 00:02:30,458 everyone should know the truth from the outset. 43 00:02:30,541 --> 00:02:32,333 - Uh... Uh-- Uh-- Susan? - Yes? 44 00:02:32,416 --> 00:02:34,833 It-- It's-- It's-- It's just... This isn't a private call 45 00:02:34,916 --> 00:02:37,000 because I'm not actually your representative yet. 46 00:02:37,083 --> 00:02:38,666 Uh... That's what I'm coming to do now, 47 00:02:38,750 --> 00:02:40,083 you see, to take your instruction, 48 00:02:40,166 --> 00:02:41,541 and then I can... 49 00:02:41,625 --> 00:02:43,000 - Does that make sense? - I see, yes. 50 00:02:43,083 --> 00:02:44,625 - Sorry. Silly old me. (CHUCKLES) - (CHUCKLES) 51 00:02:44,708 --> 00:02:47,125 - (DOOR SLAMS) - Look, I-- I can sense we're gonna get on, Susan. 52 00:02:47,208 --> 00:02:49,333 - I'll speak to you very soon. - Thank you. 53 00:02:51,500 --> 00:02:53,583 - (INDISTINCT CHATTER) - (DOOR SLAMS) 54 00:02:53,666 --> 00:02:56,541 - ♪ (OPERA MUSIC PLAYS) ♪ - Sorry to keep you. 55 00:02:58,791 --> 00:03:01,750 (DOOR SCREECHES, BOOMS SHUT) 56 00:03:01,833 --> 00:03:06,250 ♪ (OPERA MUSIC PLAYS) ♪ 57 00:03:09,125 --> 00:03:12,375 - (BELL RINGS) - (DOOR OPENS) 58 00:03:12,458 --> 00:03:13,875 (DOOR CLOSES) 59 00:03:13,958 --> 00:03:19,541 (INDISTINCT CHATTER) 60 00:03:25,625 --> 00:03:28,083 (CLOCK TICKS) 61 00:03:28,166 --> 00:03:30,875 (BOTTLES RATTLE QUIETLY) 62 00:03:32,958 --> 00:03:35,083 - FRANCOIS: Bonjour, Madame. - Bonjour. 63 00:03:36,166 --> 00:03:37,416 FRANCOIS: (IN FRENCH) 64 00:03:37,500 --> 00:03:39,416 SUSAN: (IN FRENCH) 65 00:03:41,208 --> 00:03:45,583 FRANCOIS: (IN FRENCH) 66 00:03:45,666 --> 00:03:48,333 SUSAN: Ah... (IN FRENCH) 67 00:03:48,416 --> 00:03:50,833 (IN ENGLISH) Of course, but I think you mentioned 68 00:03:50,916 --> 00:03:53,500 this one. He's one of your favorites. 69 00:03:53,583 --> 00:03:55,916 (PAPER RUSTLING) 70 00:03:56,000 --> 00:03:58,916 - FRANCOIS: Gary Cooper. - Oh... 71 00:03:59,000 --> 00:04:01,500 (PAPER RUSTLING) 72 00:04:02,125 --> 00:04:03,250 (GASPS) 73 00:04:03,333 --> 00:04:07,041 It's an original, from the second Belgian release. 74 00:04:07,125 --> 00:04:09,291 - The second Belgian release? - Mm-hmm. 75 00:04:10,166 --> 00:04:12,833 (IN FRENCH) 76 00:04:12,916 --> 00:04:14,791 (IN ENGLISH) Aside from everything else. (CHUCKLES) 77 00:04:14,875 --> 00:04:17,458 For you, madame, I'll make a special price. 78 00:04:17,541 --> 00:04:19,666 - Two hundred fifty. - Oh, no, um, 79 00:04:19,750 --> 00:04:22,916 - Francois, it's too much. Sorry. - How about 200? 80 00:04:23,875 --> 00:04:25,958 I could possibly stretch to 100, but... 81 00:04:26,041 --> 00:04:30,791 (INHALES) Madame... (EXHALES) ...for you, I'll make it 150, 82 00:04:30,875 --> 00:04:32,541 'cause I know this will make you happy 83 00:04:32,625 --> 00:04:36,208 - and that makes me happy too. - (CHUCKLES) 84 00:04:36,291 --> 00:04:37,708 - (CHUCKLES) - (CLICKS TONGUE) 85 00:04:37,791 --> 00:04:40,083 Okay. (CHUCKLES) 86 00:04:44,875 --> 00:04:48,750 Uh-- If you use the card, it must be 170, madame. 87 00:04:48,833 --> 00:04:51,708 Oh, okay. (INHALES) 88 00:04:53,791 --> 00:04:55,500 - SUSAN: Merci. - Merci beaucoup. 89 00:04:55,583 --> 00:04:56,541 Mm-hmm. 90 00:04:56,625 --> 00:04:58,875 - (LOCK CLICKS) - ♪ (PEACEFUL MUSIC PLAYS) ♪ 91 00:04:58,958 --> 00:05:00,583 (HINGES SQUEAK) 92 00:05:12,708 --> 00:05:15,166 - Salut, mon cher. - (LAUGHS) 93 00:05:15,250 --> 00:05:16,750 - Hello, darling. (KISSES) - Mm-hmm. (KISSES) 94 00:05:16,833 --> 00:05:18,333 That's a nice greeting. 95 00:05:18,416 --> 00:05:22,291 - Good morning? - Um... It's okay, I think. 96 00:05:22,375 --> 00:05:23,916 - Lovely. - (GROANS) 97 00:05:24,000 --> 00:05:26,541 - I've made sandwiches. - Thank you. 98 00:05:26,625 --> 00:05:29,166 And there's soup from last night if you want it. 99 00:05:29,250 --> 00:05:31,000 Oh. (CHUCKLES) 100 00:05:31,083 --> 00:05:33,291 - (KEYS THUD ON TABLE) - CHRISTOPHER EDWARDS: What's in the sarnies? 101 00:05:33,375 --> 00:05:36,583 Tuna and sweetcorn on normal bread. 102 00:05:37,458 --> 00:05:38,750 Found some in the English section 103 00:05:38,833 --> 00:05:40,916 - at the Monoprix. - Oh, lovely. 104 00:05:41,958 --> 00:05:43,375 (GROANS) 105 00:05:44,166 --> 00:05:47,625 Yes. Yes, yes. I felt I made... 106 00:05:47,708 --> 00:05:49,583 a good impression. Oh, and my French 107 00:05:49,666 --> 00:05:51,750 - is really improving, actually. - Ah! 108 00:05:51,833 --> 00:05:53,625 - Drink? - Yes, please. 109 00:05:53,708 --> 00:05:55,416 So, I've got another one this afternoon 110 00:05:55,500 --> 00:05:59,000 which I'm hoping will go even better. Mmm. 111 00:06:04,833 --> 00:06:06,375 Oh, yes. Look, Chris! 112 00:06:10,041 --> 00:06:11,833 It's just like the one I had on my bedroom wall 113 00:06:11,916 --> 00:06:13,083 - as a little girl... - (PAPER RUSTLING) 114 00:06:13,166 --> 00:06:14,875 ...that my grandfather brought me. 115 00:06:14,958 --> 00:06:17,000 It wasn't in French, but look! 116 00:06:18,083 --> 00:06:19,333 Same image. 117 00:06:21,375 --> 00:06:23,291 (INDISTINCT CHATTER) 118 00:06:23,375 --> 00:06:25,416 - How much was it? - SUSAN: Oh, it was nothing. 119 00:06:25,500 --> 00:06:28,250 Twenty euros? It's not an original. 120 00:06:28,333 --> 00:06:31,916 CHRISTOPHER: You know, Susan, even 20 euros, 121 00:06:32,000 --> 00:06:34,208 there'll be a final demand for the gas in there, 122 00:06:34,291 --> 00:06:35,666 and I'm the one who's gotta open them 123 00:06:35,750 --> 00:06:37,000 and sort it out. 124 00:06:39,250 --> 00:06:41,625 - Is that from Gérard? - You open it. 125 00:06:41,708 --> 00:06:43,583 SUSAN: Well, no, it's-- it's for you. 126 00:06:44,041 --> 00:06:45,166 Hmm. 127 00:06:48,500 --> 00:06:50,875 (PAPER RUSTLING) 128 00:06:55,458 --> 00:06:57,916 My God. A hundred euro. 129 00:06:58,041 --> 00:06:59,916 See, crosspatch? Didn't I say? 130 00:07:00,000 --> 00:07:02,916 Things around here are about to change. 131 00:07:03,000 --> 00:07:04,541 Well, it's only a hundred, Susan. 132 00:07:04,625 --> 00:07:06,625 - But it's a start, isn't it? - Of what? 133 00:07:08,625 --> 00:07:10,875 We're way behind on the rent, and if I don't get a job-- 134 00:07:10,958 --> 00:07:13,291 But you will get a job. That's what I mean. 135 00:07:15,958 --> 00:07:19,583 Yes, well, I'm trying... trying my hardest. 136 00:07:21,125 --> 00:07:23,375 Come on, then. What's Gérard got to say for himself? 137 00:07:25,541 --> 00:07:27,291 Read it out loud. I'm listening. 138 00:07:27,375 --> 00:07:28,708 I'll look at it later. 139 00:07:28,791 --> 00:07:32,333 - (FOOTSTEPS RECEDE) - ♪ (OPERA MUSIC PLAYS) ♪ 140 00:07:32,416 --> 00:07:37,041 (PAPER RUSTLING) 141 00:07:39,250 --> 00:07:42,833 (FOOTSTEPS APPROACH) 142 00:07:47,291 --> 00:07:51,291 (GUNSHOT ECHOES) 143 00:07:53,708 --> 00:07:56,916 (LOUDER GUNSHOT ECHOES) 144 00:07:58,041 --> 00:08:05,000 - (WIND HOWLS) - ♪ (OPERA MUSIC PLAYS) ♪ 145 00:08:17,250 --> 00:08:18,625 CHRISTOPHER: Susan? 146 00:08:23,041 --> 00:08:24,375 Why don't you, uh... 147 00:08:27,375 --> 00:08:29,958 Why don't you put that thing up? (EXHALES) 148 00:08:30,041 --> 00:08:32,916 Silly, keeping it hidden away now you've got it. 149 00:08:34,000 --> 00:08:35,916 Yes. Good idea. 150 00:08:37,333 --> 00:08:40,416 Who wouldn't give this handsome man a job, hey? 151 00:08:40,500 --> 00:08:42,875 We'll celebrate afterwards in the café. 152 00:08:42,958 --> 00:08:44,916 - (SPEAKING IN FRENCH) - (CHUCKLES) 153 00:08:48,541 --> 00:08:53,625 ♪ (REFLECTIVE MUSIC PLAYS) ♪ 154 00:08:56,291 --> 00:08:57,958 - (INDISTINCT CHATTER) - (MACHINE BUZZES) 155 00:08:58,041 --> 00:09:01,875 - (ELEVATOR BELL RINGS) - (DOORS OPEN) 156 00:09:01,958 --> 00:09:03,708 (IN FRENCH ACCENT) Christopher Edwards? 