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male announcer: Last week, The Cut began.
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[upbeat dance music]
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[screams]
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announcer: The Junior Division's fate was sealed.
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[cheering]
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Diana Pombo
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and Eva Igo
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made it to the divisional final.
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That puts you on the leader board
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into first place!
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- This Cut round... is brutal. - You're going through!
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announcer: The remaining acts in the Team Division...
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[cheering]
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At this point in the game, it's nothing but respect.
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Announcer: ...and the Upper Division
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have one shot...
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I don't think we've ever worked harder.
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announcer: ...to impress the judges.
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This is a Cut round.
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You gotta bring all your strengths to the table.
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That's risky.
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I've seen you do better. I expect better.
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announcer: And special guest judge and dance icon,
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Misty Copeland, who made history as the first
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African American female principal dancer
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with the prestigious American Ballet Theater.
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I'm honored to be a part of this show.
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[both screaming]
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I feel like I can relate to a lot of these dancers.
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I felt like that 14-year-old girl,
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like, seeing NSYNC for the first time.
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- Yeah! - I was like, ohh!
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announcer: As only two acts from each division
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can make it to next week's divisional final.
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Yeah!
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This is gonna be the toughest dance I've ever done.
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Announcer: Part two of The Cut...
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both: Oh!
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announcer: ...starts now.
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Hey!
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announcer: Swing Latino and Super Cr3w
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had strong showings and currently
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hold the top two spots for the Team Division.
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Hoping to claim one of these spots next
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is the Kinjaz.
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Now we're in the Cut round.
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In this round, we know that we have to step it up.
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Especially because the judges have spoken really highly of us
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in the last two.
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[cheering]
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You guys are the masters of illusion.
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I think that was a million dollar routine.
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The competition's thick, it's real.
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We definitely have our work cut out for us.
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Kinjaz, what's going on, fellas?
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- Yes, sir. - Sup, NE-YO.
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NE-YO is awesome. Like, we listened to his music
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for years and a lot of us even danced to some of his tracks.
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So at the end of the day, to be just in
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the same space with this dude is pretty cool.
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You've had two amazing performances thus far.
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What could you possibly do to take it to the next level?
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We felt that the most important thing
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that we could do at this point was to infuse purpose.
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Not just, like, what we're doing with the piece,
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but why we're even here. - Ready to show me?
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- Yeah, man. - Yeah, definitely.
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All right, let's see it.
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Hey.
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People are gonna be a little bit surprised
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with the track that we're using this week.
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Asian Americans for some reason aren't exactly viewed as sexy.
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We're kinda here to take a stand on that one
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and challenge that mentality.
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Sweet. Nice, nice.
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This is definitely different from what we've seen of you,
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which is a good thing,
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But there's always that magic moment
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that makes it that much more memorable.
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Let's not lose what made people go,
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"Oh, my God, the Kinjaz," in the first place.
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I dig that they're trying some new stuff
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I just hope that they don't go so new
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that we lose who they are.
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Yeah? Good?
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[clapping]
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Everybody's got a shot at this thing.
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And it's not a shot at the prize,
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it's not a shot at the title,
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but it really is a shot at leaving a legacy.
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[echoing]
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announcer: Next to take the stage,
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it's Kinjaz.
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Already the Kinjaz look different.
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What?
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[Usher's "No Limit"]
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♪ Yeah, yeah ♪
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both: Oh!
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♪ No limit ♪
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♪ Got that Master P, no limit, baby ♪
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♪ Give you that black card ♪
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♪ No limit ♪
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♪ Just know when you roll with somebody like me ♪
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♪ There's no limit, baby ♪
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♪ Make you say uhh ♪
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♪ No limit ♪
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♪ I C murmur murder that ♪
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♪ No limit, baby ♪
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♪ Give you that ghetto D, girl ♪
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♪ No limit ♪
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♪ Just know when you roll with somebody like me ♪
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♪ There's no limit, baby ♪
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♪ You know you fine, baby you know that you fine ♪
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♪ I'm just trying to make you mine trying to make you mine ♪
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♪ Yeah I'm trying to make you mine ♪
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♪ Put a tingle in your spine ♪
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♪ We got a vibe, we got a wave, you should ride on it ♪
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♪ All of the places I could take you girl is limitless ♪
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♪ ♪
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♪ There's no limit, baby ♪
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[cheers and applause]
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Whoo!
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Kinjaz! Wow, always something that blows my mind.
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And it was just right at the top,
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when that thing flew across the stage.
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I like, what the--
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What is happening? First of all,
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when you guys set up, I was saying to Misty,
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I was like, what club is that? Where are they hanging out?
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Where do--how can we go there? Let's go there.
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Come on, Misty, let's go after work.
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Yeah, that was really good.
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But I will say, you had one or two moments
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where it got a little-- somebody couldn't get
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the thing in their pocket.
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But always innovative. What can I say?
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You're the Kinjaz.
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[cheers and applause]
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We are 100% fans of what you guys do.
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You are here because you deserve to be here
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and that's a third jacket that I need.
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I need my jacket. - Ahh!
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[cheers and applause]
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Yeah, thank you. Yeah.
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I can't put it on! Damn it!
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Okay, now we're ready.
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I feel like it was almost too perfect.
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Like, I don't know what to say.
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Like, I--[laughs]
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I felt like that 14-year-old girl,
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like, seeing NSYNC for the first time.
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- Yeah! - I was like, ohh!
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NSYNC!
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All right, guys, we're gonna lock in scores.
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You ready?
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[Timeflies' "Once in a While"]
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They need more than 88.8 to make it into the top two.
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♪ That's wishful drinking ♪
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♪ Is anything forever? ♪
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This is tough. This is really tough.
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Kinjaz, let's check out your scores.
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♪ Once in a while I ask myself ♪
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♪ What am I doing? Once in a while ♪
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♪ I need your help ♪
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♪ Once in a while I feel like ♪
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♪ I just wanna dance ♪
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♪ I feel good ♪
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[cheers and applause]
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♪ ♪
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Kinjaz, let's see where this puts you on the leader board.
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The Kinjaz move into the number one slot.
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[cheers and applause]
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♪ And I just wanna dance ♪ and feel good ♪
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Super Cr3w, that was an incredible, emotional,
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beautiful routine that you gave.
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I'm really sad to see you guys go.
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- We appreciate you. - I really am.
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♪ Once in a while I catch myself ♪
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It hurts.
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We'll go out with our heads up.
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I can look at my brothers and say, yo, I'm proud of you all.
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It's a huge relief. We've definitely been
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working super hard on this number.
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Misty said that she felt like a 14-year-old girl
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watching NSYNC for the first time.
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[laughter]
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- And we're down with that. - Yeah!
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all: Fear not, Kinja burn!
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♪ ♪
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announcer: The last two acts in the Team Division's
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Ian Eastwood and The Young Lions
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and Chapkis Dance Family
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fight for their spot in the divisional final.
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You allow the world to catch up to you,
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as opposed to chasing the world.
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announcer: And later tonight,
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the Upper Division faces The Cut.
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Oh!
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This is a Cut round. You gotta bring
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all your strengths to the table.
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All right, let's see your scores.
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announcer: The Kinjaz and Swing Latino
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hold the top two spots of the Team Division.
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Next to take the stage is Chapkis Dance Family,
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with their unique take on a Britney Spears classic.
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announcer: Chapkis Dance Family!
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[Britney Spears' "Work Bitch"]
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Whoo!
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♪ You better work, work ♪
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♪ You better work, work ♪
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♪ Better work, work ♪
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♪ Now get to work ♪
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♪ Bitch ♪
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♪ Now get to work ♪
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[cheers and applause]
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For me, personally, it kinda took
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a wrong turn halfway through.
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announcer: With an 85.8, Chapkis Dance Family
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has been eliminated.
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[applause]
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- You guys are safe.
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announcer: At the top of the leader board,
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Kinjaz have guaranteed a spot in the divisional finals.
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Ian Eastwood and The Young Lions
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will need higher than a 92.5 to secure their spot
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in the next round.
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♪ ♪
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- You guys beat a giant. - Yeah, it was crazy.
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How does that feel? Like, just look in the mirror
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and say, "We beat the Jabbawockeez."
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We're actually all still shocked right now
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that we knocked Jabbawockeez
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out of the competition.
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Huge moment for us
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that I'm sure no one here will ever forget.
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Ian came to the competition as an untested, YouTube sensation.
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This week, they're in the spotlight.
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You can't do something like beat the Jabbawockeez
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and just go home.
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I'm anxious to see what they got next.
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All right, so let's check it out.
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Let me see it. - Let's do it.
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All right.
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This piece symbolizes my journey through dance
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as well as life.
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I like.
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Initial critique-- okay, first and foremost,
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the picture has to be crystal clear.
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Does your audience understand what's being said?
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If they don't you run the risk of losing the competition.
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If I can't have the million, I want somebody worthy to get it.
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[cheers and applause]
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announcer: Next up on stage,
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it's Ian Eastwood and The Young Lions.
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All right, what are we gonna see now?
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Come on.
