All language subtitles for The Joy of Painting - 1x08 - _track3_[eng]

Hey, I'm certainly glad
you could join me today.

You ready to do a fantastic
painting? Well, good.

Let's start out and have run all
the colours across the screen

that you need to paint this
project with me,

and they'll come across in the same
orders I have them on the palette,

like always.

Let's go on up here,
because I've gone crazy today.

This is crazy day.

I found some tape laying around
here in the studio

and I just thought I'd show you,

with a little imagination,

and pick up a few things
that are laying around,

you can do some fantastic things.

I've taken - all this is about
two inch wide tape -

and went all the way around the
borders here.

Then I had some masking tape,

so I just put it in here, like that.

Then I've covered the entire
thing with liquid white,

so it's all slick and ready to go.

So, let's see what we can do.

I'm going to start off today
with a touch of Alizarin Crimson.

Just a touch.

Tap it into the brush.

Just a touch. Don't want to set
this sky on fire.

We just want to warm it up.

Let's go right up here.

Maybe right in here...

..just a little bit of
Alizarin Crimson.

Very, very small amount.

Once again, you don't want to
set it on fire.

Just a little - and use
little criss-cross strokes,

both sides of the brush.

And it mixes with the liquid white

and makes a beautiful, beautiful
pinkish glow.

Just like that.

Just paint right over the tape,

don't worry about it.

Don't worry about it.

Now then, without even cleaning
the brush,

I'm going right into some
Midnight Black...

..and the least - least -
little touch of Phthalo Blue.

Very little paint on the brush,

but the black and the blue
are so strong,

that you don't have to clean
the pink off.

All right? Let's go back up here.

Now then, I'm going to start right
up here at the top...

..and begin just blending this right
down to the pink area.

I think today, let's do a very
soft, gentle little painting.

Just very quiet.

There we go.

Touch more of the black and blue.

Black and blue...

..that's what I get when I get
in trouble at home,

black and blue!

There we go.

And I stay in trouble.

All right.

Blend it right down -
now be careful.

Be careful here,
because this dark colour

will absolutely consume your pink.

In just a heartbeat,
it'll eat it all up.

Shoot, while I get that going,
let's have some fun.

This is mostly black.

There's virtually no blue in here,
So be careful.

I'll just...

Let's just put a little
colour down here.

What the heck!

What the heck.

All right.

Now then, we've cleaned
the brush...

..scrub it on the... There's a
screen in the bottom of this can,

just scrub it real hard.

The screen's about, oh,
about an inch high.

That's the fun part!

Anyway, the screen's about an inch
high,

and that allows you to scrub
the brush,

and then all the solid
material falls to the bottom,

and keeps your paint thinner
relatively clean.

OK. Now then, clean, dry brush.

And I want to just bring
the sky together.

Gently, gently, gently,
bring it together.

Still using little criss-cross
strokes...

..just here and there.

There, see how easy that is?

And then very lightly,
very lightly,

go across the whole sky,

to soften it and bring it together.

Maybe - tell you what, what the
heck, this is crazy day,

we're just playing.

Let's just take the corner
of the two-inch brush,

and go through a little touch
of white.

Little touch.

And maybe there's just an
indication up here.

Very light. I don't want
very distinct clouds today.

Maybe there's just a little
floater that lives up here...

..and he just floats around the sky.

I've just used the corner
of the brush,

then we'll blend that out,

just to give the hint of a cloud.

Just a hint.

Don't want anything too bright,
too sharp back here.

I want the sky to be very passive.

OK, maybe there's even a little
floater

coming right down through here.

If it gets too bright,

just take it and just work with
a little bit.

Just work with it, it'll blend
into the colour

that's already on the canvas,
and just go away.

Here we go.

Now then,

I'm just going to fluff these little
clouds up with a dry brush.

Just fluff them up...

and very lightly, very lightly...

..just blend it a little bit.

A little bright right there,
I want these to be very soft clouds.

So we'll just blend it,
and go back over it.

And that easily, it goes away.

That easy.

OK.

Now then, let's build us
a happy little mountain.

And for that...

..I'm going to take a little bit
of Prussian Blue,

little black, little brown.

Shoot, we'll throw some crimson
in there, too. Alizarin Crimson.

Pull it out very flat. Cut across...

..till we have that little roll
of paint.

There we are.

Now then, maybe there's a
happy mountain.

He lives right about there.

So you just push that paint
right into the fabric.

And all we're looking for here
is just a very basic shape.

You're only interested in the top,

just right up here on the top.

You could care less what's
happening in here.

It's of no concern right now.

Later on, it will be.