157 00:09:03,791 --> 00:09:06,791 (SPEAKING FRENCH) 158 00:09:08,583 --> 00:09:10,250 (SPEAKING FRENCH) 159 00:09:14,541 --> 00:09:21,625 MANAGER: (SPEAKING FRENCH) 160 00:09:30,291 --> 00:09:35,458 (CONTINUES SPEAKING FRENCH) 161 00:09:53,208 --> 00:09:56,208 Vous pouvez répéter la question? 162 00:09:59,916 --> 00:10:01,208 S'il vous plaît. 163 00:10:04,416 --> 00:10:08,583 ♪ (SOMBER MUSIC PLAYS) ♪ 164 00:10:31,458 --> 00:10:33,583 (WHISPERS) Go on, Chris. You can do it. 165 00:10:38,791 --> 00:10:42,916 - (INDISTINCT CHATTER) - (DUCKS QUACK) 166 00:11:06,250 --> 00:11:07,708 SUSAN: Mon cher, Chris. 167 00:11:08,583 --> 00:11:11,000 Please find enclosed 100 euros, 168 00:11:11,083 --> 00:11:15,458 a small token of my gratitude for your eternal friendship. 169 00:11:15,541 --> 00:11:19,750 As you will know from my movie, we have a saying in France, 170 00:11:19,833 --> 00:11:21,916 "La vie en rose." 171 00:11:22,000 --> 00:11:23,333 The meaning of this phrase 172 00:11:23,416 --> 00:11:26,291 is to look up at the stars instead of in the gutter, 173 00:11:27,500 --> 00:11:29,583 to see the beauty that exists in life, 174 00:11:29,666 --> 00:11:32,541 even when it is difficult to find... 175 00:11:32,625 --> 00:11:36,750 perhaps sometimes even when it is not there. 176 00:11:36,833 --> 00:11:41,708 This is the purpose of stories and the purpose of cinema, 177 00:11:41,791 --> 00:11:45,833 but more than this, it is the purpose of love, 178 00:11:45,916 --> 00:11:50,333 and to be loved is the most beautiful thing in the world. 179 00:11:50,416 --> 00:11:53,958 Yours sincerely, Gérard Depardieu. 180 00:11:58,875 --> 00:12:00,208 (EXHALES) 181 00:12:02,541 --> 00:12:05,791 - (INDISTINCT CHATTER) - (TRAIN SCREECHES) 182 00:12:05,875 --> 00:12:09,833 (SIREN BLARES IN DISTANCE) 183 00:12:14,000 --> 00:12:18,000 - (INDISTINCT CHATTER OVER PA) - ♪ (SUSPENSEFUL MUSIC PLAYS) ♪ 184 00:12:31,208 --> 00:12:33,750 (INDISTINCT CHATTER) 185 00:12:34,500 --> 00:12:38,333 ♪ (PEACEFUL MUSIC PLAYS) ♪ 186 00:12:38,416 --> 00:12:40,791 (BIRDS CHIRP) 187 00:13:01,666 --> 00:13:04,458 - (INDISTINCT CHATTER) - (PHONE RINGING TONE TRILLS) 188 00:13:07,375 --> 00:13:08,916 (PHONE RINGING TONE TRILLS) 189 00:13:12,125 --> 00:13:15,625 - (PHONE IS PICKED UP) - CHRISTOPHER: Hello? 190 00:13:15,708 --> 00:13:17,416 - TABITHA EDWARDS: Hello? - CHRISTOPHER: Is that Tabitha? 191 00:13:17,500 --> 00:13:19,291 TABITHA: Speaking. Who's that? 192 00:13:19,375 --> 00:13:21,708 TABITHA: That's not you, is it Chris? 193 00:13:21,791 --> 00:13:23,500 - Yeah. It's me. - TABITHA: Chris? 194 00:13:23,916 --> 00:13:25,250 Yes. 195 00:13:25,333 --> 00:13:27,708 Uh... Um... (EXHALES) 196 00:13:27,791 --> 00:13:30,333 - (INDISTINCT CHATTER OVER PA) - (EXHALES) 197 00:13:30,958 --> 00:13:32,875 (HESITATES) 198 00:13:32,958 --> 00:13:35,208 Listen, I'm sorry it's been so long. (CHUCKLES) 199 00:13:35,291 --> 00:13:38,708 - TABITHA: Where are you? - Uh... I'm-- I'm in France. 200 00:13:38,791 --> 00:13:41,500 - TABITHA: Are you with Susan? - Yeah. 201 00:13:41,583 --> 00:13:44,666 I've just-- I've just been for a-- a-- a-- a job interview, 202 00:13:44,750 --> 00:13:45,875 actually. 203 00:13:47,583 --> 00:13:51,000 Yeah, a-- a fairly senior credit control position. 204 00:13:52,250 --> 00:13:55,083 You know, but the truth is, what with the, um... 205 00:13:57,833 --> 00:14:00,416 the, um, the language barrier, 206 00:14:00,500 --> 00:14:03,625 um... we-- we're in a bit of financial, um... 207 00:14:05,375 --> 00:14:07,666 you know-- Uh... What am I saying? (HESITATES) 208 00:14:07,750 --> 00:14:10,583 There's-- There's this cashflow situation, 209 00:14:10,666 --> 00:14:13,750 um, and believe me, we-- we-- we-- we're very grateful 210 00:14:13,833 --> 00:14:17,125 for all the help you've given us in the past. 211 00:14:18,000 --> 00:14:20,208 - (METAL CLANKS) - (GROANS) 212 00:14:20,291 --> 00:14:21,750 - TABITHA: Chris? - Oh, um... 213 00:14:21,833 --> 00:14:24,041 - TABITHA: Is everything okay? - No, I'm sorry. I'm still here. 214 00:14:24,125 --> 00:14:25,250 Yeah, um... 215 00:14:26,625 --> 00:14:31,208 (LIPS SMACKING) Uh... It's just, I need you to... 216 00:14:31,291 --> 00:14:34,166 promise me something, Tabitha. Um... 217 00:14:35,583 --> 00:14:38,625 You see, I've-- I've-- I've done something rather silly... 218 00:14:39,541 --> 00:14:40,958 and it might sound bad, 219 00:14:41,041 --> 00:14:44,791 might sound very bad, even, but it's not what it seems. 220 00:14:45,708 --> 00:14:47,208 Not at all. It's not what it seems, 221 00:14:47,291 --> 00:14:50,458 and, um, just needs a little bit of clearing up, that's all. 222 00:14:50,541 --> 00:14:54,333 So... that's why I need you to promise me. 223 00:14:54,416 --> 00:14:57,625 I need you to promise me 224 00:14:57,708 --> 00:14:59,791 that you won't tell the police. 225 00:14:59,875 --> 00:15:02,333 There you go. Can you promise me that, Tabitha? 226 00:15:02,958 --> 00:15:04,500 Uh... Because I can't... 227 00:15:07,416 --> 00:15:12,291 I can't let Susan down. 228 00:15:12,375 --> 00:15:13,791 Do you understand? 229 00:15:15,833 --> 00:15:16,958 She's... 230 00:15:21,083 --> 00:15:24,708 She's very, uh, fragile, yes. 231 00:15:24,791 --> 00:15:27,333 TABITHA: Just tell me what you need, Christopher. 232 00:15:27,416 --> 00:15:29,708 I'm always here for you, you know that. 233 00:15:30,208 --> 00:15:31,583 (EXHALES) 234 00:15:34,916 --> 00:15:36,375 SUSAN: So, how was it? 235 00:15:36,458 --> 00:15:38,000 (INDISTINCT CHATTER) 236 00:15:38,083 --> 00:15:39,541 Yes. (EXHALES) 237 00:15:39,625 --> 00:15:41,958 It's, uh... (EXHALES) 238 00:15:42,041 --> 00:15:45,791 - Yes. Hard to tell, isn't it? - Yeah. But good, do you think? 239 00:15:47,041 --> 00:15:49,625 Uh... Well, my head's a bit, um... 240 00:15:51,958 --> 00:15:54,458 - but yes. - Oh, I knew it. 241 00:15:54,541 --> 00:15:55,958 - Do you want a coffee? - Yeah. 242 00:15:56,041 --> 00:15:57,333 Okay. 243 00:15:57,416 --> 00:15:58,708 Oh, excusez-moi. 244 00:15:59,791 --> 00:16:01,708 (SPEAKING FRENCH) 245 00:16:01,791 --> 00:16:03,541 - WAITRESS: (SPEAKS FRENCH) - Merci. 246 00:16:04,458 --> 00:16:06,041 (INHALES) 247 00:16:06,125 --> 00:16:08,416 Yeah, I was actually just, uh... 248 00:16:11,625 --> 00:16:16,666 I was just thinking. (EXHALES) Supposing I do get this job... 249 00:16:16,750 --> 00:16:19,958 I mean, I still wouldn't be paid for a few weeks, would I? 250 00:16:21,166 --> 00:16:24,208 We're behind on the rent. And it-- 251 00:16:24,291 --> 00:16:25,708 it's not like other times, Susan. 252 00:16:25,791 --> 00:16:28,083 We're... We could be in... 253 00:16:29,000 --> 00:16:30,916 - Merci. - Thank you. Merci. 254 00:16:31,000 --> 00:16:32,416 We could be in trouble. 255 00:16:33,708 --> 00:16:34,708 So... 256 00:16:36,083 --> 00:16:38,750 I was thinking, maybe, to take the pressure off, 257 00:16:38,833 --> 00:16:41,375 we could try to borrow some money. 258 00:16:43,625 --> 00:16:44,916 You know, I could ask 259 00:16:45,000 --> 00:16:47,291 my stepmother, Tabitha. She's, uh... 260 00:16:49,000 --> 00:16:50,416 You think? She's family, isn't she? 261 00:16:50,500 --> 00:16:51,541 No. 262 00:16:51,625 --> 00:16:53,416 - Really? I mean, would you-- - But no one knows 263 00:16:53,500 --> 00:16:54,833 where we are or why. 264 00:16:55,666 --> 00:16:58,416 And you'd possibly have to tell, 265 00:16:58,500 --> 00:17:00,541 wouldn't you? You'd have to explain a little 266 00:17:00,625 --> 00:17:02,125 why we're here, and then, 267 00:17:02,208 --> 00:17:03,916 - she could tell the police, couldn't she? - (SIGHS) 268 00:17:04,000 --> 00:17:06,833 - SUSAN: Not we've done anything wrong. - The police? 