Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,300 --> 00:00:05,567
HI. I'M JEFF JARVIS,
TV CRITIC FOR PEOPLE MAGAZINE.
2
00:00:05,567 --> 00:00:07,667
LIKE MANY OF YOU,
I WAS DISAPPOINTED,
3
00:00:07,667 --> 00:00:09,167
NO, MAKE THAT FED UP,
4
00:00:09,167 --> 00:00:11,467
NO, ON THIRD THOUGHT,
MAKE THAT ENRAGED
WITH MOONLIGHTING.
5
00:00:11,467 --> 00:00:13,701
RERUNS, RERUNS, RERUNS,
NOTHING BUT RERUNS.
6
00:00:13,701 --> 00:00:15,033
I MEAN, WITHOUT
MOONLIGHTING,
7
00:00:15,033 --> 00:00:16,634
WHAT WAS THERE TO DO
ON TUESDAY NIGHTS?
8
00:00:16,634 --> 00:00:18,067
WATCH THE HOME SHOPPING NETWORK?
9
00:00:18,067 --> 00:00:19,801
START A FAMILY? READ?
10
00:00:19,801 --> 00:00:22,634
WELL, THE CRISIS IS OVER.
MOONLIGHTING'S BACK.
11
00:00:22,634 --> 00:00:24,667
LAST WEEK, AT LONG LAST,
12
00:00:24,667 --> 00:00:26,100
THEY GAVE US
A FRESH EPISODE.
13
00:00:26,100 --> 00:00:28,734
AND TONIGHT THEY'RE GIVING US
ONE THAT'S EVEN FRESHER.
14
00:00:28,734 --> 00:00:31,067
BUT THERE'S A CATCH,
A HITCH, A CRUEL TRICK.
15
00:00:31,067 --> 00:00:32,868
IF YOU DIDN'T WATCH
LAST WEEK'S SHOW,
16
00:00:32,868 --> 00:00:35,734
AND YOU PROBABLY DIDN'T
BOTHER BECAUSE YOU FIGURED
IT'S JUST ANOTHER RERUN,
17
00:00:35,734 --> 00:00:37,868
THEN YOU WON'T KNOW
WHAT THE HELL'S HAPPENING
IN TONIGHT'S SHOW.
18
00:00:37,868 --> 00:00:39,100
BUT FEAR NOT, DON'T SWEAT.
19
00:00:39,100 --> 00:00:41,634
I HAVE RIGHT HERE A TAPE
OF LAST WEEK'S EPISODE,
20
00:00:41,634 --> 00:00:43,601
AND I'LL SHOW YOU
ALL THE GOOD PARTS.
21
00:00:43,601 --> 00:00:44,701
IT WON'T TAKE LONG.
22
00:00:45,868 --> 00:00:47,634
IT ALL STARTED WHEN
DAVID BEGAN TO SENSE
23
00:00:47,634 --> 00:00:49,534
THAT SOMETHING WAS
BOTHERING MADDIE.
24
00:00:49,534 --> 00:00:52,033
DAVID, I FEEL ALONE
25
00:00:52,033 --> 00:00:54,534
AND SURROUNDED
AT THE SAME TIME.
26
00:00:54,534 --> 00:00:57,367
OK.
27
00:00:57,367 --> 00:01:01,934
I FEEL RESTRAINED
BUT LIKE I'M ABOUT
TO BURST FREE.
28
00:01:01,934 --> 00:01:04,601
OK. NOW, YOU SEE,
I FIGURED IT WAS
SOMETHING LIKE THAT.
29
00:01:06,000 --> 00:01:07,434
YOU WANT TO KNOW WHAT
I REALLY WANT TO DO?
30
00:01:07,434 --> 00:01:09,067
DO YOU WANT TO KNOW
WHAT THIS IS REALLY
ALL ABOUT?
31
00:01:12,934 --> 00:01:16,801
I'D LIKE TO GO OUT THERE
AND FIND SOME MAN--
32
00:01:16,801 --> 00:01:18,334
NOT EVEN ASK HIS NAME
33
00:01:18,334 --> 00:01:20,567
AND JUST GO TO A HOTEL
OR SOMETHING
34
00:01:20,567 --> 00:01:21,767
AND NOT EVEN KNOW
HIS NAME--
35
00:01:21,767 --> 00:01:22,868
I DON'T WANT
TO HEAR THIS.
36
00:01:22,868 --> 00:01:24,868
AND JUST BE BAD.
BE WONDERFUL.
37
00:01:24,868 --> 00:01:26,801
HEY, I DON'T WANT
TO HEAR THIS!
38
00:01:26,801 --> 00:01:29,934
CONCERNED THAT MADDIE
MIGHT ACTUALLY DO WHAT
SHE THREATENED,
39
00:01:29,934 --> 00:01:33,434
DAVID DECIDED TO FOLLOW HER,
ONLY TO DISCOVER, AT 2:00
IN THE MORNING,
40
00:01:33,434 --> 00:01:34,901
HE'D BEEN FOLLOWING
THE WRONG WOMAN.
41
00:01:34,901 --> 00:01:37,133
I REALLY HATE TO BE
A WET BLANKET,
42
00:01:37,133 --> 00:01:38,634
BUT IF I DON'T GET SIS
HOME BY MIDNIGHT,
43
00:01:38,634 --> 00:01:40,601
POP'S GOING TO BE
REALLY P.O.'d.
44
00:01:40,601 --> 00:01:41,801
HEY!
45
00:01:41,801 --> 00:01:44,734
OH, GREAT. MADDIE,
MR. GOODBAR HAS
A GUN.
46
00:01:44,734 --> 00:01:46,267
LOOK, I KNOW
HOW THIS LOOKS,
47
00:01:46,267 --> 00:01:47,567
BUT I REALLY
WASN'T FOLLOWING
YOU.
48
00:01:47,567 --> 00:01:49,667
AS A MATTER OF FACT,
AS SOON AS I REALIZED
IT WAS YOU,
49
00:01:49,667 --> 00:01:51,033
I STARTED MOVING
DOWN TO THE NEXT WIN--
50
00:01:52,534 --> 00:01:55,000
OH! YOU'RE NOT MADDIE!
51
00:01:55,000 --> 00:01:56,868
AS THEY OFTEN DO
ON MOONLIGHTING,
52
00:01:56,868 --> 00:01:58,601
ONE THING LED TO ANOTHER,
53
00:01:58,601 --> 00:02:02,367
AND BEFORE THE NIGHT WAS
OVER, OUR HERO ENDED UP
BEHIND BARS.
54
00:02:02,367 --> 00:02:04,133
WHY WERE YOU
FOLLOWING
THIS MADDIE?
55
00:02:06,901 --> 00:02:08,000
[SIGHS]
56
00:02:19,501 --> 00:02:23,300
I WAS WORRIED ABOUT HER.
57
00:02:23,300 --> 00:02:26,100
SHE SAID SOME THINGS TO ME
THAT SHE NEVER SAID BEFORE.
58
00:02:29,234 --> 00:02:30,167
I DON'T KNOW.
59
00:02:33,100 --> 00:02:34,534
I DON'T KNOW.
60
00:02:34,534 --> 00:02:36,467
I GUESS I WAS JUST
TRYING TO MAKE SURE
61
00:02:36,467 --> 00:02:38,734
SHE DIDN'T GET
INTO ANY TROUBLE.
62
00:02:38,734 --> 00:02:40,734
THERE'S A LOT OF CRAZY
PEOPLE OUT THERE.
63
00:02:40,734 --> 00:02:42,834
YOU'RE TELLING ME!
64
00:02:42,834 --> 00:02:44,934
SO WHAT DID
SHE SAY?
65
00:02:44,934 --> 00:02:45,934
IT'S NOT IMPORTANT.
66
00:02:45,934 --> 00:02:47,801
REALLY?
67
00:02:49,534 --> 00:02:50,834
DOES SHE KNOW
YOU LOVE HER?
68
00:02:53,801 --> 00:02:54,801
WHAT?
69
00:02:54,801 --> 00:02:58,167
I'M SORRY. IT'S
JUST SO CLEAR.
70
00:03:01,334 --> 00:03:03,033
SHE DOESN'T
KNOW, DOES SHE?
71
00:03:06,467 --> 00:03:08,734
TELL HER.
72
00:03:08,734 --> 00:03:10,067
TELL HER?
73
00:03:11,133 --> 00:03:12,567
TELL HER WHAT?
I'M NOT--
74
00:03:12,567 --> 00:03:13,968
YES, YOU ARE.
75
00:03:15,234 --> 00:03:18,234
TELL HER.
JUST TELL HER.
76
00:03:20,901 --> 00:03:22,667
DAVID DECIDED
TO DO JUST THAT,
77
00:03:22,667 --> 00:03:24,701
AND RUSHED TO MADDIE'S HOUSE
AT 4:00 IN THE MORNING
78
00:03:24,701 --> 00:03:27,000
TO SHARE HIS STARTLING
REALIZATION WITH HER.
79
00:03:29,300 --> 00:03:32,634
NOW, LISTEN, I KNOW
IT'S 4:00 IN THE MOR--
80
00:03:35,767 --> 00:03:37,167
CAN I HELP YOU?
81
00:03:43,567 --> 00:03:44,667
HI.
82
00:03:45,734 --> 00:03:47,100
HI.
83
00:03:50,234 --> 00:03:51,534
MADDIE'S ASLEEP.
84
00:03:53,934 --> 00:03:55,701
WHICH BRINGS US TO TONIGHT.
85
00:03:55,701 --> 00:03:59,267
WHICH REMINDS ME, LET ME
MAKE IT ABSOLUTELY CLEAR
86
00:03:59,267 --> 00:04:00,834
THAT MY APPEARANCE HERE
ON MOONLIGHTING
87
00:04:00,834 --> 00:04:05,100
WILL IN NO WAY
COMPROMISE MY INTEGRITY
AS A TELEVISION CRITIC.
88
00:04:05,100 --> 00:04:06,267
AHEM.
89
00:04:06,267 --> 00:04:08,534
I'M SURE IT'S JUST
A THANK-YOU NOTE.
90
00:04:13,467 --> 00:04:16,400
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
91
00:04:21,267 --> 00:04:25,801
* SOME WALK BY NIGHT *
92
00:04:25,801 --> 00:04:30,767
* SOME FLY BY DAY *
93
00:04:30,767 --> 00:04:35,033
* SOMETHING IS SWEETER *
94
00:04:35,033 --> 00:04:39,834
* 'CAUSE WE MET
ON THE WAY *
95
00:04:39,834 --> 00:04:43,567
* 'CAUSE WE MET
ON THE WAY *
96
00:04:53,667 --> 00:04:57,367
* OH, WHAT
A BEAUTIFUL MORNING *
97
00:04:57,367 --> 00:05:00,968
* OH, WHAT
A BEAUTIFUL DAY *
98
00:05:00,968 --> 00:05:04,667
* I'VE GOT
A WONDERFUL FEELING *
99
00:05:04,667 --> 00:05:07,400
* EVERYTHING'S GOING
MY WAY *
100
00:05:23,167 --> 00:05:24,767
[COUGHING]
101
00:05:46,968 --> 00:05:48,567
[TELEPHONE RINGS]
102
00:05:48,567 --> 00:05:50,100
BLUE MOON DETECTIVE AGENCY.
103
00:05:50,100 --> 00:05:51,734
HAS YOUR DOG JUMPED
THE FENCE?
104
00:05:51,734 --> 00:05:53,334
DID FIDO GET LOST?
105
00:05:53,334 --> 00:05:56,167
PUT US ON HIS SCENT,
AT OUR LOW DOG-FINDER COST.
106
00:05:56,167 --> 00:05:57,601
WE'LL HIT
THE GROUND RUNNING,
107
00:05:57,601 --> 00:06:00,400
GET TO THE POUND FAST,
AND RETRIEVE YOUR LOVED ONE,
108
00:06:00,400 --> 00:06:01,567
BEFORE HE GETS GA--
109
00:06:01,567 --> 00:06:03,901
[MAN COUGHING]
110
00:06:03,901 --> 00:06:06,667
HERBERT, IS THAT YOU?
111
00:06:06,667 --> 00:06:08,167
YOU SOUND TERRIBLE.
112
00:06:08,167 --> 00:06:11,200
WERE YOU OUT LATE, TOO?
113
00:06:11,200 --> 00:06:14,534
OH, YOU THINK YOU MIGHT BE
COMING DOWN WITH SOMETHING?
114
00:06:14,534 --> 00:06:15,767
SURE, I'LL TELL MISS HAYES.
115
00:06:15,767 --> 00:06:17,901
BUT SHE'S NOT HERE
YET, EITHER.
116
00:06:17,901 --> 00:06:22,400
MR. ADDISON'S HERE,
BUT HE LOOKS LIKE YOU SOUND.