Right now, no concern.

Now then, show you a little
trick here.

Watch here. We'll take this
and pull it down.

Now with that I get a little paint
on the brush.

Let's take that paint, and go
right up here...

..and that easy,

we can make the indication
of a little mountain

that lives way, way back
in the distance.

He's very soft and very far away.

See, by pulling this paint up here,
and doing it,

then it's exactly the same colour,

just a different value.

There we go.

Now, pull this one
distinctly in front of it.

Isn't that sneaky?

I thought you'd like that.

OK, by pulling it out,

we remove the excess paint,

and blend it right down to nothing.

Don't worry about the tape.

Just pretend it's not even here.

There.

We'll wash our brush.

Give it a good rap.

And off we go.

You know, a couple of series back,
we introduced this idea

of using contact paper and making
ovals and all kinds of shapes.

Since then, I've got letters
from all over the country,

showing me what people have done,

taking this basic idea, using
contact paper.

My friend Nat, who lives in Canada,

he sent me some pictures
the other day,

and he's taken and used octagons,

and all different kinds
of shapes cut out of contact paper.

It's the same basic idea.

Try all different kind of things
at home.

You'll be amazed at what you can do.

All right, let's take some
Titanium White.

Pull it out very flat.

Really pull it out flat,

then cut across like that.

Little roll of paint.

We'll go right up here,

and we'll put some highlights on
this mountain.

Just touch it.

We're going to apply no
pressure whatsoever.

You just let the knife literally
float across the canvas.

Just float.

Here we go, and put all kinds
of little things in here.

There.

Let's go right up here.

There.

OK.

And just decide where you think
light would strike your mountain...

..and just let it fall on there.

And you want the paint to break.

Now, when I say break,

I mean, leave all these holes in it.

And for that, you must have a
firm paint.

If you have a thin, soupy,
oily paint...

..oh, you're going to be in
Agony City!

You're going to be a mud mixer,

and then you're going to
holler at me!

So be sure you use a paint
that's very firm.

That's so important. So important.

Little bit right there.

OK, see, and you can just keep on

and on, making big decisions

where you want this to be.

There.

OK, now then, let's make a
shadow colour.

Got to have a shadow on that
mountain.

For that, we'll take some white...

..a tiny bit of Prussian Blue.

Prussian Blue is very strong,
be careful.

Be careful.

And then a little black.

So we have black, blue and white.

There. And just leave it sort of
marble like that.

Don't over-mix it.

Cut across, and we have our little
roll of paint again.

Always using that little roll
of paint.

Let's go up here.

Now then, decide where your shadows
are...

..and once again, using no pressure,

just drop into some happy
little shadows - see there?

Just make decisions where
these shadows live.

Make a decision and do it.

This is your mountain,

so you can do anything here that
you want to do.

There we go.

Now watch. Let's do this one
right here.

Show you a little trick here.

If you've painted with me before,
you've seen this.

See now, we want to push this peak,
right here, back.

Watch here. Watch here.

Come right down, right down...

..right down, and go distinctly
through it.

And look at that. See?

Did you know you had that
much power?

You can move mountains.

You can move mountains.

When I go home, I can't move
nothing but the garbage.

But here....here, I can move
anything.

There we go.

OK.

Now, then, we come back and,
oh, look at that.

Look at that.

You can just put all the little
peaks and stuff, maybe...

Yes. Yes, there is, you're right.

There's one that lives right there.

You knew that, didn't you?

There we go.

You can just keep on and on

till you've covered your entire
canvas with mountains.

And that's fun, too.
Nothing wrong with that.

Go back. Drop us in a happy little
shadow here and there.

See there, just let it blend
right out.

OK. Score it in here.

Every...every highlight needs
a shadow.

If he doesn't have a shadow,

he'll just, just lay there.

He won't come out and play with you.

All right.

All right.

Now, then, let's create some mist
down here at the base.

And for that, I'll take a two-inch
brush and I'm going to tap.

Just tap. Follow these angles -
if they come down this way,

then tap down that way.

There we go. Always follow those
angles,

so it's very, very important.

And if everything works just right,
you'll have a nice misty base

that you can literally see detail
in, but yet see through it.

Over here, follow these angles. See?

Isn't that easy?

You're fantastic.

Now, then, I'll beat the brush
a little bit.

That'll take the excess paint off,
then lift it upward.

Just lift it up. Lift up.

Look at that. Look at that.

I've probably painted 20,000
paintings and I still get excited

when I see them.

Beautiful, beautiful effects
you can make so easy.

Cos for years I was a traditional
painter and... Oh, my gosh,

I agonised over paintings.