269 00:17:06,916 --> 00:17:09,666 Why would she do that? I don't think there's any danger of her doing that. 270 00:17:10,583 --> 00:17:12,583 - She's family. - No, Chris. 271 00:17:14,583 --> 00:17:17,041 - (INDISTINCT CHATTER) - ♪ (OMINOUS MUSIC PLAYS) ♪ 272 00:17:18,708 --> 00:17:20,916 Look, we're doing fine. 273 00:17:21,000 --> 00:17:23,750 We're just going through a bit of a sticky patch, that's all. 274 00:17:27,916 --> 00:17:32,291 Yeah. Yeah, you're right. (INHALES) 275 00:17:32,375 --> 00:17:34,583 (EXHALES) Forget I mentioned it. It's a silly idea. 276 00:17:34,666 --> 00:17:37,166 - Silly. - (PHONE RINGING TONE TRILLS) 277 00:17:38,625 --> 00:17:40,000 (PHONE RINGING TONE TRILLS) 278 00:17:41,708 --> 00:17:43,250 (PHONE RINGING TONE TRILLS) 279 00:17:43,333 --> 00:17:45,708 OPERATOR: Thank you for calling Nottinghamshire Police. 280 00:17:45,791 --> 00:17:48,000 Please leave a message after the tone. 281 00:17:48,708 --> 00:17:49,625 (BEEP) 282 00:17:49,708 --> 00:17:52,750 TABITHA: My name is Doctor Tabitha Edwards. 283 00:17:52,833 --> 00:17:55,166 I'm calling to report something rather... 284 00:17:56,458 --> 00:17:58,625 Well, I don't know what to make of it, frankly. 285 00:18:00,666 --> 00:18:03,958 My stepson just told me over the telephone... 286 00:18:04,041 --> 00:18:05,208 (INDISTINCT CHATTER) 287 00:18:05,291 --> 00:18:08,833 ...that he buried his wife's parents 288 00:18:08,916 --> 00:18:12,416 in a garden near Nottingham fifteen years ago. 289 00:18:15,000 --> 00:18:17,625 So, I'm just curious to know 290 00:18:17,708 --> 00:18:19,500 if there were any reports of a couple 291 00:18:19,583 --> 00:18:23,083 by the name of William and Patricia Wycherley 292 00:18:23,166 --> 00:18:25,208 going missing around that time? 293 00:18:26,916 --> 00:18:30,250 (TRAFFIC NOISE) 294 00:18:30,333 --> 00:18:32,375 - EMMA LANCING: Sir? - TONY COLLIER: No. 295 00:18:34,041 --> 00:18:35,583 - Sir? - COLLIER: Go away! 296 00:18:35,666 --> 00:18:37,625 Fuck off, Emma. I'm having my lunch. 297 00:18:37,708 --> 00:18:40,041 Have you got a minute, sir? 298 00:18:40,125 --> 00:18:42,208 We've just received a tip. There are two bodies buried 299 00:18:42,291 --> 00:18:44,583 in a back garden in a house in Mansfield. 300 00:18:44,666 --> 00:18:46,083 Woman called Tabitha Edwards... 301 00:18:46,166 --> 00:18:47,500 - was informed yesterday... - (EXHALES) 302 00:18:47,583 --> 00:18:49,208 ...by her stepson, Christopher. 303 00:18:49,291 --> 00:18:51,375 - When? - LANCING: Fifteen years ago. 304 00:18:51,458 --> 00:18:53,250 Fifteen years? Fuck off. 305 00:18:53,333 --> 00:18:55,125 Stop telling me to fuck off please, sir. 306 00:18:55,208 --> 00:18:56,166 (SLURPS, SPITS) 307 00:18:56,250 --> 00:18:58,416 Bloody hell. Why is this so fucking hot? 308 00:18:58,500 --> 00:19:00,208 - (INHALES) - Well, it's a flask, sir. 309 00:19:00,291 --> 00:19:02,666 Fucking Mount Etna, that is. Ridiculous. 310 00:19:02,750 --> 00:19:06,166 - Can't feel my fucking mouth. - It's his in-laws apparently, sir. 311 00:19:06,250 --> 00:19:08,416 - His what? - The bodies. 312 00:19:08,500 --> 00:19:10,000 Says he didn't actually kill them. 313 00:19:10,083 --> 00:19:11,583 Says it was an accident. 314 00:19:11,666 --> 00:19:13,000 Rang to ask his stepmom for some money 315 00:19:13,083 --> 00:19:15,458 - and then he just sort of spilled the beans. - Right. 316 00:19:15,541 --> 00:19:18,208 - Does he know that we know? - She's made him aware, yeah. 317 00:19:18,291 --> 00:19:21,583 Just, um, sent him an email, apparently. 318 00:19:21,666 --> 00:19:23,250 Sent an email? 319 00:19:23,333 --> 00:19:26,750 What? "Dear Christopher, I've told the fucking police"? 320 00:19:26,833 --> 00:19:30,208 CHRISTOPHER: I told her in strict confidence! 321 00:19:30,291 --> 00:19:31,750 I asked her not to tell anyone. 322 00:19:31,833 --> 00:19:33,958 I'm as disappointed as you are. I'm... 323 00:19:35,083 --> 00:19:37,125 I'm-- I'm disgusted, actually. 324 00:19:39,958 --> 00:19:42,083 Darling, she wasn't gonna send any money 325 00:19:42,166 --> 00:19:43,583 unless I told her what was going on 326 00:19:43,666 --> 00:19:46,958 and why we needed it. Put yourself in my shoes. 327 00:19:47,041 --> 00:19:49,208 What was I supposed to do? We'll be living on the streets, 328 00:19:49,291 --> 00:19:52,458 eating croissants out of rubbish bins next! 329 00:19:52,541 --> 00:19:53,916 Is that what you want? 330 00:19:56,666 --> 00:19:58,541 We'd still be together though, wouldn't we? 331 00:20:04,416 --> 00:20:05,583 It's okay. 332 00:20:07,500 --> 00:20:08,833 Just have to move again. 333 00:20:09,458 --> 00:20:13,166 (FOOTSTEPS RECEDE) 334 00:20:16,250 --> 00:20:17,791 (BREATHES SHAKILY) 335 00:20:19,833 --> 00:20:22,541 (OBJECTS CLATTER) 336 00:20:26,208 --> 00:20:28,833 (OBJECTS CLATTER) 337 00:20:33,583 --> 00:20:35,083 (GLASS SHATTERS) 338 00:20:46,291 --> 00:20:47,791 - CHRISTOPHER: Susan-- - SUSAN: (SHOUTS) No! 339 00:20:47,875 --> 00:20:50,250 You were supposed to protect me! 340 00:20:50,333 --> 00:20:55,541 I have protected you! I am. I'm trying! 341 00:20:57,208 --> 00:20:59,000 But we both knew this day would come. 342 00:20:59,083 --> 00:21:01,541 But it's not your decision, Chris! There are two of us here! 343 00:21:01,625 --> 00:21:03,416 We're in this together, aren't we? 344 00:21:04,833 --> 00:21:05,958 (SHOUTS) Aren't we? 345 00:21:07,250 --> 00:21:08,291 Yes. 346 00:21:08,375 --> 00:21:10,875 And now, after all this time, I'd do it for you. 347 00:21:10,958 --> 00:21:13,208 I'd live on the streets for you. I'd eat rubbish for you! 348 00:21:13,291 --> 00:21:14,958 I'd eat a croissant out of a bin for you. 349 00:21:15,041 --> 00:21:18,000 - CHRISTOPHER: Well, we're not quite there yet. - But I would, though! 350 00:21:21,041 --> 00:21:22,166 (QUIETLY) Yeah. 351 00:21:26,458 --> 00:21:28,791 CHRISTOPHER: Let's get this cleared up, shall we? 352 00:21:31,625 --> 00:21:33,375 Then how about a film? 353 00:21:34,750 --> 00:21:36,250 Would you like to watch a film? 354 00:21:41,250 --> 00:21:42,500 (SIGHS) 355 00:21:45,291 --> 00:21:47,083 (CAR APPROACHES) 356 00:21:47,166 --> 00:21:50,000 - (INDISTINCT CHATTER) - (DOG BARKS) 357 00:21:50,083 --> 00:21:52,625 PAUL WILKIE: Yeah, that's it there, number seven. 358 00:21:52,708 --> 00:21:55,000 LANCING: It's not number seven, mate. It's number five. 359 00:21:56,375 --> 00:21:57,666 WILKIE: Oh, right. 360 00:21:58,750 --> 00:22:00,416 LANCING: That's the house over there. 361 00:22:03,875 --> 00:22:04,958 So, shall we park up 362 00:22:05,041 --> 00:22:06,541 - over there, then? - Yeah. All right, all right. 363 00:22:06,625 --> 00:22:07,916 I'm on it, I'm on it. 364 00:22:09,458 --> 00:22:11,541 (DOORBELL RINGS) 365 00:22:11,625 --> 00:22:13,000 LANCING: Just don't make a scene. 366 00:22:13,083 --> 00:22:14,458 WILKIE: Why would I make a scene? 367 00:22:14,541 --> 00:22:15,750 LANCING: Because you're a twat. 368 00:22:15,833 --> 00:22:17,541 - WILKIE: You're a twat. - (KNOCKS ON DOOR) 369 00:22:17,625 --> 00:22:20,500 LANCING: Why are you doing that? I just rang the bell. 370 00:22:20,583 --> 00:22:22,250 Can you stand a bit further away from me, please? 371 00:22:22,333 --> 00:22:24,625 WILKIE: What you on about? I'm not even standing that-- Oh! 372 00:22:25,708 --> 00:22:27,500 - Afternoon. - Good afternoon, sir. 373 00:22:27,583 --> 00:22:29,708 Sorry to bother you. We're from Nottingham Police. 374 00:22:29,791 --> 00:22:32,833 We're following up a report of a historic crime in the area 375 00:22:32,916 --> 00:22:35,000 and, uh, wonder if we could have a quick chat. 376 00:22:35,083 --> 00:22:38,208 - DANNY: Oh, right. Um... - If that's not too much trouble. 