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[Eryn Allen Kane's "Have Mercy"]
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♪ Ooh, ooh ♪
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♪ Ha, ha, hoo ♪
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♪ Whoo, hoo, hoo ♪
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♪ When I count ♪
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♪ All my blessings, blessings ♪
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♪ I can't even be sad any more ♪
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♪ Can't even be sad any more ♪
265
00:11:22,780 --> 00:11:25,280
♪ Ooh, ooh ♪
266
00:11:25,280 --> 00:11:27,280
♪ Sinking down under the water ♪
267
00:11:27,280 --> 00:11:29,480
♪ Slipping down under ♪
268
00:11:29,480 --> 00:11:31,580
♪ Drifting out into the water ♪
269
00:11:31,580 --> 00:11:33,647
♪ Missing down under ♪
270
00:11:33,647 --> 00:11:35,514
♪ Tell me what is it you care for ♪
271
00:11:35,514 --> 00:11:37,814
♪ Is there even a care at all? ♪
272
00:11:37,814 --> 00:11:39,680
♪ Praying for sense of direction ♪
273
00:11:39,680 --> 00:11:42,214
♪ Praying for love and protection ♪
274
00:11:42,214 --> 00:11:44,414
♪ Have mercy, have mercy, have mercy, have mercy, ♪
275
00:11:44,414 --> 00:11:47,914
♪ If I call on a blessing, Lord ♪
276
00:11:47,914 --> 00:11:50,680
♪ Will you remember? Yo, will you remember me? ♪
277
00:11:50,680 --> 00:11:54,347
♪ Have mercy, have mercy if I call on a blessing ♪
278
00:11:54,347 --> 00:11:58,380
♪ Whoo ♪
279
00:12:00,314 --> 00:12:04,447
♪ We try ♪
280
00:12:04,447 --> 00:12:07,780
♪ And we try ♪
281
00:12:07,780 --> 00:12:12,247
♪ Whoo, hoo, ha, ha ♪
282
00:12:12,247 --> 00:12:15,480
[cheers and applause]
283
00:12:20,214 --> 00:12:22,247
Whoo.
284
00:12:22,261 --> 00:12:23,446
__
285
00:12:23,518 --> 00:12:24,673
__
286
00:12:25,580 --> 00:12:28,480
Probably out of most of the acts that we've seen,
287
00:12:28,480 --> 00:12:30,747
you guys have evolved the most.
288
00:12:30,747 --> 00:12:32,047
Because when you first came out,
289
00:12:32,047 --> 00:12:33,614
it felt like an artist performance.
290
00:12:33,614 --> 00:12:36,714
But this felt like a complete piece.
291
00:12:36,714 --> 00:12:38,380
It was a beautiful, beautiful performance.
292
00:12:38,380 --> 00:12:39,847
And executed perfectly.
293
00:12:39,847 --> 00:12:40,815
Great job.
294
00:12:40,921 --> 00:12:41,914
[cheers and applause]
295
00:12:41,914 --> 00:12:43,647
You guys live and die by who you are.
296
00:12:43,647 --> 00:12:45,547
You allow the world to catch up to you,
297
00:12:45,547 --> 00:12:47,147
as opposed to chasing the world.
298
00:12:47,147 --> 00:12:48,247
I love that about you guys.
299
00:12:48,247 --> 00:12:50,314
[cheers and applause]
300
00:12:50,314 --> 00:12:52,347
However, this particular performance,
301
00:12:52,347 --> 00:12:55,580
the picture didn't come all the way together.
302
00:12:55,580 --> 00:12:58,014
I think this was a very successful way
303
00:12:58,014 --> 00:13:01,780
of showing emotion and being sensitive men
304
00:13:01,780 --> 00:13:03,247
through your dancing.
305
00:13:03,247 --> 00:13:07,747
Like, you made me feel. - That's all that matters.
306
00:13:07,747 --> 00:13:10,480
We've been pushing you to kind of bring your routines
307
00:13:10,480 --> 00:13:14,514
to a point where they really reflect how talented
308
00:13:14,514 --> 00:13:15,580
you guys are.
309
00:13:15,580 --> 00:13:17,314
And you guys came out here
310
00:13:17,314 --> 00:13:18,814
and gave us something to think about.
311
00:13:18,814 --> 00:13:19,664
Good job.
312
00:13:20,447 --> 00:13:22,114
[cheers and applause]
313
00:13:22,114 --> 00:13:24,247
Well, we ready to lock in?
314
00:13:24,247 --> 00:13:25,247
- Yeah. - Let's do it.
315
00:13:25,247 --> 00:13:26,247
All right.
316
00:13:26,247 --> 00:13:29,880
♪ ♪
317
00:13:29,880 --> 00:13:31,580
Here's the moment.
318
00:13:31,580 --> 00:13:36,347
They need a 92.6 to make it into the top two.
319
00:13:36,347 --> 00:13:38,280
All right, Ian Eastwood and The Young Lions,
320
00:13:38,280 --> 00:13:40,280
let's check out your scores.
321
00:13:40,280 --> 00:13:47,314
♪ ♪
322
00:13:52,347 --> 00:13:56,714
[cheering]
323
00:13:56,714 --> 00:13:58,080
Let's take a look at where it put you guys
324
00:13:58,080 --> 00:14:00,214
on the leader board.
325
00:14:01,414 --> 00:14:03,280
Third place.
326
00:14:03,280 --> 00:14:06,480
Hey. You guys are still in it, going straight through
327
00:14:06,480 --> 00:14:07,635
to the divisional finals!
328
00:14:07,793 --> 00:14:08,414
[cheering]
329
00:14:08,414 --> 00:14:11,680
Congratulations!
330
00:14:11,680 --> 00:14:14,480
I would love to see you start choreographing for more people.
331
00:14:14,480 --> 00:14:18,080
There needs to be a style change in choreography.
332
00:14:18,080 --> 00:14:20,847
I'm tired of seeing the same old stuff over and over,
333
00:14:20,847 --> 00:14:22,113
and you're the change.
334
00:14:22,273 --> 00:14:25,080
[cheers and applause]
335
00:14:25,080 --> 00:14:26,347
Good job, guys.
336
00:14:26,347 --> 00:14:30,047
♪ Driving at 19 ♪
337
00:14:30,047 --> 00:14:34,714
God. I know.
338
00:14:34,714 --> 00:14:38,180
We're up here with the most talented dancers in the world.
339
00:14:38,180 --> 00:14:40,047
And we've gained an incredible amount of inspiration
340
00:14:40,047 --> 00:14:41,314
because of this show.
341
00:14:41,314 --> 00:14:43,847
So we couldn't ask for anything more.
342
00:14:43,847 --> 00:14:45,547
announcer: Kinjaz and Swing Latino
343
00:14:45,547 --> 00:14:49,147
are the top two teams moving on to the divisional final.
344
00:14:49,147 --> 00:14:50,547
You guys will be going head-to-head
345
00:14:50,547 --> 00:14:51,980
for a spot in the finale.
346
00:14:51,980 --> 00:14:53,114
Are you ready?
347
00:14:53,114 --> 00:14:54,847
all: Yeah!
348
00:14:54,847 --> 00:14:56,180
Yes! Yes!
349
00:14:56,180 --> 00:14:57,914
Yes! Yes! Yes!
350
00:14:57,914 --> 00:15:02,780
♪ ♪
351
00:15:02,780 --> 00:15:05,114
announcer: The Upper Division enters The Cut.
352
00:15:05,114 --> 00:15:06,714
Hey!
353
00:15:06,714 --> 00:15:09,214
You guys love performing.
354
00:15:09,214 --> 00:15:10,247
It's fire.
355
00:15:14,647 --> 00:15:17,214
♪ Somebody come wind me up ♪
356
00:15:18,206 --> 00:15:20,672
announcer: Last to face The Cut is the Upper Division.
357
00:15:20,672 --> 00:15:23,539
Five acts remain, but only the top two scoring acts
358
00:15:23,539 --> 00:15:26,372
will make it through to the divisional finals.
359
00:15:26,372 --> 00:15:29,406
This week, they are being mentored by judge Derek Hough.
360
00:15:29,406 --> 00:15:31,339
I'm honored to be here, like, working with you guys,
361
00:15:31,339 --> 00:15:32,472
just can see what you guys have in mind
362
00:15:32,472 --> 00:15:33,739
for your next routine.
363
00:15:33,739 --> 00:15:35,072
'Cause obviously, this is kinda where
364
00:15:35,072 --> 00:15:36,106
you know, it's make or break.
365
00:15:36,106 --> 00:15:37,206
So should we get to it?
366
00:15:37,206 --> 00:15:38,639
- Yeah. - All right, sweet.
367
00:15:38,639 --> 00:15:41,039
announcer: Up first, cabaret ballroom couple,
368
00:15:41,039 --> 00:15:42,372
Luka and Jenalyn.
369
00:15:42,372 --> 00:15:44,139
The duels round went pretty well.
370
00:15:44,139 --> 00:15:45,772
It went better than we expected.
371
00:15:45,772 --> 00:15:48,639
All I know is that I wouldn't wanna follow that.
372
00:15:48,639 --> 00:15:50,306
This time, to make it to that top two spot,
373
00:15:50,306 --> 00:15:52,272
we have absolutely no other choice--
374
00:15:52,272 --> 00:15:53,939
both: But to step it up.
375
00:15:53,939 --> 00:15:55,039
- Hey, guys. - Hi.
376
00:15:55,039 --> 00:15:56,339
- How's it going? - All right, man.
377
00:15:56,339 --> 00:15:58,072
I'm excited. I'm excited to see your guys' stuff.
378
00:15:58,072 --> 00:16:01,072
Growing up as a ballroom kid, watching Derek Hough on TV
379
00:16:01,072 --> 00:16:03,106
and doing a similar style to you--
380
00:16:03,106 --> 00:16:06,006
we always saw him as, you know, an icon.
