All language subtitles for The Joy of Painting S03E10 720p WEBRip X264-iPlayerTV (1)_track3_[eng]

Welcome back.

I thought today we'd do
a black canvas

that has maybe a happy
little waterfall

and a bubbling little stream
running down through it.

Now, I went ahead and prepared the
canvas to save a little bit of time.

If you're doing this at home,
this is a black canvas

that's painted with a flat,
black acrylic and allowed to dry.

Then I've taken and made a circle
here of alizarin crimson,

the top is Prussian blue,
and the bottom half of the canvas

I've covered with a layer of blue
and Van Dyke brown,

Prussian blue and Van Dyke brown,
and then just wiped it all together.

So let's make some
happy little clouds in the sky.

I'm going to start with
the fan brush

and a little bit of titanium white.
Very small amount.

And we'll begin building
some happy little clouds here.

Very little paint because it's going
to pick up the colours underneath

and just make all kind of happy
little things happen.

There we go. Just let it bounce
through the sky and play.

See how it's picking up the blue?

There.

OK, now, maybe there's another
little cloud right here.

Just let these clouds
just float around

wherever you think
there should be one.

OK, there we go.

And just let them feather back.

OK, now with the large brush,

I'm going to very gently blend
the bottom of these clouds out.

OK.

Now we'll do this one.

Just the bottom of the cloud -
we don't want to touch the top yet.

And then we'll fluff it up
a little bit.

And then just gently blend it.

Super nice little way
to make clouds.

OK, we'll put a few more little
clouds in here.

Maybe, maybe there's one right here
just floating around.

Now, these black canvases are
so much fun.

We've done quite a few of them
on this series

because we've had so many requests
for them.

There we go.

Just let him float around the sky.

Blend it out, not touching
the top of the cloud. Just...

..little circles, little tiny
circles. Fluff it up a little bit.

And blend it out.

OK. And you do these clouds
in layers,

do the one that's furthest away
first and work towards yourself.

OK, a little bit
more of the titanium white.

And maybe there's a nice one here.

Keep your brush moving.
Keep it moving at all times.

You don't want to end up with great
big cotton balls up in the sky.

There.

There we go.

And with a large brush,
we just blend that out,

not touching the top edge.

And here it is beginning
to touch the crimson,

so we are getting a difference in
values now, difference in colours.

OK. Maybe one more little cloud.

Little fluffy one right here.

OK.

There we are, that gives us
a nice little cloud.

We'll blend the bottom of it out.

OK.

Then blend it out.

Super simple,
nice little way to make clouds.

And the black canvas works
fantastic.

Now clean the brushes.

OK.

There we go.

Now, let's make some little
evergreens

back in the distance here.

And for that, I'll take some
Van Dyke brown, alizarin crimson

and a little touch of Prussian blue.

We're looking for a colour that
looks black here, very, very dark.

Load a lot of paint into the
fan brush - just load it full.

There.

And we'll just make little
indications of trees

way back here in the distance.

Touch the canvas and go downward.

Just so we have silhouettes.

There we go.

This is a nice way to make a lot
of little tree indications

very rapidly.

Save you a lot of time.

OK, then we can put a little detail
here and there on some of them.

Maybe they're a little larger.

But mostly just
looking for indications.

OK. Now,
let this come right downhill here.

Just like so.

OK. Now maybe, maybe over here
there's a nice one, bigger one.

And some little ones beside him.

This is your world,
so let your imagination go crazy.

Whatever makes you happy,
you put in your world.

OK.

Just as I've got a nice indication
of a tree line back here now.

There we go.

Now, maybe, maybe here and there

you want to put a little
more detail in a few of these trees.

And that'll indicate
they're a little bit closer to you.

OK.

And here I'm just putting
a little colour on.

OK. Now, now let's start

and make a little tiny waterfall
that's far off in the distance.

I've added a very, very slight
amount of magic white to the paint,

just to thin it a little bit.

And maybe my waterfall will be here

and we'll have a babbling little
brook coming down.

So let's start right about here
and go across, and let it fall.

Just across, and down.

Try to do that in one stroke
so the lines come all the way down.

And then we'll begin putting some
little foamy things

where it's hitting here.

Let it begin working forward.

There we go.

Just all these happy little things
happening in here.

OK.

And once again, I have a very small,

small amount of magic white
mixed with my titanium white.

Just to make it a tiny bit thinner.

There we go.

You know, when you have a
babbling little brook

running down through here...

..cos a lot of times you have,
have little, tiny stones

under the water where the water will
hit and bounce and play.

There we go.

You might not see that stone,
but he's there.