377 00:22:38,291 --> 00:22:39,958 DANNY: No, sure. Uh... 378 00:22:40,041 --> 00:22:42,375 Come in. I've got my youngest asleep upstairs, though, 379 00:22:42,458 --> 00:22:44,708 if you don't mind creeping. 380 00:22:44,791 --> 00:22:46,083 LANCING: All right, no problem. 381 00:22:46,166 --> 00:22:48,583 - Perhaps we could go through to the garden? - Yeah, sure. 382 00:22:48,666 --> 00:22:50,666 WILKIE: Yes, assuming you've got a garden. 383 00:22:51,125 --> 00:22:52,291 You what? 384 00:22:52,375 --> 00:22:53,833 (INDISTINCT CHATTER) 385 00:22:53,916 --> 00:22:54,916 Yeah. 386 00:22:58,458 --> 00:22:59,500 (QUIETLY) Twat. 387 00:23:00,833 --> 00:23:03,416 How long you've been here, if you don't mind me asking? 388 00:23:03,500 --> 00:23:05,625 (SIGHS) Going on eight years. 389 00:23:05,708 --> 00:23:07,000 LANCING: Nice neighborhood? 390 00:23:07,708 --> 00:23:09,208 Yeah, it's nice enough. 391 00:23:09,291 --> 00:23:10,916 Pretty quiet, to be honest with you, 392 00:23:11,000 --> 00:23:13,458 but, uh, well, we like it. 393 00:23:13,541 --> 00:23:16,625 WILKIE: Do you know who lived here before, by any chance? 394 00:23:16,708 --> 00:23:20,000 A elderly couple, apparently. I'd have to check the, um... 395 00:23:20,083 --> 00:23:22,250 - Wycherley? - DANNY: Huh? 396 00:23:23,958 --> 00:23:25,416 - Was it, uh... - (LIGHTER CLICKING) 397 00:23:25,500 --> 00:23:28,416 ...William and Patricia Wycherley, by any chance? 398 00:23:28,500 --> 00:23:31,250 DANNY: Yeah, rings a bell. Um... 399 00:23:31,333 --> 00:23:32,750 Why? Is this about them? 400 00:23:33,500 --> 00:23:34,875 NIGEL: It wasn't me. 401 00:23:34,958 --> 00:23:36,958 ♪ (PLAYFUL MUSIC PLAYS) ♪ 402 00:23:37,041 --> 00:23:39,625 NIGEL: Whatever it is you're investigating, officers, 403 00:23:39,708 --> 00:23:41,041 it wasn't me. 404 00:23:41,125 --> 00:23:42,333 LANCING: Hello, there. 405 00:23:42,416 --> 00:23:45,250 DANNY: That's, uh-- That's Nigel. 406 00:23:45,333 --> 00:23:47,416 He likes to talk to us through the hedge. 407 00:23:47,500 --> 00:23:48,625 All right, Nige? 408 00:23:48,708 --> 00:23:50,500 NIGEL: Well, I should be happy to move to the gap 409 00:23:50,583 --> 00:23:52,333 if that's preferable, officers. 410 00:23:52,416 --> 00:23:55,208 There's a gap just down there. Shall we do that? 411 00:24:06,541 --> 00:24:08,583 This is what I mean by a gap. 412 00:24:08,666 --> 00:24:11,958 It's quite handy for talking across gardens. 413 00:24:12,041 --> 00:24:14,583 DANNY: What's on the barbie today, then, Nige? 414 00:24:14,666 --> 00:24:17,125 Been having quite a few, so I've noticed. (CHUCKLES) 415 00:24:17,208 --> 00:24:19,291 NIGEL: Well, you're always welcome to join us, Danny, 416 00:24:19,375 --> 00:24:20,583 you know that. 417 00:24:22,125 --> 00:24:25,375 Briony! There's a couple of police officers here 418 00:24:25,458 --> 00:24:28,583 asking poor Danny some questions about the Wycherleys. 419 00:24:28,666 --> 00:24:30,708 Could you bring out some more bangers? 420 00:24:30,791 --> 00:24:32,250 I think it'd be fair to say 421 00:24:32,333 --> 00:24:34,458 they were slightly peculiar neighbors. 422 00:24:34,541 --> 00:24:36,958 Although we didn't see a great deal of them, did we, Bri? 423 00:24:37,041 --> 00:24:38,041 No, not much. 424 00:24:38,125 --> 00:24:39,250 - We heard them mostly. - Yeah. 425 00:24:39,333 --> 00:24:41,125 - Playing that strange organ. - Oh! 426 00:24:41,208 --> 00:24:43,583 Morning, afternoon, evening. 427 00:24:43,666 --> 00:24:45,750 Apart from that, they kept themselves to themselves. 428 00:24:45,833 --> 00:24:46,833 Hmm. 429 00:24:46,916 --> 00:24:49,791 Do you need more ketchup, officer? It's homemade. 430 00:24:49,875 --> 00:24:52,166 Mm. No. I'm good thanks. These are... 431 00:24:52,250 --> 00:24:54,083 These are really nice. Thank you. Hmm. 432 00:24:54,166 --> 00:24:56,166 So, you can hear quite well then, can you? 433 00:24:56,250 --> 00:24:57,250 Your neighbors. 434 00:24:57,333 --> 00:24:59,791 NIGEL: Oh, very well. You can hear everything. 435 00:24:59,875 --> 00:25:03,250 Anything untoward or unusual while the Wycherleys were here? 436 00:25:03,333 --> 00:25:06,250 NIGEL: Ah, it's just the normal sort of bickering, I suppose. 437 00:25:06,333 --> 00:25:08,083 Occasional rows. 438 00:25:08,166 --> 00:25:11,000 (GASPS) Oh, they were quite funny together, mind. 439 00:25:11,083 --> 00:25:14,791 You see, on the rare occasion that you'd see them out, 440 00:25:14,875 --> 00:25:17,000 on the way to the shops, for example, 441 00:25:17,083 --> 00:25:22,000 Patricia would walk two or three yards behind William. 442 00:25:22,083 --> 00:25:26,666 A sort of Victorian thing, like she was his chattel. 443 00:25:26,750 --> 00:25:29,916 So, I-- I-- I don't know if that could be used as a... 444 00:25:30,000 --> 00:25:31,875 clue of some kind. 445 00:25:32,375 --> 00:25:35,125 (RAIN PATTERING) 446 00:25:35,208 --> 00:25:37,458 I'll bear that in mind, thank you. (INHALES) 447 00:25:37,541 --> 00:25:41,375 Do you know what came of them? When they left, where they went? 448 00:25:41,458 --> 00:25:43,875 Blackpool then Ireland's what we heard. Yeah. 449 00:25:44,000 --> 00:25:45,291 - For the air. - Yeah. Yeah. 450 00:25:45,375 --> 00:25:47,958 - Big smokers, both of them. - NIGEL: Left their daughter 451 00:25:48,041 --> 00:25:49,875 and their son-in-law to look after the place. 452 00:25:49,958 --> 00:25:53,458 - Son-in-law mainly, Chris. Uh... - And, um, 453 00:25:53,541 --> 00:25:55,583 when would the Wycherleys have gone to Blackpool? 454 00:25:55,666 --> 00:25:58,458 - NIGEL: Oh, let's see, what, ten? - BRIONY: Fift... 455 00:25:58,541 --> 00:25:59,958 - Fifteen. - Fifteen. Fifteen years ago. 456 00:26:00,041 --> 00:26:02,541 - Hmm. - Yeah, well before they actually sold the place. 457 00:26:02,625 --> 00:26:04,666 It were Christopher who told us they'd gone. 458 00:26:04,750 --> 00:26:06,958 He were the only one we'd chat with from time to time. 459 00:26:07,041 --> 00:26:08,750 Yeah, when they were doing the garden. 460 00:26:12,000 --> 00:26:13,583 - What? - What about the... 461 00:26:13,666 --> 00:26:16,500 - (WHISPERS) - Oh! (CHUCKLES) 462 00:26:16,583 --> 00:26:19,000 Uh-- Yeah, yeah, another funny thing, actually. 463 00:26:19,083 --> 00:26:20,791 There was a morning, about that time, 464 00:26:20,875 --> 00:26:23,375 when I woke up early, as I sometimes do, 465 00:26:23,458 --> 00:26:25,625 and I looked out my window, 466 00:26:25,708 --> 00:26:30,833 and I saw Chris digging a hole in the Wycherleys' garden. 467 00:26:30,916 --> 00:26:33,291 Quite a deep hole. Very deep, in fact. 468 00:26:33,375 --> 00:26:35,833 Now, he was probably just planting those rhododendrons 469 00:26:35,916 --> 00:26:38,041 that you'd seen round at Danny's but, uh, 470 00:26:38,125 --> 00:26:39,500 we joked about it, didn't we? 471 00:26:39,583 --> 00:26:41,708 'Cause we said he's probably burying his in-laws. (LAUGHS) 472 00:26:41,791 --> 00:26:45,833 Because it was about that time that they'd, uh, moved away. 473 00:26:45,916 --> 00:26:49,125 So, I don't know if that could be used as a... 474 00:26:50,041 --> 00:26:51,625 some kind of clue? 475 00:26:53,875 --> 00:26:56,208 ♪ (SUSPENSEFUL MUSIC PLAYS) ♪ 476 00:27:00,875 --> 00:27:02,375 (DOG BARKS) 477 00:27:02,458 --> 00:27:04,291 - OFFICER 1: Let him through. Let him through. - Go on, you go out. 478 00:27:04,375 --> 00:27:05,875 - OFFICER 1: Keep going. - Edward, on your scooter. 479 00:27:05,958 --> 00:27:07,125 Go through. Yeah. 480 00:27:07,208 --> 00:27:09,500 DANNY: Hold on. Edward, hold on, wait for your sister. 