And now then, now then, I just
do them.

OK.

Painting should not be
agonising, it should be fun,

you should enjoy what you're doing.

OK, let's come along here
and let's have some fun.

I'm going to... I'll tell you what,
let's just go right in to a little

bit of yellow, I'll reach up here.

Get some Sap Green and I'm going to
pull a little bit

of black into that just to dull
it down.

OK, there we go. Tap the brush,
tap it.

Let's go back up here.

Maybe there's a little foothill,

just a little hill that lives
right here.

All you have to do is just tap.

Want this to be a nice bright one
back in the distance.

Tap.

Now, allow it to pick up that colour
we laid on the canvas.

See there.

Just disappear right down so it gets
softer, softer, softer, softer.

See that. Look at that.

Softer, softer, almost down to
nothing down here. Good.

OK. Let's... Let's take some black,

Prussian Blue, brown.

There's some Sap Green,
we'll throw it in there.

And throw in some crimson.
It doesn't matter.

What you're looking for is a colour
that's very dark.

I'm going to wipe my knife off here

and I'll grab the old fan brush.

And let's make a...let's make
a couple of happy trees.

Load a lot of paint into the brush.

Really fill it up.

OK, let's go up here.

Let's decide where a little tree
lives. He lives right there.

Touch. That sort of gives you a
guide at the top of the tree

and then just, just use the corner,

just the corner.

And as you work down,
push harder and harder

so it pushes the bristles downward.

Let's make several trees in here.

And in your world,

in your creation, you decide.

If you want ten trees,

then ten trees is what
we're looking for.

There.

Let's make several, that'll give
you a chance to practise.

See, right there. I want that little
tiny bit of green to show through,

cos that'll show that there's
something happening behind there.

Trees don't all grow the same.

Some are skinny, some are
a little heavier.

Shoot.

Some are just... They're like me,
they're just tired.

However, don't think your tree
has to be a certain way.

Trees just grow however
it makes them happy.

And sometimes when they're little,
maybe, maybe a big old bear walks

by and steps on them, gives them
a hurt, ooh.

And they get little crooks and
bends.

Just make up little stories. Think

what happened at all these little
trees. See, now, here's one...

Maybe this one kicked him
so he's leaning over.

Just pushed him right out of
the way.

You get mean trees, too.

OK. Put a couple more over here.

Little trees are fun to make.

And maybe way back in here, there's

just a little indication of
some trees.

Just take... Maybe you can see that.

Just take the brush and tap it
downward, just make the indication

some trees that are far,
far away - that easy.

Maybe there's one right there.

I'm just going to cover the whole
canvas with trees here.

Maybe I should stop.
I get carried away sometimes.

I like to make these little rascals.

There. We can pop in some
dark colour.

Now, then. I'm just going to take
a clean knife.

Nothing on it and just sort
of scratch through here and there,

it'll make it look like some
little tree trunks.

You could put colour on it,
but you don't have to.

There. Look at all the little
things.

All kinds of little details,
that easy.

Now, without cleaning the brush,
because it has black and blue on it,

I'll go right into the yellow and

that'll make a beautiful,
beautiful, rich green.

Let's go back up here.

And, with that, I just want to place
the indication of a few highlights.

I want to keep these trees quite
dark for the contrast, but a few

little highlights here and there.

They're some sparkly,

happy little things.

Right up through here. There we go.

That pretty?

These are the kind of scenes
my mother likes.

She's a fantastic lady.

She lives in Florida and she's
enjoying the sunshine now.

She'd have to be a fantastic lady
to put up with me.

Well, you got to be something
to live with a crazy painter.

There we go.

Her and I go fishing together,
but we're not very good fishermen.

We catch a fish and we put
a Band-Aid on him,

put him back in the water and wish
him well, send him on his way.

OK, back to the...back to the
old brush here.

And I'm just using a little bit
of green and I'm going to pick up

this dark colour and begin creating

the general lay of the land.

Just tap.

Continually tapping, tap downward.

Look at that.

And just allow the brush
to touch that dark...

..that you made your trees out of.

And just begin creating

all kinds of little effects.

And I'll add a little touch
of Yellow Ochre,

little Indian Yellow here and there,

the least little bit
of the Bright Red.

You can make this look just
like a happy little meadow out here,

and the more you tap, the softer
it gets, gets very gentle

and very soft.

There, just sort of work these
colours back and forth.

Tap them together.

Like so.

Wherever. In your world,
you make the decision

where all these little things are

and you put them in, there we go.

And you can...you can change
the lay of the land.

