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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:28,560 --> 00:00:30,079 Welcome back. 2 00:00:30,080 --> 00:00:33,359 You know, we've had so many cards and letters requesting more of these 3 00:00:33,360 --> 00:00:36,319 black canvases, today, I thought I'd do something a little crazy. 4 00:00:36,320 --> 00:00:37,919 I'm in one of those funny little moods. 5 00:00:37,920 --> 00:00:39,799 So I've taken the liberty of going ahead 6 00:00:39,800 --> 00:00:42,279 and covering the canvas with different colours. 7 00:00:42,280 --> 00:00:44,439 And let's go over the colours that we used. 8 00:00:44,440 --> 00:00:48,679 I've taken here an Alizarin Crimson, in about a half circle, 9 00:00:48,680 --> 00:00:52,519 and the whole bottom of the canvas is covered with crimson. 10 00:00:52,520 --> 00:00:57,039 The top is Prussian Blue. And then we blended all of this together. 11 00:00:57,040 --> 00:00:59,559 Now, when you're preparing these black canvases at home, 12 00:00:59,560 --> 00:01:01,959 be sure it's a flat black that you use. 13 00:01:01,960 --> 00:01:06,159 And allow it to dry completely before you start this. So let's go. 14 00:01:06,160 --> 00:01:08,319 We'll take a fan brush here, 15 00:01:08,320 --> 00:01:10,640 and we'll start with a little bit of Titanium White. 16 00:01:12,160 --> 00:01:15,080 And let's just play a little, let's just have a little fun. 17 00:01:16,360 --> 00:01:20,199 And we'll start right up in here and we're just going to begin 18 00:01:20,200 --> 00:01:23,799 touching this canvas and letting this just play around. 19 00:01:23,800 --> 00:01:28,000 You can see how it's picking up the crimson underneath. Just let it go. 20 00:01:30,160 --> 00:01:34,360 Just move the brush, just little indications all over the place. 21 00:01:37,640 --> 00:01:40,240 And we'll make some happy little things in the sky here. 22 00:01:43,160 --> 00:01:46,400 There. Just let it play. 23 00:01:48,240 --> 00:01:51,480 But now you see how it's picking up the blue colour up here. 24 00:01:56,920 --> 00:02:00,560 And we'll put a little bit over in this direction. There we go. 25 00:02:01,960 --> 00:02:04,919 Don't get it too bright. OK. 26 00:02:04,920 --> 00:02:06,279 Now we'll take the large brush 27 00:02:06,280 --> 00:02:11,239 and we'll begin blending all this together, and just very gently, 28 00:02:11,240 --> 00:02:13,440 just begin bringing it together. 29 00:02:15,640 --> 00:02:20,000 And this should create beautiful little clouds, little sunset type. 30 00:02:21,920 --> 00:02:25,200 Just turn the brush, keep it moving. Circles, always in circles. 31 00:02:26,760 --> 00:02:28,280 There we go. 32 00:02:32,560 --> 00:02:35,680 All right. And then we'll just blend it all together. 33 00:02:40,000 --> 00:02:45,799 Mm! Isn't that unreal what these black canvases do? 34 00:02:45,800 --> 00:02:47,879 And that quickly, 35 00:02:47,880 --> 00:02:50,000 we've made a beautiful little sunset sky. 36 00:02:51,440 --> 00:02:53,759 And when you're at home, let your imagination go crazy, 37 00:02:53,760 --> 00:02:56,879 use these black canvases to do a multitude of things. 38 00:02:56,880 --> 00:03:01,039 The only prerequisite is that the colour that you apply here 39 00:03:01,040 --> 00:03:04,719 be a transparent colour so that when you put the lighter colour on, 40 00:03:04,720 --> 00:03:08,079 it picks up and just boom, out it comes! 41 00:03:08,080 --> 00:03:11,639 All right. I thought maybe today we'd do... 42 00:03:11,640 --> 00:03:16,200 Let's do a lazy little river. OK. 43 00:03:18,880 --> 00:03:20,580 Clean the old brush here. 44 00:03:20,581 --> 00:03:22,279 TAPS BRUSH AGAINST PAIL 45 00:03:22,280 --> 00:03:24,559 Hmm, that is fun! 46 00:03:24,560 --> 00:03:25,999 All right. 47 00:03:26,000 --> 00:03:29,679 Let's take a one-inch brush and we'll use some Alizarin Crimson 48 00:03:29,680 --> 00:03:33,039 and Van Dyke Brown. Just mix them on the brush. 