481 00:27:12,791 --> 00:27:15,666 (INDISTINCT CHATTER OVER POLICE RADIO) 482 00:27:15,750 --> 00:27:17,041 COLLIER: Dear, Mr. Edwards, 483 00:27:17,125 --> 00:27:20,166 please forgive my contacting you directly... 484 00:27:20,250 --> 00:27:22,125 but your stepmother, Dr. Tabitha Edwards, 485 00:27:22,208 --> 00:27:23,541 has been kind enough to pass along 486 00:27:23,625 --> 00:27:25,166 your email address. 487 00:27:25,250 --> 00:27:26,708 She indicated you may be in possession 488 00:27:26,791 --> 00:27:29,166 of some information of possible interest to us 489 00:27:29,250 --> 00:27:31,875 and if you'd be good enough to share your telephone number, 490 00:27:31,958 --> 00:27:33,166 we'd very much like to speak with you 491 00:27:33,250 --> 00:27:35,208 at your earliest convenience. 492 00:27:35,291 --> 00:27:37,625 Even better would be the opportunity 493 00:27:37,708 --> 00:27:39,833 to arrange for a personal interview, 494 00:27:39,916 --> 00:27:41,541 although Dr. Edwards informs us 495 00:27:41,625 --> 00:27:44,333 that you may currently be residing abroad. 496 00:27:44,416 --> 00:27:46,583 I want to reassure you that in that event, 497 00:27:46,666 --> 00:27:48,625 we don't believe it's in anyone's interests 498 00:27:48,708 --> 00:27:50,625 to trouble the local authorities. 499 00:27:50,708 --> 00:27:53,791 Yours truly, Detective Chief Inspector Tony Collier. 500 00:27:54,708 --> 00:27:57,583 ♪ (OMINOUS MUSIC PLAYS) ♪ 501 00:27:59,041 --> 00:28:00,541 AMY FOWLER: (ON TV) Why are you stopping? 502 00:28:00,625 --> 00:28:02,666 It's no good. I've got to go back, Amy. 503 00:28:02,750 --> 00:28:03,875 Why? 504 00:28:03,958 --> 00:28:06,291 (SIGHS) This is crazy. I haven't even got any guns. 505 00:28:06,375 --> 00:28:08,000 AMY FOWLER: (ON TV) Then let's go on. Hurry. 506 00:28:08,083 --> 00:28:10,000 - (BIRDS CHIRP) - WILL KANE: (ON TV) No. 507 00:28:10,083 --> 00:28:11,000 They're making me run. 508 00:28:11,083 --> 00:28:13,125 I've never run from anybody before. 509 00:28:15,083 --> 00:28:17,333 ♪ (OMINOUS MUSIC CONTINUES) ♪ 510 00:28:22,916 --> 00:28:24,500 (DOG BARKS) 511 00:28:26,166 --> 00:28:27,541 THOMAS MITCHELL: There's gonna be fighting 512 00:28:27,625 --> 00:28:29,958 when Kane and Miller meet. 513 00:28:30,041 --> 00:28:31,750 - And somebody's gonna get hurt. - (CLOCK TICKING) 514 00:28:31,833 --> 00:28:34,041 - That's for sure. - (CLOCK TICKING) 515 00:28:34,125 --> 00:28:37,041 (TRAIN HORN BLARES) 516 00:28:40,875 --> 00:28:43,458 - ACTOR 1: Everything ready? - ACTOR 2: Sure, just the way you want it, Frank. 517 00:28:43,541 --> 00:28:45,958 ACTOR 3: Yeah, we've got your gun over here. 518 00:28:46,041 --> 00:28:47,708 ACTOR 1: Let's get started, then. 519 00:28:48,416 --> 00:28:50,666 (HORSES GALLOP IN FILM) 520 00:28:52,416 --> 00:28:56,041 ♪ (DRAMATIC MUSIC PLAYS) ♪ 521 00:28:58,625 --> 00:29:02,416 ♪ (SPAGHETTI WESTERN MUSIC PLAYS) ♪ 522 00:29:02,916 --> 00:29:05,166 (GUN IS COCKED) 523 00:29:05,250 --> 00:29:07,500 - CHRISTOPHER: Dear DCI Collier. - (GUNSHOT) 524 00:29:07,583 --> 00:29:09,750 Thank you for your considerate message. 525 00:29:09,833 --> 00:29:12,291 My wife Susan and I would be delighted 526 00:29:12,375 --> 00:29:14,333 to assist you in any way we can... 527 00:29:14,416 --> 00:29:15,833 - (GUNSHOT) - CHRISTOPHER: ...and to put this 528 00:29:15,916 --> 00:29:18,291 whole matter behind us once and for all. 529 00:29:18,375 --> 00:29:20,666 We agree that it's in everyone's interests 530 00:29:20,750 --> 00:29:24,166 to avoid involving the French police. 531 00:29:24,250 --> 00:29:26,666 I'm afraid, however, that our return to England 532 00:29:26,750 --> 00:29:29,583 may not happen as soon as you might prefer. 533 00:29:29,666 --> 00:29:30,833 - Good afternoon. - (INDISTINCT CLAMOR) 534 00:29:30,916 --> 00:29:32,583 How many leads do you have besides the garden? 535 00:29:32,666 --> 00:29:35,166 CHRISTOPHER: I'm sure that you understand that my first duty 536 00:29:35,250 --> 00:29:36,541 is to my wife. 537 00:29:36,625 --> 00:29:38,666 She is of a very fragile disposition 538 00:29:38,750 --> 00:29:41,208 and we have been leading a peaceful... 539 00:29:41,291 --> 00:29:42,750 existence here in France. 540 00:29:42,833 --> 00:29:45,875 I'd be worried about inflicting unnecessary stress 541 00:29:45,958 --> 00:29:49,000 and it could take her some time to come round to the idea 542 00:29:49,083 --> 00:29:51,958 of leaving this country to return to the UK. 543 00:29:52,041 --> 00:29:55,166 - (INDISTINCT CLAMOR ON TV) - CHRISTOPHER: Nevertheless, do let's stay in touch. 544 00:29:55,250 --> 00:29:56,833 We look forward to the opportunity 545 00:29:56,916 --> 00:29:59,625 to clear our names as soon as possible. 546 00:29:59,708 --> 00:30:02,000 You have my word. 547 00:30:02,083 --> 00:30:04,541 Yours very sincerely, 548 00:30:04,625 --> 00:30:07,291 Christopher Edwards. 549 00:30:12,583 --> 00:30:17,416 (GUNSHOT ECHOES LOUDLY) 550 00:30:17,500 --> 00:30:21,958 ♪ (TRIUMPHANT MUSIC PLAYS) ♪ 551 00:30:23,000 --> 00:30:26,791 ♪ (MUSIC BECOMES SERENE) ♪ 552 00:30:33,250 --> 00:30:36,833 (CAMERA FOCUSES, SHUTTER CLICKS) 553 00:30:36,916 --> 00:30:39,541 COLLIER: In answer to the question on everyone's mind, 554 00:30:39,625 --> 00:30:41,083 - I can confirm that... - (CAMERA SHUTTER CLICKS) 555 00:30:41,166 --> 00:30:43,291 ...yesterday morning, two bodies were found buried 556 00:30:43,375 --> 00:30:46,500 in the back garden of a house in Mansfield. 557 00:30:46,583 --> 00:30:51,125 At present, we cannot confirm the identities of the deceased, 558 00:30:51,208 --> 00:30:53,208 nor do we know the cause of death 559 00:30:53,291 --> 00:30:55,916 or the circumstances under which they came to be buried 560 00:30:56,000 --> 00:30:57,583 in that location. 561 00:30:57,666 --> 00:30:59,541 That being said, we do have some leads 562 00:30:59,625 --> 00:31:02,333 and we hope to be making significant progress 563 00:31:02,416 --> 00:31:04,708 - over the coming days. - (INDISTINCT CLAMOR) 564 00:31:04,791 --> 00:31:07,541 LANCING: "Do let's keep in touch." I'm sorry, but what is that? 565 00:31:07,625 --> 00:31:09,208 COLLIER: Psychopath. Written all over it. 566 00:31:09,291 --> 00:31:10,416 LANCING: Why can't we just get a warrant, 567 00:31:10,500 --> 00:31:12,375 have the French track them down and pick them up 568 00:31:12,458 --> 00:31:13,666 before they get away? 569 00:31:13,750 --> 00:31:16,208 What we arresting them for, Emma? Writing a weird email? 570 00:31:16,291 --> 00:31:19,166 LANCING: Prevention of a lawful and decent burial? 571 00:31:19,250 --> 00:31:20,375 Double murder? 572 00:31:20,458 --> 00:31:21,791 Hey! Good one! 573 00:31:21,875 --> 00:31:24,583 Let's go and arrest them, then, shall we? Off we pop! 574 00:31:24,666 --> 00:31:26,083 Oh, hang on a minute. 575 00:31:26,166 --> 00:31:28,083 Where the fuck did the murders take place? 576 00:31:28,166 --> 00:31:31,125 When the fuck? Who the fuck was involved? How the fuck? 577 00:31:31,208 --> 00:31:32,625 European Arrest Warrant. 578 00:31:32,708 --> 00:31:35,125 Because, thank you, Paul... 579 00:31:35,208 --> 00:31:37,250 that's what we need for a European Arrest Warrant, 580 00:31:37,333 --> 00:31:38,375 minimum. 581 00:31:38,458 --> 00:31:40,166 So, they can just stay there as long as they like? 582 00:31:40,250 --> 00:31:42,208 Yes. He's thick as two short planks 583 00:31:42,291 --> 00:31:43,916 - and he knows that. - Cheers, mate. 584 00:31:44,000 --> 00:31:45,916 At the minute, all we've got are those bullets, 585 00:31:46,000 --> 00:31:47,791 a nutty professor who got a dodgy phone call 586 00:31:47,875 --> 00:31:50,875 from some bloke in Lille, a pair of rickety old skeletons 587 00:31:50,958 --> 00:31:53,125 in a back yard, buried God knows when, 588 00:31:53,208 --> 00:31:55,000 and a vague proclamation of innocence 589 00:31:55,083 --> 00:31:57,666 from a man who writes very polite emails 590 00:31:57,750 --> 00:31:59,208 to the police. 