Watch, watch right here.
Shoot, look at this. Look here.

By changing this angle, you can make
the land come this way.

There's no end to it. You can just
go on and on and on.

There.

See? Maybe... Look at there.

Isn't that neat that you can do all
of that?

Here and there, dropping
little darker colours.

OK. Maybe right out here,
maybe the sun's going to hit this

so you can go back and add little
highlights where you want it

to really stand out,

where you want it to really shine.

There we go. I tell you what,

you know me. Shoot,

I want a little cabin out here.

That's such a pretty, pretty area.

There's several ways to make
little cabins.

One of the easiest ways
is to take your knife and scrape out

a basic shape.

If you just take... It does two
things - it allows you to lay out

your little cabin without being
committed, but probably

more important than that,
it removes excess paint.

So your next layer of paint
will stick much better.

See there?

That quick, you can just scrape out
a cabin shape now. Let's take

some Van Dyke Brown.

And we'll put in an eave,
or an overhang, whatever.

Then put some...

All we're doing right now
is just blocking in colour.

Just blocking in colour, not
too worried yet about details.

Look there, that easy.

Let's put some dark right there.

This is just straight
Van Dyke Brown.

That's all it is.
Straight old Van Dyke Brown.

There we go.

Now, then, maybe up here on the
roof,

let's use some red, a little bit
of Dark Sienna mixed together.

A little bit more of the Bright Red.
Ooh, there we go.

Cut us off a little roll of paint,
as usual.

Now, then, just take...

Just let this sort of bounce
right along. Tchuh-tchuh-tchuh!

Just let it touch, bounce, have fun.

See it?

Look there.

And now, then, I'm going to take
white, and just add a little bit

of black to it, make grey.

White and black, pull us off a
little bit of paint and we'll go

right up here, zoom, pull it down.

See there? Straight down.

Now, for the other side,
I want it darker.

Cos not as much light's going to hit
that side.

My mountain tells me my light
is coming from the right.

So I'm going to get the small knife,

it gets in those little areas
better.

And I'm going to reach up in here.

See, that's much darker.

And this little knife, it's great
for these little things like this,

And I have a little knife.

Let's put us a door right there.

Shoot, now we can chop this off...

..like so.

We might even want a little window,
hm.

Anything you want in your cabin,
you can do it.

Now, then, let's go right here

and put some grass right around the
foots,

right around his little foots there.

OK.

I'm going to put, so that it
stands out, the least little touch

of white or light colour,
right along this edge

so you can... Ooh, nice.

Nice little cabin.

Let me grab the old fan brush.

Let's take some straight
Van Dyke Brown, little Dark Sienna

mixed in it.

Got to have a happy little path.

Maybe it comes down, maybe it goes
right on out of sight

behind that hill, comes out here,

wherever you want your path to go.

Look at that. Look at that.

See there?

There we go.

Reach up here, grab a little white
and it'll mix with the brown.

That'll give us a little highlight.
Just sort of let that

skip across there.

Just hit it nice and quick.

Let it skip...

..like so.

And clean it up with a little
bit...a little bit of the grass

areas right along like that.

There. And that pushes your path
right into your painting.

Let's get crazy.

Tell you what, let's go into a big
bunch of brown and Dark Sienna

with the fan brush.

And right, right, right,
right...right there.

Right there lives a happy tree,

a big happy tree that
lives right...there!

And let's give him an arm.

He's got an arm that lives there.

There we go. OK.

Pull that right down.

Give him a little foots. OK.

I'm going to go into paint thinner
with a liner brush.

A lot of thinner.

Want this to be just like ink or
water.

And with that, we'll put the
indication

of a happy little...little
branch here and there.

There.

OK.

There we go.

And just as many or as few
of these little limbs as you want

in your world.

This one here maybe
comes clean over here.

Look at that. All kinds of them.

And we can take... I'll go red
into a little bit of white.

And let's just... Look at there.

Add the indication of a little
highlight right on that.

Just here and there, so that
little tree trunk stands out.

Has a personality all of its own.

Little stick or two down here.

Like that.

And let's just clean up
his little foots.

Fix our path.

I think we've got...have a finished
painting.

Now, then, comes the fun.
Let me show you.

Bring the camera right up
here close.

I'm going to grab this and watch
here.

Isn't that neat? Now, if you...

When you're doing this at home,

if you painted this brown in here,
for example, it looks

just like you're looking
out of a window.

It's a super idea. Give it a try.

Use the contact paper, tapes,
all kinds of different things.

You too can make some fantastic
effects.

From all of us here, happy painting.

God bless and we'll see you
next time.