49 00:03:33,040 --> 00:03:37,319 Load a lot of paint into your bristles, a lot of paint. 50 00:03:37,320 --> 00:03:39,399 And we'll begin applying some paint here 51 00:03:39,400 --> 00:03:41,720 and make gentle little tree shapes and stuff. 52 00:03:43,520 --> 00:03:46,959 And we don't want to cover up all this beautiful little sky 53 00:03:46,960 --> 00:03:48,320 that we've put in here. 54 00:03:50,280 --> 00:03:53,240 Leave it loose and airy. There. 55 00:03:57,120 --> 00:03:59,920 And maybe there's a happy little tree that lives right here. 56 00:04:02,280 --> 00:04:04,599 I know at home you may be having a hard time seeing 57 00:04:04,600 --> 00:04:05,839 what I'm doing here. 58 00:04:05,840 --> 00:04:08,159 All we're doing is putting on some base colour, 59 00:04:08,160 --> 00:04:11,119 the brown and the crimson mixed together. 60 00:04:11,120 --> 00:04:14,560 Ah, maybe we'll have some big trees over here in the corner. 61 00:04:16,200 --> 00:04:17,560 There we go. 62 00:04:21,640 --> 00:04:23,159 All right. 63 00:04:23,160 --> 00:04:25,559 When you use an almighty brush it only takes a few minutes 64 00:04:25,560 --> 00:04:27,120 to cover a canvas. 65 00:04:32,600 --> 00:04:36,879 OK. That gives us something to start with. Now we'll take... 66 00:04:36,880 --> 00:04:39,359 Let's build some happy little reflections in here. 67 00:04:39,360 --> 00:04:41,479 I'm going to take just a tiny little bit of Cad Yellow 68 00:04:41,480 --> 00:04:44,719 on the large brush, just a small, small amount. 69 00:04:44,720 --> 00:04:47,999 It's easy to add more colour but it's a son of a gun to take it away! 70 00:04:48,000 --> 00:04:49,800 Touch, pull straight down. 71 00:04:52,920 --> 00:04:54,959 Touch, pull down. 72 00:04:54,960 --> 00:04:58,279 And so your yellow is mixing with the crimson that's underneath 73 00:04:58,280 --> 00:05:00,760 and makes some beautiful little colours. 74 00:05:02,840 --> 00:05:04,240 Look at that. 75 00:05:06,320 --> 00:05:07,800 Just pull it straight down. 76 00:05:11,760 --> 00:05:13,679 And this is our light source 77 00:05:13,680 --> 00:05:16,400 so right under that, we want it to be a little bit brighter. 78 00:05:21,080 --> 00:05:23,799 There we go. 79 00:05:23,800 --> 00:05:26,320 Now, very gently, go across. 80 00:05:27,400 --> 00:05:29,599 Just enough to give it a watery effect. 81 00:05:29,600 --> 00:05:32,159 And since this is wet on wet, you can move things. 82 00:05:32,160 --> 00:05:33,680 You can push that paint. 83 00:05:36,880 --> 00:05:38,760 You can make these reflections bend. 84 00:05:42,400 --> 00:05:46,879 OK. Now, let's begin highlighting some of these. 85 00:05:46,880 --> 00:05:49,999 Now, in reality, if you had a sky like this, 86 00:05:50,000 --> 00:05:52,199 you would have nothing but silhouettes. 87 00:05:52,200 --> 00:05:54,119 But when you buy your first tube of paint, 88 00:05:54,120 --> 00:05:57,999 you're issued an artist's licence and an artist's licence says 89 00:05:58,000 --> 00:06:00,519 you can do anything you want to do! 90 00:06:00,520 --> 00:06:02,519 So that's what we're going to do. 91 00:06:02,520 --> 00:06:07,719 I'm going to take a fan brush with a little bit of Van Dyke Brown 92 00:06:07,720 --> 00:06:09,559 and Burnt Umber. 93 00:06:09,560 --> 00:06:11,040 Just mixed on the fan brush. 94 00:06:12,800 --> 00:06:15,119 And we'll put a few little trunks here and there. 95 00:06:15,120 --> 00:06:18,599 And all we're going to do is touch and pull. 96 00:06:18,600 --> 00:06:21,439 If you wanted to highlight those all in one stroke 97 00:06:21,440 --> 00:06:26,519 add a little bit of yellow on one side of the brush. Just a tiny bit. 98 00:06:26,520 --> 00:06:30,759 And when you push, you automatically get the highlights. 99 00:06:30,760 --> 00:06:34,319 Let's go back and highlight this one a little. 100 00:06:34,320 --> 00:06:35,680 There. 101 00:06:37,600 --> 00:06:40,520 And maybe... maybe there's a trunk right over here. 102 00:06:45,560 --> 00:06:48,600 And let's have some big trunks up through these trees. 103 00:06:52,400 --> 00:06:53,840 Just here and there. 104 00:06:59,360 --> 00:07:02,159 There we go. OK. 105 00:07:02,160 --> 00:07:05,239 Now, I'm going to take a tiny little bit of Magic White 106 00:07:05,240 --> 00:07:07,839 just to thin the paint a small amount. 107 00:07:07,840 --> 00:07:10,280 And we'll go into a little bit of the Cad Yellow. 108 00:07:11,440 --> 00:07:14,440 Maybe a little more Magic White. There. 109 00:07:16,040 --> 00:07:17,920 Thin paint will stick to a thick paint. 110 00:07:19,160 --> 00:07:22,160 And we'll go into some Permanent Red and back to the yellow. 111 00:07:23,360 --> 00:07:25,319 We'll make some bright little colours here 112 00:07:25,320 --> 00:07:27,999 so they really stand out on your set at home. 113 00:07:28,000 --> 00:07:31,360 And let's go appear and push in just thousands of little leaves. 114 00:07:35,280 --> 00:07:36,560 There. 115 00:07:38,920 --> 00:07:43,759 And the colours we've used underneath, the Alizarin, 116 00:07:43,760 --> 00:07:46,959 it mixes with the yellow and doesn't destroy. 117 00:07:46,960 --> 00:07:49,320 You don't have to wash your brush quite so much. 118 00:07:52,320 --> 00:07:55,080 And let's go into a little bit of the umber colour. 119 00:07:58,880 --> 00:08:01,240 There. A little bit of the umber mixed with the yellow. 120 00:08:02,560 --> 00:08:08,279 Just to dull it down a slight bit. And we'll come back in here. There. 121 00:08:08,280 --> 00:08:13,559 And begin putting little indications of little things all over the place. 122 00:08:13,560 --> 00:08:15,560 Maybe there's a little bit right there. 123 00:08:19,800 --> 00:08:21,080 There we go. 124 00:08:23,880 --> 00:08:26,399 Now. Maybe... 125 00:08:26,400 --> 00:08:30,119 I'm just going back and forth between yellow and red, ochre. 126 00:08:30,120 --> 00:08:32,480 A little bit of umber now and then. 127 00:08:39,120 --> 00:08:41,920 OK. Now maybe there's one that hides right down in here. 128 00:08:52,000 --> 00:08:53,960 OK. You beginning to see the river yet? 129 00:08:55,800 --> 00:08:59,439 ♪ Up the lazy river by the old mill stream...♪ 130 00:08:59,440 --> 00:09:02,640 See, you've got to get in the mood and sing a little and have fun. 131 00:09:05,200 --> 00:09:08,679 It's a good thing I took up painting rather than singing! 132 00:09:08,680 --> 00:09:10,719 OK, now let's put a little bit of dirt along here, 133 00:09:10,720 --> 00:09:13,759 a little bit of banks, river banks. 134 00:09:13,760 --> 00:09:18,320 This is the Burnt Umber with a little Van Dyke Brown in it. 135 00:09:25,920 --> 00:09:27,239 OK. 136 00:09:27,240 --> 00:09:29,879 And I'm going to use a little bit of the yellow 137 00:09:29,880 --> 00:09:33,039 and Burnt Umber mixed together to highlight this. 138 00:09:33,040 --> 00:09:34,560 Yellow and Burnt Umber. 139 00:09:36,000 --> 00:09:38,560 Don't want to get too bright, just so it stands out. 140 00:09:40,080 --> 00:09:42,800 Just touch, barely, barely touching. 141 00:09:44,280 --> 00:09:46,960 Just enough to allow the paint to pull off your knife. 142 00:09:50,200 --> 00:09:51,640 There we go. 143 00:09:56,480 --> 00:09:58,960 Now, we'll take a little bit of... This is yellow. 144 00:10:00,160 --> 00:10:01,999 It's got a little umber in it. 145 00:10:02,000 --> 00:10:04,199 And we'll just make a little water line under here, 146 00:10:04,200 --> 00:10:06,880 just enough to separate the reflection and the land. 147 00:10:08,280 --> 00:10:09,680 Just let that play around. 148 00:10:14,240 --> 00:10:15,840 There we go. 149 00:10:19,800 --> 00:10:21,480 OK. 150 00:10:23,520 --> 00:10:25,839 Now, with the fan brush, 151 00:10:25,840 --> 00:10:28,439 I'm just going to bring all this together here. 152 00:10:28,440 --> 00:10:32,719 Let's add a little touch of green to that. Just a tiny bit. 153 00:10:32,720 --> 00:10:34,719 And we'll just put a little bit of green 154 00:10:34,720 --> 00:10:36,919 working its way down through here. 155 00:10:36,920 --> 00:10:39,800 Just to bring the land and the trees all together here. 156 00:10:48,160 --> 00:10:51,160 OK. Now, then. 157 00:10:54,000 --> 00:10:59,480 Let's take... And we'll put a big bank coming right down through here. 158 00:11:04,600 --> 00:11:06,199 Just like so. 159 00:11:06,200 --> 00:11:09,079 Once again, this may be very hard for you to see on your set at home. 160 00:11:09,080 --> 00:11:14,159 But I'm just putting a little Van Dyke Brown and umber right in here. 161 00:11:14,160 --> 00:11:16,120 Just to give us a nice base to work with. 162 00:11:21,320 --> 00:11:25,280 OK. Little bit of water line underneath this one. 163 00:11:28,320 --> 00:11:30,399 Now, then. 164 00:11:30,400 --> 00:11:34,920 Let's take the large brush and pull it through some colour. 165 00:11:39,240 --> 00:11:40,839 There we go. 166 00:11:40,840 --> 00:11:43,399 I'm going to add a tiny, tiny little bit of Magic White to that, 167 00:11:43,400 --> 00:11:45,720 just to thin it a little bit. There. 168 00:11:48,800 --> 00:11:51,319 A little more Permanent Red. 169 00:11:51,320 --> 00:11:54,439 Load a lot of paint into the bristles here. 170 00:11:54,440 --> 00:11:58,999 And let's put some nice airy, loose little leaves just up in here. 171 00:11:59,000 --> 00:12:00,920 Just very quiet little things. 172 00:12:02,360 --> 00:12:04,960 Don't want to get them too many, just a few. 173 00:12:06,320 --> 00:12:08,719 Just where the light's running through here and playing 174 00:12:08,720 --> 00:12:10,120 and having fun. 175 00:12:13,320 --> 00:12:14,720 Oh, look at that! 176 00:12:19,560 --> 00:12:21,079 There we go. 177 00:12:21,080 --> 00:12:24,119 And it's important that you leave a lot of dark in these paintings, 178 00:12:24,120 --> 00:12:27,639 a tremendous amount of dark should be left. 179 00:12:27,640 --> 00:12:29,159 Now. 180 00:12:29,160 --> 00:12:34,359 Add a little Sap Green to my yellow and red to make a dark colour. 181 00:12:34,360 --> 00:12:36,799 I want to put a little bit of highlight back in here. 182 00:12:36,800 --> 00:12:38,559 Just at the bottom of these trees. 183 00:12:38,560 --> 00:12:41,039 But I don't want it to be real bright. 184 00:12:41,040 --> 00:12:43,399 Just enough to give the indication that there's a lot 185 00:12:43,400 --> 00:12:45,640 of little things happening back here. 186 00:12:48,520 --> 00:12:49,920 There we go. 187 00:12:53,480 --> 00:12:55,039 Like so. 188 00:12:55,040 --> 00:13:00,599 Now, let's go back with some crimson and Van Dyke Brown, 189 00:13:00,600 --> 00:13:03,680 mixed on the brush again. Just mix them together on the brush. 190 00:13:05,400 --> 00:13:07,479 And let's put something over on this side. 191 00:13:07,480 --> 00:13:11,320 Maybe, maybe, maybe there's a nice tree right here. 192 00:13:13,120 --> 00:13:15,920 In your world, you can put trees wherever you want them. 193 00:13:19,960 --> 00:13:22,640 Oh, I'd love to have my canoe and come down this river! 194 00:13:24,840 --> 00:13:27,839 When I'm at home in Alaska, we have a little canoe 195 00:13:27,840 --> 00:13:31,639 that we run through all the little rivers and stuff. 196 00:13:31,640 --> 00:13:35,519 And take the camera and take pictures of all the animals. 197 00:13:35,520 --> 00:13:38,879 And it's not unusual still in Alaska to come round a bend 198 00:13:38,880 --> 00:13:42,119 in a beautiful little river and see a little moose standing here. 199 00:13:42,120 --> 00:13:44,239 Little moose, they're big moose! 200 00:13:44,240 --> 00:13:47,999 Especially when you're in a canoe and they're not! 201 00:13:48,000 --> 00:13:51,440 There. And just throw a few little trunk indications here and there. 202 00:13:52,560 --> 00:13:54,239 OK. 203 00:13:54,240 --> 00:13:58,360 Now, I'll go back into some yellow and a little bit of Permanent Red. 204 00:14:01,040 --> 00:14:03,520 And we'll put a few little highlights on this tree. 205 00:14:05,400 --> 00:14:07,600 Just where you think the light would strike. 206 00:14:12,040 --> 00:14:13,119 OK. 207 00:14:13,120 --> 00:14:15,759 Any time you want to dull it, put a little bit of green with it, 208 00:14:15,760 --> 00:14:18,519 a little bit of Sap Green with it. That'll dull it right down. 209 00:14:18,520 --> 00:14:21,520 Because red and green mixed together make brown. 210 00:14:23,200 --> 00:14:25,200 Maybe a couple of little bushes up here. 211 00:14:27,480 --> 00:14:30,119 And then we need some land for that to stand on. 212 00:14:30,120 --> 00:14:32,959 So I'll use a little bit of the Van Dyke Brown 213 00:14:32,960 --> 00:14:35,440 with a little umber in it, little Burnt Umber. 214 00:14:37,440 --> 00:14:41,480 And we'll just lay some happy little ground in here. There we go. 215 00:14:44,960 --> 00:14:48,639 And then we can highlight that with the umber and yellow. 216 00:14:48,640 --> 00:14:50,880 Just enough so it stands out a little. 217 00:14:53,040 --> 00:14:54,280 There we are. 218 00:14:56,320 --> 00:14:59,159 This one over here, I'm going to strengthen just a little. 219 00:14:59,160 --> 00:15:02,639 It's a little bit weak, so I'm going to strengthen it. 220 00:15:02,640 --> 00:15:04,160 There. 221 00:15:08,040 --> 00:15:09,840 Put a little bit of highlight on it. 222 00:15:15,600 --> 00:15:17,199 OK. 223 00:15:17,200 --> 00:15:19,679 Now, let's take the same basic colours, 224 00:15:19,680 --> 00:15:23,759 let's just pop a few little reflections down here in the water. 225 00:15:23,760 --> 00:15:25,200 Just here and there. 226 00:15:30,840 --> 00:15:35,359 And maybe right out here on the end, ooh, there's a fireball. Whhhew! 227 00:15:35,360 --> 00:15:38,199 That's bright where the light's striking. 228 00:15:38,200 --> 00:15:41,120 And we'll pop just a little bit of that down into the water. 229 00:15:42,520 --> 00:15:47,000 Now, with a clean, dry brush, I'm going to very gently pull downward. 230 00:15:48,360 --> 00:15:49,999 Just like so. 231 00:15:50,000 --> 00:15:55,079 And then come across, just enough to give it a nice, watery effect. 232 00:15:55,080 --> 00:15:58,439 Create a little reflection in the water. 233 00:15:58,440 --> 00:16:03,640 OK. And let's take the fan brush. Little more of the Sap Green. 234 00:16:05,880 --> 00:16:08,039 There. 235 00:16:08,040 --> 00:16:10,719 And we'll bring all this together with some nice little grassy 236 00:16:10,720 --> 00:16:13,079 areas here. 237 00:16:13,080 --> 00:16:15,520 Just touch, make the fan brush bend upward. 238 00:16:20,480 --> 00:16:21,960 There we go. 239 00:16:25,760 --> 00:16:28,640 And maybe a little bit into the reflection. 240 00:16:30,480 --> 00:16:33,079 As I say, I've done thousands of these black canvases 241 00:16:33,080 --> 00:16:36,439 and they never stop to amaze me, some of the beautiful effects 242 00:16:36,440 --> 00:16:39,039 that you can achieve with them. 243 00:16:39,040 --> 00:16:42,199 And we'll turn that into part of the reflections. 244 00:16:42,200 --> 00:16:45,799 Come across. 245 00:16:45,800 --> 00:16:47,159 All right. 246 00:16:47,160 --> 00:16:51,399 Now we'll take the knife here 247 00:16:51,400 --> 00:16:55,600 and let's put a little water line underneath this one here. 248 00:16:56,960 --> 00:16:58,440 Just like so. 249 00:17:02,520 --> 00:17:05,679 Isn't that something? 250 00:17:05,680 --> 00:17:07,599 OK. 251 00:17:07,600 --> 00:17:09,119 Now with a clean knife, 252 00:17:09,120 --> 00:17:11,799 I'm just going to scratch a few little sticks here and there. 253 00:17:11,800 --> 00:17:13,160 Just little indications. 254 00:17:22,080 --> 00:17:24,919 OK. Let's put a few little sticks all over the place. 255 00:17:24,920 --> 00:17:26,919 These little sticks help create depth, 256 00:17:26,920 --> 00:17:30,720 because each group of them show different planes in the painting. 257 00:17:34,120 --> 00:17:36,080 Okey dokey. 258 00:17:38,400 --> 00:17:40,119 Now... 259 00:17:40,120 --> 00:17:42,759 Let's bring this land area right here together, 260 00:17:42,760 --> 00:17:44,040 just using the fan brush. 261 00:17:47,480 --> 00:17:49,719 You can also do this with your one-inch brush 262 00:17:49,720 --> 00:17:51,520 or the two-and-a-half-inch brush. 263 00:17:54,480 --> 00:17:58,039 There we go. OK. 264 00:17:58,040 --> 00:18:01,959 Now maybe... Maybe we'll need a little path in this picture. 265 00:18:01,960 --> 00:18:04,359 Let's put a happy little path. 266 00:18:04,360 --> 00:18:06,039 We can walk around here 267 00:18:06,040 --> 00:18:08,959 and find that big trout that lives out here in the river. 268 00:18:08,960 --> 00:18:10,999 So I'll use Van Dyke Brown. 269 00:18:11,000 --> 00:18:13,959 And figure out where you want your path to go. 270 00:18:13,960 --> 00:18:16,799 And I'm just going to do him like this, just back and forth, 271 00:18:16,800 --> 00:18:20,199 back and forth. And just let him start working forward. 272 00:18:20,200 --> 00:18:23,320 Just so we have a general idea of where we're going here. 273 00:18:25,560 --> 00:18:28,759 There we go. 274 00:18:28,760 --> 00:18:30,479 And maybe this... 275 00:18:30,480 --> 00:18:32,799 There's a little hill, a little bank right here. 276 00:18:32,800 --> 00:18:36,279 So we'll take the fan brush, little bit of green, yellow, red, 277 00:18:36,280 --> 00:18:37,919 all mixed together. 278 00:18:37,920 --> 00:18:41,439 Just mix the colours on your brush so you've got an absolute... 279 00:18:41,440 --> 00:18:44,559 I don't know what it is, it's just every colour! 280 00:18:44,560 --> 00:18:47,480 And let's begin putting some little grassy areas in here. 281 00:18:49,560 --> 00:18:51,439 Oh, look at that. 282 00:18:51,440 --> 00:18:53,919 Let 'em climb right up the hill, follow the lay of the land. 283 00:18:53,920 --> 00:18:55,919 I know you're tired of hearing me say that by now, 284 00:18:55,920 --> 00:18:57,960 but it's most, most important. 285 00:19:01,640 --> 00:19:03,040 There we go. 286 00:19:04,520 --> 00:19:07,360 And keep it quite dark. Don't let it get too bright on you. 287 00:19:09,560 --> 00:19:11,319 OK. Now, maybe there's a... 288 00:19:11,320 --> 00:19:13,279 maybe there's a couple of happy little bushes 289 00:19:13,280 --> 00:19:16,440 and trees that live right along in here somewhere. There he is. 290 00:19:18,200 --> 00:19:21,320 Right there. Just a happy little bush. 291 00:19:24,960 --> 00:19:26,039 And maybe there's... 292 00:19:26,040 --> 00:19:28,000 Maybe there's another one right here. 293 00:19:29,000 --> 00:19:30,919 And these protrude up a little higher, 294 00:19:30,920 --> 00:19:33,439 so they'll catch a little more light. 295 00:19:33,440 --> 00:19:35,160 They'll be a little bit brighter. 296 00:19:38,920 --> 00:19:40,560 There. 297 00:19:43,160 --> 00:19:46,600 OK, then, with a fan brush, we can bring this all back together again. 298 00:19:49,680 --> 00:19:53,320 OK, let's use a little bit of the umber. This is Burnt Umber. 299 00:19:54,440 --> 00:19:56,879 And just put a little bit of highlight on our path, 300 00:19:56,880 --> 00:19:58,999 just let it play and have fun. 301 00:19:59,000 --> 00:20:02,080 Back and forth, barely, barely, barely touching the canvas. 302 00:20:04,240 --> 00:20:07,199 Just to create the illusion of a nice little path. 303 00:20:07,200 --> 00:20:08,799 And don't worry about these edges. 304 00:20:08,800 --> 00:20:11,880 We'll straighten those up in a second when we highlight them. 305 00:20:14,880 --> 00:20:19,240 OK. Now, back to the fan brush, and let's bring all this together. 306 00:20:21,280 --> 00:20:23,040 Let's start bringing it together. 307 00:20:26,200 --> 00:20:28,879 You know, if you've just been exposed to this for the first time 308 00:20:28,880 --> 00:20:31,159 and you've tried it at home, I bet you never believed 309 00:20:31,160 --> 00:20:33,680 you could do such fantastic paintings yourself. 310 00:20:34,920 --> 00:20:37,599 Every day, we hear from people that say, 311 00:20:37,600 --> 00:20:41,679 "My God, I've never painted in my life and I tried this, and it works. 312 00:20:41,680 --> 00:20:43,440 "It really works." 313 00:20:47,560 --> 00:20:49,800 There we go, just bringing it together. 314 00:20:53,160 --> 00:20:57,079 OK. And maybe... Maybe over in here, we'll bring this right on down, 315 00:20:57,080 --> 00:20:58,840 just like a nice little hill. 316 00:21:03,880 --> 00:21:06,440 And we've got an old path going back through there. 317 00:21:09,760 --> 00:21:11,480 There, just let it disappear. 318 00:21:16,880 --> 00:21:18,640 OK. 319 00:21:19,960 --> 00:21:21,600 There it goes. 320 00:21:26,880 --> 00:21:28,560 And we begin to create our path. 321 00:21:33,520 --> 00:21:36,639 Let's take a little bit of the Magic White, 322 00:21:36,640 --> 00:21:38,360 a little bit of yellow. 323 00:21:39,520 --> 00:21:41,040 Yellow ochre mixed in here. 324 00:21:42,720 --> 00:21:45,479 Let's put a happy little bush that lives right here. 325 00:21:45,480 --> 00:21:46,919 This does several things. 326 00:21:46,920 --> 00:21:48,839 It creates more depth, but more importantly, 327 00:21:48,840 --> 00:21:51,639 it closes the end of the path. So we really don't know where it goes. 328 00:21:51,640 --> 00:21:54,799 It just goes right on off into the woods here somewhere. 329 00:21:54,800 --> 00:21:56,400 Just sort of closes it up. 330 00:21:58,920 --> 00:22:00,919 There's a nice little bush. 331 00:22:00,920 --> 00:22:02,799 You know, one thing I would like to mention 332 00:22:02,800 --> 00:22:05,599 while we have just a couple of minutes here, 333 00:22:05,600 --> 00:22:08,599 the only way we know what to paint is if you let us know. 334 00:22:08,600 --> 00:22:11,279 So drop me a line here and you can address it 335 00:22:11,280 --> 00:22:15,279 in care of me here at WIPB, Muncie, Indiana. 336 00:22:15,280 --> 00:22:17,519 And they do forward all the mail to me. 337 00:22:17,520 --> 00:22:19,879 And I'd like to know what you want on the next show. 338 00:22:19,880 --> 00:22:22,239 That way, we can start producing paintings, 339 00:22:22,240 --> 00:22:24,159 and I have to practise a little bit! 340 00:22:24,160 --> 00:22:25,759 And we'll get them ready for you 341 00:22:25,760 --> 00:22:27,559 so the next time we have a series here, 342 00:22:27,560 --> 00:22:29,959 we can do the type of paintings that you want to see 343 00:22:29,960 --> 00:22:31,559 and want to learn how to do. 344 00:22:31,560 --> 00:22:33,720 But we need for you to let us know. 345 00:22:35,400 --> 00:22:38,000 OK, I'll put a few more little sticks here and there. 346 00:22:44,960 --> 00:22:47,399 There we go. Just drop them in. 347 00:22:47,400 --> 00:22:49,919 And all you're doing is scratching through the paint 348 00:22:49,920 --> 00:22:52,280 and allowing the black canvas to show through. 349 00:22:53,920 --> 00:22:56,200 Just every so often here. 350 00:22:58,280 --> 00:22:59,400 OK. Maybe... 351 00:23:01,480 --> 00:23:03,839 Maybe there's a happy little stone lives right here. 352 00:23:03,840 --> 00:23:05,760 So we just take some Van Dyke Brown. 353 00:23:07,960 --> 00:23:10,599 And just lay in a basic little stone shape. 354 00:23:10,600 --> 00:23:12,639 And we can take some umber, Burnt Umber, 355 00:23:12,640 --> 00:23:15,519 and a little bit of the yellow. 356 00:23:15,520 --> 00:23:19,000 Makes a very nice highlight colour on these dark paintings. 357 00:23:20,720 --> 00:23:22,559 There. 358 00:23:22,560 --> 00:23:25,479 And don't mix it dead, just mix it so it's marbled-y, 359 00:23:25,480 --> 00:23:28,400 as Bill calls it. Just marbled-y. 360 00:23:29,880 --> 00:23:31,439 There. 361 00:23:31,440 --> 00:23:35,479 Now, touch, and just let the knife wander down, 362 00:23:35,480 --> 00:23:39,160 down the side of your little stone here. Create some little highlights. 363 00:23:40,680 --> 00:23:43,359 These are just like doing small mountains. 