117
00:06:22,400 --> 00:06:26,701
WAS THERE A PARTY LAST NIGHT
THAT NO ONE TOLD ME ABOUT?
118
00:06:26,701 --> 00:06:28,200
Maddie: MORNING,
MISS DIPESTO.
119
00:06:30,434 --> 00:06:32,534
[INTERCOM BUZZES]
120
00:06:32,534 --> 00:06:34,000
YEAH?
121
00:06:34,000 --> 00:06:36,300
Agnes: MR. ADDISON?
MISS HAYES JUST CAME IN.
122
00:06:36,300 --> 00:06:37,834
MORNING.
123
00:06:37,834 --> 00:06:39,200
MORNING.
SORRY I'M LATE.
124
00:06:39,200 --> 00:06:41,334
WERE YOU LATE?
I DIDN'T EVEN NOTICE,
I WAS SO BUSY.
125
00:06:41,334 --> 00:06:42,501
BUSY DOING WHAT?
126
00:06:42,501 --> 00:06:44,300
SETTING UP MISS DIPESTO
WITH THE MONTHLY BILLING,
127
00:06:44,300 --> 00:06:46,734
REVIEWING THE STATUS
OF OUR ONGOING ACCOUNTS,
128
00:06:46,734 --> 00:06:48,934
REFILLING THE TOILET PAPER
IN THE EXECUTIVE WASHROOMS.
129
00:06:48,934 --> 00:06:50,167
REALLY.
130
00:06:50,167 --> 00:06:51,334
WE HAVE 4
PAST DUE ACCOUNTS,
131
00:06:51,334 --> 00:06:52,701
THE REDFIELD CASE
STILL NEEDS A FOLLOW-UP,
132
00:06:52,701 --> 00:06:55,267
AND THE WOMEN'S BATHROOM
HAS MUCH BETTER GRAFFITI.
133
00:06:55,267 --> 00:06:56,601
YOU DID ALL THAT
THIS MORNING?
134
00:06:56,601 --> 00:06:59,501
WELL, I HAD
THE MARKER WITH ME.
THE WALL WAS THERE.
135
00:06:59,501 --> 00:07:01,200
WE ARE RUNNING
A BUSINESS HERE,
AREN'T WE?
136
00:07:01,200 --> 00:07:03,133
THAT WE ARE.
SO?
137
00:07:03,133 --> 00:07:04,234
SO?
138
00:07:04,234 --> 00:07:06,667
SO, WHAT WAS IT?
139
00:07:06,667 --> 00:07:09,067
DOG BURIED
YOUR BRIEFCASE?
140
00:07:09,067 --> 00:07:11,634
JUST WASHED YOUR CAR
AND COULDN'T DO
A THING WITH IT?
141
00:07:11,634 --> 00:07:12,901
RAN OFF WITH
A CIRCUS SIDESHOW
142
00:07:12,901 --> 00:07:14,067
BUT COULDN'T
GROW A BEARD?
143
00:07:14,067 --> 00:07:15,534
I'M SORRY?
YOU SHOULD BE.
144
00:07:15,534 --> 00:07:17,801
WHAT? DAVID,
I JUST OVERSLEPT.
145
00:07:17,801 --> 00:07:18,868
OVERSLEPT.
146
00:07:18,868 --> 00:07:20,200
OVERSLEPT.
147
00:07:20,200 --> 00:07:21,901
I TURNED OFF
THE ALARM AND
WENT BACK TO SLEEP.
148
00:07:21,901 --> 00:07:23,367
WHEN I WOKE UP,
I NOTICED WHAT TIME
IT WAS.
149
00:07:23,367 --> 00:07:25,567
I GOT HERE AS
QUICKLY AS I COULD.
150
00:07:25,567 --> 00:07:27,200
BESIDES, I THOUGHT
YOU DIDN'T NOTICE.
151
00:07:27,200 --> 00:07:28,901
HEY, YOU BROUGHT IT UP.
152
00:07:33,400 --> 00:07:36,367
OF COURSE, THERE ARE
2 ENTIRE HOURS
UNACCOUNTED FOR.
153
00:07:36,367 --> 00:07:39,200
THIS FROM A MAN
WHO HAS ENTIRE WEEKENDS
UNACCOUNTED FOR?
154
00:07:39,200 --> 00:07:41,133
NEVER WITHOUT
A GOOD EXCUSE
155
00:07:41,133 --> 00:07:42,601
OR, AT LEAST,
A BAD ONE.
156
00:07:42,601 --> 00:07:45,267
DAVID, I JUST GOT
A GOOD NIGHT'S
SLEEP, THAT'S ALL.
157
00:07:45,267 --> 00:07:46,901
YOU SHOULD GIVE IT
A TRY SOMETIME.
158
00:07:46,901 --> 00:07:49,834
ME? I SLEPT
LIKE A BABE.
159
00:07:49,834 --> 00:07:52,267
STILL MADE IT IN
BY 9:00, THOUGH.
160
00:07:52,267 --> 00:07:55,400
I DON'T REMEMBER SEEING
HALL MONITOR UNDER
YOUR JOB DESCRIPTION.
161
00:07:55,400 --> 00:07:56,567
YOU DON'T HAVE
TO ANSWER TO ME.
162
00:07:56,567 --> 00:07:57,734
I'M JUST YOUR
BUSINESS PARTNER.
163
00:07:57,734 --> 00:07:58,868
PARTNER?
164
00:07:58,868 --> 00:08:00,067
JUST DON'T BLAME ME
IF THEY DRAW
165
00:08:00,067 --> 00:08:01,234
THEIR OWN CONCLUSIONS.
166
00:08:01,234 --> 00:08:02,901
WHAT CONCLUSIONS,
AND WHO ARE "THEY"?
167
00:08:02,901 --> 00:08:04,701
"THEY" ARE THEM.
168
00:08:04,701 --> 00:08:06,334
AND THE KIND OF
CONCLUSIONS PEOPLE DRAW
169
00:08:06,334 --> 00:08:08,133
WHEN A CERTAIN SOMEONE
COMES TRAIPSING IN,
170
00:08:08,133 --> 00:08:11,100
SMILE ON HER FACE,
SPRING IN HER STEP,
2 HOURS LATE.
171
00:08:11,100 --> 00:08:13,601
WHAT ARE YOU
GETTING AT, DAVID?
NOTHING.
172
00:08:13,601 --> 00:08:14,734
WHAT CONCLUSIONS?
173
00:08:14,734 --> 00:08:16,267
FORGET IT.
FORGET WHAT?
174
00:08:16,267 --> 00:08:18,200
[KNOCKING]
175
00:08:19,634 --> 00:08:21,534
EXCUSE ME.
THERE'S A WOMAN HERE
TO SEE YOU.
176
00:08:21,534 --> 00:08:22,801
Maddie: SEND HER IN.
177
00:08:25,000 --> 00:08:25,934
[KNOCK ON DOOR]
178
00:08:30,534 --> 00:08:32,467
HELLO. PLEASE
COME IN, MS.--
179
00:08:32,467 --> 00:08:34,367
JOHNSON. ELAINE JOHNSON.
180
00:08:34,367 --> 00:08:36,968
I'M MADELYN HAYES.
THIS IS MY ASSOCIATE
DAVID ADDISON.
181
00:08:36,968 --> 00:08:38,167
PLEASED TO
MEET YOU.
182
00:08:38,167 --> 00:08:39,400
WON'T YOU SIT DOWN?
183
00:08:40,834 --> 00:08:42,000
HOW MAY WE HELP YOU?
184
00:08:42,000 --> 00:08:44,501
I THINK MY BOYFRIEND
IS IN LOVE WITH HIS WIFE.
185
00:08:44,501 --> 00:08:45,901
WHAT?
186
00:08:45,901 --> 00:08:47,501
I'M THE OTHER WOMAN.
187
00:08:47,501 --> 00:08:50,267
WHICH, BY THE WAY,
IS JUST FINE WITH ME.
188
00:08:50,267 --> 00:08:51,667
I'VE KNOWN ALAN
FOR 3 YEARS,
189
00:08:51,667 --> 00:08:55,767
AND WE HAVE--HAD
THIS UNDERSTANDING.
190
00:08:55,767 --> 00:08:58,701
HIS MARRIAGE
WAS WANTING.
191
00:08:58,701 --> 00:09:01,634
MY LOVE LIFE
WAS WANTING.
192
00:09:01,634 --> 00:09:04,634
IT MADE SENSE.
IT MAKES SENSE.
193
00:09:04,634 --> 00:09:06,334
I HAVE A DEMANDING CAREER.
194
00:09:06,334 --> 00:09:08,300
I'M VERY COMFORTABLE
GIVING HIM 3 OR 4 HOURS
195
00:09:08,300 --> 00:09:09,567
A COUPLE
OF TIMES A WEEK.
196
00:09:09,567 --> 00:09:10,767
BUT?
197
00:09:10,767 --> 00:09:14,200
BUT HE'S ABRUPTLY
CANCELED PLANS
198
00:09:14,200 --> 00:09:15,868
SEVERAL TIMES
IN THE PAST MONTH,
199
00:09:15,868 --> 00:09:18,334
AND I HEAR THE GUILT
IN HIS VOICE WHEN
HE TRIES TO EXPLAIN.
200
00:09:18,334 --> 00:09:20,667
HE WON'T LOOK ME
IN THE EYE ANYMORE,
201
00:09:20,667 --> 00:09:23,400
HE AVOIDS TALKING ABOUT US,
ABOUT OUR RELATIONSHIP.
202
00:09:24,501 --> 00:09:27,634
AND THEN, THE OTHER NIGHT,
HE FELL ASLEEP.
203
00:09:27,634 --> 00:09:30,868
HIS WALLET WAS
JUST SITTING THERE
ON THE NIGHTSTAND.
204
00:09:30,868 --> 00:09:33,167
I FOUND
A PICTURE OF HIM...
205
00:09:33,167 --> 00:09:34,734
AND HER...
206
00:09:34,734 --> 00:09:37,467
AND THE KIDS.
207
00:09:37,467 --> 00:09:40,701
HE JUST DIDN'T
LOOK LIKE A GUY
WHO WAS WANTING ANYMORE.
208
00:09:40,701 --> 00:09:43,067
I JUST WANT TO KNOW
WHAT'S GOING ON.
209
00:09:43,067 --> 00:09:44,701
IF HE'S PRICING
STATION WAGONS
210
00:09:44,701 --> 00:09:45,968
OR LOOKING AT
A BIGGER HOUSE,
211
00:09:45,968 --> 00:09:47,567
I DON'T WANT TO BE
THE LAST TO KNOW.
212
00:09:47,567 --> 00:09:49,067
WILL YOU EXCUSE US
FOR A MINUTE, PLEASE?
213
00:09:56,667 --> 00:09:58,000
ALL RIGHT
ALL RIGHT, ALL RIGHT.
214
00:09:58,000 --> 00:09:59,634
LET'S FLIP THE PAGE,
CUT TO THE MEAT
OF THE SCENE.
215
00:09:59,634 --> 00:10:01,200
YOU'RE OUTRAGED.
YOU'RE DISGUSTED.
216
00:10:01,200 --> 00:10:02,467
IT'LL BE
A WARM DAY IN NOME
217
00:10:02,467 --> 00:10:04,167
BEFORE YOU'D EVEN CONSIDER
TAKING A CASE LIKE THIS.
218
00:10:04,167 --> 00:10:05,767
WELL, THAT'S JUST FINE.
I JUST WANT YOU TO KNOW
219
00:10:05,767 --> 00:10:08,267
THAT NOT TAKING
THIS CASE IS
PEACHY KEEN WITH ME.
220
00:10:08,267 --> 00:10:10,000
FADE-OUT, AMEN,
END OF STORY.
221
00:10:10,000 --> 00:10:11,167
I DON'T KNOW.
222
00:10:11,167 --> 00:10:12,501
I THINK MAYBE WE
SHOULD TAKE IT.
WHAT?
223
00:10:12,501 --> 00:10:13,601
I THINK WE SHOULD
TAKE IT. I MEAN,
224
00:10:13,601 --> 00:10:14,634
HELL, DAVID,
IT'S A CASE.
225
00:10:16,367 --> 00:10:17,367
[RATTLES]
226
00:10:17,367 --> 00:10:18,667
I THINK WE GOT
A BAD CONNECTION.
227
00:10:18,667 --> 00:10:20,667
COME ON,
LIFE IS SHORT.
228
00:10:20,667 --> 00:10:23,067
DID THEY SWITCH
THE NAMES ON THE SCRIPT?
229
00:10:23,067 --> 00:10:24,367
MADDIE, WE'RE TALKING
ABOUT A WOMAN
230
00:10:24,367 --> 00:10:26,601
WHO'S FOUND A WHOLE NEW WAY
TO DEFINE BEING FAITHFUL.