381
00:16:06,006 --> 00:16:08,239
You guys undoubtedly have, like, the coolest
382
00:16:08,239 --> 00:16:09,639
partner tricks, you know?
383
00:16:09,639 --> 00:16:11,239
Some of which I've never seen.
384
00:16:11,239 --> 00:16:12,772
I think my biggest thing today that I want
385
00:16:12,772 --> 00:16:14,139
to try and see and work on a little bit
386
00:16:14,139 --> 00:16:15,506
is a little bit more intention.
387
00:16:15,506 --> 00:16:17,606
The bits in between the tricks.
388
00:16:17,606 --> 00:16:19,139
Let's walk through it, let's kinda walk through some stuff.
389
00:16:19,139 --> 00:16:21,739
♪ If I can't find the cure ♪
390
00:16:21,739 --> 00:16:24,072
Luka and Jenalyn's tricks are amazing.
391
00:16:24,072 --> 00:16:25,406
Sometimes death-defying.
392
00:16:25,406 --> 00:16:27,072
But for me, it's about marrying
393
00:16:27,072 --> 00:16:29,372
the dancing in between the tricks and the movements
394
00:16:29,372 --> 00:16:31,339
that will create a complete performance.
395
00:16:31,339 --> 00:16:32,839
You know, chemistry, some people are like,
396
00:16:32,839 --> 00:16:33,839
you either have it or you don't.
397
00:16:33,839 --> 00:16:35,172
I don't really believe that.
398
00:16:35,172 --> 00:16:36,939
I think that you can actually manufacture
399
00:16:36,939 --> 00:16:39,039
certain moments of chemistry. - 100%.
400
00:16:39,039 --> 00:16:40,606
And a lot of that is just breath.
401
00:16:40,606 --> 00:16:44,072
- Yeah. - Like, just, like--
402
00:16:44,072 --> 00:16:45,506
Here, you know what I'm saying? - Yeah.
403
00:16:45,506 --> 00:16:47,272
Where there's, like, a moment of, like suspense
404
00:16:47,272 --> 00:16:49,306
between the two of you and then it goes into something.
405
00:16:49,306 --> 00:16:51,006
We definitely really need to remember that
406
00:16:51,006 --> 00:16:53,172
this is not "World of Tricks," it's "World of Dance."
407
00:16:53,694 --> 00:16:56,861
So incorporating more of that dance into what we do is--
408
00:16:56,861 --> 00:16:58,394
Is gonna be a key to our success.
409
00:16:58,394 --> 00:16:59,928
- Well, thanks--I mean-- - Thank you. Thank you so much.
410
00:16:59,928 --> 00:17:01,794
- Kill it! Go get it. - Thank you so much, honestly.
411
00:17:01,794 --> 00:17:06,062
♪ If I can't find the cure, I'll fix you with my love ♪
412
00:17:07,661 --> 00:17:08,828
We know what's at stake.
413
00:17:08,828 --> 00:17:09,994
To be one of the top two
414
00:17:09,994 --> 00:17:11,728
is all that matters right now.
415
00:17:11,728 --> 00:17:14,728
announcer: Please welcome Luka and Jenalyn.
416
00:17:14,728 --> 00:17:20,528
[cheers and applause]
417
00:17:20,528 --> 00:17:22,961
All right, guys.
418
00:17:22,961 --> 00:17:24,728
All right, last category.
419
00:17:24,728 --> 00:17:29,761
- Let's go. - Here we go!
420
00:17:29,761 --> 00:17:32,761
[The Weeknd's "The Hills"]
421
00:17:32,761 --> 00:17:39,828
♪ ♪
422
00:17:45,261 --> 00:17:49,061
♪ Your man on the road, he doing promo ♪
423
00:17:49,061 --> 00:17:53,261
♪ I only call you when it's half past five ♪
424
00:17:53,261 --> 00:17:54,861
Yes.
425
00:17:54,861 --> 00:17:57,594
♪ The only time that I'll be by your side ♪
426
00:17:57,594 --> 00:18:01,028
♪ I only love it when you touch me, not feel me ♪
427
00:18:01,028 --> 00:18:03,194
♪ When I'm fucked up, that's the real me ♪
428
00:18:03,194 --> 00:18:08,961
♪ When I'm fucked up, that's the real me, yeah ♪
429
00:18:08,961 --> 00:18:15,828
♪ Hills have eyes, ♪ the hills have eyes ♪
430
00:18:15,828 --> 00:18:20,194
♪ Only you to trust ♪
431
00:18:20,194 --> 00:18:23,094
♪ Only you ♪
432
00:18:23,094 --> 00:18:27,428
♪ I only call you when it's half past five ♪
433
00:18:27,428 --> 00:18:30,928
♪ I'm only happy it when you touch me, not feel me ♪
434
00:18:30,928 --> 00:18:32,828
♪ When I'm fucked up, that's the real me ♪
435
00:18:32,828 --> 00:18:36,228
♪ When I'm fucked up, that's the real me, yeah ♪
436
00:18:39,961 --> 00:18:41,928
[cheers and applause]
437
00:18:41,928 --> 00:18:43,461
Like, wow!
438
00:18:43,461 --> 00:18:45,728
Yeah! Look at him go!
439
00:18:45,728 --> 00:18:47,761
[cheers and applause]
440
00:18:50,261 --> 00:18:53,928
The new ways that you guys invent to do tricks
441
00:18:53,928 --> 00:18:58,594
and lifts and new ways to throw her around your body is nuts.
442
00:18:58,594 --> 00:19:00,728
You did up your game from last week
443
00:19:00,728 --> 00:19:03,061
I feel like if I would say anything,
444
00:19:03,061 --> 00:19:07,261
I would like to see a little bit more dancing.
445
00:19:07,261 --> 00:19:09,161
I wish that you would've married your movements
446
00:19:09,161 --> 00:19:10,628
to the music a little more.
447
00:19:10,628 --> 00:19:13,228
You know what I mean? You know--great performance.
448
00:19:13,228 --> 00:19:15,594
You guys are amazing at what you do, but--
449
00:19:15,594 --> 00:19:18,028
[applause]
450
00:19:18,028 --> 00:19:21,394
Overall, it was exciting and so much fun to watch.
451
00:19:21,394 --> 00:19:23,328
But I wanna see more of a connection
452
00:19:23,328 --> 00:19:24,761
between the two of you.
453
00:19:24,761 --> 00:19:26,594
I feel like-- Jenalyn, when you connect
454
00:19:26,594 --> 00:19:28,494
to the audience, it's fire.
455
00:19:28,494 --> 00:19:31,594
And I don't see that same fire when you're looking at Luka.
456
00:19:31,594 --> 00:19:33,861
We need to feel what you're feeling.
457
00:19:33,861 --> 00:19:34,994
[cheers and applause]
458
00:19:34,994 --> 00:19:36,361
I'm gonna start off by saying
459
00:19:36,361 --> 00:19:37,528
congratulations for getting to this round
460
00:19:37,528 --> 00:19:38,994
because you guys wouldn't be here
461
00:19:38,994 --> 00:19:42,728
unless you guys were fantastic, so you're amazing.
462
00:19:42,728 --> 00:19:44,161
You know, I worked with you guys.
463
00:19:44,161 --> 00:19:45,194
I worked with the guys a little bit
464
00:19:45,194 --> 00:19:46,461
and we worked on that connection.
465
00:19:46,461 --> 00:19:47,928
we worked on those in between moments.
466
00:19:47,928 --> 00:19:50,128
I kind of was expecting a little bit more of those moments.
467
00:19:50,128 --> 00:19:53,094
What do you think happened? Why didn't we see it more?
468
00:19:53,094 --> 00:19:57,228
We tried to incorporate that and tried to step it up
469
00:19:57,228 --> 00:19:58,394
at the same time.
470
00:19:58,394 --> 00:20:00,561
So, I mean, maybe we could've done
471
00:20:00,561 --> 00:20:04,361
less death-defying stunts
472
00:20:04,361 --> 00:20:06,994
Sometimes a trick is more impressive
473
00:20:06,994 --> 00:20:08,494
when there's not so many of them.
474
00:20:08,494 --> 00:20:10,128
Now, I'm rooting for you, but I'm a little nervous
475
00:20:10,128 --> 00:20:12,161
for you at this moment.
476
00:20:12,161 --> 00:20:13,961
All right, let's lock in our scores
477
00:20:13,961 --> 00:20:15,061
Let's do it.
478
00:20:15,061 --> 00:20:16,661
♪ ♪
479
00:20:16,661 --> 00:20:18,094
Whoo!
480
00:20:18,094 --> 00:20:20,661
♪ Keep on hoping, keep on hoping ♪
481
00:20:20,661 --> 00:20:21,165
Locked in.
482
00:20:21,498 --> 00:20:22,728
♪ Keep on hoping ♪
483
00:20:22,728 --> 00:20:24,661
All right, let's see your scores.
484
00:20:24,661 --> 00:20:26,961
♪ When it all feels broken ♪
485
00:20:26,961 --> 00:20:30,428
♪ Won't wage itself ♪
486
00:20:30,428 --> 00:20:34,828
♪ But I keep on letting on ♪
487
00:20:34,828 --> 00:20:37,928
[cheers and applause]
488
00:20:37,928 --> 00:20:39,794
Okay, okay.
489
00:20:39,794 --> 00:20:42,028
There's only two spots.
490
00:20:42,028 --> 00:20:43,361
Right now, you guys are at the top.
491
00:20:43,361 --> 00:20:45,161
You went first. The top two scores
492
00:20:45,161 --> 00:20:46,694
will go through to the next round,
493
00:20:46,694 --> 00:20:48,461
but we'll see how that holds up throughout the night.
494
00:20:48,461 --> 00:20:49,794
[cheers and applause]
495
00:20:49,794 --> 00:20:53,894
♪ Keep on hoping ♪
496
00:20:53,894 --> 00:20:55,328
It's really frustrating,
497
00:20:55,328 --> 00:20:56,794
but we tried to push, you know, ourselves
498
00:20:56,794 --> 00:20:59,328
into what we do best on that stage.
499
00:20:59,328 --> 00:21:01,361
And at this point, there's no regrets.
500
00:21:01,361 --> 00:21:03,928
It's really hard to be the first ones that go.
501
00:21:07,661 --> 00:21:09,194
You guys did an amazing job.
502
00:21:09,194 --> 00:21:12,294
♪ Keep on hoping ♪
503
00:21:12,294 --> 00:21:14,928
announcer: Luka and Jenalyn are first on the leader board.
504
00:21:14,928 --> 00:21:16,494
But with four acts remaining,
505
00:21:16,494 --> 00:21:19,061
the competition is just getting started.
506
00:21:19,061 --> 00:21:20,256
Fik-Shun, you are up.
507
00:21:20,912 --> 00:21:21,192
[sighs]
508
00:21:21,194 --> 00:21:23,228
This is your time.
509
00:21:27,561 --> 00:21:29,961
[dance music]
510
00:21:29,961 --> 00:21:32,628
announcer: After Luka and Jenalyn score 80.5,
511
00:21:32,628 --> 00:21:34,028
next to face The Cut
512
00:21:34,028 --> 00:21:36,661
is freestyling superstar Fik-Shun.
513
00:21:36,661 --> 00:21:39,661
[soft hip-hop music]
514
00:21:39,661 --> 00:21:41,694
♪ ♪
515
00:21:41,694 --> 00:21:44,094
This top five is very diverse
516
00:21:44,094 --> 00:21:46,094
with loads and loads of talent.
517
00:21:46,094 --> 00:21:48,194
Like, I'm the only solo left.
518
00:21:48,194 --> 00:21:51,028
I'm blessed and stressed. Blessed and stressed.
519
00:21:51,028 --> 00:21:53,128
- Fik-Shun, what's up, brother? - You know, not much.
520
00:21:53,128 --> 00:21:54,761
- How you doing, man? - You know, a little nervous.
521
00:21:54,761 --> 00:21:56,628
A little nervous? No, don't be nervous, man.
522
00:21:56,628 --> 00:21:58,561
Uhh! I'm feeling anxious.
523
00:21:58,561 --> 00:22:00,894
I'm taking a big risk with this next one.
524
00:22:01,510 --> 00:22:04,377
Fik-Shun came into this competition with a mission:
525
00:22:04,377 --> 00:22:06,644
to show us real artistic range.
526
00:22:06,644 --> 00:22:10,510
And I'm interested to see where he's gonna be taking us next.
527
00:22:10,510 --> 00:22:12,677
- I'm 22, so I'm not old. - Getting old for a dancer,
528
00:22:12,677 --> 00:22:14,344
you know what I'm saying? I'm just joking.
529
00:22:14,344 --> 00:22:17,577
I feel like I'm moving through life, like, so fast,
530
00:22:17,577 --> 00:22:21,044
and as much as I tried to fight it, you can't fight time.
531
00:22:21,044 --> 00:22:23,210
Maybe I haven't had enough time for, like, my parents.
532
00:22:23,210 --> 00:22:25,244
Or, like, maybe when I'm 30, my career might be over.
533
00:22:25,244 --> 00:22:27,310
Like, I don't know. - I've had the same fears.
534
00:22:27,310 --> 00:22:29,710
But that fear drives you, you know what I mean?
535
00:22:29,710 --> 00:22:31,077
Well, I'm excited to see it.
536
00:22:31,077 --> 00:22:32,110
Let's play around with it a little bit.
537
00:22:32,110 --> 00:22:33,544
♪ That's right ♪
538
00:22:33,544 --> 00:22:36,044
♪ We out here drippin' in finesse ♪
539
00:22:36,044 --> 00:22:38,010
This week, Fik-Shun's using props,
540
00:22:38,010 --> 00:22:39,910
and I want him to utilize the props,
541
00:22:39,910 --> 00:22:41,510
to enhance the performance.
542
00:22:41,510 --> 00:22:43,644
They're not just there for background.
543
00:22:43,644 --> 00:22:47,644
Think my biggest advice is that this is a really awesome prop.
544
00:22:47,644 --> 00:22:50,844
I wouldn't be afraid to get behind it and to do things,
545
00:22:50,844 --> 00:22:54,010
you know, whether--and you could get over the top of it or under.
546
00:22:54,010 --> 00:22:55,577
It's nice being around someone so open.
547
00:22:55,577 --> 00:22:57,544
It's easy to bounce ideas back and forth.
548
00:22:57,544 --> 00:22:59,844
Definitely, I feel like it was a big help.
549
00:22:59,844 --> 00:23:01,710
- Dude, good job, man. - Awesome.
550
00:23:01,710 --> 00:23:03,210
- Proud of you, brother.
551
00:23:03,210 --> 00:23:05,677
♪ Tell her she the one, ♪ ♪ she the one ♪
552
00:23:05,677 --> 00:23:08,077
This is gonna be the toughest dance I've ever done.
553
00:23:08,077 --> 00:23:09,944
♪ Ladies grab your fellas ♪
554
00:23:09,944 --> 00:23:14,144
I'm gonna go as far as I can by giving all I can right now.
555
00:23:14,144 --> 00:23:15,910
♪ You know it, you know it ♪
556
00:23:15,910 --> 00:23:17,577
Here we go!
557
00:23:17,577 --> 00:23:20,377
[cheers and applause]
558
00:23:24,344 --> 00:23:28,144
["7 Years" by Lukas Graham]
559
00:23:28,144 --> 00:23:30,744
♪ Soon we'll be 30 years old ♪
560
00:23:30,744 --> 00:23:32,744
♪ Our songs have been sold ♪
561
00:23:32,744 --> 00:23:34,744
♪ We've traveled around the world ♪
562
00:23:34,744 --> 00:23:36,310
♪ And we're still roaming ♪
563
00:23:36,310 --> 00:23:39,110
♪ Soon we'll be 30 years old ♪
564
00:23:39,110 --> 00:23:44,510
♪ ♪
565
00:23:44,510 --> 00:23:46,610
♪ I'm still learning about life ♪
566
00:23:46,610 --> 00:23:48,577
♪ My woman brought children for me ♪
567
00:23:48,577 --> 00:23:50,544
♪ So I can sing them all my songs ♪
568
00:23:50,544 --> 00:23:52,577
♪ And I can tell them stories ♪
569
00:23:52,577 --> 00:23:54,244
♪ Most of my boys are with me ♪
570
00:23:54,244 --> 00:23:56,644
♪ Some are still out seeking glory ♪
571
00:23:56,644 --> 00:23:58,544
♪ And some I had to leave behind ♪
572
00:23:58,544 --> 00:24:00,310
♪ My brother I'm still sorry ♪
573
00:24:00,310 --> 00:24:02,777
♪ Soon I'll be 60 years old ♪
574
00:24:02,777 --> 00:24:04,610
♪ My daddy got 61 ♪
575
00:24:04,610 --> 00:24:08,344
♪ Remember life and then your life becomes a better one ♪
576
00:24:08,344 --> 00:24:12,110
♪ I made a man so happy ♪ when I wrote a letter once ♪
577
00:24:12,110 --> 00:24:14,677
♪ I hope my children come and visit ♪
578
00:24:14,677 --> 00:24:16,310
♪ Once or twice a month ♪
579
00:24:16,310 --> 00:24:18,744
♪ Soon I'll be 60 years old ♪
580
00:24:18,744 --> 00:24:20,577
♪ Will I think the world is cold ♪
581
00:24:20,577 --> 00:24:22,844
♪ Or will I have a lot of children ♪
582
00:24:22,844 --> 00:24:24,310
♪ Who can warm me? ♪
583
00:24:24,310 --> 00:24:28,344
♪ Soon I'll be 60 years old ♪
584
00:24:28,344 --> 00:24:32,310
♪ ♪
585
00:24:32,310 --> 00:24:36,044
♪ Once I was seven years old ♪
586
00:24:36,044 --> 00:24:38,977
[cheers and applause]
587
00:24:38,977 --> 00:24:40,810
Made me all goosey!
588
00:24:40,810 --> 00:24:42,244
[cheering continues]
589
00:24:42,244 --> 00:24:44,677
both: Fik-Shun!
590
00:24:44,677 --> 00:24:47,110
I love the fact that you always go for the emotion.
591
00:24:47,110 --> 00:24:49,777
But for me, the usage of the prop
592
00:24:49,777 --> 00:24:51,277
could have been a little more poignant.
593
00:24:51,277 --> 00:24:53,177
Like, I dug the elements with the umbrella.
594
00:24:53,177 --> 00:24:54,710
The bench threw me a little bit.
595
00:24:54,710 --> 00:24:58,110
I feel like this performance was a little safe for you.
596
00:24:58,110 --> 00:24:59,544
I totally disagree.
597
00:24:59,544 --> 00:24:59,971
[cheers and applause]
598
00:25:00,045 --> 00:25:03,344
That's all right.
599
00:25:03,344 --> 00:25:05,677
I actually thought you used the prop
600
00:25:05,677 --> 00:25:07,310
in many ways that I'd never thought--
601
00:25:07,310 --> 00:25:09,677
you used it as a pen at one point, you know what I mean,
602
00:25:09,677 --> 00:25:11,310
where you were writing, and it was--
603
00:25:11,310 --> 00:25:14,277
it was as a cane, and then when you did
604
00:25:14,277 --> 00:25:15,944
roll under it,
605
00:25:15,944 --> 00:25:17,910
I felt it. I was like, "Ugh!
606
00:25:17,910 --> 00:25:18,729
He's dead!"
607
00:25:18,876 --> 00:25:20,077
[laughter]
608
00:25:20,077 --> 00:25:21,777
And this is a Cut round. You gotta bring
609
00:25:21,777 --> 00:25:23,177
all your strengths to the table.
610
00:25:23,177 --> 00:25:24,744
I think you did a great job of that.
611
00:25:24,744 --> 00:25:26,510
- Thank you. - Yeah!
612
00:25:26,510 --> 00:25:28,444
[cheers and applause]
613
00:25:28,444 --> 00:25:30,644
As well, I disagree with NE-YO.
614
00:25:30,644 --> 00:25:31,079
[cheers and applause]
615
00:25:31,214 --> 00:25:31,777
Go, mama!
616
00:25:31,777 --> 00:25:33,710
That's fine. That's fine!
617
00:25:33,710 --> 00:25:35,810
- Yes. - Your use of the props,
618
00:25:35,810 --> 00:25:37,610
the connection of the music to your movement,
619
00:25:37,610 --> 00:25:39,544
it just made sense to me. - Thank you.
620
00:25:39,544 --> 00:25:43,044
- And I loved it. - Thank you.
621
00:25:43,044 --> 00:25:45,077
I mean, we worked on this a little bit, you know?
622
00:25:45,077 --> 00:25:47,444
And I feel like you took on those notes perfectly.
623
00:25:47,444 --> 00:25:50,844
You used the stage, you used the prop more to tell the story.
624
00:25:50,844 --> 00:25:53,144
The umbrella-- you used a classic prop,
625
00:25:53,144 --> 00:25:55,077
and you chose, like, to pop it instead.
626
00:25:55,077 --> 00:25:56,610
That's risky, you know what I mean?
627
00:25:56,610 --> 00:25:58,644
- Very risky. - I've dropped that umbrella
628
00:25:58,644 --> 00:26:01,410
in that exact sort of move many other times onstage,
629
00:26:01,410 --> 00:26:03,044
so, you know, good job for nailing it.
630
00:26:03,044 --> 00:26:04,377
["Whatever It Takes" by Imagine Dragons]
631
00:26:04,377 --> 00:26:05,544
You did great, man.
632
00:26:05,544 --> 00:26:07,977
- Thank you. - Really beautiful.
633
00:26:07,977 --> 00:26:10,110
All right, guys, let's lock in scores.
634
00:26:10,110 --> 00:26:11,744
♪ Falling too fast to prepare for this ♪
635
00:26:11,744 --> 00:26:13,477
♪ Tripping in the world could be dangerous ♪
636
00:26:13,477 --> 00:26:15,477
♪ Everybody circling, it's vulturous ♪
637
00:26:15,477 --> 00:26:18,344
♪ Negative nepotist ♪
638
00:26:18,344 --> 00:26:19,544
All right, Fik-Shun, let's see your scores.
639
00:26:19,544 --> 00:26:19,940
Here we go.
640
00:26:20,256 --> 00:26:21,544
♪ Whip whip ♪
641
00:26:21,544 --> 00:26:22,844
♪ Run me like a racehorse ♪
642
00:26:22,844 --> 00:26:25,110
All right, let's see Fik-Shun's score.
643
00:26:25,110 --> 00:26:26,777
♪ Break me down and build me up ♪
644
00:26:26,777 --> 00:26:28,610
♪ I want to be the slip, slip ♪
645
00:26:28,610 --> 00:26:30,844
♪ Word upon your lip, lip ♪
646
00:26:30,844 --> 00:26:32,410
♪ Letter that you rip, rip ♪
647
00:26:32,410 --> 00:26:34,977
♪ Build me up, I wanna be the slip, slip ♪
648
00:26:34,977 --> 00:26:38,410
♪ Word upon your lip, lip, letter that you rip, rip ♪
649
00:26:38,410 --> 00:26:40,177
♪ Break me down and build me up ♪
650
00:26:40,177 --> 00:26:42,910
♪ Whatever it takes ♪
651
00:26:42,910 --> 00:26:44,244
♪ 'Cause I love the adrenaline ♪
652
00:26:44,244 --> 00:26:46,444
All right. They're tough cookies tonight.
653
00:26:46,444 --> 00:26:48,344
♪ I'll do whatever it takes ♪
654
00:26:48,344 --> 00:26:50,244
All right, let's take a look
655
00:26:50,244 --> 00:26:52,177
at where it puts you on the leader board.
656
00:26:52,177 --> 00:26:54,344
♪ Feels when I break the chains ♪
657
00:26:54,344 --> 00:26:56,077
♪ Whatever it takes ♪
658
00:26:56,077 --> 00:26:58,744
Fik-Shun's in the top spot for now.
659
00:26:58,744 --> 00:27:01,544
I gotta say, I know what you're capable of.
660
00:27:01,544 --> 00:27:04,544
I've seen you do better. I expect better.
661
00:27:04,544 --> 00:27:06,244
That's just it. - Disagree.
662
00:27:06,244 --> 00:27:07,877
[laughter and applause]
663
00:27:07,877 --> 00:27:10,244
That's cool. That's cool.
664
00:27:10,244 --> 00:27:11,507
Thank you, thank you.
665
00:27:11,821 --> 00:27:14,110
♪ Whatever it takes ♪
666
00:27:14,110 --> 00:27:16,077
♪ 'Cause I love the adrenaline ♪
667
00:27:16,077 --> 00:27:17,477
That's what makes you you and me me.
668
00:27:17,477 --> 00:27:19,244
It's all good! It's all good!
669
00:27:19,244 --> 00:27:21,510
♪ ♪
670
00:27:21,510 --> 00:27:23,477
announcer: With two scores on the leader board,
671
00:27:23,477 --> 00:27:25,577
the competition begins.
672
00:27:25,577 --> 00:27:27,844
From now on, after every performance,
673
00:27:27,844 --> 00:27:30,744
one act will be eliminated.
674
00:27:30,744 --> 00:27:32,110
Next to take the stage
675
00:27:32,110 --> 00:27:34,744
is premier flamenco troupe Pasión.
676
00:27:34,744 --> 00:27:36,444
We gotta do something this week
677
00:27:36,444 --> 00:27:38,977
that's gonna get the judges out of their chairs
678
00:27:38,977 --> 00:27:42,144
and feeling like they've experienced something explosive.
679
00:27:42,144 --> 00:27:44,310
[cheers and applause]
680
00:27:44,310 --> 00:27:47,310
[remix of "Livin' La Vida Loca" by Ricky Martin]
681
00:27:47,310 --> 00:27:49,344
♪ ♪
682
00:27:49,344 --> 00:27:50,644
Wow!
683
00:27:50,644 --> 00:27:52,877
♪ Upside inside out ♪
684
00:27:52,877 --> 00:27:55,177
♪ She's livin' la vida loca ♪
685
00:27:55,177 --> 00:27:57,977
♪ She's livin' la vida loca ♪
686
00:27:57,977 --> 00:28:00,077
♪ ♪
687
00:28:00,077 --> 00:28:02,210
I just feel like it just left me, like, wanting more,
688
00:28:02,210 --> 00:28:04,177
but maybe not in the best way. You know what I'm saying?
689
00:28:04,177 --> 00:28:06,344
announcer: With a score of 78.8,
690
00:28:06,344 --> 00:28:09,444
Pasión did not make The Cut and are out of the competition.
691
00:28:09,444 --> 00:28:11,910
We had an amazing experience. Thank you.
692
00:28:11,910 --> 00:28:14,177
Like, how are you feeling right now at this moment?
693
00:28:14,177 --> 00:28:16,077
I mean, you know, we-- obviously we're still
694
00:28:16,077 --> 00:28:17,644
in the top two, but we know the talent
695
00:28:17,644 --> 00:28:19,344
that's coming next... - Yeah.
696
00:28:19,344 --> 00:28:21,410
So, you know, the pressure only goes up from here.
697
00:28:21,410 --> 00:28:24,444
[dance music]
698
00:28:24,444 --> 00:28:26,710
♪ ♪
699
00:28:26,710 --> 00:28:29,144
announcer: With only two acts left in the Upper Division,
700
00:28:29,144 --> 00:28:31,444
Les Twins, and Keone and Mari
701
00:28:31,444 --> 00:28:32,977
leave it all on the stage.
702
00:28:32,977 --> 00:28:34,810
Let's see your scores.
703
00:28:34,810 --> 00:28:36,544
♪ ♪
704
00:28:42,410 --> 00:28:45,410
announcer: Fik-Shun and Luka and Jenalyn currently hold
705
00:28:45,410 --> 00:28:47,677
the top two positions in the Upper Division.
706
00:28:47,677 --> 00:28:50,410
Up next, Parisian brothers Les Twins.
707
00:28:50,410 --> 00:28:53,410
[dance music]
708
00:28:53,410 --> 00:28:55,277
♪ ♪
709
00:28:55,277 --> 00:28:56,810
Dancing is what we love to do.
710
00:28:56,810 --> 00:28:58,744
We're confident when we're dancing 'cause it's--
711
00:28:58,744 --> 00:29:02,277
it's literally what we did way before talk or walk.
712
00:29:02,277 --> 00:29:06,444
It's just so, so easy for us to literally speak
713
00:29:06,444 --> 00:29:09,210
with our body than talk.
714
00:29:09,210 --> 00:29:11,244
Like, you can tell. Like...
715
00:29:11,244 --> 00:29:13,377
The Duel was crazy.
716
00:29:13,377 --> 00:29:15,110
Ohh!
717
00:29:15,300 --> 00:29:15,677
[screams]
718
00:29:15,677 --> 00:29:17,044
[cheers and applause]
719
00:29:17,044 --> 00:29:20,377
You just showed everybody how the battle should be.
720
00:29:20,377 --> 00:29:22,844
But now, there's only two is gonna pass,
721
00:29:22,844 --> 00:29:23,844
and three is gonna leave.
722
00:29:23,844 --> 00:29:25,277
both: This is not fair.
723
00:29:25,277 --> 00:29:27,244
- We just want to kill it. - We just wanna dance.
724
00:29:27,244 --> 00:29:28,610
♪ ♪
725
00:29:28,610 --> 00:29:30,977
Your guys' performance has been amazing.
726
00:29:30,977 --> 00:29:32,277
And you guys are very seasoned,
727
00:29:32,277 --> 00:29:34,644
respected for what you guys do.
728
00:29:34,644 --> 00:29:36,877
But you really cannot hold back anything
729
00:29:36,877 --> 00:29:38,777
at this stage of the competition now, especially.
730
00:29:38,777 --> 00:29:40,010
- Then show him what we got. - Yeah, be confident.
731
00:29:40,010 --> 00:29:41,477
Here we go.
732
00:29:41,477 --> 00:29:47,777
♪ ♪
733
00:29:48,455 --> 00:29:50,222
The Twins came to this competition
734
00:29:50,222 --> 00:29:51,988
as probably one of the biggest names.
735
00:29:51,988 --> 00:29:54,588
They're legendary in the community of dance,
736
00:29:54,588 --> 00:29:56,555
and their intricacy and their choreography
737
00:29:56,555 --> 00:29:58,055
is just-- it's unprecedented.
738
00:29:58,055 --> 00:29:59,288
♪ As long as we're together ♪
739
00:29:59,743 --> 00:30:01,154
__
740
00:30:01,188 --> 00:30:02,688
That's all right. That's all right, man.
741
00:30:02,688 --> 00:30:04,055
But that's cool. I mean, it's so sick.
742
00:30:04,055 --> 00:30:06,222
Like, I mean, the musicality of it is so good.
743
00:30:06,222 --> 00:30:08,422
But last week's performance, you guys did a lot of footwork,
744
00:30:08,422 --> 00:30:10,588
and, like, a lot of stuff like that, right?
745
00:30:10,588 --> 00:30:12,804
Are you guys planning on doing that with this one?
746
00:30:12,963 --> 00:30:17,445
__
747
00:30:17,584 --> 00:30:19,712
__
748
00:30:19,983 --> 00:30:22,174
__
749
00:30:22,276 --> 00:30:23,176
__
750
00:30:24,288 --> 00:30:25,322
We need a new open.
751
00:30:25,322 --> 00:30:28,322
♪ ♪
752
00:30:28,322 --> 00:30:30,722
announcer: Next onstage, it's Les Twins!
753
00:30:30,722 --> 00:30:32,822
♪ ♪
754
00:30:32,822 --> 00:30:35,722
[cheers and applause]
755
00:30:35,722 --> 00:30:37,655
♪ As long as we're together ♪
756
00:30:37,655 --> 00:30:40,688
♪ ♪
757
00:30:45,888 --> 00:30:47,488
["Never Know" by 6LACK]
758
00:30:47,488 --> 00:30:49,188
♪ I know a lot of people ♪
759
00:30:49,188 --> 00:30:50,988
♪ But I don't [...] with a lot ♪
760
00:30:50,988 --> 00:30:53,555
♪ Got me standing here when ♪ ♪ I just wanna leave the spot ♪
761
00:30:53,555 --> 00:30:54,722
♪ Thinking 'bout a whip and man ♪
762
00:30:54,722 --> 00:30:56,522
♪ I might just cop the drop ♪
763
00:30:56,522 --> 00:30:58,788
♪ Just so they could think I'm friendly when I'm not ♪
764
00:30:58,788 --> 00:31:01,388
♪ Arm out the window like, arm out the window like ♪
765
00:31:01,388 --> 00:31:04,455
♪ Yes, sir, right good, working on my left, bruh ♪
766
00:31:04,455 --> 00:31:06,888
♪ I got tired of tired of tired of telling tired of tired of ♪
767
00:31:06,888 --> 00:31:09,655
♪ Telling tired old label wasn't talking 'bout nothin' ♪
768
00:31:09,655 --> 00:31:11,955
♪ Meanwhile I'm getting ready for a run ♪
769
00:31:11,955 --> 00:31:13,355
♪ I ain't sitting, I ain't talking ♪
770
00:31:13,355 --> 00:31:15,055
♪ I ain't hustlin' with you [...] ♪
771
00:31:15,055 --> 00:31:17,122
♪ These streets ran through these beats ran through these ♪
772
00:31:17,122 --> 00:31:18,955
♪ Ran through these, I was in the dark ♪
773
00:31:18,955 --> 00:31:20,855
♪ Till I caught a spark, feel like I'm on fire ♪
774
00:31:20,855 --> 00:31:22,888
♪ Get too close, make a [...] ♪
775
00:31:22,888 --> 00:31:24,455
Whoa, hey!
776
00:31:24,455 --> 00:31:26,988
♪ -They could probably try, they could try ♪
777
00:31:26,988 --> 00:31:29,555
♪ I'm on I-20 tryin' to get to 85 ♪
778
00:31:29,555 --> 00:31:33,688
♪ My girl mad but she don't want another guy ♪ ♪
779
00:31:33,688 --> 00:31:34,688
♪ I wonder why ♪
780
00:31:34,688 --> 00:31:36,922
♪ Wait, no I don't ♪
781
00:31:36,922 --> 00:31:39,422
♪ Work real hard, I get what I want ♪
782
00:31:39,422 --> 00:31:41,388
♪ This is for them days when you eat ♪♪
783
00:31:41,388 --> 00:31:43,255
♪ This is for them nights when you sleep ♪
784
00:31:43,255 --> 00:31:45,222
♪ Going through beat after beat now ♪
785
00:31:45,222 --> 00:31:48,588
♪ I could probably make 100 songs in my sleep ♪
786
00:31:48,588 --> 00:31:51,988
♪ Yeah, yeah ♪
787
00:31:51,988 --> 00:31:53,622
♪ I ain't have nobody there ♪
788
00:31:53,622 --> 00:31:54,643
♪ So I had to tell myself ♪
789
00:31:54,857 --> 00:31:57,222
♪ when to go If I was waiting on you ♪
790
00:31:57,222 --> 00:31:59,355
♪ to tell me ♪
791
00:31:59,355 --> 00:32:02,855
♪ Then I would never know ♪
792
00:32:02,855 --> 00:32:05,322
[cheers and applause]
793
00:32:07,222 --> 00:32:10,255
[cheering continues]
794
00:32:15,755 --> 00:32:17,588
Whoo!
795
00:32:17,588 --> 00:32:19,722
Okay, I just want to say,
796
00:32:19,722 --> 00:32:23,522
I think it actually can be harder when you are known.
797
00:32:23,522 --> 00:32:26,388
The expectation is even higher.
798
00:32:26,388 --> 00:32:28,688
And you guys blew me away.
799
00:32:28,688 --> 00:32:31,188
- Thanks. - It was a full body,
800
00:32:31,188 --> 00:32:34,188
soul performance. - Thank you.
801
00:32:34,188 --> 00:32:36,755
- Bravo. - Your reputation precedes you.
802
00:32:36,755 --> 00:32:39,455
We know who you are, but you're gonna work for it,
803
00:32:39,455 --> 00:32:41,022
and so far, you've been working your asses off, so...
804
00:32:41,022 --> 00:32:42,288
It's that important to you. Yeah.
805
00:32:42,304 --> 00:32:44,213
__
806
00:32:44,222 --> 00:32:46,355
Guys, I had the privilege of, you know, spending some time
807
00:32:46,355 --> 00:32:47,555
with you guys, getting to know you.
808
00:32:47,555 --> 00:32:48,922
- Our mentor. - Larry and Laurent,
809
00:32:48,922 --> 00:32:50,288
you guys are the best.
810
00:32:50,288 --> 00:32:51,722
I saw you in rehearsals,
811
00:32:51,722 --> 00:32:53,188
and you were holding back for sure.
812
00:32:53,188 --> 00:32:56,022
I was shy. I was shy!
813
00:32:56,022 --> 00:32:58,822
'Cause the heel twist thing.
814
00:32:58,822 --> 00:33:02,255
[cheers and applause]
815
00:33:02,255 --> 00:33:03,988
That back bend! That back bend, like...
816
00:33:03,988 --> 00:33:06,055
Oh, that was nuts!
817
00:33:06,055 --> 00:33:08,255
One of the things I noticed about you this time,
818
00:33:08,255 --> 00:33:13,088
you guys love performing, and it shows so much.
819
00:33:13,088 --> 00:33:15,855
And it's the love that you have for it.
820
00:33:15,855 --> 00:33:18,922
- Yes! - Maybe that's the "it" thing
821
00:33:18,922 --> 00:33:20,322
that everybody's always talking about.
822
00:33:20,322 --> 00:33:21,722
She has "it." He has "it."
823
00:33:21,722 --> 00:33:23,788
They have "it." What is that "it" thing?
824
00:33:23,788 --> 00:33:25,288
It's the love. - Love.
825
00:33:25,288 --> 00:33:26,822
Because the love is everything.
826
00:33:26,822 --> 00:33:28,488
That's it, that's it.
827
00:33:28,488 --> 00:33:30,588
All right, should we lock in the scores?
828
00:33:30,588 --> 00:33:32,922
Should we do it?
829
00:33:32,922 --> 00:33:35,222
Okay, so you guys got an 80.5.
830
00:33:35,222 --> 00:33:37,422
Les Twins score anything higher than an 80.5,
831
00:33:37,422 --> 00:33:38,522
you guys will be gone. - I'll say bye.
832
00:33:38,522 --> 00:33:39,655
You know, what happens, happens.
833
00:33:39,655 --> 00:33:41,188
- Yup. - You can't control that.
834
00:33:41,188 --> 00:33:43,555
♪ I believe every lie that I ever told ♪
835
00:33:43,555 --> 00:33:46,022
♪ Paid for every heart that I ever stole ♪
836
00:33:46,022 --> 00:33:47,422
♪ I played my cards ♪
837
00:33:47,422 --> 00:33:48,755
♪ All right, let's see your scores. ♪
838
00:33:48,755 --> 00:33:50,255
♪ Well it ain't that hard ♪
839
00:33:50,255 --> 00:33:51,688
♪ When you got soul ♪
840
00:33:51,688 --> 00:33:53,955
♪ Stand up now and face the sun ♪
841
00:33:53,955 --> 00:33:57,122
♪ Won't hide my tail or turn and run ♪
842
00:33:57,122 --> 00:33:59,622
♪ It's time to do what must be done ♪
843
00:33:59,622 --> 00:34:02,488
♪ Be a king when kingdom comes ♪
844
00:34:02,488 --> 00:34:05,688
[cheers and applause]
845
00:34:05,688 --> 00:34:07,988
♪ Well you can tell everybody ♪
846
00:34:07,988 --> 00:34:10,755
♪ Well you can tell everybody ♪
847
00:34:10,755 --> 00:34:14,055
♪ Go ahead and tell everybody ♪
848
00:34:14,055 --> 00:34:16,588
♪ I'm the man, I'm the man, I'm the man ♪
849
00:34:16,588 --> 00:34:18,788
Let's look where that puts you on the leader board.
850
00:34:18,788 --> 00:34:20,688
♪ ♪
851
00:34:23,522 --> 00:34:25,288
Guys, keep surprising us.
852
00:34:25,288 --> 00:34:26,455
Keep surprising us.
853
00:34:26,521 --> 00:34:29,984
__
854
00:34:30,222 --> 00:34:32,655
Thank you! - I personally have looked
855
00:34:32,655 --> 00:34:35,122
forward to your routine every single week.
856
00:34:35,122 --> 00:34:36,555
I want you to be proud of what you've done.
857
00:34:36,555 --> 00:34:38,022
Oh! - Thank you.
858
00:34:38,022 --> 00:34:40,055
I don't think we've ever worked harder.
859
00:34:40,055 --> 00:34:42,255
I don't think we've ever pushed each other more.
860
00:34:42,255 --> 00:34:44,022
And we're gonna keep growing because of this competition.
861
00:34:44,022 --> 00:34:45,755
Absolutely, so all we can do is really come back better
862
00:34:45,755 --> 00:34:47,988
and stronger.
863
00:34:47,988 --> 00:34:49,255
- That was incredible! - Thanks.
864
00:34:49,255 --> 00:34:51,288
I want to know how you get your neck
865
00:34:51,288 --> 00:34:52,755
past your shoulder.
866
00:34:54,688 --> 00:34:56,622
announcer: Les Twins knocked out Luka and Jenalyn
867
00:34:56,622 --> 00:34:59,322
with an impressive score of 93.5,
868
00:34:59,322 --> 00:35:01,655
guaranteeing them a spot in the next round.
869
00:35:01,655 --> 00:35:03,455
With only one performance left,
870
00:35:03,455 --> 00:35:05,222
either Fik-Shun or Keone and Mari
871
00:35:05,222 --> 00:35:06,455
will make The Cut.
872
00:35:12,979 --> 00:35:15,045
announcer: For the final performance
873
00:35:15,045 --> 00:35:16,445
in the Upper Division,
874
00:35:16,445 --> 00:35:17,879
it's Keone and Mari.
875
00:35:17,879 --> 00:35:19,779
- What's up, man? - Hey, guys.
876
00:35:19,779 --> 00:35:23,579
- We were so happy that we were going to be mentored by Derek.
877
00:35:23,579 --> 00:35:25,845
Derek has probably the most experience
878
00:35:25,845 --> 00:35:29,145
out of all the judges in terms of knowledge and partner work.
879
00:35:29,145 --> 00:35:32,212
Up until this point, we've shown a side of us that's maybe been
880
00:35:32,212 --> 00:35:33,779
a little more on the lighter side.
881
00:35:33,779 --> 00:35:35,812
You know, we may come off as like,
882
00:35:35,812 --> 00:35:37,445
"Oh, they're so happy all the time,
883
00:35:37,445 --> 00:35:39,245
and they love each other and everything's perfect for them,"
884
00:35:39,245 --> 00:35:40,945
but it's--that's not reality.
885
00:35:40,945 --> 00:35:42,745
We go through tough times like everybody else.
886
00:35:42,745 --> 00:35:45,179
No! No! You guys are perfect!
887
00:35:45,179 --> 00:35:46,679
No! No! Don't tell me!
888
00:35:46,679 --> 00:35:48,879
No, I'm just kidding.
889
00:35:48,879 --> 00:35:50,712
No, no, no, I appreciate that.
890
00:35:50,712 --> 00:35:52,852
We wanna pick up the speed a little more
891
00:35:53,156 --> 00:35:54,589
the intensity in our movement, and I think that's one side
892
00:35:54,645 --> 00:35:55,912
of us that we haven't shown yet.
893
00:35:55,912 --> 00:35:58,012
- Does it use any props? - It's a band.
894
00:35:58,012 --> 00:35:59,245
All right.
895
00:35:59,245 --> 00:36:01,345
This story is about a particular time in our
896
00:36:01,345 --> 00:36:04,245
relationship last year.
897
00:36:04,245 --> 00:36:06,279
Definitely the hardest time.
898
00:36:06,279 --> 00:36:09,079
[both grunting]
899
00:36:09,079 --> 00:36:11,445
Try it again, have a little look at each other.
900
00:36:11,445 --> 00:36:13,979
So when you guys go, "bop, bop, da-da-da," this whole thing,
901
00:36:13,979 --> 00:36:15,979
can you, like, look at each other?
902
00:36:15,979 --> 00:36:17,712
Ah! 'Cause I feel like if you're angry at somebody,
903
00:36:17,712 --> 00:36:20,312
it's a little bit more, you know, almost threatening,
904
00:36:20,312 --> 00:36:21,645
versus frustration, which is like,
905
00:36:21,645 --> 00:36:22,879
"I just want to be rid of it.
906
00:36:22,879 --> 00:36:24,112
I wanna be done with it."
907
00:36:24,112 --> 00:36:26,679
We had to scrap all the things
908
00:36:26,679 --> 00:36:28,679
that we thought we knew about marriage...
909
00:36:28,679 --> 00:36:29,912
- Mmm. - Scrap all the things
910
00:36:29,912 --> 00:36:31,379
we thought we knew about each other.
911
00:36:31,379 --> 00:36:35,579
We just had to relearn how to love each other.
912
00:36:35,579 --> 00:36:38,512
You have to make the choice to love someone,
913
00:36:38,512 --> 00:36:40,245
not just once, but every day.
914
00:36:40,245 --> 00:36:41,879
- Go. - Okay, ready?
915
00:36:41,879 --> 00:36:43,745
- All right? - One, two, three.
916
00:36:43,745 --> 00:36:44,412
[all laugh]
917
00:36:44,467 --> 00:36:44,912
Wait, hold on!
918
00:36:44,912 --> 00:36:46,012
I can't do it.
919
00:36:46,012 --> 00:36:48,479
I go back to that night
920
00:36:48,479 --> 00:36:50,579
that we fell in love,
921
00:36:50,579 --> 00:36:53,645
and we didn't have to look for anyone else anymore,
922
00:36:53,645 --> 00:36:57,479
and just the overwhelming sense of, like, relief
923
00:36:57,479 --> 00:37:00,945
that this was the one, this was the person.
924
00:37:00,945 --> 00:37:02,609
Seven, eight.
925
00:37:02,609 --> 00:37:04,212
[both grunting]
926
00:37:04,212 --> 00:37:07,079
I love that Keone and Mari are digging deep
927
00:37:07,079 --> 00:37:09,145
and going for something more personal.
928
00:37:09,145 --> 00:37:11,145
Good luck out there. I love it.
929
00:37:11,145 --> 00:37:12,879
It's gonna be beautiful. - Thank you.
930
00:37:12,879 --> 00:37:17,712
♪ I'm gonna love you till my lungs give out ♪
931
00:37:17,712 --> 00:37:20,745
The message tonight is definitely to keep fighting
932
00:37:20,745 --> 00:37:22,845
for things that you care about.
933
00:37:22,845 --> 00:37:27,412
You can't have love without the tough parts of love.
934
00:37:27,412 --> 00:37:30,712
announcer: Let's welcome Keone and Mari.
935
00:37:30,712 --> 00:37:32,445
[cheers and applause]
936
00:37:32,445 --> 00:37:35,845
♪ Just say you won't let go ♪
937
00:37:45,312 --> 00:37:48,312
[arrhythmic drum music]
938
00:37:48,312 --> 00:37:51,179
♪ ♪
939
00:37:51,179 --> 00:37:52,179
[screams]
940
00:37:52,179 --> 00:37:54,212
♪ ♪
941
00:37:54,212 --> 00:37:55,245
[screams]
942
00:37:55,245 --> 00:38:02,279
♪ ♪
943
00:38:03,245 --> 00:38:06,245
["Darkness and Light" by John Legend]
944
00:38:06,245 --> 00:38:11,745
♪ ♪
945
00:38:11,745 --> 00:38:15,645
♪ Fire and ice colliding ♪
946
00:38:15,645 --> 00:38:19,112
♪ I wanna go deep and dive in ♪
947
00:38:19,112 --> 00:38:23,079
♪ It's heaven on Earth ♪ ♪ but hell of a night ♪
948
00:38:23,079 --> 00:38:26,712
♪ To melt into one ♪
949
00:38:26,712 --> 00:38:30,545
♪ Both hands on the floor, ♪ ♪ you go low ♪
950
00:38:30,545 --> 00:38:32,512
♪ Who was I before? ♪
951
00:38:32,512 --> 00:38:34,412
♪ I don't know ♪
952
00:38:34,412 --> 00:38:36,312
♪ And who am I now? ♪
953
00:38:36,312 --> 00:38:38,179
♪ Your body shows how ♪
954
00:38:38,179 --> 00:38:41,245
♪ The past just has no meaning ♪
955
00:38:41,245 --> 00:38:44,779
♪ Don't stop, I need it ♪
956
00:38:44,779 --> 00:38:46,845
♪ Release me ♪
957
00:38:46,845 --> 00:38:49,045
♪ It's too hard for me to hold ♪
958
00:38:49,045 --> 00:38:52,579
♪ My heart bleeding ♪
959
00:38:52,579 --> 00:38:56,612
♪ Your touch, it thrills me to the bone ♪
960
00:38:56,612 --> 00:39:00,279
♪ Oh Lord forgive us ♪
961
00:39:00,279 --> 00:39:03,045
♪ Honest, we've lost control baby ♪
962
00:39:03,045 --> 00:39:07,079
♪ Nothing can stop, get enough ♪
963
00:39:07,079 --> 00:39:08,612
♪ Nothing can stop it ♪
964
00:39:08,612 --> 00:39:12,112
[cheers and applause]
965
00:39:25,745 --> 00:39:29,779
What makes a true artist a true artist
966
00:39:29,779 --> 00:39:31,679
is their ability to be vulnerable
967
00:39:31,679 --> 00:39:32,879
and honest on the stage.
968
00:39:32,879 --> 00:39:34,612
And what you guys brought
969
00:39:34,612 --> 00:39:37,745
was just genuine frustration in your love,
970
00:39:37,745 --> 00:39:40,645
and everything that I felt through that performance,
971
00:39:40,645 --> 00:39:43,445
you had me in that emotional state with you,
972
00:39:43,445 --> 00:39:44,578
and it was beautiful.
973
00:39:45,000 --> 00:39:45,979
[cheers and applause]
974
00:39:45,979 --> 00:39:47,745
Every single time I watch you guys perform,
975
00:39:47,745 --> 00:39:48,945
it makes me miss my wife.
976
00:39:48,945 --> 00:39:51,912
Aww!
977
00:39:51,912 --> 00:39:53,879
When we really learn about life
978
00:39:53,879 --> 00:39:55,712
is when we fall and when we stumble.
979
00:39:55,712 --> 00:39:58,912
That's when we grow. That's when we get better.
980
00:39:58,912 --> 00:39:59,671
Very good job.
981
00:39:59,866 --> 00:40:01,679
[cheers and applause]
982
00:40:01,679 --> 00:40:05,245
You are so intelligent with your movement.
983
00:40:05,245 --> 00:40:07,345
It's like an art installation.
984
00:40:07,345 --> 00:40:09,212
You two are so special, not just 'cause of your love
985
00:40:09,212 --> 00:40:13,245
for one another, but just what you guys create together.
986
00:40:13,245 --> 00:40:14,545
- Thank you, Derek. - Thank you.
987
00:40:14,545 --> 00:40:16,145
- Are we ready to lock in, guys? - Yes.
988
00:40:16,145 --> 00:40:18,345
♪ You're the light, you're the night ♪
989
00:40:18,345 --> 00:40:21,212
♪ You're the color of my blood ♪
990
00:40:21,212 --> 00:40:24,045
♪ You're the cure, you're the pain ♪
991
00:40:24,045 --> 00:40:26,712
All right, the goal is to take the place
992
00:40:26,712 --> 00:40:29,879
of either Fik-Shun or Les Twins.
993
00:40:29,879 --> 00:40:32,545
They need higher than 84.2.
994
00:40:32,545 --> 00:40:34,312
Let's see what happens.
995
00:40:34,312 --> 00:40:37,612
♪ My head's spinning around ♪
996
00:40:37,612 --> 00:40:41,612
♪ I can't see clear no more ♪
997
00:40:41,612 --> 00:40:45,545
♪ What are you waiting for? ♪
998
00:40:45,545 --> 00:40:46,675
♪ Love me like you do ♪
999
00:40:47,088 --> 00:40:47,379
[cheers and applause]
1000
00:40:47,379 --> 00:40:49,312
♪ La-la-love me like you do ♪
1001
00:40:49,312 --> 00:40:51,045
♪ Like you do ♪
1002
00:40:51,045 --> 00:40:52,679
♪ Love me like you do ♪
1003
00:40:52,679 --> 00:40:55,545
Let's see where it puts you on the leader board, let's see it.
1004
00:40:55,545 --> 00:40:58,412
♪ Touch me like you do, ♪ ♪ ta-ta-touch me like you do ♪
1005
00:40:58,412 --> 00:41:01,112
Oh, we're gonna miss you so much.
1006
00:41:01,112 --> 00:41:01,793
Come here, my love.
1007
00:41:02,129 --> 00:41:02,545
[applause]
1008
00:41:02,545 --> 00:41:05,179
I did what I did. Like, the judges judged it,
1009
00:41:05,179 --> 00:41:06,879
and it wasn't enough.
1010
00:41:06,879 --> 00:41:08,279
Yeah, I'm content with it, you know?
1011
00:41:08,279 --> 00:41:09,745
It doesn't stop my journey.
1012
00:41:09,745 --> 00:41:13,445
I'm just even more motivated now to keep dancing.
1013
00:41:13,445 --> 00:41:16,579
This puts you in second place right under Les Twins.
1014
00:41:16,579 --> 00:41:18,445
You guys are going through to the next round.
1015
00:41:18,445 --> 00:41:20,479
Congratulations.
1016
00:41:20,479 --> 00:41:23,512
♪ Love me like you do, la-la-love me like you do ♪
1017
00:41:23,512 --> 00:41:25,579
Yo, you got the best scores! How you feeling?
1018
00:41:25,579 --> 00:41:26,574
Oh, you too!
1019
00:41:27,664 --> 00:41:28,312
- [grunting]
1020
00:41:28,312 --> 00:41:31,179
Congratulations, you guys. You are divisional finalists.
1021
00:41:31,179 --> 00:41:34,045
You'll be going head-to-head in the division finals.
1022
00:41:34,045 --> 00:41:35,845
Whoo! I can't wait to see this. - No mercy. No mercy.
1023
00:41:35,845 --> 00:41:37,479
- "No mercy." - No mercy?
1024
00:41:37,479 --> 00:41:39,079
- No "merci." - No merci!
1025
00:41:39,079 --> 00:41:41,945
- Well, that was a day.
1026
00:41:43,445 --> 00:41:44,679
That's a wrap on Misty Copeland,
1027
00:41:44,679 --> 00:41:46,445
ladies and gentlemen. Bid you farewell.
1028
00:41:46,445 --> 00:41:47,979
We're gonna go do a pas de deux.
1029
00:41:47,979 --> 00:41:51,112
I shall bid you a farewell.
1030
00:41:51,112 --> 00:41:53,279
announcer: Next week, going head-to-head
1031
00:41:53,279 --> 00:41:55,712
in the divisional final,
1032
00:41:55,826 --> 00:42:00,145
Junior : Diana Pombo versus Eva Igo.
1033
00:42:00,145 --> 00:42:04,445
Team : Swing Latino versus Kinjaz.
1034
00:42:04,445 --> 00:42:08,645
Upper : Keone and Mari versus Les Twins.
1035
00:42:09,533 --> 00:42:11,479
Sync & corrections by QueenMaddie = www.addic7ed.com =
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