364 00:23:43,360 --> 00:23:47,320 And with tender loving care, they'll grow up and be almighty mountains. 365 00:23:51,640 --> 00:23:53,039 There we are. 366 00:23:53,040 --> 00:23:55,519 A little bit of highlight right up here on the top, 367 00:23:55,520 --> 00:23:58,479 just sort of bring that together. 368 00:23:58,480 --> 00:24:02,319 And then we need to take and put the rock into the painting. 369 00:24:02,320 --> 00:24:04,319 Right now, it sort of floats above everything, 370 00:24:04,320 --> 00:24:06,119 so with a fan brush here, 371 00:24:06,120 --> 00:24:08,639 I'm just going to add a little colour underneath, 372 00:24:08,640 --> 00:24:11,199 just so we sort of bring it together. 373 00:24:11,200 --> 00:24:13,960 Just let it flow right together like that. 374 00:24:19,000 --> 00:24:20,360 There we go. 375 00:24:22,120 --> 00:24:24,959 A few little sticks and twigs and stuff like that in here. 376 00:24:24,960 --> 00:24:27,439 And when you're doing this at home, you have unlimited time. 377 00:24:27,440 --> 00:24:30,319 And you can put all kind of little details in here 378 00:24:30,320 --> 00:24:31,960 and just do fantastic things. 379 00:24:33,160 --> 00:24:34,400 Let's see here. 380 00:24:36,880 --> 00:24:39,079 I want to brighten that water line right there 381 00:24:39,080 --> 00:24:42,240 so it stands out just a tiny, tiny bit more. 382 00:24:44,800 --> 00:24:45,919 There. 383 00:24:45,920 --> 00:24:48,639 You could also wait till these paintings dry and go back 384 00:24:48,640 --> 00:24:51,519 and add very nice little details into it. 385 00:24:51,520 --> 00:24:53,519 You don't have to do everything while it's wet. 386 00:24:53,520 --> 00:24:55,639 You can allow it to dry and go back. 387 00:24:55,640 --> 00:24:56,919 A lot of times in still lifes 388 00:24:56,920 --> 00:25:00,519 and stuff you want to put like little dew drops on the leaves etc. 389 00:25:00,520 --> 00:25:02,959 It's really better to allow the painting to dry 390 00:25:02,960 --> 00:25:06,079 and then you go back, and put your dew drops. 391 00:25:06,080 --> 00:25:08,839 If you want to put a nice little deer or something in here, 392 00:25:08,840 --> 00:25:11,319 what I recommend is you scrape out the basic shape, 393 00:25:11,320 --> 00:25:13,319 remove this wet, loose paint, 394 00:25:13,320 --> 00:25:16,679 allow the painting to get just about dry and then go back and paint 395 00:25:16,680 --> 00:25:19,759 your little deer in and you don't pick up all the underneath colour. 396 00:25:19,760 --> 00:25:21,679 And it really works better that way. 397 00:25:21,680 --> 00:25:25,159 And this would be a super painting to put a little deer in! 398 00:25:25,160 --> 00:25:26,679 OK. 399 00:25:26,680 --> 00:25:29,799 I think this painting's getting close enough to the end here 400 00:25:29,800 --> 00:25:32,199 that we can start worrying about a signature. 401 00:25:32,200 --> 00:25:34,040 And I'll dip into some thin oil here. 402 00:25:37,080 --> 00:25:41,599 And just work your paint till it gets like water, just like water. 403 00:25:41,600 --> 00:25:45,400 And turn that brush, really turn it. 404 00:25:49,040 --> 00:25:53,759 And bring it to a very, very nice sharp, sharp point. 405 00:25:53,760 --> 00:25:56,399 Turn it, bring it to a point. 406 00:25:56,400 --> 00:25:59,799 And then decide where you want your signature. 407 00:25:59,800 --> 00:26:05,079 You know, so often we get questions like, "How do I sign my painting?" 408 00:26:05,080 --> 00:26:09,439 That's as varied as there are... as artists are. 409 00:26:09,440 --> 00:26:11,520 You sign it in a way that's unique to you. 410 00:26:12,560 --> 00:26:14,440 That becomes part of your trademark. 411 00:26:17,320 --> 00:26:21,639 OK. So with that one signed, I think we'll call it finished. 412 00:26:21,640 --> 00:26:24,839 On behalf of all of us here at the station, happy painting, 413 00:26:24,840 --> 00:26:26,720 and have a super day. 53796

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