231
00:10:26,601 --> 00:10:28,901
NOT THE SORT OF WOMAN
YOU'D NORMALLY INTRODUCE
TO THE BRIDGE CLUB.
232
00:10:28,901 --> 00:10:31,200
MAYBE A THING LIKE
"BEING FAITHFUL" ISN'T
THAT EASY TO DEFINE.
233
00:10:31,200 --> 00:10:32,868
MAYBE IT'S NOT
SO BLACK-AND-WHITE.
234
00:10:32,868 --> 00:10:34,701
THE FACT IS, WE'RE
A DETECTIVE AGENCY.
235
00:10:34,701 --> 00:10:36,133
AND SHE'S GOT A CASE
WE CAN HANDLE,
236
00:10:36,133 --> 00:10:37,734
SO I SAY WE HANDLE IT.
237
00:10:37,734 --> 00:10:40,634
GLAD TO SEE THINGS
ARE FINALLY LOOSENING UP
AROUND HERE.
238
00:10:43,501 --> 00:10:44,667
MISS US?
239
00:10:44,667 --> 00:10:46,267
WE DECIDED
TO TAKE YOUR CASE.
240
00:10:46,267 --> 00:10:48,400
THAT'S WONDERFUL.
THANK YOU.
241
00:10:48,400 --> 00:10:50,834
I'VE HAD SUCH BAD LUCK
FINDING SOMEONE.
242
00:10:50,834 --> 00:10:53,634
AGENCIES TEND TO GET
JUDGMENTAL ABOUT
THIS SORT OF THING.
243
00:10:53,634 --> 00:10:54,767
NOT HERE, WE DON'T.
244
00:10:54,767 --> 00:10:55,901
I'VE WRITTEN
EVERYTHING DOWN--
245
00:10:55,901 --> 00:10:58,033
ADDRESSES, HANGOUTS,
DAILY SCHEDULE.
246
00:10:58,033 --> 00:10:59,634
HIS NAME IS
ALAN McCLAUGHERTY.
247
00:10:59,634 --> 00:11:02,701
THANK YOU.
WELL...
248
00:11:02,701 --> 00:11:04,767
WE'LL BE
IN TOUCH AS SOON AS
WE KNOW SOMETHING.
249
00:11:06,767 --> 00:11:10,234
OR SOONER, IF A BETTER
REASON COMES TO ME.
250
00:11:10,234 --> 00:11:12,901
I'LL BE LOOKING
FORWARD TO IT.
251
00:11:12,901 --> 00:11:15,000
IT WAS VERY NICE
TO MEET YOU.
252
00:11:16,534 --> 00:11:17,634
BYE.
253
00:11:24,367 --> 00:11:26,767
THIS IS ONE CASE
I'M GOING TO ENJOY
STAYING ON TOP OF.
254
00:11:26,767 --> 00:11:29,067
WHY DO I FEEL LIKE
THIS IS ALL
FOR MY BENEFIT?
255
00:11:29,067 --> 00:11:31,567
I GIVE UP. WHY?
256
00:11:31,567 --> 00:11:33,601
I DON'T APPROVE
OF FLIRTING WITH
A TOTAL STRANGER.
257
00:11:33,601 --> 00:11:35,000
SO DON'T DO IT.
258
00:11:35,000 --> 00:11:37,167
AND WHEN'D
YOU CHANGE YOUR MIND
ABOUT TOTAL STRANGERS?
259
00:11:37,167 --> 00:11:39,167
WHAT'S BOTHERING YOU?
260
00:11:39,167 --> 00:11:41,968
HEY, I'M JUST RESPONDING
TO AN ATTRACTIVE WOMAN.
261
00:11:45,133 --> 00:11:47,100
OK, IT'S WORKED.
I'M ANGRY.
262
00:11:47,100 --> 00:11:48,968
I HAVE NO IDEA
WHAT'S WRONG.
263
00:11:48,968 --> 00:11:50,133
BUT IF YOU'RE NOT
GOING TO TELL ME,
264
00:11:50,133 --> 00:11:51,634
I'D APPRECIATE
YOU LEAVING
MY OFFICE.
265
00:12:04,200 --> 00:12:06,634
OK. MAYBE THERE IS
SOMETHING WRONG.
266
00:12:06,634 --> 00:12:08,734
MAYBE THERE IS
SOMETHING BOTHERING ME.
267
00:12:10,767 --> 00:12:12,300
YOU SKIPPED OUT OF HERE
LAST NIGHT RANTING
268
00:12:12,300 --> 00:12:14,467
ABOUT GETTING RECKLESS
WITH A TOTAL STRANGER.
269
00:12:14,467 --> 00:12:17,367
AND YOU SHOW UP HERE
AT 11:00.
270
00:12:17,367 --> 00:12:19,100
WELL, MAYBE
I WAS WORRIED
ABOUT YOU.
271
00:12:20,834 --> 00:12:22,033
BUT I GUESS
IT WOULDN'T OCCUR TO YOU
272
00:12:22,033 --> 00:12:23,601
THAT I COULD BE
WORRIED ABOUT YOU,
273
00:12:23,601 --> 00:12:25,634
THAT JUST MAYBE
I'D ASSUME THE WORST.
274
00:12:25,634 --> 00:12:26,601
I'M SORRY.
275
00:12:28,300 --> 00:12:30,434
I JUST STOPPED AND
GOT SOME GROCERIES
LAST NIGHT.
276
00:12:30,434 --> 00:12:31,834
GOT HOME EARLY.
277
00:12:31,834 --> 00:12:34,133
WHEN I GOT THERE,
THERE WAS A MESSAGE
FROM AN OLD FRIEND.
278
00:12:34,133 --> 00:12:37,100
WE GOT TOGETHER,
STAYED UP
A LITTLE LATE.
279
00:12:37,100 --> 00:12:38,968
I'M SORRY.
I WASN'T THINKING.
280
00:12:38,968 --> 00:12:40,367
AN OLD FRIEND.
281
00:12:40,367 --> 00:12:43,033
YEAH. I'VE KNOWN SAM
SINCE I WAS 6.
282
00:12:43,033 --> 00:12:45,067
I PROMISED HIM
SOME LUNCH,
283
00:12:45,067 --> 00:12:47,834
AND I'VE GOT
A COUPLE OF THINGS
I WANT TO DO.
284
00:12:47,834 --> 00:12:51,033
MEET BACK HERE ABOUT
2:30 AND GET STARTED
ON THIS CASE?
285
00:12:51,033 --> 00:12:52,200
YEAH. GREAT.
286
00:12:52,200 --> 00:12:53,300
BYE.
287
00:13:02,000 --> 00:13:03,400
SAM.
288
00:13:16,634 --> 00:13:18,501
HERBERT!
MORNING, AGNES.
289
00:13:18,501 --> 00:13:19,968
WHAT ARE YOU
DOING HERE?
290
00:13:19,968 --> 00:13:21,367
I WORK HERE,
REMEMBER?
291
00:13:21,367 --> 00:13:23,167
I'M THE LITTLE GUY,
SIT AT THE DESK
OVER THERE.
292
00:13:23,167 --> 00:13:25,033
YES.
293
00:13:25,033 --> 00:13:26,367
BUT SHOULDN'T
YOU BE IN BED?
294
00:13:26,367 --> 00:13:28,601
OH, THE FLU?
295
00:13:28,601 --> 00:13:30,167
DO YOU KNOW,
I'M FEELING
SO MUCH BETTER,
296
00:13:30,167 --> 00:13:32,701
I'D ALMOST FORGOTTEN
THAT I WAS SICK.
297
00:13:32,701 --> 00:13:33,834
THAT'S TERRIFIC.
298
00:13:33,834 --> 00:13:35,767
BUT YOU KNOW,
YOU COULD HAVE A RELAPSE
299
00:13:35,767 --> 00:13:36,901
IF YOU'RE NOT CAREFUL.
300
00:13:38,601 --> 00:13:40,367
WHAT DID YOU HAVE
FOR DINNER LAST NIGHT?
301
00:13:40,367 --> 00:13:44,100
UH, NACHOS AND
A JELLY DOUGHNUT.
302
00:13:44,100 --> 00:13:45,434
OR WAS IT
A BEAR CLAW?
303
00:13:45,434 --> 00:13:47,534
WELL, I'M COMING OVER
TO YOUR HOUSE,
304
00:13:47,534 --> 00:13:49,100
AND I'M MAKING YOU
A DECENT MEAL.
305
00:13:49,100 --> 00:13:51,033
AGNES, THAT'S
NOT NECESSARY.
306
00:13:51,033 --> 00:13:52,834
NECESSARY HAS NOTHING
TO DO WITH IT.
307
00:13:52,834 --> 00:13:56,234
YOU REALLY ARE
WORRIED ABOUT ME,
AREN'T YOU?
308
00:14:05,067 --> 00:14:06,234
[KNOCK ON DOOR]
309
00:14:06,234 --> 00:14:08,367
YEAH.
310
00:14:08,367 --> 00:14:10,334
EXCUSE ME FOR BARGING
IN ON YOU LIKE THIS,
MR. ADDISON,
311
00:14:10,334 --> 00:14:13,634
BUT I JUST HAD TO TELL
YOU WHAT A TERRIFIC TIME
I HAD LAST NIGHT.
312
00:14:15,501 --> 00:14:18,267
YOU KNOW,
YOU AND ME...
313
00:14:18,267 --> 00:14:20,767
OUT IN THE FIELD,
ONE-ON-ONE.
314
00:14:20,767 --> 00:14:23,234
WHAT TIME YOU GOT?
315
00:14:23,234 --> 00:14:24,501
3:03.
316
00:14:25,801 --> 00:14:27,234
3 HOURS.
317
00:14:28,534 --> 00:14:29,634
WHAT?
318
00:14:31,534 --> 00:14:32,801
WHO? MISS HAYES?
319
00:14:34,667 --> 00:14:36,200
I WOULDN'T WORRY
ABOUT THAT, MR. ADDISON.
320
00:14:36,200 --> 00:14:38,300
I MEAN, SHE PROBABLY
JUST HAD LUNCH,
321
00:14:38,300 --> 00:14:39,901
AND THEN, YOU KNOW
HOW WOMEN ARE,
322
00:14:39,901 --> 00:14:41,000
ONE THING LEADS
TO ANOTHER.
323
00:14:42,634 --> 00:14:45,367
ACTUALLY, THAT WAS--
THAT WAS WHAT I WANTED
TO TALK TO YOU ABOUT.
324
00:14:45,367 --> 00:14:47,534
MADDIE?
WELL, NO, NOT HER.
325
00:14:47,534 --> 00:14:50,334
NOT HER, SPECIFICALLY,
BUT WOMEN,
326
00:14:50,334 --> 00:14:52,000
IN GENERAL.
327
00:14:52,000 --> 00:14:53,367
DESIREE,
IN PARTICULAR.
328
00:14:53,367 --> 00:14:55,667
DESIREE?
329
00:14:55,667 --> 00:14:57,601
THE COCKTAIL WAITRESS
AT THE BAR LAST NIGHT?
330
00:14:57,601 --> 00:15:00,100
I BROUGHT THE CAR AROUND,
LIKE YOU ASKED.
331
00:15:00,100 --> 00:15:02,234
AND I WAITED.
I REALLY DID.
332
00:15:02,234 --> 00:15:04,400
BUT WHEN
YOU DIDN'T SHOW UP,
333
00:15:04,400 --> 00:15:06,834
I WENT BACK
INTO THE BAR.
334
00:15:06,834 --> 00:15:08,701
I DROPPED SOME DOUGH
INTO THE JUKEBOX,
335
00:15:08,701 --> 00:15:12,400
AND, AS FATE
WOULD HAVE IT,
336
00:15:12,400 --> 00:15:14,000
DESIREE AND I BOTH
TURN OUT TO BE
337
00:15:14,000 --> 00:15:16,334
THESE HUGE
GRASS ROOTS FANS.
338
00:15:17,567 --> 00:15:20,234
AND SO,
I TOOK HER HOME.
339
00:15:20,234 --> 00:15:22,400
SHE OWES YOU ONE.
340
00:15:22,400 --> 00:15:24,667
IT'S A KILLER TRYING
TO GET A CAB AFTER 2 A.M.
341
00:15:24,667 --> 00:15:27,067
NO. NO.
342
00:15:27,067 --> 00:15:30,634
NOT HER HOME,
MR. ADDISON, MINE.
343
00:15:32,000 --> 00:15:34,767
YOU KNOW THE MATTERHORN
AT DISNEYLAND, SIR?
344
00:15:36,367 --> 00:15:38,334
AND THERE WAS NO LINE--
345
00:15:38,334 --> 00:15:39,968
JUST...
346
00:15:39,968 --> 00:15:43,400
WAVE AFTER WAVE
OF PLEASURE
347
00:15:43,400 --> 00:15:45,868
BREAKING OVER
OUR NAKED BODIES.
348
00:15:45,868 --> 00:15:47,968
2 HEARTS BEATING AS ONE.
349
00:15:49,267 --> 00:15:50,434
ALL NIGHT LONG.
350
00:15:50,434 --> 00:15:51,601
LISTEN, HERBERT,
I'M TICKLED
351
00:15:51,601 --> 00:15:52,734
THAT YOU'RE
BEING TICKLED, BUT I--
352
00:15:52,734 --> 00:15:54,267
MR. ADDISON,
I NEED SOME ADVICE.
353
00:15:54,267 --> 00:15:55,567
TRY THE KAMA SUTRA.
354
00:15:55,567 --> 00:15:58,400
NO. NO. NOT THAT KIND
OF ADVICE. I'M CONFUSED.
355
00:15:58,400 --> 00:15:59,801
YOU KNOW HOW IT IS
WITH SOME WOMEN--
356
00:15:59,801 --> 00:16:01,801
YOU JUST WANT
TO THROW THEM DOWN
357
00:16:01,801 --> 00:16:03,868
ON THE POSTUREPEDIC
AND LICK THEIR MAKEUP OFF.
358
00:16:03,868 --> 00:16:06,300
AND THEN THERE'S THE KIND
359
00:16:06,300 --> 00:16:08,000
THAT YOU THINK ABOUT
MAKING A LIFE WITH.
360
00:16:09,133 --> 00:16:12,601
SOMEONE WARM.
CONSIDERATE.
361
00:16:12,601 --> 00:16:14,033
SOMEONE LIKE AGNES.
362
00:16:15,400 --> 00:16:16,567
AGNES?
363
00:16:16,567 --> 00:16:17,968
SHE WANTED TO COOK
ME A DINNER,
364
00:16:17,968 --> 00:16:19,234
JUST 'CAUSE
SHE THOUGHT
I WAS SICK.
365
00:16:19,234 --> 00:16:22,000
WITHOUT ANY REGARD
TO HER OWN HEALTH,
THIS WOMAN--
366
00:16:22,000 --> 00:16:24,834
THIS SAINT--
367
00:16:24,834 --> 00:16:26,767
WAS WILLING TO RISK
368
00:16:26,767 --> 00:16:28,400
WHO KNOWS WHAT KIND
OF CONTAGION
369
00:16:28,400 --> 00:16:30,133
JUST TO TAKE CARE OF ME.
370
00:16:30,133 --> 00:16:31,868
I HATE IT WHEN
SHE DOES STUFF
LIKE THAT.
371
00:16:31,868 --> 00:16:33,467
SMART.
SMART?
372
00:16:33,467 --> 00:16:35,033
SMART.
373
00:16:35,033 --> 00:16:38,100
YOU SEE
MISS DIPESTO'S GROCERIES
FOR WHAT THEY ARE.
374
00:16:38,100 --> 00:16:39,267
I DO?
375
00:16:39,267 --> 00:16:42,534
YEAH. YOU DO.
376
00:16:42,534 --> 00:16:44,901
OH. WHAT ARE THEY?
377
00:16:44,901 --> 00:16:46,167
A PLOY.
378
00:16:48,567 --> 00:16:50,400
YEAH.
379
00:16:50,400 --> 00:16:51,868
ONCE THESE BABES
GET INSIDE THE WIRE,
380
00:16:51,868 --> 00:16:53,167
THEY'LL STICK IT
TO YOU EVERY TIME.
381
00:16:53,167 --> 00:16:54,567
THEY WILL?
382
00:16:54,567 --> 00:16:56,267
WHY DO YOU THINK
I TRAVEL LIGHT?
383
00:16:56,267 --> 00:16:58,734
GO WITH THE SLAP
AND TICKLE, MR. VIOLA.
384
00:16:58,734 --> 00:17:00,300
IT MAY NOT BE DEEP,
385
00:17:00,300 --> 00:17:01,567
BUT IT'S BETTER
THAN INVITING SOMEBODY
386
00:17:01,567 --> 00:17:03,734
TO PLAY STICKBALL
WITH YOUR GUTS.
387
00:17:07,200 --> 00:17:08,567
EXCUSE ME FOR
SAYING SO, SIR,
388
00:17:08,567 --> 00:17:10,767
BUT DOESN'T THAT SOUND
EVER-SO-SLIGHTLY BITTER?
389
00:17:10,767 --> 00:17:14,534
BITTER? HA HA!
BITTER? NOTHING
OF THE KIND.
390
00:17:14,534 --> 00:17:16,167
YOU STRIP AWAY
THE HEARTS
AND THE FLOWERS,
391
00:17:16,167 --> 00:17:18,000
AND THE BATTLE
OF THE SEXES IS
NOTHING MORE
392
00:17:18,000 --> 00:17:20,667
THAN A VICIOUS,
NASTY GUERRILLA
CAMPAIGN.
393
00:17:20,667 --> 00:17:21,701
[KNOCK ON DOOR]
394
00:17:21,701 --> 00:17:23,133
MISS HAYES
JUST CAME IN.
395
00:17:29,067 --> 00:17:31,434
ONE MINUTE,
CHARLIE'S
YOUR BEST FRIEND.
396
00:17:31,434 --> 00:17:32,968
THE NEXT MINUTE,
SHE'S STICKING
397
00:17:32,968 --> 00:17:35,868
BAMBOO STALKS UNDER
YOUR FINGERNAILS.
398
00:17:35,868 --> 00:17:37,133
THINK ABOUT IT.
399
00:17:38,200 --> 00:17:39,167
YIPES.
400
00:17:44,334 --> 00:17:45,934
CARAMBA.
401
00:17:45,934 --> 00:17:47,300
EXCUSE ME?
402
00:17:47,300 --> 00:17:48,400
NOTHING.
403
00:18:02,300 --> 00:18:04,000
SO, WHAT'S
THE OCCASION?
404
00:18:04,000 --> 00:18:05,100
WHAT DO YOU MEAN?
405
00:18:05,100 --> 00:18:06,534
I MEAN,
YOU'VE BEEN GONE
FOR 3 HOURS,
406
00:18:06,534 --> 00:18:08,701
AND YOU COME BACK
LOOKING LIKE AN AD
FOR WALLY'S WIG WORLD.
407
00:18:08,701 --> 00:18:09,868
I HAD MY HAIR DONE.
408
00:18:09,868 --> 00:18:11,334
THANK GOD. I THOUGHT
YOUR HEAD WAS SHRINKING.
409
00:18:11,334 --> 00:18:12,667
ARE YOU THROUGH?
410
00:18:12,667 --> 00:18:14,067
[WHISTLES]
411
00:18:14,067 --> 00:18:15,167
GUESS NOT.
412
00:18:15,167 --> 00:18:16,534
NICE.
413
00:18:16,534 --> 00:18:17,734
DAVID!
414
00:18:17,734 --> 00:18:19,467
LITTLE SOMETHING
FOR KNOCKING
AROUND THE BORDELLO?
415
00:18:19,467 --> 00:18:20,968
THE STORE
WAS HAVING A SALE.
416
00:18:20,968 --> 00:18:22,767
I JUST NEEDED
A DINNER DRESS.
417
00:18:22,767 --> 00:18:25,033
DID YOU NEED TO GET
ONE THAT WAS CUT DOWN
TO SOUTH AMERICA?
418
00:18:25,033 --> 00:18:27,434
DAVID, DID
YOU COME IN HERE FOR
A SPECIFIC REASON,
419
00:18:27,434 --> 00:18:29,133
OR IS THIS JUST
MADDIE-BASHING DAY?
420
00:18:29,133 --> 00:18:31,601
ACTUALLY, I CAME
IN HERE ON BUSINESS.
421
00:18:31,601 --> 00:18:33,934
YOU REMEMBER...
BUSINESS?
422
00:18:33,934 --> 00:18:37,334
AS IT TURNS OUT,
I SPENT MY LUNCH HOUR
MAKING PHONE CALLS--
423
00:18:37,334 --> 00:18:38,667
RUNNING DOWN LEADS,
424
00:18:38,667 --> 00:18:40,234
DIGGING UP SOME DISH
ON MR. McCLAUGHERTY,
425
00:18:40,234 --> 00:18:42,734
WHO SPENT HIS LUNCH HOUR,
AMONG OTHER THINGS,
426
00:18:42,734 --> 00:18:45,367
RENTING A ROOM FOR TONIGHT
AT THE WILSHIRE ARMS.
SO?
427
00:18:45,367 --> 00:18:47,200
SO, I DON'T THINK
HE'S HAVING
HIS HOUSE FUMIGATED.
428
00:18:47,200 --> 00:18:48,868
MAYBE THE ROOM
IS FOR HIM AND
MISS JOHNSON.
429
00:18:48,868 --> 00:18:51,467
I MADE THAT CALL.
I HAVE DONE THIS BEFORE.
430
00:18:51,467 --> 00:18:52,801
AND?
AND,
431
00:18:52,801 --> 00:18:55,367
SHE'S NOT SUPPOSED
TO MEET HIM UNTIL
SATURDAY NIGHT,
432
00:18:55,367 --> 00:18:57,701
WHICH MEANS HE'S MEETING
SOMEONE ELSE TONIGHT,
433
00:18:57,701 --> 00:18:59,400
WHICH MEANS ALL
WEGOT TO DO IS GO OVER,
434
00:18:59,400 --> 00:19:01,234
SNAP A COUPLE
8x10 GLOSSIES,
435
00:19:01,234 --> 00:19:03,868
AND DECIDE HOW
TO SPEND THE MONEY.
436
00:19:03,868 --> 00:19:05,901
THIS IS THE PART WHERE
YOU'RE SUPPOSED TO GO,
437
00:19:05,901 --> 00:19:07,834
"WOW, DAVID,
YOU DID A GREAT JOB."
438
00:19:07,834 --> 00:19:11,501
OH, I'M SORRY. IT WAS?
I MEAN, YOU DID?
439
00:19:11,501 --> 00:19:13,100
DON'T GUSH.
I GET THE DRIFT.
440
00:19:14,167 --> 00:19:16,133
SO, WHAT I THOUGHT
WAS I'D GO HOME,
441
00:19:16,133 --> 00:19:17,400
GET A COUPLE HOURS SLEEP,
AND PICK YOU UP
442
00:19:17,400 --> 00:19:18,567
AT YOUR HOUSE
AROUND 7:00.
443
00:19:18,567 --> 00:19:19,834
FOR WHAT?
444
00:19:22,434 --> 00:19:25,834
I DON'T KNOW.
UH, I JUST THOUGHT
445
00:19:25,834 --> 00:19:28,567
MAYBE THIS WAS
SOMETHING YOU COULD
DO BY YOURSELF.
446
00:19:28,567 --> 00:19:29,601
EXCUSE ME?
447
00:19:29,601 --> 00:19:31,133
I'D APPRECIATE IT
IF YOU COULD DO
448
00:19:31,133 --> 00:19:32,400
THIS ONE BY YOURSELF.
449
00:19:32,400 --> 00:19:34,467
I SEE. WHY IS THAT?
450
00:19:36,334 --> 00:19:37,667
I HAVE PLANS.
451
00:19:37,667 --> 00:19:39,601
PLANS?
I'M HAVING DINNER.
452
00:19:39,601 --> 00:19:42,033
OH, I'M SORRY.
I WASN'T CLEAR.
453
00:19:42,033 --> 00:19:45,400
THIS IS THE DELUXE
STAKEOUT PACKAGE.
DINNER'S INCLUDED.
454
00:19:45,400 --> 00:19:47,133
I'M HAVING DINNER
WITH SOMEONE.
455
00:19:47,133 --> 00:19:50,067
OH. ANY SOMEONE I KNOW?
456
00:19:50,067 --> 00:19:51,100
MY FRIEND.
457
00:19:51,100 --> 00:19:52,234
SID?
SAM.
458
00:19:52,234 --> 00:19:53,567
AHA.
459
00:19:53,567 --> 00:19:55,033
I'M SORRY.
WHEN I MADE PLANS,
460
00:19:55,033 --> 00:19:56,701
I DIDN'T KNOW
WE WERE GOING
TO WORK TONIGHT.
461
00:19:56,701 --> 00:19:57,868
WELL, I'M SURE
YOUR FRIEND
462
00:19:57,868 --> 00:19:59,133
WILL UNDERSTAND
WHY YOU HAVE TO CANCEL.
463
00:20:02,501 --> 00:20:04,968
DAVID, I'M NOT
GOING TO CANCEL.
464
00:20:04,968 --> 00:20:06,968
I SEE.
465
00:20:08,200 --> 00:20:11,801
WELL, I GUESS
THAT'S THAT.