Just create some interesting
little things in here.

And the water hits and plays
and bounces around.

Maybe there is another
little stone right here.

Look at that son of a gun!
Isn't that fun?

I sincerely hope you're painting
along with us today

because this is a fun picture.

And it teaches you so many things.

Ah, maybe there's another one
right there.

Just let your imagination take you
wherever you want to go.

OK.

Now, I'm going to go back into
my dark colour here

and put a few trees
that are a little bit closer

sitting down here on the hill.

There we are.

OK.

Now let's take
a little bit of cad yellow

and sap green mixed together.

Maybe we'll put a tiny,
tiny bit of ochre in it too,

just to dull it down a little bit.

There we go.

And let's have some grassy little
areas coming down through here.

Just touch, push,
make the fan brush bend upward.

I want to create the illusion
of a hill coming down.

There we go.

Don't let it get too bright on you.

All kind of little
grassy things happening.

And maybe back here, maybe...

I'll tell you what, let's...

let's put a nice cliff back here
in front of this little waterfall.

That'll push everything back
quite a bit.

Like so. There we are.

And I'm going to take just
the tiniest amount of burnt umber.

And just put a little highlight
up here, just a tiny bit.

And angles are very important
when you're doing rocks.

Watch the angles.

There. Now, that sort of pushes the
waterfall back a little bit further.

Creates a little more distance,
a little more depth in the painting.

And then we can put some happy
little things

going right up the side here.

And just let them
fade right out to nothing.

There we go.

And maybe with a little bit
of Van Dyke brown...

..we'll put a few little stones
and some banks

and stuff right along in here.

Just wherever you want them.

And I'm going to highlight those
with burnt umber, just a little bit.

OK, now we go back to
our little grassy colour here

and bring it all together.

OK. Now, let's come over
on the side of the canvas.

You know, I'll use a one-inch
brush. I'll be a little bit faster.

And we'll take some Van Dyke brown,
a little crimson,

tiny bit of blue and we'll put
some happy little things happening

over here and begin closing this
little waterfall in.

There.

OK. Bend that brush, really push it.

OK, now...

..use a little, tiny bit of
magic white on the one-inch brush,

and we'll go into some cad yellow
and back to the sap green.

A little bit of ochre added to it,
just to dull it down.

Don't want it to get too bright
on us.

Say, I bet you never imagined you
could paint a waterfall like this.

And if you're
painting along with us,

you have a pretty good picture
going already.

There we go.

Now, let's drop in another little
bush right here.

And I'll go back
to the fan brush now.

And begin laying in some little
grassy areas,

just going right up the hill here.

Make that brush bend upward.

There.

Now, with a little bit
of the Van Dyke brown,

we'll put some little
banks in here.

There we go, just let them
protrude right out into the water.

All right.

We are beginning to have a waterfall
here. Bubbling little stream.

Aren't these black canvases fun,
though?

We have an absolute ball
teaching you how to do these.

OK, little, tiny bit of the burnt
umber, just to highlight a little.

OK. Now, back to my fan brush, and
we'll bring all this together.

Let it get very dark back in here.

There. OK, now...

..we'll bring this together.

And we'll be ready to play
some more here in the water.

OK. All righty,
let's get the old fan brush here.

And finish up the stream, and then
we can play a little bit.

I think we have a few minutes here,
we can just,

we can just have some fun.

A little touch of the magic white,
firm white mixed together.

And we can begin splashing water
all up against the rocks

and the stones and the banks here.

Let it splash.

Maybe once in a while it runs up
on there little bit.

Psh-ew!

There we go.

There's another one of those
little stones under the water.

You knew it was there,
didn't you?

You just wanted to see
if I'd remember and put it in.

There.

Look at all that action's
happening in that water.

That's what makes this so much fun.

Psh-ew! There he went again,
right up the side.

All the little actions in the water.

Moving water is something we avoid
so often, and it's so much fun.

But it's like everything else,
it takes a little bit of practice.

And turn your fan brush
from one side to the other,

you'll find that one side bends
better than the other one does.

And you'll have to experiment.

Every single fan brush in the world
has its own personality,

and you have to make friends with
the little rascal.

Hm, tell you what...

..let's put a happy little stone
right out here in the water.

At least one. If we have time,
maybe we'll put a couple of more in.

That was Van Dyke brown,
and now I go back to the umber.

Put the little highlights on it.

And we'll wrap some water
right around that stone.

Splash a little bit up here
and there, and then... Psh-ew.

Isn't that something?

There.

As I say,
after all these years of painting,

it still fascinates me
that this works like this,

and it works for people who have
never painted.

Psh-ew!

We see it every day
in the classroom.

OK.

Let's take the knife now
and just make a few little twigs

and sticks here and there.

All I'm doing is using a clean knife

and scraping right through
the paint.

Makes it look like little twigs
and little sticks.

OK, well, you feeling brave today?

Let's do some crazies -
I think we have time here.

And we'll take some
Van Dyke brown on the knife,

get a lot of Van Dyke brown.

And maybe, maybe there's a great big
tree that lives right here. Psh-ew.

Maybe this old tree, maybe
he's tired, and maybe he's dead.

Let's do a dead tree.

He's fixing to fall over and make
a natural bridge right across

this little stream, and the water
will play around him

and have fun and...

..just have a good time.

You know, probably, to me,

one of the nicest sounds in
the world is

listening to a little stream
as it bubbles along,

plays and hits the rocks
and stones and...

In Alaska, I have a, I have
a great deal of fun going out

in the woods and just sitting next
to a stream and listening to it.

OK.

Now, let's take, let's take a
tiny bit of permanent red

and some burnt umber mixed together.

And we'll lay a little
bit of highlight on this tree,

just enough to get it to stand out.

There we go.

Just here and there. Just where
you think light will strike us.

OK.

Now, the other side, I'll use
a little bit of Prussian blue.

Just to indicate a little
reflected light.

Just a little bit.

And all we're doing here
is touching the canvas

and allowing it to pull
the paint off the knife.

It's like taking the bus
and leaving the driving to us.

Let the knife do the work.

And this is just a little
Van Dyke brown.

I'm just sort of bringing it
all together now...

..to give it a nice
bark appearance.

All I'm doing is touching
and pulling the knife straight out.

And let's, let's,
let's take the fan brush.

And let's take a little bit
of the Van Dyke brown.

Little bit of umber mixed with it,
just mix it on the brush.

And let's put a few...
If this is a dead tree,

let's put a few limbs hanging
here and there on it.

Just, just touch and let the fan
brush go. Just touch straight on.

Maybe there's a big old limb,
hangs way out like that.

Make him a little bit wider.

Got to make him strong.

There we go.

And...

Oh, here's one, right here.
I see him.

Maybe he sort of curls around.

Like that.

I think when I was a little boy,

that's the size limb my mother used
to get to punish me when I was bad.

HE WHISTLES

Actually, I was raised in Florida.
And my mother used to use palmettos.

And if she sees this, she's going
to kill me for telling you.

But she knows that she's my
favourite lady in the whole world.

So I think she'll forgive me.

There.

Just a few little limbs here.

Maybe there's one we can't see -
it's on up here on the tree.

Can't see where it starts, but
it just sort of hangs down here...

Give him a little arm.

Now, clean the brush.

And I'll take a little
bit of the permanent red

and burnt umber mixed together.

There we go. I think we'll highlight
the limbs a little. Just touch.

And follow your limb right on down
like so.

This burnt umber
is a beautiful colour.

There.

OK, just highlight it a little bit.

Just enough
so it stands out a little.

It doesn't have to be real bright.

OK.

Little touch over here.

All right.

Now just take a little tiny bit
of the yellow and green

and put some little grassy things
around this tree's foot.

Just to bring him
into the painting a little better.

Let him set up there.

And maybe, maybe we want to put a
little tree on the other side too.

Maybe, maybe there's just a tiny
little tree

way back here in the distance.

There we go.

Let's get brave.
Maybe there's two trees.

And we'll take a little bit of white

and mix it with a little
bit of umber.

And just touch, just to give
some little indications.

Don't want to get too bright.

There we go.

And with the liner brush,
let's open the oil here,

take a little bit of the thin oil,
Van Dyke brown...

..and a little umber.

Just mix it a little bit thin.

We'll just put some little
indications of limbs on here.

Just here and there.

Like so.

Just here and there.

Now I'm going to take a little
of the magic white, a little yellow,

little tiny bit of ochre
mixed with it,

load a lot of paint into
the bristles

and we'll just drop a few little,

few little leaf indications
on there.

Just here and there.

There we go.

I think we got him there.

OK, maybe a stick or two
right here in front of the tree.

I think we've about
got this rascal finished.

So let me take a little bit of
thin oil, little permanent red...

..and we'll sign this almighty
painting, call him done.

Mix your paint till it's
almost thin as water,

then you can just write with it.

Shoop! There we are.

Just let it go.

Now, next week,
if you're painting along with us,

we'll be doing a white canvas.

So have your canvas ready,
your almighty easel set up.

And we'll be waiting for you here.

Until then, from all of us here,
happy painting.