591 00:31:59,291 --> 00:32:01,333 So, either we come up with some hard evidence 592 00:32:01,416 --> 00:32:03,416 or Croque Madame and her pen-pal Muppet husband 593 00:32:03,500 --> 00:32:05,250 can carry on with their French bloody holiday 594 00:32:05,333 --> 00:32:07,416 for as long as they damn well please. 595 00:32:10,291 --> 00:32:13,291 I'll see you in ten minutes. I'm getting a fucking sandwich. 596 00:32:17,916 --> 00:32:20,958 LANCING: So what do we make of this "fragile" business then? 597 00:32:21,041 --> 00:32:24,208 "She's of a very fragile disposition." 598 00:32:24,291 --> 00:32:26,958 He's just saying whatever comes into his head, isn't he? 599 00:32:27,041 --> 00:32:28,208 To fuck with us. 600 00:32:29,041 --> 00:32:30,250 I hate that. 601 00:32:31,041 --> 00:32:32,625 Fragile people. 602 00:32:34,500 --> 00:32:35,625 All right. 603 00:32:36,916 --> 00:32:38,666 We've got nothing to go on, do we? 604 00:32:39,708 --> 00:32:42,041 She might not even be that fragile. 605 00:32:42,125 --> 00:32:45,375 (INDISTINCT CHATTER) 606 00:32:45,458 --> 00:32:46,791 But he didn't need to tell his stepmom 607 00:32:46,875 --> 00:32:49,916 that he'd buried those bodies in the garden, did he? 608 00:32:50,000 --> 00:32:52,375 He's answering questions no one's even asked. 609 00:32:54,666 --> 00:32:55,916 And they're not even his parents, 610 00:32:56,000 --> 00:32:58,458 so what's he doing burying them in the fucking garden? 611 00:32:58,541 --> 00:33:00,000 If... 612 00:33:00,083 --> 00:33:01,416 If he did bury them. 613 00:33:02,791 --> 00:33:03,791 I don't know. 614 00:33:04,958 --> 00:33:06,208 ‘Cause they're heavy? 615 00:33:07,166 --> 00:33:08,416 Oh, it can't just be that. 616 00:33:08,500 --> 00:33:11,500 I've got tits, I could dig a fucking hole if I had to. 617 00:33:16,208 --> 00:33:17,458 "Fragile." 618 00:33:17,541 --> 00:33:19,833 I know what fragile fucking means. 619 00:33:19,916 --> 00:33:22,125 It means you're in charge. 620 00:33:22,208 --> 00:33:25,208 You're the one who gets drunk and ends up in hospital. 621 00:33:25,291 --> 00:33:27,416 You're the one who gets sad and lashes out. 622 00:33:27,500 --> 00:33:29,541 You're the pain in the arse, basically. 623 00:33:30,583 --> 00:33:32,291 (SIGHS HEAVILY) 624 00:33:39,500 --> 00:33:40,708 My, um... 625 00:33:42,666 --> 00:33:44,500 My mom always says about relationships 626 00:33:44,583 --> 00:33:48,666 that one of you is the gardener and the other one's the garden. 627 00:33:50,291 --> 00:33:53,500 ♪ (OPERA MUSIC PLAYS) ♪ 628 00:33:54,000 --> 00:33:55,083 Right. 629 00:33:56,541 --> 00:33:57,708 What does that mean? 630 00:34:00,666 --> 00:34:01,750 Don't know. 631 00:34:03,083 --> 00:34:04,958 I fucking hate gardening. 632 00:34:05,041 --> 00:34:08,500 ♪ (OPERA MUSIC CONTINUES) ♪ 633 00:34:10,041 --> 00:34:11,833 (SIGHS) 634 00:34:11,916 --> 00:34:14,500 REPORTER: (ON RADIO) What happened here is unknown, 635 00:34:14,583 --> 00:34:16,291 but over 13 years ago, 636 00:34:16,375 --> 00:34:19,166 two bodies were buried in this garden. 637 00:34:19,250 --> 00:34:22,291 Only discovered by police on Thursday, 638 00:34:22,375 --> 00:34:24,291 officers were led to the house 639 00:34:24,375 --> 00:34:26,750 after receiving information last week 640 00:34:26,833 --> 00:34:31,083 about an alleged incident in the late 1990s. 641 00:34:31,166 --> 00:34:33,250 COLLIER: (ON TV) Our enquiries have confirmed 642 00:34:33,333 --> 00:34:36,208 that in 1998, an elderly couple, 643 00:34:36,291 --> 00:34:38,916 named William and Patricia Wycherley, 644 00:34:39,000 --> 00:34:41,750 resided at the address in question. 645 00:34:41,833 --> 00:34:43,541 We have, of course, been in contact 646 00:34:43,625 --> 00:34:45,375 with former neighbors and relatives 647 00:34:45,458 --> 00:34:46,666 of the Wycherleys, 648 00:34:46,750 --> 00:34:49,750 and they've painted a picture of a quiet couple 649 00:34:49,833 --> 00:34:52,166 who kept themselves to their selves, 650 00:34:52,250 --> 00:34:54,458 and who appeared to have 651 00:34:54,541 --> 00:34:56,666 very few close friends or assoc-- (TV SHUTS OFF) 652 00:35:04,083 --> 00:35:06,250 I didn't finish that crossword. 653 00:35:06,333 --> 00:35:07,250 SUSAN: Oh, well. 654 00:35:07,333 --> 00:35:09,125 We can have another look at it later. 655 00:35:11,125 --> 00:35:13,416 (INHALES) I've pressed your suit for you. 656 00:35:17,458 --> 00:35:18,458 Thank you. 657 00:35:18,541 --> 00:35:21,500 In case you get a second interview for that job. 658 00:35:23,041 --> 00:35:25,791 I won't get a second interview. It's been a week. 659 00:35:25,875 --> 00:35:27,750 Now, why would you say that? Why would you give up? 660 00:35:27,833 --> 00:35:30,916 (SHOUTS) Because it was a terrible interview! 661 00:35:33,625 --> 00:35:34,666 They've all been terrible. 662 00:35:34,750 --> 00:35:38,166 It was a waste of time, and it was humiliating. 663 00:35:43,500 --> 00:35:47,875 Have the... police replied to your message? 664 00:35:47,958 --> 00:35:51,000 No, they haven't. And to tell you the truth... 665 00:35:54,583 --> 00:35:56,458 I just think that the more we run, 666 00:35:56,541 --> 00:35:58,250 the more guilty we'll seem. 667 00:36:00,625 --> 00:36:01,958 They won't believe us. 668 00:36:05,166 --> 00:36:06,541 I'm going for a shower. 669 00:36:06,625 --> 00:36:10,416 - (FOOTSTEPS RECEDE) - ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 670 00:36:13,291 --> 00:36:14,583 (DOOR CLOSES LOUDLY) 671 00:36:17,416 --> 00:36:20,416 Forensics confirms that one of the bodies is male, 672 00:36:20,500 --> 00:36:22,166 the other is female. 673 00:36:22,250 --> 00:36:25,541 We recovered two .38-caliber bullets 674 00:36:25,625 --> 00:36:28,291 from each of the wrappings around the body. 675 00:36:28,375 --> 00:36:32,083 Looks most likely that both were shot twice in the chest 676 00:36:32,166 --> 00:36:33,458 using the same weapon. 677 00:36:33,541 --> 00:36:36,750 Obviously, we are yet to hear any more from the Edwardses, 678 00:36:36,833 --> 00:36:40,166 but I think it's fair to say that whoever killed these people 679 00:36:40,250 --> 00:36:42,208 probably killed them on purpose. 680 00:36:42,291 --> 00:36:46,208 - ♪ (OMINOUS MUSIC PLAYS) ♪ - (MIRROR SQUEAKS) 681 00:37:00,416 --> 00:37:04,333 ♪ (SUSPENSEFUL MUSIC PLAYS) ♪ 682 00:37:25,583 --> 00:37:26,833 (EXHALES HEAVILY) 683 00:37:27,666 --> 00:37:32,833 ♪ (MUSIC INTENSIFIES, CALMS) ♪ 684 00:37:57,666 --> 00:38:00,041 ♪ (MUSIC BECOMES PENSIVE) ♪ 685 00:38:19,125 --> 00:38:22,000 (DOG BARKS IN DISTANCE) 686 00:38:23,750 --> 00:38:25,125 (GRUNTS) 687 00:38:27,875 --> 00:38:29,625 BOTH: (CHUCKLE) 688 00:38:29,708 --> 00:38:30,875 CHRISTOPHER: (EXHALES) 689 00:38:48,583 --> 00:38:49,750 Bon appétit. 690 00:38:50,875 --> 00:38:52,375 - Thank you. - (CHUCKLES LIGHTLY) 691 00:38:53,750 --> 00:38:55,500 (SLURPING) 692 00:38:56,666 --> 00:38:58,083 - CHRISTOPHER: Mmm. - (CHUCKLES) 693 00:38:58,166 --> 00:39:00,708 CHRISTOPHER: Mmm. (SWALLOWS, SMACKS LIPS) 694 00:39:10,833 --> 00:39:12,666 Sorry, Chris. (INHALES SHAKILY) 695 00:39:15,166 --> 00:39:19,291 - Wh-- What's the matter? - I'm so sorry. (SOBS) 696 00:39:19,875 --> 00:39:21,500 (MUMBLES, SNIFFLES) 697 00:39:21,583 --> 00:39:24,458 - It's all my fault. (SNIFFLES) - Hey. 698 00:39:25,791 --> 00:39:30,041 - No, it's not, Susan. - It is. (INHALES SHAKILY) 699 00:39:30,125 --> 00:39:32,875 It's not your fault. Don't you ever think that. 700 00:39:32,958 --> 00:39:35,166 (INHALES SHAKILY) I've ruined your life. 701 00:39:35,250 --> 00:39:37,500 - Oh! (CHUCKLES) - (SOBS) 702 00:39:37,583 --> 00:39:40,000 You haven't ruined my life. 703 00:39:40,083 --> 00:39:44,125 - How can you say such a thing? - (SOBS) 704 00:39:44,208 --> 00:39:45,708 (SNIFFLES) 705 00:39:45,791 --> 00:39:48,416 - Because... - You are my life. 706 00:39:50,041 --> 00:39:52,333 You're my whole life. You know that. 707 00:39:52,416 --> 00:39:55,208 (SNIFFLES, INHALES SHARPLY) 708 00:39:57,875 --> 00:40:00,541 - (INHALES SHARPLY) - Come on, now. 709 00:40:00,625 --> 00:40:03,416 - (SNIFFLES) - Everything's gonna be just... 710 00:40:03,500 --> 00:40:05,916 - fine. - (BREATHES SHAKILY) 711 00:40:07,291 --> 00:40:09,166 Everything is gonna be all right. 712 00:40:10,666 --> 00:40:11,875 Okay, baby? 713 00:40:13,625 --> 00:40:14,791 I promise. 714 00:40:17,500 --> 00:40:22,875 ♪ (MELANCHOLIC MUSIC PLAYS) ♪ 715 00:40:33,541 --> 00:40:36,291 ♪ (MUSIC QUIETENS) ♪ 716 00:40:36,375 --> 00:40:38,875 - (CRICKETS CHIRP) - (DOG BARKS DISTANTLY) 717 00:40:39,958 --> 00:40:44,791 ♪ (MUSIC CONCLUDES) ♪ 718 00:40:44,875 --> 00:40:51,750 ♪ (SUSPENSEFUL MUSIC PLAYS) ♪ 719 00:41:13,500 --> 00:41:17,041 ♪ (SOMBER MUSIC PLAYS) ♪ 720 00:42:00,500 --> 00:42:04,333 (CRACKLING) 721 00:42:11,291 --> 00:42:14,333 ♪ (SUSPENSEFUL MUSIC CONTINUES) ♪ 722 00:42:22,833 --> 00:42:25,416 CHRISTOPHER: Dear DCI Collier, 723 00:42:25,500 --> 00:42:28,791 we note the growing notoriety of your inquest 724 00:42:28,875 --> 00:42:32,208 and possible assumptions about our involvement. 725 00:42:32,291 --> 00:42:34,125 We have, therefore, decided to return 726 00:42:34,208 --> 00:42:36,125 to England immediately. 727 00:42:36,208 --> 00:42:37,416 We prefer this approach 728 00:42:37,500 --> 00:42:41,250 rather than to leave ourselves open to a surprise arrest, 729 00:42:41,333 --> 00:42:44,125 since my wife is already sufficiently frightened. 730 00:42:44,208 --> 00:42:46,750 - (KNOCKING, DOOR OPENS) - Sorry to interrupt, but, 731 00:42:46,833 --> 00:42:49,500 uh, this just came in from Christopher Edwards, sir. 732 00:42:50,541 --> 00:42:52,541 (DOOR SQUEAKS, CLOSES) 733 00:42:52,625 --> 00:42:53,958 - You, get me London. - (TELEPHONE RINGS) 734 00:42:54,041 --> 00:42:56,000 - OFFICER: Yes, sir. - (INDISTINCT CHATTER) 735 00:42:56,083 --> 00:42:58,750 - You, get me the British Transport Police, ASAP. - MACBRIDE: Yeah, on it, sir. 736 00:42:58,833 --> 00:43:02,708 - (TELEPHONE RINGS) - Emma, where the fuck are ya? 737 00:43:02,791 --> 00:43:04,000 Later this evening, 738 00:43:04,083 --> 00:43:07,958 my wife and I will board the Eurostar 739 00:43:08,041 --> 00:43:10,166 and surrender ourselves to the authorities 740 00:43:10,250 --> 00:43:12,416 - at St. Pancras Station. - (INDISTINCT CHATTER) 741 00:43:12,500 --> 00:43:15,500 We do have one small favor to ask. 742 00:43:15,583 --> 00:43:18,583 Since same-day tickets are so pricey, 743 00:43:18,666 --> 00:43:20,125 and we find ourselves 744 00:43:20,208 --> 00:43:22,000 a bit short of funds at the moment, 745 00:43:22,083 --> 00:43:24,791 could you be so kind as to arrange tickets for us 746 00:43:24,875 --> 00:43:28,666 on the 23.34 departure from Lille? 747 00:43:28,750 --> 00:43:31,166 We should then arrive shortly before midnight 748 00:43:31,250 --> 00:43:34,000 - if there are no delays. - (MOTORCYCLE ENGINE REVS) 749 00:43:34,083 --> 00:43:38,500 CHRISTOPHER: Yours sincerely, Christopher Edwards. 750 00:43:38,583 --> 00:43:42,166 LANCING: Tickets booked, sir. Coach five, seats 61 and 62. 751 00:43:42,250 --> 00:43:43,708 Brilliant. Get in the back. 752 00:43:43,791 --> 00:43:45,791 - LANCING: What? - I'm not getting in the fucking back. Are you joking? 753 00:43:45,875 --> 00:43:47,791 - LANCING: (SIGHS) - (INDISTINCT CHATTER) 754 00:43:47,875 --> 00:43:51,208 - LANCING: Sorry, can you just bear with for a sec? - COLLIER: Come on. Fuck's sake. 755 00:43:52,458 --> 00:43:53,958 - Back door lock might be on. - LANCING: Can you let me in? 756 00:43:54,041 --> 00:43:55,833 - It's a child lock or summat. - COLLIER: Fuck's sake. 757 00:43:55,916 --> 00:43:59,208 - The country's finest spring into action. - LANCING: Fucking hell. Right. 758 00:43:59,291 --> 00:44:01,041 - Yeah, what were you saying? - WILKIE: Buckle up. Come on. 759 00:44:01,125 --> 00:44:04,041 LANCING: I do beg your pardon, we just needed to sort something else out. 760 00:44:04,833 --> 00:44:09,333 (SIRENS WAIL) 761 00:44:40,583 --> 00:44:41,875 CHRISTOPHER: Come on, love. 762 00:44:44,416 --> 00:44:47,416 Susan, we really need to get that train. 763 00:44:49,583 --> 00:44:50,625 Please? 764 00:44:53,375 --> 00:44:57,583 - ♪ (SOMBER MUSIC PLAYS) ♪ - (INDISTINCT ANNOUNCEMENT ON PA) 765 00:45:11,916 --> 00:45:14,208 It's not so bad now we're on our way, is it? 766 00:45:16,333 --> 00:45:17,791 Feel quite calm, actually. 767 00:45:20,250 --> 00:45:22,625 You know, I think it's a good thing that you spoke to Tabitha 768 00:45:22,708 --> 00:45:25,041 and that she told the police. 769 00:45:25,125 --> 00:45:26,791 It's about time they knew, isn't it? 770 00:45:26,875 --> 00:45:28,416 - Hmm. - They ought to know. 771 00:45:30,416 --> 00:45:32,125 And what have we got to worry about? 772 00:45:32,958 --> 00:45:34,083 We know what happened. 773 00:45:34,166 --> 00:45:35,958 We just have to stick to the plan and tell them. 774 00:45:36,041 --> 00:45:38,666 Don't we? Like we've been saying, stick to the plan. 775 00:45:38,750 --> 00:45:42,000 That's right, darling. Stick to the plan. 776 00:45:43,875 --> 00:45:45,416 How much money have you got? 777 00:45:46,375 --> 00:45:47,916 - Not much. - How much? 778 00:45:48,958 --> 00:45:49,958 About... 779 00:45:50,916 --> 00:45:54,000 two euros something. (SIGHS) 780 00:45:56,375 --> 00:45:58,750 I've got one and a bit. Hand it over. 781 00:46:00,625 --> 00:46:02,000 Might as well use it up! 782 00:46:06,083 --> 00:46:07,625 (CHUCKLES) 783 00:46:10,083 --> 00:46:12,000 COLLIER: Do you know what I find weird, though? 784 00:46:12,083 --> 00:46:14,208 It's those long scotch eggs. Do you know the ones 785 00:46:14,291 --> 00:46:15,500 that you get at service stations? 786 00:46:15,583 --> 00:46:17,958 Oh, my God, yeah. It's all powdered, isn't it? 787 00:46:18,041 --> 00:46:19,583 First time I saw it, I was like, 788 00:46:19,666 --> 00:46:21,375 "Show me the chicken that laid that egg." 789 00:46:21,458 --> 00:46:23,125 - (CHUCKLE) - Do you know what I mean? 790 00:46:23,791 --> 00:46:25,250 (CHUCKLES) 791 00:46:25,333 --> 00:46:27,500 - Did you say something, Emma? - What? 792 00:46:28,333 --> 00:46:29,541 No, just saying about 793 00:46:29,625 --> 00:46:31,458 those long scotch eggs. 794 00:46:31,541 --> 00:46:33,500 - Service stations. - (CHUCKLES) 795 00:46:33,583 --> 00:46:35,416 Like, "Show me the chicken that laid that." 796 00:46:35,500 --> 00:46:36,583 - WILKIE: (CHUCKLES) - LANCING: (GRUNTS) 797 00:46:36,666 --> 00:46:38,541 - 'Cause it's a weird egg. - LANCING: Yeah. 798 00:46:38,625 --> 00:46:40,416 Fuck's sake. Is this thing on? 799 00:46:40,500 --> 00:46:43,000 ♪ (LIVELY MUSIC PLAYS) ♪ 800 00:46:43,083 --> 00:46:44,333 COLLIER: (GROANS) 801 00:46:47,750 --> 00:46:51,500 (INDISTINCT ANNOUNCEMENT OVER SPEAKERS) 802 00:46:55,583 --> 00:46:57,166 Hey. 803 00:46:57,250 --> 00:46:59,666 Guess who I thought I just saw in the buffet car. 804 00:46:59,750 --> 00:47:02,125 - Who? - Gérard. 805 00:47:02,208 --> 00:47:04,875 - Depardieu? - Yeah, Gérard Depardieu. 806 00:47:04,958 --> 00:47:06,500 He was heading over from business class 807 00:47:06,583 --> 00:47:08,583 and I thought, "Oh, my goodness, that's him!" 808 00:47:10,083 --> 00:47:11,250 But it wasn't? 809 00:47:11,333 --> 00:47:13,750 No. Can't have been, can it? 810 00:47:15,000 --> 00:47:16,875 No, it's just someone who looked like him. 811 00:47:17,791 --> 00:47:18,958 (CHUCKLES) 812 00:47:19,833 --> 00:47:25,875 ♪ (LIVELY MUSIC CONTINUES) ♪ 813 00:47:39,791 --> 00:47:41,958 (INDISTINCT CHATTER) 814 00:47:43,666 --> 00:47:47,333 (SIRENS BLARE) 815 00:47:56,625 --> 00:47:59,375 (TRAIN RUMBLES OVER TRACKS) 816 00:47:59,458 --> 00:48:04,416 (TRAIN HORN BLARES) 817 00:48:06,708 --> 00:48:08,958 (WIND HOWLS) 818 00:48:09,041 --> 00:48:12,916 ♪ (LIVELY MUSIC CONTINUES) ♪ 819 00:48:19,458 --> 00:48:21,666 (TIRES SCREECH) 820 00:48:35,333 --> 00:48:39,916 - (RAIL CROSSING BELL RINGS) - (STEAM ENGINE CHUFFS) 821 00:48:50,250 --> 00:48:53,166 ♪ (MUSIC CALMS) ♪ 822 00:48:54,416 --> 00:48:56,166 PATRICIA WYCHERLEY: (SHOUTS) ...fucking saying. 823 00:48:56,250 --> 00:49:01,208 I am just spending a few seconds alone with my own daughter. 824 00:49:01,291 --> 00:49:04,791 What do you need? Just get down the staircase. 825 00:49:04,875 --> 00:49:07,333 Go on, just get up to your bedroom! 826 00:49:08,791 --> 00:49:11,083 ♪ (LIVELY MUSIC PICKS UP) ♪ 827 00:49:13,875 --> 00:49:15,291 Oh, Chris. 828 00:49:15,375 --> 00:49:18,708 CHRISTOPHER: (BREATHES SHAKILY, SNIFFLES) 829 00:49:18,791 --> 00:49:21,291 It's all right. (BREATHES SHAKILY) 830 00:49:21,375 --> 00:49:24,333 I'm stronger than I look. (SOBS) 831 00:49:27,000 --> 00:49:29,250 Chris, I don't think I can say goodbye to you. 832 00:49:30,541 --> 00:49:32,833 No one is saying goodbye, my love. 833 00:49:34,958 --> 00:49:37,125 There are no goodbyes between us. 834 00:49:39,291 --> 00:49:42,125 I'll never leave you. You know that. 835 00:49:45,666 --> 00:49:46,666 Never. 836 00:49:52,041 --> 00:49:53,458 Give me your passport. 837 00:50:01,041 --> 00:50:02,250 Are you ready, darling? 838 00:50:03,625 --> 00:50:04,833 Suppose so. 839 00:50:12,833 --> 00:50:19,083 (SIRENS BLARE) 840 00:50:19,166 --> 00:50:21,125 (INDISTINCT CHATTER OVER POLICE RADIO) 841 00:50:21,208 --> 00:50:23,333 - COLLIER: DCI Collier, Nottingham Police. - OFFICER: Sir. 842 00:50:23,416 --> 00:50:25,041 COLLIER: I'm the SIO. 843 00:50:25,125 --> 00:50:28,416 ♪ (LIVELY MUSIC CONTINUES) ♪ 844 00:50:34,625 --> 00:50:38,208 ANNOUNCER: The next train to arrive at platform 11 845 00:50:38,291 --> 00:50:40,833 will be the 23.34... 846 00:50:40,916 --> 00:50:42,541 - LANCING: Right, I'll take up here. - ...Eurostar service 847 00:50:42,625 --> 00:50:45,291 - from Lille. - WILKIE: I'll go up and round. 848 00:50:45,375 --> 00:50:47,041 ANNOUNCER: The next train to arrive at plat... 849 00:50:51,166 --> 00:50:55,041 (INDISTINCT CHATTER) 850 00:50:55,125 --> 00:50:57,958 You got eyes on them, Paul? Over. 851 00:50:58,041 --> 00:51:00,166 SUSAN: Where did they say to meet them? 852 00:51:00,250 --> 00:51:02,291 By the south-west... 853 00:51:02,375 --> 00:51:05,208 exit of the St. Pancras Hotel car park, 854 00:51:05,291 --> 00:51:06,958 which I think is this way. 855 00:51:07,041 --> 00:51:08,083 COLLIER ON RADIO: Paul, come in. 856 00:51:08,166 --> 00:51:09,875 Have you got eyes on them? Over. 857 00:51:09,958 --> 00:51:12,500 WILKIE: Not yet, sir, but eyes peeled. Over. 858 00:51:12,583 --> 00:51:15,458 ♪ (MUSIC CALMS, CONTINUES) ♪ 859 00:51:17,166 --> 00:51:20,000 CHRISTOPHER: Sorry. Excuse me. Terribly sorry. 860 00:51:20,083 --> 00:51:22,000 (INDISTINCT CHATTER) 861 00:51:27,458 --> 00:51:29,166 I think I might have spotted them, sir. 862 00:51:30,166 --> 00:51:31,791 What are they doing? 863 00:51:31,875 --> 00:51:34,541 They're just sort of walking, sir. 864 00:51:34,625 --> 00:51:37,541 In your direction. Over. 865 00:51:37,625 --> 00:51:40,666 CHRISTOPHER: Remember, one step at a time... (EXHALES) 866 00:51:40,750 --> 00:51:41,833 ...like we said. 867 00:51:41,916 --> 00:51:44,708 They arrest us, they read us our rights. 868 00:51:44,791 --> 00:51:46,708 We know what we're gonna say. We've gone through it 869 00:51:46,791 --> 00:51:48,625 a thousand times and we're ready. 870 00:51:48,708 --> 00:51:50,625 But don't say a word without a solicitor. 871 00:51:50,708 --> 00:51:51,958 - Right? - Yes. 872 00:51:52,041 --> 00:51:55,875 And remember, if you don't like the first one they offer, 873 00:51:55,958 --> 00:51:58,625 ask to meet another. You're in charge. 874 00:52:00,208 --> 00:52:01,458 Then come the police interviews. 875 00:52:01,541 --> 00:52:03,458 They'll try to confuse you, but don't let them. 876 00:52:03,541 --> 00:52:07,166 Just tell our story, simply and calmly. 877 00:52:07,250 --> 00:52:10,833 No need to make anything up. Just tell them the truth. 878 00:52:10,916 --> 00:52:13,041 Yes, just tell them the truth. 879 00:52:13,125 --> 00:52:18,083 ♪ (MUSIC INTENSIFIES) ♪ 880 00:52:29,708 --> 00:52:33,875 ♪ (MUSIC BUILDS TO CLIMAX) ♪ 881 00:52:33,958 --> 00:52:35,291 Good evening. 882 00:52:38,333 --> 00:52:40,875 ♪ (MUSIC CONCLUDES) ♪ 883 00:52:40,958 --> 00:52:42,500 ♪ (DRAMATIC MUSIC PLAYS) ♪ 884 00:52:42,583 --> 00:52:44,500 REPORTER 1: Susan and Christopher Edwards 885 00:52:44,583 --> 00:52:46,875 might have seemed like an ordinary couple, 886 00:52:46,958 --> 00:52:49,750 but together, they had carried a sinister secret 887 00:52:49,833 --> 00:52:51,708 for over fifteen years. 888 00:52:51,791 --> 00:52:53,083 REPORTER 2: Buried in the rear garden 889 00:52:53,166 --> 00:52:55,500 of this unassuming Mansfield property 890 00:52:55,583 --> 00:52:57,875 were the bodies of Susan's parents. 891 00:52:57,958 --> 00:52:59,625 REPORTER 3: Remains found last month are believed 892 00:52:59,708 --> 00:53:03,208 to be those of William and Patricia Wycherley. 893 00:53:03,291 --> 00:53:04,583 REPORTER 4: Buried in the back garden 894 00:53:04,666 --> 00:53:07,208 of a semi-detached house at Forest Town in Mansfield. 895 00:53:07,291 --> 00:53:09,916 Following a tip-off, police make a grim discovery. 896 00:53:10,000 --> 00:53:12,750 One woman said she knew of an elderly couple 897 00:53:12,833 --> 00:53:14,333 who were here in the '90s. 898 00:53:14,416 --> 00:53:16,375 One day, they just disappeared. 899 00:53:16,458 --> 00:53:19,541 Everyone assumed that they'd emigrated, 900 00:53:19,625 --> 00:53:21,375 and no one thought anything of it. 901 00:53:21,458 --> 00:53:23,375 REPORTER 5: A postmortem examination revealed 902 00:53:23,458 --> 00:53:25,791 they'd both been shot twice with a revolver 903 00:53:25,875 --> 00:53:27,166 similar to this one. 904 00:53:27,250 --> 00:53:29,541 In panic, the Edwards fled to France 905 00:53:29,625 --> 00:53:32,208 before eventually contacting police in the UK 906 00:53:32,291 --> 00:53:33,791 when they ran out of money. 907 00:53:35,000 --> 00:53:37,125 In an email, Christopher Edwards wrote, 908 00:53:37,208 --> 00:53:38,708 "We're going to surrender ourselves 909 00:53:38,791 --> 00:53:40,958 - to the UK authorities." - (SIREN BLARES) 910 00:53:41,041 --> 00:53:43,500 REPORTER 6: Late last night, at St. Pancras Station, 911 00:53:43,583 --> 00:53:46,250 husband and wife Susan and Christopher Edwards... 912 00:53:46,333 --> 00:53:48,458 REPORTER 7: ...were arrested on suspicion of murder... 913 00:53:48,541 --> 00:53:50,875 REPORTER 8: ...on their return from France. 914 00:53:50,958 --> 00:53:52,166 REPORTER 9: They have since been escorted 915 00:53:52,250 --> 00:53:53,416 back to Nottinghamshire, 916 00:53:53,500 --> 00:53:56,208 where they'll be held in custody for the next 24 hours 917 00:53:56,291 --> 00:53:58,041 to be questioned by police. 72029

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