466
00:20:13,767 --> 00:20:14,934
DAVID?
467
00:20:14,934 --> 00:20:16,467
WOULD YOU PLEASE
TELL ME WHAT'S WRONG?
468
00:20:16,467 --> 00:20:19,934
WRONG?
WHAT COULD BE WRONG?
469
00:20:19,934 --> 00:20:21,367
YOU WANT TO ACT
TOTALLY IRRESPONSIBLE
470
00:20:21,367 --> 00:20:22,834
AND THROW 2 1/2 YEARS
OF HARD WORK DOWN--
471
00:20:22,834 --> 00:20:24,534
IRRESPONSIBLE?
472
00:20:24,534 --> 00:20:25,734
IS THAT WHAT
YOU'RE CALLING ME?
473
00:20:25,734 --> 00:20:27,667
IS THAT WHAT YOU'RE
ACCUSING ME OF?
TELL ME!
474
00:20:27,667 --> 00:20:28,834
DID YOU GIVE THIS
A LOT OF THOUGHT,
475
00:20:28,834 --> 00:20:30,000
OR DID IT JUST POP
INTO YOUR HEAD
476
00:20:30,000 --> 00:20:31,501
WHEN YOU WERE
PLANNING THE NEXT
LIMBO LESSON?
477
00:20:31,501 --> 00:20:32,667
IT'S NOT
THE SAME THING!
478
00:20:32,667 --> 00:20:35,200
YEAH, RIGHT! IT'S
NOT THE SAME THING.
479
00:20:35,200 --> 00:20:36,634
BEING IRRESPONSIBLE
IS SOMETHING
480
00:20:36,634 --> 00:20:37,968
THAT I DO ONCE
IN A DECADE
481
00:20:37,968 --> 00:20:39,767
AND SOMETHING
THAT YOU'VE TURNED
INTO AN ART FORM.
482
00:20:39,767 --> 00:20:40,834
FINE. WHEN WAS
THE LAST TIME
483
00:20:40,834 --> 00:20:41,868
I SENT YOU OUT
ON A STAKEOUT
484
00:20:41,868 --> 00:20:42,934
ONLY BECAUSE I WANTED
TO GO OUT AND GET--
485
00:20:42,934 --> 00:20:44,300
WANTED TO WHAT?
486
00:20:47,000 --> 00:20:48,567
NOTHING.
487
00:20:48,567 --> 00:20:50,434
I'M NOT SENDING
YOU OUT ALONE.
488
00:20:50,434 --> 00:20:52,100
IF YOU DON'T
WANT TO GO ALONE,
489
00:20:52,100 --> 00:20:53,367
TAKE SOMEBODY
WITH YOU.
490
00:20:53,367 --> 00:20:55,167
THAT'S NOT THE POINT!
TAKE MR. VIOLA!
491
00:20:55,167 --> 00:20:56,267
Bert: YAY!
492
00:21:04,667 --> 00:21:07,767
OK. FINE.
493
00:21:10,133 --> 00:21:12,067
[ALL TALKING AT ONCE]
494
00:21:13,167 --> 00:21:14,334
EXCUSE ME.
I COULDN'T HELP
495
00:21:14,334 --> 00:21:15,501
BUT OVERHEAR,
MR. ADDISON.
496
00:21:15,501 --> 00:21:16,667
I'M REALLY PLEASED
ABOUT THIS.
497
00:21:16,667 --> 00:21:17,834
WHAT TIME
WOULD YOU LIKE ME
498
00:21:17,834 --> 00:21:19,968
TO BE AVAILABLE
FOR THE THING TONIGHT?
499
00:21:24,634 --> 00:21:26,400
Bert: OK.
HERE GOES.
500
00:21:26,400 --> 00:21:27,667
BLUE MOON
INVESTIGATIONS.
501
00:21:27,667 --> 00:21:30,534
FIELD NOTES
OF THE SURVEILLANCE
ON THE JOHNSON CASE.
502
00:21:30,534 --> 00:21:34,567
INVESTIGATING
AGENTS, D. ADDISON
AND H. VIOLA.
503
00:21:34,567 --> 00:21:37,000
TIME...
504
00:21:37,000 --> 00:21:39,868
7:35 P.M.
505
00:21:39,868 --> 00:21:42,100
SURVEILLING
THE WILSHIRE ARMS
HOTEL.
506
00:21:42,100 --> 00:21:46,834
SUBJECTS OBSERVED
ENGAGED IN, UH...
507
00:21:48,000 --> 00:21:50,567
I DON'T QUITE KNOW HOW
TO DESCRIBE THIS.
508
00:21:50,567 --> 00:21:51,667
WHAT DO YOU SEE?
509
00:21:56,267 --> 00:21:59,000
LOTS OF LIPS.
LOTS OF TONGUES.
510
00:21:59,000 --> 00:22:03,133
MUTUAL ORAL
EXPLORATIONS CONFINED
TO AREAS ABOUT THE FACE.
511
00:22:03,133 --> 00:22:04,234
WOW.
512
00:22:06,234 --> 00:22:08,901
MUTUAL ORAL
EXPLORATIONS
513
00:22:08,901 --> 00:22:11,734
CONFINED TO AREAS
ABOUT THE FACE.
514
00:22:11,734 --> 00:22:13,767
SUBJECT "A":
McCLAUGHERTY.
515
00:22:13,767 --> 00:22:16,033
CAUCASIAN MALE.
516
00:22:16,033 --> 00:22:17,300
SUBJECT "B":
517
00:22:17,300 --> 00:22:20,434
UNKNOWN FEMALE
OF BLOND ORIGIN.
518
00:22:20,434 --> 00:22:22,534
HOW OLD WOULD
YOU ESTIMATE SHE IS,
MR. ADDISON?
519
00:22:22,534 --> 00:22:25,300
ABOUT MADDIE'S AGE, 35.
520
00:22:25,300 --> 00:22:29,133
SUBJECT "B"
APPROXIMATELY 35.
521
00:22:29,133 --> 00:22:33,133
SO, THE BOSS LADY'S
CHOWING DOWN
522
00:22:33,133 --> 00:22:35,634
AT CHEZ BRE, EH?
523
00:22:35,634 --> 00:22:38,534
I HEAR THAT PLACE
IS VERY EXPENSIVE.
524
00:22:38,534 --> 00:22:39,601
WHAT DID YOU SAY?
525
00:22:39,601 --> 00:22:41,067
CHEZ BRE.
526
00:22:41,067 --> 00:22:43,634
AGNES MADE
THE RESERVATION
THIS AFTERNOON.
527
00:22:43,634 --> 00:22:44,801
HEIGH-HO, SILVER.
528
00:22:46,567 --> 00:22:49,434
SUBJECT "A"
HAS JUST REMOVED
SUBJECT B's--
529
00:22:49,434 --> 00:22:51,801
UH, UM,
WHAT DO YOU
CALL THAT THING?
530
00:22:51,801 --> 00:22:54,467
BLACK EVENING DRESS
CUT DOWN TO SOUTH AMERICA.
531
00:22:54,467 --> 00:22:56,801
SUBJECT "A"
HAS JUST PLACED
HIS ORAL CAVITY
532
00:22:56,801 --> 00:22:58,767
IN CLOSE PHYSICAL
PROXIMITY
533
00:22:58,767 --> 00:23:00,634
TO SUBJECT B's
UPPER TORSO
534
00:23:00,634 --> 00:23:01,934
AND LEFT CLAVICLE
REGION.
535
00:23:01,934 --> 00:23:04,334
WHOA,
536
00:23:04,334 --> 00:23:06,968
SMACK-DAB
ON THE MAMBOS.
537
00:23:06,968 --> 00:23:10,400
SUBJECT "A"
IS CARRYING
SUBJECT "B" TO BED.
538
00:23:10,400 --> 00:23:13,834
MAYDAY! MAYDAY!
539
00:23:13,834 --> 00:23:17,501
SUBJECTS ARE PRONE!
SUBJECTS ARE PRONE!
540
00:23:17,501 --> 00:23:19,667
BOY, I HOPE
THAT'S HIS WIFE.
541
00:23:21,801 --> 00:23:23,968
HAVE YOU EVER SEEN
2 PEOPLE MAKE LOVE
542
00:23:23,968 --> 00:23:25,634
LIKE THAT BEFORE,
MR. ADDISON?
543
00:23:27,033 --> 00:23:28,968
THIS IS--THIS IS
RELIGIOUS.
544
00:23:33,601 --> 00:23:37,667
I HAVE NEVER SEEN
2 PEOPLE MAKE LOVE
LIKE THIS BEFORE.
545
00:23:37,667 --> 00:23:40,567
HAVE YOU,
MR. ADDISON?
546
00:23:40,567 --> 00:23:41,734
MR. ADDISON?
[DOOR CLOSES]
547
00:23:43,033 --> 00:23:44,467
MR. ADDISON?
548
00:23:47,801 --> 00:23:49,334
Man: SIR?
549
00:23:49,334 --> 00:23:51,534
EXCUSE ME.
I AM SORRY, SIR,
550
00:23:51,534 --> 00:23:53,534
BUT I'M AFRAID
YOU WON'T BE
ABLE TO DINE HERE.
551
00:23:53,534 --> 00:23:55,834
SURE I WILL. LOOK,
OPPOSABLE THUMBS.
552
00:23:55,834 --> 00:23:57,501
BEEN USING
SILVERWARE SINCE
COLLEGE.
553
00:23:57,501 --> 00:23:59,267
GENTLEMEN ARE REQUIRED
TO WEAR A JACKET.
554
00:23:59,267 --> 00:24:00,701
LOOK, MY MAN,
I'M JUST HERE
555
00:24:00,701 --> 00:24:02,267
LOOKING FOR
SOMEBODY, ALL RIGHT?
556
00:24:02,267 --> 00:24:03,434
IS THIS
THE WHOLE SPREAD,
557
00:24:03,434 --> 00:24:04,534
OR YOU GOT A PARTY
ROOM IN BACK?
558
00:24:07,434 --> 00:24:11,367
YOU HAVEN'T SEEN
MR. JACKSON ANYWHERE
TONIGHT, HAVE YOU?
559
00:24:11,367 --> 00:24:12,834
I DON'T BELIEVE SO, SIR,
560
00:24:12,834 --> 00:24:14,234
BUT PERHAPS WE COULD
FIND YOU A JACKET
561
00:24:14,234 --> 00:24:15,567
AND YOU COULD LOOK
FOR YOURSELF.
562
00:24:15,567 --> 00:24:16,667
SPLENDID.
563
00:24:19,300 --> 00:24:20,801
THIS IS ALL WE HAVE.
564
00:24:20,801 --> 00:24:22,734
I HOPE YOU ARE
COMFORTABLE WITH IT.
565
00:24:27,067 --> 00:24:28,667
[CLOTH RIPPING]
566
00:24:28,667 --> 00:24:29,934
MARVELOUS FIT.
567
00:24:44,934 --> 00:24:47,567
NICE SPREAD.
HOPE YOU GET LUCKY.
568
00:25:06,067 --> 00:25:07,400
DAVID.
569
00:25:07,400 --> 00:25:09,033
EVENING.
570
00:25:09,033 --> 00:25:10,133
HI.
571
00:25:12,868 --> 00:25:13,968
HI.
572
00:25:15,367 --> 00:25:16,734
DAVID?
573
00:25:16,734 --> 00:25:19,634
FORGIVE ME.
I'M SORRY.
574
00:25:19,634 --> 00:25:21,501
SORRY TO INTERRUPT
YOUR DINNER.
575
00:25:21,501 --> 00:25:24,000
IT'S JUST THAT
THERE'S KIND OF
AN EMERGENCY.
576
00:25:24,000 --> 00:25:26,000
EMERGENCY?
WHAT KIND OF EMERGENCY?
577
00:25:26,000 --> 00:25:27,267
WELL...
578
00:25:27,267 --> 00:25:28,868
OH, I'M SORRY.
579
00:25:28,868 --> 00:25:31,033
SAM, THIS IS DAVID.
DAVID ADDISON,
MY ASSOCIATE.
580
00:25:31,033 --> 00:25:32,567
DAVID, THIS IS
SAM CRAWFORD.
581
00:25:32,567 --> 00:25:33,634
YEAH, WE'VE--
582
00:25:33,634 --> 00:25:35,901
NICE TO MEET YOU.
583
00:25:35,901 --> 00:25:37,634
NICE TO MEET
YOU, TOO.
584
00:25:37,634 --> 00:25:40,367
UH, LISTEN, WHY DON'T
I EXCUSE MYSELF
585
00:25:40,367 --> 00:25:41,734
AND LET YOU TWO DISCUSS
WHATEVER IT IS--
586
00:25:41,734 --> 00:25:43,834
OH, NO. THAT'S
NOT NECESSARY.
587
00:25:43,834 --> 00:25:44,934
HAVE A SEAT.
588
00:25:47,000 --> 00:25:48,801
I'LL BE BACK
IN A FEW MINUTES.
589
00:25:57,000 --> 00:25:58,100
[MADDIE PATS SEAT]
590
00:26:07,100 --> 00:26:08,434
WELL.
591
00:26:08,434 --> 00:26:10,000
WELL.
592
00:26:10,000 --> 00:26:11,868
SO, THAT'S YOUR
OLD FRIEND SAM.
593
00:26:11,868 --> 00:26:13,701
YES, THAT'S
MY OLD FRIEND SAM.
594
00:26:13,701 --> 00:26:16,567
YEAH, I HAD
AN OLD FRIEND SAM ONCE.
595
00:26:16,567 --> 00:26:18,634
KIND OF LOOKED LIKE HIM.
596
00:26:18,634 --> 00:26:21,567
NICE ENOUGH GUY,
DIDN'T REALLY DESERVE JAIL.
597
00:26:21,567 --> 00:26:24,767
I GUESS THAT RAINCOAT
JUST SORT OF...FELL OPEN.
598
00:26:24,767 --> 00:26:26,200
WHAT'S THE EMERGENCY,
DAVID?
599
00:26:32,300 --> 00:26:34,234
YOU GUYS KNOW
ANY BLACK SABBATH?
600
00:26:40,133 --> 00:26:41,634
THERE IS NO EMERGENCY,
IS THERE?
601
00:26:41,634 --> 00:26:44,534
YES--YES, THERE IS.
THERE IS AN EMERGENCY.
602
00:26:44,534 --> 00:26:46,133
ALL RIGHT.
603
00:27:00,667 --> 00:27:03,634
WELL,
604
00:27:03,634 --> 00:27:04,901
I, UH...
605
00:27:07,067 --> 00:27:09,167
KIND OF REALIZED
SOMETHING LAST NIGHT.
606
00:27:11,267 --> 00:27:12,367
WHAT?
607
00:27:13,601 --> 00:27:16,534
WELL, I MADE
A DECISION.
608
00:27:18,300 --> 00:27:20,300
A BIG DECISION.
609
00:27:21,968 --> 00:27:25,400
OH, GOD, MADDIE.
610
00:27:25,400 --> 00:27:26,801
WHAT, DAVID?
611
00:27:26,801 --> 00:27:29,501
LOOK, WHAT
I'M TRYING TO SAY IS--
612
00:27:29,501 --> 00:27:30,601
Sam: HI.
613
00:27:31,901 --> 00:27:33,100
BACK TOO SOON?
614
00:27:33,100 --> 00:27:34,334
NO. UH-HUH.
NO. NO.
615
00:27:34,334 --> 00:27:36,167
MM-MMM.
616
00:27:37,701 --> 00:27:39,868
AS A MATTER OF FACT,
THE MEETING'S OVER.
617
00:27:41,434 --> 00:27:42,667
EVERYTHING'S
STRAIGHTENED OUT.
618
00:27:48,133 --> 00:27:49,234
SAM, SIT.
619
00:27:53,400 --> 00:27:56,901
WELL, THANK YOU
FOR UPDATING ME ON
THE SITUATION, DAVID.
620
00:27:58,767 --> 00:27:59,868
RIGHT.
621
00:28:03,033 --> 00:28:04,534
MAYBE YOU WANT
TO JOIN US FOR
A GLASS OF WINE?
622
00:28:04,534 --> 00:28:05,834
HUH?
623
00:28:06,968 --> 00:28:09,267
WINE. YOU KNOW,
THIS STUFF.
624
00:28:09,267 --> 00:28:11,634
I'M REALLY NOT MUCH
OF A DRINKER.
625
00:28:11,634 --> 00:28:14,501
MAYBE YOU'D LIKE
TO GIVE US A HAND
PUTTING THIS AWAY.
626
00:28:14,501 --> 00:28:17,467
UH, THAT IS,
IF THE EMERGENCY
IS TAKEN CARE OF.
627
00:28:21,634 --> 00:28:23,734
SURE.
628
00:28:23,734 --> 00:28:24,934
SURE.
629
00:28:26,133 --> 00:28:27,234
GREAT.
630
00:28:35,567 --> 00:28:37,801
WELL, THIS IS NICE.
631
00:28:37,801 --> 00:28:39,400
I WANTED
YOU TWO TO MEET.
632
00:28:39,400 --> 00:28:43,000
WHO WOULD'VE KNOWN
IT'D BE TONIGHT,
HERE, NOW.
633
00:28:46,300 --> 00:28:47,434
TO OLD FRIENDS.
634
00:28:47,434 --> 00:28:49,334
OLD FRIENDS.
635
00:28:50,834 --> 00:28:52,100
OLD FRIENDS.
636
00:29:05,000 --> 00:29:07,234
SO, YOU 2 KIDS WENT
TO MODELING SCHOOL
TOGETHER, HUH?
637
00:29:07,234 --> 00:29:08,634
SAM WENT TO YALE.
638
00:29:10,300 --> 00:29:12,367
YALE.
639
00:29:12,367 --> 00:29:14,968
MUST'VE PUT QUITE
A DENT IN THE OLD MAN'S
POCKETBOOK, HUH?
640
00:29:14,968 --> 00:29:17,634
YEAH. WELL, I KIND OF
641
00:29:17,634 --> 00:29:19,367
WORKED MY WAY
THROUGH SCHOOL.
642
00:29:19,367 --> 00:29:21,801
NO KIDDING. ME, TOO.
643
00:29:21,801 --> 00:29:26,100
I SPENT A FEW SHIFTS
BEHIND THE BAR.
644
00:29:26,100 --> 00:29:29,267
STILL, I GUESS TIPS
645
00:29:29,267 --> 00:29:32,067
REALLY DON'T PAY
FOR A COUNTRY CLUB
LIKE YALE, HUH?
646
00:29:33,467 --> 00:29:35,200
I HAD A STREAK
OF GOOD LUCK.
647
00:29:35,200 --> 00:29:37,000
YOU WORKED
YOUR FINGERS
TO THE BONE.
648
00:29:37,000 --> 00:29:38,634
RIGHT PLACE,
RIGHT TIME.
649
00:29:38,634 --> 00:29:41,701
SAM, THEY DON'T GO AROUND
GIVING OUT PATENTS
TO COLLEGE SOPHOMORES.
650
00:29:41,701 --> 00:29:43,067
PATENT?
651
00:29:43,067 --> 00:29:45,300
IT'S NO BIG DEAL.
652
00:29:45,300 --> 00:29:46,501
IF I HADN'T STUMBLED
ONTO IT,
653
00:29:46,501 --> 00:29:47,601
SOMEONE ELSE
WOULD'VE.
654
00:29:49,100 --> 00:29:52,501
AN INVENTOR, HUH?
LET ME GUESS.
655
00:29:52,501 --> 00:29:54,534
YOU'RE THE GUY
THAT INVENTED
EDIBLE UNDERWEAR.
656
00:29:54,534 --> 00:29:56,267
HA HA HA!
657
00:29:57,734 --> 00:29:59,534
HA HA HA!
658
00:29:59,534 --> 00:30:02,367
NO. IT'S NOTHING
THAT INTERESTING.
659
00:30:02,367 --> 00:30:04,234
I WAS
NOODLING AROUND
660
00:30:04,234 --> 00:30:06,734
WITH LOW-DENSITY
POLYMERS.
661
00:30:06,734 --> 00:30:08,100
ONE THING LED
TO THE OTHER.
662
00:30:09,234 --> 00:30:10,667
LONG TIME AGO.
663
00:30:13,534 --> 00:30:14,734
WHERE'D YOU GO
TO SCHOOL, DAVE?
664
00:30:14,734 --> 00:30:17,567
I WENT TO A COUPLE
OF DIFFERENT PLACES,
ACTUALLY.
665
00:30:17,567 --> 00:30:19,734
UM...
666
00:30:19,734 --> 00:30:22,033
COUPLE OF
DIFFERENT PLACES.
667
00:30:22,033 --> 00:30:24,400
I PLAN ON GOING BACK
SOMEDAY AND FINISHING UP.
668
00:30:30,534 --> 00:30:33,400
SO, WHAT ARE YOU UP TO
THESE DAYS, SAM?
669
00:30:33,400 --> 00:30:34,467
SET FOR LIFE?
670
00:30:34,467 --> 00:30:36,501
I WISH.
671
00:30:36,501 --> 00:30:39,400
NO. NO, IN FACT,
672
00:30:39,400 --> 00:30:42,100
RIGHT NOW,
I'M IN-BETWEEN JOBS.
673
00:30:42,100 --> 00:30:45,868
NO KIDDING.
WHIZ KID LIKE YOU, HUH?
674
00:30:45,868 --> 00:30:48,901
WELL, I'M SURE
SOMETHING'S BOUND
TO TURN UP.
675
00:30:48,901 --> 00:30:50,200
I KNOW.
676
00:30:52,234 --> 00:30:54,701
LOOK, I, UH,
I KNOW A FEW PEOPLE.
677
00:30:54,701 --> 00:30:57,400
I'D BE HAPPY TO MAKE
A FEW PHONE CALLS
FOR YOU, IF YOU LIKE.
678
00:30:57,400 --> 00:30:58,400
DAVID.
679
00:30:58,400 --> 00:30:59,434
GEE, THANKS, DAVE,
680
00:30:59,434 --> 00:31:00,501
BUT YOU REALLY
DON'T HAVE TO.
681
00:31:00,501 --> 00:31:02,300
WELL,
DON'T THANK ME, NOW.
682
00:31:02,300 --> 00:31:04,434
YOU'RE A FRIEND
OF MADDIE'S,
DOWN ON YOUR LUCK.
683
00:31:04,434 --> 00:31:06,300
I'D BE MORE THAN HAPPY
TO HELP OUT.
684
00:31:06,300 --> 00:31:07,834
DAVID, SAM DOESN'T
NEED HELP.
685
00:31:07,834 --> 00:31:10,534
MADDIE, THE MAN JUST
SAID HE WAS BETWEEN JOBS.
686
00:31:13,200 --> 00:31:14,300
TELL HIM, SAM.
687
00:31:18,267 --> 00:31:19,234
TELL ME WHAT?
688
00:31:23,400 --> 00:31:24,567
WHAT?
689
00:31:24,567 --> 00:31:26,067
SAM'S AN ASTRONAUT.
690
00:31:28,667 --> 00:31:31,067
HA HA HA!
691
00:31:33,234 --> 00:31:34,267
HA HA HA!
692
00:31:34,267 --> 00:31:35,901
I HATE THAT WORD.
693
00:31:40,634 --> 00:31:41,767
YOU'RE KIDDING ME,
RIGHT?
694
00:31:41,767 --> 00:31:44,467
NO. NO.
695
00:31:44,467 --> 00:31:46,400
THERE'S JUST
NOTHING MUCH
TO TALK ABOUT.
696
00:31:46,400 --> 00:31:48,467
NOT UNTIL THEY GET
THE DARN O-RINGS
STRAIGHTENED OUT.
697
00:31:48,467 --> 00:31:51,167
YEAH, THEM DAMN O-RINGS
ARE A BUMMER.
698
00:31:51,167 --> 00:31:52,834
YEAH.
699
00:31:52,834 --> 00:31:54,701
WELL, LOOK, I MEAN,
THEY JUST NEEDED
700
00:31:54,701 --> 00:31:57,667
A PARTICLE PHYSICS
GUY ON THE TEAM.
701
00:31:57,667 --> 00:32:00,167
JUST THREW MY NAME
INTO THE HAT.
702
00:32:01,534 --> 00:32:02,734
GOT LUCKY, I GUESS.
703
00:32:05,400 --> 00:32:08,100
YEAH.
[CHUCKLES]
704
00:32:08,100 --> 00:32:09,367
I GUESS SO.
705
00:32:11,467 --> 00:32:12,734
ANYBODY WANT TO ORDER?
706
00:32:15,968 --> 00:32:17,901
[MAKING ROCKET NOISES]
707
00:32:19,434 --> 00:32:20,534
HA HA HA!
708
00:32:22,200 --> 00:32:23,501
David:
YOU KNOW, PERSONALLY,
709
00:32:23,501 --> 00:32:26,701
I THINK SPACE TRAVEL
IS HIGHLY OVERRATED.
710
00:32:26,701 --> 00:32:29,200
YOU GOT NO STEWARDESSES,
NO MOVIES--
711
00:32:29,200 --> 00:32:30,334
NO DRINKING.
712
00:32:33,334 --> 00:32:36,834
OH. I'M SORRY.
I THOUGHT WE
WERE CELEBRATING.
713
00:32:36,834 --> 00:32:38,367
AREN'T WE
CELEBRATING, SAMMY?
714
00:32:38,367 --> 00:32:39,834
OH, YEAH,
WE'RE DEFINITELY
CELEBRATING.
715
00:32:39,834 --> 00:32:41,567
YOU BETCHA,
WE'RE CELEBRATING.
716
00:32:43,234 --> 00:32:45,033
I PREFER TERRA FIRMA.
717
00:32:45,033 --> 00:32:46,667
AS A MATTER OF FACT,
718
00:32:46,667 --> 00:32:48,868
THE FIRMA THE TERRA,
THE BETTER.
719
00:32:48,868 --> 00:32:50,400
OO-HOO!
HA HA HA!
720
00:32:51,734 --> 00:32:52,934
HOW ABOUT YOU,
MADDIE?
721
00:32:52,934 --> 00:32:53,968
YOU STILL AFRAID
OF FLYING?
722
00:32:53,968 --> 00:32:55,834
WHAT?
SAM.
723
00:32:55,834 --> 00:32:58,000
SHE USED TO BE SCARED
TO DEATH OF FLYING.
724
00:32:58,000 --> 00:32:59,167
WHEN WAS THAT?
725
00:32:59,167 --> 00:33:01,133
SUMMER OF '71?
726
00:33:01,133 --> 00:33:04,334
YEAH. I WAS UP
IN SCHOOL IN BOSTON,
727
00:33:04,334 --> 00:33:05,701
AND SHE CAME UP
TO VISIT.
728
00:33:05,701 --> 00:33:07,400
GOT OFF THE PLANE.
SHE WAS WHITE
AS A GHOST.
729
00:33:07,400 --> 00:33:09,834
HUH. I DIDN'T
KNOW THAT.
730
00:33:09,834 --> 00:33:11,834
YOU TWO, IN COLLEGE...
731
00:33:11,834 --> 00:33:13,667
NO. NOT THEN.
LATER, I MEAN--
732
00:33:13,667 --> 00:33:15,200
SAM.
733
00:33:15,200 --> 00:33:16,934
NOTHING TO BE
EMBARRASSED ABOUT.
YOU EMBARRASSED?
734
00:33:16,934 --> 00:33:18,267
YEAH,
DON'T BE EMBARRASSED.
735
00:33:18,267 --> 00:33:20,234
SHE COULDN'T EVEN
ENJOY THE TRIP,
736
00:33:20,234 --> 00:33:22,200
SHE WAS
SO WORRIED ABOUT
THE FLIGHT BACK.
737
00:33:22,200 --> 00:33:24,334
I FELT SO SORRY
FOR HER,
738
00:33:24,334 --> 00:33:26,868
FINALLY BORROWED
A CAR FROM
A FRIEND OF MINE
739
00:33:26,868 --> 00:33:28,501
AND DROVE HER
TO CHICAGO MYSELF.
740
00:33:28,501 --> 00:33:30,434
OH, THAT MUST'VE
TAKEN SOME TIME, HUH?
741
00:33:30,434 --> 00:33:32,968
IT DID. 2 DAYS,
2 NIGHTS. RIGHT?
742
00:33:34,334 --> 00:33:35,601
RIGHT.
743
00:33:38,200 --> 00:33:42,968
WELL, SHE SEEMS
TO BE JUST FINE
ABOUT FLYING NOW.
744
00:33:42,968 --> 00:33:44,467
BUT THEN,
I AIN'T GOT A CAR.
745
00:33:44,467 --> 00:33:46,234
HMM?
SAM.
746
00:33:46,234 --> 00:33:49,767
OH, RIGHT.
YOU TWO GET
AROUND, HUH?
747
00:33:49,767 --> 00:33:50,834
APPARENTLY.
748
00:33:50,834 --> 00:33:52,100
HA HA HA!
749
00:33:54,067 --> 00:33:57,133
DON'T EVEN THINK
ABOUT IT, PAL.
750
00:33:57,133 --> 00:33:58,534
I INSIST.
751
00:33:58,534 --> 00:33:59,801
HEY, COME HERE.
752
00:34:02,200 --> 00:34:03,901
YOU CAN GET
THE NEXT ONE,
SPACE COWBOY.
753
00:34:03,901 --> 00:34:06,601
OK. I ONLY GOT
MARTIAN DOLLARS
ANYWAY.
754
00:34:06,601 --> 00:34:07,767
HA HA HA!
755
00:34:09,434 --> 00:34:12,434
MARTIAN DOLLARS.
THAT'S GREAT.
756
00:34:12,434 --> 00:34:15,267
THAT'S GOOD.
YOU DIDN'T TELL ME
LUKE SKYWALKER OVER HERE
757
00:34:15,267 --> 00:34:16,934
HAS GOT SUCH
A GREAT SENSE OF HUMOR.
758
00:34:16,934 --> 00:34:19,534
HEY, I GOT A GREAT IDEA.
IT'S NOT TOO LATE.
759
00:34:19,534 --> 00:34:22,934
I KNOW THIS GREAT CLUB.
WE CAN GO BY THERE.
IT'S OPEN MIC NIGHT.
760
00:34:22,934 --> 00:34:24,601
YOU GET UP,
YOU TELL A COUPLE
OF THESE MARTIAN JOKES.
761
00:34:24,601 --> 00:34:25,767
YOU'LL KILL THEM.
762
00:34:25,767 --> 00:34:26,934
DAVID.
WHAT DO YOU SAY?
763
00:34:26,934 --> 00:34:28,100
THAT'S NOT REALLY
MY STYLE.
764
00:34:28,100 --> 00:34:30,601
COME ON. WHERE'S
YOUR SENSE OF ADVENTURE?
765
00:34:30,601 --> 00:34:32,434
LOOK, IF YOU'RE WORRIED
ABOUT THE MONEY,
DON'T WORRY ABOUT IT--
766
00:34:32,434 --> 00:34:33,901
Man: I'M TERRIBLY SORRY,
MR. ADDISON.
767
00:34:33,901 --> 00:34:36,067
YOUR CARD WAS REFUSED.
768
00:34:36,067 --> 00:34:37,501
YOU'RE TERRIBLY
SORRY WHAT?
769
00:34:37,501 --> 00:34:39,801
LOOK, MY MAN,
I'M TRYING TO BUY
A DINNER OVER HERE
770
00:34:39,801 --> 00:34:41,801
FOR A NATIONALLY
FAMOUS ASTRONAUT.
WHY DON'T YOU GO--
771
00:34:41,801 --> 00:34:42,968
Sam: HEY, DAVID,
IT'S OK.
772
00:34:42,968 --> 00:34:44,634
NO, THAT'S ALL RIGHT,
BABE, I GOT IT.
773
00:34:44,634 --> 00:34:46,100
Sam: DAVID.
774
00:34:46,100 --> 00:34:47,234
IT'S OK.
775
00:34:51,100 --> 00:34:52,200
WELL...
776
00:34:54,968 --> 00:34:56,334
I'LL GET YOU BACK, LUKE.
777
00:34:56,334 --> 00:34:57,501
YEP.
778
00:34:58,734 --> 00:35:00,234
I KNOW YOU WILL.
779
00:35:11,033 --> 00:35:12,300
LOVELY EVENING.
780
00:35:14,501 --> 00:35:16,534
REALLY LOVELY
EVENING.
781
00:35:16,534 --> 00:35:17,701
GIVE ME THE TICKET,
782
00:35:17,701 --> 00:35:18,868
I'LL GIVE HIM
THE TICKET,
783
00:35:18,868 --> 00:35:20,801
AND I'LL DRIVE
YOU HOME.
784
00:35:20,801 --> 00:35:22,067
LOVELY EVENING.
785
00:35:22,067 --> 00:35:23,501
REALLY,
A LOVELY EVENING.
786
00:35:27,534 --> 00:35:29,834
OH,
YOU TWO GUYS CAME
IN THE SAME CAR.
787
00:35:31,234 --> 00:35:32,734
WELL, LOOK,
THAT'S NO PROBLEM.
788
00:35:32,734 --> 00:35:34,234
GIVE ME THE TICKET,
I'LL GIVE HIM
THE TICKET.
789
00:35:34,234 --> 00:35:36,934
SAM, UM, WE CAN
DROP YOU, RIGHT?
790
00:35:36,934 --> 00:35:38,367
WE CAN DROP HIM,
RIGHT?
791
00:35:41,734 --> 00:35:43,801
OH, YOU BROUGHT--
792
00:35:43,801 --> 00:35:46,934
BROUGHT
BOTH CARS. OK.
793
00:35:46,934 --> 00:35:48,667
WELL, THEN, THIS
IS GOOD-BYE, THEN.
794
00:35:48,667 --> 00:35:49,767
ALL RIGHT.
795
00:35:51,434 --> 00:35:53,467
MR. SKYWALKER,
IT HAS BEEN
796
00:35:53,467 --> 00:35:55,801
A REAL PLEASURE
MEETING YOU.
797
00:35:55,801 --> 00:35:58,567
I HOPE TO BE HEARING
ABOUT YOU SOON.
798
00:35:58,567 --> 00:36:00,734
I HOPE TO BE
READING ABOUT
YOU SOON.
799
00:36:00,734 --> 00:36:04,701
AND I'M SURE
THAT THE BLASTOFF
WILL BE A BLAST.
800
00:36:04,701 --> 00:36:05,868
UM,
801
00:36:05,868 --> 00:36:08,100
GIVE ME THE TICKET,
AND I'LL START
THE CAR,
802
00:36:08,100 --> 00:36:10,634
AND YOU GUYS SAY
GOOD-BYE. OK?
803
00:36:10,634 --> 00:36:11,801
GIVE ME THE K--
804
00:36:11,801 --> 00:36:13,734
THE KEYS ARE
IN THE CAR.
805
00:36:13,734 --> 00:36:16,133
CAN'T START THE CAR
WITHOUT THE KEYS.
806
00:36:16,133 --> 00:36:17,968
DUMB, DAVID.
807
00:36:17,968 --> 00:36:19,234
KEYS ARE
IN THIS CAR.
808
00:36:20,901 --> 00:36:22,133
I'M SORRY.
809
00:36:22,133 --> 00:36:24,300
DON'T BE.
810
00:36:24,300 --> 00:36:26,834
HOW ABOUT, UH,
I DRIVE HIM HOME?
811
00:36:26,834 --> 00:36:29,067
MEET YOU BACK
AT THE HOUSE.
812
00:36:29,067 --> 00:36:31,634
HEY, COWBOY,
813
00:36:31,634 --> 00:36:33,067
I'M TAKING YOU HOME.
814
00:36:33,067 --> 00:36:34,767
YOU KNOW, A THOUGHT
JUST FLITTED
THROUGH MY HEAD.
815
00:36:34,767 --> 00:36:36,868
YOU'RE NOT STAYING
AT A HOTEL, ARE YOU?
816
00:36:43,267 --> 00:36:44,968
THINK YOU CAN
WALK TO MY CAR?
817
00:36:44,968 --> 00:36:46,901
OF COURSE I CAN
WALK TO YOUR CAR.
818
00:36:48,901 --> 00:36:50,067
HERE WE GO.
819
00:36:50,067 --> 00:36:51,934
CAN I ASK YOU
SOMETHING?
MM-HMM.
820
00:36:51,934 --> 00:36:53,100
LET ME ASK
YOU SOMETHING.
821
00:36:53,100 --> 00:36:54,400
NOW, YOU'RE
AN ASTRONAUT, RIGHT?
822
00:36:54,400 --> 00:36:55,400
MM-HMM.
823
00:36:55,400 --> 00:36:58,100
NOW, WELL, I--
YOU, YOU KNOW,
824
00:36:58,100 --> 00:36:59,601
I'M NOT SAYING
ANYTHING'S GOING ON,
825
00:36:59,601 --> 00:37:00,767
BUT YOU'RE
AN ASTRONAUT, RIGHT?
826
00:37:00,767 --> 00:37:03,267
YOU GOT A REPUTATION
TO THINK OF, RIGHT?
827
00:37:03,267 --> 00:37:04,434
HUH?
828
00:37:04,434 --> 00:37:05,601
I'M JUST TAKING
YOU HOME.
829
00:37:05,601 --> 00:37:07,400
THEN TAKE MADDIE HOME.
830
00:37:07,400 --> 00:37:09,334
NO. NO, NO,
I LIKE YOU BETTER.
831
00:37:10,968 --> 00:37:12,067
GET IN.
832
00:37:23,601 --> 00:37:24,701
MADDIE.
833
00:37:28,267 --> 00:37:30,033
THIS IS
A VERY NICE MAN.
834
00:37:34,601 --> 00:37:35,701
[HICCUPS]
835
00:37:44,534 --> 00:37:48,067
Frank Sinatra, on radio:
* WHEN SOMEBODY LOVES YOU *
836
00:37:48,067 --> 00:37:53,033
* IT'S NO GOOD
UNLESS HE LOVES YOU *
837
00:37:54,434 --> 00:37:55,601
[SAM HUMMING]
838
00:37:55,601 --> 00:37:58,667
Sinatra and Sam:
* ALL THE WAY *
839
00:37:59,734 --> 00:38:02,133
* HAPPY TO BE NEAR YOU *
840
00:38:02,133 --> 00:38:06,434
* WHEN YOU NEED
SOMEONE TO CHEER YOU *
841
00:38:06,434 --> 00:38:11,601
* ALL THE WAY *
842
00:38:12,667 --> 00:38:18,234
* TALLER THAN
THE TALLEST TREE IS *
843
00:38:18,234 --> 00:38:22,601
* THAT'S HOW
IT'S GOT TO FEEL *
844
00:38:25,133 --> 00:38:30,501
* DEEPER THAN
THE DEEP BLUE SEA IS *
845
00:38:30,501 --> 00:38:34,667
* THAT'S HOW DEEP IT GOES,
IF IT'S REAL *
846
00:38:37,300 --> 00:38:40,601
* WHEN SOMEBODY NEEDS YOU *
847
00:38:40,601 --> 00:38:44,167
* IT'S NO GOOD
UNLESS THEY NEED YOU *
848
00:38:45,567 --> 00:38:49,767
* ALL THE WAY *
849
00:38:49,767 --> 00:38:52,300
Sinatra:
* THROUGH THE GOOD
OR LEAN YEARS *
850
00:38:52,300 --> 00:38:56,334
* AND FOR ALL
THOSE IN-BETWEEN YEARS *
851
00:38:56,334 --> 00:38:57,501
AHEM.
852
00:38:57,501 --> 00:38:59,634
* COME WHAT MAY *
853
00:39:02,701 --> 00:39:08,400
* WHO KNOWS WHERE
THE ROAD WILL LEAD US? *
854
00:39:08,400 --> 00:39:11,801
* ONLY A FOOL WOULD SAY *
855
00:39:13,901 --> 00:39:16,767
* BUT IF YOU
LET ME LOVE YOU *
856
00:39:16,767 --> 00:39:21,734
* IT'S FOR SURE
I'M GONNA LOVE YOU... *
857
00:39:21,734 --> 00:39:23,000
[HICCUPPING]
858
00:39:23,000 --> 00:39:25,000
FEELING OK?
859
00:39:25,000 --> 00:39:26,601
A LITTLE QUEASY.
860
00:39:28,968 --> 00:39:30,367
ARE YOU GOING
TO SING AGAIN?
861
00:39:34,634 --> 00:39:36,234
GOT TO GET SOME GAS.
862
00:40:29,567 --> 00:40:31,000
DON'T BE EMBARRASSED.
863
00:40:32,534 --> 00:40:33,701
DON'T BE EMBARRASSED.
864
00:40:33,701 --> 00:40:35,767
I UNDERSTAND.
865
00:40:35,767 --> 00:40:38,000
I UNDERSTAND
COMPLETELY.
866
00:40:38,000 --> 00:40:39,267
IT'S A GLANDULAR THING.
867
00:40:41,133 --> 00:40:44,634
LISTEN,
I'VE BEEN APPOINTED BY
868
00:40:44,634 --> 00:40:47,167
EVERY OTHER LIVING THING
ON THE PLANET
869
00:40:47,167 --> 00:40:50,100
TO EXPLAIN TO YOU
WHAT HAPPENS
870
00:40:50,100 --> 00:40:51,367
WHEN 2 SOLIDS MEET.
871
00:40:52,701 --> 00:40:56,234
CAN YOU SAY THAT?
SOLIDS.
872
00:40:58,567 --> 00:41:00,968
ALL RIGHT.
WE'LL START AT
THE BEGINNING.
873
00:41:00,968 --> 00:41:04,567
YOU SEE WHAT
WE GOT HERE IS
A BIG SOLID.
874
00:41:07,868 --> 00:41:09,634
WHOA, NELLIE.
875
00:41:09,634 --> 00:41:10,901
HEY, THERE'S SOME
GUY OUT THERE
876
00:41:10,901 --> 00:41:12,667
USING YOUR FRIEND
FOR A BUTTER CHURN.
877
00:41:12,667 --> 00:41:14,000
David: HEY!
878
00:41:14,000 --> 00:41:16,434
LET ME AT YOU.
OH!
879
00:41:16,434 --> 00:41:17,667
Sam: HEY!
880
00:41:17,667 --> 00:41:19,100
WAIT. WAIT.
881
00:41:19,100 --> 00:41:21,767
BACK OFF, OR
I'LL BREAK HIM
IN HALF.
882
00:41:21,767 --> 00:41:23,334
David: NOW YOU'RE
IN TROUBLE, PAL.
883
00:41:23,334 --> 00:41:24,901
THAT GUY'S AN ASTRONAUT.
884
00:41:24,901 --> 00:41:27,634
I GUESS YOU NEVER MESSED
WITH AN ASTRONAUT
BEFORE, HUH?
885
00:41:27,634 --> 00:41:29,667
HEY, PAL,
COME ON. COME ON.
886
00:41:29,667 --> 00:41:31,634
WHY NOT JUST
PUT HIM DOWN?
887
00:41:31,634 --> 00:41:33,767
GUY'S HAD
TOO MUCH TO DRINK.
888
00:41:33,767 --> 00:41:35,100
HE DOESN'T KNOW WHAT
HE'S TALKING ABOUT.
889
00:41:35,100 --> 00:41:36,934
OH, YOU BETTER LISTEN
TO HIM, MAN.
890
00:41:36,934 --> 00:41:38,400
I AIN'T FEELING
TOO GOOD.
891
00:41:38,400 --> 00:41:40,767
HE GOES DOWN
WHEN I GET READY,
892
00:41:40,767 --> 00:41:43,767
AND HE GOES DOWN HARD.
893
00:41:43,767 --> 00:41:46,601
OK. OK, I'M JUST
TRYING TO WARN YOU.
894
00:41:46,601 --> 00:41:47,968
HE'S NOT
LOOKING TOO GOOD.
895
00:41:47,968 --> 00:41:49,801
HE'S JUST
WARNING YOU.
896
00:41:49,801 --> 00:41:51,734
WARNING ME
ABOUT WHAT?
897
00:42:09,000 --> 00:42:11,100
HEY.
898
00:42:22,167 --> 00:42:25,067
WE SHOW THOSE GUYS WHAT
WE WERE MADE OF TONIGHT,
OR WHAT?
899
00:42:25,067 --> 00:42:28,267
YEAH.
900
00:42:28,267 --> 00:42:29,367
THERE WAS JUST
ONE GUY.
901
00:42:30,534 --> 00:42:32,267
WHAT DO YOU MEAN,
THERE WAS ONLY ONE GUY?
902
00:42:38,400 --> 00:42:40,467
HOW MANY FINGERS
AM I HOLDING UP?
903
00:42:40,467 --> 00:42:43,067
4.
904
00:42:43,067 --> 00:42:45,000
RIGHT. THERE WERE 4.
905
00:42:45,000 --> 00:42:47,434
COME ON.
COME ON.
906
00:42:50,434 --> 00:42:51,767
YEAH.
ME AND YOU.
907
00:42:57,601 --> 00:42:58,767
WE GOT TO DO
THIS AGAIN SOMEDAY.
908
00:42:58,767 --> 00:42:59,934
YEAH.
909
00:42:59,934 --> 00:43:01,601
MAYBE I OUGHT
TO SCAB OVER FIRST.
910
00:43:01,601 --> 00:43:03,901
YOU KNOW,
THAT'S THE PROBLEM
WITH DAMES.
911
00:43:03,901 --> 00:43:07,067
THEY NEVER KNOW
HOW TO ENJOY
A GOOD STREET FIGHT.
912
00:43:07,067 --> 00:43:09,868
WHO NEEDS THEM?
ESPECIALLY MADDIE.
913
00:43:11,267 --> 00:43:13,667
NOW THERE'S UNO
UPTIGHT WHITE CHICK.
914
00:43:13,667 --> 00:43:14,934
KEYS.
915
00:43:14,934 --> 00:43:16,934
I MEAN, YOU NOTICE
WE DIDN'T START
916
00:43:16,934 --> 00:43:18,634
HAVING ANY FUN
TILL WE DITCHED HER?
917
00:43:18,634 --> 00:43:21,334
NEVER HAVE ANY
FUN WITH MADDIE.
918
00:43:21,334 --> 00:43:23,501
ALWAYS GOT TO BE
IN CONTROL, DAVID.
919
00:43:23,501 --> 00:43:26,000
SHOES ALWAYS GOT
TO MATCH THE BAG, DAVID.
920
00:43:30,334 --> 00:43:32,067
I DIDN'T MEAN
ANY OF THAT.
921
00:43:34,334 --> 00:43:35,968
I KNOW.
922
00:44:22,534 --> 00:44:24,434
TRY NOT TO FALL
OUT OF BED.
923
00:44:28,000 --> 00:44:29,901
HEY, LUKE.
924
00:44:29,901 --> 00:44:31,667
YEAH.
925
00:44:31,667 --> 00:44:32,767
YOU'RE ALL RIGHT.
926
00:44:38,400 --> 00:44:40,167
RAT BASTARD.
927
00:45:05,767 --> 00:45:07,334
MADDIE?
928
00:45:08,467 --> 00:45:10,367
UP HERE.
929
00:45:21,934 --> 00:45:23,434
NICE TUNE.
930
00:45:23,434 --> 00:45:24,801
STILL YOUR FAVORITE?
931
00:45:24,801 --> 00:45:27,634
YEAH. YEAH,
STILL MY FAVORITE.
932
00:45:33,067 --> 00:45:34,534
SOME NIGHT, HUH?
933
00:45:37,300 --> 00:45:38,400
SOME NIGHT.
934
00:45:43,601 --> 00:45:46,534
HE'S, UM,
935
00:45:46,534 --> 00:45:48,000
QUITE A GUY.
936
00:45:48,000 --> 00:45:49,767
SINATRA?
937
00:45:49,767 --> 00:45:52,100
YEAH.
938
00:45:52,100 --> 00:45:54,200
YEAH, SINATRA.
939
00:45:55,968 --> 00:45:57,300
COME HERE.
940
00:45:57,300 --> 00:45:59,267
Sinatra: * THROUGH THE GOOD
OR LEAN YEARS *
941
00:45:59,267 --> 00:46:03,968
* AND FOR ALL
THOSE IN-BETWEEN YEARS *
942
00:46:03,968 --> 00:46:06,400
* COME WHAT MAY *
943
00:46:09,634 --> 00:46:15,567
* WHO KNOWS WHERE THE ROAD
WILL LEAD US? *
944
00:46:15,567 --> 00:46:18,701
* ONLY A FOOL WOULD SAY *
945
00:46:20,634 --> 00:46:23,467
* BUT IF YOU
LET ME LOVE YOU *
946
00:46:23,467 --> 00:46:26,868
* IT'S FOR SURE
I'M GONNA LOVE YOU *
947
00:46:28,267 --> 00:46:33,133
* ALL THE WAY *
948
00:46:33,133 --> 00:46:37,367
* ALL THE WAY *
949
00:46:37,367 --> 00:46:39,300
[MUSIC CONTINUES]
950
00:47:03,634 --> 00:47:07,200
* AND WHEN
SOMEBODY NEEDS YOU *
951
00:47:07,200 --> 00:47:11,901
* IT'S NO GOOD
UNLESS SHE NEEDS YOU *
952
00:47:11,901 --> 00:47:15,367
* ALL THE WAY *
953
00:47:16,434 --> 00:47:18,601
* THROUGH THE GOOD
OR LEAN YEARS *
954
00:47:18,601 --> 00:47:22,534
* AND FOR ALL THOSE
IN-BETWEEN YEARS *
955
00:47:23,968 --> 00:47:26,767
* COME WHAT MAY *
956
00:47:28,501 --> 00:47:34,534
* WHO KNOWS WHERE
THE ROAD WILL LEAD US? *
957
00:47:34,534 --> 00:47:36,300
* ONLY A FOOL... *
958
00:47:59,434 --> 00:48:02,434
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
959
00:48:02,434 --> 00:48:05,367
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
960
00:48:21,901 --> 00:48:23,834
* OOH *
961
00:48:28,067 --> 00:48:32,734
* SOME WALK BY NIGHT *
962
00:48:32,734 --> 00:48:37,567
* SOME FLY BY DAY *
963
00:48:37,567 --> 00:48:41,701
* SOMETHING IS SWEETER *
964
00:48:41,701 --> 00:48:46,400
* 'CAUSE WE MET
ON THE WAY *
965
00:48:46,400 --> 00:48:50,400
* 'CAUSE WE MET
ON THE WAY *
66789
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof