Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:10,204 --> 00:01:10,969
- Bohl!
2
00:01:11,672 --> 00:01:13,238
Stop mucking around.
3
00:01:14,308 --> 00:01:15,140
I need you over
at thresher assembly.
4
00:01:15,242 --> 00:01:16,308
- Yes, sir.
5
00:01:41,569 --> 00:01:42,534
Who's there?
6
00:01:42,636 --> 00:01:43,869
- It's your mama.
7
00:01:43,971 --> 00:01:45,604
I brought spaetzle.
8
00:01:50,945 --> 00:01:52,277
You're killing yourself at the factory
9
00:01:52,379 --> 00:01:55,013
and this school you go to.
For why?
10
00:01:55,116 --> 00:01:56,815
- Because it gives
my life meaning.
11
00:01:56,917 --> 00:01:59,184
- Ah! Meaning.
What is this?
12
00:01:59,286 --> 00:02:00,385
- I know you don't understand.
13
00:02:00,488 --> 00:02:01,720
- Come home.
14
00:02:01,822 --> 00:02:04,723
- I love you, Mother,
but after struggling for months,
15
00:02:04,825 --> 00:02:06,091
I have finally made
a breakthrough.
16
00:02:06,193 --> 00:02:07,493
- And this breakthrough,
17
00:02:07,595 --> 00:02:09,228
will it feed your wife
and children some day?
18
00:02:09,330 --> 00:02:11,630
- My latest composition is
the finest piece I have ever--
19
00:02:11,732 --> 00:02:14,299
- I don't want to hear
of your foolish dreams!
20
00:02:15,102 --> 00:02:16,368
Build a home. Get married.
21
00:02:16,470 --> 00:02:17,736
Bring me the grandchildren.
22
00:02:18,506 --> 00:02:19,605
That's all I ask.
23
00:02:20,774 --> 00:02:22,241
- Is that all?
- Are you mocking your mother?
24
00:02:22,743 --> 00:02:23,775
- Never.
25
00:02:25,913 --> 00:02:27,813
See you at church
on Sunday, Mama.
26
00:02:27,915 --> 00:02:29,548
- Mm. You're a good boy, Gustav.
27
00:02:30,384 --> 00:02:31,517
- Auf wiedersehen.
28
00:02:31,619 --> 00:02:32,885
- Auf wiedersehen.
29
00:04:01,976 --> 00:04:03,609
- Go away!
I'm working.
30
00:04:07,514 --> 00:04:08,447
I said...
31
00:04:10,050 --> 00:04:11,617
Were you listening at the door?
32
00:04:22,997 --> 00:04:24,630
- She's like this all day?
33
00:04:24,732 --> 00:04:26,098
- Relentlessly active.
34
00:04:26,200 --> 00:04:28,267
- Throwing tantrums.
- Gets into everything.
35
00:04:28,369 --> 00:04:31,370
Oh! Oh, I'm so sorry, George.
36
00:04:31,472 --> 00:04:33,772
- Obviously, we'll be replacing
that, George.
37
00:04:34,875 --> 00:04:36,375
- Good morning, all!
38
00:04:37,344 --> 00:04:38,944
- Inspector, is that a cello?
39
00:04:39,046 --> 00:04:40,178
- Indeed.
40
00:04:40,281 --> 00:04:42,247
This voluptuous beauty
is a brand new
41
00:04:42,349 --> 00:04:46,084
R.S. Williams cello
and I intend to master it.
42
00:04:46,186 --> 00:04:48,353
- Here, sir?
In the station house?
43
00:04:48,455 --> 00:04:50,255
- Margaret's suffering
with headaches.
44
00:04:50,357 --> 00:04:51,857
- Ah, ah, ah! Susannah!
45
00:04:53,093 --> 00:04:55,027
Susannah sure has
a lot of energy.
46
00:04:55,129 --> 00:04:56,428
- She does.
47
00:04:56,530 --> 00:05:00,299
Perhaps learning an instrument
might focus her creativity
48
00:05:00,401 --> 00:05:01,867
in a more productive manner.
49
00:05:01,969 --> 00:05:03,235
- Isn't she a bit young?
50
00:05:03,337 --> 00:05:04,870
- Oh, sir! Nonsense!
51
00:05:04,972 --> 00:05:07,906
Two words: Doctor Crotch.
52
00:05:09,043 --> 00:05:11,143
Little Billy Crotch,
the piano prodigy.
53
00:05:11,245 --> 00:05:13,412
He was performing
at the age of two.
54
00:05:13,514 --> 00:05:15,380
If he can do it,
no reason Susannah can't.
55
00:05:15,482 --> 00:05:18,083
- Well, uh, our nanny
does play piano.
56
00:05:18,185 --> 00:05:20,686
Perhaps we could pay her
to... to teach her.
57
00:05:20,788 --> 00:05:21,820
What do you think?
58
00:05:21,922 --> 00:05:23,722
- Well, music is math-based.
59
00:05:23,824 --> 00:05:25,390
Uh, suppose it's worth a try.
60
00:05:25,492 --> 00:05:27,159
- Well, then it's decided. Oh!
61
00:05:27,261 --> 00:05:28,327
Susannah!
62
00:05:29,663 --> 00:05:31,430
- Murdoch, Crabtree, trouble
over at Lippincott Street.
63
00:05:31,532 --> 00:05:33,465
Here's the address.
- What's happened?
64
00:05:33,567 --> 00:05:35,100
- A ghastly crime.
65
00:05:38,138 --> 00:05:41,673
To be murdered so young
and on the cusp of greatness.
66
00:05:41,775 --> 00:05:43,308
- The cusp of greatness, sir?
67
00:05:43,410 --> 00:05:45,577
- Gustav is one
of my former students.
68
00:05:45,679 --> 00:05:47,579
- What is it that you
teach, Mister...?
69
00:05:47,681 --> 00:05:49,681
- Pifkin. Gerald Pifkin.
70
00:05:49,783 --> 00:05:51,316
I teach music theory.
71
00:05:51,418 --> 00:05:54,119
I came to pay Gustav a visit
this morning
72
00:05:54,221 --> 00:05:55,854
and the door was open
73
00:05:55,956 --> 00:05:58,390
and I saw his body
just lying there.
74
00:05:58,492 --> 00:06:00,192
He was just lying there.
75
00:06:00,294 --> 00:06:01,426
Thank you.
76
00:06:01,528 --> 00:06:03,662
I didn't know what to do.
77
00:06:03,764 --> 00:06:06,331
- Mr. Pifkin, if you would, uh,
we'd like you to come down
78
00:06:06,433 --> 00:06:09,434
to the station house
and answer some more questions.
79
00:06:10,471 --> 00:06:12,604
- Gustav had no enemies
to speak of.
80
00:06:13,607 --> 00:06:15,340
Rivals, however,
he had in abundance.
81
00:06:15,442 --> 00:06:16,842
- What kind of rivals?
82
00:06:16,944 --> 00:06:19,077
- Gustav was writing
a piece of music
83
00:06:19,179 --> 00:06:21,947
for the Robert Ambrose
New Composer's Prize.
84
00:06:23,250 --> 00:06:26,017
- Is there a monetary award
associated to this prize?
85
00:06:26,120 --> 00:06:28,320
- Not monetary,
but something priceless.
86
00:06:28,422 --> 00:06:30,455
A performance of
the winning composition
87
00:06:30,557 --> 00:06:32,324
by the Toronto
Symphony Orchestra.
88
00:06:32,926 --> 00:06:33,959
- Hm.
89
00:06:34,061 --> 00:06:36,995
And was Mr. Bohl in the running
to win the prize?
90
00:06:37,097 --> 00:06:39,398
- In the top five,
in my estimation.
91
00:06:39,500 --> 00:06:40,932
- Who are the other four?
92
00:06:41,935 --> 00:06:44,236
- His closest chums,
oddly enough.
93
00:06:44,805 --> 00:06:45,537
- Ah.
94
00:06:46,373 --> 00:06:47,406
I'll be needing their names.
95
00:06:48,442 --> 00:06:49,775
- Well, the most gifted
of the bunch
96
00:06:49,877 --> 00:06:52,010
would have to be Pascal Girard,
97
00:06:52,112 --> 00:06:53,845
a violin prodigy turned composer.
98
00:06:55,015 --> 00:06:56,782
He's the frontrunner in this competition.
99
00:06:57,951 --> 00:07:00,385
And then, there's Miss Sylvia Fachada.
100
00:07:01,555 --> 00:07:04,322
She's surprisingly talented for a woman.
101
00:07:05,692 --> 00:07:09,494
And then there's anotherfellow, not one of my students.
102
00:07:09,596 --> 00:07:10,929
Winston Glover.
103
00:07:11,698 --> 00:07:13,298
I find him a bit aloof.
104
00:07:13,400 --> 00:07:14,833
An outlier.
105
00:07:14,935 --> 00:07:16,334
I don't believe he belongs
106
00:07:16,437 --> 00:07:19,171
among such an elite group of musicians.
107
00:07:20,340 --> 00:07:23,008
And then, lastly, there's Daniel Spratt.
108
00:07:23,844 --> 00:07:25,310
Bit of a wild card, Danny.
109
00:07:26,747 --> 00:07:28,747
He comes from the wrong side of the tracks, so to speak.
110
00:07:28,849 --> 00:07:32,250
But, then again, music can rise from the depths of adversity.
111
00:07:33,887 --> 00:07:36,354
Oh, my lord!
What is that abominable noise?
112
00:07:37,458 --> 00:07:39,157
- Our inspector has
taken up the cello.
113
00:07:39,860 --> 00:07:40,659
- Are we done here?
114
00:07:41,628 --> 00:07:42,928
- I can call you...
115
00:07:43,030 --> 00:07:44,996
- Oy, Murdoch!
Come to my office.
116
00:07:46,266 --> 00:07:47,966
See if you can guess
what tune I'm playing. Go on.
117
00:07:54,641 --> 00:07:55,674
So, what do you think?
118
00:07:56,810 --> 00:08:00,946
- I think you are definitely
holding a bow
119
00:08:01,048 --> 00:08:04,015
and moving it to and fro
across some strings.
120
00:08:04,818 --> 00:08:05,684
- But what about the song?
121
00:08:05,786 --> 00:08:07,719
- I'm not familiar
with popular music.
122
00:08:08,989 --> 00:08:11,623
However, I do believe
that a talent such as yours
123
00:08:11,725 --> 00:08:15,694
deserves to be properly nurtured
by a music teacher.
124
00:08:15,796 --> 00:08:17,796
- That might speed up
the learning process.
125
00:08:17,898 --> 00:08:20,866
- Especially if that teacher
has a music studio
126
00:08:20,968 --> 00:08:23,235
somewhere outside
of the station house
127
00:08:23,337 --> 00:08:27,005
where police work won't
distract you from anything--
128
00:08:27,107 --> 00:08:28,874
- Excuse me, Detective.
Inspector.
129
00:08:28,976 --> 00:08:30,675
- Ah! What have you, Miss Hart?
130
00:08:30,777 --> 00:08:32,878
- Mr. Gustav Bohl's postmortem.
131
00:08:34,314 --> 00:08:36,448
The ice pick penetrated his
brain and killed him instantly.
132
00:08:36,550 --> 00:08:37,282
- Shocker.
133
00:08:40,020 --> 00:08:41,720
- Is there something else,
Miss Hart?
134
00:08:42,389 --> 00:08:43,522
- Just...
135
00:08:43,624 --> 00:08:45,423
I was acquainted
with the victim.
136
00:08:45,526 --> 00:08:47,859
He and his friends frequented
the Starbright Club.
137
00:08:47,961 --> 00:08:50,161
- Oh. I'm sorry for your loss.
138
00:08:50,264 --> 00:08:51,263
- Thank you.
139
00:08:52,399 --> 00:08:53,632
I wanted to let you know
that the Starbright
140
00:08:53,734 --> 00:08:55,700
will be hosting a wake
for Mr. Bohl tonight.
141
00:08:56,737 --> 00:08:57,903
You can pay your respects
to the dead.
142
00:08:58,005 --> 00:08:59,304
- And interrogate the living.
143
00:09:05,178 --> 00:09:08,046
- Perhaps you should wait until
after the musical tribute?
144
00:09:08,148 --> 00:09:10,615
- Of course.
And perhaps you could gather
145
00:09:10,717 --> 00:09:13,985
and label empty glasses
so I can collect fingermarks?
146
00:09:14,087 --> 00:09:15,754
- You have my complete
cooperation.
147
00:09:16,957 --> 00:09:19,190
- In fact, it was I who found
his lifeless body
148
00:09:19,293 --> 00:09:20,725
sprawled out on the floor,
149
00:09:20,827 --> 00:09:23,595
an ice pick
jutting from his ear.
150
00:09:23,697 --> 00:09:24,696
- An ice pick?
151
00:09:26,099 --> 00:09:27,566
- Could it have been a robbery?
152
00:09:28,835 --> 00:09:30,869
- Nah, it couldn't
have been a robbery.
153
00:09:30,971 --> 00:09:33,138
Gus never had two nickels
to rub together.
154
00:09:33,240 --> 00:09:34,873
- Professional rivalry, then?
155
00:09:35,509 --> 00:09:36,708
- A romantic one.
156
00:09:42,082 --> 00:09:46,284
- I wasted our last visit
scolding my son.
157
00:09:47,321 --> 00:09:48,687
- Oh, don't torment yourself.
- Oh!
158
00:09:48,789 --> 00:09:50,655
- Gustav knew you loved him.
159
00:09:55,062 --> 00:09:58,163
- Mr. Pifkin said something
that struck me as odd.
160
00:09:59,066 --> 00:10:01,499
Called Mr. Glover an outlier.
161
00:10:01,602 --> 00:10:04,936
Said he didn't belong within
this group of elite musicians.
162
00:10:05,539 --> 00:10:06,605
- Hm.
163
00:10:06,707 --> 00:10:08,873
That man thinks Winston
doesn't belong.
164
00:10:08,976 --> 00:10:10,742
I wonder why that might be?
165
00:10:10,844 --> 00:10:14,512
- You suspect prejudice clouds
Mr. Pifkin's judgment?
166
00:10:14,615 --> 00:10:16,414
- Nail on the head, Detective.
167
00:10:16,516 --> 00:10:18,316
Winston and Gustav
were good friends.
168
00:10:18,418 --> 00:10:20,051
They got along quite fine.
169
00:10:20,153 --> 00:10:21,319
All five of them.
170
00:10:22,022 --> 00:10:23,021
For the most part.
171
00:10:24,224 --> 00:10:26,791
- Have you witnessed conflict
within the group?
172
00:10:26,893 --> 00:10:29,394
- Pascal and Gustav had words
a few nights ago.
173
00:10:30,564 --> 00:10:31,496
- Is that right?
174
00:10:31,598 --> 00:10:33,264
What was the argument about?
175
00:10:33,367 --> 00:10:34,432
- Oh, I don't know.
176
00:10:34,534 --> 00:10:36,868
I told them to pipe down
or to get out.
177
00:10:36,970 --> 00:10:38,637
And that settled them down
quite quickly.
178
00:10:48,448 --> 00:10:51,516
- Oh. Well, that was
quite quick.
179
00:10:51,618 --> 00:10:53,885
- Surprise!
Isn't it splendid?
180
00:10:54,621 --> 00:10:56,421
- It certainly is large.
181
00:10:57,591 --> 00:10:59,357
- Susannah was asleep
when it was delivered.
182
00:10:59,459 --> 00:11:01,359
I can't wait to watch
her eyes light up
183
00:11:01,461 --> 00:11:03,495
when she sees it in the morning.
184
00:11:06,700 --> 00:11:09,801
C, D, E, F...
185
00:11:09,903 --> 00:11:12,737
A, G, B...
186
00:11:12,839 --> 00:11:15,740
And back to... C.
187
00:11:16,677 --> 00:11:17,876
And I'm afraid
that's the extent
188
00:11:17,978 --> 00:11:19,744
of your father's
musical knowledge.
189
00:11:20,881 --> 00:11:22,847
- And then, I can add
that the black keys
190
00:11:22,949 --> 00:11:26,418
are sharps and flats. And that's
the extent of your mother's.
191
00:11:28,789 --> 00:11:30,655
I think she's really
taking to it.
192
00:11:35,595 --> 00:11:37,529
- At it bright and early
I see, George.
193
00:11:37,631 --> 00:11:39,698
- Sir, I took fingermarks
from the glasses
194
00:11:39,800 --> 00:11:41,299
at the Starbright Club
and compared them
195
00:11:41,401 --> 00:11:43,868
to all those we found
at Gustav Bohl's apartment.
196
00:11:43,970 --> 00:11:45,770
- Any matches?
- They all match.
197
00:11:45,872 --> 00:11:47,839
- Not surprising.
Mr. Bohl's associates
198
00:11:47,941 --> 00:11:50,375
admitted to visiting his
apartment on several occasions.
199
00:11:50,477 --> 00:11:52,510
- So, sir, what's our next step?
200
00:11:52,612 --> 00:11:55,647
- Miss Hart told me that
Mr. Bohl had an argument
201
00:11:55,749 --> 00:11:58,550
with Pascal Girard a few days
before the murder.
202
00:11:58,652 --> 00:12:00,552
Let's start
by confirming his alibi.
203
00:12:00,654 --> 00:12:02,087
- What is his alibi?
204
00:12:02,189 --> 00:12:04,556
- Not what... Who.
205
00:12:05,926 --> 00:12:07,892
Pascal Girard claims
206
00:12:07,994 --> 00:12:11,796
he was with you on the night
of Gustav Bohl's murder.
207
00:12:11,898 --> 00:12:13,098
- When was that?
208
00:12:13,200 --> 00:12:14,232
- Monday night.
209
00:12:14,334 --> 00:12:16,868
- No, we weren't with Pascal
on Monday night.
210
00:12:16,970 --> 00:12:18,570
- You weren't?
- No.
211
00:12:19,239 --> 00:12:20,405
Wrong night.
212
00:12:20,507 --> 00:12:21,873
- We were with him
the night before.
213
00:12:21,975 --> 00:12:23,742
- Sunday night?
- Hm.
214
00:12:23,844 --> 00:12:25,944
We wish we were
with him Monday night.
215
00:12:26,046 --> 00:12:27,412
- And Tuesday night.
216
00:12:27,514 --> 00:12:28,847
Wednesday night.
217
00:12:28,949 --> 00:12:30,315
- Every night, really.
218
00:12:31,785 --> 00:12:35,086
- Pascal is such an attractive
man, don't you find, Detective?
219
00:12:35,188 --> 00:12:37,655
- I, uh...
- Dapper, too.
220
00:12:37,758 --> 00:12:40,492
- Mm.
- That's not relevant.
221
00:12:40,594 --> 00:12:42,160
- And virile.
222
00:12:42,262 --> 00:12:43,795
- Also not relevant.
223
00:12:43,897 --> 00:12:45,964
To you, maybe.
224
00:12:46,066 --> 00:12:49,901
- What is relevant to me
is that the two of you
225
00:12:50,003 --> 00:12:53,304
were not with Mr. Girard
on Monday night.
226
00:12:53,406 --> 00:12:54,606
Correct?
227
00:12:54,708 --> 00:12:55,807
Correct.
228
00:12:57,511 --> 00:12:58,777
- Mr. Girard?
229
00:12:59,613 --> 00:13:00,411
- Ah!
230
00:13:01,081 --> 00:13:02,647
Detective Murdoch.
231
00:13:03,683 --> 00:13:06,918
How delighted
you must be to see me.
232
00:13:10,290 --> 00:13:12,257
Oh, have some brandy, man.
233
00:13:12,359 --> 00:13:14,292
- It's nine A.M.
- Oh.
234
00:13:14,895 --> 00:13:16,628
Wine, then?
235
00:13:18,031 --> 00:13:22,834
- I'm here to ask you some
questions about Gustav Bohl.
236
00:13:22,936 --> 00:13:25,236
- Oh, must you be so dreary?
237
00:13:25,338 --> 00:13:29,073
I'd nearly drunk my friend's
death from my mind.
238
00:13:29,176 --> 00:13:30,175
You...
239
00:13:31,244 --> 00:13:33,478
You have left me no choice
240
00:13:33,580 --> 00:13:35,914
but to invest
in another bottle.
241
00:13:36,016 --> 00:13:37,182
Barkeep!
242
00:13:39,619 --> 00:13:42,687
- A witness has informed me
that you and Mr. Bohl
243
00:13:42,789 --> 00:13:47,725
had a rather... intense dispute
right before he died.
244
00:13:47,828 --> 00:13:49,194
- A regrettable spat.
245
00:13:50,230 --> 00:13:53,665
But I prefer to not
wallow in regret.
246
00:13:53,767 --> 00:13:57,135
Instead, I will wallow
in a nice snifter
247
00:13:57,237 --> 00:14:00,705
of Chateau Tanun...
Tannun... Tanunda.
248
00:14:00,807 --> 00:14:02,173
Tuninda.
249
00:14:04,511 --> 00:14:05,777
Sir, I paid for that.
250
00:14:07,113 --> 00:14:08,346
- This is serious.
251
00:14:09,049 --> 00:14:10,582
Agreed.
252
00:14:11,418 --> 00:14:13,218
I may die from dehydration.
253
00:14:13,320 --> 00:14:14,219
Give that here.
254
00:14:18,959 --> 00:14:20,925
Oh, it's gloves off now!
255
00:14:21,027 --> 00:14:22,493
- What are you doing?
256
00:14:22,596 --> 00:14:25,597
Are you challenging me
to a duel?
257
00:14:26,132 --> 00:14:27,232
- Yes!
258
00:14:27,334 --> 00:14:28,733
Would you like one?
259
00:14:31,504 --> 00:14:32,904
Ah! Oh, God!
260
00:14:33,473 --> 00:14:34,539
- That's it.
261
00:14:34,641 --> 00:14:37,642
I'm locking you in our cells
until you dry out.
262
00:14:45,485 --> 00:14:48,219
- Ah, sir! You'll question
Mr. Girard tomorrow, then?
263
00:14:48,321 --> 00:14:50,154
- Ah, yes. He should be
sober enough
264
00:14:50,257 --> 00:14:51,522
for questioning come morning.
265
00:14:51,625 --> 00:14:52,991
- Eh, excuse me.
266
00:14:53,093 --> 00:14:54,659
Could you please tell me
where to find
267
00:14:54,761 --> 00:14:56,494
Inspector Thomas Brackenreid?
268
00:14:58,565 --> 00:14:59,697
- And you are?
269
00:14:59,799 --> 00:15:01,266
- Eh, Paul Hahn.
270
00:15:04,404 --> 00:15:05,770
I teach cello.
271
00:15:06,239 --> 00:15:07,205
- Oh!
272
00:15:07,307 --> 00:15:08,373
Thank God.
273
00:15:08,475 --> 00:15:09,774
He's come to save us!
274
00:15:09,876 --> 00:15:13,544
- Mr. Hahn, uh, the Inspector
is in dire need of your help.
275
00:15:13,647 --> 00:15:15,880
Once you get past
the gruff exterior,
276
00:15:15,982 --> 00:15:17,849
he's really quite teachable.
- Oh.
277
00:15:19,619 --> 00:15:21,319
Hey, Guard!
Hey, Guard!
278
00:15:21,421 --> 00:15:23,221
Shut yer yap, Callahan!
279
00:15:26,693 --> 00:15:28,059
- Hey, Guard! Hey, Guard!
280
00:15:28,828 --> 00:15:30,128
- Shut yer yap, Callahan!
281
00:15:33,667 --> 00:15:35,066
Hey, Guard! Hey, Guard!
282
00:15:35,168 --> 00:15:37,035
Shut yer yap, Callahan!
283
00:16:18,111 --> 00:16:19,410
- Mr. Girard.
284
00:16:20,814 --> 00:16:22,513
Mr. Pascal Girard.
285
00:16:24,884 --> 00:16:27,185
- Ah, Detective.
286
00:16:27,287 --> 00:16:28,419
Good morning.
287
00:16:29,422 --> 00:16:31,723
I want to apologize
for yesterday.
288
00:16:31,825 --> 00:16:33,491
- You lied about your alibi.
289
00:16:34,828 --> 00:16:36,861
The two young women stated
that you were not with them
290
00:16:36,963 --> 00:16:38,730
on the night that Gustav Bohl
was murdered.
291
00:16:38,832 --> 00:16:41,899
- Oh, yes. That's right.
292
00:16:43,103 --> 00:16:45,036
In truth, I was in a place
very much like this.
293
00:16:46,606 --> 00:16:48,106
- You were locked up
in a drunk tank?
294
00:16:48,208 --> 00:16:49,841
- Yeah, shameful, I know.
295
00:16:51,144 --> 00:16:53,378
Why on earth would you
suspect me of harming Gustav?
296
00:16:53,480 --> 00:16:54,812
- Because he was your rival.
297
00:16:54,914 --> 00:16:57,715
The two of you were overheard
arguing at the Starbright Club.
298
00:16:57,817 --> 00:16:59,784
- Oh, that?!
299
00:16:59,886 --> 00:17:02,687
Gustav was yammering on
about Schoenberg,
300
00:17:02,789 --> 00:17:06,958
claiming that his atonal
monstrosities were the future
of symphonic innovation,
301
00:17:07,060 --> 00:17:09,227
and one cannot simply allow
such ridiculous assertions
302
00:17:09,329 --> 00:17:10,962
to go unchallenged, can one?
303
00:17:12,032 --> 00:17:13,498
- Be that as it may,
304
00:17:13,600 --> 00:17:15,933
you will remain behind bars,
Mr. Girard,
305
00:17:16,036 --> 00:17:18,669
until I can confirm
your latest alibi.
306
00:17:20,974 --> 00:17:22,607
- I hope you find who did this.
I truly do.
307
00:17:22,709 --> 00:17:24,575
- If you would like to help me,
308
00:17:24,677 --> 00:17:28,846
then perhaps you can tell me if
you suspect one of your friends.
309
00:17:30,250 --> 00:17:34,218
- I mean, there was a moment
when I thought
310
00:17:34,320 --> 00:17:36,788
that Winston Glover might, uh...
311
00:17:36,890 --> 00:17:38,256
- Why Mr. Glover?
312
00:17:38,358 --> 00:17:40,792
- I'm loath to betray a friend.
313
00:17:41,828 --> 00:17:43,461
But it's because
of the murder weapon.
314
00:18:24,070 --> 00:18:24,836
- Mr. Glover.
315
00:18:25,672 --> 00:18:26,838
Winston Glover?
316
00:18:29,409 --> 00:18:30,441
- That's me.
317
00:18:30,543 --> 00:18:32,043
- Detective William Murdoch.
318
00:18:32,145 --> 00:18:34,011
We met at--
- Gustav's wake.
319
00:18:34,114 --> 00:18:35,179
I remember.
320
00:18:36,883 --> 00:18:38,983
Did you find the killer?
- Not yet.
321
00:18:40,420 --> 00:18:43,654
But I was wondering about your
relationship with Gustav Bohl.
322
00:18:43,756 --> 00:18:45,590
- He did his thing
and I did mine.
323
00:18:46,426 --> 00:18:47,425
Completely different styles.
324
00:18:47,527 --> 00:18:49,527
- But you were competing
against each other
325
00:18:49,629 --> 00:18:51,629
for the Ambrose Prize.
326
00:18:52,499 --> 00:18:53,698
- I have no chance of winning.
327
00:18:53,800 --> 00:18:55,566
I just enter for the publicity.
328
00:18:55,668 --> 00:18:57,468
- You don't believe
you have the talent?
329
00:18:57,570 --> 00:18:58,769
- I have the talent.
330
00:19:00,406 --> 00:19:02,874
But it doesn't matter
if every single other
contestant dropped out.
331
00:19:02,976 --> 00:19:05,376
Those shirts would never
let someone like me win.
332
00:19:05,478 --> 00:19:09,947
- And that injustice must
make you very, very angry.
333
00:19:10,483 --> 00:19:11,349
- It does.
334
00:19:12,919 --> 00:19:15,052
But you grow immune
to the anger after stifling
your entire life.
335
00:19:15,755 --> 00:19:16,554
- Do you?
336
00:19:17,457 --> 00:19:18,990
Or does it explode?
337
00:19:20,627 --> 00:19:21,859
- What are you trying to say?
338
00:19:24,364 --> 00:19:26,430
- This ice pick, Mr. Glover,
339
00:19:27,767 --> 00:19:30,701
is exactly like the one that was
used to kill Gustav Bohl.
340
00:19:30,803 --> 00:19:32,336
- Yeah, 'cause I gave it to him.
341
00:19:32,438 --> 00:19:34,372
He had a window
that kept icing shut.
342
00:19:35,642 --> 00:19:37,875
- Unfortunately, your connection
to the murder weapon
343
00:19:37,977 --> 00:19:40,578
makes you a suspect,
and I will need you to come down
344
00:19:40,680 --> 00:19:42,813
to the station house
for further questioning.
345
00:19:47,153 --> 00:19:49,420
- So, there are two young
musicians already in the cells?
346
00:19:49,522 --> 00:19:51,589
- Yes, and not enough
conclusive evidence
347
00:19:51,691 --> 00:19:52,857
to charge either of them.
348
00:19:52,959 --> 00:19:55,560
- Oh, for God's sake,
man, relax!
349
00:19:55,662 --> 00:19:58,129
You're not sawing timber.
350
00:20:01,134 --> 00:20:02,833
I give up!
- Please don't go.
351
00:20:02,936 --> 00:20:04,635
- The man is unteachable!
352
00:20:04,737 --> 00:20:06,837
- Mr. Hahn! Please, don't go!
353
00:20:06,940 --> 00:20:08,773
I... I think I've got it.
354
00:20:11,277 --> 00:20:13,211
- Maybe I'll quit
teaching cello.
355
00:20:13,313 --> 00:20:15,413
Open a piano store.
356
00:20:17,850 --> 00:20:19,584
- Can someone help me?
357
00:20:20,186 --> 00:20:21,452
- Ah, Mrs. Bohl.
358
00:20:21,554 --> 00:20:22,853
Detective Murdoch.
359
00:20:22,956 --> 00:20:24,722
We met at your son's funeral.
360
00:20:24,824 --> 00:20:26,657
- I'm sorry to trouble you.
361
00:20:26,759 --> 00:20:28,593
I don't know where else to turn.
362
00:20:28,695 --> 00:20:30,127
- What can we do for you?
363
00:20:30,230 --> 00:20:32,196
- I have so many regrets.
364
00:20:33,366 --> 00:20:36,367
I never bothered to listen
to my son's music.
365
00:20:36,469 --> 00:20:38,169
I never gave a second thought
366
00:20:38,271 --> 00:20:40,371
to this thing
that he loved so dearly.
367
00:20:40,473 --> 00:20:44,442
But today, I realized
it's not too late.
368
00:20:44,544 --> 00:20:48,713
Gustav is gone,
but his music isn't.
369
00:20:50,083 --> 00:20:54,151
- Well, yes, that's right.
Uh, art outlives its creator.
370
00:20:54,254 --> 00:20:56,153
That's part of the reason
we make it.
371
00:20:56,990 --> 00:20:58,522
- That's very good, George.
372
00:20:58,625 --> 00:21:01,592
Uh, Constable Crabtree
is a novelist.
373
00:21:01,694 --> 00:21:03,661
- Oh, how wonderful.
374
00:21:04,697 --> 00:21:07,131
I want to hear
my son's composition,
375
00:21:07,233 --> 00:21:09,367
the one that he was so proud of.
376
00:21:09,469 --> 00:21:11,502
It must be in his apartment,
377
00:21:11,604 --> 00:21:13,437
but I...
378
00:21:13,539 --> 00:21:15,006
I can't bear to go back there.
379
00:21:15,108 --> 00:21:17,575
Is it possible that...
- Oh, yes, yes, of course.
380
00:21:17,677 --> 00:21:21,112
Uh, George would be happy
to go to your son's apartment
381
00:21:21,214 --> 00:21:23,981
and retrieve his sheet music.
- Will you do this?
382
00:21:24,083 --> 00:21:26,417
- Yes, of course.
It would be my honour.
383
00:21:33,526 --> 00:21:34,392
Hello?
384
00:21:35,795 --> 00:21:37,695
Toronto Constabulary!
385
00:21:38,731 --> 00:21:40,364
- Darn window's stuck.
- Who are you?
386
00:21:41,534 --> 00:21:44,135
Uh, Sylvia Fachada.
I'm a friend of Gustav's.
387
00:21:44,237 --> 00:21:45,403
Why are you here?
388
00:21:46,839 --> 00:21:48,572
- I'm looking
for his composition
for the Ambrose Prize.
389
00:21:48,675 --> 00:21:49,473
His mother wants it.
390
00:21:49,575 --> 00:21:51,108
- Well, I haven't seen it here.
391
00:21:51,210 --> 00:21:53,311
Perhaps he already submitted it.
392
00:21:54,814 --> 00:21:56,914
- Do you make a habit
of breaking into your
friends' homes?
393
00:21:58,451 --> 00:22:02,653
- I just... wanted to be amongst
his things one last time.
394
00:22:03,656 --> 00:22:05,222
Call me sentimental.
395
00:22:06,526 --> 00:22:07,692
- What are you hiding there?
396
00:22:07,794 --> 00:22:09,994
- Oh! Uh, uh...
- Give me that!
397
00:22:16,602 --> 00:22:18,035
Sentimental indeed.
398
00:22:19,472 --> 00:22:21,639
Miss Fachada, why don't you
come down to the station house,
399
00:22:21,741 --> 00:22:23,174
have a chat with the detective?
400
00:22:25,878 --> 00:22:28,279
- "I beg you, dear Gustav,
401
00:22:28,381 --> 00:22:30,247
resist temptation.
402
00:22:30,350 --> 00:22:33,117
Reject this former paramour
403
00:22:33,219 --> 00:22:35,486
who seeks to tear us apart."
404
00:22:38,491 --> 00:22:41,392
Seems you had some competition
for his affections.
405
00:22:42,528 --> 00:22:44,495
- My private life
is none of your business.
406
00:22:45,998 --> 00:22:47,765
- Miss Fachada,
you are a suspect
407
00:22:47,867 --> 00:22:49,467
in a murder investigation.
408
00:22:50,370 --> 00:22:51,969
Convince me that
you are innocent
409
00:22:52,071 --> 00:22:55,172
and your private life
will remain... private.
410
00:22:57,310 --> 00:22:58,743
We were lovers.
411
00:22:59,645 --> 00:23:01,946
Why would I kill
the man I loved?
412
00:23:02,048 --> 00:23:04,849
A far more likely killer
would be his former sweetheart
413
00:23:04,951 --> 00:23:07,551
who refuses to accept
that Gustav moved on.
414
00:23:08,688 --> 00:23:10,287
- Who is this former sweetheart?
415
00:23:11,290 --> 00:23:12,656
- Come 7! Come 11!
416
00:23:12,759 --> 00:23:15,025
- Ooh, baby needs a new
pair of shoes!
417
00:23:15,128 --> 00:23:17,561
- Little Joe from Kokomo!
Point set at four.
418
00:23:21,501 --> 00:23:23,134
Little Joe from Kokomo!
419
00:23:23,236 --> 00:23:24,535
Point set at four.
420
00:23:26,239 --> 00:23:28,272
Little Joe from Kokomo!
Point set at four.
421
00:23:29,942 --> 00:23:32,777
Little Joe from Kokomo!
Point set at four.
422
00:23:57,703 --> 00:23:59,069
- Mr. Daniel Spratt.
423
00:24:00,039 --> 00:24:01,906
Apologies for disrupting
the party.
424
00:24:03,342 --> 00:24:04,575
Daniel Spratt?
425
00:24:06,045 --> 00:24:07,211
- Who wants to know?
426
00:24:08,481 --> 00:24:10,448
- Detective William Murdoch,
Toronto Constabulary.
427
00:24:13,886 --> 00:24:14,752
- Gimme a break.
428
00:24:16,155 --> 00:24:18,289
Just a starving artist trying
to make a few extra dollars.
429
00:24:19,725 --> 00:24:22,827
- Perhaps winning the Ambrose
Prize would change that fortune?
430
00:24:22,929 --> 00:24:25,463
Is that why you murdered
Gustav Bohl?
431
00:24:28,401 --> 00:24:30,835
- Why would I kill the guy
in the running for third place?
432
00:24:30,937 --> 00:24:34,438
- Because that third-place
contender also left you...
433
00:24:35,141 --> 00:24:36,240
for a woman.
434
00:24:43,015 --> 00:24:44,114
- Figures.
435
00:24:44,217 --> 00:24:45,216
Snake eyes.
436
00:24:47,453 --> 00:24:48,552
- Wha... Stop.
437
00:24:48,654 --> 00:24:49,620
Stop!
438
00:24:52,692 --> 00:24:53,991
Mr. Spratt!
439
00:24:56,262 --> 00:25:00,231
You realize that running
makes you look very guilty?
440
00:25:00,333 --> 00:25:01,632
Let's go.
441
00:25:07,406 --> 00:25:09,006
Pascal Girard fought
with Gustav Bohl
442
00:25:09,108 --> 00:25:10,508
shortly before he was murdered.
443
00:25:10,610 --> 00:25:13,244
- But the murder weapon
is linked to Winston Glover.
444
00:25:13,346 --> 00:25:15,212
- Meanwhile, Sylvia Fachada
445
00:25:15,314 --> 00:25:17,648
was found snooping around
Gustav's apartment.
446
00:25:17,750 --> 00:25:21,352
- And Daniel Spratt
is Mr. Bohl's spurned lover.
447
00:25:22,188 --> 00:25:23,621
- So who's our main suspect?
448
00:25:24,790 --> 00:25:26,757
- I don't know.
- Well...
449
00:25:28,361 --> 00:25:32,196
I'm off to the cells
to check out these musical
geniuses for myself.
450
00:25:32,298 --> 00:25:34,598
- With your cello, sir?
- No, no.
451
00:25:35,635 --> 00:25:37,701
Thank Heaven for small
mercies, George.
452
00:25:37,803 --> 00:25:39,136
- Right.
453
00:25:40,473 --> 00:25:41,872
- You told the police that
the murder weapon was mine?
454
00:25:41,974 --> 00:25:43,173
- I said it might be yours!
455
00:25:43,276 --> 00:25:44,508
I didn't say
you killed him with it!
456
00:25:44,610 --> 00:25:45,609
- You might as well have!
457
00:25:45,711 --> 00:25:47,444
- You broke into Gustav's
apartment?
458
00:25:47,547 --> 00:25:49,179
- I did not break in.
He gave me a key.
459
00:25:49,282 --> 00:25:50,714
- Bet that's not all
he gave you.
460
00:25:50,816 --> 00:25:52,683
- Oh, you're a nasty cadger
when you want to be, Pascal.
461
00:25:52,785 --> 00:25:54,418
- You're just jealous!
- Of what?
462
00:25:54,520 --> 00:25:55,819
Your insipid little sonatas?
463
00:25:55,922 --> 00:25:57,421
- You're a strumpet, Sylvia!
464
00:25:57,523 --> 00:25:59,256
- Better a strumpet
than a cuckold!
465
00:25:59,358 --> 00:26:01,025
- How dare you!
- If I wasn't daring,
466
00:26:01,127 --> 00:26:02,493
none of you men
would take me seriously!
467
00:26:04,297 --> 00:26:05,829
- What did that poor cello
ever do to you?
468
00:26:05,932 --> 00:26:08,132
- I don't want
any musical advice.
469
00:26:08,234 --> 00:26:10,534
Well, maybe a little,
if you've got any tips.
470
00:26:10,636 --> 00:26:12,536
- Give it up, man,
the world will thank you.
471
00:26:12,638 --> 00:26:15,172
- Be nice. We were all dreadful
when we first started.
472
00:26:15,274 --> 00:26:17,374
- Speak for yourself.
- Oy, shut up!
473
00:26:18,277 --> 00:26:19,977
One of you lot killed Mr. Bohl.
474
00:26:20,079 --> 00:26:22,613
Now, am I going to get
a confession,
475
00:26:22,715 --> 00:26:24,181
or do you need me
to keep playing?
476
00:26:25,384 --> 00:26:27,651
- Thank you for
the confirmation, Constable.
477
00:26:27,753 --> 00:26:28,852
You, as well.
478
00:26:29,855 --> 00:26:31,488
- Detective Murdoch.
- Mr. Pifkin.
479
00:26:31,591 --> 00:26:32,723
What can I do for you?
480
00:26:32,825 --> 00:26:34,224
- I demand to know
why you've caged up
481
00:26:34,327 --> 00:26:36,760
all my former students
like they were criminals.
482
00:26:38,064 --> 00:26:39,496
- Well, you didn't seem to care
about their welfare
483
00:26:39,599 --> 00:26:42,666
when you were disclosing
their relationship with
the deceased to me.
484
00:26:42,768 --> 00:26:44,501
- I didn't know
you'd arrest them all!
485
00:26:44,604 --> 00:26:48,472
This will decimate the field of
entrants for the Ambrose Prize!
486
00:26:48,574 --> 00:26:49,640
- I understand.
487
00:26:50,643 --> 00:26:53,010
I don't care.
- This is terrible.
488
00:26:53,112 --> 00:26:55,846
Simply terrible.
- Aren't you a music instructor?
489
00:26:55,948 --> 00:26:57,514
- Yes, but I'm not taking on
any new students.
490
00:26:57,617 --> 00:26:58,782
I'm far too busy.
491
00:26:58,884 --> 00:26:59,950
- Ooh, charming.
492
00:27:01,153 --> 00:27:02,920
Well, I learnt nothing
from the four suspects.
493
00:27:03,022 --> 00:27:04,688
- Three suspects, actually.
494
00:27:04,790 --> 00:27:07,057
I've just confirmed
with Station House Number One
495
00:27:07,159 --> 00:27:10,861
that Pascal Girard
was in their custody
when Mr. Bohl was murdered.
496
00:27:10,963 --> 00:27:13,964
- Sirs, I've just been to
the office of the Ambrose Prize.
497
00:27:14,066 --> 00:27:16,233
- Did you obtain Gustav
Bohl's composition?
498
00:27:16,335 --> 00:27:19,303
- He had registered, but not yet
submitted his composition.
499
00:27:19,405 --> 00:27:21,171
I did find one thing
peculiar, though.
500
00:27:21,273 --> 00:27:23,874
- What's that, George?
- A late submission, sir.
501
00:27:23,976 --> 00:27:25,209
Gerald Pifkin.
502
00:27:26,679 --> 00:27:28,545
- Pifkin has entered
the Ambrose competition?
503
00:27:28,648 --> 00:27:31,181
- The man's delusional.
- A pompous git.
504
00:27:31,283 --> 00:27:33,584
- With terrible, terrible
fashion sense.
505
00:27:33,686 --> 00:27:35,319
- You don't believe
he has talent?
506
00:27:35,421 --> 00:27:37,121
- Are you by chance familiar
with the work
507
00:27:37,223 --> 00:27:38,622
of George Bernard Shaw?
508
00:27:40,292 --> 00:27:43,594
- "Those who can, do;
those who can't, teach."
509
00:27:43,696 --> 00:27:44,962
- Spot on, Detective.
510
00:27:45,064 --> 00:27:47,064
- Pifkin hasn't composed
in decades.
511
00:27:47,166 --> 00:27:49,667
- Maybe he found inspiration
in our misfortune.
512
00:27:50,803 --> 00:27:53,837
- Or he found it
in Gustav Bohl's apartment?
513
00:27:55,041 --> 00:27:57,975
- Detective Murdoch,
William Harwell, attorney.
514
00:27:58,077 --> 00:27:59,943
I represent Pascal Girard
515
00:28:00,046 --> 00:28:01,578
and I demand that you release
my client.
516
00:28:02,214 --> 00:28:03,213
- Very well.
517
00:28:06,519 --> 00:28:07,618
- Well, that was easy.
518
00:28:08,954 --> 00:28:11,321
- Station House One has
confirmed your client's alibi.
519
00:28:11,424 --> 00:28:15,659
- Well, I demand that you
release my associates, as well.
520
00:28:15,761 --> 00:28:18,462
My attorney, Mr. Harwell, will
be taking them on as clients.
521
00:28:18,564 --> 00:28:19,363
- I will?
522
00:28:20,399 --> 00:28:21,432
- Send the bill to Mother.
523
00:28:22,134 --> 00:28:23,000
- Thank you, Pascal.
524
00:28:23,102 --> 00:28:24,501
- I take back everything
I said about you.
525
00:28:24,603 --> 00:28:25,502
- Drinks on me tonight, buddy.
526
00:28:25,604 --> 00:28:26,770
- I don't want to win
the Ambrose
527
00:28:26,872 --> 00:28:29,540
just because my competitors
are in jail, now do I?
528
00:28:29,642 --> 00:28:32,576
- I demand that you release--
- No need to demand.
529
00:28:32,678 --> 00:28:34,311
I was already releasing them.
530
00:28:34,413 --> 00:28:36,346
I'm pursuing a different
line of investigation.
531
00:28:45,691 --> 00:28:48,125
- Oy, bugalugs!
That sounds bloody awful.
532
00:28:48,227 --> 00:28:50,094
- Well, yes, doesn't it, sir?
533
00:28:50,196 --> 00:28:51,161
- Mm.
534
00:28:51,263 --> 00:28:52,496
You can keep the cello.
535
00:28:52,598 --> 00:28:54,498
I won't be needing it.
I've got no talent.
536
00:28:54,600 --> 00:28:56,834
- Sir, you'll never know
if you have the talent
537
00:28:56,936 --> 00:28:58,836
if you never take the time
to master the skill.
538
00:28:58,938 --> 00:29:01,138
- Look, this might sound daft...
539
00:29:02,374 --> 00:29:04,007
But I just wanted to create
something beautiful.
540
00:29:04,877 --> 00:29:06,276
Even if no one else hears it.
541
00:29:07,546 --> 00:29:09,813
Even if it just vanishes
into the air and it's gone.
542
00:29:10,783 --> 00:29:12,182
- Then keep trying.
543
00:29:14,120 --> 00:29:16,453
I look forward to your
rendition of I's the B'y.
544
00:29:18,591 --> 00:29:19,590
- On the cello?
545
00:29:29,668 --> 00:29:32,703
- All right, darling.
It's almost lunchtime!
546
00:29:33,539 --> 00:29:36,140
It's time to stop playing.
547
00:29:36,242 --> 00:29:39,209
Oh, I know, you love it.
548
00:29:39,311 --> 00:29:41,378
I think it's time
to stop for the day.
549
00:29:41,480 --> 00:29:43,280
Here we go.
550
00:29:47,820 --> 00:29:49,052
- Hello, ladies.
551
00:29:49,155 --> 00:29:50,921
How's your morning been?
552
00:29:52,124 --> 00:29:54,324
- Well, let's just say
that Susannah's really
553
00:29:54,426 --> 00:29:55,759
taken to the piano.
554
00:29:55,861 --> 00:29:57,895
- That's wonderful!
555
00:29:57,997 --> 00:30:00,364
Why don't you show Papa
what you've learned?
556
00:30:00,466 --> 00:30:01,632
- No! No!
557
00:30:02,635 --> 00:30:03,467
No.
558
00:30:03,569 --> 00:30:04,401
Not today.
559
00:30:10,209 --> 00:30:12,609
- After speaking with
our group of composers,
560
00:30:12,711 --> 00:30:15,012
I decided to look
into Pifkin's past.
561
00:30:15,114 --> 00:30:16,013
- And?
562
00:30:16,916 --> 00:30:18,282
- I spoke with an administrator
563
00:30:18,384 --> 00:30:20,651
at his previous
place of employment.
564
00:30:20,753 --> 00:30:24,021
He mentioned an incident
where professional jealousy
565
00:30:24,123 --> 00:30:26,657
drove him to attack a student.
566
00:30:26,759 --> 00:30:28,225
He was let go.
567
00:30:29,295 --> 00:30:31,094
- Pifkin could have killed
Gustav Bohl
568
00:30:31,197 --> 00:30:32,763
and stolen his composition.
569
00:30:32,865 --> 00:30:35,766
- He's also the one who reported
finding the body.
570
00:30:35,868 --> 00:30:37,034
- How convenient.
571
00:30:37,770 --> 00:30:38,602
Bring him in, Murdoch.
572
00:30:43,242 --> 00:30:45,909
- Pifkin saw our arrests as his
chance to sweep the Ambrose.
573
00:30:46,011 --> 00:30:47,778
- That hack actually
thinks he can win?
574
00:30:47,880 --> 00:30:50,214
- Well, I for one relish
the chance to punish him.
575
00:30:50,316 --> 00:30:51,381
- Here.
576
00:30:51,483 --> 00:30:52,616
This is his studio.
577
00:30:53,986 --> 00:30:55,052
- There it is.
578
00:30:55,154 --> 00:30:58,188
The tone-deaf maestro
murdering the piano.
579
00:30:59,792 --> 00:31:00,624
Wait a minute.
580
00:31:02,795 --> 00:31:04,895
- That's actually...
- Magnificent.
581
00:31:05,798 --> 00:31:06,997
- Certainly didn't expect that.
582
00:31:07,900 --> 00:31:08,899
- Sylvia?
583
00:31:10,269 --> 00:31:12,202
- Oh, dear heart, don't cry.
584
00:31:13,138 --> 00:31:14,171
- What's wrong?
585
00:31:15,975 --> 00:31:17,708
- That's Gustav's composition.
586
00:31:18,811 --> 00:31:20,310
Pifkin must have
killed him for it.
587
00:31:29,655 --> 00:31:31,622
- Oh, happy day! You've all
been released from jail.
588
00:31:31,724 --> 00:31:33,657
- You are the one
who should be in jail!
589
00:31:33,759 --> 00:31:35,325
You're a phony and a murderer!
590
00:31:35,427 --> 00:31:38,462
You stole Gustav's music!
You murdered him!
591
00:31:38,564 --> 00:31:39,930
- Sylvia, don't!
592
00:31:45,304 --> 00:31:46,904
- Miss Fachada!
593
00:31:48,240 --> 00:31:49,139
That's enough.
594
00:31:50,175 --> 00:31:51,675
- He stole Gustav's music.
595
00:31:52,745 --> 00:31:54,678
- Gerald Pifkin,
you are under arrest
596
00:31:54,780 --> 00:31:56,813
for the murder of Gustav Bohl.
597
00:31:56,916 --> 00:31:59,016
- Murder? Preposterous.
598
00:31:59,118 --> 00:32:01,351
- Save it for your trial,
Mr. Pifkin.
599
00:32:01,453 --> 00:32:05,188
I'll see that the Ambrose jury
receives Mr. Bohl's composition.
600
00:32:05,824 --> 00:32:06,723
Right this way.
601
00:32:06,825 --> 00:32:08,091
You!
602
00:32:13,198 --> 00:32:16,033
I stole the music,
but I did not kill the boy.
603
00:32:16,135 --> 00:32:19,770
- That boy was a young man on
the verge of artistic greatness.
604
00:32:19,872 --> 00:32:23,674
- And I am an old man who will
never surpass mere adequacy.
605
00:32:25,110 --> 00:32:27,077
Do you know what it's like to
live cursed by petty jealousy,
606
00:32:27,179 --> 00:32:29,046
painfully aware
that your abilities
607
00:32:29,148 --> 00:32:32,349
will never surpass mediocre?
608
00:32:34,320 --> 00:32:35,052
- No.
609
00:32:36,689 --> 00:32:39,122
- This I swear:
I am no murderer!
610
00:32:39,224 --> 00:32:41,892
I am but a... petty thief.
611
00:32:42,594 --> 00:32:44,962
And a petty man.
612
00:32:45,064 --> 00:32:47,664
- Oh, break out the bloody
violins, why don't ya?
613
00:32:47,766 --> 00:32:51,435
- Your self-pity is neither
compelling nor convincing.
614
00:32:51,537 --> 00:32:54,738
You are hereby charged with
the murder of Gustav Bohl.
615
00:33:32,011 --> 00:33:33,677
- Well, that was thrilling,
Murdoch.
616
00:33:33,779 --> 00:33:36,313
Mr. Bohl certainly deserved
to win the Ambrose.
617
00:33:36,415 --> 00:33:40,183
- Certainly a twist,
the victim turning victor.
618
00:33:42,321 --> 00:33:44,388
- Oh, and, uh, there are
our former suspects.
619
00:33:44,490 --> 00:33:48,025
- Ah, yes. Sir, I-I'd like to
have a few more words with them.
620
00:33:48,660 --> 00:33:49,960
- Go ahead.
621
00:33:50,062 --> 00:33:51,595
I've embarrassed myself enough
622
00:33:51,697 --> 00:33:53,096
in front of them already.
- Oh!
623
00:33:53,198 --> 00:33:54,664
- I'm off home
to see the missus.
624
00:33:56,235 --> 00:33:58,802
- Gustav would have loved your
performance, Maestro.
625
00:33:58,904 --> 00:34:02,906
- Not my performance;
the performance in service
of the composer's vision.
626
00:34:03,008 --> 00:34:06,910
I admit, this time,
the composer's identity
surprised me.
627
00:34:07,746 --> 00:34:09,846
- Uh, William Murdoch, sir.
628
00:34:09,948 --> 00:34:10,914
Why is that?
629
00:34:11,016 --> 00:34:13,383
- Detective Murdoch
caught Gustav's killer.
630
00:34:14,453 --> 00:34:16,286
- Well, Detective,
Bohl's compositions
631
00:34:16,388 --> 00:34:19,689
consistently demonstrated...
discipline.
632
00:34:19,792 --> 00:34:21,992
- But not excellence?
633
00:34:22,094 --> 00:34:26,930
This one... was a masterpiece
of sublime and nimble eloquence.
634
00:34:27,032 --> 00:34:30,801
- A welcome diversion
from Gustav's dreary
signature atonality.
635
00:34:30,903 --> 00:34:32,602
- Very much
of the Impressionist school.
636
00:34:32,704 --> 00:34:34,838
- Debussy influenced.
- A pinch of Ravel.
637
00:34:34,940 --> 00:34:38,475
- I'm sorry your friend
couldn't be here to see
his work performed.
638
00:34:38,577 --> 00:34:41,178
- Maestro, may I have
your autograph?
639
00:34:41,280 --> 00:34:42,379
- Of course.
640
00:34:42,481 --> 00:34:45,148
Who should I make it out to?
- Nathaniel Dett.
641
00:34:46,518 --> 00:34:47,584
- Sounds familiar.
642
00:34:49,088 --> 00:34:50,020
There.
643
00:34:51,156 --> 00:34:53,290
- Mr. Dett, it's an honour
to meet you, sir.
644
00:34:53,392 --> 00:34:54,658
Winston Glover.
645
00:34:54,760 --> 00:34:56,460
- You know my work?
- Yes, of course.
646
00:34:56,562 --> 00:34:58,028
I do some composing myself.
647
00:34:58,130 --> 00:34:59,396
- Interesting.
648
00:35:00,532 --> 00:35:02,899
I'm thinking about forming
a choral society.
649
00:35:03,001 --> 00:35:04,634
Is that something
that would interest you?
650
00:35:04,736 --> 00:35:06,036
- Yeah, it would.
651
00:35:06,939 --> 00:35:08,772
- Well, uh, I should head home.
652
00:35:08,874 --> 00:35:10,006
- Goodnight, all.
653
00:35:11,176 --> 00:35:14,778
- Drat! I... must have left
my walking stick.
654
00:35:16,248 --> 00:35:18,115
Care to venture back into
the concert hall with me,
Detective?
655
00:35:18,217 --> 00:35:19,950
There's something
I'd like to discuss.
656
00:35:20,853 --> 00:35:21,885
- Lead the way.
657
00:35:26,758 --> 00:35:29,526
What is it you wish to discuss
with me, Mr. Girard?
658
00:35:30,395 --> 00:35:31,161
- Music.
659
00:35:32,698 --> 00:35:33,897
What else is there?
660
00:35:34,867 --> 00:35:36,933
You heard
what the conductor said
661
00:35:37,035 --> 00:35:38,768
about the composer's identity?
662
00:35:38,871 --> 00:35:39,970
- I did.
663
00:35:40,072 --> 00:35:43,240
But I can't say I followed
his explanation.
664
00:35:44,309 --> 00:35:47,477
- Gustav was an acolyte
of Schoenberg,
665
00:35:47,579 --> 00:35:51,348
an Austrian composer
who emphasizes atonality.
666
00:35:51,450 --> 00:35:53,250
- Explain atonality.
667
00:35:55,854 --> 00:35:58,021
- Functional melodies
are discarded.
668
00:35:59,124 --> 00:36:02,626
Melodic-rhythmic elements
are emphasized.
669
00:36:15,941 --> 00:36:20,477
- But Miss Fachada stated that
Mr. Bohl's winning composition
670
00:36:20,579 --> 00:36:23,947
was a departure from
his signature atonality.
671
00:36:24,049 --> 00:36:25,015
- She's correct.
672
00:36:25,984 --> 00:36:27,250
It's of the Impressionist
school.
673
00:36:28,720 --> 00:36:30,687
- Which is characterized by...?
674
00:36:32,057 --> 00:36:34,357
- Like Impressionist painters
and artists
675
00:36:34,459 --> 00:36:36,793
who explore texture and colours,
676
00:36:36,895 --> 00:36:39,696
impressionism in music
explores timbre,
677
00:36:39,798 --> 00:36:42,632
musical colours
and ambiguous tonality,
678
00:36:42,734 --> 00:36:45,535
almost like the blurred lines
of Monet.
679
00:36:53,879 --> 00:36:55,812
A focus on mood and atmosphere.
680
00:36:56,848 --> 00:37:00,116
The embrace
of progressive harmonies.
681
00:37:01,620 --> 00:37:04,254
The rejection of
traditional structures.
682
00:37:05,591 --> 00:37:09,759
- There is a group of notes
that keeps repeating
683
00:37:09,861 --> 00:37:12,028
in Mr. Bohl's composition.
684
00:37:12,664 --> 00:37:13,797
- You noticed.
685
00:37:27,379 --> 00:37:29,246
It's peculiar...
686
00:37:30,415 --> 00:37:33,283
that Gustav would write
such a tonal piece
687
00:37:33,385 --> 00:37:34,651
with a recurring melody
688
00:37:34,753 --> 00:37:38,955
that is unapologetically...
diatonic.
689
00:37:39,057 --> 00:37:43,460
♪ E, G, B ♪
690
00:37:43,562 --> 00:37:48,064
♪ G, C, D ♪♪
691
00:37:50,068 --> 00:37:54,838
- What if we were to advance
each in the sequence?
692
00:37:54,940 --> 00:37:56,840
- Or move it a note
up the scale.
693
00:37:56,942 --> 00:37:58,108
We call that transposing.
694
00:37:58,844 --> 00:38:00,277
- Which gives us?
695
00:38:00,379 --> 00:38:01,911
♪ F ♪
- F.
696
00:38:02,014 --> 00:38:03,680
♪ A ♪
- A.
697
00:38:03,782 --> 00:38:06,049
♪ C ♪
- C.
698
00:38:06,151 --> 00:38:07,250
♪ A ♪
- A.
699
00:38:07,352 --> 00:38:09,352
♪ D ♪
- D.
700
00:38:09,454 --> 00:38:11,655
♪ E ♪♪
- E.
701
00:38:16,194 --> 00:38:17,160
Facade.
702
00:38:19,898 --> 00:38:22,232
I know who killed Gustav Bohl.
703
00:38:26,305 --> 00:38:28,038
Oh, Miss Fachada.
704
00:38:28,140 --> 00:38:30,173
There you are.
- Detective Murdoch.
705
00:38:31,243 --> 00:38:32,709
Did you enjoy the concert
this evening?
706
00:38:33,445 --> 00:38:34,577
- It was magnificent.
707
00:38:36,081 --> 00:38:38,281
- I can't help but wonder
708
00:38:38,383 --> 00:38:42,385
if it was difficult for you
to be romantically involved
709
00:38:42,487 --> 00:38:44,788
with someone whose talent
710
00:38:44,890 --> 00:38:48,024
is clearly superior to yours.
711
00:38:49,027 --> 00:38:50,427
- I beg your pardon?
712
00:38:50,529 --> 00:38:52,929
- The audience was spellbound.
713
00:38:53,031 --> 00:38:54,331
People wept!
714
00:38:54,433 --> 00:38:57,267
Gustav Bohl was a genius.
715
00:38:59,104 --> 00:39:00,537
I find it difficult to believe
716
00:39:00,639 --> 00:39:03,273
that you could ever
reach that level.
717
00:39:06,845 --> 00:39:07,844
- You're right.
718
00:39:08,714 --> 00:39:10,480
The composition was brilliant.
719
00:39:11,717 --> 00:39:13,216
If Gustav was here,
I'd tell him so to his face.
720
00:39:13,318 --> 00:39:14,818
- It was brilliant.
721
00:39:15,654 --> 00:39:17,187
Because he didn't write it.
722
00:39:17,989 --> 00:39:19,022
You did.
723
00:39:20,625 --> 00:39:21,858
- What are you on about?
724
00:39:21,960 --> 00:39:26,029
- Fachada... That is
a Portuguese name, is it not?
725
00:39:27,099 --> 00:39:29,866
In English,
it translates to "facade".
726
00:39:31,503 --> 00:39:34,637
And you transposed the letters
in your family name,
727
00:39:34,740 --> 00:39:36,873
F-A-C-A-D-E,
728
00:39:36,975 --> 00:39:38,575
to obtain the notes
729
00:39:38,677 --> 00:39:41,611
that you repeated
throughout your composition.
730
00:39:42,681 --> 00:39:44,614
- No, Gustav wrote it!
731
00:39:45,650 --> 00:39:47,417
I wonder if that argument
will hold up
732
00:39:47,519 --> 00:39:50,186
when I analyze the writing
on the sheet music
733
00:39:50,288 --> 00:39:52,255
and compare it
to your handwriting.
734
00:39:54,226 --> 00:39:57,894
Time to drop the... facade,
Miss Fachada.
735
00:39:58,930 --> 00:40:00,830
You wrote a brilliant
piece of music
736
00:40:00,932 --> 00:40:03,867
and it's time to be recognized
737
00:40:03,969 --> 00:40:05,535
for all that you've done.
738
00:40:06,872 --> 00:40:09,706
- It is a brilliant
piece of music!
739
00:40:09,808 --> 00:40:11,174
And it's mine!
740
00:40:11,276 --> 00:40:14,210
I won the Ambrose Prize,
not Gustav.
741
00:40:15,013 --> 00:40:16,546
Thought he loved me.
742
00:40:16,648 --> 00:40:18,047
He used me.
743
00:40:18,150 --> 00:40:20,817
He told me no one would believe
a woman wrote the piece
744
00:40:20,919 --> 00:40:22,952
and he was planning to enter it
under his own name
745
00:40:23,054 --> 00:40:24,788
and I grabbed
that ice pick and--
746
00:40:24,890 --> 00:40:26,923
- And now, you'll likely
hang for it.
747
00:40:30,629 --> 00:40:31,795
- I'll be famous.
748
00:40:32,931 --> 00:40:34,464
Sylvia Fachada...
749
00:40:35,801 --> 00:40:37,133
Killer composer.
750
00:40:38,603 --> 00:40:41,638
My music will be celebrated
by critics
751
00:40:41,740 --> 00:40:44,674
and performed by orchestras
the world over.
752
00:40:48,413 --> 00:40:50,180
I suppose I'm living the dream.
753
00:40:52,951 --> 00:40:54,484
- Sylvia Fachada,
754
00:40:54,586 --> 00:40:57,587
you are under arrest for
the murder of Gustav Bohl.
755
00:42:08,693 --> 00:42:09,592
- William.
756
00:42:12,397 --> 00:42:13,830
Have you been sitting
here all night?
757
00:42:15,300 --> 00:42:16,633
Well...
758
00:42:17,769 --> 00:42:21,638
all of this talk of talent
and discipline
759
00:42:21,740 --> 00:42:25,141
has me wondering
if I have what it takes.
760
00:42:26,478 --> 00:42:27,911
And so, I've been practicing.
761
00:42:28,813 --> 00:42:30,013
- Are you serious?
762
00:42:30,782 --> 00:42:31,948
I didn't hear anything.
763
00:42:33,318 --> 00:42:35,852
Oh, no! Well, I didn't want
to wake you or Susannah up,
764
00:42:35,954 --> 00:42:39,222
so I didn't actually
depress any keys.
765
00:42:39,324 --> 00:42:42,392
I've just been rehearsing
the finger movements
766
00:42:42,494 --> 00:42:44,394
while studying this piece
of sheet music.
767
00:42:44,496 --> 00:42:46,462
- A waltz by Chopin?
768
00:42:46,565 --> 00:42:49,132
William, that's a rather
advanced piece of music
769
00:42:49,234 --> 00:42:50,066
for someone who...
770
00:42:52,504 --> 00:42:53,670
Oh, my goodness.
771
00:42:54,839 --> 00:42:55,772
That's incredible!
772
00:42:57,676 --> 00:42:58,908
William!
773
00:43:00,879 --> 00:43:01,911
- Shall we dance?
774
00:43:03,715 --> 00:43:06,115
- Well, you're obviously
talented, but I doubt
775
00:43:06,217 --> 00:43:08,952
that you can play the piano
and dance at the same time.
776
00:43:15,860 --> 00:43:17,627
Well, I stand corrected!
777
00:43:18,830 --> 00:43:20,763
- I replaced the internal
mechanism last night.
778
00:43:21,900 --> 00:43:24,267
So, now, Susannah can pound away
on the keys
779
00:43:24,369 --> 00:43:26,002
to her little heart's content.
780
00:43:26,104 --> 00:43:27,570
- Oh! Thank you.
57007
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Danish
Esperanto
Estonian
Faroese
Frisian
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Icelandic
Indonesian
Irish
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian (Nynorsk)
Pashto
Persian
Portuguese (Brazil)
Quechua
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof