All language subtitles for The Joy of Painting - 1x24 - _track3_[eng]

Hmm. Welcome back.
Certainly glad to see you today.

You ready to do a fantastic
little painting with me? Good.

Tell you what - let's have them run
all the colours across the screen

that you need to paint along with
me. While they're doing that,

let me tell you what I've already
done up here.

I have my good old
18 x 24 inch canvas here.

The top of it, I've covered with
a dead even coat of liquid white.

Then we have a piece
of masking tape right across here -

slightly above centre.

And then the bottom of this canvas
is covered with liquid clear.

Very small amount
of the clear down here.

I thought today we'd do
a little tropical seascape.

I've had so many cards and letters
asking for just a bright,

shiny little seascape.

Thought I'd show you a very easy
and effective way of doing one.

So let's go on up here
and get started.

Today I'll start
with the old two-inch brush.

Go right into a small, small
amount - very small amount -

of the Indian yellow.

Just tap a little into
the bristles. Come right up here.

And we'll just do something
about like that.

And just let it go right around.

Without cleaning the brush,
I'm going to add a small amount

of cad yellow,

and just run it on out.

Don't have to clean
the brush at all.

And once, again, without cleaning
the brush, I'm going to add

yellow ochre.

And we'll take it all
the way up to the top.

Just like so. Here we go.

Now then, still, without cleaning
the brush, I'm going to add

just a touch,
touch of the bright red.

And come right along the top, making
little criss-crossy strokes.

All the way across the top here
and then just very lightly

blend that in to the ochre.

Like so.

In here, maybe you can tap in a
little bit, make a little streak

in the sky, wherever you want it.
Maybe, maybe, maybe, yeah.

Right here. Wherever. Just sort of
look at it and make a big decision,

put it in.

There. That's a bright, shiny
little sky. Easy to do.

Easy to do. You clean the brush.

Scrub it off, shake it.

And just beat the devil out of it.
Now then, let's have some fun.

Let's have some fun.
Take alizarin crimson.

Load it right onto the two-inch
brush. Be right back, right back.

Don't leave me. And we get
a little bit of phthalo blue,

just mix it right on the brush.
Let's go right up here.

Underneath here, going to add a
little bit of that lavender colour.

Right there. Just a little touch.

A little touch.

And this lavender, you can mix with
the yellow without it turning green.

Even though you're having blue in
it, as long as it's predominantly

crimson, you can mix it right up
against there and get away with it.

Now then.
Without cleaning the brush again,

I'm going to add more
of the phthalo blue.

Just a small amount.
Doesn't take much.

Doesn't take too much.

It'll come right down,
right down to the horizon here.

And add phthalo blue. It's a very
pretty blue. I like phthalo blue.

It's a very nice blue.
Spelled funny.

Mm. There.

OK. Now very lightly, very lightly,
just blend the entire sky out.

OK. Here we can wash
our brush one more time.

That's the fun part
of this whole technique.

The camera people don't think
it's so much fun. OK.

Now then, let's use the knife today.
What the heck!

I'm going to take
some titanium white

and pull it out as flat
as I can get it.

Just really get strong,
pull it out very flat.

Go straight down,
there you go... And cut across,

so you have that little roll
of paint. OK. Let's go up here.

Let's make some little clouds that
just hang around here and have fun.

Pushing very hard,
very hard. Very hard. Just...

Just lay in some basic
little cloud shapes.

I don't want these to be bright
clouds, just little floaters.

Just little floaters.
Little fun clouds.

Good time clouds. Maybe.

There's one.
Comes right down to here.

See there. And in your painting, you
put them wherever you want them.

Maybe there's... Shoot, who knows?

Maybe there's one that floats
right around here

and has fun all day.

Maybe one that goes right on off the
edge of the canvas, just wherever.

Wherever. Maybe they go
right down to the horizon.

There.

Now then, a clean, dry brush. And
it's time for your bravery test.

Come right up here and very lightly,
very lightly, two hairs

and some air - just blend
those little clouds.

Barely touching them.

Barely touching them.
You take the brush.

Another way of making clouds for
this type - just tap a little white

into it and go up here,
and just literally just tap it

right onto the canvas, like so.

Just tap, tap, tap, tap.

And maybe right along here
there's another one.

Just make all you have to do is just
sort of tap them on

and then very lightly,
very lightly just blend them.

That's a super easy way
of making some cute little clouds.

OK.

One more time. Now then.
Let's take the tape off.

And you'll see you have
a perfectly straight horizon.

That's one of the nicest,
easiest little ways of getting

a straight horizon I've ever seen
when you're doing a seascape.

Now then, I'm going to mix up...

Let's take some phthalo blue
and alizarin crimson.

Mix it together.

That's very difficult,
very difficult

to tell what colour that is.

It just looks black.

If you want to find out, reach
over here and get a little white

and mix it in there,
and see what you have.

If it's a colour you like, super.

If it's not, this is
the time to change it.

This is the time.

Now, one of the things,
when you're doing a seascape,

if you'll sort of figure out

basically where you want
the major wave to be in here,

it will save you
a lot of problems.

So let's say our major wave,
it's going to live right there.

And just sort of take the filbert
brush and just sketch out

a basic shape of where you want
that rascal to live.

Like so.

And it's going to curl over
like that.

Now, once you have that in,

then you can lay it all out.

Let's just use
the old two-inch brush.

Going to tap a little of this
dark lavender colour in here.

Let's go right up here and let's
just begin putting in some colour.

Like so.

Like so. Just let it
come right along that horizon.

There.

OK. Just right along there.

OK. Then you come right down
to this major wave.

It really didn't matter
if you get it...

It's just a guide,
it's only a guide.

I think you'll find it really helps
you to put that in though.

Now, I'm going to add a little touch
of phthalo blue to that same colour.

I'll just use the brush
to sort of mix them together,

so I'll put a little more blue
into it.

In with that, we'll go right
to the edges here.

I want the edges to be
a little bit more to the blue tone.

There.

OK.

And just fill this in.

And same thing over here
on the other side.

Just fill it in.

Right up to that.

All right. That quick, you have the
whole back of your seascape done.

Same old brush,
still haven't cleaned it.

I'm going to use some black
and a touch of phthalo blue.

Once again, just mix
them on the brush.

And let's go right up
in here and do that.

Just put a little colour in.

See, because the liquid clear's on
the canvas, the colour stays true.

If you had liquid white
on the canvas, and you did this,

it would dilute the colour.

With the liquid clear,
you don't have that problem.

There we go.

But I can't tell you enough
to use just a small, small amount.

It goes a long way.

One container of clear
should last you for years.

There we go.

And right on up
to the other side back over here.

There we are.

See there.

Shoot, you've got your seascape
half painted already. That easy.

All right, all right. While
we have a little brush going,

we might as well... This wave's
going to be curling over,

so we can add some dark colour.

Now, if you're uncomfortable
using a brush this big

to do these things,
use your smaller brush.

Either one will work.

There we go. We just put that in.

All right. I have
several brushes going here.

So let me grab another one. I'm
going to take a little dark sienna.

Just put it out here, little
dark sienna, I'm going to grab

some yellow ochre. Yellow ochre.

Reach up here, get some white -

it's like a dark sienna,
yellow ochre and white.

There. Just tap it into the
bristles. Let's go right in here.

Maybe there'll be a little beach
that lives right here.

Right there.

And just let that blend
right up into the water colour here.

There we go.
Just let it blend together.

Like so.

OK.

We have the entire canvas
blocked in now.

Now we can begin
getting serious about it.

OK. We'll start with the knife.

Take a little bit of the titanium
white, pull it out very flat,

just as flat as you can get.

And take the knife and cut across.

Get that little roll of paint.

Always loading the knife
with that little roll of paint.

And let's begin making some
little waves that are far, far back

here in the distance. Barely...
Barely can see them.

They're just little teeny ones.

So use a firm pressure and push.

Just push.

Firm pressure though. Really
the knife is literally bending.

Literally bending.

Just put some little sparklers
here and there.

Just here and there.

And when you push that hard with
a knife, there's little ridges

of paint here,
and those little ridges of paint,

we'll use those later on.

That's what we'll place
our highlights on,

all the...all the little sparklers.

I'm putting a tremendous amount
of pressure here,

really getting strong. Take out
all your frustrations this way.

There.

And right on over.

And maybe a couple of little doers
right here, wherever you want them.

This is just sort of
an individual thing.

OK. Now we can even take a little
of that white and push it right

on top of that.

Right up here on top, like that.

Now, then.

I'll use a little touch...

We'll just use that same colour
that we used to make sand.

To that, I'll add a little bit
more yellow ochre,

make it a little brighter.

And white. So it's quite bright.

Pull it out, cut across, get
the teeniest little roll of paint.

Tiny little bit of paint.

And let's just go up here
and just very gently,

just let it graze those high points.

Just let it graze.
Don't want a great deal of paint.

Just barely, barely grazing.
Just caress it.

Just caress it.

Just touch, barely, barely touch.

OK, now I'm going to take
titanium white

and the least little bit
of yellow - cad yellow.

Titanium white
and a little tiny bit of cad yellow.

Tiniest little bit.

And once again, pull it out flat,
cut across.

Here we have the tiniest
little roll of paint

out on the edge of the knife. OK.

Now then, with this, we can
really sparkle - decide where

the light's striking the water.

And that's where you put
your bright spots, barely touching.

Barely touching.

OK. And however many
you want, or a few.

There we go.

OK. Now we'll have
that colour on there,

I want to add a little bit
right there.

HE WHISTLES
That easy.

Maybe even back in here, just put
a little bit right in there.

OK now, let me find
a fan brush here.

Take a little titanium white
on my fan brush

and let's put another wave -

two little ones right here.

Comes right down. Tchoo.

Got to make
those little wave noises.

A little bit of white right there.

Maybe this one just progresses
on out.

We don't know where it goes.

Now, then, very gently, grab that
and just sort of blend it back,

just blend it back.

And it makes the trough
in between the waves.

Just gently blend it back.

Now, I'll tell you what.
I'll show you something here.

Let me get a little bit
of that yellow.

I want to put a little of that
bright yellow right here.

And maybe right here.
Just a little bit on.

A little bit on.

We'll take that fan brush, wipe off
the paint, and grab that yellow

and blend it back, so it looks like
there's a little sunlight

just laying in between there
and playing, having fun.

There. Now, blend this back.

Mm. See how bright and shiny
that is.

The light's really striking
right along there.

It gets darker, darker, darker,
as it works away.

OK. Right above this wave here,
just blend that light in.

There.

Mm. That's pretty.
Just a bright little rascal.

OK. I'll take a little white.

A least, least little touch of
phthalo blue on the fan brush.

White, a little touch
of phthalo blue.

And let's go right up in here.

And you can just come back in here
and add in little touches of colour.

Just here. White, phthalo blue.

Hope it shows up enough
so you can see it.

There. Here and there.

There we go.

Just sort of drop those in
wherever you want them.

OK. Right over,
there and here and everywhere.

But you're always using
this little rocking motion.

Just a little - I guess
that's a good word for it -

a little rocking motion.

It helps create the illusion
of all kinds of little waves

and stuff happening.

Without actually doing
a whole bunch.

There. A little bit of that blue
just shining right through

that bright spot there. OK.

Time to have some fun.

Let's do the eye of the wave. That's
always what everybody wants to do.

That's the fun part.

Take the filbert brush, a little
touch of the cad yellow, and white.

Load a lot of paint on the brush.

Let's go up here
and get tough with it.

Just get in here and scrub it hard.

Just really scrub it. Scrub it.

And then begin working out.

So that's another reason we do
this sketch, because you don't

want paint in here,
you want to keep that pure.

Now then, begin working outward.
Outward, outward, outward.

Automatically, it will get darker
and darker as you run out of paint.

There. Begin shaping and forming
the wave. Darker, darker, darker.

Right on out to nothing.

Now then...

Clean, dry. Be sure it's dry.

Two-inch brush and use just the
corner, and all we're going to do

here is just stir it up, mix it up.

Tiniest little circles,
tiny little circles.

You can blend this
till it's as smooth as glass.

Now, let's begin shaping
our wave. Grab it and pull.

See. Grab it and pull.
Isn't that neat? That easy.

You can create the shape
of this wave.

That easy. That easy. There it is.

OK.

Let me find a fan brush. I have
several fan brushes going also.

Let me take a little of that white.

It has the least little touch
of yellow in it.

Now, then, let's do this
big crashing wave here.

Grab it and pull... Pshew!

Make the little noises.

And it will pay you to wipe
your brush between each stroke

and reload it, so you've got
nice clean colour there.

This is the...
This is the part of the painting

that everybody wants to see.

And if you're out selling
paintings, of course none of us

are interested in that happy buck,

but if you're out selling paintings,

this is the part that sells.

OK. Use the old filbert brush here.

I'm going to load a touch - just
a touch - of this lavender colour

we had on the brush.
OK, let's get up in here.

Now, then, let's put some foam...

We'll put the shadow in first.

Put the shadow in, there we go.

And all we're doing is just
scrubbing it in.

Put the shadow in, put the shadow
in. Let it just come round.

This is where
you begin shaping your wave.

Right there. There's a...

Let the shadow just,
wherever you want it.

Here it comes. Whoosh!

Big, splashing thing.
There it comes.

Put the shadow first, though. OK?

Wash your brush.

Then wipe it on a paper towel. Be
sure it's as dry as you can get it.

OK. Now,
let's go right back into our...

This is our mixture of titanium
white with the least

little touch of yellow in it.

Load a lot of colour into the
bristles, all right? Now, then.

Just sort of give it an upward push.

And put the highlight right up on
top, right up on top of all that.

Turn the brush, use both sides.

Now, when it runs out of paint,
wipe it off good.

Get all that blue
and lavender colour off of it.

Come back with your nice colour.

See, ptchhhh.
Make those little noises.

It really helps to get
you in the mood!

And then just sort of bring
it all together.

There.

OK.

Now, then.

With our clean, dry
two-inch brush once again,

I'm just grabbing this
and I'm going to stir it up.

Tiniest little circular strokes.

Blend that right into the shadow,
except the very edge.

You don't want to blend that edge,
you want to save it.

Just blend it, blend it, blend it.

Now, you could use
a one-inch brush for this,

but the two-inch brush I like to use

because it seems to have more hair
there, it really seems to work

a lot nicer.

We can put a little touch of that
highlight colour over

here on the other side of that wave.

Pull it down so it looks
like it continues. OK.

Let me find my little liner brush.

Take the liner brush
and we're going to some, oh,

titanium white, the least little
touch of phthalo blue in it.

Now, let's just take this,
come right along here.

And begin adding some highlights
here and there. Just like so.

Now at home, you have unlimited time

and you can just put all kinds of
beautiful little things like this.

Here, you know,
they have no sense of humour.

Shoot, if I go over 30 minutes, they
get upset and start yelling at me.

There we go.

But these little things...these
little things help shape

and form your waves.

All kinds of
little...little glitters here.

A fan brush also works very nice.
Take the fan brush.

Little touch of phthalo blue
and white.

And begin putting in
just all kinds of little...

..little foam patterns
that are moving and playing.

But this is where you, once again,

where you create
the shape of your wave.

As it goes out,
it's getting flatter and flatter.

There.

Maybe, tell you what,
tell you what, right out here.

Oops. There we go.
And we can begin...

Let's just lay in a little
bit of foam that's laying down here.

This is just titanium white,

but it's picking up all those little
colours that are underneath.

Leave some openings,
leave some holes in it.

So you can see the sand
and the water all through it.

And pull like that, still making
those little rocking type strokes.

Travels right on up the wave.

Now, right underneath this wave
here, it's going to be

a little darker because it's
a shadow created by that wave.

So brighter out here
and lighter there.

OK. Now, then.

Script liner brush,
a little bit of the lavender.

And we need to have a little dark
line that lifts right into this.

It'll pop that right up.

Right up.
And you can come back in here

and put just all kinds of little
things wherever you want them.

I'll tell you what, this is going
to be a tropical scene,

we need a happy little palm tree
in there.

I'll show you an easy way of making
the indication of a palm tree.

We'll just use Van Dyke brown on the
fan brush. Load it full of colour.

Let's go right up here.

Decide where your palm tree lives.

Maybe this palm tree
maybe lives right here.

Goes right off the canvas,
we don't know exactly where it goes.

Let's give him a friend.
We don't want him to get lonely.

Oooh, right through the crasher!
Hmm!

There. Then we get two palm trees.

Pretty soon...
You know how palm trees are,

pretty soon there'll be three!

Now, then. Now, then.

Take a little black, little white.

We'll make sort of
a greyish colour here.

And, with that, let's just...

..just put a little light on this.

Just a little light. See? Like so.

Right up the old tree.
Zoop de doo de doo.

There.

OK, you can take...you can take
the liner brush

with a little dark colour on it
and really work it, making little...

..little dooters like it
going all the way up the tree.

Tchh, tchh, tcch.

OK. Fan brush. Let's make
some big leaves out there.

Dip the fan brush
into paint thinner.

I'm going to take a black. Oooh.

I'm going to get it thin,
thin like water.

Like ink. A lot of thinner in there.

It's very thin.
It'll run on you. OK?

Now, then,
let's come right up in here.

Decide where your big palm
leaves...maybe this one comes

right around. Ptchuuung!

Now, because this is so wet and
thin, you can grab it. Look at that.

See there?

And that easy, you can make all
those beautiful little shapes.

Now, then.
Just wherever you want them.

Think about how your palm tree's
going to look.

Sometimes you can see both sides,
sometimes one side.

There's one.

This is one of the easiest ways
I've ever seen to make a striking

little palm tree.

And this black colour against
that bright background, oh,

really, really stands out.

You'll like that. Don't want
this other one to get left out.

We'll give him a nice limb.
Grab it, pop it. Ptchhung!

Here comes another one. Goes
right out through there. Grab it.

Give it a pull.

Another one. And maybe one right
here. Just however many.

And a little one.

See there?

That's one of the nicest ways
there is to make a little palm tree.

I hope you've enjoyed this little
tropical sunset type scene.

And I look forward
to painting with you again.

Until then, happy painting,
and God bless.